Membrane Quotes

All morning I struggled with the sensation of stray wisps of one world seeping through the cracks of another. Do you know the feeling when you start reading a new book before the membrane of the last one has had time to close behind you? You leave the previous book with ideas and themes -- characters even -- caught in the fibers of your clothes, and when you open the new book, they are still with you.

I penetrated the outer cell membrane with a nanosyringe." "You poked it with a stick?" "No!" I said. "Well. Yes. But it was a scientific poke with a very scientific stick.

Now, there's one thing you might have noticed I don't complain about: politicians. Everybody complains about politicians. Everybody says they suck. Well, where do people think these politicians come from? They don't fall out of the sky. They don't pass through a membrane from another reality. They come from American parents and American families, American homes, American schools, American churches, American businesses and American universities, and they are elected by American citizens. This is the best we can do folks. This is what we have to offer. It's what our system produces: Garbage in, garbage out. If you have selfish, ignorant citizens, you're going to get selfish, ignorant leaders. Term limits ain't going to do any good; you're just going to end up with a brand new bunch of selfish, ignorant Americans. So, maybe, maybe, maybe, it's not the politicians who suck. Maybe something else sucks around here... like, the public. Yeah, the public sucks. There's a nice campaign slogan for somebody: 'The Public Sucks. F*ck Hope.

Gimme an S! A T! An O! A C! Followed by a K-H-O-L-M! What's it spell? HEAD FUCK. - Jane

Magic is hard on our world. Pulling it in is really violent and damaging. The more we use it, the more we stretch out the membrane between this world and the one we draw it in from. And the other side…' She looked at Maldonado and he nodded. 'Well, it’s toxic.

We fear discovering that we are more than we think we are. More than our parents/children/teachers think we are. We fear that we actually possess the talent that our still, small voice tells us. That we actually have the guts, the perseverance, the capacity. We fear that we truly can steer our ship, plant our flag, reach our Promised Land. We fear this because, if it’s true, then we become estranged from all we know. We pass through a membrane. We become monsters and monstrous.

She stands and moves within the invisible pentacle of her own virginity. She is an unbroken egg: she is a sealed vessel; she has inside her a magic space the entrance to which is shut tight with a plug of membrane; she is a closed system; she does not know how to shiver.

Do you know the feeling when you start reading a new book before the membrane of the last one has had time to close behind you? You leave the previous book with ideas and themes–characters even–caught in the fibers of your clothes, and when you open the new book, they are still with you

The desert and the ocean are realms of desolation on the surface. The desert is a place of bones, where the innards are turned out, to desiccate into dust. The ocean is a place of skin, rich outer membranes hiding thick juicy insides, laden with the soup of being. Inside out and outside in. These are worlds of things that implode or explode, and the only catalyst that determines the direction of eco-movement is the balance of water. Both worlds are deceptive, dangerous. Both, seething with hidden life. The only veil that stands between perception of what is underneath the desolate surface is your courage. Dare to breach the surface and sink.

After the front legs emerged, what looked like a quartered and bloodied cut of steak followed.  This piece of steak had rich and dark fur, wet with the mare’s internal membranes that covered the whole body, but it did not have the look of a horse at all.  And yet from the steak’s center came this pulsating heartbeat, as though its pace-setting qualities tried in vain to pull away or escape from its thoroughbred side.

For some people, getting pregnant is as easy as catching cold." And there certainly was an analogy there: Colds and babies were both caused by germs which loved nothing so much as a mucous membrane.

To live is to be vulnerable. A thin membrane of a soap bubble separates one from impenetrable hell. Ice on the road. The unlucky division of an aging cell. A child picks up a pill from the floor. Words stick to each other, line up, obedient to the great harmony of speech...

Devils are depicted with bats' wings and good angels with birds' wings, not because anyone holds that moral deterioration would be likely to turn feathers into membrane, but because most men like birds better than bats.

Stories have a tendency to seep across the shining membrane walls separating the universes. They whisper and flutter like the feathers of birds, from island to mainland and back again. They fall into dreams like rain.

It seemed as though he would never pull free, until he awoke one morning feeling kind of awkward, as though his hands had been lopped off by some Arabian sword during a routine druggie blackout, and in their place, pale and membranous hands that had been fit to his wrists by aliens that took him up while he slept and then brought him back down – all of it in an effort to help him move up to where he belonged in society.

The hardest thing about writing is getting in every day, breaking through the membrane.The second-hardest thing is getting out. Sometimes I sink down too deep and come up too fast. Afterward I feel wide open and skinless. The whole world feels moist and pliable.

What do you care?" I barked, and his grip tightened enough on my wrists that I knew my bones would snap with a little more pressure. "What do I care?" he breathed, wrath twisting his features. Wings - those membranous, glorious wings - flared from his back, crafted from the shadows behind him. "What do I care?" But before he could go on, his head snapped to the door, then back to my face. The wings vanished as quickly as they had appeared, and then his lips were crushing into mine. His tongue pried my mouth open, forcing himself into me, into the space where I could still taste Tamlin. I pushed and trashed, but he held firm, his tongue sweeping over the roof of my mouth, against my teeth, claiming me - The door was flung wide, and Amarantha's curved figure filled its space. Tamlin - Tamlin was beside her, his eyes slightly wide, shoulders tight as Rhys's lips still crushed mine. Amarantha laughed, and a mask of stone slammed down on Tamlin's face. void of feeling, void of anything vaguely like the Tamlin I'd been tangled up with moments before.

Moreover, I have boundary issues with men. Or maybe that’s not fair to say. To have issues with boundaries, one must have boundaries in the first place, right? But I disappear into the person I love. I am the permeable membrane. If I love you, you can have everything. You can have my time, my devotion, my ass, my money, my family, my dog, my dog’s money, my dog’s time—everything. If I love you, I will carry for you all your pain, I will assume for you all your debts (in every definition of the word), I will protect you from your own insecurity, I will project upon you all sorts of good qualities that you have never actually cultivated in yourself and I will buy Christmas presents for your entire family. I will give you the sun and the rain, and if they are not available, I will give you a sun check and a rain check. I will give you all this and more, until I get so exhausted and depleted that the only way I can recover my energy is by becoming infatuated with someone else. I do not relay these facts about myself with pride, but this is how it’s always been. Some time after I’d left my husband, I was at a party and a guy I barely knew said to me, “You know, you seem like a completely different person, now that you’re with this new boyfriend. You used to look like your husband, but now you look like David. You even dress like him and talk like him. You know how some people look like their dogs? I think maybe you always look like your men.

We are all connected. The living to the nonliving, as the nonliving to the living. All things in all directions in all times. It is only in the physical dimension that we have limitations. (The membrane between us is thinner than you think.)

I believe that mycelium is the neurological network of nature. Interlacing mosaics of mycelium infuse habitats with information-sharing membranes. These membranes are aware, react to change, and collectively have the long-term health of the host environment in mind. The mycelium stays in constant molecular communication with its environment, devising diverse enzymatic and chemical responses to complex challenges.

