Memoir Of A Murderer Quotes

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Each of us is a book waiting to be written, and that book, if written, results in a person explained.
Thomas M. Cirignano (The Constant Outsider: Memoirs of a South Boston Mechanic)
he couldn't entice me with his pills, hookers, guns or war mission
Edward Williams (Framed & Hunted: A True Story of Occult Persecution)
Bad writing is more than a matter of shit syntax and faulty observation; bad writing usually arises from a stubborn refusal to tell stories about what people actually do― to face the fact, let us say, that murderers sometimes help old ladies cross the street.
Stephen King (On Writing: A Memoir of the Craft)
A phenomenon that a number of people have noted while in deep depression is the sense of being accompanied by a second self — a wraithlike observer who, not sharing the dementia of his double, is able to watch with dispassionate curiosity as his companion struggles against the oncoming disaster, or decides to embrace it. There is a theatrical quality about all this, and during the next several days, as I went about stolidly preparing for extinction, I couldn't shake off a sense of melodrama — a melodrama in which I, the victim-to-be of self-murder, was both the solitary actor and lone member of the audience.
William Styron (Darkness Visible: A Memoir of Madness)
I wanted to kill the me underneath. That fact haunted my days and nights. When you realize you hate yourself so much, when you realize that you cannot stand who you are, and this deep spite has been the motivation behind your behavior for many years, your brain can’t quite deal with it. It will try very hard to avoid that realization; it will try, in a last-ditch effort to keep your remaining parts alive, to remake the rest of you. This is, I believe, different from the suicidal wish of those who are in so much pain that death feels like relief, different from the suicide I would later attempt, trying to escape that pain. This is a wish to murder yourself; the connotation of kill is too mild. This is a belief that you deserve slow torture, violent death.
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
Had I left some children behind somewhere in the world?
Edward Williams (Framed & Hunted: A True Story of Occult Persecution)
I want to throw up because we're supposed to quietly and politely make house in this killing machine called America and pay taxes to support our own slow murder and I'm amazed we're not running amok in the streets, and that we can still be capable of gestures of loving after lifetimes of all this.
David Wojnarowicz (Close to the Knives: A Memoir of Disintegration)
I have friends in the police, friends in the military, we can do anything you want.
Edward Williams (Framed & Hunted: A True Story of Occult Persecution)
Suicide is a form of murder— premeditated murder. It isn’t something you do the first time you think of doing it. It takes some getting used to. And you need the means, the opportunity, the motive. A successful suicide demands good organization and a cool head, both of which are usually incompatible with the suicidal state of mind. It’s important to cultivate detachment. One way to do this is to practice imagining yourself dead, or in the process of dying. If there’s a window, you must imagine your body falling out the window. If there’s a knife, you must imagine the knife piercing your skin. If there’s a train coming, you must imagine your torso flattened under its wheels. These exercises are necessary to achieving the proper distance. The debate was wearing me out. Once you've posed that question, it won't go away. I think many people kill themselves simply to stop the debate about whether they will or they won't. Anything I thought or did was immediately drawn into the debate. Made a stupid remark—why not kill myself? Missed the bus—better put an end to it all. Even the good got in there. I liked that movie—maybe I shouldn’t kill myself. In reality, it was only part of myself I wanted to kill: the part that wanted to kill herself, that dragged me into the suicide debate and made every window, kitchen implement, and subway station a rehearsal for tragedy.
Susanna Kaysen
It is only through literature that one can put oneself in someone else’s shoes and understand the other’s different and contradictory sides and refrain from becoming too ruthless. Outside the sphere of literature only one aspect of individuals is revealed. But if you understand their different dimensions you cannot easily murder them. . .
Azar Nafisi (Reading Lolita in Tehran: A Memoir in Books)
Today I want to puke when I hear the word 'radical' applied so slothfully and stupidly to Islamist murderers; the most plainly reactionary people in the world.
Christopher Hitchens (Hitch 22: A Memoir)
But yeah, like everyone else in our family, they could go from zero to murderous in a fucking heartbeat.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
When the Washington Post telephoned me at home on Valentine's Day 1989 to ask my opinion about the Ayatollah Khomeini's fatwah, I felt at once that here was something that completely committed me. It was, if I can phrase it like this, a matter of everything I hated versus everything I loved. In the hate column: dictatorship, religion, stupidity, demagogy, censorship, bullying, and intimidation. In the love column: literature, irony, humor, the individual, and the defense of free expression. Plus, of course, friendship—though I like to think that my reaction would have been the same if I hadn't known Salman at all. To re-state the premise of the argument again: the theocratic head of a foreign despotism offers money in his own name in order to suborn the murder of a civilian citizen of another country, for the offense of writing a work of fiction. No more root-and-branch challenge to the values of the Enlightenment (on the bicentennial of the fall of the Bastille) or to the First Amendment to the Constitution, could be imagined. President George H.W. Bush, when asked to comment, could only say grudgingly that, as far as he could see, no American interests were involved…
Christopher Hitchens (Hitch 22: A Memoir)
It is exactly the fear of revenge that motivates the deepest crimes, from the killing of the enemy's children lest they grow up to play their own part, to the erasure of the enemy's graveyards and holy places so that his hated name can be forgotten.
Christopher Hitchens (Hitch 22: A Memoir)
Do you want to live, Sander?
Edward Williams
It started to feel like this thing happening to me was an invisible wall between us, a barrier none of us wanted to acknowledge but that was continuously pushing us apart. I started to feel like an outsider even among my closest friends.
Edward Williams
When a lifeline comes, you don’t evaluate whether it’s the right one. You just grab for it, and hold on.
