“
Near this spot are deposited the remains of one who possessed beauty without vanity, strength without insolence, courage without ferocity, and all the virtues of man, without his vices. This praise, which would be unmeaning flattery if inscribed over human ashes, is but a just tribute to the memory of Botswain, a dog.
”
”
Lord Byron
“
you were
and always will be
that first ever touch
to have fertilized
the ground
beneath my life’s trees
that first ever rose
to have fragranced
the rest of my memories.
”
”
Sanober Khan (A touch, a tear, a tempest)
“
Robert G. Ingersoll was a great man. a wonderful intellect, a great soul of matchless courage, one of the great men of the earth -- and yet we have no right to bow down to his memory simply because he was great. Great orators, great soldiers, great lawyers, often use their gifts for a most unholy cause. We meet to pay a tribute of love and respect to Robert G. Ingersoll because he used his matchless power for the good of man.
{Darrow's eulogy for Ingersoll at his funeral}
”
”
Clarence Darrow
“
History with its flickering lamp stumbles along the trail of the past, trying to reconstruct its scenes, to revive its echoes, and kindle with pale gleams the passion of former days. What is the worth of all this? The only guide to a man is his conscience; the only shield to his memory is the rectitude and sincerity of his actions. It is very imprudent to walk through life without this shield, because we are so often mocked by the failure of our hopes and the upsetting of our calculations; but with this shield, however the fates may play, we march always in the ranks of honor.
”
”
Winston S. Churchill
“
The only cure for grief is to grieve. The only cure for hurt is to hurt. Every tear is a tribute. Every tear is a memory, every memory is a treasure.
”
”
Trent Dalton (Love Stories)
“
I got the idea from our family’s plant book. The place where we recorded things you cannot trust to memory. The page begin’s with the person’s picture. A photo if we can find it. If not, a sketch or a painting by Peeta. Then, in my most careful handwriting, come all the details it would be a crime to forget. Lady licking Prim’s cheek. My father’s laugh. Peeta’s father with the cookies. The colour of Finnick’s eyes. What Cinna would do with a length of silk. Boggs reprogramming the Holo. Rue poised on her toes, arms slightly extended, like bird about to take flight. On and on. We seal the pages with salt water and promises to live well to make their deaths count. Haymitch finally joins us, contributing twenty-three years of tributes he was forced to mentor. Additions become smaller. An old memory that surfaces. A late promise preserved between the pages. Strange bits of happiness, like the photo of Finnick and Annie’s newborn son.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
He felt like a dog that was about to be told that, yes, he was a good boy, but his balls had to come off anyway.
”
”
Michael K. Schaefer (In Memory: A Tribute to Sir Terry Pratchett)
“
Alas, between the “shouldn’t” and the “shouldn’t have”—that is precisely where life happens.
”
”
Sorin Suciu (In Memory: A Tribute to Sir Terry Pratchett)
“
It was a relationship based on cunning, connivingness, and capitalism.
”
”
Laura May (In Memory: A Tribute to Sir Terry Pratchett)
“
From out of the ground a eulogy grows and becomes a poppy.
”
”
Nanette L. Avery
“
He gave Robert an apparently meaningful wink that failed to convey any meaning at all.
”
”
Anna Mattaar (In Memory: A Tribute to Sir Terry Pratchett)
“
Old Earth rotated slowly and majestically on its axis, reassuringly unperturbed by recent events.
”
”
Michael K. Schaefer (In Memory: A Tribute to Sir Terry Pratchett)
“
Tuesdays are the worst. They are the spoiled leftovers of Mondays, repackaged with a new expiry date.
”
”
Sorin Suciu (In Memory: A Tribute to Sir Terry Pratchett)
“
An Irish pub, such as you have seen a thousand times before. The kind where the emphasis is on the “ish” rather than on the proud name of Éire.
”
”
Sorin Suciu (In Memory: A Tribute to Sir Terry Pratchett)
“
Underlying the attack on psychotherapy, I believe, is a recognition of the potential power of any relationship of witnessing. The consulting room is a privileged space dedicated to memory. Within that space, survivors gain the freedom to know and tell their stories. Even the most private and confidential disclosure of past abuses increases the likelihood of eventual public disclosure. And public disclosure is something that perpetrators are determined to prevent. As in the case of more overtly political crimes, perpetrators will fight tenaciously to ensure that their abuses remain unseen, unacknowledged, and consigned to oblivion.
The dialectic of trauma is playing itself out once again. It is worth remembering that this is not the first time in history that those who have listened closely to trauma survivors have been subject to challenge. Nor will it be the last. In the past few years, many clinicians have had to learn to deal with the same tactics of harassment and intimidation that grassroots advocates for women, children and other oppressed groups have long endured. We, the bystanders, have had to look within ourselves to find some small portion of the courage that victims of violence must muster every day.
Some attacks have been downright silly; many have been quite ugly. Though frightening, these attacks are an implicit tribute to the power of the healing relationship. They remind us that creating a protected space where survivors can speak their truth is an act of liberation. They remind us that bearing witness, even within the confines of that sanctuary, is an act of solidarity. They remind us also that moral neutrality in the conflict between victim and perpetrator is not an option. Like all other bystanders, therapists are sometimes forced to take sides. Those who stand with the victim will inevitably have to face the perpetrator's unmasked fury. For many of us, there can be no greater honor. p.246 - 247
Judith Lewis Herman, M.D. February, 1997
”
”
Judith Lewis Herman (Trauma and Recovery: The Aftermath of Violence - From Domestic Abuse to Political Terror)
“
Without language to give them shape, memories are just like houses with no walls. They’re merely events seeking to chain themselves together into causes and effects; survival unhindered by narrative.
”
”
Sorin Suciu (In Memory: A Tribute to Sir Terry Pratchett)
“
Her computer’s fan whirred to life, blowing warm air onto her fingers. Two flame-red slits glowed from the monitor. The speakers boomed. “I lived! I died! I live again!”
Olivie had dealt with blue screens, frozen hourglasses, and even the odd hardware conflict back in the day. This was new.
”
”
Choong JayVee (In Memory: A Tribute to Sir Terry Pratchett)
“
What we dedicate today is not a memorial to war, rather it's a tribute to the physical and moral courage that makes heroes out of farm and city boys and that inspires Americans in every generation to lay down their lives for people they will never meet, for ideals that make life itself worth living.
”
”
Bob Dole (One Soldier's Story)
“
The Los Angeles parade would begin in Griffith Park, where a large crowd would assemble and the speeches would be given. Every politician of consequence would be there. There was no way they would miss a chance to publicly praise the troops and honor those who had lost their lives in service.
Some of the tributes would be sincere and heartfelt, and some less so. But participating in the event, vowing undying support for the U.S. military, was an absolute must to maintain political viability. It was okay to vote to cut funds for veterans' healthcare, but don't dare miss a chance to jump on the Memorial Day bandwagon.
”
”
David Rosenfelt (Unleashed (Andy Carpenter, #11))
“
Where the hell has the fourth tower gone?!”
As far as heckles go, it was one of the more unusual he’d been subjected to. Lawrence had spent hours finding an alliterative rhyme for ‘crumbling crenellations’—and what thanks did he get? An architecturally pedantic heckle.
”
”
Peter Knighton (In Memory: A Tribute to Sir Terry Pratchett)
“
Enkeli shrugged. He was a well-practiced shrugger, and his gesture bore enough casual unconcern for others’ problems to supply an entire elite academy.
”
”
Mike Reeves-McMillan (In Memory: A Tribute to Sir Terry Pratchett)
“
Her eyes pierced his, convincing him that if she were a mouse, she’d lift the entire species to the top of the food chain.
”
”
Anna Mattaar (In Memory: A Tribute to Sir Terry Pratchett)
“
Lettie sighed—wisdom seems to be highly correlated with sighing.
”
”
Laura May (In Memory: A Tribute to Sir Terry Pratchett)
“
Even infinity has its limits.
”
”
Steven McKinnon (In Memory: A Tribute to Sir Terry Pratchett)
“
Beneath black makeup, the skin around her eyes wrinkled like satin sheets after a restless night.
”
”
Mike Reeves-McMillan (In Memory: A Tribute to Sir Terry Pratchett)
“
He cleared his throat, very carefully, to bring the stillness to a more bearable level without breaking the unwritten rule that governs both churches and freshly fallen blankets of snow.
”
”
Anna Mattaar (In Memory: A Tribute to Sir Terry Pratchett)
“
I’m a lot of things, Spatchcock, but ‘beloved-of-law-enforcement’ is not one of them. They’ll just say that it’s my own damn fault again and send me on my way. Besides, the last time I was at a police station I was quite rude to them. I think I threw a lamp at the custody sergeant. Do you have a light?
”
”
Robert McKelvey (In Memory: A Tribute to Sir Terry Pratchett)
“
The cube contained knowledge of every person born and every battle fought; every kiss enjoyed and every secret kept; every word that was ever uttered and every thought that was ever conceived, from The Beginning until The End of Time.
“Looks a bit shit,” said Sid.