Magic is hard on our world. Pulling it in is really violent and damaging. The more we use it, the more we stretch out the membrane between this world and the one we draw it in from. And the other side…' She looked at Maldonado and he nodded. 'Well, it’s toxic.

Hell was a living place inside every membrane of flesh that temporarily passed itself off as human.

Colds and babies were both caused by germs which loved nothing so much as a mucous membrane.

Lost things. They claw through the membranes, attempting to summon our attention through an indecipherable mayday. Words tumble in helpless disorder. The dead speak. We have forgotten how to listen.

Keep awake, alive, new. Perform the paradox of being hard and yet soft. Survive without calcification of the tender membranes. Be a poet. Be alive.

To keep Velaris safe, to keep Mor and Amren and Cassian and Azriel and… Rhys safe. I said to Lucien, low and quiet and as vicious as the talons that formed at the tips of my fingers, as vicious as the wondrous weight between my shoulder blades, “When you spend so long trapped in darkness, Lucien, you find that the darkness begins to stare back.” A pulse of surprise, of wicked delight against my mental shields, at the dark, membranous wings I knew were now poking over my shoulders. Every icy kiss of rain sent jolts of cold through me. Sensitive—so sensitive, these Illryian wings. Lucien backed up a step. “What did you do to yourself?” I gave him a little smile. “The human girl you knew died Under the Mountain. I have no interest in spending immortality as a High Lord’s pet.” Lucien started shaking his head. “Feyre—” “Tell Tamlin,” I said, choking on his name, on the thought of what he’d done to Rhys, to his family, “if he sends anyone else into these lands, I will hunt each and every one of you down. And I will demonstrate exactly what the darkness taught me.” There was something like genuine pain on his face. I didn’t care. I just watched him, unyielding and cold and dark. The creature I might one day have become if I had stayed at the Spring Court, if I had remained broken for decades, centuries… until I learned to quietly direct those shards of pain outward, learned to savor the pain of others.

...the laws of physics, carefully constructed after thousands of years of experimentation, are nothing but the laws of harmony one can write down for strings and membranes. The laws of chemistry are the melodies that one can play on these strings. the universe is a symphony of strings. And the "Mind of God," which Einstein wrote eloquently about, is cosmic music resonating throughout hyperspace.

Moreover, I have boundary issues with men. Or maybe that's not fair to say. One must have boundaries in the first place, right? But I disappear into the person I love. I am the permeable membrane. If I love you, you can have everything. You can have my time, my devotion, my ass, my money, my family, my dog, my dog's money, my dog's time - everything. If I love you, I will carry for you all your pain, I will assume for you all your debts (in every definition of the word), I will protect you from your own insecurity, I will project upon you all sorts of good qualities that you have never actually cultivated in yourself and I will buy Christmas presents for your entire family. I will give you the sun and the rain, and if they are not available, I will give you a sun check and a rain check. I will give you all this and more, until I get so exhausted and depleted that the only way I can recover my energy is by becoming infatuated with someone else.

The membranes that separate us from insanity, from the fall, the monsters, are so thin. Only paper walls.

I'm floating inside my skin. I could go on floating like this for days. Right now, the real world with its heartbreak and disappointments is just a pulse against the protective membrane we've drunk ourselves into. It's somewhere outside us, waiting." A Great and Terrible Beauty, Page 141, by

I penetrated the outer cell membrane with a nanosyringe.” “You poked it with a stick?” “No!” I said. “Well. Yes. But it was a scientific poke with a very scientific stick.

Hell has ways of permeating heaven's membrane.

Hell has ways of permeating heaven’s membrane.

Why, you may ask, take on this unpleasant, frightening subject? Why stare into the sun? Why not follow the advice of the venerable dean of American psychiatry, Adolph Meyer, who, a century ago, cautioned psychiatrists, 'Don't scratch where it doesn't itch'? Why grapple with the most terrible, the darkest and most unchangeable aspect of life? ... Death, however, DOES itch. It itches all the time; it is always with us, scratching at some inner door, whirring softly, barely audibly, just under the membrane of consciousness.

Say the planet is born at midnight and it runs for one day. First there is nothing. Two hours are lost to lava and meteors. Life doesn’t show up until three or four a.m. Even then, it’s just the barest self-copying bits and pieces. From dawn to late morning—a million million years of branching—nothing more exists than lean and simple cells. Then there is everything. Something wild happens, not long after noon. One kind of simple cell enslaves a couple of others. Nuclei get membranes. Cells evolve organelles. What was once a solo campsite grows into a town. The day is two-thirds done when animals and plants part ways. And still life is only single cells. Dusk falls before compound life takes hold. Every large living thing is a latecomer, showing up after dark. Nine p.m. brings jellyfish and worms. Later that hour comes the breakout—backbones, cartilage, an explosion of body forms. From one instant to the next, countless new stems and twigs in the spreading crown burst open and run. Plants make it up on land just before ten. Then insects, who instantly take to the air. Moments later, tetrapods crawl up from the tidal muck, carrying around on their skin and in their guts whole worlds of earlier creatures. By eleven, dinosaurs have shot their bolt, leaving the mammals and birds in charge for an hour. Somewhere in that last sixty minutes, high up in the phylogenetic canopy, life grows aware. Creatures start to speculate. Animals start teaching their children about the past and the future. Animals learn to hold rituals. Anatomically modern man shows up four seconds before midnight. The first cave paintings appear three seconds later. And in a thousandth of a click of the second hand, life solves the mystery of DNA and starts to map the tree of life itself. By midnight, most of the globe is converted to row crops for the care and feeding of one species. And that’s when the tree of life becomes something else again. That’s when the giant trunk starts to teeter.

A pulse of surprise, of wicked delight against my mental shields, at the dark, membranous wings I knew were now poking over my shoulders. Every icy kiss of rain sent jolts of cold through me. Sensitive-so sensitive, these Illyrian wings. Lucien backed up at step. "What did you do to yourself?" I gave him a little smile. "The human girl you knew died Under the Mountain. I have no interest in spending immortality as a High Lord's pet

Touch is... one of the most ancient transactions, a defiance of the plasma membrane and the loneliness it brought.

How good it is when you have roast meat or suchlike foods before you, to impress on your mind that this is the dead body of a fish, this is the dead body of a bird or pig; and again, that the Falernian wine is the mere juice of grapes, and your purple edged robe simply the hair of a sheep soaked in shell-fish blood! And in sexual intercourse that it is no more than the friction of a membrane and a spurt of mucus ejected. How good these perceptions are at getting to the heart of the real thing and penetrating through it, so you can see it for what it is! This should be your practice throughout all your life: when things have such a plausible appearance, show them naked, see their shoddiness, strip away their own boastful account of themselves. Vanity is the greatest seducer of reason: when you are most convinced that your work is important, that is when you are most under its spell.

But what little I can get down into my pen of what is so vivid to my eyes, and not only to my eyes; also to some nervous fibre, or fanlike membrane in my species.

