“
You never called me back," he said. "I called you so many times and you never called me back."
Magnus looked at Alec as if he'd lost his mind. "Your city is under attack," he said. "The wards have been broken, and the streets are full of demons. And you want to know why I haven't called you?"
Alec set his jaw in a stubborn line. "I want to know why you haven't called me back."
Magnus threw his hands up in the air in a gesture of utter exasperation. Alec noted with interest that when he did it, a few sparks escaped from his fingertips, like fireflies escaping from a jar. "You're an idiot."
"Is that why you haven't called me? Because I'm an idiot?"
"No." Magnus strode toward him. "I didn't call you because I'm tired of you only wanting me around when you need something. I'm tired of watching you be in love with someone else - someone, incidentally, who will never love you back. Not the way I do."
"You love me?"
"You stupid Nephilim," Magnus said patiently. "Why else am I here? Why else would I have spent the past few weeks patching up all your moronic friends every time they got hurt? And getting you out of every ridiculous situation you found yourself in? Not to mention helping you win a battle against Valentine. And all completely free of charge!
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
You never laugh," she said. "You behave as if everything is funny to you, but you never laugh. Sometimes you smile when you think no one is paying attention."
For a moment he was silent. Then, "You," he said, half reluctantly. "You make me laugh. From the moment you hit me with that bottle."
"It was a jug," she said automatically.
His lips quirked up at the corners. "Not to mention the way you always correct me. With that funny look on your face when you do it. And the way you shouted at Gabriel Lightwood. And even the way you talked back to de Quincey. You make me..." He broke off, looking at her, and she wondered if she looked the way she felt - stunned and breathless.
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
I want to talk
about what happened
without mentioning
how much it hurt.
There has to be a way.
To care for the wounds
without reopening them.
To name the pain
without inviting it back
into me.
”
”
Lora Mathis
“
contiguous, adj.
I felt silly for even mentioning it, but once I did, I knew I had to explain.
"When I was a kid, "I had this puzzle with all fifty states on it--you know, the kind where you have to fit them all together. And one day I got it in my head that California and Nevada were in love. I told my mom, and she had no idea what I was talking about. I ran and got those two pieces and showed it to her--California and Nevada, completely in love. So a lot of the time when we're like this"--my ankles against the backs of your ankles, my knees fitting into the backs of your knees, my thighs on the backs of your legs, my stomach against your back, my chin folding into your neck--"I can't help but think about California and Nevada, and how we're a lot like them. If someone were drawing us from above as a map. that's what we'd look like; that's how we are."
For a moment, you were quiet. And then you nestled in and whispered.
"Contiguous."
And I knew you understood.
”
”
David Levithan (The Lover's Dictionary)
“
Shigure: JUST LISTEN TO ME FOR A SECOND, KYO!
Kyo: SHUT UP! I HATE THIS! DO YOU REALLY GET THAT MUCH ENJOYMENT FROM PLAYING WITH PEOPLES' LIVES?!
Shigure: Well, yes, now that you mention it, I do--BUT THIS IS FOR YOUR OWN GOOD!
Kyo: Man, your persuasion skills SUCK!
Tohru: Um, welcome home. Dinner's-
Kyo: NOT HUNGRY!
Shigure: KYO! DON'T TAKE THIS OUT ON TOHRU! And come back to the entrance hall this instant and take those shoes off!
Yuki: He's right, Shigure. You really do suck at persuasion.
”
”
Natsuki Takaya (Fruits Basket, Vol. 1)
“
Come on, Hathaway," he said, taking my arm. "You can be my partner. Let’s see what you’ve been doing all this time."
An hour later, he had his answer.
"Not practicing, huh?"
"Ow,” I groaned, momentarily incapable of normal speech.
He extended a hand and helped me up from the mat he’d knocked me down on—about fifty times.
"I hate you,” I told him, rubbing a spot on my thigh that was going to have a wicked bruise tomorrow.
"You’d hate me more if I held back."
"Yeah, that’s true," I agreed, staggering along as the class put the equipment back.
"You actually did okay."
"What? I just had my ass handed to me."
"Well, of course you did. It’s been two years. But hey, you’re still walking. That’s something." He grinned mockingly.
"Did I mention I hate you?”
He flashed me another smile, which quickly faded to something more serious. "Don’t take this the wrong way…I mean, you really are a scrapper, but there’s no way you’ll be able to take your trials in the spring—"
"They’re making me take extra practice sessions," I explained. Not that it mattered. I planned on getting Lissa and me out of here before those practices really became an issue.
"Extra sessions with who?"
"That tall guy. Dimitri."
Mason stopped walking and stared at me. "You’re putting in extra time with Belikov?"
"Yeah, so what?"
"So the man is a god."
"Exaggerate much?" I asked.
"No, I’m serious. I mean, he’s all quiet and antisocial usually but when he fights...wow. If you think you’re hurting now, you’re going to be dead when he’s done with you."
Great. Something else to improve my day.
”
”
Richelle Mead (Vampire Academy (Vampire Academy, #1))
“
It’s not the first time he’s mentioned I saved him back then, but every time he says it, I want to argue with him. I didn’t save him. All I did was fall in love with him.
”
”
Colleen Hoover (It Starts with Us (It Ends with Us #2))
“
Like This
If anyone asks you
how the perfect satisfaction
of all our sexual wanting
will look, lift your face
and say,
Like this.
When someone mentions the gracefulness
of the nightsky, climb up on the roof
and dance and say,
Like this.
If anyone wants to know what "spirit" is,
or what "God’s fragrance" means,
lean your head toward him or her.
Keep your face there close.
Like this.
When someone quotes the old poetic image
about clouds gradually uncovering the moon,
slowly loosen knot by knot the strings
of your robe.
Like this.
If anyone wonders how Jesus raised the dead,
don’t try to explain the miracle.
Kiss me on the lips.
Like this. Like this.
When someone asks what it means
to "die for love," point
here.
If someone asks how tall I am, frown
and measure with your fingers the space
between the creases on your forehead.
This tall.
The soul sometimes leaves the body, the returns.
When someone doesn’t believe that,
walk back into my house.
Like this.
When lovers moan,
they’re telling our story.
Like this.
I am a sky where spirits live.
Stare into this deepening blue,
while the breeze says a secret.
Like this.
When someone asks what there is to do,
light the candle in his hand.
Like this.
How did Joseph’s scent come to Jacob?
Huuuuu.
How did Jacob’s sight return?
Huuuu.
A little wind cleans the eyes.
Like this.
When Shams comes back from Tabriz,
he’ll put just his head around the edge
of the door to surprise us
Like this.
”
”
Jalal ad-Din Muhammad ar-Rumi
“
I can only hope,” Julie said, turning back to Gus, “they grow into the kind of thoughtful, intelligent young men you’ve become.”
I resisted the urge to audibly gag. “He’s not that smart,” I said to Julie.
“She’s right. It’s just that most really good-looking people are stupid, so I exceed expectations.”
“Right, it’s primarily his hotness,” I said.
“It can be sort of blinding,” he said.
“It actually did blind our friend Isaac,” I said.
“Terrible tragedy, that. But can I help my own deadly beauty?”
“You cannot.”
“It is my burden, this beautiful face.”
“Not to mention your body.”
“Seriously, don’t even get me started on my hot bod. You don’t want to see me naked, Dave. Seeing me naked actually took Hazel Grace’s breath away,” he said, nodding toward the oxygen tank.
“Okay, enough,” Gus’s dad said.
”
”
John Green (The Fault in Our Stars)
“
Culture Clash
Dylan says
when I meet his mother today
I shouldn't mention
that I'm Jewish.
I say
okay, but can I
tell her about
the HIV postive thing?
He gives me a look.
I give him one back
”
”
Sonya Sones (What My Mother Doesn't Know (What My Mother Doesn't Know #1))
“
Do you think you could put that boot back on?" he added mildly. "The window can only let in a limited ammount of fresh air and your socks are a tough ripe, to put it mildly."
Oh, sorry!" said Horace, tugging the riding boot back on over his sock. Now that Halt mentioned it, he was aware of a rather strong odor in the room.
”
”
John Flanagan (The Icebound Land (Ranger's Apprentice, #3))
“
In speaking of this desire for our own far off country, which we find in ourselves even now, I feel a certain shyness. I am almost committing an indecency. I am trying to rip open the inconsolable secret in each one of you—the secret which hurts so much that you take your revenge on it by calling it names like Nostalgia and Romanticism and Adolescence; the secret also which pierces with such sweetness that when, in very intimate conversation, the mention of it becomes imminent, we grow awkward and affect to laugh at ourselves; the secret we cannot hide and cannot tell, though we desire to do both. We cannot tell it because it is a desire for something that has never actually appeared in our experience. We cannot hide it because our experience is constantly suggesting it, and we betray ourselves like lovers at the mention of a name. Our commonest expedient is to call it beauty and behave as if that had settled the matter. Wordsworth’s expedient was to identify it with certain moments in his own past. But all this is a cheat. If Wordsworth had gone back to those moments in the past, he would not have found the thing itself, but only the reminder of it; what he remembered would turn out to be itself a remembering. The books or the music in which we thought the beauty was located will betray us if we trust to them; it was not in them, it only came through them, and what came through them was longing. These things—the beauty, the memory of our own past—are good images of what we really desire; but if they are mistaken for the thing itself they turn into dumb idols, breaking the hearts of their worshipers. For they are not the thing itself; they are only the scent of a flower we have not found, the echo of a tune we have not heard, news from a country we have never yet visited.
”
”
C.S. Lewis (The Weight of Glory)
“
She had found him and was bringing back his thanks. Nor did she forget to mention that he had assured her that she was indeed the most beautiful fairy he had ever set eyes on.
”
”
Cornelia Funke (Inkdeath)
“
Now, back to my vacation idea.” Finn grinned, showing off his perfect white teeth. “Just think about it. You, Owen, me, and Bria, all happily ensconced in a swanky hotel by a beautiful beach. Bria in a bikini. You and Owen doing your own thing, Bria in a bikini. Did I mention Bria in a bikini?
”
”
Jennifer Estep (By a Thread (Elemental Assassin, #6))
“
It was the same Dimitri from long ago, the fierce one who was willing to risk his life for what was right. I almost wished he'd go back to being annoying, distant Dimitri, the one who told me to stay away. Seeing him now brought back too many memories -not to mention the attraction I thought I'd smashed. Now, with that passion all over him, he seemed sexier than ever. He'd worn that same intensity when we'd fought together. Even when we'd had sex. This was the way Dimitri was supposed to be: powerful and in charge.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
Darcangelo winced, gritted his teeth "Want to tell me why ... you're sitting here cuddling me, Hunter?"
"Rossiter says I have to keep you warm. He thinks you're in shock or some shit."
Despite his words and the tone of his voice, there was really worry on Hunter's face.
"Great. Thanks." Darcangelo's head fell back to rest against Hunter's vest, the big guy's strength clearly spent.
A muscle clenched in Hunter's jaw. "Hey, don't mention it--ever.
”
”
Pamela Clare (Breaking Point (I-Team, #5))
“
To the most inconsiderate asshole of a friend,
I’m writing you this letter because I know that if I say what I have to say
to your face I will probably punch you.
I don’t know you anymore.
I don’t see you anymore.
All I get is a quick text or a rushed e-mail from you every few days. I
know you are busy and I know you have Bethany, but hello? I’m supposed to
be your best friend.
You have no idea what this summer has been like. Ever since we were
kids we pushed away every single person that could possibly have been our
friend. We blocked people until there was only me and you. You probably
haven’t noticed, because you have never been in the position I am in now.
You have always had someone. You always had me. I always had you. Now
you have Bethany and I have no one.
Now I feel like those other people that used to try to become our friend,
that tried to push their way into our circle but were met by turned backs. I
know you’re probably not doing it deliberately just as we never did it deliberately.
It’s not that we didn’t want anyone else, it’s just that we didn’t need
them. Sadly now it looks like you don’t need me anymore.
Anyway I’m not moaning on about how much I hate her, I’m just trying
to tell you that I miss you. And that well . . . I’m lonely.
Whenever you cancel nights out I end up staying home with Mum and
Dad watching TV. It’s so depressing. This was supposed to be our summer
of fun. What happened? Can’t you be friends with two people at once?
I know you have found someone who is extra special, and I know you
both have a special “bond,” or whatever, that you and I will never have. But
we have another bond, we’re best friends. Or does the best friend bond disappear
as soon as you meet somebody else? Maybe it does, maybe I just
don’t understand that because I haven’t met that “somebody special.” I’m
not in any hurry to, either. I liked things the way they were.
So maybe Bethany is now your best friend and I have been relegated to
just being your “friend.” At least be that to me, Alex. In a few years time if
my name ever comes up you will probably say, “Rosie, now there’s a name I
haven’t heard in years. We used to be best friends. I wonder what she’s doingnow; I haven’t seen or thought of her in years!” You will sound like my mum
and dad when they have dinner parties with friends and talk about old times.
They always mention people I’ve never even heard of when they’re talking
about some of the most important days of their lives. Yet where are those
people now? How could someone who was your bridesmaid 20 years ago not
even be someone who you are on talking terms with now? Or in Dad’s case,
how could he not know where his own best friend from college lives? He
studied with the man for five years!
Anyway, my point is (I know, I know, there is one), I don’t want to be
one of those easily forgotten people, so important at the time, so special, so
influential, and so treasured, yet years later just a vague face and a distant
memory. I want us to be best friends forever, Alex.
I’m happy you’re happy, really I am, but I feel like I’ve been left behind.
Maybe our time has come and gone. Maybe your time is now meant to be
spent with Bethany. And if that’s the case I won’t bother sending you this letter.
And if I’m not sending this letter then what am I doing still writing it?
OK I’m going now and I’m ripping these muddled thoughts up.
Your friend,
Rosie
”
”
Cecelia Ahern (Love, Rosie)
“
The first word is 'Fine'. When a woman says this during an argument, she knows she is right and that you are very wrong. She is not fine - you're not fine, nothing is fine."
I snorted because that was true.
Alec frowned. "But what about if she is wrong-"
"Alec, stop. Do not talk back when she says something is fine, wait until she is calm to mention she might be wrong.
”
”
L.A. Casey (Alec (Slater Brothers, #2))
“
Thaniel listened for a while longer, because the silence was so deep and clear that he could hear ghosts of the thirty-six of thirty-seven possible worlds in which Grace had not won at the roulette, and not stepped backward into him. He wished then that he could go back and that the ball had landed on another number. He would be none the wiser and he would be staying at Filigree Street, probably for years, still happy, and he wouldn't have stolen those years from a lonely man who was too decent to mention that they were missing.
”
”
Natasha Pulley (The Watchmaker of Filigree Street (The Watchmaker of Filigree Street, #1))
“
My grandfather used to say: Life is astoundingly short. To me, looking back over it, life seems so foreshortened that I scarcely understand, for instance, how a young man can decide to ride over to the next village without being afraid that -not to mention accidents- even the span of a normal happy life may fall far short of the time needed for such a journey.