”
”
Steven McKinnon (In Memory: A Tribute to Sir Terry Pratchett)
“
As much as he loved Old Earth artefacts, it was tremendously frustrating at times to know that it wasn’t possible to prove the original purpose of so many of them. Spotting an object he had puzzled over for the past two years, he stopped at its shelf, picked up the crumpled piece of plastic, and unfolded it until it had the approximate shape of a woman. She could be inflated by blowing air into an attached valve. Although he did have his suspicions as to what she was for (and he blushed even thinking about it—he described her as a ‘portable statue of a surprised female’ to potential customers), he still yearned to know whether he was right or not.
”
”
Michael K. Schaefer (In Memory: A Tribute to Sir Terry Pratchett)
“
Poetry has a long, long memory. After our love is long gone, we will still be reading your poems. You will not be the only one whose heart this breaks. Know that we will stand , reading the words written about our love – and we will ache for you The body will remember the way you shifted and sighed as skin met skin and those words will pay tribute to the lines that were composed while we moved through this world together. Because of this, we will never truly forget you.
Let us remember.
”
”
Jeanette LeBlanc
“
Her head fell back as she cried out. She reached for him, drawing him down to her, loving the weight of him, the heaviness of him inside her, driving away memory, making the taunting vision of his fall shatter into a thousand pieces even as she herself did, again and again. Firelight gleamed, revealing and concealing the ancient poetry of possession.Flame-burnishing limbs entwined, voices cried out together, and fierce driving strength and power yielded up their tribute, there in the dark heart of the earth's tomb.
”
”
Josie Litton (Come Back to Me (Viking & Saxon, #3))
“
The shop was full to the brim with Earth antiques of all kinds. The knowledgeable connoisseur and the ignorant tourist alike could find within its walls everything from A to Z: from 600-year-old alarm clocks (it seemed about right that the human race wouldn’t leave Earth without them) to a statue of a ferocious predator that used to be called a ‘zebra’.
”
”
Michael K. Schaefer (In Memory: A Tribute to Sir Terry Pratchett)
“
It is indeed a mortifying reflection to those who are actuated by the love of fame, so justly denominated the last infirmity of noble minds, that the wisest legislator and most exalted genius that ever reformed or enlightened the world can never expect such tributes of praise as are lavished on the memory of pretended saints, whose whole conduct was probably to the last degree odious or contemptible, and whose industry was entirely directed to the pursuit of objects pernicious to mankind. It is only a conqueror, a personage no less entitled to our hatred, who can pretend to the attainment of equal renown and glory.
”
”
David Hume (The History of England 1)
“
Not only would the statue be a tribute to French-American friendship; it was “intended to do honor to the glorious memory of our fathers.” Laboulaye promised: “At night, a luminous aureola, projected from the head, will radiate on the far flowing waves of the Ocean.
”
”
Elizabeth Mitchell (Liberty's Torch: The Great Adventure to Build The Statue of Liberty)
“
Today, she is standing at the top of a mountain and appreciating the majestic panoramic view of mesmerizing Himalaya. As a kid, she used to look up in the sky and wish for wings to fly up to the mountains. And now after a long wait of many years, she is standing here and living her dream. It’s the moment when she can’t believe her eyes because what she always dreamed of has come alive. She looks with amazement as if she’s witnessing a miracle. It is the moment of her life. She just wants to feel it. There are beautiful clouds below her and there are snow clad mountain peaks emerging from those clouds. The white peaks shining in blue sky among white clouds look like glittering diamonds to her. The view of the large lush green meadow surrounded by mountains under blue sky with a rainbow circling the horizon has put her in a state of tranquility. As the sun starts drowning in the horizon, the sky begins to boast his mystical colours. The beautiful mix of pink, orange and red looks like creating a twilight saga. She opens her both arm and takes a deep breath to entwine with the nature. The glimmering rays of the moon are paying tribute to her by kissing her warm cheeks and her eyes twinkle in bright moon light. She raises her face towards the moon and senses the flood of memories which she wants to unleash. The cool breeze lifts her ruffled hair and blows her skirt up. She closes her eyes and breathes deep as if she wants to let her know that she is finally here and then she opens her eyes and finds herself on the same wheelchair inside a room with an empty wall in front of her eye. Tears rolls down from her eye but these are the tears of Joy because she is living her dreams today. The feelings comes to her mind while waiting for her daughter who is coming back home today after her first expedition of a high range mountain ~ AB
”
”
Ashish Bhardwaj
“
It was then that Brown took his revenge upon the world which, after twenty years of contemptuous and reckless bullying, refused him the tribute of a common robber’s success. It was an act of cold-blooded ferocity, and it consoled him on his deathbed like a memory of an indomitable defiance. . . . Thus Brown balanced his account with the evil fortune. Notice that even in this awful outbreak there is a superiority as of a man who carries right—the abstract thing—within the envelope of his common desires. It was not a vulgar and treacherous massacre; it was a lesson, a retribution—a demonstration of some obscure and awful attribute of our nature which, I am afraid, is not so very far under the surface as we like to think.
”
”
Joseph Conrad (Lord Jim)
“
There are now little brass plaques on the ground outside this address.
These are Stolpersteine.
Tributes to the victims of the Holocaust.
There are many of them in Berlin, especially in Charlottenburg.
They are not easy to spot.
You must walk with your head down, seeking memories between the cobblestones.
In front of 15 Wielandstrasse, three names can be read.
Paula, Albert, and Charlotte.
But on the wall, there is only one commemorative plaque.
The one for Charlotte Salomon.
”
”
David Foenkinos (Charlotte)
“
You have to find the bright spots. The little moments. Hold onto them for however long they last and when they're gone, pay tribute by remembering. The memories can restore us, history can teach us, and the fact that happiness isn't all the time makes us appreciate it more. Life is hard. Tragedy befalls us every day. But there's always going to be a bright spot, not matter how big or how small. We will always have something to look forward to, and we will always have bright spots to remember.
”
”
Kara Storti
“
Near this Spot
are deposited the Remains of one
who possessed Beauty without Vanity,
Strength without Insolence,
Courage without Ferocity,
and all the virtues of Man without his Vices.
This praise, which would be unmeaning Flattery
if inscribed over human Ashes,
is but a just tribute to the Memory of
Boatswain, a Dog
who was born in Newfoundland May 1803
and died at Newstead Nov. 18th, 1808
When some proud Son of Man returns to Earth,
Unknown to Glory, but upheld by Birth,
The sculptor’s art exhausts the pomp of woe,
And storied urns record who rests below.
When all is done, upon the Tomb is seen,
Not what he was, but what he should have been.
But the poor Dog, in life the firmest friend,
The first to welcome, foremost to defend,
Whose honest heart is still his Master’s own,
Who labours, fights, lives, breathes for him alone,
Unhonoured falls, unnoticed all his worth,
Denied in heaven the Soul he held on earth –
While man, vain insect! hopes to be forgiven,
And claims himself a sole exclusive heaven.
Oh man! thou feeble tenant of an hour,
Debased by slavery, or corrupt by power –
Who knows thee well, must quit thee with disgust,
Degraded mass of animated dust!
Thy love is lust, thy friendship all a cheat,
Thy tongue hypocrisy, thy heart deceit!
By nature vile, ennobled but by name,
Each kindred brute might bid thee blush for shame.
Ye, who behold perchance this simple urn,
Pass on – it honours none you wish to mourn.
To mark a friend’s remains these stones arise;
I never knew but one -- and here he lies.
”
”
Lord Byron
“
Wandering across the vast room, I stopped at a set of shelves as high as the ceiling, and holding about six hundred volumes - all classics on the history of Soalris, starting with the nine volumes of Giese's monumental and already relatively obsolescent monograph. Display for its own sake was improbable in these surroundings. The collection was a respective tribute to the memory of the pioneers. I took down the massive volumes of Giese and sat leafing through them. Rheya had also located som reading matter. Looking over her shoulder, I saw that she had picked one of the many books brought out by the first expedition, the Interplanetary Cookery Book, which could have been the personal property of Giese himself. She was pouring over the recipes adapted to the arduous conditions of interstellar flight. I said nothing, and returned to the book resting on my knees. Solaris - Ten Years of Exploration had appeared as volumes 4-12 of the Solariana collection whose most recent additions were numbered in the thousands.
”
”
Stanisław Lem (Solaris)
“
Corrupting, there, forsaken, becoming, already, nothing.
"And thy corpse shall be meat unto all fowls of the air, and unto the beasts of the earth, and no man shall frighten them away to think that this is one of God's most terrible curses. But consider it carefully.
No sepulchre. No cremation. No obsequies. Becoming meat for someone else's teeth, said Lorimer with some of his past passion. "Can you imagine? Can you imagine what a relief? Will we ever dare to look at a body without the shroud of superstition, naked, like it truly is? Matter, and nothing more. Preoccupied with the perpetuity of our departed souls, we have forgotten that, on the contrary, it is our carcasses and our flesh that make us immortal. I am fairly confident they didn't bury him so that his transmigration into bird and beast would be swifter. Never mind memorials, relics, mausoleums, and other vain preservations from corruption and oblivion. What greater tribute than to be feasted upon by one's fellow creatures? What monument could be nobler than the breathing tomb of a coyote or the soaring urn of a vulture? What preservation more dependable? What resurrection more literal? This is true religion-knowing there is a bond among all living things. Having understood this, there is nothing to mourn, because even though nothing can ever be retained, nothing is ever lost. Can you imagine?"
"Lorimer asked again.
"The relief. The freedom.
