Memoirs And Misinformation Quotes

If done right, kidnapping can be a positive experience for everyone.

Might they one day reconstruct the ruins of the mind as well as those of the body?

Why, Katie wondered, eyeing them at the altar, is false love so proud, and true love so fearful?

Anyone can rejigger an atom bomb,” said Hopkins. “But to possess the minds of millions? To make them your willing zombies across a whole decade? That’s real magic.

Many try to blame the anger and cynicism of working-class whites on misinformation. Admittedly, there is an industry of conspiracy-mongers and fringe lunatics writing about all manner of idiocy, from Obama’s alleged religious leanings to his ancestry. But every major news organization, even the oft-maligned Fox News, has always told the truth about Obama’s citizenship status and religious views. The people I know are well aware of what the major news organizations have to say about the issue; they simply don’t believe them. Only 6 percent of American voters believe that the media is “very trustworthy.”21 To many of us, the free press—that bulwark of American democracy—is simply full of shit.

The world he saw on the news came to seem like a genre-fusing farce, its story lines ever less plausible, ever more dispiriting. The world of the chamber, by contrast, was all impressionist masterworks, images and plotlines manifestly finer and more nourishing than what, of late, was passing for the real.

Chaplin had not merely impressed but formed him. Showed him how any gesture—a kiss, playing with some bread rolls—can be freed from the mundane, imbued with magic. Charlie Chaplin was always turning caterpillars into butterflies. He had used comedy to reveal, and not flee, the truth of the human predicament. He’d roller-skated blindfolded over the void, like a planet circling a black hole. He filmed a factory worker sucked into a machine, fed through its cogs and gears, assailing an age that turns people into things. And Charlie Chaplin had battled the bleak world with—what? Not a knife, not a gun. A cane. Gentle, gestural, the baton of a maestro. Chaplin’s cane, with no disrespect to Hockney, Picasso, or Basquiat, was, in this moment, what Jim Carrey most wanted to save.

And so I think about land. But more and more I also think about how other black and brown folks think about land. I wonder how our lives would change for the better if the ties to place weren't broken by bad memories, misinformation, and ignorance. I think about schoolchildren playing in safe, clean, green spaces, where the water and air flow clear and the birdsong sounds sweet. More and more I think of land not just in remote, desolate wilderness but in inner-city parks and suburban backyards and community gardens.

Human things have long since jumped the shark.

We're going six thousand miles an hour around the sun and nobody's driving this bitch!" said Gary Busey from the woods, where, for his own reasons, he was halfway up an eighty-foot pine tree.

He knew factories. No one had fun in factories. They sweltered and slaved, hunched and harried, people reduced to things, manufacturing so much meaningless plastic shit that made no one happy, poisoned the oceans, corrupted the food chain. The modern world was a burning bus speeding toward a cliff with a maniac at the wheel. And he was not apart, but complicit, a hyperactive child making yuk-yuks in his seat, keeping everyone laughing, distracting them from certain doom.

The American citizen is so lost he doesn't realize he's a factory pig. Drugged and poisoned from the cradle to the grave. Chained to impossible debts. Never ever free. Liberty? Bah! This is a land of invisible fences, we're all prisoners watching Capra on movie night. But nothing lasts forever. Europe's monarchies sent their sons to die in the trenches of the Somme just as surely as we drove Chiang Kei-shek into the sea. You think America will be different? You think this era, one not of consumption but of gluttony, will last forever? It will not...

Once, we were artists. Pure! But we, all of us, we became a distraction, compromised for the sake of fame, comfort, the approval of strangers. We spend our lives pursuing something as empty as `relevance' and they use our fear of losing it to corral us. Dirty Malaysian money. Saudi money. We'll take it all. What went wrong? We sing and dance not to entertain but to distract people from the crushing gears of a capitalist machine that has no ideals save for greed and violence. And let's not kid ourselves, Hollywood is the best PR firm the gunmakers ever had. What a sick culture." "But what about artistic beauty?" asked Cameron Diaz. "When you can perceive beauty there's no excuse for serving ugliness. For aiding cons, inflaming desires, promising everything and delivering nothing. It doesn't matter what you put on TV because people are so frightened and lonely they'll watch it just to hear human voices and feel like they're not alone. They're so beaten down all they need is a soccer tournament every four years and they stay in their place. This is not a society. This is a system of soul-murder. And history will not be kind to us for our complicity, because we know better. The executives"—he nodded Maoishly to the Disney team —"they can say they were serving their god Mammon, but we artists can't. We're all East German playwrights now, complicit with the regime! And there will come a time of judgment. We're destroying the planet. This cannot last.