”
”
Franz Kafka (The Complete Stories)
“
Emilio appeared with wine before Cal could say anything, and Min beamed at him, grateful for the rescue. "Emilio, my darling. I forgot to mention cake boxes. Two hundred cake boxes."
"Already on it," Emilio said. "Nonna said you'd need them. She said to get four-inch-square boxes for three-inch-square cakes."
"I'm getting the boxes," Min said, nodding. "Sure. Great. Fine. Your grandmother is an angel and you are my hero. And of course, a genius with food."
"And you are my favorite customer." Emilio kissed her cheek and disappeared back into the kitchen.
"I love him," she told Cal.
"I noticed," Cal said. "Been seeing him behind my back, have you?"
"Yes," Min said. "We've been having conversations about cake."
"Whoa," Cal said. "For you, that's talking dirty.
”
”
Jennifer Crusie (Bet Me)
“
...drag you back if you do not wish to go. Though... the prince consort did mention the phrase, throw away the key, at one point.”
I couldn’t be sure, but I thought I saw Keirran gulp.
”
”
Julie Kagawa (The Lost Prince (The Iron Fey: Call of the Forgotten, #1))
“
The italian nanny was attempting to answer the teachers latest question when the moroccan student interupted, shouting "Excuse me, What is an easter?"
it would seem that depsite having grown up in a muslim country, she would have heard it mentioned once or twice, but no. "I mean it," She said. " I have no idea what you people are talking about."
The teacher called upon the rest of us to explain.
The poles led the charge to the best of their ability. It is," said one, "a party for the little boy of god who call his self jesus and... oh shit." She faltered and her fellow country man came to her aid.
He call his self Jesus and then he die one day on two... morsels of... lumber."
The rest of the class jumped in, offering bits of information that would have given the pope an aneurysm.
he die one day and then he go above of my head to live with your father."
he weared of himself the long hair and after he die. the first day he come back here for to say hello to the peoples."
he Nice the jesus."
he make the good things, and on the easter we be sad because somebody makes him dead today.
”
”
David Sedaris (Me Talk Pretty One Day)
“
I don't know the first thing about holding together a family, especially one that resembles an heirloom vase, shattered but glued back together for its beauty, and no one mentions that you can see the cracks as plain as day.
”
”
Jodi Picoult (Songs of the Humpback Whale)
“
Guys can smell desperation. It triggers an instinct in them to run far and fast so they aren't around when a woman starts peeling apart her heart. They know she'll ask for help in putting it back together the right way - intact and beating correctly - and they dread the thought of puzzling over layers that they can't understand, let alone rebuild. They'd rather just not get blood on their hands.
But sharks are different. They smell the blood of desperation and circle in. They whisper into a girl's ear, "I'll make it better. I'll make you forget all about your pain."
Sharks do this by eating your heart, but they never mention this beforehand. That is the thing about sharks.
”
”
Janette Rallison (My Fair Godmother (My Fair Godmother, #1))
“
Your file never mentioned an issue with talking back to authority figures.” I perk up. “You’ve been reading up on me.” “I tend to research my investments.
”
”
Lauren Asher (The Fine Print (Dreamland Billionaires, #1))
“
Okay. how about that time when you smoked all that weed that you thought was laced with something? You fell into the tub, but you refused to get out because you were convinced that the back of your head was going to fall off?
"That third story happened to a guy named Jace in my dorm. Me and Sam and another guy in our hall took turns reading "Paradise Lost" through the locked door. I think it made him more paranoid, though."
"That's not true," he says.
"Well, he *seemed* more paranoid to me," I say. "And he still gets a little weired out when any one mentions angels.
”
”
Holly Black (White Cat (Curse Workers, #1))
“
...she's leaving now.
...
Janis attacks the back door of the school gym and finds herself in a heavy cloud of smoke. She realizes she's found the Goths' hangout. Who knew?
"Oof," someone says. She keeps walking, muttering, "sorry" to whomever it was she hit with the flying door.
***
Cabel: ... That was the Goth stage where I decided I'd never get the girl of my dreams because of my scars. Not to mention the hairstyle.
(pause)
But then she slammed a door handle into my gut. And, when a girl does that to a boy, it means she likes him.
”
”
Lisa McMann (Wake (Wake, #1))
“
Miracles are like meatballs, because nobody can exactly agree on what they are made of, where they come from, or how often they should appear. Some people say that a sunrise is a miracle, because it is somewhat mysterious and often very beautiful, but other people say it is simply a fact of life, because it happens every day and far too early in the morning. Some people say that a telephone is a miracle, because it sometimes seems wondrous that you can talk with somebody who is thousands of miles away, and other people say it is merely a manufactured device fashioned out of metal parts, electronic circuitry, and wires that are very easily cut. And some people say that sneaking out of a hotel is a miracle, particularly if the lobby is swarming with policemen, and other people say it is simply a fact of life, because it happens every day and far too early in the morning. So you might think that there are so many miracles in the world that you can scarcely count them, or that there are so few that they are scarcely worth mentioning, depending on whether you spend your mornings gazing at a beautiful sunset or lowering yourself into a back alley with a rope made of matching towels.
”
”
Lemony Snicket (The Carnivorous Carnival (A Series of Unfortunate Events, #9))
“
Halt eyed them balefully. They were all being so obvious about not mentioning his sudden reappearance that it was even worse than if they had commented on it...
'Oh, go on!' he said. 'Somebody say something! I know what you're thinking!'
'It's good to see you up and about, Halt,' Selethen said gravely...
Halt glared at the others and they quickly chorused their pleasure at seeing him back to his normal self. But he could see the grins they didn't quite manage to hide. He fixed a glare on Alyss.
'I'm surprised at you Alyss,' he said. 'I expected no better of Will and Evanlyn, of course. Heartless beasts, the pair of them. But you! I thought you had been better trained!'...
'Halt, I'm sorry! It's not funny, you're right... Shut up, Will.' This last was directed at Will as he tried, unsuccessfully, to smother a snigger.
”
”
John Flanagan (The Emperor of Nihon-Ja (Ranger's Apprentice, #10))
“
Had it taken her this long to discover that she lacked some simple mental trick that everyone else had, a mechanism so ordinary that no one ever mentioned it, an immediate sensual connection to people and events, and to her own needs and desires? All these years she had lived in isolation within herself and, strangely, from herself, never wanting or daring to look back.
”
”
Ian McEwan (On Chesil Beach)
“
Beati bellicosi. Blessed are the warriors.”
“Good organization,” said Magnus. “I knew the man who founded it, back in the 1800s. Woolsey Scott. Respectable old werewolf family.”
Alec made an ugly sound in the back of his throat. “Did you sleep with him, too?”
Magnus’s cat eyes widened. “Alexander!”
“Well, I don’t know anything about your past, do I?” Alec demanded. “You won’t tell me anything; you just say it doesn’t matter.”
Magnus’s face was expressionless, but there was a dark tinge of anger to his voice. “Does this mean every time I mention anyone I’ve ever met, you’re going to ask me if I had an affair with them?”
Alec’s expression was stubborn, but Simon couldn’t help having a flash of sympathy; the hurt behind his blue eyes was clear. “Maybe.”
“I met Napoleon once,” said Magnus. “We didn’t have an affair, though. He was shockingly prudish for a Frenchman.”
“You met Napoleon?” Jordan, who appeared to be missing most of the conversation, looked impressed. “So it’s true what they said about warlocks, then?”
Alec gave him a very unpleasant look. “What’s true?”
“Alexander,” said Magnus coldly, and Clary met Simon’s eyes across the table. Hers were wide, green, and full of an expression that said Uh-oh. “You can’t be rude to everyone who talks to me.”
Alec made a wide, sweeping gesture. “And why not? Cramping your style, am I? I mean, maybe you were hoping to flirt with werewolf boy here. He’s pretty attractive, if you like the messy-haired, broad-shouldered, chiseled-good looks type.”
“Hey, now,” said Jordan mildly.
Magnus put his head in his hands.
“Or there are plenty of pretty girls here, since apparently your taste goes both ways. Is there anything you aren’t into?”
“Mermaids,” said Magnus into his fingers. “They always smell like seaweed.”
“It’s not funny,” Alec said savagely, and kicking back his chair, he got up from the table and stalked off into the crowd.
”
”
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
“
SELFLESS LOVE.
If you have a special person in your life, but you find yourselves arguing, irritated and/or fighting out of the blue… you both need to try to step back and be selfless and think of the other person... with no ego of your own. No ego. We are ALL dealing with our own tough issues. We may keep them to ourselves, but we all have struggles. If you BOTH allow yourselves to step into each others shoes- to have the awareness and respect for each others issues and struggles... that will most likely allow the love that you have for each other to shine through at its brightest.
There will be ups and downs- feelings of being under-appreciated for both. It will happen. But let that be the worst that happens. Unity through diversity. That's the greatest love. A selfless love. It’s paradoxical, but you each would get back more than you give out. That's the love that conquers all things that’s mentioned in the Bible. It will be challenging for both of you, but well worth it.
”
”
José N. Harris
“
Do you remember the woman I told you about?"
I knew we would get back around to this. I'd been dying to know more. "The one who used your body then threw you away like a toothbrush you had to use to clean the toilet because you couldn't find your scrub brush?"
"Well, yeah."
"And then you saw her out a year later and she'd had a baby who just happened to have your eyes?"
"That's the one."
"No. I don't remember you mentioning her.
”
”
Darynda Jones (Sixth Grave on the Edge (Charley Davidson, #6))
“
Royce turned to Hadrian. “It’s supposed to make them look tough, but all it really does is make it easy to identify them as thieves for the rest of their lives. Painting a red hand on everyone is pretty stupid when you think about it.”
“That tattoo is supposed to be a hand?” Hadrian asked. “I thought it was a little red chicken. But now that you mention it, a hand does make more sense.”
Royce looked back at Will and tilted his head to one side. “Does kinda look like a chicken.
”
”
Michael J. Sullivan (Theft of Swords (The Riyria Revelations, #1-2))
“
Thank you, I guess.
It’s good to see they’ve replaced Silas Briggs with
someone who’s a little more reasonable.” He grinned.
“Not to mention, someone with a much prettier face.”
Agent Pallas snapped the ankle monitor on, and Kyle
yelled out in pain.
“Son of a bitch, you got some skin there!” he said to
Pallas.
Cameron threw the FBI agent a look. “Jack.”
He shrugged. “It slipped.” He turned back to Kyle with
a look that could wilt plants.
”
”
Julie James (A Lot like Love (FBI/US Attorney, #2))
“
You’ve got this job offer in Charlotte. I know. But if you want, that’s something we can figure out together. I made a commitment to Cameron, so I need to stay in Chicago until she’s back from maternity leave. But after that, I can—”
“I didn’t take the job in Charlotte.”
“Oh. Right.” He exhaled, trying to catch up to speed. “Well. You should know that I had at least two minutes left on that speech. Really quality stuff.”
“Sorry. I just thought this might be a good time to mention that I love you, too.” She made a rolling gesture. “But, please—carry on.”
He grinned. Sassy as ever.
”
”
Julie James (Love Irresistibly (FBI/US Attorney, #4))
“
You can’t tell a little kid that you swear to God over something and then not do it. You may effectively ruin my childhood.” He looks off into nothing, a wistful expression on his face. “Gosh, think of the therapy bills. Not to mention how I’ll probably never be able to have a normal relationship when I’m an adult. I’ll live with you forever and become a cat lady.”
I cock an eyebrow at him. “You hate cats.” He rolls his eyes. “Well, yeah, now I do. But I won’t have a choice. It’ll be inevitable. And I’ll probably have to throw birthday parties for my feline companions where I bake them cakes out of
Fancy Feast. All because you went back on your God swear.
”
”
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
“
She raised her eyebrows, looping her hands around his neck and wriggling provocatively. 'Looks like I've just been promoted to Alpha then, huh?'
Lucien made a face. 'Well the job is yours if you want it, but I should warn you that the contract is bull crap. I've received none of the perks that were promised.'
'Perks?'
'Oh, you know... a lifetime supply of beer and foot massages, a harem of women to bathe and clothe me etcetera...'
She snorted and pulled back from him. 'Harem of women?'
He grinned unrepentantly. 'Did I mention my sense of humour is greatly underappreciated?
”
”
Samantha Young (Blood Solstice (The Tale of Lunarmorte, #3))
“
I recheck my inbox. Everything’s up to date. I check the clock. Three fifteen P.M. I check my lipstick in the reflection of the shiny wall tile near my computer monitor. I check Joshua, who is glowering at me with contempt. I stare back. Now we are playing the Staring Game.
I should mention that the ultimate aim of all our games is to make the other smile, or cry. It’s something like that. I’ll know when I win.
”
”
Sally Thorne (The Hating Game)
“
After he made up his mind to spend the rest of the war in the hospital, Yossarian wrote letters to everyone he knew saying that he was in the hospital but never mentioning why. One day he had a better idea. To everyone he knew he wrote that he was going on a very dangerous mission. "They asked for volunteers. It's very dangerous, but someone has to do it. I'll write you the instant I get back." And he had not written anyone since.
”
”
Joseph Heller (Catch-22)
“
The last time you were feeling heartbroken, you took shots at a chandelier with a mundane gun and nearly drowned yourself in the Serpentine.” said Matthew.
“I wasn’t trying to drown myself,” James pointed out. “Besides, Magnus Bane saved me.”
“Don’t mention that,” said Matthew, as James uncapped the flask. “You know how angry I am about that. I idolize Magnus Bane, you had one chance to meet him, and you embarrassed us all.”
“I’m quite sure I never mentioned any of you to him,” said James, and tipped the flask back. He choked. It was blue ruin: the cheapest, harshest kind of gin. It went down like lightning. He coughed and thrust the flask away.
“Even worse,” said Matthew. “How sharper than the serpent’s tooth it is to have an ungrateful parabatai.
”
”
Cassandra Clare (Chain of Gold (The Last Hours, #1))
“
My panic is rising again. My sense of isolation and worthlessness. And no other senses worth mentioning apparently. It's not nice being inside my head. It's a nice place to visit but I don't want to live here. It's too crowded; too many traps and pitfalls. I'm tired of it. That same old person, day in and day out. I'd like to try something else. I tried to neaten my mind, file everything away into tidy little thoughts, but it only got more and more cluttered. My mind has a mind of its own. I try to define my limits by seeing just how far I can go, and I find that I passed them weeks ago. And I've got to find my way back.
”
”
Carrie Fisher (The Princess Diarist)
“
What is it?”
Leigh glanced up with uncertainty, then back to his groin with a sort of horrified fascination. “Well, um… is there something about immortals you haven’t told me?”
“What? What do you mean?” he asked with bewilderment.
Leigh shook her head, then leaned forward and said “Hello?” to his groin, only to stiffen again and jerk back as if it had hissed at her.
“Are you talking to my penis?” Lucian asked with disbelief.
“It talked to me first,” she said defensively, and frowned. “You didn’t mention this little skill.”
Lucian decided she must be joking and laughed. “So, what did it say?”
“It said, ‘Lucian? Lucian, are you there?’” He blinked.
“Why would it say that?”
