Memory Police Quotes

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No amount of me trying to explain myself was doing any good. I didn't even know what was going on inside of me, so how could I have explained it to them?
Sierra D. Waters (Debbie.)
Men who start by burning books end by burning other men,
Yōko Ogawa (The Memory Police)
Memories are a lot tougher than you might think. Just like the hearts that hold them.
Yōko Ogawa (The Memory Police)
A heart has no shape, no limits. That's why you can put almost any kind of thing in it, why it can hold so much. It's much like your memory, in that sense.
Yōko Ogawa (The Memory Police)
My memories don’t feel as though they’ve been pulled up by the root. Even if they fade, something remains. Like tiny seeds that might germinate again if the rain falls. And even if a memory disappears completely, the heart retains something. A slight tremor or pain, some bit of joy, a tear.
Yōko Ogawa (The Memory Police)
If you read a novel to the end, then it’s over. I would never want to do something as wasteful as that. I’d much rather keep it here with me, safe and sound, forever.
Yōko Ogawa (The Memory Police)
But as things got thinner, more full of holes, our hearts got thinner, too, diluted somehow. I suppose that kept things in balance.
Yōko Ogawa (The Memory Police)
I don’t know. Maybe there’s a place out there where people whose hearts aren’t empty can go on living.
Yōko Ogawa (The Memory Police)
In general,” he continued, “most things you worry about end up being no more than that—just worries.
Yōko Ogawa (The Memory Police)
Today I wore a pair of faded old jeans and a plain grey baggy shirt. I hadn't even taken a shower, and I did not put on an ounce of makeup. I grabbed a worn out black oversized jacket to cover myself with even though it is warm outside. I have made conscious decisions lately to look like less of what I felt a male would want to see. I want to disappear.
Sierra D. Waters (Debbie.)
Time is a great healer. It just flows on all of its own accord.
Yōko Ogawa (The Memory Police)
When you lost your voice, you lost the ability to make sense of yourself.
Yōko Ogawa (The Memory Police)
Intimidated, old traumas triggered, and fearing for my safety, I did what I felt I needed to do.
Sierra D. Waters (Debbie.)
His soul is too dense. If he comes out, he'll dissolve into pieces, like a deep-sea fish pulled to the surface too quickly. I suppose my job is to go on holding him here at the bottom of the sea.
Yōko Ogawa (The Memory Police)
People—and I’m no exception—seem capable of forgetting almost anything, much as if our island were unable to float in anything but an expanse of totally empty sea.
Yōko Ogawa (The Memory Police)
Thanks to my mother, I was raised to have a morbid imagination. When I was a child, she often talked about death as warning, as an unavoidable matter of fact. Little Debbie's mom down the block might say, 'Honey, look both ways before crossing the street.' My mother's version: 'You don't look, you get smash flat like sand dab.' (Sand dabs were the cheap fish we bought live in the market, distinguished in my mind by their two eyes affixed on one side of their woebegone cartoon faces.) The warnings grew worse, depending on the danger at hand. Sex education, for example, consisted of the following advice: 'Don't ever let boy kiss you. You do, you can't stop. Then you have baby. You put baby in garbage can. Police find you, put you in jail, then you life over, better just kill youself.
Amy Tan (The Opposite of Fate: Memories of a Writing Life)
No matter how careful we are, we all leave behind little bits of ourselves as we go about our lives. Hair, sweat, fingernails, tears…any of which can be tested. No one can escape.
Yōko Ogawa (The Memory Police)
It is not a single crime when a child is photographed while sexually assaulted (raped.) It is a life time crime that should have life time punishments attached to it. If the surviving child is, more often than not, going to suffer for life for the crime(s) committed against them, shouldn't the pedophiles suffer just as long? If it often takes decades for survivors to come to terms with exactly how much damage was caused to them, why are there time limits for prosecution?
Sierra D. Waters (Debbie.)
Maybe there’s a place out there where people whose hearts aren’t empty can go on living.
Yōko Ogawa (The Memory Police)
They may be nothing more than scraps of paper, but they capture something profound. Light and wind and air, the tenderness or joy of the photographer, the bashfulness or pleasure of the subject. You have to guard these things forever in your heart. That’s why photographs are taken in the first place.
Yōko Ogawa (The Memory Police)
When the surface of your soul begins to stir, I imagine you want to capture the sensation in writing.
Yōko Ogawa (The Memory Police)
I didn’t want you to remember this day because of the scarf. So I thought instead you could remember it as the day your Granny broke into a zoo—” “And escaped from a hospital,” Elsa says with a grin. “And escaped from a hospital,” says Granny with a grin. “And threw turds at the police.” “Actually, it was soil! Or mainly soil, anyway.” “Changing memories is a good superpower, I suppose.” Granny shrugs. “If you can’t get rid of the bad, you have to top it up with more goody stuff.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
I thought I could hear the sound of my memory burning that night.
Yōko Ogawa (The Memory Police)
No matter how careful we are, we all leave behind little bits of ourselves as we go about our lives.
Yōko Ogawa (The Memory Police)
I have to make do with a hollow heart full of holes.
Yōko Ogawa (The Memory Police)
If spring never comes, does that mean summer won’t either? How will the crops grow when the fields are covered with snow?
Yōko Ogawa (The Memory Police)
Maybe there's a place out there where people whose hearts aren't empty can go on living.
