Famous Saxon Quotes

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It is the kind of stoicism which had been seen as characteristic of Anglo-Saxon poetry, perhaps nowhere better expressed than in 'The Battle of Maldon' where the most famous Saxon or English cry has been rendered - 'Courage must be the firmer, heart the bolder, spirit must be the greater, as our strength grows less'. That combination of bravery and fatalism, endurance and understatement, is the defining mood of Arhurian legend.
Peter Ackroyd (Albion: The Origins of the English Imagination)
When Winston Churchill wanted to rally the nation in 1940, it was to Anglo-Saxon that he turned: "We shall fight on the beaches; we shall fight on the landing grounds; we shall fight in the fields and the streets; we shall fight in the hills; we shall never surrender." All these stirring words came from Old English as spoken in the year 1000, with the exception of the last one, surrender, a French import that came with the Normans in 1066--and when man set foot on the moon in 1969, the first human words spoken had similar echoes: "One small step for a man, one giant leap for mankind." Each of Armstrong's famous words was part of Old English by the year 1000.
Robert Lacey (The Year 1000: What Life Was Like at the Turn of the First Millennium, An Englishman's World)
Indeed, the point of the famous story about the king and the waves, as originally told, was not to illustrate his stupidity, but rather to prove what a good Christian he had been. ‘Let all the world know’, says a damp Cnut, having conspicuously failed to stop the tide from rising, ‘that the power of kings is empty and worthless, and there is no king worthy of the name save Him by whose will heaven, earth and sea obey eternal laws.’2
Marc Morris (The Norman Conquest: The Battle of Hastings and the Fall of Anglo-Saxon England)
Sigtryggr held out a hand to pull me from the ditch. His one eye was bright with the same joy I had seen on Ceaster’s ramparts. ‘I would not want you as an enemy, Lord Uhtred,’ he said. ‘Then don’t come back, Jarl Sigtryggr,’ I said, clasping his forearm as he clasped mine. ‘I will be back,’ he said, ‘because you will want me to come back.’ ‘I will?’ He turned his head to gaze at his ships. One ship was close to the shore, held there by a mooring line tied to a stake. The prow of the ship had a great dragon painted white and in the dragon’s claw was a red axe. The ship waited for Sigtryggr, but close to it, standing where the grass turned to the river bank’s mud, was Stiorra. Her maid, Hella, was already aboard the dragon-ship. Æthelflaed had been watching Eardwulf’s death, but now saw Stiorra by the grounded ship. She frowned, not sure she understood what she saw. ‘Lord Uhtred?’ ‘My lady?’ ‘Your daughter,’ she began, but did not know what to say. ‘I will deal with my daughter,’ I said grimly. ‘Finan?’ My son and Finan were both staring at me, wondering what I would do. ‘Finan?’ I called. ‘Lord?’ ‘Kill that scum,’ I jerked my head towards Eardwulf’s followers, then I took Sigtryggr by the elbow and walked him towards his ship. ‘Lord Uhtred!’ Æthelflaed called again, sharper this time. I waved a dismissive hand, and otherwise ignored her. ‘I thought she disliked you,’ I said to Sigtryggr. ‘We meant you to think that.’ ‘You don’t know her,’ I said. ‘You knew her mother when you met her?’ ‘This is madness,’ I said. ‘And you are famous for your good sense, lord.’ Stiorra waited for us. She was tense. She stared at me defiantly and said nothing. I felt a lump in my throat and a sting in my eyes. I told myself it was the small smoke drifting from the Norsemen’s abandoned campfires. ‘You’re a fool,’ I told her harshly. ‘I saw,’ she said simply, ‘and I was stricken.’ ‘And so was he?’ I asked, and she just nodded. ‘And the last two nights,’ I asked, ‘after the feasting was over?’ I did not finish the question, but she answered it anyway by nodding again. ‘You are your mother’s daughter,’ I said, and I embraced her, holding her close. ‘But it is my choice whom you marry,’ I went on. I felt her stiffen in my arms, ‘And Lord Æthelhelm wants to marry you.’ I thought she was sobbing, but when I pulled back from the embrace I saw she was laughing. ‘Lord Æthelhelm?’ she asked. ‘You’ll be the richest widow in all Britain,’ I promised her. She still held me, looking up into my face. She smiled, that same smile that had been her mother’s. ‘Father,’ she said, ‘I swear on my life that I will accept the man you choose to be my husband.’ She knew me. She had seen my tears and knew they were not caused by smoke. I leaned forward and kissed her forehead. ‘You will be a peace cow,’ I said, ‘between me and the Norse. And you’re a fool. So am I. And your dowry,’ I spoke louder as I stepped back, ‘is Eardwulf’s money.’ I saw I had smeared her pale linen dress with Eardwulf’s blood. I looked at Sigtryggr. ‘I give her to you,’ I said, ‘so don’t disappoint me.
