Men Who Stare At Goats Quotes

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Most goat-related military activity is still highly classified.
Jon Ronson (The Men Who Stare at Goats)
If you couldn't kill your adversaries, or keep them imprisoned for ever, there was surely only one option left in the Colonel Alexander canon: you change their minds.
Jon Ronson (The Men Who Stare at Goats)
The Americans have always been better than the Iraqis at the leaflets. Early on in the first Gulf War, Iraqi PsyOps dropped a batch of their own leaflets on US troops, designed to be psychologically devastating. They read, 'Your wives are back at home having sex with Bart Simpson and Burt Reynolds.
Jon Ronson (The Men Who Stare at Goats)
What a brilliant cover story. In a success-obsessed society like this one, what's the best rock to hide something under? It's the rock called failure.
Jon Ronson (The Men Who Stare at Goats)
Remember that the crazy people are not always to be found on the outside. Sometimes the crazy people are deeply embedded on the inside. Not even the most imaginative conspiracy theorist has ever thought to invent a scenario in which a crack team of Special Forces soldiers and major generals secretly try to walk through their walls and stare goats to death.
Jon Ronson (The Men Who Stare at Goats)
The UFO community?” I said. “Why would government spies want to infiltrate that?” “Oh, Jon,” said Steven. “Don’t be naive.
Jon Ronson (The Men Who Stare at Goats)
Guy fell silent again. And then he said—and his voice sounded sorrowful and distressed—“Last week I killed my hamster.” “Just by staring at it?” I asked. “Yes,” confirmed Guy.
Jon Ronson (The Men Who Stare at Goats)
Jim returned from his journey in 1979 and wrote a confidential paper for his superiors. The first line read, “The U.S. army doesn’t really have any serious alternative than to be wonderful.” A disclaimer at the bottom read, “[This] does not comprise an official position by the military as of now.” This was Jim Channon’s First Earth Battalion Operations Manual.
Jon Ronson (The Men Who Stare at Goats)
In 1983 Colonel Burns wrote a poem in which he envisioned how his fledgling communications network might one day influence the world. Imagine the emergence of a new meta-culture. Imagine all kinds of people everywhere getting committed to human excellence, getting committed to closing the gap between the human condition and the human potential... And imagine all of us hooked up with a common high tech communications system. That's a vision that brings tears to the eyes. Human excellence is an ideal that we can embed into every formal human structure on our planet. And that's really why we're going to do this. And that's also why The Meta Network is a creation we can love. Notwithstanding Colonel Burns's failure to foresee that people would use the Internet mostly to access porn and look themselves up on Google, his prescience was admirable.
Jon Ronson (The Men Who Stare at Goats)
Guy Savelli's role in the War on Terror began when half-a-dozen strangers, within days of one another, contacted him via e-mail and telephone in the winter of 2003. They asked him if he had the power to psychically kill goats. Guy was bewildered. He did not go around publicizing this. Who were these men? How did they know about the goats? He feigned a casual tone of voice and said, 'Sure I can.' Then he phoned Special Forces.
Jon Ronson (The Men Who Stare at Goats)
a major named Ed Dames, had taken to psychic spying on the Loch Ness monster during the fallow months, when there wasn’t much official military psychic work. He determined that it was a dinosaur’s ghost. This finding irritated some of the others, who considered it unscientific and frankly implausible.
Jon Ronson (The Men Who Stare at Goats)
He interviewed thousands of American infantrymen and concluded that only 15–20 per cent of them had actually shot to kill. The rest had fired high or not fired at all, busying themselves however else they could. And 98 per cent of the soldiers who did shoot to kill were later found to have been deeply traumatized by their actions. The other 2 per cent were diagnosed as ‘aggressive psychopathic personalities’, who basically didn’t mind killing people under any circumstances, at home or abroad. The conclusion – in the words of Lieutenant Colonel Dave Grossman of the Killology Research Group – was ‘there is something about continuous, inescapable combat which will drive 98 per cent of all men insane, and the other 2 per cent were crazy when they got there’.)