Yōko Ogawa (The Memory Police)
I suspect the only reason I’ve been able to go on writing is that I’ve had your heart by my side all along. — Yōko Ogawa, The Memory Police, transl. Stephen Snyder (Pantheon, 2019)
Yōko Ogawa (The Memory Police)
In the City Market is the Meet Café. Followers of obsolete, unthinkable trades doodling in Etruscan, addicts of drugs not yet synthesized, pushers of souped-up harmine, junk reduced to pure habit offering precarious vegetable serenity, liquids to induce Latah, Tithonian longevity serums, black marketeers of World War III, excusers of telepathic sensitivity, osteopaths of the spirit, investigators of infractions denounced by bland paranoid chess players, servers of fragmentary warrants taken down in hebephrenic shorthand charging unspeakable mutilations of the spirit, bureaucrats of spectral departments, officials of unconstituted police states, a Lesbian dwarf who has perfected operation Bang-utot, the lung erection that strangles a sleeping enemy, sellers of orgone tanks and relaxing machines, brokers of exquisite dreams and memories tested on the sensitized cells of junk sickness and bartered for raw materials of the will, doctors skilled in the treatment of diseases dormant in the black dust of ruined cities, gathering virulence in the white blood of eyeless worms feeling slowly to the surface and the human host, maladies of the ocean floor and the stratosphere, maladies of the laboratory and atomic war... A place where the unknown past and the emergent future meet in a vibrating soundless hum... Larval entities waiting for a Live One...
William S. Burroughs (Naked Lunch)
But in a world turned upside down, things I thought were mine and mine alone can be taken away much more easily than I would have imagined. If my body were cut up in pieces and those pieces mixed with those of other bodies, and then if someone told me, “Find your left eye,” I suppose it would be difficult to do so.
Yōko Ogawa (The Memory Police)
He told me that if I hung up, he'd do it. He would commit suicide. He told me that if I called the cops he would kill every single one of them and I knew that he had the potential and the means to do it
Sierra D. Waters (Debbie.)
The story of my birth that my mother told me went like this: "When you were coming out I wasn't ready yet and neither was the nurse. The nurse tried to push you back in, but I shit on the table and when you came out, you landed in my shit." If there ever was a way to sum things up, the story of my birth was it.
Sierra D. Waters (Debbie.)
Your heart and mine are being pulled apart to such different, distant places. Yours is overflowing with warmth and life and sounds and smells, but mine is growing cold and hard at a terrifying pace. At some point it will break into a thousand pieces, shards of ice that will dissolve.
Yōko Ogawa (The Memory Police)
I suppose memories live here and there in the body. But they're invisible, aren't they? And no matter how wonderful the memory, it vanishes if you leave it alone. If no one pays attention to it. They leave no trace, no evidence that they ever existed.
Yōko Ogawa (The Memory Police)
John was still making comments regarding violent things that he shouldn't, but I hoped he was just being a big mouth. Nobody was going to listen to me anyway.
Sierra D. Waters (Debbie.)
I sometimes wonder what I'd see if I could hold your heart in my hands," I told him. "I imagine it fitting perfectly in my palms, soft and slippery, like gelatin that hasn't quite set. It might wobble at the slightest touch, but I sense I'd need to hold it carefully, so it wouldn't slip through my fingers. I also imagine the warmth of the thing. It's usually hidden deep inside, so it's much warmer than the rest of me. I close my eyes and sink into that warmth, and when I do, the sensations of all the things that have disappeared come back to me. I can feel all the things you remember, there in my hands. Doesn't that sound marvelous?
Yōko Ogawa (The Memory Police)
But what if human beings themselves disappear?” I asked.
Yōko Ogawa (The Memory Police)
No matter how hard I listened, there was never any sign of someone living under the floor, and yet this silence made me all the more conscious of his existence.
Yōko Ogawa (The Memory Police)
After sitting for so long in the ruined cabin, the objects we had taken must have been shocked when we pulled them out into the world. I could almost sense their fear, coming through the bags.
Yōko Ogawa (The Memory Police)
Inspector Tinou sat silent. The Greek police department did not welcome interference from other countries in their affairs. Particularly Americans. They are always too-sou, so sure of themselves.
Sidney Sheldon (Memories of Midnight)
On May 25, something unexpected happened. Police opened the school up so families of the library victims could walk through the scene. This served two functions: victims could face the crime scene with their loved ones, and revisiting the room might jar loose memories or clarify confusion. Three senior investigators stood by to answer questions and observe.
Dave Cullen (Columbine)
Memories don't just pile up—they also change over time. And sometimes they fade of their own accord. Though the process, for me, is quite different from what happens to the rest of you when something disappears from the island.
Yōko Ogawa (The Memory Police)
You have to stop worrying about things like that. The disappearances are beyond our control. They have nothing to do with us. We’re all going to die anyway, someday, so what’s the difference? We simply have to leave things to fate.
Yōko Ogawa (The Memory Police)
A heart has no shape, no limits. That's why you can put almost any kind of thing in it, why it can hold so much.
Yōko Ogawa (The Memory Police)
It's the most beautiful disappearance ever.
Yōko Ogawa (The Memory Police)
Allí donde se queman los libros, se acaba quemando también persona
Yōko Ogawa (The Memory Police)
you read a novel to the end, then it’s over. I would never want to do something as wasteful as that. I’d much rather keep it here with me, safe and sound, forever.
Yōko Ogawa (The Memory Police)
On Memorial Day 1927, a march of some 1,000 Klansmen through the New York City borough of Queens turned into a brawl with the police. Several people wearing Klan hoods were arrested, one of them a young real estate developer named Fred Trump.
Adam Hochschild (American Midnight: The Great War, a Violent Peace, and Democracy's Forgotten Crisis)
When you lost your voice, you lost the ability to make sense of yourself. But don’t worry. You’ll be staying right here. You’ll live among the fading voices trapped in these typewriters, and I’ll be here with you, giving you instructions. Nothing too difficult.