”
”
Hernan Diaz (In the Distance)
“
Epitaph to a Dog[4]Edit
Near this Spot
are deposited the Remains of one
who possessed Beauty without Vanity,
Strength without Insolence,
Courage without Ferocity,
and all the virtues of Man without his Vices.
This praise, which would be unmeaning Flattery
if inscribed over human Ashes,
is but a just tribute to the Memory of
Boatswain, a Dog
who was born in Newfoundland May 1803
and died at Newstead Nov. 18th, 1808
When some proud Son of Man returns to Earth,
Unknown to Glory, but upheld by Birth,
The sculptor’s art exhausts the pomp of woe,
And storied urns record who rests below.
When all is done, upon the Tomb is seen,
Not what he was, but what he should have been.
But the poor Dog, in life the firmest friend,
The first to welcome, foremost to defend,
Whose honest heart is still his Master’s own,
Who labours, fights, lives, breathes for him alone,
Unhonoured falls, unnoticed all his worth,
Denied in heaven the Soul he held on earth –
While man, vain insect! hopes to be forgiven,
And claims himself a sole exclusive heaven.
Oh man! thou feeble tenant of an hour,
Debased by slavery, or corrupt by power –
Who knows thee well, must quit thee with disgust,
Degraded mass of animated dust!
Thy love is lust, thy friendship all a cheat,
Thy tongue hypocrisy, thy heart deceit!
By nature vile, ennobled but by name,
Each kindred brute might bid thee blush for shame.
Ye, who behold perchance this simple urn,
Pass on – it honours none you wish to mourn.
To mark a friend’s remains these stones arise;
I never knew but one -- and here he lies.
”
”
Lord Byron
“
Her disillusionment with the business had intensified as the need to simplify her stories increased. Her original treatments for Blondie of the Follies and The Prizefighter and the Lady had much more complexity and many more characters than ever made it to the screen, and adapting The Good Earth had served as a nagging reminder of the inherent restraints of film. Frances found herself inspired by memories of Jack London, sitting on the veranda with her father as they extolled the virtues of drinking their liquor “neat,” and remembered his telling her that he went traveling to experience adventure, but “then come back to an unrelated environment and write. I seek one of nature’s hideouts, like this isolated Valley, then I see more clearly the scenes that are the most vivid in my memory.” So she arrived in Napa with the idea of writing the novel she started in her hospital bed with the backdrop of “the chaos, confusion, excitement and daily tidal changes” of the studios, but as she sat on the veranda at Aetna Springs, she knew she was still too close to her mixed feelings about the film business.48 As she walked the trails and passed the schoolhouse that had served the community for sixty years, she talked to the people who had lived there in seclusion for several generations and found their stories “similar to case histories recorded by Freud or Jung.” She concentrated on the women she saw carrying the burden in this community and all others and gave them a depth of emotion and detail. Her series of short stories was published under the title Valley People and critics praised it as a “heartbreak book” that would “never do for screen material.” It won the public plaudits of Dorothy Parker, Rupert Hughes, Joseph Hergesheimer, and other popular writers and Frances proudly viewed Valley People as “an honest book with no punches pulled” and “a tribute to my suffering sex.
”
”
Cari Beauchamp (Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood)
“
The page begins with the person’s picture. A photo if we can find it. If not, a sketch or painting by Peeta. Then, in my most careful handwriting, come all the details it would be a crime to forget. Lady licking Prim’s cheek. My father’s laugh. Peeta’s father with the cookies. The color of Finnick’s eyes. What Cinna could do with a length of silk. Boggs reprogramming the Holo. Rue poised on her toes, arms slightly extended, like a bird about to take flight. On and on. We seal the pages with salt water and promises to live well to make their deaths count. Haymitch finally joins us, contributing twenty-three years of tributes he was forced to mentor. Additions become smaller. An old memory that surfaces. A late primrose preserved between the pages. Strange bits of happiness, like the photo of Finnick and Annie’s newborn son. We learn to keep busy again. Peeta bakes. I hunt. Haymitch drinks until the liquor runs out, and then raises geese until the next train arrives. Fortunately, the geese can take pretty good care of themselves. We’re not alone. A few hundred others return because, whatever has happened, this is our home. With the mines closed, they plow the ashes into the earth and plant food. Machines from the Capitol break ground for a new factory where we will make medicines. Although no one seeds it, the Meadow turns green again. Peeta and I grow back together. There are still moments when he clutches the back of a chair and hangs on until the flashbacks are over. I wake screaming from nightmares of mutts and lost children. But his arms are there to comfort me. And eventually his lips. On the night I feel that thing again, the hunger that overtook me on the beach, I know this would have happened anyway. That what I need to survive is not Gale’s fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that. So after, when he whispers, “You love me. Real or not real?” I tell him, “Real.
”
”
Suzanne Collins (The Hunger Games: Four Book Collection (The Hunger Games, Catching Fire, Mockingjay, The Ballad of Songbirds and Snakes))
“
If they told me right now to abandon all vanity and all pride, every desire and every ambition, any dearest memory of the past, the sweetest future enticement, and to live uniquely in you and for you, without any tomorrow, without any yesterday, without any other bond, without any other preference, out of the world, entirely lost in your being, forever, until death, I would not hesitate, I would not hesitate. Believe me. You have looked at me, spoken with me, and smiled and answered; you have sat beside me, and you have been silent and thought; and you have lived, alongside me, your eternal existence, that invisible and inaccessible existence that I do not know, that I will never know; and your soul has possessed mine right down to the depths, without changing, without even knowing it, like the sea drinks a river... What does my love do for you? What does love do for you? It is a word that has been profaned too many times, a sentiment that has been falsified too many times. I do not offer you love. But will you not accept the humble tribute of religion that the spirit addresses to a nobler and higher being?
”
”
Gabriele d'Annunzio (The Child of Pleasure (Classic Reprint))
“
As Frances had learned to do in times of uncertainty, she created a project over which she had total control and began writing a book “Dedicated to the memory of Irving Thalberg as a tribute to his vision and genius.” How to Write and Sell Film Stories was written for “serious students of film technique.” She filled the straightforward textbook with anecdotes from her films and others’ to convey the lessons on the development of plot, motivation, and characters she had learned with Thalberg. She had come to believe that because of increased censorship and the limited number of adaptable plays and novels, “eighty percent of the motion pictures produced will be soon be stories written exclusively for the screen” and the time was right for a book on original screenplays. The audience for the book was immediate; universities ordered copies before it was published and it quickly went into several printings. The book led to her taking on an advice column on screen writing for Cinema Progress, a serious educational film magazine published by the American Institute of Cinematography based at the University of Southern California. She opened her house to roundtable discussions with students and sponsored a scenario contest with the winners serving as studio “apprentices.
”
”
Cari Beauchamp (Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood)
“
The Prime Minister, who was in close contact with the Queen and Prince Charles, captured the feelings of loss and despair when he spoke to the nation earlier in the day from his Sedgefield constituency. Speaking without notes, his voice breaking with emotion, he described Diana as a ‘wonderful and warm human being.’
‘She touched the lives of so many others in Britain and throughout the world with joy and with comfort. How difficult things were for her from time to time, I’m sure we can only guess at. But people everywhere, not just here in Britain, kept faith with Princess Diana. They liked her, they loved her, they regarded her as one of the people. She was the People’s Princess and that is how she will stay, how she will remain in all our hearts and memories for ever.’
While his was the first of many tributes which poured in from world figures, it perfectly captured the mood of the nation in a historic week which saw the British people, with sober intensity and angry dignity, place on trial the ancient regime, notably an elitist, exploitative and male-dominated mass media and an unresponsive monarchy. For a week Britain succumbed to flower power, the scent and sight of millions of bouquets a mute and telling testimony to the love people felt towards a woman who was scorned by the Establishment during her lifetime.
So it was entirely appropriate when Buckingham Palace announced that her funeral would be ‘a unique service for a unique person’. The posies, the poems, the candles and the cards that were placed at Kensington Palace, Buckingham Palace and elsewhere spoke volumes about the mood of the nation and the state of modern Britain. ‘The royal family never respected you, but the people did,’ said one message, as thousands of people, most of whom had never met her, made their way in quiet homage to Kensington Palace to express their grief, their sorrow, their guilt and their regret. Total strangers hugged and comforted each other, others waited patiently to lay their tributes, some prayed silently. When darkness fell, the gardens were bathed in an ethereal glow from the thousands of candles, becoming a place of dignified pilgrimage that Chaucer would have recognized. All were welcome and all came, a rainbow of coalition of young and old of every colour and nationality, East Enders and West Enders, refugees, the disabled, the lonely, the curious, and inevitably, droves of tourists. She was the one person in the land who could connect with those Britons who had been pushed to the edges of society as well as with those who governed it.