A cormorant broke the surface, like an improbable idea tearing the membrane between dreams and life.

For one thing, the river that flows ever onwards is also seeping sideways, irrigating the fields and land to one side and the other. It finds its way into wells and is drawn up to launder petticoats and be boiled for tea. It is sucked into root membranes, travels up cell by cell to the surface, is held in the leaves of watercress

...Having felt the piercing gash of grief and lived through it, having loved to the brink of brokenness, and having learned the difference between friendship and frivolity, one eventually takes a conscious step through the invisible membrane that separates hubris from humility...

More and more, she was experiencing a growing distance from her self-awareness. Her sense of Alice—what she knew and understood, what she liked and disliked, how she felt and perceived—was also like a soap bubble, ever higher in the sky and more difficult to identify, with nothing but the thinnest lipid membrane protecting it from popping into thinner air.

Outside the ship, the thin membrane of space-time rippled with the gravitational waves, like a placid lake surface disturbed by a night breeze. The judgment of death for both worlds spread across the cosmos at the speed of light.

The tension has worn us out. It is a deadly tension that feels as if a jagged knife blade is being scraped along the spine. Our legs won't function, our hands are trembling and our bodies are like thin membranes stretched over barely repressed madness, holding in what would otherwise be an unrestrained outburst of endless scream.s. We have no flesh, no muscle now

To make someone an icon is to make him an abstraction, and abstractions are incapable of vital communication with living people.10 10 One has only to spend a term trying to teach college literature to realize that the quickest way to kill an author's vitality for potential readers is to present that author ahead of his time as "great" or "classic." Because then the author becomes for the students like medicine or vegetables, something the authorities have declared "good for them" that they "ought to like," at which point the students' nictitating membranes come down, and everyone just goes through the requisite motions of criticism and paper-writing without feeling one real or relevant thing. It's like removing all oxygen from the room before trying to start a fire.

Do you know the feeling when you start reading a new book before the membrane of the last one has had time to close behind you? You leave the previous book with ideas and themes—characters even—caught in the fibers of your clothes, and when you open the new book, they are still with you.

The dark membrane contained also a dark fire of such horror that I was unable to perceive it properly. The horror buffeted the dark membrane with a massive impact of sounds and storms and sharp stones great and small.2 Whenever the noise arose it set in motion the layer of bright fire, winds and air, thus causing bolts of lightning to presage the sounds of thunder; for the fiery energy senses the first agitations of the thunder within it.

The vestibule door opens onto a June morning so fine and scrubbed Classira pauses at the threshold as she would at the edge of a pool, watching the turquoise water lapping at the tiles, the liquid nets of sun wavering in the blue depths. As if standing at the edge of a pool she delays for a moment the plunge, the quick membrane of chill, the plain shock of immersion.

Remarkably, Bichat was able to describe and name twenty-one membranes in the human body, including connective, muscle, and nerve tissue, before he died accidentally in 1802 after falling down the steps of his own hospital.

The more we realize that we are only separated by the membrane of our own limiting and dividing beliefs, the more sand we remove, ultimately uncovering the deep and direct roots between us. Only then is society truly united, when we realize we are a whole, composed of cohesive parts.

Do you realize the illicit sensuous delight I get from picking my nose? I always have, ever since I was a child. There are so many subtle variations of sensation. A delicate, pointed-nailed fifth finger can catch under dry scabs and flakes of mucous in the nostril and draw them out to be looked at, crumbled between fingers, and flicked to the floor in minute crusts. Or a heavier, determined forefinger can reach up and smear down-and-out the soft, resilient, elastic greenish-yellow smallish blobs of mucous, roll them round and jellylike between thumb and forefinger, and spread them on the undersurface of a desk or chair where they will harden into organic crusts. How many desks and chairs have I thus secretively befouled since childhood? Or sometimes there will be blood mingled with the mucous: in dry brown scabs, or bright sudden wet red on the finger that scraped too rudely the nasal membranes. God, what sexual satisfaction!

Hell has ways of permeating heaven's membrane.

We all behave like Maxwell’s demon. Organisms organize. In everyday experience lies the reason sober physicists across two centuries kept this cartoon fantasy alive. We sort the mail, build sand castles, solve jigsaw puzzles, separate wheat from chaff, rearrange chess pieces, collect stamps, alphabetize books, create symmetry, compose sonnets and sonatas, and put our rooms in order, and all this we do requires no great energy, as long as we can apply intelligence. We propagate structure (not just we humans but we who are alive). We disturb the tendency toward equilibrium. It would be absurd to attempt a thermodynamic accounting for such processes, but it is not absurd to say we are reducing entropy, piece by piece. Bit by bit. The original demon, discerning one molecules at a time, distinguishing fast from slow, and operating his little gateway, is sometimes described as “superintelligent,” but compared to a real organism it is an idiot savant. Not only do living things lessen the disorder in their environments; they are in themselves, their skeletons and their flesh, vesicles and membranes, shells and carapaces, leaves and blossoms, circulatory systems and metabolic pathways - miracles of pattern and structure. It sometimes seems as if curbing entropy is our quixotic purpose in the universe.

How did you do it? What killed it?” “I penetrated the outer cell membrane with a nanosyringe.” “You poked it with a stick?” “No!” I said. “Well. Yes. But it was a scientific poke with a very scientific stick.” “It took you two days to think of poking it with a stick.” “You…be quiet.

When you discover yourself lying on the ground, limp and unresisting, head in the dirt, and helpless, the earth seems to shift forward as a presence; hard, emphatic, not mere surface but a genuine force—there is no other word for it but presence. To keep in motion is to keep in time and to be stopped, stilled, is to be abruptly out of time, in another time-dimension perhaps, an alien one, where human language has no resonance. Nothing to be said about it expresses it, nothing touches it, it’s an absolute against which nothing human can be measured…Moving through space and time by way of your own volition you inhabit an interior consciousness, a hallucinatory consciousness, it might be said, so long as breath, heartbeat, the body’s autonomy hold; when motion is stopped you are jarred out of it. The interior is invaded by the exterior. The outside wants to come in, and only the self’s fragile membrane prevents it.

The hill, the river and the moon looked as they always had done, but he knew that some of his friends of earlier days must now lie in this graveyard where he was sitting. He felt that the river of his life had almost run its course to the sea and only a semi-transparent membrane separated him from his dear friends.

Yes, they know her. They touch her lips, gather her words, fly away with the message, disappear into the dark. Pass through the membrane that separates this world from the unseen world that lies just underneath it.

JAY: No really. Be secure. Pretend I'm a sperm cell. Here. I take the string out of the... hood of my sweatshirt, affix it to my behind for a tail, like so... LENORE: What in God's name are you doing? JAY: Pretend, Lenore. Be an ovum. Be strong. Let me hypothetically batter at you. Batter batter. Surrender to the unreal of the real interior. LENORE: Are you supposed to be a sperm, wriggling your sweatshirt-string like that? JAY: I can feel the strength of your membrane, Lenore.