Bernard Cornwell (The Empty Throne (The Saxon Stories, #8))
My banner was behind me and that banner would attract ambitious men. They wanted my skull as a drinking cup, my name as a trophy. They watched me as I watched them and they saw a man covered in mud, but a warlord with a wolf-crested helmet and arm rings of gold and with close-linked mail and a cloak of darkest blue hemmed with golden threads and a sword that was famous throughout Britain. Serpent-Breath was famous, but I sheathed her anyway, because a long blade is no help in the shield wall’s embrace, and instead I drew Wasp-Sting, short and lethal. I kissed her blade then bellowed my challenge at the winter wind. “Come and kill me! Come and kill me!” And they came.
Bernard Cornwell (Death of Kings (The Saxon Stories, #6))
Serpent-Breath was famous...Wasp-Sting, short and lethal.
Bernard Cornwell (Death of Kings (The Saxon Stories, #6))
Harold may or may not have been hit in the eye: the story first appears one hundred years later, and the arrow shaft on the famous Bayeux Tapestry may have been only added in the eighteenth century by bored nuns. It’s possible also that the eye story was Norman propaganda, since blinding was the biblical punishment for oath-breakers; but either way he was dead. One story has William leading this death squad but it is extremely unlikely he’d have done something so risky; likewise with a later tale that Gyrth unhorsed William before the duke killed him, which is most likely borrowed from The Iliad. By the end of the day the Normans had lost 2,500 men, the English 4,000, including most of the country’s nobility. After the battle William didn’t bother to bury the defeated, and it was left to Harold’s mistress, Edith Swan-Neck, to identify him by a part ‘known only to her’, as his face had been so badly mutilated. However the indignity continued; William wouldn’t give up the body, even after Harold’s mother offered him her son’s weight in gold if she’d return him, and to this day no one knows where England’s last English king lies.
Ed West (1066 and Before All That: The Battle of Hastings, Anglo-Saxon and Norman England)
and decided to mark the northern limit of the empire by building his famous wall,
Marc Morris (The Anglo-Saxons A History of the Beginnings of England: 400–1066)
In writing my forthcoming book, I’ve been reminded that if I ramble through the past long enough, famous personalities are inextricably woven together, and some associations are more surprising than others.
Saxon Henry
famous for its illustrated manuscripts. It helped that Northumbria was outstandingly rich in cattle:
Marc Morris (The Anglo-Saxons A History of the Beginnings of England: 400–1066)
As the battle began Ivo Taillefer, the minstrel knight who had claimed the right to make the first attack, advanced up the hill on horseback, throwing his lance and sword into the air and catching them before the English army. He then charged deep into the English ranks, and was slain. The cavalry charges of William’s mail-clad knights, cumbersome in manœuvre, beat in vain upon the dense, ordered masses of the English. Neither the arrow hail nor the assaults of the horsemen could prevail against them. William’s left wing of cavalry was thrown into disorder, and retreated rapidly down the hill. On this the troops on Harold’s right, who were mainly the local “fyrd”, broke their ranks in eager pursuit. William, in the centre, turned his disciplined squadrons upon them and cut them to pieces. The Normans then re-formed their ranks and began a second series of charges upon the English masses, subjecting them in the intervals to severe archery. It has often been remarked that this part of the action resembles the afternoon at Waterloo, when Ney’s cavalry exhausted themselves upon the British squares, torn by artillery in the intervals. In both cases the tortured infantry stood unbroken. Never, it was said, had the Norman knights met foot-soldiers of this stubbornness. They were utterly unable to break through the shield-walls, and they suffered serious losses from deft blows of the axe-men, or from javelins, or clubs hurled from the ranks behind. But the arrow showers took a cruel toll. So closely, it was said, were the English wedged that the wounded could not be removed, and the dead scarcely found room in which to sink upon the ground. The autumn afternoon was far spent before any result had been achieved, and it was then that William adopted the time-honoured ruse of a feigned retreat. He had seen how readily Harold’s right had quitted their positions in pursuit after the first repulse of the Normans. He now organised a sham retreat in apparent disorder, while keeping a powerful force in his own hands. The house-carls around Harold preserved their discipline and kept their ranks, but the sense of relief to the less trained forces after these hours of combat was such that seeing their enemy in flight proved irresistible. They surged forward on the impulse of victory, and when half-way down