”
”
Andrew Morton (Diana: Her True Story in Her Own Words)
“
Then Strathcona discussed literature. He paid his tribute to the "Fleurs de Mal" and the "Songs before Sunrise"; but most, he said, he owed to "the divine Oscar." This English poet of many poses and some vices the law had seized and flung into jail; and since the law is a thing so brutal and wicked that whoever is touched by it is made thereby a martyr and a hero, there had grown up quite a cult about the memory of "Oscar." All up-to-date poets imitated his style and his attitude to life; and so the most revolting of vices had the cloak of romance flung about them—were given long Greek and Latin names, and discussed with parade of learning as revivals of Hellenic ideals. The young men in Strathcona's set referred to each other as their "lovers"; and if one showed any perplexity over this, he was regarded, not with contempt—for it was not aesthetic to feel contempt—but with a slight lifting of the eyebrows, intended to annihilate. One must not forget, of course, that these young people were poets, and to that extent were protected from their own doctrines. They were interested, not in life, but in making pretty verses about life; there were some among them who lived as cheerful ascetics in garret rooms, and gave melodious expression to devilish emotions. But, on the other hand, for every poet, there were thousands who were not poets, but people to whom life was real. And these lived out the creed, and wrecked their lives; and with the aid of the poet's magic, the glamour of melody and the fire divine, they wrecked the lives with which they came into contact. The new generation of boys and girls were deriving their spiritual sustenance from the poetry of Baudelaire and Wilde; and rushing with the hot impulsiveness of youth into the dreadful traps which the traders in vice prepared for them. One's heart bled to see them, pink-cheeked and bright-eyed, pursuing the hem of the Muse's robe in brothels and dens of infamy!
”
”
Upton Sinclair (The Metropolis)
“
See? You do want to control everything,” grinned Sid. “Everybody does, because they’re scared of what they can’t control. But it doesn’t matter if you’re god, man, woman, wizard, lizard or witch; no-one deserves that kind of power. Except maybe dolphins.
”
”
Sorin Suciu (In Memory: A Tribute to Sir Terry Pratchett)
“
Look,” said Sid, “all I’m saying is that memories ain’t for other people to gawk at; they’re for the individual and the people that helped make them. And that’s more sacred than anything you’ve got in that box of tricks over there, believe you me.” “And if they’re memories the individual doesn’t remember, or even know that they possess? Or if their minds begin to fail?” “Yeah, all that too. Bad or good, they shape us. And people’s memories of us are all that’s left when we’re gone. They’re the only thing we truly leave behind. That goes for you and me too.” “No…” The Supreme Sorcerer’s voice trembled. “We are everlasting…eternal…infinite…
”
”
Sorin Suciu (In Memory: A Tribute to Sir Terry Pratchett)
“
Joan Joyce is the real deal, a fierce competitor and one of the greatest athletes and coaches in sports history. Tony Renzoni’s moving tribute to Joan shows us why she is a champion in sports and in life.
—Billie Jean King, sports icon and equality pioneer
The story is all true. Joan Joyce was a tremendous pitcher, as talented as anyone who ever played. [responding to a newspaper account of his early 1960s match-ups against Joan Joyce]
—Ted Williams, Hall of Famer and Boston Red Sox great, December 30, 1999
Joan Joyce is truly the greatest female athlete in sports history. And a great coach as well. Tony Renzoni’s well-researched book is a touching tribute to this phenomenal athlete. I highly recommend this book!
—Bobby Valentine, former MLB player and manager
Quotes for Historic Connecticut Music Venues: From the Coliseum to the Shaboo:
I would like to thank Tony Renzoni for giving me the opportunity to write the foreword to his wonderful book. I highly recommend Connecticut Music Venues: From the Coliseum to Shaboo to music lovers everywhere!
—Felix Cavaliere, Legendary Hall of Famer (Young Rascals/Rascals, Solo)
As the promoter of the concerts in many of the music venues in this book, I hope you enjoy
living the special memories this book will give you.
—Jim Koplik, Live Nation president, Connecticut and Upstate New York
Tony Renzoni has captured the soul and spirit of decades of the Connecticut live music scene, from the wild and wooly perspective of the music venues that housed it. A great read!
—Christine Ohlman, the “Beehive Queen,” recording artist/songwriter
Tony Renzoni has written a very thoughtful and well-researched tribute to the artists of Connecticut, and we are proud to have Gene included among them.
—Lynne Pitney, wife of Gene Pitney
Our Alice Cooper band recorded the Billion Dollars Babies album in a mansion in Greenwich. Over the years, there have been many great musicians from Connecticut, and the local scene is rich with good music. Tony Renzoni’s book captures all of that and more. Sit back and enjoy the ride.
—Dennis Dunaway, hall of famer and co-founder of the Alice Cooper band.
Rock ’n’ Roll music fans from coast to coast will connect to events in this book. Strongly recommended!
—Judith Fisher Freed, estate of Alan Freed
”
”
Tony Renzoni
“
The Daglan ruled over the High Fae. And we, in turn, ruled the humans, along with the lands the Daglan allowed us to govern. Yet it was an illusion of power. We knew who our true masters were. We were forced to make the Tithe to them once a year. To offer up kernels of our power in tribute. To fuel their own power—and to limit our own. Bryce’s breath caught in her throat as an image of a Fae female kneeling at the foot of a throne appeared, a seed of light in her upheld hands. Smooth, delicate fingers closed around the Fae female’s droplet of power. It flickered, illumining pale skin. The hand that had claimed the power lifted, and Bryce stilled as the memory zoomed out to reveal the hand’s bearer: a black-haired, white-skinned Asteri. There was no mistaking the cold, otherworldly eyes. She lounged in golden robes, a crown of stars upon her head. Her red lips pulled back in a cold smile as her hand closed tightly around the seed of power. It faded into nothing, absorbed into the Asteri’s body. The Daglan became arrogant as the millennia passed, sure of their unending dominion over our world. But their overconfidence eventually blinded them to the enemies amassing at their backs, a force like none that had been gathered before. Bryce’s breath remained caught in her throat, Nesta still as death at her side, as the scene shifted to show a golden-haired High Fae female standing a step behind the Asteri’s throne. Her chin was lifted, her face as cold as her mistress’s. My mother served at that monster’s side for a century, a slave to her every sick whim. Bryce knew who it was before Silene spoke again. Knew whose truth she’d been led here, across the stars, to learn at last. Theia. 19 Lidia froze at Pollux’s words as he stepped into the steaming spray of the shower. “What do you mean they’ve fixed the Harpy?” The Hammer said over the noise of the water, tipping back his head to soak his golden hair, “They’ve been working on her as a pet project of sorts—Rigelus just told me. Apparently, it’s looking good.” “What is looking good?” Lidia asked, using all her training to keep her heartbeat calm. “That she’ll wake up. Rigelus needs one more thing.” Pollux opened the shower door and reached out a hand for her. An order more than an invitation. With fingers that felt far away, Lidia unbuttoned her uniform. “What about my cycle?” she
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
The Daglan ruled over the High Fae. And we, in turn, ruled the humans, along with the lands the Daglan allowed us to govern. Yet it was an illusion of power. We knew who our true masters were. We were forced to make the Tithe to them once a year. To offer up kernels of our power in tribute. To fuel their own power—and to limit our own. Bryce’s breath caught in her throat as an image of a Fae female kneeling at the foot of a throne appeared, a seed of light in her upheld hands. Smooth, delicate fingers closed around the Fae female’s droplet of power. It flickered, illumining pale skin. The hand that had claimed the power lifted, and Bryce stilled as the memory zoomed out to reveal the hand’s bearer: a black-haired, white-skinned Asteri. There was no mistaking the cold, otherworldly eyes. She lounged in golden robes, a crown of stars upon her head. Her red lips pulled back in a cold smile as her hand closed tightly around the seed of power. It faded into nothing, absorbed into the Asteri’s body. The Daglan became arrogant as the millennia passed, sure of their unending dominion over our world. But their overconfidence eventually blinded them to the enemies amassing at their backs, a force like none that had been gathered before. Bryce’s breath remained caught in her throat, Nesta still as death at her side, as the scene shifted to show a golden-haired High Fae female standing a step behind the Asteri’s throne. Her chin was lifted, her face as cold as her mistress’s. My mother served at that monster’s side for a century, a slave to her every sick whim. Bryce knew who it was before Silene spoke again. Knew whose truth she’d been led here, across the stars, to learn at last. Theia.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
718 A vivid memory of mine is a 1979 viewing of a late night rerun of the ABC TV movie Hot Rod (a.k.a. Rebel of the Road). It’s the story of an outcast rodder, his struggles with a corrupt small-town police force, and an eventual drag strip showdown with an Olds 4-4-2 sponsored by the Munn’s Root Beer company. At the beginning of the flick, the hero drives a 1965 Coronet sedan, presumably an A990. After the cops force him off the road, totaling the Dodge, he swaps the Hemi into a 1941 Willys. You probably remember the movie now. But has anyone noticed that he steals a replacement Hemi out of an AMC Matador cop car? I sure did! It stands as yet another tribute to the mythical legacy of Hemi-powered cop cars on TV and in the movies.
”
”
Steve Magnante (Steve Magnante's 1001 Muscle Car Facts (Cartech))
“
She was, and would forever be, vivacious and vibrant, filled with reasons to celebrate herself and others. Frozen and memorialized with her warmth, her ambition, her beauty, her light all burning bright as ever. Without prolonged suffering or bitterness. Nothing but frenetic energy, boundless potential, and love left behind.
”
”
Genevieve Wheeler (Adelaide)
“
Despite the brightness of the sun, I shivered in the brisk November air, for I had not taken a cloak with me when I had left my parlor. As if by magic, one fell about my shoulders, and I knew without looking that Narian had joined us. His mere presence bolstered my courage and brought my thoughts into focus. I scanned the throng of eager Hytanicans, some of whom were gathered inside the Central Courtyard with more outside its walls, then raised my hands to quiet them. Taking a deep breath, I began to speak.