Alexandria Marzano-Lesnevich (The Fact of a Body: A Murder and a Memoir)
In the books I find the thrum of everything unsayable. The characters weep the way I want to, love the way I want to, cry, die, beat their breasts, and bray with life.
Alexandria Marzano-Lesnevich (The Fact of a Body: A Murder and a Memoir)
How awful we are all when we look at ourselves under a light, finally seeing our reflections+. How little we know about ourselves. How much forgivennes it must take to love a person , to choose not to see their flaws, or to see those flaws and love the person anyway. If you never forgive you'll always be alone.
Stephen Elliott (The Adderall Diaries: A Memoir of Moods, Masochism, and Murder)
Bhutto’s case was not a trial of murder, rather it was the overt murder of a trial -
Fatima Bhutto (Songs of Blood and Sword: A Daughter's Memoir)
The truth was simpler: It takes longer to type a sentence than it does to kill a man.
Patricia Evangelista (Some People Need Killing: A Memoir of Murder in My Country)
The attendance of that brother was now become like the attendance of a demon on some devoted being that had sold himself to destruction
James Hogg (The Private Memoirs and Confessions of a Justified Sinner)
But strangely, I am all right. The world I belong to now is the one in the books I read. When I am awake, I am reading.
Alexandria Marzano-Lesnevich (The Fact of a Body: A Murder and a Memoir)
Every November of my boyhood, we put on red poppies and attended highly patriotic services in remembrance of those who had 'given' their lives. But on what assurance did we know that these gifts had really been made? Only the survivors—the living—could attest to it. In order to know that a person had truly laid down his life for his friends, or comrades, one would have to hear it from his own lips, or at least have heard it promised in advance. And that presented another difficulty. Many brave and now dead soldiers had nonetheless been conscripts. The known martyrs—those who actually, voluntarily sought death and rejoiced in the fact—had been the kamikaze pilots, immolating themselves to propitiate a 'divine' emperor who looked (as Orwell once phrased it) like a monkey on a stick. Their Christian predecessors had endured torture and death (as well as inflicted it) in order to set up a theocracy. Their modern equivalents would be the suicide murderers, who mostly have the same aim in mind. About people who set out to lose their lives, then, there seems to hang an air of fanaticism: a gigantic sense of self-importance unattractively fused with a masochistic tendency to self-abnegation. Not wholesome. The better and more realistic test would therefore seem to be: In what cause, or on what principle, would you risk your life?
Christopher Hitchens (Hitch 22: A Memoir)
If the Palestinian people really wish to decide that they will battle to the very end to prevent partition or annexation of even an inch of their ancestral soil, then I have to concede that that is their right. I even think that a sixty-year rather botched experiment in marginal quasi-statehood is something that the Jewish people could consider abandoning. It represents barely an instant in our drawn-out and arduous history, and it's already been agreed even by the heirs of Ze'ev Jabotinsky that the whole scheme is unrealizable in 'Judaea and Samaria,' let alone in Gaza or Sinai. But it's flat-out intolerable to be solicited to endorse a side-by-side Palestinian homeland and then to discover that there are sinuous two-faced apologists explaining away the suicide-murder of Jewish civilians in Tel Aviv, a city which would be part of a Jewish state or community under any conceivable 'solution.' There's that word again...
Christopher Hitchens (Hitch 22: A Memoir)
Poor conversation, or even its lack, murders the finer machinations of the mind,
Nathaniel Ian Miller (The Memoirs of Stockholm Sven)
What I fell in love with about the law so many years ago was the way that in making a story, in making a neat narrative of events, it finds a beginning, and therefore cause. But I didn’t understand then that the law doesn’t find the beginning any more than it finds the truth. It creates a story. That story has a beginning. That story simplifies, and we call it truth.
Alexandria Marzano-Lesnevich (The Fact of a Body: A Murder and a Memoir)
I wanted to cheer him up, but it felt weird wanting to cheer up someone who was possibly depressed because they didn’t murder you correctly, and that’s when I thought, "This must be what love is. When you want to make it less difficult for someone to murder you.” And that’s when I realized that I was far too in love with him for my own good, and also that I probably needed therapy.
Jenny Lawson (Let's Pretend This Never Happened: A Mostly True Memoir)
I have come to believe that every family has its defining action, its defining belief. From childhood, I understood that my parents’ was this: Never look back.
Alexandria Marzano-Lesnevich (The Fact of a Body: A Murder and a Memoir)
So I try something new. Not turning my back to the past, not fleeing it, but extending a hand. I say to the past, come with me, then, as I live.
Alexandria Marzano-Lesnevich (The Fact of a Body: A Murder and a Memoir)
The law—with each side’s relentless pursuit of one story—has never known what to do with this complicated middle ground. But life is full of it.
Alexandria Marzano-Lesnevich (The Fact of a Body: A Murder and a Memoir)
For many years I paced around my cage, my dreams filled with murder and revenge. Until the day when the solution finally presented itself to me, like something that was completely obvious: Why not ensnare the hunter in his own trap, ambush him within the pages of a book?
Vanessa Springora (Consent: A Memoir)
Because I’m afraid of being . . . fun. People get beat up for being fun. They get murdered for being fun. They get laughed at and ridiculed. And ‘fun’ isn’t the word most people use to describe them.
Shaun David Hutchinson (Brave Face: A Memoir)
Slaughter dressed up in bureaucratese dulls the senses, and over time can anesthetize an entire population to the horror happening right where they live. Objective reality is winnowed away by each succeeding government report. The dead perish again, into nonexistence.