In a memoir of her tenure as secretary of state, published in June 2014, Hillary Clinton gave her most detailed account of her actions to date. She denounced what she called “misinformation, speculation, and flat-out deceit” about the attacks, and wrote that Obama “gave the order to do whatever was necessary to support our people in Libya.” She wrote: “Losing these fearless public servants in the line of duty was a crushing blow. As Secretary I was the one ultimately responsible for my people’s safety, and I never felt that responsibility more deeply than I did that day.” Addressing the controversy over what triggered the attack, and whether the administration misled the public, she maintained that the Innocence of Muslims video had played a role, though to what extent wasn’t clear. “There were scores of attackers that night, almost certainly with differing motives. It is inaccurate to state that every single one of them was influenced by this hateful video. It is equally inaccurate to state that none of them were.” Clinton’s account was greeted with praise and condemnation in equal measure. As Clinton promoted her book, a new investigation was being launched by the House Select Committee on the Events Surrounding the 2012 Terrorist Attack in Benghazi. Chaired by former federal prosecutor Rep. Trey Gowdy, a South Carolina Republican, the committee’s creation promised to drive questions about Benghazi into the 2016 presidential campaign and beyond.

Like,” he repeats with distaste. “How about I tell you what I don’t like? I do not like postmodernism, postapocalyptic settings, postmortem narrators, or magic realism. I rarely respond to supposedly clever formal devices, multiple fonts, pictures where they shouldn’t be—basically, gimmicks of any kind. I find literary fiction about the Holocaust or any other major world tragedy to be distasteful—nonfiction only, please. I do not like genre mash-ups à la the literary detective novel or the literary fantasy. Literary should be literary, and genre should be genre, and crossbreeding rarely results in anything satisfying. I do not like children’s books, especially ones with orphans, and I prefer not to clutter my shelves with young adult. I do not like anything over four hundred pages or under one hundred fifty pages. I am repulsed by ghostwritten novels by reality television stars, celebrity picture books, sports memoirs, movie tie-in editions, novelty items, and—I imagine this goes without saying—vampires. I rarely stock debuts, chick lit, poetry, or translations. I would prefer not to stock series, but the demands of my pocketbook require me to. For your part, you needn’t tell me about the ‘next big series’ until it is ensconced on the New York Times Best Sellers list. Above all, Ms. Loman, I find slim literary memoirs about little old men whose little old wives have died from cancer to be absolutely intolerable. No matter how well written the sales rep claims they are. No matter how many copies you promise I’ll sell on Mother’s Day.” Amelia blushes, though she is angry more than embarrassed. She agrees with some of what A.J. has said, but his manner is unnecessarily insulting. Knightley Press doesn’t even sell half of that stuff anyway. She studies him. He is older than Amelia but not by much, not by more than ten years. He is too young to like so little. “What do you like?” she asks. “Everything else,” he says. “I will also admit to an occasional weakness for short-story collections. Customers never want to buy them though.” There is only one short-story collection on Amelia’s list, a debut. Amelia hasn’t read the whole thing, and time dictates that she probably won’t, but she liked the first story. An American sixth-grade class and an Indian sixth-grade class participate in an international pen pal program. The narrator is an Indian kid in the American class who keeps feeding comical misinformation about Indian culture to the Americans. She clears her throat, which is still terribly dry. “The Year Bombay Became Mumbai. I think it will have special int—” “No,” he says. “I haven’t even told you what it’s about yet.” “Just no.” “But why?” “If you’re honest with yourself, you’ll admit that you’re only telling me about it because I’m partially Indian and you think this will be my special interest. Am I right?” Amelia imagines smashing the ancient computer over his head. “I’m telling you about this because you said you liked short stories! And it’s the only one on my list. And for the record”—here, she lies—“it’s completely wonderful from start to finish. Even if it is a debut. “And do you know what else? I love debuts. I love discovering something new. It’s part of the whole reason I do this job.” Amelia rises. Her head is pounding. Maybe she does drink too much? Her head is pounding and her heart is, too. “Do you want my opinion?” “Not particularly,” he says. “What are you, twenty-five?” “Mr. Fikry, this is a lovely store, but if you continue in this this this”—as a child, she stuttered and it occasionally returns when she is upset; she clears her throat—“this backward way of thinking, there won’t be an Island Books before too long.