“Spread the word. Tell your families and friends. Let it be known across the Recorah River Valley that I am proud to be Queen of this Kingdom of Hytanica!”
Cheers exploded, rising and falling in waves, and I let myself enjoy the sights and sounds of victory for several minutes. Then I once more raised my hands to quell the crowd.
“Be it known that Commander Narian stands with me as a loyal citizen of Hytanica. Without him, I would not have been able to travel to Cokyri and safely return. And without him, I would not have been able to begin negotiations for lasting peace with the High Priestess. I believe a trade treaty that is fair for both of our countries will soon be signed. Regardless, we stand here now and forevermore as a people free of Cokyrian rule.”
Jubilant shouts greeted these words, and I took Narian’s hand in mine, raising it high into the air. The people did not know that we were in love. They did not know that we were bound to each other according to Cokyrian custom and would soon be joined in marriage under Hytanican law. But this was a step forward, and that was enough for now.
Out of the corner of my eye, I saw my mother appear at Narian’s other side to likewise take his hand and hold it aloft in a show of support. When the rest of my family followed her lead, my father next to my mother, Miranna and Temerson at my side, tears spilled down my cheeks. I met Narian’s mystified blue eyes and smiled, then gazed out at our people, a member of a united royal family, the man I loved among us.
When the noise had subsided, I addressed the sorrow that hid beneath the joy, for it was essential to pay tribute to those who had fought bravely and tirelessly, but had not lived to see this day.
“We all know the terrible price that was paid for our freedom. Remember those who died in the war. Honor them in your hearts, and join with me in honoring them with a memorial on the palace grounds. Let those who gave their lives for this kingdom never be forgotten.” I paused, permitting a moment of silence for our lost loved ones, then finished, “Embrace your families. Return to your homes. And know that you go in peace.”
This received perhaps the greatest response of anything I had said, and to the tumultuous cries of my tired but elated people, Narian and I reentered the palace.
”
”
Cayla Kluver (Sacrifice (Legacy, #3))
“
The rising wave of nostalgia and an increasing interest in heritage sites and historic buildings is perhaps not only a sense of yearning for a lost Singapore, but also the recognition that neither 1959 nor 1965 marked Year One (...) In all the campaigns and features on Singapore's 50th anniversary that I've come across, the Kranji War Memorial was never mentioned. It just doesn't fit the slender narrative. That's such a shame because the cemetery is a fitting, dignified tribute to thousands of Singapore heroes, both local and foreign.
”
”
Neil Humphreys (Saving a Sexier Island: Notes from an Old Singapore)
“
This was a memorial service, a service about remembering. “We consecrate this hour the memory of our departed” . . . “We recall” . . . “We remember” . . . “May their memories endure among us as a lasting benediction” . . . “In tribute to their memory, I pledge to perform acts of charity and goodness.” The name of this service in Hebrew was Yizkor—it meant “remember.” Remembering was divine. We were
”
”
David Kushner (Alligator Candy)
“
Because of the constant media surveillance, I could not venture out to see the countless tributes that mourners laid down in front of the zoo. But all the items were collected and stored safely, and we now display a lovely memorial selection.
The public response to Steve’s death would have overwhelmed him most of all--the kind thoughts, prayers, sympathy, and tears. I wasn’t facing this grief on my own. So many people from around the world were trying to come to terms with it as well. The process seemed particularly difficult for children who had not had the opportunity to experience the circle of life as Bindi had. I felt it was important to get a message out to them. When your hero dies, everything he stood for does not end. Everything he stood for must continue.
”
”
Terri Irwin (Steve & Me)
“
Because of the constant media surveillance, I could not venture out to see the countless tributes that mourners laid down in front of the zoo. But all the items were collected and stored safely, and we now display a lovely memorial selection.
The public response to Steve’s death would have overwhelmed him most of all--the kind thoughts, prayers, sympathy, and tears. I wasn’t facing this grief on my own. So many people from around the world were trying to come to terms with it as well. The process seemed particularly difficult for children who had not had the opportunity to experience the circle of life as Bindi had. I felt it was important to get a message out to them. When your hero dies, everything he stood for does not end. Everything he stood for must continue.
There was never a doubt in my mind that I’d keep working toward stopping the destruction of our environment and wildlife that was spiraling out of control. There were so many triumphs that Steve had already worked so hard for.
I sat down with Wes. “First, we’re going to work on everything Steve wanted to achieve,” I said. “Then we’ll move on to everything that we were collectively working toward. And finally, I want to continue with my own goals, in terms of our conservation work.”
We strategized about the expansion of the zoo. I didn’t want to just maintain the zoo as it was, I wanted to follow Steve’s plans for the future. I felt that I was still having this wonderful, cheeky, competitive relationship with Steve.
Wes and I took the stacks of plans, blueprints, and manila folders from Steve’s desk. I assembled them and laid them out on a conference table.
“This was Steve’s plan for Australia Zoo over the next ten years,” I said. “I want to do it in five.”
We would secure more land. I remember the first two acres we ever bought to enlarge the zoo, how Steve and I sat with our arms around each other, looking at the property next door and dreaming. Now we were negotiating for an additional five hundred acres of forestry land. This tract would join the existing zoo property with the five hundred acres of our conservation property, bringing our total to fifteen hundred acres at Australia Zoo.
This winter we christened Steve’s Whale One, a whale-watching excursion boat that will realize another of his long-held dreams. He always wanted to expand the experience of the zoo to include whales. Steve’s Whale One is a way for people to see firsthand some of the most amazing creatures on earth. The humpbacks in Australian waters approach whale-watching boats with curiosity and openness. It is a delightful experience, and one that I am confident will work to help inspire people and end the inhumane practice of whaling.
”
”
Terri Irwin (Steve & Me)
“
Tim Graham
Tim Graham has specialized in photographing the Royal Family for more than thirty years and is foremost in his chosen field. Recognition of his work over the years has led to invitations for private sessions with almost all the members of the British Royal Family, including, of course, Diana, Princess of Wales, and her children.
Her “magic” was a combination of style and compassion. She instinctively knew what was right for every occasion. One of my favorite photographs is a shot I took in Angola in 1997 that shows her with a young land-mine victim who had lost a leg. This image of the Princess was chosen by the Red Cross to appear on a poster to publicize the tragic reality of land mines. It’s an important part of her legacy. It is difficult to capture such a remarkable person in just one photo, but I like this one a lot because it sums up her warmth and concern. Diana had one of those faces that would be very hard to photograph badly. Over the years, there were times when she was fed up or sad, and those emotions I captured, too. They were relevant at the time. I felt horrified by the news of her death and that she could die in such a terrible, simply tragic way. I couldn’t conceive of how her sons would be able to cope with such a loss. I was asked just before the funeral to photograph Prince Charles taking William and Harry out in public for the first time so they could meet the crowds gathered at Kensington Palace and see the floral tributes. It was the saddest of occasions.
I had by then received an invitation to the funeral and was touched to have been the only press photographer asked. After much deliberation, I decided to turn down the chance to be a guest in Westminster Abbey. Having photographed Diana for seventeen years, from the day she appeared as Prince Charles’s intended, right through her public and, on occasion by invitation, her private life, I felt that I had to take the final picture. It was the end of an era. From my press position at the door of the abbey, I watched everyone arrive for the service, including my wife, who had also been invited. During my career, I have witnessed so many historic events from the other side of a camera that I felt compelled to take that last photograph of the Princess’s story.
Life has moved on, and the public have found other subjects to fascinate them--not least the now grownup sons of this international icon--but everyone knows Diana was unique.
”
”
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
“
Rakesh Roshan
Rakesh Roshan is a producer, director, and actor in Bollywood films. A member of the successful Roshan film family, Mr. Roshan opened his own production company in 1982 and has been producing Hindi movies ever since. His film Kaho Naa…Pyaar Hai won nine Filmfare awards, including those for best movie and best director.
When I remember Diana and her activities in the last years of her life, I strongly feel that God sends some special people into this world to perform some special duties. Diana was one of these special people. Advancing on this godly path of love and goodness, Diana was blossoming like a flower, and with her captivating fragrance she started infusing new life in our dangerously sick garden--which was apparently at the brink of a precipice. The irony is that the cruel winds of autumn ruthlessly blew away this rare flower and deprived the world of its soothing fragrance. Diana, Princess of Wales, is no longer present in this world, but Diana, the queen of millions of hearts, is immortal and will live forever.
My heart breaks when I think of her last journey, her funeral, which was brilliantly covered all over the world. One could see the whole of England in tears, and the eyes of all the television viewers were also flooded. Thousands of men, women, and children had lined up along the entire route from the palace to the church where the services were held. All the fresh flowers available in the United Kingdom were there on the passage. All eyes were tearful, and one could clearly hear the sobs of people. There were heartrending scenes of people paying tribute to their departed darling.
Last, I would like to write here a translation in English of a poem written in Urdu.
We hope you will come back…dear friend
But why this pervading sadness…dear friend
The familiar flavor in the atmosphere is singing…
You are somewhere around…dear friend
Please come back, Diana; this sinking world desperately needs a savior.
