Merchant Of Venice Portia Quotes

Beshrew your eyes, They have o'erlook'd me and divided me; One half of me is yours, the other half yours, Mine own, I would say; but if mine, then yours, And so all yours.

He will fence with his own shadow.

I’ll prove the prettier fellow of the two and wear my dagger with the braver grace

Her name is Portia

Hvis det var lige saa let at gøre, hvad der er godt, som at vide, hvad der er godt at gøre, saa blev Kapeller til Kirker, og Fattigfolks Rønner til fyrstelige Paladser.

So doth the greater glory dim the less: A substitute shines brightly as a king Unto the king be by, and then his state Empties itself, as doth an inland brook Into the main of waters. Music! hark! NERISSA It is your music, madam, of the house. PORTIA Nothing is good, I see, without respect: Methinks it sounds much sweeter than by day. NERISSA Silence bestows that virtue on it, madam. PORTIA The crow doth sing as sweetly as the lark, When neither is attended, and I think The nightingale, if she should sing by day, When every goose is cackling, would be thought No better a musician than the wren. How many things by season season'd are To their right praise and true perfection! Peace, ho! the moon sleeps with Endymion And would not be awaked. - Acte V, Scene 1

So tell me, Miss Fitt, do you know when your brother will return?" "No." I wet my lips. "Do you know Elijah?" He looked off to the right. "I know of your brother." "Oh?" "Of course." He folded his arms over his chest and returned his gaze to me. "Everyone knows of the Philadelphia Fitts.I even know of you." "You mean Allison told you about me." His lips twitched. "Certainly." I stroked my amethysts and made my expression passive. I didn't care one whit about her gossip-though I did wish she wouldn't talk about me to Clarence. I'd prefer if eligible young men learned my faults after meeting me. He flashed his eyebrows playfully, as if knowing where my thoughts had gone. "You needn't worry. She's said nothing unkind. She finds you amusing-she likes to talk, you know?" "I hadn't noticed," I said flatly. Saying Allison loved to gossip was like saying birds enjoyed flying. It was not so much a hobby as part of her physiology. Clarence's smile expanded, and his eyes crinkled. "Apparently there was an insult you gave her a few days ago, though...She had to ask me what it meant." My face warmed, and I looked away. "I believe I might have called her a spoiled Portia with no concept of mercy." He laughed and hit his knee. "That's right. Portia's speech on mercy in the final act of The Merchant of Venice. Allie had no idea what you meant." "In my defense, she was taunting me-" "With no mercy?" "Something like that," I mumbled, embarrassed he'd heard abou tit. "Oh,I have no doubt. One of Allie's charms is her childish teasing." He laughed again and shook his head. "Next time, though, I suggest you use less obscure insults. They might hit their mark better.

1595, Richard Field, fellow-alumnus of the King Edward grammar school in Stratford-upon-Avon, printed The lives of the noble Grecians and Romanes, compared together by that grave learned philosopher and historiographer, Plutarke of Chaeronea: translated out of Greeke into French by James Amiot, abbot of Bellozane, Bishop of Auxerre, one of the Kings privie counsell, and great Amner of France, and out of French into English, by Thomas North. This was the book that got Shakespeare thinking seriously about politics: monarchy versus republicanism versus empire; the choices we make and their tragic consequences; the conflict between public duty and private desire. He absorbed classical thought, but was not enslaved to it. Shakespeare was a thinker who always made it new, adapted his source materials, and put his own spin on them. In the case of Plutarch, he feminized the very masculine Roman world. Brutus and Caesar are seen through the prism of their wives, Portia and Calpurnia; Coriolanus through his mother, Volumnia; Mark Antony through his lover, Cleopatra. Roman women were traditionally silent, confined to the domestic sphere. Cleopatra is the very antithesis of such a woman, while Volumnia is given the full force of that supreme Ciceronian skill, a persuasive rhetorical voice.40 Timon of Athens is alone and unhappy precisely because his obsession with money has cut him off from the love of, and for, women (the only females in Timon’s strange play are two prostitutes). Paradoxically, the very masculinity of Plutarch’s version of ancient history stimulated Shakespeare into demonstrating that women are more than the equal of men. Where most thinkers among his contemporaries took the traditional view of female inferiority, he again and again wrote comedies in which the girls are smarter than the boys—Beatrice in Much Ado about Nothing, Rosalind in As You Like It, Portia in The Merchant of Venice—and tragedies in which women exercise forceful authority for good or ill (Tamora, Cleopatra, Volumnia, and Cymbeline’s Queen in his imagined antiquity, but also Queen Margaret in his rendition of the Wars of the Roses).41

Each suitor was faced with three boxes: a gold one, a silver one, and a lead one - each with corresponding clues. Whoever chose the gold box would earn what many men desired. Whoever chose the silver box would earn what many men deserved. And whoever chose the lead box would be required to give and risk all he had... since Portia was the pearl of great price, he must be willing to give everything and all that he had in order to have a true chance of winning her hand and her heart. Shakespeare's play - The Merchant of Venice

If to do were as easy as to know what were good to do, chapels had been churches, and poor men’s cottages princes’ palaces. PORTIA, IN The Merchant of Venice, I,

In the comedies, women often subvert the masculine order by disguising themselves as men. Portia, dressed as a lawyer, presides over Antonio’s trial, outsmarting the men in The Merchant of Venice:

In The Merchant of Venice, this Platonic test of character manifests as an actual test: the casket test. Portia’s suitors are presented with a gold casket, a silver casket, and a lead casket. One of them contains her portrait. To win her hand, a suitor must choose the correct casket. “If you do love me, you will find me out,” says Portia.