Yōko Ogawa (The Memory Police)
Now the police dreams that one look at the gigantic map on the office wall should suffice at any given moment to establish who is related to whom and in what degree of intimacy; and, theoretically, this dream is not unrealizable although its technical execution is bound to be somewhat difficult. If this map really did exist, not even memory would stand in the way of the totalitarian claim to domination; such a map might make it possible to obliterate people without any traces, as if they had never existed at all.
Hannah Arendt (The Origins of Totalitarianism)
But as things got thinner, more full of holes, our hearts got thinner, too, diluted somehow. I suppose that kept things in balance. And even when that balance begins to collapse, something remains. Which is why you shouldn’t worry.
Yōko Ogawa (The Memory Police)
I stood at the window, where I once stood with my father looking out through binoculars, and even now small winged creatures occasionally flitted by, but they were no more than reminders that birds mean nothing at all to me anymore.
Yōko Ogawa (The Memory Police)
The best thing to do when someone is trying to argue with you is to repeatedly state "Stay Away" and video record the entire event. You may need that video for the police afterwords when the aggressor starts fabricating fantasies about the event.
Steven Magee
The traces of my father’s presence, which I had done my best to preserve, had vanished, replaced by an emptiness that would not be filled. I stood in the middle of that emptiness, feeling myself on the verge of being drawn into its terrible depth.
Yōko Ogawa (The Memory Police)
Too often the survivor is seen by [himself or] herself and others as "nuts," "crazy," or "weird." Unless her responses are understood within the context of trauma. A traumatic stress reaction consists of *natural* emotions and behaviors in response to a catastrophe, its immediate aftermath, or memories of it. These reactions can occur anytime after the trauma, even decades later. The coping strategies that victims use can be understood only within the context of the abuse of a child. The importance of context was made very clear many years ago when I was visiting the home of a Holocaust survivor. The woman's home was within the city limits of a large metropolitan area. Every time a police or ambulance siren sounded, she became terrified and ran and hid in a closet or under the bed. To put yourself in a closet at the sound of a far-off siren is strange behavior indeed—outside of the context of possibly being sent to a death camp. Within that context, it makes perfect sense. Unless we as therapists have a good grasp of the context of trauma, we run the risk of misunderstanding the symptoms our clients present and, hence, responding inappropriately or in damaging ways.
Diane Langberg (Counseling Survivors of Sexual Abuse (AACC Counseling Library))
Important things remain important things, no matter how much the world changes.
Yōko Ogawa (The Memory Police)
I don't really know why I'm crying. I can't explain it myself, much less stop it.
Yōko Ogawa (The Memory Police)
Men who start by burning books end by burning other men,’ 
Yōko Ogawa (The Memory Police)
Even if a memory disappears completely, the heart retains something. A slight tremor or pain, some bit of joy, a tear.’ - R
Yōko Ogawa (The Memory Police)
Ribbon, bell, emerald, stamp. The words that came from my mother's mouth thrilled me, like the names of little girls from distant countries or new species of plants. As I listened to her talk, it made me happy to imagine a time when all these things had a place here on the island.
Yōko Ogawa (The Memory Police)
What can the people on this island create?” I went on. “A few kinds of vegetables, cars that constantly break down, heavy, bulky stoves, some half-starved stock animals, oily cosmetics, babies, the occasional simple play, books no one reads…Poor, unreliable things that will never make up for those that are disappearing—and the energy that goes along with them. It’s subtle but it seems to be speeding up, and we have to watch out. If it goes on like this and we can’t compensate for the things that get lost, the island will soon be nothing but absences and holes, and when it’s completely hollowed out, we’ll all disappear without a trace. Don’t you ever feel that way?
Yōko Ogawa (The Memory Police)
I’m a lot of things, Spatchcock, but ‘beloved-of-law-enforcement’ is not one of them. They’ll just say that it’s my own damn fault again and send me on my way. Besides, the last time I was at a police station I was quite rude to them. I think I threw a lamp at the custody sergeant. Do you have a light?
Robert McKelvey (In Memory: A Tribute to Sir Terry Pratchett)
Perhaps this was just evidence that his body was adapting to the secret room. Perhaps it was necessary to rid oneself of everything that was superfluous in order to immerse completely in this airless, soundproof, narrow space shrouded in the fear of discovery and arrest. In recompense for a mind that was able to retain everything, every memory, perhaps it was necessary that the body gradually fade away.
Yōko Ogawa (The Memory Police)
But even if your parents were ardent supporters of the IRA, there were reasons not to tell them that you had joined. If the police or the army broke down the door to interrogate them, the less they knew, the better.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
If I am in a state of becoming, it has no endpoint. I imagine replacing the memories of everyone I've ever spoken to with the impression that they have only ever seen me as a being clothed in light. In the early part of the twentieth century, homophobes and eugenicists joined forces to study what they called inversion, an early term for homosexuality, gender nonconformity, and transness. They believed they could read and police queerness on the body. Maybe this is why I don't want to make myself legible. I want to erase the meanings that have been ascribed to my breath, to my sweat, to my hair and fat and skin. I trace the green veins in my neck that branch down into my breasts as feathers. I am painting myself as the bird that, to the world outside this room, does not exist. I draw myself clothed in wings and tell myself that even the angels are sexless.
Zeyn Joukhadar (The Thirty Names of Night)
Too often, the anthropologist takes on the role of police detective, discovering what is "hidden," assembling "evidence" to make a strong "case"... But sometimes what is called for is not an "investigator" at all, but an attentive listener.