”
”
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
“
Heather Mills
As a tireless campaigner for many charitable causes, Heather Mills joined Diana in support of the banishment of land mines all over the world. For her efforts against land mines, Ms. Mills was awarded the inaugural UNESCO Children in Need Award. She is also Goodwill Ambassador for the United Nations Association, and she has been active in helping amputees by promoting the use of prostheses.
The memory of Diana walking through a minefield is how I remember her the most. We had been campaigning for years, and struggling to get people to sign the mine-ban treaty. When Diana decided to help, a great light was shone on the cause, and we have never looked back.
Her devastating death only catapulted the cause forward; every additional country that signed up for the treaty did so, I believe, as a tribute to her tireless work and dedication to helping others.
She was brave, she was genuine, she was warm, and she really cared about people. She was the people’s princess.
Remember--monuments are not erected to those who criticize, but rather to those who have been criticized.
”
”
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
“
Near this spot are deposited the remains of one who possessed Beauty without Vanity, Strength without Insolence, Courage without Ferocity, and all the Virtues of Man without his Vices. This praise, which would be unmeaning Flattery, if inscribed over human ashes, is but a just Tribute to the Memory of BOATSWAIN, a Dog.
”
”
Elizabeth Speller (Following Hadrian: A Second-Century Journey through the Roman Empire)
“
when the atrocities a person has lived through are passed over in silence for lack of any trace or archive, paying tribute to someone would be a hoax. How do you convey Africa’s silences?” Then
”
”
Werewere Liking (The Amputated Memory: A Novel (Women Writing Africa))
“
As a memorial fund in her memory attracts hundreds of millions of pounds, as Elton John’s Diana tribute becomes the fastest- and biggest-selling record of all time, as the books, videos, magazines and other memorabilia emerge, Diana has joined the pantheon of the immortals.
”
”
Andrew Morton (Diana: Her True Story in Her Own Words)
“
the New England Holocaust Memorial just across from the restaurant. Olivia stood in awe looking up at the six glass towers which Trevor told her represented the six million Jews killed during the Holocaust and the six major death camps. “Each tower is etched with seven-digit numbers in remembrance of the numbers tattooed on the arms of the concentration camp prisoners.” On such a bright day, the shadows of those etched numbers covered both of them. “It’s absolutely breathtaking,” Olivia murmured. He tucked her hand under his elbow as they finished walking along the path. “It’s a sobering memorial but yes, quite a beautiful tribute.
”
”
Diane Moody (At Legend's End (The Teacup Novellas, #4))
“
Statues and street names honoring Confederates are common sights in the South. Fears by some South Carolina whites that such tributes would be erased forced a compromise in a 2000 law that removed the Confederate flag from the statehouse dome in Columbia. The law also said no historical memorial may be “relocated, removed, distributed or altered” without legislative approval.
”
”
Anonymous
“
HEART ACTION
Make a date with a friend you are missing. Don't worry that a long time has passed since you last spoke. Start with where you are right now and let her know that you miss her and her presence in your life.
The spirit of the tea beverage is one of peace, comfort, and refinement.
ARTHUR GRAY
Rejoice that your names are recorded in heaven.
-LUKE 10:20
A few days after Roy Rogers passed away at his home in Apple Valley, California, a local Christian television station broadcast a tribute to his life. In one of the segments, Dale Evans, Roy's wife, sang a song entitled, "Say `Yes' for Tomorrow." This song was dedicated to the memory of Roy's early decision to put his trust in Jesus as his Savior.
While listening to this song I began to think back over my own life, back to when I invited Jesus, as my Lord, into my heart. At that time I made the most important decision in my life. I truly said "`yes' for tomorrow," in that I settled my eternity by saying "yes" to Jesus. I was a teenager who came from a Jewish background. Even though my decision for
”
”
Emilie Barnes (The Tea Lover's Devotional)
“
In the heart of Missouri, where the land tells tales of time and toil, lies the town of Leeton. This place, founded in 1895 and named for J. J. Lee, is more than coordinates on a map; it’s a community where stories are woven into the very fabric of daily life.
As dawn breaks, the sun casts a warm glow over Leeton’s historic buildings and the Rock Island Spur trailhead of the Katy Trail. The town may be small, with just over 500 souls, but its spirit is as boundless as the skies above, anchored in the values of hard work, resilience, and the warmth of neighborly love.
Among the town’s cherished residents is a figure simply known as “Cowboy.” A man of action, his life is a testament to the Western ethos of helping others and living a life of integrity. Cowboy’s connection to Leeton runs deep; it’s not merely where he resides—it’s the community he actively shapes with his presence.
Cowboy’s story is interwoven with Leeton’s rich history, the joyous sounds of children at play, the steadfastness of farmers in the fields, and the majestic sunsets that signal the end of each day.
It was in this setting of close-knit ties and shared dreams that Cowboy’s- just for fun page came to life.
Amidst this backdrop of shared heritage and collective dreams, Cowboy’s-just for fun page sprang to life on Facebook. A space crafted for his quotes, laughter, and the simple joys of Leeton life. It’s a corner of the internet that echoes Cowboy’s journey and the essence of a town that’s more than a place—it’s a feeling, a shared experience, a home.
of a man who had made Leeton his hometown and who seemed to speak directly to their hearts through his actions. They observed, some with smiles, others with nods of respect, but all with a sense of pride for the town they loved.
The story of Leeton, Missouri, is not just one of dates and facts. It’s a story of a community that thrives on connection, memories, and the enduring spirit of its people. And thanks to Cowboy, it’s a story that will be lived for generations to come, a timeless tribute to a place called home.
And so, the legacy of Leeton lives on, not just in the pages of history, but in the footsteps of a cowboy, in the stories passed down from one generation to the next, and in the hearts of those who know it’s not just where they live—it’s who they are.
”
”
James Hilton-Cowboy
“
In the heart of Missouri, where the land tells tales of time and toil, lies the town of Leeton. This place, founded in 1895 and named for J. J. Lee, is more than coordinates on a map; it’s a community where stories are woven into the very fabric of daily life.
As dawn breaks, the sun casts a warm glow over Leeton’s historic buildings and the Rock Island Spur trailhead of the Katy Trail. The town may be small, with just over 500 souls, but its spirit is as boundless as the skies above, anchored in the values of hard work, resilience, and the warmth of neighborly love.
Among the town’s cherished residents is a figure simply known as “Cowboy.” A man of action, his life is a testament to the Western ethos of helping others and living a life of integrity. Cowboy’s connection to Leeton runs deep; it’s not merely where he resides—it’s the community he actively shapes with his presence.
Cowboy’s story is interwoven with Leeton’s rich history, the joyous sounds of children at play, the steadfastness of farmers in the fields, and the majestic sunsets that signal the end of each day.
It was in this setting of close-knit ties and shared dreams that Cowboy’s-just for fun page sprang to life on Facebook. A space crafted for his quotes, laughter, and the simple joys of life. It’s a corner of the internet that echoes Cowboy’s journey and the essence of a town that’s more than a place—it’s a feeling, a shared experience, a home.
of a man who had made Leeton his hometown and who seemed to speak directly to their hearts through his actions. They observed, some with smiles, others with nods of respect, but all with a sense of pride for the town they loved.
The story of Leeton, Missouri, is not just one of dates and facts. It’s a story of a community that thrives on connection, memories, and the enduring spirit of its people. And thanks to Cowboy, it’s a story that will be lived for generations to come, a timeless tribute to a place called home.
And so, the legacy of Leeton lives on, not just in the pages of history, but in the footsteps of a cowboy, in the stories passed down from one generation to the next, and in the hearts of those who know it’s not just where they live—it’s who they are.
”
”
James Hilton-Cowboy
“
In the heart of Missouri, where the land tells tales of time and toil, lies the town of Leeton. This place, founded in 1895 and named for J. J. Lee, is more than coordinates on a map; it’s a community where stories are woven into the very fabric of daily life.
As dawn breaks, the sun casts a warm glow over Leeton’s historic buildings and the Rock Island Spur trailhead of the Katy Trail. The town may be small, with just over 500 souls, but its spirit is as boundless as the skies above, anchored in the values of hard work, resilience, and the warmth of neighborly love.
Among the town’s cherished residents is a figure simply known as “Cowboy.” A man of action, his life is a testament to the Western ethos of helping others and living a life of integrity. Cowboy’s connection to Leeton runs deep; it’s not merely where he resides—it’s the community he actively shapes with his presence.
Cowboy’s story is interwoven with Leeton’s rich history, the joyous sounds of children at play, the steadfastness of farmers in the fields, and the majestic sunsets that signal the end of each day.
It was in this setting of close-knit ties and shared dreams that Cowboy’s- just for fun page came to life. The story of Leeton, Missouri, is not just one of dates and facts. It’s a story of a community that thrives on connection, memories, and the enduring spirit of its people. And thanks to Cowboy, it’s a story that will be lived for generations to come, a timeless tribute to a place called home.
Amidst this backdrop of shared heritage and collective dreams, Cowboy’s-just for fun page sprang to life on Facebook. A space crafted for his quotes, laughter, and the simple joys of Leeton life. It’s a corner of the internet that echoes Cowboy’s journey and the essence of a town that’s more than a place—it’s a feeling, a shared experience, a home.