“I don’t know. It’s your penis.”
That’s when he recalled the cell phone in his pocket. A laugh bursting from his lips, Lucian reached in his pocket to retrieve the phone.
”
”
Lynsay Sands (Bite Me If You Can (Argeneau, #6))
“
I first started liking you when we went to talk to the rulers of the low Courts,” I say. “You were funny, which was weird. And when we went to Hollow Hall, you were clever. I kept remembering how you’d been the one to get us out of the brugh after Dain’s coronation, right before I put that knife to your throat.”
He doesn’t try to interrupt, so I have no choice but to barrel on.
“After I tricked you into being the High King,” I say. “I thought once you hated me, I could go back to hating you. But I didn’t. And I felt so stupid. I thought I would get my heart broken. I thought it was a weakness that you would use against me. But then you saved me from the Undersea when it would have been much more convenient to just leave me to rot. After that, I started to hope my feelings were returned. But then there was the exile—” I take a ragged breath. “I hid a lot, I guess. I thought if I didn’t, if I let myself love you, I would burn up like a match. Like the whole matchbook.”
“But now you’ve explained it,” he says. “And you do love me.”
“I love you,” I confirm.
“Because I am clever and funny,” he says, smiling. “You didn’t mention my handsomeness.”
“Or your deliciousness,” I say. “Although those are both good qualities.
”
”
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
“
Wolves don’t socialize with humans. You guys tend to freak out when you learn what we are. Not to mention, your females are rather frail. I don’t like having to hold back for fear of bruising or killing my partner when I mate. (Vane)
And people think I speak my mind. Jeez. You will just say anything, won’t you? (Sunshine)
”
”
Sherrilyn Kenyon (Night Embrace (Dark-Hunter, #2))
“
A hero is also someone who, in their day to day interactions with the world, despite all the pain, uncertainty and doubt that can plague us, is resiliently and unashamedly themselves. If you can wake up every day and be emotionally open and honest regardless of what you get back from the world then you can be the hero of your own story. Each and every person who can say that despite life’s various buffetings that they are proud to be the person they are is a hero. Now I do have to mention the real heroes of The Trevor Project, the men and women volunteers, all of whom stand up day after day answering the calls of desperate teens whose circumstances have pushed them to the edge of the abyss. To take that call, and say yes, I will be the one who saves this life takes such courage and compassion. Hemingway’s definition of ‘grace under pressure’ seems fitting as the job they do is every bit as important, and every bit as delicate as a soldier defusing a bomb.
”
”
Daniel Radcliffe
“
The Frays had never been a religiously observant family, but Clary loved Fifth Avenue at Christmas time. The air smelled like sweet roasted chestnuts, and the window displays sparkled with silver and blue, green and red. This year there were fat round crystal snowflakes attached to each lamppost, sending back the winter sunlight in shafts of gold. Not to mention the huge tree at Rockefeller Center. It threw its shadow across them as she and Simon draped themselves over the gate at the side of the skating rink, watching tourists fall down as they tried to navigate the ice.
Clary had a hot chocolate wrapped in her hands, the warmth spreading through her body. She felt almost normal—this, coming to Fifth to see the window displays and the tree, had been a winter tradition for her and Simon for as long as she could remember.
“Feels like old times, doesn’t it?” he said, echoing her thoughts as he propped his chin on his folded arms.
She chanced a sideways look at him. He was wearing a black topcoat and scarf that emphasized the winter pallor of his skin. His eyes were shadowed, indicating that he hadn’t fed on blood recently. He looked like what he was—a hungry, tired vampire.
Well, she thought. Almost like old times. “More people to buy presents for,” she said. “Plus, the always traumatic what-to-buy-someone-for-the-first-Christmas-after-you’ve-started-dating question.”
“What to get the Shadowhunter who has everything,” Simon said with a grin.
“Jace mostly likes weapons,” Clary sighed. “He likes books, but they have a huge library at the Institute. He likes classical music …” She brightened. Simon was a musician; even though his band was terrible, and was always changing their name—currently they were Lethal Soufflé—he did have training. “What would you give someone who likes to play the piano?”
“A piano.”
“Simon.”
“A really huge metronome that could also double as a weapon?”
Clary sighed, exasperated.
“Sheet music. Rachmaninoff is tough stuff, but he likes a challenge.”
“Now you’re talking. I’m going to see if there’s a music store around here.” Clary, done with her hot chocolate, tossed the cup into a nearby trash can and pulled her phone out. “What about you? What are you giving Isabelle?”
“I have absolutely no idea,” Simon said. They had started heading toward the avenue, where a steady stream of pedestrians gawking at the windows clogged the streets.
“Oh, come on. Isabelle’s easy.”
“That’s my girlfriend you’re talking about.” Simon’s brows drew together. “I think. I’m not sure. We haven’t discussed it. The relationship, I mean.”
“You really have to DTR, Simon.”
“What?”
“Define the relationship. What it is, where it’s going. Are you boyfriend and girlfriend, just having fun, ‘it’s complicated,’ or what? When’s she going to tell her parents? Are you allowed to see other people?”
Simon blanched. “What? Seriously?”
“Seriously. In the meantime—perfume!” Clary grabbed Simon by the back of his coat and hauled him into a cosmetics store that had once been a bank. It was massive on the inside, with rows of gleaming bottles everywhere. “And something unusual,” she said, heading for the fragrance area. “Isabelle isn’t going to want to smell like everyone else. She’s going to want to smell like figs, or vetiver, or—”
“Figs? Figs have a smell?” Simon looked horrified; Clary was about to laugh at him when her phone buzzed. It was her mother.
where are you? It’s an emergency.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
Is that all?” he blurted out.
Crowley and Halt exchanged slightly puzzled glances. Then Crowley pursed his lips thoughtfully.
“Um…it seems to be…Listed your trainging, mentioned a few achievements, made sure you know which end of an arrow is the sharp part…decided your new name…I think that’s…” Then it seemed that understanding dawned on him and his eyes opened wide.
“Of course! You have to have you Silver…whatsis, don ‘t you?” He took hold of the chain that held his own Silver Oakleaf around his throat and shook it lightly. It was a badge of a Graduate Ranger. Then he began to search through his pockets, frowning.
“Had it here! Had it here! Where the devil is it…wait. I heard something fall on the boards as I came in! Must have dropped it. Just check outside the front door, will you, Will?”
Too stunned to talk, Will rose and went to the door. As he set his hand on the latch, he looked back at the two Rangers, still seated at the table. Crowley made a small shooing motion with the back of his hand, urging him to go outside. Will was still looking back at them when he opened the door and stepped through on the verandah.
“Congratulations!”
The massive cry went up from at least forty throats. He swung around in shock to find all his friends gathered in the clearing outside around the table laid for a feast, their faces beaming with smiles. Baron Arald, Sir Rodney, Lady Pauline and Master Chubb were all there. So were Jenny and George, his former wardmates. There were a dozen others in the Ranger uniform – men he had met worked with over the past five years. And wonder of wonders, there were Erak and Svengal , bellowing his name and waving their huge axes overhead in his praise. Close by them stood Horace and Gilan, both brandishing their swords overhead as well. It looked like a dangerous section of the crowd to be in, Will thought.
After the first concerted shout, people began cheering and calling his name, laughing and waving to him.
Halt and Crowley joined him on the verandah. The Commandant was doubled over with laughter.
“Oh, if you could have seen yourself!” he wheezed. “Your face! Your face! It was priceless! ‘Is that all?’” He mimicked Will’s plaintive tones and doubled over again.
Will tuned to Halt accusingly. His teacher grinned at him.
“Your face was a study,” he said.
“Do you so that to all apprentices?” Will asked.
Halt nodded vigorously. “Every one. Stops them getting a swelled head at the last minute. You have to swear never to let an apprentice in on the secret.
”
”
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
“
I owe a debt to you," his low voice hissed at Shion's ear. "Four years ago, you saved my life. I'm paying back that debt. That's all."
"Then you've paid enough. Too much, even." Shion gripped Nezumi's wrist to pry it away from his collar. But Nezumi's taut muscles showed no signs of relaxing.
"Let go."
"Make me, little boy."
"I'll bite your nose off." Shion clicked his teeth. There was a split second of hesitation. Shion didn't miss it. He slid a hand around the back of Nezumi's neck. "Biting noses off is my specialty."
"Huh? Wait a second, that's dirty―"
"I forgot to mention, over these past four years, I've also learned how to fight.
”
”
Atsuko Asano (No.6, Volume 1)
“
Great way to impress your future brother-in-law, by the way," Kieran continued. "You look like you took a blood bath. The only thing missing is the axe. Would Dallas really let his little sister date a crazed murderer who hacks bodies in the basement? You need to change that shirt pronto. And oh, you're welcome. I just saved you from making a complete and utter fool of yourself, but don't mention it."
I curled my lips into a fake smile. "Thanks. It's so nice to know you've got my back."
Kieran regarded me coolly. "A hobby might help ease all that hunger. Have you ever considered fixing cars, or woodworking, or maybe a DIY project around the house?"
"You're getting a big laugh out of this, aren't you?"
Kieran shrugged. "There's nothing on TV.
”
”
Jayde Scott (A Job From Hell (Ancient Legends, #1))
“
Normally when I’m attempting a risky, clandestine, secret date and I need to escape my house undetected, I ask myself, ‘What would MacGyver do?’”
Oh, my god, this chick just mentioned MacGyver?
Hell.
Yes.
I break my eyes away from hers long enough to hide the fact that I think I just fell for her and also to assess our escape route. I glance at the swing on the porch, then look back at Six when I’m sure the cheesy grin is gone from my face.
“I think MacGyver would take your porch swing and build an invisible force field out of grass and matches. Then he would attach a jet engine to it and fly it out of here undetected. Unfortunately I’m all out of matches.
”
”
Colleen Hoover (Finding Cinderella (Hopeless, #2.5))
“
Ever heard of knocking, asshole?" I spat, not bothering to look at him.
"Ever heard of locking the door, whore?"
Turning, I glared at him and slammed the door in his face, locking it.
Smirking, he yanked the door back open. "Oh I guess I forgot to mention that the lock is broken." - Christopher Mason & Mia Ryder
”
”
Sadie Grubor (Falling Stars (Falling Stars, #1))
“
Fundamentalist Christianity: fascinating. These people actually believe that the world is twelve thousand years old. Swear to God. Based on what? I asked them.
"Well, we looked at all the people in the Bible and we added 'em up all the way back to Adam and Eve, their ages? Twelve thousand years."
"Well, how fucking scientific, OK. I didn't know that you'd gone to so much trouble there. That's good. You believe the world's twelve thousand years old?"
"That's right."
"OK, I got one word to ask you, a one word question, ready?"
"Uh huh."
"Dinosaurs."
You know, the world's twelve thousand years old and dinosaurs existed, and existed in that time, you'd think it would been mentioned in the fucking Bible at some point:
And O, Jesus and the disciples walked to Nazareth. But the trail was blocked by a giant brontosaurus... with a splinter in its paw. And the disciples did run a-screamin'. "What a big fucking lizard, Lord!"
"I'm sure gonna mention this in my book," Luke said.
"Well, I'm sure gonna mention it in my book," Matthew said.
But Jesus was unafraid. And he took the splinter from the brontosaurus paw, and the brontosaurus became his friend. And Jesus sent him to Scotland where he lived in a loch, O so many years, attracting fat American families with their fat fuckin' dollars to look for the Loch Ness Monster. And O the Scots did praise the Lord: "Thank you, Lord! Thank you, Lord!"
Twelve thousand years old. But I actually asked this guy, "OK, dinosaur fossils-- how does that fit into your scheme of life? What's the deal?" He goes:
"God put those here to test our faith."
"I think God put you here to test my faith, dude. I think I've figured this out."
Does that-- That's what this guy said. Does that bother anyone here? The idea that God might be fucking with our heads? Anyone have trouble sleeping restfully with that thought in their head? God's running around burying fossils: "Ho ho! We'll see who believes in me now, ha ha! I'm a prankster God. I am killing me, ho ho ho!" You know? You die, you go to St. Peter:
"Did you believe in dinosaurs?"
"Well, yeah. There were fossils everywhere. (trapdoor opens) Aaaaarhhh!"
"You fuckin' idiot! Flying lizards? You're a moron. God was fuckin' with you!"
"It seemed so plausible, aaaaaahh!"
"Enjoy the lake of fire, fucker!"
They believe this. But you ever notice how people who believe in Creationism usually look pretty unevolved. Eyes really close together, big furry hands and feet? "I believe God created me in one day." Yeah, looks like he rushed it.
Such a weird belief. Lots of Christians wear crosses around their necks. You think when Jesus comes back he's gonna want to see a fucking cross, man? "Ow." Might be why he hasn't shown up yet.
"Man, they're still wearing crosses. Fuck it, I'm not goin' back, Dad. No, they totally missed the point. When they start wearing fishes, I might show up again, but... let me bury fossils with you, Dad. Fuck 'em, let's fuck with 'em! Hand me that brontosaurus head, Dad.
”
”
Bill Hicks (Love All the People: Letters, Lyrics, Routines)
“
You were at the party on Friday night, weren't you?" I didn't mentioned I'd followed him into the woods.
He leaned back in his chair, his legs sprawled out. His boots nudged the bottom ruffle of my skirt. "Aye."
Aye? Seriously? Could he be any hotter?
Unless he had been looking for his girlfriend at the party.
Not hot.
"I was supposed to meet my cousin," he elaborated, "but I didn't find her,"
Hot again.
”
”
Alyxandra Harvey (Stolen Away)
“
That was . . .” I trailed off trying to find the proper adjective.
“Long overdue?”
“Long overdue? You’re the one who got skittish when I mentioned how I felt and backed away when we almost kissed.”
“You call me on all my crap, don’t you?” He laughed throwing his head back. “That’s one of the things I love about you,” he said. His fingers
skimmed up my shoulders until they cradled my neck and my whole body tingling.
”
”
Lani Woodland (Intrinsical (The Yara Silva Trilogy, #1))
“
Neythen looked perplexed. 'My mum always said I'm named after a saint, not an illness.'
'Which one?'
'Well he had his head chopped off, see? And then he picked it up and carried it down the road a time. All the way back home, I think.'
'Messy,' Piers said. 'Not to mention unlikely, though one has to think of chickens and their post-mortal abilities. Did she think that you would inherit the same gift?'
Neythen blinked. 'No, my lord.'
'Perhaps she was just hopeful. It behooves mothers to look ahead to this sort of possibility, after all. I'm tempted to behead you just to see if she was right.Sometimes the most unlikely superstitions turn out to have a basis in fact.
”
”
Eloisa James (When Beauty Tamed the Beast (Fairy Tales, #2))
“
There's always that one thing, right? A particular action that is your own personal line in the sand. The nuclear threat you keep in your back pocket, never even mentioning it because it will escalate any conflict beyond the chance of reconciliation.
And yet, here I was, declaring war, turning that line in the sand into a mere dot in the distance behind me.
”
”
Stacey Kade (Queen of the Dead (The Ghost and the Goth, #2))
“
There was a tiny box left on the table by the window- a box the Mor lifted, squinted and the name tag, and said, "Az, this one's for you."