Patricia Evangelista (Some People Need Killing: A Memoir of Murder in My Country)
Nearly every person you will read about is deeply flawed. Some have tried to murder other people, and a few were successful. Some have abused their children, physically or emotionally. Many abused (and still abuse) drugs. But I love these people, even those to whom I avoid speaking for my own sanity. And if I leave you with the impression that there are bad people in my life, then I am sorry, both to you and to the people so portrayed. For there are no villains in this story. There's just a ragtag band of hillbillies struggling to find their way - both for their sake and, by the grace of God, for mine.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
What happened was a nightmarish reversal of normal circumstances: robbers and murderers acting as the police force, enjoying the full panoply of state power, their victims treated as criminals, proscribed and condemned to death in advance.
Sebastian Haffner (Defying Hitler: A Memoir)
It will be years before I understand the value of softness.
Alexandria Marzano-Lesnevich (The Fact of a Body: A Murder and a Memoir)
dragonflies circled me, the sun knifing off the brilliant blues and yellows of their bodies.
Alexandria Marzano-Lesnevich (The Fact of a Body: A Murder and a Memoir)
I remember a new heaviness in my body, but maybe that's the work of time and my looking back.
Alexandria Marzano-Lesnevich (The Fact of a Body: A Murder and a Memoir)
Anyhow, the criterion of common sense was never applicable to the history of the human race. Averroës, Kant, Socrates, Newton, Voltaire, could any of them have believed it possible that in the twentieth century the scourge of cities, the poisoner of lungs, the mass murderer and idol of millions would be a metal receptacle on wheels, and that people would actually prefer being crushed to death inside it during frantic weekends exoduses instead of staying, safe and sound, at home?
Stanisław Lem (The Futurological Congress: From the Memoirs of Ijon Tichy)
A number of months ago I read in the newspaper that there was a supreme court ruling which states that homosexuals in america have no constitutional rights against the government's invasion of their privacy. The paper states that homosexuality is traditionally condemned in america & only people who are heterosexual or married or who have families can expect those constitutional rights. There were no editorials. Nothing. Just flat cold type in the morning paper informing people of this. In most areas of the u.s.a it is possible to murder a man & when one is brought to trial, one has only to say that the victim was a queer & that he tried to touch you & the courts will set you free. When I read the newspaper article I felt something stirring in my hands; I felt a sensation like seeing oneself from miles above the earth or looking at one's reflection in a mirror through the wrong end of a telescope. Realizing that I have nothing left to lose in my actions I let my hands become weapons, my teeth become weapons, every bone & muscle & fiber & ounce of blood become weapons, & I feel prepared for the rest of my life.
David Wojnarowicz (Close to the Knives: A Memoir of Disintegration)
Rising up, rising down! History shambles on! What are we left with? A few half-shattered Greek stelae; Trotsky's eyeglasses; Gandhi's native-spun cloth, Cortes' pieces of solid gold (extorted from their original owner, Montezuma); a little heap of orange peels left on the table by the late Robespierre; John Brown's lengthily underlined letters; Lenin's bottles of invisible ink; one of Di Giovanni's suitcases, with an iron cylinder of gelignite and two glass tubes of acid inside; the Constitution of the Ku Klux Klan; a bruised ear (Napoleon pinched it with loving condescension)... And dead bodies, of course. (They sing about John Brown's body.) Memoirs, manifestoes, civil codes, trial proceedings, photographs, statues, weapons now aestheticized by that selfsame history - the sword of Frederick the Great, and God knows what else. Then dust blows out of fresh graves, and the orange peels go grey, sink, wither, rot away. Sooner or later, every murder becomes quaint. Charlemagne hanged four and a half thousand "rebels" in a single day, but he has achieved a storybook benevolence. And that's only natural: historiography begins after the orange has been sucked,; the peeler believes in the "great and beautiful things," or wants to believe; easy for us to believe likewise, since dust reduced truth and counterfeit to the same greyness - caveat emptor. But ends remain fresh, and means remain inexplicable. Rising up and rising down! And whom shall I save, and who is my enemy, and who is my neighbor?
William T. Vollmann
When the intention is to lie, numbers can make extraordinary liars.
Patricia Evangelista (Some People Need Killing: A Memoir of Murder in My Country)
Hit me again, and I'll report you to the authorities. Follow me to my bed one more time, and I swear to the gods, I'll search for the most painful way to murder you.
Kien Nguyen (The Unwanted: A Memoir of Childhood)
My job is to go to places where people die. I pack my bags, talk to the survivors, write my stories, then go home to wait for the next catastrophe. I don’t wait very long.
Patricia Evangelista (Some People Need Killing: A Memoir of Murder in My Country)
Maybe those who voted for death thought they had voted for a metaphor.
Patricia Evangelista (Some People Need Killing: A Memoir of Murder in My Country)
Tell me: How do you know that you won't be killed by a falling meteor? How do you know that you shut off the toaster oven this morning? That one of the seething millions of bacteria on your hands will not kill you? That your friends don't all secretly hate you? Do you have a religion? Do you have right religion? Are you sure? Are you a pedophile, a necrophiliac, a rapist? A murderer? How can you know that these tendencies do not dwell latent inside you, waiting for the right moment to evince themselves in the most horrific manner possible? How do you know that you are not a monster? How do you know that it isn't the end of the world?
Fletcher Wortmann (Triggered: A Memoir of Obsessive-Compulsive Disorder)
This is the logic I will never find an answer to, the way in my family a hurt will always be your hurt or my hurt, one to be set against the other and weighed, never the family’s hurt.
Alexandria Marzano-Lesnevich (The Fact of a Body: A Murder and a Memoir)
To the birds, I assume it must’ve been very much like accepting a ride from a stranger, only to get in the back of the van to find several murdered hikers who were being made into lamp shades. My
Jenny Lawson (Let's Pretend This Never Happened: A Mostly True Memoir)
At nineteen, I ought to have been in college along with the rest of my high school class, gaining fifteen pounds of knowledge and bursting the sweatpants of my ignorance. What else did people do there? Changed their names to Patchouli, became vegetarians, grew out their leg hair for the first time, got so caught up in their studies of ancient Greece that they murdered a farmer while worshipping the grape-god in the countryside.