Liisa H. Malkki (Purity and Exile: Violence, Memory, and National Cosmology among Hutu Refugees in Tanzania)
But nothing happened there now of a nature to provoke a disturbance. There were no complaints to the management or the police, and the dark glory of the upper galleries was a legend in such memories as that of the late Emiel Kroger and the present Pablo Gonzales, and one by one, of course, those memories died out and the legend died out with them. Places like the Joy Rio and the legends about them make one more than usually aware of the short bloom and the long fading out of things. ("The Mysteries of the Joy Rio")
Tennessee Williams (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
Much of our work today has entered its own B-17 phase. Substantial parts of what software designers, financial managers, firefighters, police officers, lawyers, and most certainly clinicians do are now too complex for them to carry out reliably from memory alone. Multiple fields, in other words, have become too much airplane for one person to fly. Yet it is far from obvious that something as simple as a checklist could be of substantial help.
Atul Gawande (The Checklist Manifesto: How to Get Things Right)
He says, "It's just a hat." But it's not just a hat. It makes Jess think of racism and hatred and systemic inequality, and the Ku Klux Klan, and plantation-wedding Pinterest boards, and lynchings, and George Zimmerman, and the Central Park Five, and redlining, and gerrymandering and the Southern strategy, and decades of propaganda and Fox News and conservative radio, and rabid evangelicals, and rape and pillage and plunder and plutocracy and money in politics and the dumbing down of civil discourse and domestic terrorism and white nationalists and school shootings and the growing fear of a nonwhite, non-English-speaking majority and the slow death of the social safety net and conspiracy theory culture and the white working class and social atomism and reality television and fake news and the prison-industrial complex and celebrity culture and the girl in fourth grade who told Jess that since she--Jess--was "naturally unclean" she couldn't come over for birthday cake, and executive compensation, and mediocre white men, and the guy in college who sent around an article about how people who listen to Radiohead are smarter than people who listen to Missy Elliott and when Jess said "That's racist" he said "No,it's not," and of bigotry and small pox blankets and gross guys grabbing your butt on the subway, and slave auctions and Confederate monuments and Jim Crow and fire hoses and separate but equal and racist jokes that aren't funny and internet trolls and incels and golf courses that ban women and voter suppression and police brutality and crony capitalism and corporate corruption and innocent children, so many innocent children, and the Tea Party and Sarah Palin and birthers and flat-earthers and states' rights and disgusting porn and the prosperity gospel and the drunk football fans who made monkey sounds at Jess outside Memorial Stadium, even though it was her thirteenth birthday, and Josh--now it makes her think of Josh.
Cecilia Rabess (Everything's Fine)
I suppose memories live here and there in the body," the old man said, moving his hand from his chest to the top of his head. "But they're invisible, aren't they? And no matter how wonderful the memory, it vanishes if you leave it alone, if no one pays attention to it. They leave no trace, no evidence that they ever existed. But I suppose you're right when you say we should do everything we can to bring back memories of the things that have disappeared.
Yōko Ogawa (The Memory Police)
Not only did I believe that humans were selfish and base, I also knew that plenty of them were actually bad – content to destroy lives for their own gain. I’d seen Korean-Chinese expose North Korean escapees to the police in return for money. I’d known people who’d been trafficked by other humans as if they were livestock. That world was familiar to me. All my life, random acts of kindness had been so rare that they’d stick in my memory, and I’d think: how strange.
Hyeonseo Lee (The Girl with Seven Names: A North Korean Defector's Story)
Do you know where you were on Thursday evening at about eight o'clock last week, and who you were with, and what you were doing? Are you absolutely certain beyond any shadow of a doubt? Would you bet your life on it? If there is any possibility—no matter how slim or remote—that you could possibly be mistaken about such a thing, you are the kind of person who should never agree to talk to the police under just about any circumstances for as long as you live. And that includes practically everybody.
James Duane (You Have the Right to Remain Innocent)
Closed in the hidden room, I continued to disappear.
Yōko Ogawa (The Memory Police)
and I found myself unable to resist turning around to see whether my footsteps were following me as I made my way across the field of white.
Yōko Ogawa (The Memory Police)
Hur tomt ett hjärta än är försöker det ändå förnimma något.
Yōko Ogawa (The Memory Police)
You can’t write with your head. I want you to write with your hand,” he said. It was rare for him to make a pronouncement like this, so I found myself simply nodding in silence. Then I stretched my hand toward him, fingers extended. “That’s right. That’s where the story should come from,” he said, but he looked away, as though he had seen into the most vulnerable part of my body.
Yōko Ogawa (The Memory Police)
The memories seem to come in layers. For example, the first memory might be of incest; then they remember robes and candles; next they realize that their father or mother or both were present when they were being abused. Another layer will be the memory of seeing other people hurt and even killed. Then they remember having seen babies killed. Another layer is realizing that they participated in the sacrifices. One of the most painful memories may be that they even sacrificed their own baby. With each layer of memory comes another set of problems with which they must deal. — Glenn L. Pace; "Ritualistic Child Abuse," memo
Glenn L. Pace
To be sure, the judges were right when they finally told the accused that all he had said was 'empty talk'--except that they thought the emptiness was feigned, and that the accused wished to cover up other thoughts which, though hideous, were not empty. This supposition seems refuted by the striking consistency with which Eichmann, despite his rather bad memory, repeated word for word the same stock phrases and self-invented clichés [ ] each time he referred to an incident or event of importance to him. Whether writing his memoirs in Argentina or in Jerusalem, whether speaking to the police examiner or to the court, what he said was always the same, expressed in the same words. The longer one listened to him, the more obvious it became that his inability to speak was closely connected with an inability to think, namely, to think from the standpoint of somebody else. No communication was possible with him, not because he lied but because he was surrounded by the most reliable of all safeguards against the words and the presence of others, and hence against reality as such.
Hannah Arendt (Eichmann in Jerusalem: A Report on the Banality of Evil)
If it goes on like this and we can’t compensate for the things that get lost, the island will soon be nothing but absences and holes, and when it’s completely hollowed out, we’ll all disappear without a trace. Don’t you ever feel that way?