The world was full of beauty. She wanted to grab hold of it and take it down into her bones. Yet always it seemed beyond her grasp. Sometimes only by a little, like now. The thinnest membrane. Usually, though, by miles. She couldn’t expect to be that kind of happy all the time. She knew that. But sometimes you could. Sometimes you should be allowed a tiny bit of joy that should stay with you for more than five minutes. That wasn’t too much to ask. To have a moment like this, and be able to hold on to it. To cross that membrane, and feel alive.

The self-organized bacterial membrane that is Gaia has constantly, over very long time lines, increased the complexity of its structure in order to stabilize itself and to more effectively deal with perturbations to the system.

Do you know the feeling when you start reading a new book before the membrane of the last one has had time to close behind you? You leave the previous book with ideas and themes – characters even – caught in the fibres of your clothes, and when you open the new book they are still with you.

Liquids require receptacles. This is the great problem of packaging, which every experienced chemist knows: and it was well known to God Almighty, who solved it brilliantly, as he is wont to, with cellular membranes- eggshells, the multiple peel of oranges, and our own skin, because after all we too are liquids. Now, at that time, there did not exist polyethylene, which would have suited me perfectly since it is flexible, light, and splendidly impermeable: but it is also a bit too incorruptible, and not by chance God Almighty himself, although he is a master of polymerization, abstained from patenting it: He does not like incorruptible things.

A really good blowjob is like making a cake, the gathering of ingredients, the mixing and stirring, the slow baking in the warm oven of your mouth. Timing is everything. So is the variety of flicks, licks, nicks and kisses that culminate with gentle persistent pressure on the frenulum, a membrane on the underside of the penis that connects the head to the shaft.

I'm going in,' Azriel said. 'No,' Rhys snapped. But Azriel was spreading his wings, the sunlight so stark on the new, slashing scars down the membrane. 'Chain me to a tree, Rhys,' Azriel said softly. 'Go ahead.' He began checking the buckles on his weapons. 'I'll rip it out of the ground and fly with it on my damned back.

Fungi are equipped with different kinds of bodies. They don’t have noses or brains. Instead, their entire surface behaves like an olfactory epithelium. A mycelial network is one large chemically sensitive membrane: A molecule can bind to a receptor anywhere on its surface and trigger a signaling cascade that alters fungal behavior.

There are boundaries in nature. There are rivers, forests, escarpments, ravines and mountain ranges; there are cellulose walls. But these boundaries are in fact areas of transaction, semi-permeable membranes. The notion that a perimeter should be impenetrable is a human contrivance alone.

it is illusion to think that there is anything fragile about the life of the earth; surely this is the toughest membrane imaginable in the universe, opaque to probability, impermeable to death. We are the delicate part, transient and vulnerable as cilia. Nor is it a new thing for Man to invent an existence that he imagines to be above the rest of life; this has been his most consistent intellectual exertion down the millennia. As illusion, it has never worked out to his satisfaction in the past, any more than it does today.

He slept and in his sleep he saw his friends again and they were coming downriver on muddy floodwaters, Hoghead and the City Mouse and J-Bone and Bearhunter and Bucket and Boneyard and J D Davis and Earl Solomon, all watching him where he stood on the shore. They turned gently in their rubber bullboat, bobbing slightly on the broad and ropy waters, their feet impinging in the floor of the thing with membraneous yellow tracks. They glided past somberly. Out of a lightless dawn receding, past the pale daystar. A fog more obscure closed away their figures gone a sadder way by psychic seas across the Tarn of Acheron. From a rock in the river he waved them farewell but they did not wave back.

Music, this complex and mysterious act, precise as algebra and vague as a dream, this art made out of mathematics and air, is simply the result of the strange properties of a little membrane. If that membrane did not exist, sound would not exist either, since in itself it is merely vibration. Would we be able to detect music without the ear? Of course not. Well, we are surrounded by things whose existence we never suspect, because we lack the organs that would reveal them to us. [Was He Mad?]

I want you. There was a time when I may have been able to express the sentiment less crudely, yet it is too late now. I no longer understand how to quiver modestly, how to hide sweet, delicate blushes. Now I am wracked with convulsions, burned by the fires of hell. If I am a virgin, it is only in the most trivial, membranous sense of the word. Please, make my damnation official. I ask only that you rid me of this technicality.

There are webs of complexity that tie everything together, and they are more numerous than the stars in the night sky. At the moment of self-organization of the bacterial membrane, complex feedback loops, both interoceptive and exteroceptive, immediately formed. Information from both locations began traveling in a huge, never-ending river composed of trillions upon trillions of bytes of data to the self-organized, more-than-the-sum-of-the-parts living system that had come into being. The system began, in that instant of self-organization, to modulate both its interior and exterior worlds in order to maintain its state. It began to modulate its environment.

I stand on the corner of the block slinging amethyst rocks. Drinkin 40’s of mother earth’s private nectar stock. Dodgin cops. ’Cause Five-O be the 666 and I need a fix of that purple rain. The type of shit that drives membranes insane. Oh yeah, I’m in the fast lane. Snorting candy yams. That free my body and soul and send me like Shazaam! Never question who I am. God knows. And I know God, personally. In fact, he lets me call him me. I be one with rain and stars and things, with dancing feet and watermelon wings. I bring the sunshine and the moon. And wind blows my tune.

It was she made me acquainted with love. She went by the peaceful name of Ruth I think, but I can't say for certain. Perhaps the name was Edith. She had a hole between her legs, oh not the bunghole I had always imagined, but a slit, and in this I put, or rather she put, my so-called virile member, not without difficulty, and I toiled and moiled until I discharged or gave up trying or was begged by her to stop. A mug's game in my opinion and tiring on top of that, in the long run. But I lent myself to it with a good enough grace, knowing it was love, for she had told me so. She bent over the couch, because of her rheumatism, and in I went from behind. It was the only position she could bear, because of her lumbago. It seemed all right to me, for I had seen dogs, and I was astonished when she confided that you could go about it differently. I wonder what she meant exactly. Perhaps after all she put me in her rectum. A matter of complete indifference to me, I needn't tell you. But is it true love, in the rectum? That's what bothers me sometimes. Have I never known true love, after all? She too was an eminently flat woman and she moved with short stiff steps, leaning on an ebony stick. Perhaps she too was a man, yet another of them. But in that case surely our testicles would have collided, while we writhed. Perhaps she held hers tight in her hand, on purpose to avoid it. She favoured voluminous tempestuous shifts and petticoats and other undergarments whose names I forget. They welled up all frothing and swishing and then, congress achieved, broke over us in slow cascades. And all I could see was her taut yellow nape which every now and then I set my teeth in, forgetting I had none, such is the power of instinct. We met in a rubbish dump, unlike any other, and yet they are all alike, rubbish dumps. I don't know what she was doing there. I was limply poking about in the garbage saying probably, for at that age I must still have been capable of general ideas, This is life. She had no time to lose, I had nothing to lose, I would have made love with a goat, to know what love was. She had a dainty flat, no, not dainty, it made you want to lie down in a corner and never get up again. I liked it. It was full of dainty furniture, under our desperate strokes the couch moved forward on its castors, the whole place fell about our ears, it was pandemonium. Our commerce was not without tenderness, with trembling hands she cut my toe-nails and I rubbed her rump with winter cream. This idyll was of short duration. Poor Edith, I hastened her end perhaps. Anyway it was she who started it, in the rubbish dump, when she laid her hand upon my fly. More precisely, I was bent double over a heap of muck, in the hope of finding something to disgust me for ever with eating, when she, undertaking me from behind, thrust her stick between my legs and began to titillate my privates. She gave me money after each session, to me who would have consented to know love, and probe it to the bottom, without charge. But she was an idealist. I would have preferred it seems to me an orifice less arid and roomy, that would have given me a higher opinion of love it seems to me. However. Twixt finger and thumb tis heaven in comparison. But love is no doubt above such contingencies. And not when you are comfortable, but when your frantic member casts about for a rubbing-place, and the unction of a little mucous membrane, and meeting with none does not beat in retreat, but retains its tumefaction, it is then no doubt that true love comes to pass, and wings away, high above the tight fit and the loose.