Patricia Lockwood (Priestdaddy: A Memoir)
Over the course of the last decade, I have become vividly aware of a literally lethal challenge from the sort of people who deal in absolute certainty and believe themselves to be actuated and justified by a supreme authority. To have spent so long learning so relatively little, and then to be menaced in every aspect of my life by people who already know everything, and who have all the information they need… More depressing still, to see that in the face of this vicious assault so many of the best lack all conviction, hesitating to defend the society that makes their existence possible, while the worst are full to the brim and boiling over with murderous exaltation.
Christopher Hitchens (Hitch 22: A Memoir)
Such an act [testifying for an accused prison guard of the Shah's regime] can only be accomplished by someone who is engrossed in literature, has learned that every individual has different dimensions to his personality.... Those who judge must take all aspects of an individual's personality into account. It is only through literature that one can put oneself in someone else's shoes and understand the other's different and contradictory sides and refrain from becoming too ruthless. Outside the sphere of literature only one aspect of individuals is revealed. But if you understand their different dimensions you cannot easily murder them.... If we have learned this one lesson from Dr. A our society would have been in a much better shape today.
Azar Nafisi (Reading Lolita in Tehran: A Memoir in Books)
So, whenever the subject of Iraq came up, as it did keep on doing through the Clinton years, I had no excuse for not knowing the following things: I knew that its one-party, one-leader state machine was modeled on the precedents of both National Socialism and Stalinism, to say nothing of Al Capone. I knew that its police force was searching for psychopathic killers and sadistic serial murderers, not in order to arrest them but to employ them. I knew that its vast patrimony of oil wealth, far from being 'nationalized,' had been privatized for the use of one family, and was being squandered on hideous ostentation at home and militarism abroad. (Post-Kuwait inspections by the United Nations had uncovered a huge nuclear-reactor site that had not even been known about by the international community.) I had seen with my own eyes the evidence of a serious breach of the Genocide Convention on Iraqi soil, and I had also seen with my own eyes the evidence that it had been carried out in part with the use of weapons of mass destruction. I was, if you like, the prisoner of this knowledge. I certainly did not have the option of un-knowing it.
Christopher Hitchens (Hitch 22: A Memoir)
The boys’ attention frees me to feel loved. The boys are a threat. I don’t know how to recognize when love and hurt are mingled. It’s all I’ve known them to be. I can’t tell who’s safe and who’s not, can’t tell what safety even is. I only know I need someone to be. *
Alexandria Marzano-Lesnevich (The Fact of a Body: A Murder and a Memoir)
And not only our own particular past. For if we go on forgetting half of Europe’s history, some of what we know about mankind itself will be distorted. Every one of the twentieth-century’s mass tragedies was unique: the Gulag, the Holocaust, the Armenian massacre, the Nanking massacre, the Cultural Revolution, the Cambodian revolution, the Bosnian wars, among many others. Every one of these events had different historical, philosophical, and cultural origins, every one arose in particular local circumstances which will never be repeated. Only our ability to debase and destroy and dehumanize our fellow men has been—and will be—repeated again and again: our transformation of our neighbors into “enemies,” our reduction of our opponents to lice or vermin or poisonous weeds, our re-invention of our victims as lower, lesser, or evil beings, worthy only of incarceration or explusion or death. The more we are able to understand how different societies have transformed their neighbors and fellow citizens from people into objects, the more we know of the specific circumstances which led to each episode of mass torture and mass murder, the better we will understand the darker side of our own human nature. This book was not written “so that it will not happen again,” as the cliché would have it. This book was written because it almost certainly will happen again. Totalitarian philosophies have had, and will continue to have, a profound appeal to many millions of people. Destruction of the “objective enemy,” as Hannah Arendt once put it, remains a fundamental object of many dictatorships. We need to know why—and each story, each memoir, each document in the history of the Gulag is a piece of the puzzle, a part of the explanation. Without them, we will wake up one day and realize that we do not know who we are.
Anne Applebaum (Gulag)
The man at the center of this trial, endlessly discussed and debated, endlessly documented and dissected in what will turn out to be nearly thirty thousand pages of documents, will remain an enigma in this way. What you see in Ricky may depend more on who you are than on who he is.
Alexandria Marzano-Lesnevich (The Fact of a Body: A Murder and a Memoir)
Lyme disease is new then, barely known. The doctor hasn’t tested me for it. We can see only what we have a name for. Now he crouches in front of the table. His eyes are ice blue, too bright. “There is nothing wrong with you,” he says, and his voice is artificially high, like he is talking to a child. “Not physically. Sometimes, when a person’s very sad…” Something inside me rings. I hate him. I hate him instantly. Outside, in the parking lot,
Alexandria Marzano-Lesnevich (The Fact of a Body: A Murder and a Memoir)
What was unique about this crime, was that the perpetrator could suggest the victim experienced pleasure and people wouldn’t bat an eye. There’s no such thing as a good stabbing or bad stabbing, consensual murder or nonconsensual murder. In this crime, pain could be disguised and confused as pleasure.
Chanel Miller (Know My Name: A Memoir)
The feelings I thought I had left behind returned when, almost nineteen years later, the Islamic regime would once again turn against its students. This time it would open fire on those it had admitted to the universities, those who were its own children, the children of the revolution. Once more my students would go to the hospitals in search of the murdered bodies that where stolen by the guards and vigilantes and try to prevent them from stealing the wounded. I would like to know where Mr. Bahri is right now, at this moment, and to ask him: How did it all turn out, Mr. Bahri - was this your dream, your dream of the revolution? Who will pay for all those ghosts in my memories? Who will pay for the snapshots of the murdered and the executed that we hid in our shoes and closets as we moved on to other things? Tell me, Mr. Bahri-or, to use that odd expression of Gatsby's, Tell me, old sport- what shell we do with all this corpses on our hands?