The shadowsinger's brows lifted, but his scarred hand extended to take the present.
Elain turned from where she'd been speaking to Nesta. "Oh, that's from me."
Azriel's face didn't so much as shift at the words. Not even a smile as he opened the present and revealed-
"I had Madja make it for me," Elain explained. Azreil's brows narrowed at the mention of the family's preferred healer. "It's a powder to mix in with any drink."
Silence.
Elain bit her lip and then smiled sheepishly. "It's for the headaches everyone always gives you. Since you rub your temples so often."
Silence again.
Then Azriel tipped his head back and laughted.
”
”
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
“
O: You’re quite a writer. You’ve a gift for language, you’re a deft hand at plotting, and your books seem to have an enormous amount of attention to detail put into them. You’re so good you could write anything. Why write fantasy?
Pratchett: I had a decent lunch, and I’m feeling quite amiable. That’s why you’re still alive. I think you’d have to explain to me why you’ve asked that question.
O: It’s a rather ghettoized genre.
P: This is true. I cannot speak for the US, where I merely sort of sell okay. But in the UK I think every book— I think I’ve done twenty in the series— since the fourth book, every one has been one the top ten national bestsellers, either as hardcover or paperback, and quite often as both. Twelve or thirteen have been number one. I’ve done six juveniles, all of those have nevertheless crossed over to the adult bestseller list. On one occasion I had the adult best seller, the paperback best-seller in a different title, and a third book on the juvenile bestseller list. Now tell me again that this is a ghettoized genre.
O: It’s certainly regarded as less than serious fiction.
P: (Sighs) Without a shadow of a doubt, the first fiction ever recounted was fantasy. Guys sitting around the campfire— Was it you who wrote the review? I thought I recognized it— Guys sitting around the campfire telling each other stories about the gods who made lightning, and stuff like that. They did not tell one another literary stories. They did not complain about difficulties of male menopause while being a junior lecturer on some midwestern college campus. Fantasy is without a shadow of a doubt the ur-literature, the spring from which all other literature has flown. Up to a few hundred years ago no one would have disagreed with this, because most stories were, in some sense, fantasy. Back in the middle ages, people wouldn’t have thought twice about bringing in Death as a character who would have a role to play in the story. Echoes of this can be seen in Pilgrim’s Progress, for example, which hark back to a much earlier type of storytelling. The epic of Gilgamesh is one of the earliest works of literature, and by the standard we would apply now— a big muscular guys with swords and certain godlike connections— That’s fantasy. The national literature of Finland, the Kalevala. Beowulf in England. I cannot pronounce Bahaghvad-Gita but the Indian one, you know what I mean. The national literature, the one that underpins everything else, is by the standards that we apply now, a work of fantasy.
Now I don’t know what you’d consider the national literature of America, but if the words Moby Dick are inching their way towards this conversation, whatever else it was, it was also a work of fantasy. Fantasy is kind of a plasma in which other things can be carried. I don’t think this is a ghetto. This is, fantasy is, almost a sea in which other genres swim. Now it may be that there has developed in the last couple of hundred years a subset of fantasy which merely uses a different icongraphy, and that is, if you like, the serious literature, the Booker Prize contender. Fantasy can be serious literature. Fantasy has often been serious literature. You have to fairly dense to think that Gulliver’s Travels is only a story about a guy having a real fun time among big people and little people and horses and stuff like that. What the book was about was something else. Fantasy can carry quite a serious burden, and so can humor. So what you’re saying is, strip away the trolls and the dwarves and things and put everyone into modern dress, get them to agonize a bit, mention Virginia Woolf a few times, and there! Hey! I’ve got a serious novel. But you don’t actually have to do that.
(Pauses) That was a bloody good answer, though I say it myself.
”
”
Terry Pratchett
“
And I shall take my leave of you now- unless you have plans to shoot me. In which case, I shall take you with me." He lifted up his other hand. In it was a small black handset. " Just so we're clear, the bomb that is wired to the undercarriage of my car will go off if my thumb contracts- which is precisely the kind of autonomic jerk that will occur if you put a bullet in my chest or my back. Oh and mayhap I should mention that the explosion has a radius that more than includes where you are, and the detonation is so efficient, you will not be able to dematerialize out of the zone fast enough"
Xcor laughed with genuine respect. "You know what they say about suicide, don't you. No Fade for them "
"Its not suicide if you shoot me first. Self-defense"
"And your willing to test that out?"
"If you are
”
”
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
“
It was strange the way he loved her: a sidelong and almost casual love, as if loving her were simply a matter of course, too natural to mention. Like their first meeting on the steps of the gym, when he’d hardly so much as glanced at her. With David and every guy before David, what passed for love had always been eye to eye, nose to nose; she felt watched, observed, like the prize inhabitant of a zoo, and she wound up pacing, preening, watching back, to fit the part. Whereas Mike was always beside her.
”
”
Chad Harbach (The Art of Fielding)
“
Impossible. I merely brought the essentials. Clothes, my favorite boots, face cream, makeup, a few books to read, a couple cans of caviar, lingerie, and my coffeepot.
Plus a few other things a girl like me just can’t live without but can’t mention in mixed company because it would be indelicate. You know, because they’re sexual.”
- at “lingerie,” Hector and Dallas had stood a little straighter. At “sexual,” they’d moaned. Jaxon punched them both in the back of the head.
”
”
Gena Showalter (Dark Taste of Rapture (Alien Huntress, #6))
“
She shook her head. 'Look. We both know life is short, Macy. Too short to waste a single second with anyone who doesn't appreciate and value you.'
'You said the other day life was long,' I shot back. 'Which is it?'
' It's both,' she said, shrugging. 'IT all depends on how you choose to live it. It's like forever, always changing.'
'Nothing can be two opposite things at once,' I said. 'It's impossible.'
'No,' she replied, squeezing my hand,' what's impossible is that we actually think it could be anything other than that. Look, when I was in the hosptal, right after the accident, they thought I was going to die. I was really fucked up, big time.'
'Uh-huh,' Monica said, looking at her sister.
'Then,' Kristy continued, nodding at her, 'life was very short, literally. but now that I'm better it seems so long I have to squint to see even the edges of it. It's all in the view, Macy. That's what I mean about forever, too. For any one of us our forever could end in an hour, or a hundred years from now. You can never know for sure, so you'd better make every second count.'
Monica, lighting another cigarette, nodded. 'Mmm-hmm,' she said.
'What you have to decide,' Kristy said to me, leaning foreward, 'is how you want your life to be. If your forever was ending tomorrow, would this be how you'd want to have spent it? It seemed like it was a choice I had already made. I'd spent the last year and a half with Jason, shaping my life to fit his, doing what I had to in order to make sure I had a plae in his perfect world, where things made sense. But it hadn't worked.
'Listen,' Kristy said,' the truth is, nohing is guaranteed. You know that more than anybody.' She looed at me hard, making sure I knew what she meant. I did. 'So don't be afraid. Be alive.'
But then, I couldn't imagine, after everything that had happened, how you could live and not constantly be worrying about the dangers all around you. Especially when you'd already gotten teh scare of your life.
'It's the same thing,' I told her.
'What is?'
'Being afraid and being alive.'
'No,' she said slowly, and now it was as if she was speaking a language she knew at first I wouldn't understand, the very words, not to mention the concept, being foreign to me. 'Macy, no. It's not.
”
”
Sarah Dessen (The Truth About Forever)
“
The moon is always jealous of the heat of the day, just as the sun always longs for something dark and deep.
They could see how love might control you, from your head to your toes, not to mention every single part of you in between.
A woman could want a man so much she might vomit in the kitchen sink or cry so fiercly blood would form in the corners of her eyes.
She put her hand to her throat as though someone were strangling her, but really she was choking on all that love she thought she’d needed so badly.
What had she thought, that love was a toy, something easy and sweet, just to play with? Real love was dangerous, it got you from inside and held on tight, and if you didn’t let go fast enough you might be willing to do anything for it’s sake.
She refused to believe in superstition, she wouldn’t; yet it was claiming her.
Some fates are guaranteed, no matter who tries to intervene.
After all I’ve done for you is lodged somewhere in her brain, and far worse, it’s in her heart as well.
She was bad luck, ill-fated and unfortunate as the plague.
She is not worth his devotion. She wishes he would evaporate into thin air. Maybe then she wouldn’t have this feeling deep inside, a feeling she can deny all she wants, but that won’t stop it from being desire.
Love is worth the sum of itself and nothing more.
But that’s what happens when you’re a liar, especially when you’re telling the worst of these lies to yourself.
He has stumbled into love, and now he’s stuck there. He’s fairly used to not getting what he wants, and he’s dealt with it, yet he can’t help but wonder if that’s only because he didn’t want anything so badly.
It’s music, it’s a sound that is absurdly beautiful in his mouth, but she won’t pay attention. She knows from the time she spent on the back stairs of the aunts’ house that most things men say are lies. Don’t listen, she tells herself. None if it’s true and none of it matters, because he’s whispering that he’s been looking for her forever. She can’t believe it. She can’t listen to anything he tells her and she certainly can’t think, because if she did she might just think she’d better stop.
What good would it do her to get involved with someone like him? She’d have to feel so much, and she’s not that kind.
The greatest portion of grief is the one you dish out for yourself.
She preferred cats to human beings and turned down every offer from the men who fell in love with her.
They told her how sticks and stones could break bones, but taunting and name-calling were only for fools.
— & now here she is, all used up.
Although she’d never believe it, those lines in *’s face are the most beautiful part about her. They reveal what she’s gone through and what she’s survived and who exactly she is, deep inside.
She’s gotten back some of what she’s lost. Attraction, she now understands, is a state of mind.
If there’s one thing * is now certain of, it’s house you can amaze yourself by the things you’re willing to do.
You really don’t know? That heart-attack thing you’ve been having? It’s love, that’s what it feels like.
She knows now that when you don’t lose yourself in the bargain, you find you have double the love you started with, and that’s one recipe that can’t be tampered with.
Always throw spilled salt over your left shoulder. Keep rosemary by your garden gate. Add pepper to your mashed potatoes. Plant roses and lavender, for luck. Fall in love whenever you can.
”
”
Alice Hoffman (Practical Magic (Practical Magic, #1))
“
That an old Charonte custom that go back forever 'casue we a really old race of demons who go back even before forever." She looked over to where Danger's shade glittered in the opposite corner while the former Dark-Huntress was assisting Pam and Kim with the birth, and explained the custom to her.
"When a new baby is born you kill off an old annoying family member who gets on everyone's nerves which for all of us would be the heifer-goddess 'cause the only person who like her be you Akra-Kat. I know she you mother and all, but sometimes you just gotta say no thank you. You a mean old heifer-goddess who need to go play in traffic and get run over by something big like a steamroller or bus or something else really painful that would hurt her a lot and make the rest of us laugh"
"Not to mention the Simi barbecue would have been fun too if someone, Akra-Kat, hadn't stopped the Simi from it. I personally think it would have been a most magnificent gift for the baby. Barbecued heifer-goddess Artemis. Yum! No better meal. Oh then again baby got a delicate constitution and that might give the poor thing indigestion. Artemis definitely give the Simi indigestion and I ain't even ate her yet.
”
”
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
“
Aye, Rob, but we canna help noticin' ye also have tae do the Explainin', too,' said Daft Wullie.
There was a general nodding from the crowd. To Feegles, Explaining was a dark art. It was just so HARD.
'Like, when we come back from drinkin', stealin', and fightin', Jeannie gives ye the Pursin' o' the Lips,' Daft Wullie went on.
A moan went up from all the Feegles: 'Ooooh, save us from the Pursin' o' the Lips!'
'An' there's the Foldin' o' the Arms,' said Wullie, because he was even scaring himself.
'Oooooh, waily, waily, waily, the Foldin' o' the Arms!' the Feegles cried, tearing at their hair.
'Not tae mention the Tappin' o' the Feets...' Wullie stopped, not wanting to mention the Tappin' o' the Feets.
'Aargh! Oooooh! No' the Tappin' o' the Feets!' Some of the Feegles started to bang their heads on trees.
”
”
Terry Pratchett (Wintersmith (Discworld, #35; Tiffany Aching, #3))
“
One of the most memorably unexpected events I experienced in the course of doing this book came in a dissection room at the University of Nottingham in England when a professor and surgeon named Ben Ollivere (about whom much more in due course) gently incised and peeled back a sliver of skin about a millimeter thick from the arm of a cadaver. It was so thin as to be translucent. “That,” he said, “is where all your skin color is. That’s all that race is—a sliver of epidermis.” I mentioned this to Nina Jablonski when we met in her office in State College, Pennsylvania, soon afterward. She gave a nod of vigorous assent. “It is extraordinary how such a small facet of our composition is given so much importance,” she said. “People act as if skin color is a determinant of character when all it is is a reaction to sunlight. Biologically, there is actually no such thing as race—nothing in terms of skin color, facial features, hair type, bone structure, or anything else that is a defining quality among peoples. And yet look how many people have been enslaved or hated or lynched or deprived of fundamental rights through history because of the color of their skin.
”
”
Bill Bryson (The Body: A Guide for Occupants)
“
Mowing the lawn, I felt like I was battling the earth rather than working it; each week it sent forth a green army and each week I beat it back with my infernal machine. Unlike every other plant in my garden, the grasses were anonymous, massified, deprived of any change or development whatsoever, not to mention any semblance of self-determination. I ruled a totalitarian landscape.
Hot monotonous hours behind the mower gave rise to existential speculations. I spent part of one afternoon trying to decide who, it the absurdist drama of lawn mowing, was Sisyphus. Me? The case could certainly be made. Or was it the grass, pushing up through the soil every week, one layer of cells at a time, only to be cut down and then, perversely, encouraged (with lime, fertilizer, etc.) to start the whole doomed process over again? Another day it occurred to me that time as we know it doesn't exist in the lawn, since grass never dies or is allowed to flower and set seed. Lawns are nature purged of sex or death. No wonder Americans like them so much.
”
”
Michael Pollan (Second Nature: A Gardener's Education)
“
I circled the site before I came in. If there's anyone within five kilometers, I'll eat my quiver."
Halt regarded him, eyebrow arched once more. "Anyone?"
"Anyone other than Crowley," Will amended, making a dismissive gesture. "I saw him watching me from that hide he always uses about two kilometers out. I assumed he'd be back in here by now."
Halt cleared his throat loudly. "Oh, you saw him, did you?" he said. "I imagine he'll be overjoyed to hear that." Secretly, he was pleased with his former pupil. In spite of his curiosity and obvious excitement, he hadn't forgotten to take the precautions that had been drilled into him. THat augured well for what lay ahead, Halt thought, a sudden grimness settling onto his manner.
Will didn't notice the momentary change of mood. He was loosening Tug
saddle girth. As he spoke, his voice was muffled against the horses's flank. "he's becoming too much a creature of habit," he said. "he's used that hide for the last three Gatherings. It's time he tried something new. Everyone must be onto it by now."