the hill were savagely slaughtered by William’s horsemen. There remained, as the dusk grew, only the valiant bodyguard who fought round the King and his standard. His brothers, Gyrth and Leofwine, had already been killed. William now directed his archers to shoot high into the air, so that the arrows would fall behind the shield-wall, and one of these pierced Harold in the right eye, inflicting a mortal wound. He fell at the foot of the royal standard, unconquerable except by death, which does not count in honour. The hard-fought battle was now decided. The last formed body of troops was broken, though by no means overwhelmed. They withdrew into the woods behind, and William, who had fought in the foremost ranks and had three horses killed under him, could claim the victory. Nevertheless the pursuit was heavily checked. There is a sudden deep ditch on the reverse slope of the hill of Hastings, into which large numbers of Norman horsemen fell, and in which they were butchered by the infuriated English lurking in the wood. The dead king’s naked body, wrapped only in a robe of purple, was hidden among the rocks of the bay. His mother in vain offered the weight of the body in gold for permission to bury him in holy ground. The Norman Duke’s answer was that Harold would be more fittingly laid upon the Saxon shore which he had given his life to defend. The body was later transferred to Waltham Abbey, which he had founded. Although here the English once again accepted conquest and bowed in a new destiny, yet ever must the name of Harold be honoured in the Island for which he and his famous house-carls fought indomitably to the end.
Winston S. Churchill (The Birth of Britain (A History of the English Speaking Peoples, #1))
Although these were easily the darkest days in Alfred’s life, they also were to become the most famous. The stories of his persevering against the Vikings transformed King Alfred into Alfred the Great. The story falls into a category that the modern ear can easily recognize and appreciate. From the legends of Robin Hood hiding out with his band of merry men in Sherwood Forest to the tales of men fighting in the underground French resistance during World War II, the modern listener has been well trained to be moved by the courageous nobility of continuing a campaign of resistance long after being driven into hiding. The seeming despair of a life of defiant resistance, while being hunted in one’s homeland, captures the imagination and takes on a romantic hue. But this was not a category of story that the Anglo-Saxon ear was accustomed to hearing. To his contemporaries, Alfred’s plight was an unqualified tragedy, utterly devoid of romanticism
Benjamin R. Merkle (The White Horse King: The Life of Alfred the Great)
Again starting with an unusual Y-chromosome, they noticed its occurrence in a related set of surnames that were linked to branches of the Ui Neill, the clan that had held the High Kingship at Tara, and had expelled the Dál Riata to Argyll. The Ui Neill equivalent of Somerled was Niall Noigiallach, better known as Niall of the Nine Hostages, who lived in the second half of the fourth century AD. This was a time when the Romans were beginning to withdraw from mainland Britain. According to legend, Niall raided and harassed western Britain and specialized in capturing and then ransoming high-ranking hostages, hence his soubriquet. His most famous captive was one Succat, who went on to become St Patrick. Niall’s military exploits carried him over the sea to Scotland, where he fought the Picts who were trying to retake the recent Irish colonies of Dalriada. It was during a raid even further afield, in France, that an arrow from the bow of an Irish rival killed Niall on the banks of the River Loire in AD 405. Niall was succeeded in the High Kingship by his nephew, Dathi, his father’s brother’s son. This was typical of the Gaelic tradition of derbhfine, the rules of inheritance that chose the new king from among the direct male relatives of the old. This served to ensure the patrilineal inheritance of the High Kingship itself
Bryan Sykes (Saxons, Vikings, and Celts: The Genetic Roots of Britain and Ireland)
Bastiat (1801–1850) was a strikingly clear-minded early advocate of what came to be known as liberal economics, whose central idea is that the state should get out of the way of free trade. He would be a lot more famous if he wasn’t French, since the French are highly distrustful of the whole notion of liberal economics and tend to see it as an Anglo-Saxon cross between a conspiracy and a mistake.
John Lanchester (How to Speak Money)
† Bastiat (1801–1850) was a strikingly clear-minded early advocate of what came to be known as liberal economics, whose central idea is that the state should get out of the way of free trade. He would be a lot more famous if he wasn’t French, since the French are highly distrustful of the whole notion of liberal economics and tend to see it as an Anglo-Saxon cross between a conspiracy and a mistake.