Azar Nafisi (Reading Lolita in Tehran: A Memoir in Books)
A person can be angry and still feel shame. A person can burn with hate at his mama and still love her enough to want to be something that will make her proud.
Alexandria Marzano-Lesnevich (The Fact of a Body: A Murder and a Memoir)
The gap in our souls cannot be filled. The reminders are everywhere. They cannot be switched off.
David Bagby (Dance with the Devil: A Memoir of Murder and Loss)
Years later, I remember the waxy taste of the yellow paint, the papery taste of splintered wood, the sharp metallic of the graphite.
Alexandria Marzano-Lesnevich (The Fact of a Body: A Murder and a Memoir)
But is an act ever really only about itself? Does any element of this story occur in isolation? I
Alexandria Marzano-Lesnevich (The Fact of a Body: A Murder and a Memoir)
No words that I can recall, just primitive despair. No time. No thought. Just feeling. Walsh
David Bagby (Dance with the Devil: A Memoir of Murder and Loss)
Consistency is what we prize, and coherency, and reason, and to be true to our ideals so that they fit together into the neat puzzle of us.
Alexandria Marzano-Lesnevich (The Fact of a Body: A Murder and a Memoir)
Sitting shiva in the dark days of the past is not the act of mourning for lost time or happiness; it is willfully murdering the only chance we ever have to be happy—right now.
Randy Blythe (Dark Days: A Memoir)
ammend,
Michael Finkel (True Story: Murder, Memoir, Mea Culpa)
Having known my parents for a little over eleven years, I began to wonder why either of them ever had children. As an almost twelve-year-old, I was clear that this was not the normal pondering of a child. I began to have doubts that I was loved. I began to see a pattern of me being the one who always seemed to be in the way. I began to believe that I really was a burden. I was the problem.
Lockey Maisonneuve (A Girl Raised by Wolves: An inspiring memoir of one woman's journey through sex trafficking, cancer, murder and more.)
My father keeps the air-conditioning up high, and though I complain to him and to my mother, he either won’t listen or can’t believe me. And what he says makes sense: He is hot and I am hurting, but why should I think that my hurting should outweigh his hot? This is the logic I will never find an answer to, the way in my family a hurt will always be your hurt or my hurt, one to be set against the other and weighed, never the family’s hurt. Is what happens in a family the problem of the family, or the problem of the one most harmed by it? There is a cost to this kind of adversarial individualism.
Alexandria Marzano-Lesnevich (The Fact of a Body: A Murder and a Memoir)
But I look at the man on the screen, I feel my grandfather’s hands on me, and I know. Despite what I’ve trained for, despite what I’ve come here to work for, despite what I believe. I want Ricky to die.
Alexandria Marzano-Lesnevich (The Fact of a Body: A Murder and a Memoir)
There was but one problem before the public which could challenge his powers of analysis, and that was the singular disappearance of the favorite for the Wessex Cup, and the tragic murder of its trainer.
Arthur Conan Doyle (The Memoirs of Sherlock Holmes)
I can't think, I can't calm this murderous cauldron, my grand ideas of an hour ago seem absurd and pathetic, my life is in ruins and - worse still - ruinous; my body is uninhabitable. It is raging and weeping and full of destruction and wild energy gone amok. In the mirror I see a creature I don't know but must live with and share my mind with. I understand why Jekyll killed himself before Hyde had taken over completely.
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
For years I’d been afraid that if I came out, and anyone learned I’d been abused as a child, they would think that that was why I was gay. As if that had turned me gay. In my heart I knew that wasn’t it. The first time I slept with a woman, my chest opened up. I hadn’t known until that moment how closed it was. I’m gay because I love women, it’s as simple as that. But for so long the possibility that anyone might even think otherwise kept me hidden.
Alexandria Marzano-Lesnevich (The Fact of a Body: A Murder and a Memoir)
I was not surprised. Indeed, my only wonder was that he had not already been mixed up in this extraordinary case, which was the one topic of conversation through the length and breadth of England. For a whole day my companion had rambled about the room with his chin upon his chest and his brows knitted, charging and recharging his pipe with the strongest black tobacco, and absolutely deaf to any of my questions or remarks. Fresh editions of every paper had been sent up by our news agent, only to be glanced over and tossed down into a corner. Yet, silent as he was, I knew perfectly well what it was over which he was brooding. There was but one problem before the public which could challenge his powers of analysis, and that was the singular disappearance of the favorite for the Wessex Cup, and the tragic murder of its trainer. When, therefore, he suddenly announced his intention of setting out for the scene of the drama it was only what I had both expected and hoped for.
Arthur Conan Doyle (The Complete Adventures and Memoirs of Sherlock Holmes)
...it was becoming obvious that the war he had been anticipating, "in three to five years" might have already begun, as many wars do begin, he said, not with a major event reported in the news but with sufferings barely noticed: an unjust law, a murder, a peaceful protest march attacked by police. It begins, according to Leonel, with poverty endured by many and corruption benefiting the few, with crimes unpunished, a hardening of positions, the failure of peaceful means of appeal and redress.
Carolyn Forché (What You Have Heard Is True: A Memoir of Witness and Resistance)
Journalists are taught they are never the story. As it happened, the longer I was a journalist, the better it suited me to disappear behind the professional voice of an omniscient third person, belonging everywhere and nowhere, asking questions and answering none. Every conclusion I published was double-sourced, fact-checked, and hyperlinked. My name might have been below the headlines, but the stories I wrote belonged to other people in other places, families whose grief and pain were so massive that mine was irrelevant.