And so, the legacy of Leeton lives on, not just As Cowboy went about his day, the people of Leeton watched, drawn by the familiar sight of a man who had made Leeton his hometown and who seemed to speak directly to their hearts through his actions. They observed, some with smiles, others with nods of respect, but all with a sense of pride for the town they loved.
The story of Leeton, Missouri, is not just one of dates and facts. It’s a story of a community that thrives on connection, memories, and the enduring spirit of its people. And thanks to Cowboy, it’s a story that will be lived for generations to come, a timeless tribute to a place called home.
And so, the legacy of Leeton lives on, not just in the pages of history, but in the footsteps of a cowboy, in the stories passed down from one generation to the next, and in the hearts of those who know it’s not just where they live—it’s who they are.
”
”
James Hilton-Cowboy
“
In the heart of Missouri, where the land tells tales of time and toil, lies the town of Leeton. This place, founded in 1895 and named for J. J. Lee, is more than coordinates on a map; it’s a community where stories are woven into the very fabric of daily life.
As dawn breaks, the sun casts a warm glow over Leeton’s historic buildings and the Rock Island Spur trailhead of the Katy Trail. The town may be small, with just over 500 souls, but its spirit is as boundless as the skies above, anchored in the values of hard work, resilience, and the warmth of neighborly love.
Among the town’s cherished residents is a figure simply known as “Cowboy.” A man of action, his life is a testament to the Western ethos of helping others and living a life of integrity. Cowboy’s connection to Leeton runs deep; it’s not merely where he resides—it’s the community he actively shapes with his presence.
Cowboy’s story is interwoven with Leeton’s rich history, the joyous sounds of children at play, the steadfastness of farmers in the fields, and the majestic sunsets that signal the end of each day.
It was in this setting of close-knit ties and shared dreams that Cowboy’s- just for fun page came to life.
Amidst this backdrop of shared heritage and collective dreams, Cowboy’s-just for fun page sprang to life on Facebook. A space crafted for his quotes, laughter, and the simple joys of Leeton life. It’s a corner of the internet that echoes Cowboy’s journey and the essence of a town that’s more than a place—it’s a feeling, a shared experience, a home.
And so, the legacy of Leeton lives on, not just As Cowboy went about his day, the people of Leeton watched, drawn by the familiar sight of a man who had made Leeton his hometown and who seemed to speak directly to their hearts through his actions. They observed, some with smiles, others with nods of respect, but all with a sense of pride for the town they loved.
The story of Leeton, Missouri, is not just one of dates and facts. It’s a story of a community that thrives on connection, memories, and the enduring spirit of its people. And thanks to Cowboy, it’s a story that will be lived for generations to come, a timeless tribute to a place called home.
And so, the legacy of Leeton lives on, not just in the pages of history, but in the footsteps of a cowboy, in the stories passed down from one generation to the next, and in the hearts of those who know it’s not just where they live—it’s who they are.
”
”
James Hilton-Cowboy
“
In the heart of Missouri, where the land tells tales of time and toil, lies the town of Leeton. This place, founded in 1895 and named for J. J. Lee, is more than coordinates on a map; it’s a community where stories are woven into the very fabric of daily life.
As dawn breaks, the sun casts a warm glow over Leeton’s historic buildings and the Rock Island Spur trailhead of the Katy Trail. The town may be small, with just over 500 souls, but its spirit is as boundless as the skies above, anchored in the values of hard work, resilience, and the warmth of neighborly love.
Among the town’s cherished residents is a figure simply known as “Cowboy.” A man of action, his life is a testament to the Western ethos of helping others and living a life of integrity. Cowboy’s connection to Leeton runs deep; it’s not merely where he resides—it’s the community he actively shapes with his presence.
Cowboy’s story is interwoven with Leeton’s rich history, the joyous sounds of children at play, the steadfastness of farmers in the fields, and the majestic sunsets that signal the end of each day.
It was in this setting of close-knit ties and shared dreams that Cowboy’s- just for fun page came to life. The story of Leeton, Missouri, is not just one of dates and facts. It’s a story of a community that thrives on connection, memories, and the enduring spirit of its people. And thanks to Cowboy, it’s a story that will be lived for generations to come, a timeless tribute to a place called home.
And so, the legacy of Leeton lives on, not just As Cowboy went about his day, the people of Leeton watched, drawn by the familiar sight of a man who had made Leeton his hometown and who seemed to speak directly to their hearts through his actions. They observed, some with smiles, others with nods of respect, but all with a sense of pride for the town they loved.
The story of Leeton, Missouri, is not just one of dates and facts. It’s a story of a community that thrives on connection, memories, and the enduring spirit of its people. And thanks to Cowboy, it’s a story that will be lived for generations to come, a timeless tribute to a place called home.
And so, the legacy of Leeton lives on, not just in the pages of history, but in the footsteps of a cowboy, in the stories passed down from one generation to the next, and in the hearts of those who know it’s not just where they live—it’s who they are.
”
”
James Hilton-Cowboy
“
Chairman of the Joint Chiefs of Staff, General Collin Powell, a Vietnam Vet, then offered one of the most beautiful tributes I've ever heard. "You went, you served, you suffered. The names of eight of your sisters are etched on the wall for having made the supreme sacrifice and yet your service and your sacrifice have been mostly invisible for all these intervening years. When you finished what you had to do, you came quietly home, you stepped back into the background from which you had modestly come. You melted back into a society which for too long now had ignored the vital and endless work that falls to women and is not appreciated as it should be....
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Diane Carlson Evans (Healing Wounds: A Vietnam War Combat Nurse's 10-Year Fight to Win Women a Place of Honor in Washington, D.C.)
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A part war drama, part coming-of-age story, part spiritual pilgrimage, Surviving Hitler, Evading Stalin is the story of a young woman who experienced more hardships before graduating high school than most people do in a lifetime. Yet her heartaches are only half the story; the other half is a story of resilience, of leaving her lifelong home in Germany to find a new home, a new life, and a new love in America. Mildred Schindler Janzen has given us a time capsule of World War II and the years following it, filled with pristinely preserved memories of a bygone era.
Ken Gire
New York Times bestselling author of All the Gallant Men
The memoir of Mildred Schindler Janzen will inform and inspire all who read it. This is a work that pays tribute to the power and resiliency of the human spirit to endure, survive, and overcome in pursuit of the freedom and liberty that all too many take for granted.
Kirk Ford, Jr., Professor Emeritus, History
Mississippi College
Author of OSS and the Yugoslav Resistance,
1943-1945
A compelling first-person account of life in Germany during the rise of Adolph Hitler and the Nazi Party. A well written, true story of a young woman overcoming the odds and rising above the tragedies of loss of family and friends during a savage and brutal war, culminating in her triumph in life through sheer determination and will. A life lesson for us all.
Col. Frank Janotta (Retired),
Mississippi Army National Guard
Mildred Schindler Janzen’s touching memoir is a testimony to God’s power to deliver us from the worst evil that men can devise. The vivid details of Janzen’s amazing life have been lovingly mined and beautifully wrought by Sherye Green into a tender story of love, gratitude, and immeasurable hope. Janzen’s rich, post-war life in Kansas serves as a powerful reminder of the great promise of America.
Troy Matthew Carnes,
Author of Rasputin’s Legacy and Dudgeons and Daggers
World War II was horrific, and we must never forget. Surviving Hitler, Evading Stalin is a must-read that sheds light on the pain the Nazis and then the Russians inflicted on the German Jews and the German people. Mildred Schindler Janzen’s story, of how she and her mother and brother survived the war and of the special document that allowed Mildred to come to America, is compelling. Mildred’s faith sustained her during the war's horrors and being away from her family, as her faith still sustains her today. Surviving Hitler, Evading Stalin is a book worth buying for your library, so we never forget.
Cynthia Akagi, Ph.D.
Northcentral University
I wish all in the world could read Mildred’s story about this loving steel magnolia of a woman who survived life under Hitler’s reign. Mildred never gave up, but with each suffering, grew stronger in God’s strength and eternal hope. Beautifully written, this life story will captivate, encourage, and empower its readers to stretch themselves in life, in love, and with God, regardless of their circumstances. I will certainly recommend this book.
Renae Brame, Author of Daily Devotions with Our Beloved, God’s Peaceful Waters Flow, and
Snow and the Eternal Hope
How utterly inspiring to read the life story of a woman whose every season reflects God’s safe protection and unfailing love. When young Mildred Schindler escaped Nazi Germany, only to have her father taken by Russians and her mother and brother hidden behind Eastern Europe’s Iron Curtain, she courageously found a new life in America. Surviving Hitler, Evading Stalin is her personal witness to God’s guidance and provision at every step of that perilous journey. How refreshing to view a full life from beginning to remarkable end – always validating that nothing is impossible with God. Read this book and you will discover the author’s secret to life: “My story is a declaration that choosing joy and thankfulness over bitterness and anger, even amid difficult circumsta
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MILDRED SCHINDLER JANZEN
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Captain Rostron paid another visit to Ismay’s room that morning. He had received a wireless message from the Olympic proposing that the Titanic’s passengers be transferred to her. Rostron thought that putting the survivors into boats for a second sea transfer was a very bad idea. Even the sight of a ship that so closely resembled the Titanic might stir up panic among the survivors. Ismay agreed emphatically—the Olympic should stay out of sight. On board the sister liner, however, Frank Millet’s friend Daniel Burnham had been told that they were steaming to the rescue of the Titanic’s passengers, and he was preparing to give up his suite to Frank and Archie Butt. He could use the time on board with Frank to prepare him for the next meeting of the Lincoln Memorial Commission. In a letter waiting for Frank in New York, Burnham had written, “The rats swim back and begin to gnaw at the same old spot the moment the dog’s back is turned,” the “rats” being several congressmen who were still pushing for John Russell Pope’s design over that of Henry Bacon. The letter had concluded, “I leave the thing confidently in your hand.” When a list of the Titanic’s survivors was posted on the Olympic’s notice board the next morning, however, Burnham saw that Millet’s name was not on it. In his diary entry for April 16, the ailing architect recorded the news of the Titanic’s loss and noted that “Frank D. Millet, whom I loved, was aboard of her … and probably [has] gone down.” Burnham himself would die two weeks later, but the classical white temple he had championed for the Lincoln Memorial would prevail—a tribute to the architect’s persistence and that of the friend he loved.