Yōko Ogawa (The Memory Police)
My memories don’t feel as though they’ve been pulled up by the root. Even if they fade, something remains. Like tiny seeds that might germinate again if the rain falls. And even if a memory disappears completely, the heart retains something. A slight tremor or pain,
Yōko Ogawa (The Memory Police)
I mean that we must figure out, together, what we are willing to lie about for the sake of a clean memory. The story ends with no sinners, because it must. Everyone is washed clean. A city holds its breath for decades, waiting for something good to descend, and then it does. This, I believe, means that everything resets, and so does everyone within the container of this glorious happening. To enter the church of triumph, everyone must be absolved, and so everyone is. The pistols vanish from the waistbands of cops, from the sock drawers of dealers. What you thought to be blood, dried on the concrete of the park, is instead handprints left by children who pressed their hands into dark paint and left behind a symbol of their living. Yes, living, the children are alive, even the ones thought to be dead. Even the ones who were on the news, even the ones some of us marched in the streets for and broke glass windows for and threw ourselves into police shields for. In the end of this story, there are tattoos that vanish from the skin of those who got the names of the gone-too-soon inked on them, because no one is gone too soon. Yes, if we are to cure ourselves of curses, let us cure ourselves of all the curses tonight, let the lake cough its thick fog upon the people and let them be unmoved by the sweat. What is sweat but decoration, jewelry upon the extended arms beckoning people toward a revival?
Hanif Abdurraqib (There's Always This Year: On Basketball and Ascension)
Every vehicle with a GPS is tracked by satellite, and the history of its travels is archived in the million-square-foot Utah Data Center of the National Security Agency, in its ever-growing cloud. The NSA is a jealous guardian of the knowledge that it has acquired, and police agencies do not have routine access to it.
Dean Koontz (Memories of Tomorrow (Nameless: Season One, #6))
ESAELP GNITTIPS ON This mysterious decree would incite me to defy it and spit on the ground at once, but because the police were stationed two steps away in front of the Governor's Mansion, I'd just stare at it uneasily instead. Now I began to fear that spit would suddenly climb out of my throat and land on the ground without my even willing it. But as I knew, spitting was mostly a habit of grown-ups of the same stock as those brainless, weak-willed, insolent children who were always being punished by my teacher. Yes, we would sometimes see people spitting on the streets, or hawking up phlegm because they had no tissues, but this didn't happen often enough to merit a decree of this severity, even outside the Governor's Manson. Later on, when I read about the Chinese spitting pots and discovered how commonplace spitting was in other parts of the world, I asked myself why they'd gone to such lengths to discourage spitting in Istanbul, where it had never been popular.
Orhan Pamuk (Istanbul: Memories and the City)
But they’re invisible, aren’t they? And no matter how wonderful the memory, it vanishes if you leave it alone, if no one pays attention to it. They leave no trace, no evidence that they ever existed. But I suppose you’re right when you say we should do everything we can to bring back memories of the things that have disappeared.
Yōko Ogawa (The Memory Police)
När jag blundade lyckades jag få en starkare medvetenhet om tomrummet som uppstått i min kropp. Det var fyllt av fullständigt genomskinligt vatten och inte det minsta lilla minnesfragment fanns kvar där. Hans händer rörde idogt om i det vattnet, men det enda som kom upp var små bubblor. Bubblor som genast sprack alldeles ljudlöst.
Yōko Ogawa (The Memory Police)
Ibland sätter jag händerna mot väggen och försöker föreställa mig hur det är utanför. Jag tänker att det kanske kan gå att uppfatta någonting genom händernas beröring med väggen. Sådant som vindriktning, kyla, fukt, platsen du är på, vattnets porlande floden. Men det går aldrig. Väggen är bara en vägg. Det finns ingenting bakom den, den är inte sammankopplad med någonting.
Yōko Ogawa (The Memory Police)
A total of 105 patrol officers died on the job in 2012. Less half of those (51) died as the result of violence, and another 48 died in traffic accidents. Between 1961 and 2012, 3,847 cops were murdered and 2,946 died in accidents—averaging about 75 murders and 58 fatal accidents in a typical year. Naturally it is not to be lost sight of that these numbers represent human lives, not widgets or sacks of potatoes. But let’s also remember that there were 4,383 fatal work injuries in 2012. As dangerous professions go, according to the Bureau of Labor Statistics, policing is not even in the top ten. In terms of total fatalities, more truck drivers are killed than any other kind of worker (741 in 2012). A better measure of occupational risk, however, is the rate of work-related deaths per 100,000 workers. In 2012, for example, it was 17.4 for truck drivers. At 15.0 deaths per 100,000, policing is slightly less dangerous than being a maintenance worker (15.7) and slightly more dangerous than supervising the gardener (14.7). The highest rate of fatalities is among loggers at 127.8 per 100,000, just ahead of fishers at 117.0. The rate for all occupations, taken together, is 3.2 per 100,000 workers. Where are the headlines, the memorials, the honor guards, and the sorrowful renderings of Taps for these workers? Where are the mayoral speeches, the newspaper editorials, the sober reflections that these brave men and women died, and that others risk their lives daily, so that we might continue to enjoy the benefits of modern society?
Kristian Williams (Our Enemies in Blue: Police and Power in America)
It’s true, I know, that there are more gaps in the island than there used to be. When I was a child, the whole place seemed…how can I put this?…a lot fuller, a lot more real. But as things got thinner, more full of holes, our hearts got thinner, too, diluted somehow. I suppose that kept things in balance. And even when that balance begins to collapse, something remains. Which is why you shouldn’t worry.