Patricia Evangelista (Some People Need Killing: A Memoir of Murder in My Country)
When her boy went missing the cops did the searching and while they searched only rumors reached her. All she could do was wait. When they found her baby’s body, she let Richard arrange the funeral. When they tried his killer, her name wasn’t on the case. The state’s was. Louisiana v. Ricky Langley. Like that was whom he’d harmed. At the trial the prosecutors told her where to sit, and she sat there. They practiced with her what to say, and she said it. Your own son dies and it becomes the community’s tragedy, as though it’s the system’s tragedy. Public.
Alexandria Marzano-Lesnevich (The Fact of a Body: A Murder and a Memoir)
Papaw’s distant cousin—also Jim Vance—married into the Hatfield family and joined a group of former Confederate soldiers and sympathizers called the Wildcats. When Cousin Jim murdered former Union soldier Asa Harmon McCoy, he kicked off one of the most famous family feuds in American history.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
As all this suggests our relationship with evidence is seldom purely a cognitive one. Vilifying menstruating women bolstering anti-Muslim stereotypes murdering innocent citizens of Salem plainly evidence is almost always invariably a political social and moral issue as well. To take a particularly stark example consider the case of Albert Speer minister of armaments and war production during the Third Reich close friend to Adolf Hitler and highest-ranking Nazi official to ever express remorse for his actions. In his memoir Inside the Third Reich Speer candidly addressed his failure to look for evidence of what was happening around him. "I did not query a friend who told him not to visit Auschwitz I did not query Himmler I did not query Hitler " he wrote. "I did not speak with personal friends. I did not investigate for I did not want to know what was happening there... for fear of discovering something which might have made me turn away from my course. I had closed my eyes." Judge William Stoughton of Salem Massachusetts became complicit in injustice and murder by accepting evidence that he should have ignored. Albert Speer became complicit by ignoring evidence he should have accepted. Together they show us some of the gravest possible consequences of mismanaging the data around us and the vital importance of learning to manage it better. It is possible to do this: like in the U.S. legal system we as individuals can develop a fairer and more consistent relationship to evidence over time. By indirection Speer himself shows us how to begin. I did not query he wrote. I did not speak. I did not investigate. I closed my eyes. This are sins of omission sins of passivity and they suggest correctly that if we want to improve our relationship with evidence we must take a more active role in how we think must in a sense take the reins of our own minds. To do this we must query and speak and investigate and open our eyes. Specifically and crucially we must learn to actively combat our inductive biases: to deliberately seek out evidence that challenges our beliefs and to take seriously such evidence when we come across it.
Kathryn Schulz (Being Wrong: Adventures in the Margin of Error)
Apart from the terror, the unsettling and depressing aspect of this first murderous declaration of intent was that it triggered a flood of arguments and discussions all over Germany, not about anti-Semitism but about the “Jewish question.” This is a trick the Nazis have since successfully repeated many times on other “questions” and in international affairs. By publicly threatening a person, an ethnic group, a nation, or a region with death and destruction, they provoke a general discussion not about their own existence, but about the right of their victims to exist. In this way that right is put in question.
Sebastian Haffner (Defying Hitler: A Memoir)
Here is Jason Quizon’s confession, his act of contrition. He was conned and allowed himself to be conned. He is disappointed, not in Duterte, but in himself. Jason regrets his vote. He regrets the fact that maybe ten more people voted for Duterte because he told them to vote for Duterte. For Jason, Rodrigo Duterte is a liar and “the most cowardly person to ever hold that position.” When Jason Quizon voted again, he did not vote for the Duterte daughter, or the Marcos son. He is still disappointed, not only in himself, but in his people too. When it comes to elections, he says, Filipinos are still fucking morons.
Patricia Evangelista (Some People Need Killing: A Memoir of Murder in My Country)
Religionists from pulpits and evangelical TV stations announced that this [AIDS] was all God’s punishment for the perverted vice of homosexuality, quite failing to explain why this vengeful deity had no interest in visiting plagues and agonized death upon child rapists, torturers, murderers, those who beat up old women for their pension money (or indeed those cheating, thieving, adulterous and hypocritical clerics and preachers who pop up on the news from time to time weeping their repentance), reserving this uniquely foul pestilence only for men who choose to go to bed with each other and addicts careless in the use of their syringes. What a strange divinity. Later he was to take his pleasure, as he still does, on horrifying numbers of women and very young girls raped in sub-Saharan Africa while transmitting his avenging wrath on the unborn children in their wombs. I should be interested to hear from the religious zealots why he is doing this and what kind of a kick he gets out of it.
Stephen Fry (More Fool Me (Memoir, #3))
My sisters and I stand on the deck, the shale tile cool against the soles of our feet - for a week it seems we never have to wear shoes - and take turns twirling, the matching turquoise silk skirts my mother bought us sliding coolly up our legs, our laughter flying out over the ocean. We are all light and happy and far, far away from home.
Alexandria Marzano-Lesnevich (The Fact of a Body: A Murder and a Memoir)
It’s repeated a lot, but it isn’t true. Most pedophiles, like most other people, weren’t molested. And there’s no indication that people who were molested become pedophiles. What is true is that among pedophiles, a greater percentage were molested than the percentage of people in general who were molested—but even then, it’s not a huge increase.
Alexandria Marzano-Lesnevich (The Fact of a Body: A Murder and a Memoir)
happened in the past. “But if you ever hear about it, don’t worry,” he said, his words a little slurred by drink. “Alexandria’s the only one who remembers it.” On the stairs, I froze. My family had always been silent about the abuse. But no one had ever implied that it hadn’t happened. My father kept talking. This moment that had changed everything inside me had changed nothing for him.