A cell has a nucleus and some other parts like membranes, plasmas and other stuff. Its energy is made up of protons, neurons and electrons. Genetic scientists, however, have discovered that the majority of a cell is made up of something unknown. Something akin to space filled with electromagnetic fibers of light. The human body is made up of some 37 trillion cells. What do you think you are made of? Who do you think you are?

The routine produces. But each day, nevertheless, when you try to get started you have to transmogrify, transpose yourself; you have to go through some kind of change from being a normal human being, into becoming some kind of slave. I simply don’t want to break through that membrane. I’d do anything to avoid it. You have to get there and you don’t want to go there because there’s so much pressure and so much strain and you just want to stay on the outside and be yourself. And so the day is a constant struggle to get going. And if somebody says to me, You’re a prolific writer—it seems so odd. It’s like the difference between geological time and human time. On a certain scale, it does look like I do a lot. But that’s my day, all day long, sitting there wondering when I’m going to be able to get started. And the routine of doing this six days a week puts a little drop in a bucket each day, and that’s the key. Because if you put a drop in a bucket every day, after three hundred and sixty-five days, the bucket’s going to have some water in it. http://is.gd/ouArv5

Anyway, I'm afraid to ask about Reed, where he is, because I'm afraid I can't handle the answer. The way people come and go in your life, where they're present and alive one minute, and missing or dead the next, is an idea that's too big for me to grasp. Life just seems way too fragile all of a sudden, and everybody seems to take it so lightly, as if they think we're all made like army tanks, big and strong and able to roll over anything in our way. And it's not just our bodies that are fragile; our minds are even more so. I don't know what fine membrane separates sanity from insanity, but after watching my dad slip-sliding around on the border between the two all my life, I know how easy it is to cross, and this scares me. This scares me to death. I've just been wondering, what if I had had the switchblade in my hand? What if Reed had dared me and I was the one with the switchblade? Maybe I would have used it. Then I'd be the one missing. It could have been me. I could have been Reed. Reed is me and I am Reed is Dad is Reed is me.

Because cells are surrounded with a lipid membrane, essential oils are attracted to and able to penetrate the cell membrane to deliver nutrients to the cell nucleus.[103],[104],[105],[106],[107] This suggests that essential oils can affect cell function and behavior, thus influencing overall well-being. At the same time, the aroma of the essential oil that is inhaled travels to the limbic system where a cascade of psychophysiological effects is triggered in response.

One of the few things left in the world, aside from the world itself, that sadden me every day is an awareness that you get upset if Boo Boo or Walt tells you you're saying something that sounds like me. You sort of take it as an accusation of piracy, a little slam at your individuality. Is it so bad that we sometimes sound like each other? The membrane is so thin between us. Is it so important for us to keep in mind which is whose... For us, doesn't each of our individualities begin right at the point where we own up to our extremely close connections and accept the inevitability of borrowing one another's jokes, talents, idiocies?

Sometimes she wondered if she should even be living in this world. Not that she wanted to die. It was just that maybe she was better suited to another space, another world: a misfit peach, unsatisfied with its home tree and dreaming of growing on a different tree.

She began to sing, but I could not make out the words. It must have been a love song, to judge from the slightly pained expression on her face, and the way she tightly gripped the microphone. I noticed a flash of white skin on her neck. As she reached the climax of the song, her eyes half closed and her shoulders thrown back, a shudder passed through her body. She moved her arm across her chest to cradle her heart, as though consoling it, afraid it might burst. I wondered what would happen if I held her tight in my arms, in a lovers’ embrace, melting into one another, bone on bone… her heart would be crushed. The membrane would split, the veins tear free, the heart itself explode into bits of flesh, and then my desire would contain hers - it was all so painful and yet so utterly beautiful to imagine.

A tree inhales and stills air’s fibrillating breath, holding it in wood, like a kami. Each year’s growth rings jackets the previous, capturing in layered derma precise molecular signatures of the atmosphere timbered memories. Wood emerges from relationship with air, catalyzed by the flash of electrons through membranes. Atmosphere and plant make each other; plant as temporary crystallization of carbon, air as product of 400 million years of forest breath. Neither tree nor air has a narrative, a telos of its own, for neither is its own.

Similarly deadly to small wriggling cells, if a bit more quackish, is vanadium, element twenty-three, which also has a curious side effect in males: vanadium is the best spermicide ever devised. Most spermicides dissolve the fatty membrane that surrounds sperm cells, spilling their guts all over. Unfortunately, all cells have fatty membranes, so spermicides often irritate the lining of the vagina and make women susceptible to yeast infections. Not fun. Vanadium eschews any messy dissolving and simply cracks the crankshaft on the sperm’s tails. The tails then snap off, leaving

I had always believed that the very best food contains something elementally repugnant. That its innate grotesquerie is what makes it so perversely alluring. My own favorite foods tended toward a certain sludgy, muddy texture. And from the most expensive and genteel through to the indulgently crass, the appeal of slop abides: caviar, escargots, foie gras or hamburgers, kebabs, macaroni and cheese. Even vegetable soup forms a membrane. Apples begin rotting from the very first bite. No matter which end of the spectrum, there lies fundamentally and yet delectably disgusting, some squirmy, sinewy, oozing, greasy, sticky, glutinous, mushy, fatty, chewy, viscous thing that compels. The line between pleasure and revulsion can seem so very thin, if it even exists at all.

There are eight worlds, the first one said. They lie side by side, in degrees of perfection. This world is the most perfect one. Below these lines, written in a different ink, was: There is one single world, divided into three levels which are partitioned off from each other by greased membranes. Then in red ink: There are two worlds and they overlap. The first is the land of Day, which belongs to the humans. The second is the land of Twilight, which belongs to the free folk, and of which the woods is a little backwater part. Both lands must obey Time, but the Twilight is ruled by the Heart, whereas the Day is ruled by Thought. At the bottom of the page, large block letters proclaimed: ALL OF THIS IS TRUE.