Yōko Ogawa (The Memory Police)
Where are your monuments, your battles, martyrs? Where is your tribal memory? Sirs, in that gray vault. The sea. The sea has locked them up. The sea is History. First, there was the heaving oil, heavy as chaos; then, likea light at the end of a tunnel, the lantern of a caravel, and that was Genesis. Then there were the packed cries, the shit, the moaning: Exodus. Bone soldered by coral to bone, mosaics mantled by the benediction of the shark's shadow, that was the Ark of the Covenant. Then came from the plucked wires of sunlight on the sea floor the plangent harp of the Babylonian bondage, as the white cowries clustered like manacles on the drowned women, and those were the ivory bracelets of the Song of Solomon, but the ocean kept turning blank pages looking for History. Then came the men with eyes heavy as anchors who sank without tombs, brigands who barbecued cattle, leaving their charred ribs like palm leaves on the shore, then the foaming, rabid maw of the tidal wave swallowing Port Royal, and that was Jonah, but where is your Renaissance? Sir, it is locked in them sea sands out there past the reef's moiling shelf, where the men-o'-war floated down; strop on these goggles, I'll guide you there myself. It's all subtle and submarine, through colonnades of coral, past the gothic windows of sea fans to where the crusty grouper, onyx-eyed, blinks, weighted by its jewels, like a bald queen; and these groined caves with barnacles pitted like stone are our cathedrals, and the furnace before the hurricanes: Gomorrah. Bones ground by windmills into marl and cornmeal, and that was Lamentations - that was just Lamentations, it was not History; then came, like scum on the river's drying lip, the brown reeds of villages mantling and congealing into towns, and at evening, the midges' choirs, and above them, the spires lancing the side of God as His son set, and that was the New Testament. Then came the white sisters clapping to the waves' progress, and that was Emancipation - jubilation, O jubilation - vanishing swiftly as the sea's lace dries in the sun, but that was not History, that was only faith, and then each rock broke into its own nation; then came the synod of flies, then came the secretarial heron, then came the bullfrog bellowing for a vote, fireflies with bright ideas and bats like jetting ambassadors and the mantis, like khaki police, and the furred caterpillars of judges examining each case closely, and then in the dark ears of ferns and in the salt chuckle of rocks with their sea pools, there was the sound like a rumour without any echo of History, really beginning.
Derek Walcott (Selected Poems)
1)    The woman has intuitive feelings that she is at risk. 2)    At the inception of the relationship, the man accelerated the pace, prematurely placing on the agenda such things as commitment, living together, and marriage. 3)    He resolves conflict with intimidation, bullying, and violence. 4)    He is verbally abusive. 5)    He uses threats and intimidation as instruments of control or abuse. This includes threats to harm physically, to defame, to embarrass, to restrict freedom, to disclose secrets, to cut off support, to abandon, and to commit suicide. 6)    He breaks or strikes things in anger. He uses symbolic violence (tearing a wedding photo, marring a face in a photo, etc.). 7)    He has battered in prior relationships. 8)    He uses alcohol or drugs with adverse affects (memory loss, hostility, cruelty). 9)    He cites alcohol or drugs as an excuse or explanation for hostile or violent conduct (“That was the booze talking, not me; I got so drunk I was crazy”). 10)   His history includes police encounters for behavioral offenses (threats, stalking, assault, battery). 11)   There has been more than one incident of violent behavior (including vandalism, breaking things, throwing things). 12)   He uses money to control the activities, purchase, and behavior of his wife/partner. 13)   He becomes jealous of anyone or anything that takes her time away from the relationship; he keeps her on a “tight leash,” requires her to account for her time. 14)   He refuses to accept rejection. 15)   He expects the relationship to go on forever, perhaps using phrases like “together for life;” “always;” “no matter what.” 16)   He projects extreme emotions onto others (hate, love, jealousy, commitment) even when there is no evidence that would lead a reasonable person to perceive them. 17)   He minimizes incidents of abuse. 18)   He spends a disproportionate amount of time talking about his wife/partner and derives much of his identity from being her husband, lover, etc. 19)   He tries to enlist his wife’s friends or relatives in a campaign to keep or recover the relationship. 20)   He has inappropriately surveilled or followed his wife/partner. 21)   He believes others are out to get him. He believes that those around his wife/partner dislike him and encourage her to leave. 22)   He resists change and is described as inflexible, unwilling to compromise. 23)   He identifies with or compares himself to violent people in films, news stories, fiction, or history. He characterizes the violence of others as justified. 24)   He suffers mood swings or is sullen, angry, or depressed. 25)   He consistently blames others for problems of his own making; he refuses to take responsibility for the results of his actions. 26)   He refers to weapons as instruments of power, control, or revenge. 27)   Weapons are a substantial part of his persona; he has a gun or he talks about, jokes about, reads about, or collects weapons. 28)   He uses “male privilege” as a justification for his conduct (treats her like a servant, makes all the big decisions, acts like the “master of the house”). 29)   He experienced or witnessed violence as a child. 30)   His wife/partner fears he will injure or kill her. She has discussed this with others or has made plans to be carried out in the event of her death (e.g., designating someone to care for children).
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
Det var när jag tänkte försöka fortsätta skriva på min roman [...] som jag kom underfund med vad min känsliga reaktion på ordet "maskinskriverska" berodde på. Närmare bestämt var det faktiskt så att jag redan hade förlorat förmågan att läsa romaner. Även om jag lyckades läsa varje ord för sig högt kunde jag inte förstå orden som en sammanhängande berättelse. För mig var det bara tecken som fyllde rutorna på manuskriptpapperen men som inte framkallade några som helst känslor, stämningar eller scenbilder.