Jon Ronson (The Men Who Stare At Goats (Picador Collection))
Christopher Cerf has been composing songs for Sesame Street for twenty-five years. His large Manhattan townhouse is full of Sesame Street memorabilia – photographs of Christopher with his arm around Big Bird, etc. ‘Well, it’s certainly not what I expected when I wrote them,’ Christopher said. ‘I have to admit, my first reaction was, “Oh my gosh, is my music really that terrible?” ’ I laughed. ‘I once wrote a song for Bert and Ernie called “Put Down The Ducky”,’ he said, ‘which might be useful for interrogating members of the Ba’ath Party.’ ‘That’s very good,’ I said. ‘This interview,’ Christopher said, ‘has been brought to you by the letters W, M and D.’ ‘That’s very good,’ I said. We both laughed. I paused. ‘And do you think that the Iraqi prisoners, as well as giving away vital information, are learning new letters and numbers?’ I said. ‘Well, wouldn’t that be an incredible double win?’ said Christopher. Christopher took me upstairs to his studio to play me one of his Sesame Street compositions, called ‘Ya! Ya! Das Is a Mountain!’ ‘The way we do Sesame Street,’ he explained, ‘is that we have educational researchers who test whether these songs are working, whether the kids are learning. And one year they asked me to write a song to explain what a mountain is, and I wrote a silly yodelling song about what a mountain was.’ Christopher sang me a little of the song: Oompah-pah! Oompah-pah! Ya! Ya! Das is a mountain! Part of zee ground zat sticks way up high! ‘Anyway,’ he said, ‘forty per cent of the kids had known what a mountain was before they heard the song, and after they heard the song, only about twenty-six per cent knew what a mountain was. That’s all they needed. You don’t know what a mountain is now, right? It’s gone! So I figure if I have the power to suck information out of people’s brains by writing these songs, maybe that’s something that could be useful to the CIA for brainwashing techniques.’ Just then, Christopher’s phone rang. It was a lawyer from his music publishers, BMI. I listened into Christopher’s side of the conversation: ‘Oh really?’ he said. ‘I see . . . Well, theoretically they have to log that and I should be getting a few cents for every prisoner, right? Okay. Bye, bye . . .’ ‘What was that about?’ I asked Christopher. ‘Whether I’m due some money for the performance royalties,’ he explained. ‘Why not? It’s an American thing to do. If I have the knack of writing songs that can drive people crazy sooner and more effectively than others, why shouldn’t I profit from that?’ This is why, later that day, Christopher asked Danny Epstein – who has been the music supervisor of Sesame Street since the very first programme was broadcast in July 1969 – to come to his house. It would be Danny’s responsibility to collect the royalties from the military if they proved negligent in filing a music-cue sheet.
Jon Ronson (The Men Who Stare At Goats)
The quest for seizing that amygdala moment, those crushing seconds of unbearable, incapacitating shock, seizing these moments and not letting them go, dragging them out for as long as is operationally necessary, that, said Sid, is the aim of the Bucha effect.
Jon Ronson
Learning how to walk through walls was an ambitious but inexpensive enterprise.
Jon Ronson (The Men Who Stare at Goats)
The gypsies, with whom it is obvious that she must have been in secret communication before the revolution, seem to have looked upon her as one of themselves (which is always the highest compliment a people can pay), and her dark hair and dark complexion bore out the belief that she was, by birth, one of them, and had been snatched by an English Duke from a nut tree when she was a baby and taken to that barbarous land where people live in houses because they are too feeble and diseased to stand the open air. Thus, though in many ways inferior to them, they were willing to help her to become more like them; taught her their arts of cheese-making and basket-weaving, their science of stealing and bird-snaring, and were even prepared to consider letting her marry among them. But Orlando had contracted in England some of the customs or diseases (whatever you choose to consider them) which cannot, it seems, be expelled... The elders, however, who had seen more of foreigners than they had, became suspicious. They noticed that Orlando often sat for whole hours doing nothing whatever, except look here and then there; they would come upon her on some hilltop staring straight in front of her, no matter whether the goats were gazing or straying. They began to suspect that she had other beliefs than their own, and the older men and women thought it probable that she had fallen into the clutches of the vilest and cruelest among all the Gods, which is Nature,
Orlando, Virginia Dalloway