Stolen Moments What happened, happened once. So now it’s best in memory—an orange he sliced: the skin unbroken, then the knife, the chilled wedge lifted to my mouth, his mouth, the thin membrane between us, the exquisite orange, tongue, orange, my nakedness and his, the way he pushed me up against the fridge— Now I get to feel his hands again, the kiss that didn’t last, but sent some neural twin flashing wildly through the cortex. Love’s merciless, the way it travels in and keeps emitting light. Beside the stove we ate an orange. And there were purple flowers on the table. And we still had hours. Kim Addonizio, What Is This Thing Called Love: Poems. (W. W. Norton & Company; unknown edition, August 17, 2005)

Let me be the first to say that I know the name for everything and if I don’t I’ll make them up: dukkha, naufragio, talinhaga. Just like the young whose hearts give no shame, I love the excesses of beauty, there is never enough sunlight in the world I will live in, never enough room for love. I fear none of us will last long enough to prove what I’ve always suspected, that the sky is a membrane in an angel’s skull, trees talk to each other at night, ice is water in a state of silence, the embryo listens to everything we say. I am afraid for the child skipping rope on the corner of my street, the girl on the train with flowers in her hair, the man whose memory is entirely in Spanish. I am more afraid of losing consciousness when I go to sleep, or that in my sleep I will grow old and forget how desire once drove me mad with wakefulness. Just like the perfect seasons they will die and I will die and you will die also; no one knows who will go first, and this is the source of all my grief.

Consider the genesis of a single-celled embryo produced by the fertilization of an egg by a sperm. The genetic material of this embryo comes from two sources: paternal genes (from sperm) and maternal genes (from eggs). But the cellular material of the embryo comes exclusively from the egg; the sperm is no more than a glorified delivery vehicle for male DNA—a genome equipped with a hyperactive tail. Aside from proteins, ribosomes, nutrients, and membranes, the egg also supplies the embryo with specialized structures called mitochondria. These mitochondria are the energy-producing factories of the cell; they are so anatomically discrete and so specialized in their function that cell biologists call them “organelles”—i.e., mini-organs resident within cells. Mitochondria, recall, carry a small, independent genome that resides within the mitochondrion itself—not in the cell’s nucleus, where the twenty-three pairs of chromosomes (and the 21,000-odd human genes) can be found. The exclusively female origin of all the mitochondria in an embryo has an important consequence. All humans—male or female—must have inherited their mitochondria from their mothers, who inherited their mitochondria from their mothers, and so forth, in an unbroken line of female ancestry stretching indefinitely into the past. (A woman also carries the mitochondrial genomes of all her future descendants in her cells; ironically, if there is such a thing as a “homunculus,” then it is exclusively female in origin—technically, a “femunculus”?) Now imagine an ancient tribe of two hundred women, each of whom bears one child. If the child happens to be a daughter, the woman dutifully passes her mitochondria to the next generation, and, through her daughter’s daughter, to a third generation. But if she has only a son and no daughter, the woman’s mitochondrial lineage wanders into a genetic blind alley and becomes extinct (since sperm do not pass their mitochondria to the embryo, sons cannot pass their mitochondrial genomes to their children). Over the course of the tribe’s evolution, tens of thousands of such mitochondrial lineages will land on lineal dead ends by chance, and be snuffed out. And here is the crux: if the founding population of a species is small enough, and if enough time has passed, the number of surviving maternal lineages will keep shrinking, and shrinking further, until only a few are left. If half of the two hundred women in our tribe have sons, and only sons, then one hundred mitochondrial lineages will dash against the glass pane of male-only heredity and vanish in the next generation. Another half will dead-end into male children in the second generation, and so forth. By the end of several generations, all the descendants of the tribe, male or female, might track their mitochondrial ancestry to just a few women. For modern humans, that number has reached one: each of us can trace our mitochondrial lineage to a single human female who existed in Africa about two hundred thousand years ago. She is the common mother of our species. We do not know what she looked like, although her closest modern-day relatives are women of the San tribe from Botswana or Namibia. I find the idea of such a founding mother endlessly mesmerizing. In human genetics, she is known by a beautiful name—Mitochondrial Eve.

fields and land to one side and the other. It finds its way into wells and is drawn up to launder petticoats and be boiled for tea. It is sucked into root membranes, travels up cell by cell to the surface, is held in the leaves of watercress that find themselves in the soup bowls and on the cheeseboards of the county’s diners. From teapot or soup dish, it passes into mouths, irrigates complex internal biological networks that are worlds in themselves, before returning eventually to the earth via a chamber pot. Elsewhere the river water clings to the leaves of the willows that droop to touch its surface and then, when the sun comes up, a droplet appears to vanish into the air, where it travels invisibly and might join a cloud, a vast floating lake, until it falls again as rain. This is the unmappable journey of the Thames.

The wall that separates insiders from outsiders is not born of human nature but methodically built, brick by brick, by tribal convention. The "wall" about which I will often speak in this book is not an organism or a membranous extension of some inborn aspect of "human nature". It is a mechanistic process-a barrier meticulously constructed by erratic community decrees as a means of identifying those who are part of the group and marking those who are not. It is not difficult to imagine the chauvinism that require a community to mark its territories and distinguish its members from its enemies. It is far more difficult to understand the kind of "outsiders" who are the subjects of this book-those who are part of the group and yet are rejected by their peers and cast into a terrible internal exile. It is an exile called "alienation".

I was once, I remember, called to a patient who had received a violent contusion in his tibia, by which the exterior cutis was lacerated, so that there was a profuse sanguinary discharge; and the interior membranes were so divellicated, that the os or bone very plainly appeared through the aperture of the vulnus or wound. Some febrile symptoms intervening at the same time (for the pulse was exuberant and indicated much phlebotomy), I apprehended an immediate mortification. To prevent which, I presently made a large orifice in the vein of the left arm, whence I drew twenty ounces of blood; which I expected to have found extremely sizy and glutinous, or indeed coagulated, as it is in pleuretic complaints; but, to my surprize, it appeared rosy and florid, and its consistency differed little from the blood of those in perfect health. I then applied a fomentation to the part, which highly answered the intention;