Alexandria Marzano-Lesnevich (The Fact of a Body: A Murder and a Memoir)
we are prisoners of the story we tell about ourselves, the story of the parents descended from poor immigrants who made it good and now have the Cadillacs and the beautiful, successful children and the most porch lights at Christmas. We are so determinedly fine it must be overwhelming for them to have a daughter who has suddenly shown up with the marks of all that is not fine so visibly on her.
Alexandria Marzano-Lesnevich (The Fact of a Body: A Murder and a Memoir)
Under the Iranian code, the worth of a woman’s life equals half of a man’s, a point that often leads to grotesque legal judgments that effectively punish the victims. In this instance, the judge ruled that the ‘blood money’ for the two men was worth more than the life of the murdered nine-year-old girl, and he demanded that her family come up with thousands of dollars to finance their executions.
Shirin Ebadi (Iran Awakening: A Memoir of Revolution and Hope)
Those who judge must take all aspects of an individual's personality into account. It is only through literature that one can put oneself in someone else's shoes and understand the other's different and contradictory sides and refrain from becoming too ruthless. Outside the sphere of literature only one aspect of individuals is revealed. But if you understand their different dimensions you cannot easily murder them…
Azar Nafisi (Reading Lolita in Tehran: A Memoir in Books)
I was enraged by these heinous acts of barbarism - enraged that people who called themselves Muslims could launch an unprovoked attack on Christians or foreigners, enraged that through their vile acts these terrorists were perverting our faith, which tells us that Christians are among the "people of the Book", that we should show discernment when fighting for the cause of God and not fight those who have not harmed us, that murder and suicide are grievous sins.
Pervez Musharraf (In the Line of Fire: A Memoir)
Like so much else, these years before the murder come down to what it always comes down to with Ricky: What do you see in him? Do you believe that he’s trying? Is his the story of a man who tries over and over again to get treatment, trying to change and take his changed self back into the world and live a new life, who tries and tries but is ultimately undone by the bulwark fact of who he is? Or is his the story of a man who leaves treatment over and over again, who never really tries but always runs?
Alexandria Marzano-Lesnevich (The Fact of a Body: A Murder and a Memoir)
He shook his head. “This situation, I know, is difficult to understand, but I believe it is as the poet says it is: ‘This place where you are right now, God circled on a map for you.’” “God means for us to be here, suffering?” “He does not mean for people to do terrible things. Soldiers kill and murder and do harm because they are evil. But God knows we have come to this place, that we have things to learn so we can grow as human beings, as spiritual creatures. It’s not enough to have all the things you wish for to make us comfortable. We must have much more.
Enjeela Ahmadi-Miller (The Broken Circle: A Memoir of Escaping Afghanistan)
One of the worst despots in my time in India was the Maharaja of Patiala. When a group of distinguished Indians once charged him with everything from rape to murder, Lord Irwin ordered an investigation – by a British official chosen by the Maharaja. The investigation was secret, and cleared the ruler. Shortly thereafter, the Maharaja withdrew his support for a self-governing India, and was immediately promoted by the King-Emperor to be an honorary lieutenant general in His Majesty's armed services. Though honorary, it was quite a high rank. ____footnote, Chapter 4
William L. Shirer (Gandhi: A Memoir)
In fact, some might argue that starting C-PTSD treatment by diving into the back of your closet and chasing out your scariest, most deeply buried skeleton is a terrible idea. You could find a murderous clown in the storm drain of your life, and he could start haunting your everyday existence. You could dig up something that triggers you badly and makes your symptoms worse or is so unpleasant to look at that you just quit therapy and never come back. That’s why many trauma therapists try to set up a strong framework of coping mechanisms before people launch into their foundational traumas.
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
I will confess that in the interest of narrative I secretly hoped I'd find a payload of southern gothic: deceit and scandal, alcoholism, domestic abuse, car crashes, bogeymen, clandestine affairs, dearly loved and disputed family land, abandonments, blow jobs, suicides, hidden addictions, the tragically early death of a beautiful bride, racial complications, vast sums of money made and lost, the return of a prodigal son, and maybe even bloody murder. If any of this stuff lay hidden in my family history, I had the distinct sense I'd find it in those twine-bound boxes in the attic. And I did: all of it and more.
Sally Mann (Hold Still: A Memoir with Photographs)
Once, we were artists. Pure! But we, all of us, we became a distraction, compromised for the sake of fame, comfort, the approval of strangers. We spend our lives pursuing something as empty as `relevance' and they use our fear of losing it to corral us. Dirty Malaysian money. Saudi money. We'll take it all. What went wrong? We sing and dance not to entertain but to distract people from the crushing gears of a capitalist machine that has no ideals save for greed and violence. And let's not kid ourselves, Hollywood is the best PR firm the gunmakers ever had. What a sick culture." "But what about artistic beauty?" asked Cameron Diaz. "When you can perceive beauty there's no excuse for serving ugliness. For aiding cons, inflaming desires, promising everything and delivering nothing. It doesn't matter what you put on TV because people are so frightened and lonely they'll watch it just to hear human voices and feel like they're not alone. They're so beaten down all they need is a soccer tournament every four years and they stay in their place. This is not a society. This is a system of soul-murder. And history will not be kind to us for our complicity, because we know better. The executives"—he nodded Maoishly to the Disney team —"they can say they were serving their god Mammon, but we artists can't. We're all East German playwrights now, complicit with the regime! And there will come a time of judgment. We're destroying the planet. This cannot last.