Yōko Ogawa (The Memory Police)
It is possible - given absolute control over the media and the police - to rewrite the memories of hundreds of millions of people, if you have a generation to accomplish it in. Almost always, this is done to improve the hold that the powerful have on power, or to serve the narcissism or megalomania or paranoia of national leaders. It throws a monkey wrench into the error-correcting machinery. It works to erase public memory of profound political mistakes, and thus to guarantee their eventual repetition. In our time, with total fabrication of realistic stills, motion pictures, and videotapes technologically within reach, with television in every home, and with critical thinking in decline, restructuring societal memories even without much attention from the secret police seems possible. What I’m imagining here is not that each of us has a budget of memories implanted in special therapeutic sessions by state-appointed psychiatrists, but rather that small numbers of people will have so much control over news stories, history books, and deeply affecting images as to work major changes in collective attitudes.
Carl Sagan (The Demon-Haunted World: Science as a Candle in the Dark)
We almost began a perfect conversation, F. said as he turned on the six o'clock news. He turned the radio very loud and began to shout wildly against the voice of the commentator, who was reciting a list of disasters. Sail on, sail on, O Ship of State, auto accidents, births, Berlin, cures for cancer! Listen, my friend, listen to the present, the right now, it's all around us, painted like a target, red, white, and blue. Sail into the target like a dart, a fluke bull's eye in a dirty pub. Empty your memory and listen to the fire around you. Don't forget your memory, let it exist somewhere precious in all the colors that it needs but somewhere else, hoist your memory on the Ship of State like a pirate's sail, and aim yourself at the tinkly present. Do you know how to do this? Do you know how to see the akropolis like the Indians did who never even had one? Fuck a saint, that's how, find a little saint and fuck her over and over in some pleasant part of heaven, get right into her plastic altar, dwell in her silver medal, fuck her until she tinkles like a souvenir music box, until the memorial lights go on for free, find a little saintly faker like Teresa or Catherine Tekakwitha or Lesbia, whom prick never knew but who lay around all day in a chocolate poem, find one of these quaint impossible cunts and fuck her for your life, coming all over the sky, fuck her on the moon with a steel hourglass up your hole, get tangled in her airy robes, suck her nothing juices, lap, lap, lap, a dog in the ether, then climb down to this fat earth and slouch around the fat earth in your stone shoes, get clobbered by a runaway target, take the senseless blows again and again, a right to the mind, piledriver on the heart, kick in the scrotum, help! help! it's my time, my second, my splinter of the shit glory tree, police, fire men! look at the traffic of happiness and crime, it's burning in crayon like the akropolis rose! And so on.
Leonard Cohen (Beautiful Losers)
police officers, like all humans, are subject to a powerful phenomenon that psychologists call confirmation bias. This means that after they have come to a conclusion, especially if it is a conclusion that they have publicly announced (for example, by arresting someone and accusing him of a serious crime), it is very difficult for them to admit that perhaps they have made a terrible mistake. It is much easier and more comfortable for them to convince themselves that they did not make a mistake, and that their initial accusations were correct. Their memories will gladly cooperate in that effort. Even if they are not aware of how it is happening, they might recall nonexistent details to coincide with and corroborate the story they have already begun persuading themselves to believe.
James Duane (You Have the Right to Remain Innocent)
It is necessary to make this point in answer to the `iatrogenic' theory that the unveiling of repressed memories in MPD sufferers, paranoids and schizophrenics can be created in analysis; a fabrication of the doctor—patient relationship. According to Dr Ross, this theory, a sort of psychiatric ping-pong 'has never been stated in print in a complete and clearly argued way'. My case endorses Dr Ross's assertions. My memories were coming back to me in fragments and flashbacks long before I began therapy. Indications of that abuse, ritual or otherwise, can be found in my medical records and in notebooks and poems dating back before Adele Armstrong and Jo Lewin entered my life. There have been a number of cases in recent years where the police have charged groups of people with subjecting children to so-called satanic or ritual abuse in paedophile rings. Few cases result in a conviction. But that is not proof that the abuse didn't take place, and the police must have been very certain of the evidence to have brought the cases to court in the first place. The abuse happens. I know it happens. Girls in psychiatric units don't always talk to the shrinks, but they need to talk and they talk to each other. As a child I had been taken to see Dr Bradshaw on countless occasions; it was in his surgery that Billy had first discovered Lego. As I was growing up, I also saw Dr Robinson, the marathon runner. Now that I was living back at home, he was again my GP. When Mother bravely told him I was undergoing treatment for MPD/DID as a result of childhood sexual abuse, he buried his head in hands and wept. (Alice refers to her constant infections as a child, which were never recognised as caused by sexual abuse)
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
In theory, they have equal power over each other Leave this house. Never come back. Or I'll bring the police down on us both. But even I know that love doesn't steer by logic, nor is power distributed evenly. Lovers arrive at their first kisses with scars as well as longings. They're not always looking for advantage. Some need shelter, others press only for the hyperreality of ecstasy, for which they'll tell outrageous lies or make irrational sacrifice. But they rarely ask themselves that they need or want. Memories are poor for past failures. Childhoods shine through adult skin, helpfully or not. So do the laws of inheritance that bind a personality. The lovers don't know there's no free will. I haven't heard enough radio drama to know more than that, though pop songs have taught me that they don't feel in December what they felt in May, and that to have a womb may be incomprehensible to those who don't and that the reverse is also true.