and only much later, when Mascha wanted a child, did I realize that love is a deadly poison, a vice, a vice that one wants to see shared, & that if one of the two involved is smitten, the other is often no more than a passive participant, or vixxtim, or possessed. And Moravagine was possessed. Love is masochistic. These cries & complaints, these sweet alarms. this anguished state of lovers, this suspense, this latent pain that is just below the surface, almost unexpressed, these thousand & one anxieties over the loved one's absence, this feeling of time rushing by, this touchiness, these fits of temper, these long daydreams, this childish fickleness of behavior, this moral torture where vanity & self-esteem, or perhaps honor, upbringing & modesty are at stake, these highs & lows in the nervous tone, these leaps of imagination, this fetishism, this cruel precision of senses, whipping & probing, the collapse, the prostration, the abdication, the self-abasement, the perpetual loss & recovery of one's personality, these stammered words & phrases, these pet-names, this intimacy, these hesitations in physical contact, these epileptic tremors, these successive & even more frequent relapses, this more & more turbulent & stormy passion with its ravages progressing to the point of complete inhibition & annihilation of the soul, the debility of the senses, the exhaustion of the marrow, the erasure of the brain & even the desiccation of the heart, this yearning for ruin, for destruction, for mutilation, this need of effusiveness, of adoration, of mysticism, this insatiability which expresses itself in hyper-irritability of the of mucus membranes, in errant taste, in vasomotor or peripheral disorders, & which conjures up jealousy & vengeance, crimes, prevarications & treacheries, this idolatry, this incurable melancholy, this apathy, this profound moral misery, this definitive & harrowing doubt, this despair--are not all these stigmata the very symptoms of love in which we can first diagnose, then trace with a sure hand, the clinical curve of masochism?

If this is hard to understand from a map, the rest is harder. For one thing, the river that flows ever onwards is also seeping sideways, irrigating the fields and land to one side and the other. It finds its way into wells and is drawn up to launder petticoats and be boiled for tea. It is sucked into root membranes, travels up cell by cell to the surface, is held in the leaves of watercress that find themselves in the soup bowls and on the cheeseboards of the county’s diners. From teapot or soup dish, it passes into mouths, irrigates complex internal biological networks that are worlds in themselves, before returning eventually to the earth via a chamber pot. Elsewhere the river water clings to the leaves of the willows that droop to touch its surface and then, when the sun comes up, a droplet appears to vanish into the air, where it travels invisibly and might join a cloud, a vast floating lake, until it falls again as rain. This is the unmappable journey of the Thames. And there is more: what we see on a map is only the half of it. A river no more begins at its source than a story begins with the first page.

The more south we were, the more deep a sky it seemed, till, in the Valley of Mexico, I thought it held back an element too strong for life, and that the flamy brilliance of blue stood off this menace and sometimes, like a sheath or silk membrane, shoed the weight it held in sags. So when later he would fly high over the old craters on the plain, coaly bubbles of the underworld, dangerous red everywhere from the sun, and then coats of snow on the peak of the cones—gliding like a Satan—well, it was here the old priests, before the Spaniards, waited for Aldebaran to come into the middle of heaven to tell them whether or not life would go on for another cycle, and when they received their astronomical sign built their new fire inside the split and emptied chest of a human sacrifice. And also, hereabouts, worshipers disguised as gods and as gods in the disguise of birds, jumped from platforms fixed on long poles, and glided as they spun by the ropes—feathered serpents, and eagles too, the voladores, or fliers. There still are such plummeters, in market places, as there seem to be remnants or conversions or equivalents of all the old things. Instead of racks or pyramids of skulls still in their hair and raining down scraps of flesh there are corpses of dogs, rats, horses, asses, by the roads; the bones dug out of the rented graves are thrown on a pile when the lease is up; and there are the coffins looking like such a rough joke on the female form, sold in the open shops, black, white, gray, and in all sizes, with their heavy death fringes daubed in Sapolio silver on the black. Beggars in dog voices on the church steps enact the last feebleness for you with ancient Church Spanish, and show their old flails of stump and their sores. The burden carriers with the long lines, hemp lines they wind over their foreheads to hold the loads on their backs, lie in the garbage at siesta and give themselves the same exhibited neglect the dead are shown. Which is all to emphasize how openly death is received everywhere, in the beauty of the place, and how it is acknowledged that anyone may be roughly handled—the proudest—pinched, slapped, and set down, thrown down; for death throws even worse in men’s faces and makes it horrible and absurd that one never touched should be roughly dumped under, dumped upon.

The eyes have been used to signify a perverse capacity - honed to perfection in the history of science tied to militarism, capitalism, colonialism, and male supremacy - to distance the knowing subject from everybody and everything in the interests of unfettered power. The instruments of visualization in multinationalist, postmodernist culture have compounded these meanings of dis-embodiment. The visualizing technologies are without apparent limit; the eye of any ordinary primate like us can be endlessly enhanced by sonography systems, magnetic resonance imaging, artificial intelligence-linked graphic manipulation systems, scanning electron microscopes, computer-aided tomography scanners, colour enhancement techniques, satellite surveillance systems, home and office VDTs, cameras for every purpose from filming the mucous membrane lining the gut cavity of a marine worm living in the vent gases on a fault between continental plates to mapping a planetary hemisphere elsewhere in the solar system. Vision in this technological feast becomes unregulated gluttony; all perspective gives way to infinitely mobile vision, which no longer seems just mythically about the god-trick of seeing everything from nowhere, but to have put the myth into ordinary practice. And like the god-trick, this eye fucks the world to make techno-monsters. Zoe Sofoulis (1988) calls this the cannibal-eye of masculinist extra-terrestrial projects for excremental second birthing.

December. The days begin white and glittering with snow---on the roof, the branches of the sycamore, where a robin has taken up residence. It reminds Kate of Robin Redbreast from The Secret Garden---for so many years, her only safe portal to the natural world. Only now does she truly understand her favorite passage, memorized since childhood: "Everything is made out of magic, leaves and trees, flowers and birds, badgers and foxes and squirrels and people. So it must be all around us." Often, before she leaves for work, she stand outside to watch the sun catch on the white-frosted plants, searching for the robin's red breast. A spot of color against the stark morning. Sometimes, while she watches it flutter, she feels a tugging inside her womb, as if her daughter is responding to its song, anxious to breach the membrane between her mother's body and the outside world. The robin is not alone in the garden. Starlings skip over the snow, the winter sun varnishing their necks. At the front of the cottage, fieldfares---distinctive with their tawny feathers---chatter in the hedgerows. And of course, crows. So many that they form their own dark canopy of the sycamore, hooded figures watching.