Rangers constantly competed with each other to see before being seen and each year's Gathering was a time of heightened competition. Halt nodded thoughtfully. Crowley had constructed teh virtually invisible observation post some four years previously. Alone among the younger Rangers, Will had tumbled to it after one year. Halt had never mentioned to him that he was the only one who knew of Crowley's hide. The concealed post was the Ranger Commandant's pride and joy.
"Well, perhaps not everyone," he said. Will emerged from behind his horse, grinning at the thought of the head of the Ranger Corps thinking he had remained hidden from sight as he watched Will's approach.
"All the same, perhaps he's getting a bit long in the tooth to be skulking around hiding in the bushes, don't you think?" he said cheerfully. Halt considered the question for a moment.
"Long in the tooth? Well, that's one opinion. Mind you, his silent movement skills are still as good as ever," he said meaningfully.
The grin on Will's face slowly faded. He resisted the temptation to look over his shoulder.
"He's standing behind me, isn't he?" he asked Halt. THe older Ranger nodded.
"He's standing behind me, isn't he?" Will continued and Halt nodded once more.
"Is he...close enough to have heard what I said?" Will finally managed to ask, fearin teh worst. This time, Halt didn't have to answer.
"Oh, good grief no," came a familiar voice from behind him. "he's so old and decrepit these days he's as deaf as a post."
Will's shoulders sagged and he turned to see the sandy-haired Commandant standing a few meters away.
The younger man's eyes dropped.
"Hullo, Crowley," he said, then mumbled, "Ahhh...I'm sorry about that."
Crowley glared at teh young Ranger for a few more seconds, then he couldn't help teh grin breaking out on his face.
"No harm done," he said, adding with a small note of triumph, "It's not often these days I amange to get the better of one of you young ones."
Secretly, he was impressed at teh news that Will had spotted his hiding place. Only the sarpest eyes could have picked it. Crowley had been in the business of seeing without being seen for thirty years or more, and despite what Will believed, he was still an absolute master of camouflage and unseen movement.
”
”
John Flanagan (The Sorcerer in the North (Ranger's Apprentice, #5))
“
The historical problems with Luke are even more pronounced. For one thing, we have relatively good records for the reign of Caesar Augustus, and there is no mention anywhere in any of them of an empire-wide census for which everyone had to register by returning to their ancestral home. And how could such a thing even be imagined? Joesph returns to Bethlehem because his ancestor David was born there. But David lived a thousand years before Joseph. Are we to imagine that everyone in the Roman Empire was required to return to the homes of their ancestors from a thousand years earlier? If we had a new worldwide census today and each of us had to return to the towns of our ancestors a thousand years back—where would you go? Can you imagine the total disruption of human life that this kind of universal exodus would require? And can you imagine that such a project would never be mentioned in any of the newspapers? There is not a single reference to any such census in any ancient source, apart from Luke. Why then does Luke say there was such a census? The answer may seem obvious to you. He wanted Jesus to be born in Bethlehem, even though he knew he came from Nazareth ... there is a prophecy in the Old Testament book of Micah that a savior would come from Bethlehem. What were these Gospel writer to do with the fact that it was widely known that Jesus came from Nazareth? They had to come up with a narrative that explained how he came from Nazareth, in Galilee, a little one-horse town that no one had ever heard of, but was born in Bethlehem, the home of King David, royal ancestor of the Messiah.
”
”
Bart D. Ehrman (Jesus, Interrupted: Revealing the Hidden Contradictions in the Bible & Why We Don't Know About Them)
“
Look, I wanted to mention something to you," I said. Play it off as casual. Play it off as no big deal. Be cool.
Her lips curled up in an amused smile. "Okay?"
"You know what a horrible prankster Will can be." She nodded and I continued: "I may have just done something to get back at him and I swear," I said, resting a hand on her shoulder, "I swear, Hanna, you'll think it's hilarious... eventually."
"Eventually?"
"Absolutely. Eventually."
She considered me through narrowed eyes. "This is just a prank, right? No shaved heads or scars?"
I pulled back to study her. "That was a very specific question. Scars?" I shook my head, clearing it. "And no, no, no, no. Just a silly little prank." I gave Hanna my best smile, the one Chloe said made panties drop. But apparently it only made Hanna more suspicious.
Her eyes narrowed further. "What would I need to do?"
"Nothing," I said. "You'll probably see some weird stuff but just... go along with it."
"So, basically be oblivious."
"Exactly," I said.
"And this will be funny?"
"Hilarious."
She thought about it for a full ten seconds before reaching out to shake my hand. "You're on.
”
”
Christina Lauren (Beautiful Beginning (Beautiful Bastard, #3.5))
“
She said to me, over the phone
She wanted to see other people
I thought, Well then, look around. They're everywhere
Said that she was confused...
I thought, Darling, join the club
24 years old, Mid-life crisis
Nowadays hits you when you're young
I hung up, She called back, I hung up again
The process had already started
At least it happened quick
I swear, I died inside that night
My friend, he called
I didn't mention a thing
The last thing he said was, Be sound
Sound...
I contemplated an awful thing, I hate to admit
I just thought those would be such appropriate last words
But I'm still here
And small
So small.. How could this struggle seem so big?
So big...
While the palms in the breeze still blow green
And the waves in the sea still absolute blue
But the horror
Every single thing I see is a reminder of her
Never thought I'd curse the day I met her
And since she's gone and wouldn't hear
Who would care? What good would that do?
But I'm still here
So I imagine in a month...or 12
I'll be somewhere having a drink
Laughing at a stupid joke
Or just another stupid thing
And I can see myself stopping short
Drifting out of the present
Sucked by the undertow and pulled out deep
And there I am, standing
Wet grass and white headstones all in rows
And in the distance there's one, off on its own
So I stop, kneel
My new home...
And I picture a sober awakening, a re-entry into this little bar scene
Sip my drink til the ice hits my lip
Order another round
And that's it for now
Sorry
Never been too good at happy endings...
”
”
Eddie Vedder
“
Last year, 4.2 million babies died. That is the most recent number reported by UNICEF of deaths before the age of one, worldwide. We often see lonely and emotionally charged numbers like this in the news or in the materials of activist groups or organizations. They produce a reaction. Who can even imagine 4.2 million dead babies? It is so terrible, and even worse when we know that almost all died from easily preventable diseases. And how can anyone argue that 4.2 million is anything other than a huge number? You might think that nobody would even try to argue that, but you would be wrong. That is exactly why I mentioned this number. Because it is not huge: it is beautifully small. If we even start to think about how tragic each of these deaths is for the parents who had waited for their newborn to smile, and walk, and play, and instead had to bury their baby, then this number could keep us crying for a long time. But who would be helped by these tears? Instead let’s think clearly about human suffering. The number 4.2 million is for 2016. The year before, the number was 4.4 million. The year before that, it was 4.5 million. Back in 1950, it was 14.4 million. That’s almost 10 million more dead babies per year, compared with today. Suddenly this terrible number starts to look smaller. In fact the number has never been lower.
”
”
Hans Rosling (Factfulness: Ten Reasons We're Wrong About The World - And Why Things Are Better Than You Think)
“
And, of course, there is the person you come back to: his face and body and voice and scent and touch, his way of waiting until you finish whatever you're saying, no matter how lengthy, before he speaks, the way his smile moves so slowly across his face that it reminds you of moonrise, how clearly he has missed you and how clearly happy he is to have you back. Then there are the things, if you are particularly lucky, that this person has done for you while you're away: how in the pantry, in the freezer, in the refrigerator will be all the food you like to eat, the scotch you like to drink. There will be the sweater you thought you lost the previous year at the theater, clean and folded and back on its shelf. There will be the shirt with its dangling buttons, but the buttons will be sewn back in place...And there will be no mention of it, and you will know that it was done with genuine pleasure, and you will know that part of the reason—a small part, but a part—you love being in this apartment and in this relationship is because this other person is always making a home for you, and that when you tell him this, he won't be offended but pleased, and you'll be glad, because you meant it with gratitude. And in these moments—almost a week back home—you will wonder why you leave so often, and you will wonder whether, after the next year's obligations are fulfilled, you ought not just stay here for a period, where you belong.
”
”
Hanya Yanagihara (A Little Life)
“
Dear Jack:
I have no idea who he was. But he saved me. From you.
I watched from the doorway as he smacked, punched, and threw you against the wall. You fought back hard- I'll give you that- but you were no match for him.
And when it was over- when you'd finally passed out- the boy made direct eye contact with me. He removed the rag from my mouth and asked me if I was okay.
'Yes. I mean, I think so,' I told him.
But it was her that he was really interested in: the girl who was lying unconscious on the floor. Her eyes were swollen, and there looked to be a trail of blood running from her nose.
The boy wiped her face with a rag. And then he kissed her, and held her, and ran his hand over her cheek, finally grabbing his cell to dial 911.
He was wearing gloves, which I thought was weird. Maybe he was concerned about his fingerprints, from breaking in. But once he hung up, he removed the gloves, took the girl's hand, and placed it on the front of his leg- as if it were some magical hot spot that would make her better somehow. Tears welled up in his eyes as he apologized for not getting there sooner.
'I'm so sorry,' he just kept saying.
And suddenly I felt sorry too.
Apparently it was the anniversary of something tragic that'd happened. I couldn't really hear him clearly, but I was pretty sure he'd mentioned visiting an old girlfriend's grave.
'You deserve someone better,' he told her. 'Someone who'll be open and honest; who won't be afraid to share everything with you.' He draped his sweatshirt over her, kissed her behind the ear, and then promised to love her forever.
A couple minutes later, another boy came in, all out of breath. 'Is she alright?' he asked.
The boy who saved me stood up, wiped his tearful eyes, and told the other guy to sit with her until she woke up. And then he went to find scissors for me. He cut me free and brought me out to the sofa. 'My name's Ben,' he said. 'And help is on the way.'
When the girl finally did wake up, Ben allowed the other guy to take credit for saving her life. I wanted to ask him why, but I haven't been able to speak.
That's what this letter is for. My therapist says that I need to tell my side of things in order to regain my voice. She suggested that addressing my thoughts directly to you might help provide some closure.
So far, it hasn't done the trick.
Never your Jill,
Rachael
”
”
Laurie Faria Stolarz (Deadly Little Voices (Touch, #4))
“
I am the interpretation of the prophet
I am the artist in the coffin
I am the brave flag stained with blood
I am the wounds overcome
I am the dream refusing to sleep
I am the bare-breasted voice of liberty
I am the comic the insult and the laugh
I am the right the middle and the left
I am the poached eggs in the sky
I am the Parisian streets at night
I am the dance that swings till dawn
I am the grass on the greener lawn
I am the respectful neighbour and the graceful man
I am the encouraging smile and the helping hand
I am the straight back and the lifted chin
I am the tender heart and the will to win
I am the rainbow in rain
I am the human who won’t die in vain
I am Athena of Greek mythology
I am the religion that praises equality
I am the woman of stealth and affection
I am the man of value and compassion
I am the wild horse ploughing through
I am the shoulder to lean onto
I am the Muslim the Jew and the Christian
I am the Dane the French and the Palestinian
I am the straight the square and the round
I am the white the black and the brown
I am the free speech and the free press
I am the freedom to express
I will die for my right to be all the above here mentioned
And should threat encounter I’ll pull my pencil
”
”
Mie Hansson (Where Pain Thrives)
“
I plunked down on the couch beside him.
"I don't have any accomplishments of any kind. I'm stupid and boring. I don't have any hobbies. I don't play sports. I don't write poetry. I don't travel to interesting places. I don't even have a good job."
"That doesn't make you stupid and boring," Morelli said.
"Well, I feel stupid and boring. And I wanted to feel interesting. And somehow, someone told my mother and grandmother that I played the cello. I guess it was me...only it was like some foreign entity took possession of my body. I heard the words coming out of my mouth, but I'm sure they originated in some other brain. And it was so simple at first. One small mention. And then it took on a life of it's own. And next thing, everyone knew."
"And you can't play the cello."
"I'm not even sure this is a cello."
Morelli went back to smiling. "And you think you're boring? No way, Cupcake."
"What about the stupid part?"
Morelli threw his arm around me. "Sometimes that's a tough call.
”
”
Janet Evanovich (Eleven on Top (Stephanie Plum, #11))
“
The Stain
That Conner left on our lives will
not vanish as easily. I don’t care
about Mom and her birds.
Their estimation of my brother
doesn’t bother me at all. Neither
do I worry about Dad and
what his lobbyist buddies think.
His political clout has not diminished.
As twins go, Conner and I don’t share
a deep affection, but we do have
a nine-months-in-the-same-womb
connection. Not to mention
a crowd of mutual friends. God,
I’ll never forget going to school
the day after that ugly scene.
The plan was to sever the gossip
grapevine from the start with
an obvious explanation—
accident. Mom’s orders were
clear. Conner’s reputation
was to be protected at all costs.
When I arrived, the rumors
had already started, thanks
to our neighbor, Bobby Duvall.
Conner Sykes got hurt.
Conner Sykes was shot.
Conner Sykes is in the hospital.
Is Conner Sykes, like, dead?
I fielded every single question
with the agreed fabrication.
But eventually, I was forced to
concede that, though his wounds
would heal, he was not coming
back to school right away.
Conner Sykes wasn’t dead.
But he wasn’t exactly “okay.
”
”
Ellen Hopkins (Perfect (Impulse, #2))
“
NINA
Your life is beautiful.
TRIGORIN
I see nothing especially lovely about it. [He looks at his watch] Excuse me, I must go at once, and begin writing again. I am in a hurry. [He laughs] You have stepped on my pet corn, as they say, and I am getting excited, and a little cross. Let us discuss this bright and beautiful life of mine, though. [After a few moments' thought] Violent obsessions sometimes lay hold of a man: he may, for instance, think day and night of nothing but the moon. I have such a moon. Day and night I am held in the grip of one besetting thought, to write, write, write! Hardly have I finished one book than something urges me to write another, and then a third, and then a fourth--I write ceaselessly. I am, as it were, on a treadmill. I hurry for ever from one story to another, and can't help myself. Do you see anything bright and beautiful in that? Oh, it is a wild life! Even now, thrilled as I am by talking to you, I do not forget for an instant that an unfinished story is awaiting me. My eye falls on that cloud there, which has the shape of a grand piano; I instantly make a mental note that I must remember to mention in my story a cloud floating by that looked like a grand piano. I smell heliotrope; I mutter to myself: a sickly smell, the colour worn by widows; I must remember that in writing my next description of a summer evening. I catch an idea in every sentence of yours or of my own, and hasten to lock all these treasures in my literary store-room, thinking that some day they may be useful to me. As soon as I stop working I rush off to the theatre or go fishing, in the hope that I may find oblivion there, but no! Some new subject for a story is sure to come rolling through my brain like an iron cannonball. I hear my desk calling, and have to go back to it and begin to write, write, write, once more. And so it goes for everlasting. I cannot escape myself, though I feel that I am consuming my life. To prepare the honey I feed to unknown crowds, I am doomed to brush the bloom from my dearest flowers, to tear them from their stems, and trample the roots that bore them under foot. Am I not a madman? Should I not be treated by those who know me as one mentally diseased? Yet it is always the same, same old story, till I begin to think that all this praise and admiration must be a deception, that I am being hoodwinked because they know I am crazy, and I sometimes tremble lest I should be grabbed from behind and whisked off to a lunatic asylum. The best years of my youth were made one continual agony for me by my writing. A young author, especially if at first he does not make a success, feels clumsy, ill-at-ease, and superfluous in the world. His nerves are all on edge and stretched to the point of breaking; he is irresistibly attracted to literary and artistic people, and hovers about them unknown and unnoticed, fearing to look them bravely in the eye, like a man with a passion for gambling, whose money is all gone. I did not know my readers, but for some reason I imagined they were distrustful and unfriendly; I was mortally afraid of the public, and when my first play appeared, it seemed to me as if all the dark eyes in the audience were looking at it with enmity, and all the blue ones with cold indifference. Oh, how terrible it was! What agony!