Jim Carrey (Memoirs and Misinformation)
First memory: a man at the back door is saying, I have real bad news, sweat is dripping off his face, Garbert's been shot, noise from my mother, I run to her room behind her, I'm jumping on the canopied bed while she cries, she's pulling out drawers looking for a handkerchief, Now, he's all right, the man say, they think, patting her shoulder, I'm jumping higher, I'm not allowed, they think he saved old man Mayes, the bed slats dislodge and the mattress collapses. My mother lunges for me. Many traveled to Reidsville for the event, but my family did not witness Willis Barnes's electrocution, From kindergarten through high school, Donette, the murderer's daughter, was in my class. We played together at recess. Sometimes she'd spit on me.
Frances Mayes (Under Magnolia: A Southern Memoir)
I realise now that the pain Kevin felt - that night, and for nearly eighteen months beforehand, since his suicide attempt - was no less real, no less urgent, than a heart attach, a stroke, a seizure. Than the sensation of running too hard or running too fast, keeling over, grasping for air. Wishing for something to fill your lungs - to rush in and then revive you - except nothing ever does, and maybe nothing ever can. It is unpleasant, of course, to sympathise with suicide. It is unpleasant to believe in a reality in which death is the only option. And it is problematic, certainly, to compare suicide to running, to cardiac arrest, to terminal cancer. But this is precisely the problem: There is no fair parallel that can be drawn between those who felt the dark pull of suicide and those who never have.
Amy E. Butcher (Visiting Hours: A Memoir of Friendship and Murder)
No decent person ought associate with murderers, by the same token any collaboration with that greatest of criminals—Nature—is inexcusable. Yet what is burial but collaboration through a game of hide-and-seek? The point being to dispose of the body, as accomplices are wont to do; on the tombstones various inconsequential things are written, save the only one that is material: for if people would but dare to look the truth in the eye, they would be carving there instead a couple of the more pungent profanities, addressed to Mother Nature, for it is she who got us into this. Meanwhile no one breathes a word, as if a murderer clever enough always to get away with it deserved, for that, some special consideration. Not “memento mori” but “Estote ultores,” onward to immortality, that should be the cry, even if it means parting with our traditional appearance. Such was the ontological testament of that eminent philosopher.
Stanisław Lem (The Star Diaries: Further Reminiscences of Ijon Tichy (From the Memoirs of Ijon Tichy Book 1))
That road to a remedy of Nigeria’s political problems will not come easily. The key, as I see it, lies in the manner in which the leadership of the country is selected. When I refer to leadership I am really talking about leaders at every level of government and sphere of society, from the local government council and governors right up to the presidency. What I am calling for is for Nigeria to develop a version of campaign election and campaign finance reform, so that the country can transform its political system from the grassroots level right through to the national party structures at the federal level. Nigerians will have to find a way to do away with the present system of godfatherism—an archaic, corrupt practice in which individuals with lots of money and time to spare (many of them half-baked, poorly educated thugs) sponsor their chosen candidates and push them right through to the desired political position, bribing, threatening, and, on occasion, murdering any opposition in the process.
Chinua Achebe (There Was a Country: A Memoir)
In his book, Nothing Ever Dies: Vietnam and the Memory of War, Viet Thanh Nguyen writes that immigrant communities like San Jose or Little Saigon in Orange County are examples of purposeful forgetting through the promise of capitalism: “The more wealth minorities amass, the more property they buy, the more clout they accumulate, and the more visible they become, the more other Americans will positively recognize and remember them. Belonging would substitute for longing; membership would make up for disremembering.” One literal example of this lies in the very existence of San Francisco’s Chinatown. Chinese immigrants in California had battled severe anti-Chinese sentiment in the late 1800s. In 1871, eighteen Chinese immigrants were murdered and lynched in Los Angeles. In 1877, an “anti-Coolie” mob burned and ransacked San Francisco’s Chinatown, and murdered four Chinese men. SF’s Chinatown was dealt its final blow during the 1906 earthquake, when San Francisco fire departments dedicated their resources to wealthier areas and dynamited Chinatown in order to stop the fire’s spread. When it came time to rebuild, a local businessman named Look Tin Eli hired T. Paterson Ross, a Scottish architect who had never been to China, to rebuild the neighborhood. Ross drew inspiration from centuries-old photographs of China and ancient religious motifs. Fancy restaurants were built with elaborate teak furniture and ivory carvings, complete with burlesque shows with beautiful Asian women that were later depicted in the musical Flower Drum Song. The idea was to create an exoticized “Oriental Disneyland” which would draw in tourists, elevating the image of Chinese people in America. It worked. Celebrities like Humphrey Bogart, Lauren Bacall, Ronald Reagan and Bing Crosby started frequenting Chinatown’s restaurants and nightclubs. People went from seeing Chinese people as coolies who stole jobs to fetishizing them as alluring, mysterious foreigners. We paid a price for this safety, though—somewhere along the way, Chinese Americans’ self-identity was colored by this fetishized view. San Francisco’s Chinatown was the only image of China I had growing up. I was surprised to learn, in my early twenties, that roofs in China were not, in fact, covered with thick green tiles and dragons. I felt betrayed—as if I was tricked into forgetting myself. Which is why Do asks his students to collect family histories from their parents, in an effort to remember. His methodology is a clever one. “I encourage them and say, look, if you tell your parents that this is an academic project, you have to do it or you’re going to fail my class—then they’re more likely to cooperate. But simultaneously, also know that there are certain things they won’t talk about. But nevertheless, you can fill in the gaps.” He’ll even teach his students to ask distanced questions such as “How many people were on your boat when you left Vietnam? How many made it?” If there were one hundred and fifty at the beginning of the journey and fifty at the end, students may never fully know the specifics of their parents’ trauma but they can infer shadows of the grief they must hold.
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)