Ian McEwan (Nutshell)
But there is one other thing that undoubtedly contributed to the cult of Russia among the English intelligentsia during these years, and that is the softness and security of life in England itself. With all its injustices, England is still the land of habeas corpus, and the overwhelming majority of English people have no experience of violence or illegality. If you have grown up in that sort of atmosphere it is not at all easy to imagine what a despotic régime is like. Nearly all the dominant writers of the ’thirties belonged to the soft-boiled emancipated middle class and were too young to have effective memories of the Great War. To people of that kind such things as purges, secret police, summary executions, imprisonment without trial, etc., etc., are too remote to be terrifying. They can swallow totalitarianism because they have no experience of anything except liberalism. Look, for instance, at this extract from Mr. Auden’s poem Spain
George Orwell (All Art Is Propaganda: Critical Essays)
We almost began a perfect conversation, F. said as he turned on the six o'clock news. He turned the radio very loud and began to shout wildly against the voice of the commentator, who was reciting a list of disasters. Sail on, sail on, O Ship of State, auto accidents, births, Berlin, cures for cancer! Listen, my friend, listen to the present, the right now, it's all around us, painted like a target, red, white, and blue. Sail into the target like a dart, a fluke bull's eye in a dirty pub. Empty your memory and listen to the fire around you. Don't forget your memory, let it exist somewhere precious in all the colors that it needs but somewhere else, hoist your memory on the Ship of State like a pirate's sail, and aim yourself at the tinkly present. Do you know how to do this? Do you know how to see the akropolis like the Indians did who never even had one? Fuck a saint, that's how, find a little saint and fuck her over and over in some pleasant part of heaven, get right into her plastic altar, dwell in her silver medal, fuck her until she tinkles like a souvenir music box, until the memorial lights go on for free, find a little saintly faker like Teresa or Catherine Tekakwitha or Lesbia, whom prick never knew but who lay around all day in a chocolate poem, find one of these quaint impossible cunts and fuck her for your life, coming all over the sky, fuck her on the moon with a steel hourglass up your hole, get tangled in her airy robes, suck her nothing juices, lap, lap, lap, a dog in the ether, then climb down to this fat earth and slouch around the fat earth in your stone shoes, get clobbered by a runaway target, take the senseless blows again and again, a right to the mind, piledriver on the heart, kick in the scrotum, help! help! it's my time, my second, my splinter of the shit glory tree, police, fire men! look at the traffic of happiness and crime, it's burning in crayon like the akropolis rose! And so on.
Leonard Cohen (Beautiful Losers)
For the poverty in which my mother and father lived, for the failure of the mill, all the hard times, for the awful sheep, for constant tiredness, thank you, my God! For lips, which I was feeding too much, for the dirty noses of the children, for the guarded sheep, I thank you! Thank you, my God, for the prosecutor and the police commissioner, for the policemen, and for the harsh words of Father Peyramale! For the days in which you came, Mary, for the ones in which you did not come, I will never be able to thank you…only in Paradise. For the slap in the face, for the ridicule, the insults, and for those who suspected me for wanting to gain something from it, thank you, my Lady. For my spelling, which I never learned, for the memory that I never had, for my ignorance and for my stupidity, thank you. For the fact that my mother died so far away, for the pain I felt when my father instead of hugging his little Bernadette called me, “Sister Marie-Bernard”, I thank you, Jesus. I thank you for the heart you gave me, so delicate and sensitive, which you filled with bitterness. For the fact that Mother Josephine proclaimed that I was good for nothing, thank you. For the sarcasm of the Mother Superior: her harsh voice, her injustices, her irony and for the bread of humiliation, thank you. Thank you that I was the privileged one when it came to be reprimanded, so that my sisters said, “How lucky it is not to be Bernadette.” Thank you for the fact that it is me, who was the Bernadette threatened with imprisonment because she had seen you, Holy Virgin; regarded by people as a rare animal; that Bernadette so wretched, that upon seeing her, it was said, “Is that it?” For this miserable body which you gave me, for this burning and suffocating illness, for my decaying tissues, for my de-calcified bones, for my sweats, for my fever, for my dullness and for my acute pains, thank you, my God. And for this soul which you have given me, for the desert of inner dryness, for your night and your lightening, for your silences and your thunders, for everything. For you - when you were present and when you were not—thank you, Jesus.
Bernadette Soubirous
One year later the society claimed victory in another case which again did not fit within the parameters of the syndrome, nor did the court find on the issue. Fiona Reay, a 33 year old care assistant, accused her father of systematic sexual abuse during her childhood. The facts of her childhood were not in dispute: she had run away from home on a number of occasions and there was evidence that she had never been enrolled in secondary school. Her father said it was because she was ‘young and stupid’. He had physically assaulted Fiona on a number of occasions, one of which occurred when she was sixteen. The police had been called to the house by her boyfriend; after he had dropped her home, he heard her screaming as her father beat her with a dog chain. As before there was no evidence of repression of memory in this case. Fiona Reay had been telling the same story to different health professionals for years. Her medical records document her consistent reference to family problems from the age of 14. She finally made a clear statement in 1982 when she asked a gynaecologist if her need for a hysterectomy could be related to the fact that she had been sexually abused by her father. Five years later she was admitted to psychiatric hospital stating that one of the precipitant factors causing her breakdown had been an unexpected visit from her father. She found him stroking her daughter. There had been no therapy, no regression and no hypnosis prior to the allegations being made public. The jury took 27 minutes to find Fiona Reay’s father not guilty of rape and indecent assault. As before, the court did not hear evidence from expert witnesses stating that Fiona was suffering from false memory syndrome. The only suggestion of this was by the defence counsel, Toby Hed­worth. In his closing remarks he referred to the ‘worrying phenomenon of people coming to believe in phantom memories’. The next case which was claimed as a triumph for false memory was heard in March 1995. A father was aquitted of raping his daughter. The claims of the BFMS followed the familiar pattern of not fitting within the parameters of false memory at all. The daughter made the allegations to staff members whom she had befriended during her stay in psychiatric hospital. As before there was no evidence of memory repression or recovery during therapy and again the case failed due to lack of corrobo­rating evidence. Yet the society picked up on the defence solicitor’s statements that the daughter was a prone to ‘fantasise’ about sexual matters and had been sexually promiscuous with other patients in the hospital. ~ Trouble and Strife, Issues 37-43
Trouble and Strife