”
”
Anton Chekhov (The Seagull)
“
I'd like to start this week with a request, and this one goes out to the followers of the three Abrahamic religions: the Muslims, Christians, and Jews. It's just a little thing, really, but do you think that when you've finished smashing up the world and blowing each other to bits and demanding special privileges while you do it, do you think that maybe the rest of us could sort of have our planet back? I wouldn't ask, but I'm starting to think that there must be something written in the special books that each of you so enjoy referring to that it's ok to behave like special, petulant, pugnacious, pricks.
Forgive the alliteration, but your persistent, power-mad punch-ups are pissing me off. It's mainly the extremists obviously, but not exclusively. It's a lot of 'main-streamers' as well. Let me give you an example of what I'm talking about.
Muslims: listen up my bearded and veily friends! Calm down, ok? Stop blowing stuff up. Not everything that said about you is an attack on the prophet Mohammed and Allah that needs to end in the infidel being destroyed. Have a cup of tea, put on a Cat Stevens record, sit down and chill out. I mean seriously, what's wrong with a strongly-worded letter to The Times?
Christians: you and your churches don't get to be millionaires while other people have nothing at all. They're your bloody rules; either stick to them or abandon the faith. And stop persecuting and killing people you judge to be immoral. Oh, and stop pretending you're celibate -- it's a cover-up for being a gay or a nonce. Right, that's two ticked off.
Jews! I know you're god's 'Chosen People' and the rest of us are just whatever, but when Israel behaves like a violent, psychopathic bully and someone mentions it that doesn't make them antisemitic. And for the record, your troubled history is not a license to act with impunity now.
”
”
Marcus Brigstocke
“
During my travels in India I met a man at an ashram who was about 45-50. A little older than everyone else. He tells me a story. He had retired and he was traveling on a motorcycle with his wife on the back. While stopped at a red light, a truck ran into them from behind and killed his wife. He was badly injured and almost died. He went into a coma and it was unclear if he’d ever walk again.
When he finally came out of it and found out what had happened, he naturally was devastated and heartbroken. Not to mention physically broken. He knew that his road ahead of rehabilitation, both physically and psychologically, was going to be hard. While he had given up, he had one friend who was a yoga teacher who said, “We're going to get you started on the path to recovery.”
So, she kept going over to his place, and through yoga, helped him be able to walk again.
After he could walk and move around again, he decided to head to India and explore some yoga ashrams. While he was there he started to learn about meditation and Hinduism and Buddhism.
He told me that he never would have thought he’d ever go down this path. He would have probably laughed at anyone who goes to India to find themselves.
I asked, “Did you get what you were hoping for?”
He said, "Even though I lost my wife, it turned out to be the greatest thing that ever happened to me because it put me on this path.
”
”
Todd Perelmuter (Spiritual Words to Live by : 81 Daily Wisdoms and Meditations to Transform Your Life)
“
I cannot write myself. What, after all, is this "I" who would write himself? Even as he would enter into the writing, the writing would take the wind out of his sails, would render him null and void -- futile; a gradual dilapidation would occur, in which the other's image, too, would be gradually involved (to write on something is to outmode it), a disgust whose conclusion could only be: what's the use? what obstructs amorous writing is the illusion of expressivity: as a writer, or assuming myself to be one, I continue to fool myself as to the effects of language: I do not know that the word "suffering" expresses no suffering and that, consequently, to use it is not only to communicate nothing but even, and immediately, to annoy, to irritate (not to mention the absurdity). Someone would have to teach me that one cannot write without burying "sincerity" (always the Orpheus myth: not to turn back). What writing demands, and what any lover cannot grant it without laceration, is to sacrifice a little of his Image-repertoire, and to assure thereby, through his language, the assumption of a little reality. All I might produce, at best, is a writing of the Image-repertoire; and for that I would have to renounce the Image-repertoire of writing -- would have to let myself be subjugated by my language, submit to the injustices (the insults) it will not fail to inflict upon the double Image of the lover and of his other.
The language of the Image-repertoire would be precisely the utopia of language: an entirely original, paradisiac language, the language of Adam -- "natural, free of distortion or illusion, limpid mirror of our sense, a sensual language (die sensualische Sprache)": "In the sensual language, all minds converse together, they need no other language, for this is the language of nature.
”
”
Roland Barthes (A Lover's Discourse: Fragments)
“
You make out with a boy because he’s cute, but he has no substance, no words to offer you. His mouth tastes like stale beer and false promises. When he touches your chin, you offer your mouth up like a flower to to be plucked, all covered in red lipstick to attract his eye. When he reaches his hand down your shirt, he stops, hand on boob, and squeezes, like you’re a fruit he’s trying to juice. He doesn’t touch anything but skin, does not feel what’s within. In the morning, he texts you only to say, “I think I left the rest of my beer at your place, but it’s cool, you can drink it. Last night was fun.”
You kiss a girl because she’s new. Because she’s different and you’re twenty two, trying something else out because it’s all failed before. After spending six weekends together, you call her, only to be answered by a harsh beep informing you that her number has been disconnected. You learn that success doesn’t come through experimenting with your sexuality, and you’re left with a mouth full of ruin and more evidence that you are out of tune.
You fall for a boy who is so nice, you don’t think he can do any harm. When he mentions marriage and murder in the same sentence, you say, “Okay, okay, okay.” When you make a joke he does not laugh, but tilts his head and asks you how many drinks you’ve had in such a loving tone that you sober up immediately. He leaves bullet in your blood and disappears, saying, “Who wants a girl that’s filled with holes?”
You find out that a med student does. He spots you reading in a bar and compliments you on the dust spilling from your mouth. When you see his black doctor’s bag posed loyally at his side, you ask him if he’s got the tools to fix a mangled nervous system. He smiles at you, all teeth, and tells you to come with him. In the back of his car, he covers you in teethmarks and says, “There, now don’t you feel whole again.” But all the incisions do is let more cold air into your bones.
You wonder how many times you will collapse into ruins before you give up on rebuilding. You wonder if maybe you’d have more luck living amongst your rubble instead of looking for someone to repair it. The next time someone promises to flood you with light to erase your dark, you insist them you’re fine the way you are. They tell you there’s hope, that they had holes in their chest too, that they know how to patch them up. When they offer you a bottle in exchange for your mouth, you tell them you’re not looking for a way out. No, thank you, you tell them. Even though you are filled with ruins and rubble, you are as much your light as you are your dark.
”
”
Lora Mathis
“
Is she pleasing to the eye?"
Gabriel went to an inset sideboard to pour himself a brandy. "She's bloody ravishing," he muttered.
Looking more and more interested, his father asked, "What is the problem with her, then?"
"She's a perfect little savage. Constitutionally incapable of guarding her tongue. Not to mention peculiar: She goes to balls but never dances, only sits in the corner. Two of the fellows I went drinking with last night said they'd asked her to waltz on previous occasions. She told one of them that a carriage horse had recently stepped on her foot, and she told the other that the butler had accidentally slammed her leg in the door." Gabriel took a swallow of brandy before finishing grimly, "No wonder she's a wallflower."
Sebastian, who had begun to laugh, seemed struck by that last comment. "Ahhh," he said softly. "That explains it." He was silent for a moment, lost in some distant, pleasurable memory. "Dangerous creatures, wallflowers. Approach them with the utmost caution. They sit quietly in corners, appearing abandoned and forlorn, when in truth they're sirens who lure men to their downfall. You won't even notice the moment she steals the heart right out of your body- and then it's hers for good. A wallflower never gives your heart back."
"Are you finished amusing yourself?" Gabriel asked, impatient with his father's flight of fancy. "Because I have actual problems to deal with."
Still smiling, Sebastian reached for some chalk and applied it to the tip of his cue stick. "Forgive me. The word makes me a bit sentimental.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
At the mention of children, Connor halted his steps. For a moment Beatrice thought he was going to storm off, turn away from her and never look back.
Instead he fell to one knee before her. Time went momentarily still. In some dazed part of her mind Beatrice remembered Teddy, kneeling stiffly at her feet as he swore to be her liege man. This felt utterly different. Even kneeling, Connor looked like a warrior, every line of his body radiating a tensed power and strength.
"It kills me that I don't have more to offer you," he said roughly. "I have no lands, no fortune, no title. All I can give you is my honor, and my heart. Which already belongs to you."
She would have fallen in love with him right then, if she didn't already love him so fiercely that every cell of her body burned with it.
"I love you, Bee. I've loved you for so long I've forgotten what it felt like not to love you."
"I love you, too." Her eyes stung with tears.
"I get that you have to marry someone before your dad dies. But you can't marry Teddy Eaton."
She watched as he fumbled in his jacket for something - had he bought a ring? She thought wildly - but what he pulled out instead was a black Sharpie. Still kneeling before her, he slid the diamond engagement ring off Beatrice's finger and tucked it in the pocket of her jacket. Using the Sharpie, he traced a thin loop around the skin of Beatrice's finger, where the ring had been.
"I'm sorry it isn't a real ring, but I'm improvising here." There was a nervous catch to Connor's voice that Beatrice hadn't heard before. But when he looked up and spoke his next words, his face glowed with a fierce, fervent hope.
"Marry me.
”
”
Katharine McGee (American Royals (American Royals, #1))
“
Sir Bird preens next to me, tucking feathers into place with a low noise in his throat almost like he’s talking to himself. A slow smile spreads across Finn’s face as he rubs his knuckles—black and blue with several bruises from Sir Bird’s beak.
“Let’s see,” he says, flipping through his father’s book. “Here! I’ll need some water in a shallow bowl . . . ink . . . yes, I think this is everything.” He gathers the items, then reads over the entry several times, eyebrows knit in concentration. Dipping his pen in the ink, he whispers strange words while writing on the surface of the water. The ink drips down, elongating the form of the symbols that still hover where he wrote them. I recognize one—change. But the rest I haven’t learned yet.
Then, without warning, he lifts up the bowl and dumps the whole thing onto Sir Bird.
Only instead of getting wet, as the water washes over his body, Sir Bird’s feathers turn . . . blue.
Bright, brilliant, shimmering blue.
Squawking in outrage, Sir Bird hops and flies around the room, frantically shaking his feathers. He lands on the desk with a scrabble of clawed feet, then begins trying to bite off the color.
“Ha!” Finn says, pointing at his knuckles. “Now you’re black and blue, too!”
I can’t help but laugh at my poor, panicking bird. Not to mention the ridiculous pettiness of Finn’s magic show. Picking up Sir Bird, I stroke his feathers and speak softly to him. “Hush now. I’ll make him fix you. You’re still very handsome, but blue isn’t your color, is it?”
He caws mournfully, still pulling at his own feathers.
“Finn.”
He puts his hands behind his back, trying to look innocent. “What? He deserved it.”
“He’s a bird. You can’t really find this much satisfaction in revenge against a bird, can you?”
His voice comes out just a tad petulant. “He started it.
”
”
Kiersten White (Illusions of Fate)
“
He doesn’t like Emma and Rachel making plans together. Not because he thinks they’re being devious, but because he doesn’t like feeling left out. Not to mention that when Emma is making plans without him, they’re usually reckless. The only reason she’d keep a secret from him is if she was doing something he didn’t approve of, or didn’t want him to interfere with. After all, her motto is “Better to ask for forgiveness than permission.”
Galen despises that motto.
“I cleared out the sporting goods store this morning,” Rachel says. “I took what was on the shelf and made them cough up their stock in the back.”
Galen tenses up. Emma laughs. “Don’t be jealous, Highness. Rachel still loves you more than she loves me.”
“Aww! You guys are fighting over me?” Rachel says, pinching Galen’s cheek. “That’s so adorable.”
“I’m not jealous,” he says, trying not to sound pouty. “I just don’t know why we would need life jackets.”
“We don’t,” Emma says, wriggling around on his lap so she can face him. Secretly, he’s delighted. “But humans do. And if my job is keeping the humans safe, then I should be prepared, right?”
But Galen is too distracted by the close proximity of her mouth to be bothered with the words coming out of it. She must recognize it, because she leans forward as if giving him a chance to make good on his craving. It’s all the invitation he needs.
He captures her mouth with his. Life jackets, islands, and airports are forgotten. The only thing that exists is her lips on his, her body pressed into his. Suddenly the creaky office chair is transformed into their own little world.
“Uh, I’m just going to get more wine,” Rachel says. He didn’t mean to make her uncomfortable enough to leave. Not good. The last thing we need is privacy and free rein to do as we please. He tries to end it, to pull away, but Emma won’t have it. And it’s difficult for him not to indulge her.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
If it makes you feel any better Tory, they were just as bad when Mia was born. At least you don’t have Sin, Kish, and Damien running around, trying to boil water for no other reason than that’s what someone had told Sin husbands are supposed to do and since Sin doesn’t know how to boil water, he had to micromanage the other two incompetents who’d never done it either. I’m amazed they didn’t band together to kill him during it or burn down the casino. And don’t get me started on my mother trying to murder my husband in the middle of it or her fighting with grandma over whose labors were more painful. Or, (she cast a meaningful glance to Simi,) someone setting my mother’s hair on fire and trying to barbecue her to celebrate the birth.” – Kat
“That an old Charonte custom that go back forever ’cause we a really old race of demons who go back even before forever. When a new baby is born you kill off an old annoying family member who gets on everyone’s nerves which for all of us would be the heifer-goddess ’cause the only person who like her be you, Akra-Kat. I know she you mother and all, but sometimes you just gotta say no thank you. You a mean old heifer-goddess who need to go play in tragic and get run over by something big like a steamroller or bus or something else really painful that would hurt her a lot and make the rest of us laugh. Not to mention the Simi barbecue would have been fun too if someone, Akra-Kat, hadn’t stopped the Simi from it. I personally think it would have been a most magnificent gift for the baby. Barbecued heifer-goddess Artemis. Yum! No better meal. Oh then again baby got a delicate constitution and that might give the poor thing indigestion. Artemis definitely give the Simi indigestion and I ain’t even ate her yet.” – Simi
”
”
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
“
So,Batman,eh?"
Effing St. Clair.
I cross my arms and slouch into one of the plastic seats. I am so not in the mood for this.He takes the chair next to me and drapes a relaxed arm over the back of the empty seat on his other side. The man across from us is engrossed in his laptop,and I pretend to be engrossed in his laptop,too. Well,the back of it.