If it's all so innocent what's the problem? We live in a crumbling multiethnic Ponzi-scheme society requiring a highly policed cultural environment to avoid outright chaos. That's the problem.

The modern world was a burning bus speeding toward a cliff with a maniac at the wheel. And he was not apart, but complicit, a hyperactive child making yuk-yuks in his seat, keeping everyone laughing, distracting them from certain doom. Faster, faster, no more room to brake.

It doesn't take care of its sick, doesn't care for its poor. Doesn't protect its children. Abandons its veterans and its elderly. America's very God is a fraud, invented by marauding settlers to justify native genocide, a savage deity blessing a savage people, forgiving the napalming of babies in Vietnam, the starvation of five hundred thousand Iraqis in our own lives. And who at this table lost five seconds even thinking about that? No, we drown that out with our positive personal affirmations. We don't even look after our own. The people who work fifteen hours a day doing our makeup, hair, and wardrobe have to invoice the studios six or seven times before they get paid. They beg while someone siphons interest off their money. And whose fucking idea was a fifteen-hour day in the first place?

Extremists with malicious tendencies…have always been with us, but today our culture is saturated with misinformation and conspiracy theories. Even when falsehoods don’t contribute to bloodshed, they frighten people and turn us against one another. The decline and respect for objective truth and facts, means we lack a stable underpinning on which to base our debates and ultimately out decisions. When I was a journalist starting out in Bosnia, I viewed the conflict there as a last gasp of ethnic chauvinism and demagoguery from a bygone era. Unfortunately, it now seems more like a harbinger of the way today’s autocrats and opportunists conjure up internal or external threats in order to expand their own power. Those of us who reject these tactics have yet to figure out how to assuage the fears of those who have been shaken or radicalized by false claims. While my generation was often told about the impending triumph of democracy and human rights, today’s youth are bombarded with commentary forecasting the retreat of liberal democracy or even its demise. A growing mistrust in democratic institutions breeds cynicism about politics and America’s future and encourages an inward focus.

Shit my pants, see how long it takes them to notice.

All of life is a series of interlocking games, mainly meaningless, perhaps rigged,” she told Nancy. “Some have rules we know; most have rules we do not. Are we being guided to some higher state? Or just forced from game board to game board for no end at all? The only way to know is to do what the games demand; I did only what the game demanded.

As his central air system, set to maintain an internal temperature of sixty-eight degrees, drew on generator power and sent a final burst of air through the house, whipping the shattered home into a proper inferno, Carrey began to barter with the cosmos for salvation. He'd repent, he swore. He'd renounce all earthly delights. If it was fun, he'd avoid it. He'd change his name to Francis, or Simon Peter. And if the cosmos wanted to throw in some special power or skill, like healing the sick or talking to birds, something to distinguish him from others in this new field of endeavor (and also maybe a small group of followers, nothing huge, but dedicated followers), well, all that would be appreciated. Unnecessary, but appreciated. "Save me," he prayed, cowering. "Please.

It was this gap between the truth of modern-day Russia and Putin’s insistence on its superpower status, I thought, that helped account for the country’s increasingly combative foreign relations. Much of the ire was directed at us: In public remarks, Putin became sharply critical of American policy. When U.S.-backed initiatives came before the U.N. Security Council, he made sure Russia blocked them or watered them down—particularly anything touching on human rights. More consequential were Putin’s escalating efforts to prevent former Soviet bloc countries, now independent, from breaking free of Russia’s orbit. Our diplomats routinely received complaints from Russia’s neighbors about instances of intimidation, economic pressure, misinformation campaigns, covert electioneering, contributions to pro-Russian political candidates, or outright bribery. In

Well, necessity is the motherfucker of invention, man.