Influenza is caused by three types of viruses, of which the most worrisome and widespread is influenza A. Viruses of that type all share certain genetic traits: a single-stranded RNA genome, which is partitioned into eight segments, which serve as templates for eleven different proteins. In other words, they have eight discrete stretches of RNA coding, linked together like eight railroad cars, with eleven different deliverable cargoes. The eleven deliverables are the molecules that comprise the structure and functional machinery of the virus. They are what the genes make. Two of those molecules become spiky protuberances from the outer surface of the viral envelope: hemagglutinin and neuraminidase. Those two, recognizable by an immune system, and crucial for penetrating and exiting cells of a host, give the various subtypes of influenza A their definitive labels: H5N1, H1N1, and so on. The term “H5N1” indicates a virus featuring subtype 5 of the hemagglutinin protein combined with subtype 1 of the neuraminidase protein. Sixteen different kinds of hemagglutinin, plus nine kinds of neuraminidase, have been detected in the natural world. Hemagglutinin is the key that unlocks a cell membrane so that the virus can get in, and neuraminidase is the key for getting back out. Okay so far? Having absorbed this simple paragraph, you understand more about influenza than 99.9 percent of the people on Earth. Pat yourself on the back and get a flu shot in November. At

Dark gray, flexible, and infinitely tough. Seven-foot membranous wings of same color, found folded, spread out of furrows between ridges. Wing framework tubular or glandular, of lighter gray, with orifices at wing tips. Spread wings have serrated edge. Around equator, one at central apex of each of the five vertical, stave-like ridges are five systems of light gray flexible arms or tentacles found tightly folded to torso but expansible to maximum length of over three feet. Like arms of primitive crinoid. Single stalks three inches diameter branch after six inches into five substalks, each of which branches after eight inches into small, tapering tentacles or tendrils, giving each stalk a total of twenty-five tentacles. At top of torso blunt, bulbous neck of lighter gray, with gill-like suggestions, holds yellowish five-pointed starfish-shaped apparent head covered with three-inch wiry cilia of various prismatic colors. Head thick and puffy, about two feet point to point, with three-inch flexible yellowish tubes projecting from each point. Slit in exact center of top probably breathing aperture. At end of each tube is spherical expansion where yellowish membrane rolls back on handling to reveal glassy, red-irised globe, evidently an eye. Five slightly longer reddish tubes start from inner angles of starfish-shaped head and end in saclike swellings of same color which, upon pressure, open to bell-shaped orifices two inches maximum diameter and lined with sharp, white tooth like projections - probably mouths. All these tubes, cilia, and points of starfish head, found folded tightly down; tubes and points clinging to bulbous neck and torso. Flexibility surprising despite vast toughness. At bottom of torso, rough but dissimilarly functioning counterparts of head arrangements exist. Bulbous light-gray pseudo-neck, without gill suggestions, holds greenish five-pointed starfish arrangement. Tough, muscular arms four feet long and tapering from seven inches diameter at base to about two and five-tenths at point. To each point is attached small end of a greenish five-veined membranous triangle eight inches long and six wide at farther end. This is the paddle, fin, or pseudofoot which has made prints in rocks from a thousand million to fifty or sixty million years old. From inner angles of starfish-arrangement project two-foot reddish tubes tapering from three inches diameter at base to one at tip. Orifices at tips. All these parts infinitely tough and leathery, but extremely flexible. Four-foot arms with paddles undoubtedly used for locomotion of some sort, marine or otherwise. When moved, display suggestions of exaggerated muscularity. As found, all these projections tightly folded over pseudoneck and end of torso, corresponding to projections at other end.

Order Out of Chaos ... At the right temperature ... two peptide molecules will stay together long enough on average to find a third. Then the little trio finds a fourth peptide to attract into the little huddle, just through the random side-stepping and tumbling induced by all the rolling water molecules. Something extraordinary is happening: a larger structure is emerging from a finer system, not in spite of the chaotic and random motion of that system but because of it. Without the chaotic exploration of possibilities, the rare peptide molecules would never find each other, would never investigate all possible ways of aggregating so that the tape-like polymers emerge as the most likely assemblies. It is because of the random motion of all the fine degrees of freedom that the emergent, larger structures can assume the form they do. Even more is true when the number of molecules present becomes truly enormous, as is automatically the case for any amount of matter big enough to see. Out of the disorder emerges a ... pattern of emergent structure from a substrate of chaos.... The exact pressure of a gas, the emergence of fibrillar structures, the height in the atmosphere at which clouds condense, the temperature at which ice forms, even the formation of the delicate membranes surrounding every living cell in the realm of biology -- all this beauty and order becomes both possible and predictable because of the chaotic world underneath them.... Even the structures and phenomena that we find most beautiful of all, those that make life itself possible, grow up from roots in a chaotic underworld. Were the chaos to cease, they would wither and collapse, frozen rigid and lifeless at the temperatures of intergalactic space. This creative tension between the chaotic and the ordered lies within the foundations of science today, but it is a narrative theme of human culture that is as old as any. We saw it depicted in the ancient biblical creation narratives of the last chapter, building through the wisdom, poetic and prophetic literature. It is now time to return to those foundational narratives as they attain their climax in a text shot through with the storm, the flood and the earthquake, and our terrifying ignorance in the face of a cosmos apparently out of control. It is one of the greatest nature writings of the ancient world: the book of Job.

Moving on, while he wondered, the dark through which Mr. Lecky's light cut grew more beautiful with scents. Particles of solid matter so minute, gases so subtle, that they filtered through stopping and sealing, hung on the unstirred air. Drawn in with Mr. Lecky's breath came impalpable dews cooked out of disintegrating coal. Distilled, chemically split and reformed, they ended in flawless simulation of the aromas of gums, the scent of woods and the world's flowers. The chemists who made them could do more than that. Loose on the gloom were perfumes of flowers which might possibly have bloomed but never had, and the strong-smelling saps of trees either lost or not yet evolved. Mixed in the mucus of the pituitary membrane, these volatile essences meant more than synthetic chemistry to Mr. Lecky. Their microscopic slime coated the bushed-out ends of the olfactory nerve; their presence was signaled to the anterior of the brain's temporal lobe. At once, thought waited on them, tossing down from the great storehouse of old images, neglected ideas - sandalwood and roses, musk and lavender. Mr. Lecky stood still, wrung by pangs as insistent and unanswerable as hunger. He was prodded by the unrest of things desired, not had; the surfeit of things had, not desired. More than anything he could see, or words, or sounds, these odors made him stupidly aware of the past. Unable to remember it, whence he was, or where he had previously been, all that was sweet, impermanent and gone came back not spoiled by too much truth or exact memory. Volatile as the perfumes, the past stirred him with longing for what was not - the only beloved beauty which you will have to see but which you may not keep. Mr. Lecky's beam of light went through glass top and side of a counter, displayed bottles of colored liquid - straw, amber, topaz - threw shadows behind their diverse shapes. He had no use for perfume. All the distraction, all the sense of loss and implausible sweetness which he felt was in memory of women. Behind the counter, Mr. Lecky, curious, took out bottles, sniffed them, examined their elaborately varied forms - transparent squares, triangles, cones, flattened ovals. Some were opaque, jet or blue, rough with embedded metals in intricate design. This great and needless decoration of the flasks which contained it was one strange way to express the inexpressible. Another way was tried in the names put on the bottles. Here words ran the suggestive or symbolic gamut of idealized passion, or festive night, of desired caresses, or of abstractions of the painful allure yet farther fetched. Not even in the hopeful, miracle-raving fancy of those who used the perfumes could a bottle of liquid have any actual magic. Since the buyers at the counters must be human beings, nine of every ten were beyond this or other help. Women, young, but unlovely and unloved, women, whatever they had been, now at the end of it and ruined by years or thickened to caricature by fat, ought to be the ones called to mind by perfume. But they were not. Mr. Lecky held the bottle in his hand a long while, aware of the tenth woman.