St. Clair hums under his breath. When I don't respond,he sings quietly. "Jingle bells,Batman smells,Robin flew away..."
"Yes,great,I get it.Ha ha. Stupid me."
"What? It's just a Christmas song." He grins and continues a bit louder. "Batmobile lost a wheel,on the M1 motorway,hey!"
"Wait." I frown. "What?"
"What what?"
"You're singing it wrong."
"No,I'm not." He pauses. "How do you sing it?"
I pat my coat,double-checking for my passport. Phew. Still there. "It's 'Jingle bells, Batman smells,Robin laid an egg'-"
St. Clair snorts. "Laid an egg? Robin didn't lay an egg-"
"'Batmobile lost a wheel,and the Joker got away.'"
He stares at me for a moment,and then says with perfect conviction. "No."
"Yes.I mean,seriously,what's up with the motorway thing?"
"M1 motorway. Connects London to Leeds."
I smirk. "Batman is American. He doesn't take the M1 motorway."
"When he's on holiday he does."
"Who says Batman has time to vacation?"
"Why are we arguing about Batman?" He leans forward. "You're derailing us from the real topic.The fact that you, Anna Oliphant,slept in today."
"Thanks."
"You." He prods my leg with a finger. "Slept in."
I focus on the guy's laptop again. "Yeah.You mentioned that."
He flashes a crooked smile and shrugs, that full-bodied movement that turns him from English to French. "Hey, we made it,didn't we? No harm done."
I yank out a book from my backpack, Your Movie Sucks, a collection of Roger Ebert's favorite reviews of bad movies. A visual cue for him to leave me alone. St. Clair takes the hint. He slumps and taps his feet on the ugly blue carpeting.
I feel guilty for being so harsh. If it weren't for him,I would've missed the flight. St. Clair's fingers absentmindedly drum his stomach. His dark hair is extra messy this morning. I'm sure he didn't get up that much earlier than me,but,as usual, the bed-head is more attractive on him. With a painful twinge,I recall those other mornings together. Thanksgiving.Which we still haven't talked about.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
I let go of him and remain standing. I promised myself I would do this, if I ever had the chance again.. I promised I would do this the first moment I could.
'I love you,' I say, the words coming out in an unintelligible rush.
Cardan looks taken aback. Or possibly I spoke so fast he's not even sure what I said. 'You need not say it out of pity,' he says finally, with great deliberateness. 'Or because I was under a curse. I have asked you to lie to me in the past, in this very room, but I would beg you not to lie now.'
My cheeks heat at the memory of those lies.
'I have not made myself easy to love,' he says, and I hear the echo of his mother's words in his.
When I imagined telling him, I thought I would say the words, and it would be like pulling off a bandage- painful and swift. But I didn't think he would doubt me. 'I first started liking you when we went to talk to the rulers of the low Courts,' I say. 'You were funny, which was weird. And when we went to Hollow Hall, you were clever. I kept remembering how you'd been the one to get us out of the brugh after Dain's coronation, right before I put the knife to your throat.'
He doesn't try to interrupt, so I have to choice but to barrel on.
'After I tricked you into being High King,' I say. 'I thought once you hated me, I could go back to hating you. But I didn't. And I felt so stupid. I thought I would get my heart broken. I thought it was a weakness that you would use against me. But then you saved me from the Undersea when it would have been much more convenient to just leave me to rot. After that, I started to hope my feelings were returned. But then there was the exile-' I take a ragged breath. 'I hid a lot, I guess. I thought if I didn't, if I let myself love you, I would burn up like a match. Like the whole matchbook.'
'But now you've explained it,' he says. 'And you do love me.'
'I love you,' I confirm.
'Because I am clever and funny,' he says, smiling. 'You didn't mention my handsomeness.'
'Or your deliciousness,' I say. 'Although those are both good qualities.'
He pulls me to him, so that we're both lying on the couch. I look down at the blackness of his eyes and the softness of his mouth. I wipe a fleck of dried blood from the top of one pointed ear. 'What was it like?' I ask. 'Being a serpent.'
He hesitates. 'It was like being trapped in the dark,' he says. 'I was alone, and my instinct was to lash out. I was perhaps not entirely an animal, but neither was I myself. I could not reason. There was only feelings- hatred and terror and the desire to destroy.'
I start to speak, but he stops me with a gesture. 'And you.' He looks at me, his lips curving in something that's not quite a smile; it's more and less than that. 'I knew little else, but I always knew you.'
And when he kisses me, I feel as though I can finally breathe again.
”
”
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
“
You’re not gonna believe what just happened to me,” Jase says the minute I flip my cell open, taking advantage of break at the B&T. I turn away from the picture window just in case Mr. Lennox, disregarding the break sign, will come dashing out to slap me with my first-ever demerit.
“Try me.”
His voice lowers. “You know how I put that lock on the door of my room? Well, Dad noticed it. Apparently. So today, I’m stocking the lawn section and he comes up and asks why it’s there.”
“Uh-oh.” I catch the attention of a kid sneaking into the hot tub (there’s a strict no-one-under-sixteen policy) and shake my head sternly. He slinks away. Must be my impressive uniform.
“So I say I need privacy sometimes and sometimes you and I are hanging out and we don’t want to be interrupted ten million times.”
“Good answer.”
“Right. I think this is going to be the end of it. But then he tells me he needs me in the back room to have a ‘talk.’”
“Uh-oh again.”
Jase starts to laugh. “I follow him back and he sits me down and asks if I’m being responsible. Um. With you.”
Moving back into the shade of the bushes, I turn even further away from the possible gaze of Mr. Lennox. “Oh God.”
“I say yeah, we’ve got it handled, it’s fine. But, seriously? I can’t believe he’s asking me this. I mean, Samantha. Jesus. My parents? Hard not to know the facts of life and all in this house. So I tell him that we’re moving slowly and—”
“You told him that?” God, Jase! How am I ever going to look Mr. Garret in the eye again? Help.
“He’s my dad, Samantha. Yeah. Not that I didn’t want to exit the conversation right away, but still . . .”
“So what happened then?”
“Well, I reminded him they’d covered that really thoroughly in school, not to mention at home, and we weren’t irresponsible people.”
I close my eyes, trying to imagine having this conversation with my mother. Inconceivable. No pun intended.
“So then . . . he goes on about”—Jase’s voice drops even lower—“um . . . being considerate and um . . . mutual pleasure.”
“Oh my god! I would’ve died. What did you say?” I ask, wanting to know even while I’m completely distracted by the thought. Mutual pleasure, huh? What do I know about giving that? What if Shoplifting Lindy had tricks up her sleeve I know nothing about? It’s not like I can ask Mom. “State senator suffers heart attack during conversation with daughter.”
“I said ‘Yes sir’ a lot. And he went on and on and on and all I could think was that any minute Tim was gonna come in and hear my dad saying things like, ‘Your mom and I find that . . . blah blah blah.’”
I can’t stop laughing. “He didn’t. He did not mention your mother.”
“I know!” Jase is laughing too. “I mean . . . you know how close I am to my parents, but . . . Jesus.
”
”
Huntley Fitzpatrick (My Life Next Door)
“
Aren’t you a little young to be a captain? Not that I’m sure you weren’t wonderful at it,” I added hastily, “but Frank’s got to be your same age, and Mr. Graces and Mr. Liu are both older than you. How on earth did it happen?”
He shut down. It was like a curtain being pulled across a window. This was a subject he definitely did not wish to discuss.
“The title is honorary,” he said, not meeting my gaze. “I can’t stop them calling me that, even though I’ve asked them not to. I was the highest-ranking officer to survive the…accident.”
Accident? I supposed this was another one of those things he didn’t want to tell me because it would make me hate him.
Recognizing that dropping that particular topic-for now at least-would probably be best. I said, “John, I can warn you about the Furies. And I know exactly where the coffin is. All you have to do is take me back to Isla Huesos-just this one time, to help Alex-and I’ll never mention going there again. I’ll even,” I said, reaching up to straighten the collar of his leather jacket, which had gone askew, “forgive you for the waffles-“
John seized me by both shoulders, pulling me towards him so abruptly that Hope gave an alarmed flap of her wings.
“Pierce,” he said. “Do you mean that?”
When I pushed back some of the hair that had tumbled into my face and raised my dark eyes to meet his light ones, I saw that he was staring down at me with an intensity that burned.
“You’ll never mention going back to Isla Huesos again if I take you there right now, this once, to talk to your cousin Alex?” he demanded. “You’ll give…cohabitation another chance?”
His sudden fierceness was making me nervous.
“Of course, John,” I said. “But it’s not like I have a choice.”
“What if you did?” he asked, his grip tightening.
I blinked. “But I can’t. You said-“
He gave me a little shake. “Never mind what I said. What if I was wrong?”
I reached up to lay a hand on his cheek. It felt a little scratchy, because he hadn’t shaved. I didn’t care about stubble. What I cared about was the desperate need I saw in his eyes. The need for me.
“I’d come back,” I said, simply, “to stay with you.”
A second later, the late-and everything around it-was gone.
”
”
Meg Cabot (Underworld (Abandon, #2))
“
Thank you," he said. "Welcome. Welcome especially to Mr. Coyle Mathis and the other men and women of Forster Hollow who are going to be employed at this rather strikingly energy-inefficient plant. It's a long way from Forster Hollow, isn't it?"
"So, yes, welcome," he said. "Welcome to the middle class! That's what I want to say. Although, quickly, before I go any further, I also want to say to Mr. Mathis here in the front row: I know you don't like me. And I don't like you. But, you know, back when you were refusing to have anything to do with us, I respected that. I didn't like it, but I had respect for your position. For your independence. You see, because I actually came from a place a little bit like Forster Hollow myself, before I joined the middle class. And, now you're middle-class, too, and I want to welcome you all, because it's a wonderful thing, our American middle class. It's the mainstay of economies all around the globe!"
"And now that you've got these jobs at this body-armor plant," he continued, "You're going to be able to participate in those economies. You, too, can help denude every last scrap of native habitat in Asia, Africa, and South America! You, too, can buy six-foot-wide plasma TV screens that consume unbelievable amounts of energy, even when they're not turned on! But that's OK, because that's why we threw you out of your homes in the first places, so we could strip-mine your ancestral hills and feed the coal-fired generators that are the number-one cause of global warming and other excellent things like acid rain. It's a perfect world, isn't it? It's a perfect system, because as long as you've got your six-foot-wide plasma TV, and the electricity to run it, you don't have to think about any of the ugly consequences. You can watch Survivor: Indonesia till there's no more Indonesia!"
"Just quickly, here," he continued, "because I want to keep my remarks brief. Just a few more remarks about this perfect world. I want to mention those big new eight-miles-per-gallon vehicles you're going to be able to buy and drive as much as you want, now that you've joined me as a member of the middle class. The reason this country needs so much body armor is that certain people in certain parts of the world don't want us stealing all their oil to run your vehicles. And so the more you drive your vehicles, the more secure your jobs at this body-armor plant are going to be! Isn't that perfect?"
"Just a couple more things!" Walter cried, wresting the mike from its holder and dancing away with it. "I want to welcome you all to working for one of the most corrupt and savage corporations in the world! Do you hear me? LBI doesn't give a shit about your sons and daughters bleeding in Iraq, as long as they get their thousand-percent profit! I know this for a fact! I have the facts to prove it! That's part of the perfect middle-class world you're joining! Now that you're working for LBI, you can finally make enough money to keep your kids from joining the Army and dying in LBI's broken-down trucks and shoddy body armor!"
The mike had gone dead, and Walter skittered backwards, away from the mob that was forming. "And MEANWHILE," he shouted, "WE ARE ADDING THIRTEEN MILLION HUMAN BEINGS TO THE POPULATION EVERY MONTH! THIRTEEN MILLION MORE PEOPLE TO KILL EACH OTHER IN COMPETITION OVER FINITE RESOURCES! AND WIPE OUT EVERY OTHER LIVING THING ALONG THE WAY! IT IS A PERFECT FUCKING WORLD AS LONG AS YOU DON'T COUNT EVERY OTHER SPECIES IN IT! WE ARE A CANCER ON THE PLANT! A CANCER ON THE PLANET!
”
”
Jonathan Franzen (Freedom)
“
...Although the term Existentialism was invented in the 20th century by the French philosopher Gabriel Marcel, the roots of this thought go back much further in time, so much so, that this subject was mentioned even in the Old Testament. If we take, for example, the Book of Ecclesiastes, especially chapter 5, verses 15-16, we will find a strong existential sentiment there which declares, 'This too is a grievous evil: As everyone comes, so they depart, and what do they gain, since they toil for the wind?' The aforementioned book was so controversial that in the distant past there were whole disputes over whether it should be included in the Bible. But if nothing else, this book proves that Existential Thought has always had its place in the centre of human life. However, if we consider recent Existentialism, we can see it was the French philosopher Jean-Paul Sartre who launched this movement, particularly with his book Being and Nothingness, in 1943. Nevertheless, Sartre's thought was not a new one in philosophy. In fact, it goes back three hundred years and was first uttered by the French philosopher René Descartes in his 1637 Discours de la Méthode, where he asserts, 'I think, therefore I am' . It was on this Cartesian model of the isolated ego-self that Sartre built his existential consciousness, because for him, Man was brought into this world for no apparent reason and so it cannot be expected that he understand such a piece of absurdity rationally.''
'' Sir, what can you tell us about what Sartre thought regarding the unconscious mind in this respect, please?'' a charming female student sitting in the front row asked, listening keenly to every word he had to say.
''Yes, good question. Going back to Sartre's Being and Nothingness it can be seen that this philosopher shares many ideological concepts with the Neo-Freudian psychoanalysts but at the same time, Sartre was diametrically opposed to one of the fundamental foundations of psychology, which is the human unconscious. This is precisely because if Sartre were to accept the unconscious, the same subject would end up dissolving his entire thesis which revolved around what he understood as being the liberty of Man. This stems from the fact that according to Sartre, if a person accepts the unconscious mind he is also admitting that he can never be free in his choices since these choices are already pre-established inside of him. Therefore, what can clearly be seen in this argument is the fact that apparently, Sartre had no idea about how physics, especially Quantum Mechanics works, even though it was widely known in his time as seen in such works as Heisenberg's The Uncertainty Principle, where science confirmed that first of all, everything is interconnected - the direct opposite of Sartrean existential isolation - and second, that at the subatomic level, everything is undetermined and so there is nothing that is pre-established; all scientific facts that in themselves disprove the Existential Ontology of Sartre and Existentialism itself...
”
”
Anton Sammut (Paceville and Metanoia)
“
I was acutely aware of him, and the thought that he was walking me back to my room and would most likely try to kiss me again sent shivers down my spine. For self-preservation purposes, I had to get away. Every minute I spent with him just made me want him more. Since merely annoying him wasn’t working, I’d have to up the ante.
Apparently, I needed him not only to fall out-of-like with me, but to hate me as well. I’d frequently been told that I was an all-or-nothing kind of girl. If I were going to push him away, it was going to be so far away that there would be absolutely no change of him ever coming back.