John Lanchester (How to Speak Money)
He was son to a British lord, who, to procure him a virtuous education placed him in his infancy in the monastery of St. Iltutus in Glamorganshire. The surname of Badonicus was given him, because, as we learn from his writings, he was born in the year in which the Britons under Aurelius Ambrosius, or, according to others, under king Arthur, gained the famous victory over the Saxons at Mount Badon, now Bannesdown, near Bath, in Somersetshire. This Bede places in the forty-fourth year after the first coming of the Saxons into Britain, which was in 451.
Alban Butler (The Lives of the Saints: Complete Edition)
In fact, the “women and children first” protocol for abandoning ship was not a particularly ancient one. It began with the HMS Birkenhead, a British troopship that was wrecked off Cape Town, South Africa, on February 26, 1852. The soldiers famously stood in formation on deck while the women and children boarded the boats, and only 193 of the 643 people on board survived. Hymned as the “Birkenhead drill” in a poem by Rudyard Kipling, it became a familiar touchstone of Britain’s imperial greatness and AS BRAVE AS THE BIRKENHEAD was a much-used heading in UK Titanic press coverage. A story that Captain Smith had exhorted his men to “Be British!” further burnished the oft-cited claim that Anglo-Saxon men had not forgotten how to die.
Hugh Brewster (Gilded Lives, Fatal Voyage: The Titanic's First-Class Passengers and Their World)
Girl Reading a Letter at an Open Window was among the paintings rescued from destruction during the bombing of Dresden in World War II, The painting was stored, with other works of art, in a tunnel in Saxon, Switzerland; when the Red Army encountered them, they took them. The Soviets portrayed this as an act of rescue; some others as an act of plunder. Either way, after the death of Joseph Stalin, the Soviets decided in 1955 to return the art to Germany, “for the purpose of strengthening and furthering the progress of friendship between the Soviet and German peoples.” Aggrieved at the thought of losing hundreds of paintings, art historians and museum curators in the Soviet Union suggested that “in acknowledgment for saving and returning the world-famous treasures of the Dresden Gallery” the Germans should perhaps donate to them Girl Reading a Letter at an Open Window and Sleeping Venus by Giorgione. The Germans did not take to the idea, and the painting was returned. Well-preserved, it is on display at the Gemäldegalerie in Dresden.
Johannes Vermeer (Masters of Art: Johannes Vermeer)
Lastly, the story that the Tapestry tells is inevitably selective and in places demonstrably inaccurate; some events are left out and others are deliberately distorted. No other source, for example, suggests that Harold swore his famous oath to William at Bayeux, or that it was Odo who heroically turned the tide for the Normans during the Battle of Hastings. The Tapestry, it bears repeating, is really an embroidery.
Marc Morris (The Norman Conquest: The Battle of Hastings and the Fall of Anglo-Saxon England)
The soul is called hugr, Anglo-Saxon hygi, thereby indicating it as desire and inclination, as courage and thought. It inspires a man's behaviour, his actions and his speech are characterised according to whether they proceed out of whole hugr, bold hugr, or downcast hugr. It resides in him and urges him on; thus ends Loki when he has said his say among the gods: “Now I have spoken that which my hugr urged me to say,” thus also Sigurd when he has slain the serpent: “My hugr urged me to it.” It sits within, giving counsel or warning; “my hugr tells me,” is a weighty argument, for when the hugr has told a thing, the matter is pretty well settled. “He seems to me unreliable, you will see he will soon turn the evil side outward; it is against my will that he is with you, for my hugr tells me evil about him,” thus Ingolf exhorts his brother to turn away a vagabond who comes to the place. A winter passed, and Ingolf could say that all had fallen out as his hugr had warned him. And Atli Hasteinson, of noble race, confidently gives directions to his household after the fight with Hrafn: “You, my son, will avenge your father, if you take after your kin, and my hugr tells me you will become a famous man, and your children after you.” And when the hugr is uneasy, as when one can say with Gudrun: “Long I hesitated, long were my hugrs divided in me,” then life is not healthy. But when a man has followed the good counsel from within, and attained his end, then there rises from his soul a shout of triumph, it is his hugr laughing in his breast.— Now and again, the soul has its knowledge directly, as we should say; at times it has acquired it by spying out the land, and then it may chance that the enemy has seen his opponent's hugr coming towards him, whether in human form or in the shape of a beast. He dreams of wolves, and is told that it is the hugrs of men he has seen.
Vilhelm Grønbech (The Culture of the Teutons: Volumes 1 and 2)