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Hugh Brewster (Gilded Lives, Fatal Voyage: The Titanic's First-Class Passengers and Their World)
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Bishop Cushing concluded the eulogy by citing a piece of verse, the author of which is not named. It is a genuine and accurate tribute to Cardinal O'Connell's memory: Were a star quenched on high, For years would its light Still streaming from the sky Fall on our mortal sight. So when a great man dies, For years beyond our ken, The light he leaves behind him lies Upon the paths of men. And that was the farewell the heir-apparent said to his first superior, William Henry Cardinal O'Connell.
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Joseph Dever (Cushing of Boston: A Candid Portrait)
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Tuesdays are the worst. They are the spoiled leftovers of Mondays, repackaged with a new expiry date.
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Sorin Suciu (In Memory: A Tribute to Sir Terry Pratchett)
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Petty Rewind passionately revives the music of Tom Petty. These experienced musicians cover Petty's hits and recreate an authentic rock experience, profoundly resonating with fans. With a meticulously curated setlist spanning Petty's four-decade career, they aim for authenticity, capturing Petty's music's live essence and spirit. Each Tom Petty tribute band concert is an electric, palpable experience, creating enduring memories as enduring as the songs themselves.
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Petty Rewind
“
The only cure for grief is to grieve. The only cure for hurt is to hurt. Every tear is a tribute. Every tear is a memory, every memory a treasure. Cry buckets and then when your bucket is full, poor your collective tears over your garden flowers and watch them bloom in all the sunrises of your grieving.
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Trent Dalton (Love Stories)
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There were now three options open to the navy. The first was to sever the forward section of the ship using dynamite. This would take months to accomplish, but would allow the after section of the ship to be floated and probably salvaged. The second was to flatten the ship with dynamite and drive her deeper into the mud. This would clear the quay, allowing other ships to use it. This second option was never seriously considered because the graves of the crew would be desecrated. The third option was chosen. The plan was to cut off the superstructure above water and construct a memorial in tribute to those who lost their lives on 7 December. When the decision was finalized, diving work was suspended on the Arizona. The two barges were moved, and we soon began work on the USS California.
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Edward C. Raymer (Descent into Darkness: Pearl Harbor, 1941—A Navy Diver's Memoir)
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Omega Elegeia by Stewart Stafford
This master of words hath no more,
The hand that penned them stilled,
What you read is an epitaph,
The remnant body of work willed.
Honour and cherish this legacy,
As his flesh and bone are dust,
His poetic flame snuffed hither,
His spirit flown, in that, we trust.
His face was familiar to many,
But known to a precious few,
Now 'tis hidden forevermore,
Covertly in plain sight, anew.
© Stewart Stafford, 2023. All rights reserved.
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Stewart Stafford
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Ben Jonson appears to be very uneasy about the lie. In the Folio’s central tribute, a long poem titled “To the Memory of My Beloved the Author, Mr. William Shakespeare,” he begins strangely, preoccupied with—of all things—Shakespeare’s name. Putting Shakespeare’s name in parentheses, he announces that he will not “draw envy” on it; that is, he will not praise Shakespeare’s name:
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Elizabeth Winkler (Shakespeare Was a Woman and Other Heresies: How Doubting the Bard Became the Biggest Taboo in Literature)
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Among those exiled was Mary Dyer, an early heroine in the battle for religious freedom. (The correct spelling of her last name is somewhat elusive; Dyre, Dyer, and Dyar all appear on contemporaneous documents.) Today, a statue honoring Dyer stands in Boston, where she died. But there is no tribute or memorial to her of any kind in Newport, where she lived.
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Andrew Carroll (Here Is Where: Discovering America's Great Forgotten History)
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The fervour accompanying these events may be deceptive. If it expresses nothing more than the zeal with which the countries of the East are casting aside the bonds of ideology, or if it is a mimetic fervour - a tribute, as it were, to those liberal countries where all liberty has already been traded in for a technically easy life - then we shall have found out definitively what freedom is worth, and that it is probably never to be discovered a second time. History offers no second helpings. On the other hand, it could be that the present thaw in the East may be as disastrous in the long term as the excess of carbon dioxide in the upper atmosphere, that it may bring about a political greenhouse effect, and so overheat human relations on the planet that the melting of the Communist ice-sheet will cause Western seaboards to be submerged. Odd that we should be in such absolute fear of the melting of the polar ice, and look upon it as a climatic catastrophe, while we aspire with every democratic bone in our bodies to the occurrence of just such an event on the political plane.
If in the old days the USSR had released its gold reserves onto the world market, that market would have been completely destabilized. Today, by putting back into circulation their vast accumulated store of freedom, the Eastern countries could quite easily destabilize that very fragile balance of Western values which strives to ensure that freedom no longer emerges as action but only as a virtual and consensual form of interaction; no longer as a drama but merely as the universal psychodrama of liberalism. A sudden infusion of freedom as a real currency, as violent and active transcendence, as Idea, would be in every way catastrophic for our present air-conditioned redistribution of values. Yet this is precisely what we are asking of the East: freedom, the image of freedom, in exchange for the material signs of freedom.
This is an absolutely diabolical contract, by virtue of which one signatory is in danger of losing their soul, and the other of losing their creature comforts. But perhaps - who knows? - this may, after all, be the best thing for both sides.
Those societies that were formerly masked - Communist societies - have been unmasked. What is their face like? As for us, we dropped the mask long ago and have for a long time been without either mask or face. We are also without memory. We have reached the point of searching the water for signs of a memory that has left no traces, hoping against hope that something might remain when even the water's molecular memory has faded away. So it goes for our freedom: we would be hard put to it to produce a single sign of it, and we have been reduced to postulating its infinitesimal, intangible, undetectable existence in a (programmatic, operational) environment so highly dilute that in truth only a spectre of freedom floats there still, in a memory every bit as evanescent as water's.
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Jean Baudrillard (The Transparency of Evil: Essays in Extreme Phenomena)
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IN 1934, AN African American pastor from Georgia made the trip of a lifetime, sailing across the Atlantic Ocean, through the gates of Gibraltar, and across the Mediterranean Sea to the Holy Land. After this pilgrimage, he traveled to Berlin, attending an international conference of Baptist pastors. While in Germany, this man—who was named Michael King—became so impressed with what he learned about the reformer Martin Luther that he decided to do something dramatic. He offered the ultimate tribute to the man’s memory by changing his own name to Martin Luther King. His five-year-old son was also named Michael—and to the son’s dying day his closest relatives would still call him Mike—but not long after the boy’s father changed his own name, he decided to change his son’s name too, and Michael King Jr. became known to the world as Martin Luther King Jr.
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Eric Metaxas (Martin Luther: The Man Who Rediscovered God and Changed the World)
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The vast majority of the sources for this book are pulled from the oral history projects housed at seven institutions: The National September 11 Memorial & Museum (New York City), the 9/11 Tribute Museum (New York City), the Arlington County Public Library Oral History Project (Virginia), C-SPAN (Washington, D.C.), the Historical Office of the Office of the Secretary of Defense (The Pentagon, Virginia), the Flight 93 National Memorial (Shanksville, Pennsylvania), and the U.S. House of Representatives Historian’s Office (Washington, D.C.), as well as interviews and stories collected by myself.
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Garrett M. Graff (The Only Plane in the Sky: An Oral History of 9/11)
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With splendid specificity, all the creative texts I have studied provide alternative models for thinking about aging. Scanty and eccentric though they may be, their tributes to love and friendship tell me that many stories have yet to be recounted. But there is a late-life love tradition, and it explores the manifold ways enduring passion sustains older people dedicated to prized partnerships and also to a range of desires: to keep on writing or reading, to go on seeing and savoring beloved places or works of art, to continue nurturing each other or progenitors or descendants, to prolong the kaleidoscope of fractured and reformed memories that accrue as a diminishing future is enhanced by a lengthening past that embellishes the present for those lucky enough to be loving while living in our final years.
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Susan Gubar (Late-Life Love)
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There were endless stories locked into the silent, cool mass of the Wall, so many memories of stories of so long ago, now only to be imagined. What an incredible feat of human imagination and engineering. A real tribute to visionary and tenacious (if tyrannical) leaders who held a nation together with a common goal, from dynasty to dynasty over the many centuries.
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Braam Malherbe (The Great Run: Conquering the Sleeping Dragon Within: Life's Lessons on the Run)