I tried to wrench my elbow out of his grasp, but he just held on more tightly. I grumbled at him, “Stop using your tiger strength on me, Superman.”
“Am I hurting you?”
“No, but I’m not a puppet to be dragged around.”
He trailed his fingers down my arm and took my hand instead. “Then you play nice, and I will too.”
“Fine.”
He grinned. “Fine.”
I hissed back. “Fine!”
We walked to the elevator, and he pushed the button to my floor.
“My room is on the same floor,” Ren edxplained.
I scowled and then grinned lopsidedly and just a little bit evilly, “And umm, how exactly is that going to work for you in the morning, Tiger? You really shouldn’t get Mr. Kadam in trouble for having a rather large…pet.”
Ren returned my sarcasm as he walked me to my door. “Are you worried about me, Kells? Well, don’t. I’ll be fine.”
“I guess there’s no point in asking how you knew which door belong to me, huh, Tiger Nose?”
He looked at me in a way that turned my insides to jelly. I spun around but awareness of him shot through my limbs, and I could feel him standing close behind me watching, waiting.
I put my key in the lock, and he moved closer. My hand started shaking, and I couldn’t twist the key the right way. He took my hand and gently turned me around. He then put both hands on the door on either side of my head and leaned in close, pinning me against it. I trembled like a downy rabbit caught in the clutches of a wolf. The wolf came closer. He bent his head and began nuzzling my cheek. The problem was…I wanted the wolf to devour me.
I began to get lost in the thick sultry fog that overtook me every time Ren put his hands on me.
So much for asking for permission…and so much for sticking to my guns, I thought as I felt all my defenses slip away.
He whispered warmly, “I can always tell where you are, Kelsey. You smell like peaches and cream.”
I shivered and put my hands on his chest to push him away, but I ended up grabbing fistfuls of shirt and held on for dear life. He trailed kisses from my ear down my cheek and then pressed soft kisses along the arch of my neck. I pulled him closer and turned my head so he could really kiss me. He smiled and ignored my invitation, moving instead to the other ear. He bit my earlobe lightly, moved from there to my collarbone, and trailed kisses out to my shoulder. Then he lifted his head and brought his lips about one inch from mine and the only thought in my head was…more.
With a devastating smile, he reluctantly pulled away and lightly ran his fingers through the strands of my hair. “By the way, I forgot to mention that you look beautiful tonight.” He smiled again then turned and strolled off down the hall.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
In my travels on the surface, I once met a man who wore his religious beliefs like a badge of honor upon the sleeves of his tunic. "I am a Gondsman!" he proudly told me as we sat beside eachother at a tavern bar, I sipping my wind, and he, I fear, partaking a bit too much of his more potent drink. He went on to explain the premise of his religion, his very reason for being, that all things were based in science, in mechanics and in discovery. He even asked if he could take a piece of my flesh, that he might study it to determine why the skin of the drow elf is black. "What element is missing," he wondered, "that makes your race different from your surface kin?"
I think that the Gondsman honestly believed his claim that if he could merely find the various elements that comprised the drow skin, he might affect a change in that pigmentation to make the dark elves more akin to their surface relatives. And, given his devotion, almost fanaticism, it seemed to me as if he felt he could affect a change in more than physical appearance.
Because, in his view of the world, all things could be so explained and corrected. How could i even begin to enlighten him to the complexity? How could i show him the variations between drow and surface elf in the very view of the world resulting from eons of walking widely disparate roads?
To a Gondsman fanatic, everything can be broken down, taken apart and put back together. Even a wizard's magic might be no more than a way of conveying universal energies - and that, too, might one day be replicated. My Gondsman companion promised me that he and his fellow inventor priests would one day replicate every spell in any wizard's repertoire, using natural elements in the proper combinations.
But there was no mention of the discipline any wizard must attain as he perfects his craft. There was no mention of the fact that powerful wizardly magic is not given to anyone, but rather, is earned, day by day, year by year and decade by decade. It is a lifelong pursuit with gradual increase in power, as mystical as it is secular.
So it is with the warrior. The Gondsman spoke of some weapon called an arquebus, a tubular missile thrower with many times the power of the strongest crossbow.
Such a weapon strikes terror into the heart of the true warrior, and not because he fears that he will fall victim to it, or even that he fears it will one day replace him. Such weapons offend because the true warrior understands that while one is learning how to use a sword, one should also be learning why and when to use a sword. To grant the power of a weapon master to anyone at all, without effort, without training and proof that the lessons have taken hold, is to deny the responsibility that comes with such power.
Of course, there are wizards and warriors who perfect their craft without learning the level of emotional discipline to accompany it, and certainly there are those who attain great prowess in either profession to the detriment of all the world - Artemis Entreri seems a perfect example - but these individuals are, thankfully, rare, and mostly because their emotional lacking will be revealed early in their careers, and it often brings about a fairly abrupt downfall. But if the Gondsman has his way, if his errant view of paradise should come to fruition, then all the years of training will mean little. Any fool could pick up an arquebus or some other powerful weapon and summarily destroy a skilled warrior. Or any child could utilize a Gondsman's magic machine and replicate a firebal, perhaps, and burn down half a city.
When I pointed out some of my fears to the Gondsman, he seemed shocked - not at the devastating possibilities, but rather, at my, as he put it, arrogance. "The inventions of the priests of Gond will make all equal!" he declared. "We will lift up the lowly peasant
”
”
R.A. Salvatore (Streams of Silver (Forgotten Realms: Icewind Dale, #2; Legend of Drizzt, #5))
“
What's Toraf's favorite color?"
She shrugs. "Whatever I tell him it is."
I raise a brow at her. "Don't know, huh?"
She crosses her arms. "Who cares anyway? We're not painting his toenails."
"I think what's she's trying to say, honey bunches, is that maybe you should paint your nails his favorite color, to show him you're thinking about him," Rachel says, seasoning her words with tact.
Rayna sets her chin. "Emma doesn't paint her nails Galen's favorite color."
Startled that Galen has a favorite color and I don't know it, I say, "Uh, well, he doesn't like nail polish." That is to say, he's never mentioned it before.
When a brilliant smile lights up her whole face, I know I've been busted. "You don't know his favorite color!" she says, actually pointing at me.
"Yes, I do," I say, searching Rachel's face for the answer. She shrugs.
Rayna's smirk is the epitome of I know something you don't know. Smacking it off her face is my first reflex, but I hold back, as I always do, because of the kiss I shared with Toraf and the way it hurt her. Sometimes I catch her looking at me with that same expression she had on the beach, and I feel like fungus, even though she deserved it at the time.
Refusing to fold, I eye the buffet of nail polish scattered before me. Letting my fingers roam over the bottles, I shop the paints, hoping one of them stands out to me. To save my life, I can't think of any one color he wears more often. He doesn't have a favorite sport, so team colors are a no-go. Rachel picked his cars for him, so that's no help either. Biting my lip, I decide on an ocean blue.
"Emma! Now I'm just ashamed of myself," he says from the doorway. "How could you not know my favorite color?"
Startled, I drop the bottle back on the table. Since he's back so soon, I have to assume he didn't find what or who he wanted-and that he didn't hunt them for very long. Toraf materializes behind him, but Galen's shoulders are too broad to allow them both to stand in the doorway. Clearing my throat, I say, "I was just moving that bottle to get to the color I wanted."
Rayna is all but doing a victory dance with her eyes. "Which is?" she asks, full of vicious glee. Toraf pushes past Galen and plops down next to his tiny mate. She leans into him, eager for his kiss. "I missed you," she whispers.
"Not as much as I missed you," he tells her.
Galen and I exchange eye rolls as he walks around to prop himself on the table beside me, his wet shorts making a butt-shaped puddle on the expensive wood. "Go ahead, angelfish," he says, nodding toward the pile of polish.
If he's trying to give me a clue, he sucks at it. "Go" could mean green, I guess. "Ahead" could mean...I have no idea what that could mean. And angelfish come in all sorts of colors. Deciding he didn't encode any messages for me, I sigh and push away from the table to stand. "I don't know. We've never talked about it before."
Rayna slaps her knee in triumph. "Ha!"
Before I can pass by him, Galen grabs my wrist and pulls me to him, corralling me between his legs. Crushing his mouth to mine, he moves his hand to the small of my back and presses me into him. Since he's still shirtless and I'm in my bikini, there's a lot of bare flesh touching, which is a little more intimate than I'm used to with an audience. Still, the fire sears through me, scorching a path to the furthest, deepest parts of me. It takes every bit of grit I have not to wrap my arms around his neck.
Gently, I push my hands against his chest to end the kiss, which is something I never thought I'd do. Giving him a look that I hope conveys "inappropriate," I step back. I've spent enough time in their company to know without looking that Rayna's eyes are bugging out of their sockets and Toraf is grinning like a nutcracker doll. With any luck, Rachel didn't even see the kiss. Stealing a peek at her, she meets my gaze with openmouthed shock.
Okay, it looked as bad as I thought it did.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
When he wrote back, he pretended to be his old self, he lied his way into sanity. For fear of his psychiatrist who was also their censor, they could never be sensual, or even emotional. His was considered a modern, enlightened prison, despite its Victorian chill. He had been diagnosed, with clinical precision, as morbidly oversexed, and in need of help as well as correction. He was not to be stimulated. Some letters—both his and hers—were confiscated for some timid expression of affection. So they wrote about literature, and used characters as codes. All those books, those happy or tragic couples they had never met to discuss! Tristan and Isolde the Duke Orsino and Olivia (and Malvolio too), Troilus and Criseyde, Once, in despair, he referred to Prometheus, chained to a rock, his liver devoured daily by a vulture. Sometimes she was patient Griselde. Mention of “a quiet corner in a library” was a code for sexual ecstasy. They charted the daily round too, in boring, loving detail. He described the prison routine in every aspect, but he never told her of its stupidity. That was plain enough. He never told her that he feared he might go under. That too was clear. She never wrote that she loved him, though she would have if she thought it would get through. But he knew it. She told him she had cut herself off from her family. She would never speak to her parents, brother or sister again. He followed closely all her steps along the way toward her nurse’s qualification. When she wrote, “I went to the library today to get the anatomy book I told you about. I found a quiet corner and pretended to read,” he knew she was feeding on the same memories that consumed him “They sat down, looked at each other, smiled and looked away. Robbie and Cecilia had been making love for years—by post. In their coded exchanges they had drawn close, but how artificial that closeness seemed now as they embarked on their small talk, their helpless catechism of polite query and response. As the distance opened up between them, they understood how far they had run ahead of themselves in their letters. This moment had been imagined and desired for too long, and could not measure up. He had been out of the world, and lacked the confidence to step back and reach for the larger thought. I love you, and you saved my life. He asked about her lodgings. She told him.
“And do you get along all right with your landlady?”
He could think of nothing better, and feared the silence that might come down, and the awkwardness that would be a prelude to her telling him that it had been nice to meet up again. Now she must be getting back to work. Everything they had, rested on a few minutes in a library years ago. Was it too frail? She could easily slip back into being a kind of sister. Was she disappointed? He had lost weight. He had shrunk in every sense. Prison made him despise himself, while she looked as adorable as he remembered her, especially in a nurse’s uniform. But she was miserably nervous too, incapable of stepping around the inanities. Instead, she was trying to be lighthearted about her landlady’s temper. After a few more such exchanges, she really was looking at the little watch that hung above her left breast, and telling him that her lunch break would soon be over.
”
”
Ian McEwan (Atonement)
“
Laden with all these new possessions, I go and sit at a table. And don't ask me what the table was like because this was some time ago and I can't remember. It was probably round." [...]
"So let me give you the layout. Me sitting at the table, on my left, the newspaper, on my right, the cup of coffee, in the middle of the table, the packet of biscuits."
"I see it perfectly."
"What you don't see," said Arthur, "because I haven't mentioned him yet, is the guy sitting at the table already. He is sitting there opposite me."
"What's he like?"
"Perfectly ordinary. Briefcase. Business suit. He didn't look," said Arthur, "as if he was about to do anything weird."
"Ah. I know the type. What did he do?"
"He did this. He leaned across the table, picked up the packet of biscuits, tore it open, took one out, and . . ."
"What?"
"Ate it."
"What?"
"He ate it."
Fenchurch looked at him in astonishment. "What on earth did you do?"
"Well, in the circumstances I did what any red-blooded Englishman would do. I was compelled," said Arthur, "to ignore it."
"What? Why?"
"Well, it's not the sort of thing you're trained for, is it? I searched my soul, and discovered that there was nothing anywhere in my upbringing, experience, or even primal instincts to tell me how to react to someone who has quite simply, calmly, sitting right there in front of me, stolen one of my biscuits."
"Well, you could. . ." Fenchurch thought about it.
"I must say I'm not sure what I would have done either. So what happened?"
"I stared furiously at the crossword," said Arthur, "couldn't do a single clue, took a sip of coffee, it was too hot to drink, so there was nothing for it. I braced myself. I took a biscuit, trying very hard not to notice," he added, "that the packet was already mysteriously open. . ."
"But you're fighting back, taking a tough line."
"After my fashion, yes. I ate the biscuit. I ate it very deliberately and visibly, so that he would have no doubt as to what it was I was doing. When I eat a biscuit," said Arthur, "it stays eaten."
"So what did he do?"
"Took another one. Honestly," insisted Arthur, "this is exactly what happened. He took another biscuit, he ate it. Clear as daylight. Certain as we are sitting on the ground."
Fenchurch stirred uncomfortably.
"And the problem was," said Arthur, "that having not said anything the first time, it was somehow even more difficult to broach the subject the second time around. What do you say? 'Excuse me... I couldn't help noticing, er . . .'
Doesn't work. No, I ignored it with, if anything, even more vigor than previously."
"My man..."
"Stared at the crossword again, still couldn't budge a bit of it, so showing some of the spirit that Henry V did on St. Crispin's Day . ."
"What?"
"I went into the breach again. I took," said Arthur, "another biscuit. And for an instant our eyes met."
"Like this?"
"Yes, well, no, not quite like that. But they met. Just for an instant. And we both looked away. But I am here to tell you," said Arthur, "that there was a little electricity in the air. There was a little tension building up over the table. At about this time."
"I can imagine."”
"We went through the whole packet like this. Him, me, him, me . . ."
"The whole packet?"
"Well, it was only eight biscuits, but it seemed like a lifetime of biscuits we were getting through at this point. Gladiators could hardly have had a tougher time."
"Gladiators," said Fenchurch, "would have had to do it in the sun. More physically gruelling."
"There is that. So. When the empty packet was lying dead between us the man at last got up, having done his worst, and left. I heaved a sigh of relief, of course.
"As it happened, my train was announced a moment or two later, so I finished my coffee, stood up, picked up the newspaper, and underneath the newspaper . . ."
"Yes?"
"Were my biscuits."
"What?" said Fenchurch. "What?"
"True."
"No!
”
”
Douglas Adams (So Long, and Thanks for All the Fish (Hitchhiker's Guide to the Galaxy, #4))