“
retrouvailles, another one of those words that do not translate into English, which means “the happiness of meeting someone you love again after a long time.
”
”
Martha Hall Kelly (Lilac Girls (Lilac Girls, #1))
“
I know there's no way I can convince you this is not one of their tricks, but I don't care, I am me. My name is Valerie, I don't think I'll live much longer and I wanted to tell someone about my life. This is the only autobiography ill ever write, and god, I'm writing it on toilet paper. I was born in Nottingham in 1985, I don't remember much of those early years, but I do remember the rain. My grandmother owned a farm in Tuttlebrook, and she use to tell me that god was in the rain. I passed my 11th lesson into girl's grammar; it was at school that I met my first girlfriend, her name was Sara. It was her wrists. They were beautiful. I thought we would love each other forever. I remember our teacher telling us that is was an adolescent phase people outgrew. Sara did, I didn't. In 2002 I fell in love with a girl named Christina. That year I came out to my parents. I couldn't have done it without Chris holding my hand. My father wouldn't look at me, he told me to go and never come back. My mother said nothing. But I had only told them the truth, was that so selfish? Our integrity sells for so little, but it is all we really have. It is the very last inch of us, but within that inch, we are free. I'd always known what I wanted to do with my life, and in 2015 I starred in my first film, "The Salt Flats". It was the most important role of my life, not because of my career, but because that was how I met Ruth. The first time we kissed, I knew I never wanted to kiss any other lips but hers again. We moved to a small flat in London together. She grew Scarlet Carsons for me in our window box, and our place always smelled of roses. Those were there best years of my life. But America's war grew worse, and worse. And eventually came to London. After that there were no roses anymore. Not for anyone. I remember how the meaning of words began to change. How unfamiliar words like collateral and rendition became frightening. While things like Norse Fire and The Articles of Allegiance became powerful, I remember how different became dangerous. I still don't understand it, why they hate us so much. They took Ruth while she was out buying food. I've never cried so hard in my life. It wasn't long till they came for me.It seems strange that my life should end in such a terrible place, but for three years, I had roses, and apologized to no one. I shall die here. Every inch of me shall perish. Every inch, but one. An Inch, it is small and it is fragile, but it is the only thing the world worth having. We must never lose it or give it away. We must never let them take it from us. I hope that whoever you are, you escape this place. I hope that the world turns and that things get better. But what I hope most of all is that you understand what I mean when I tell you that even though I do not know you, and even though I may never meet you, laugh with you, cry with you, or kiss you. I love you. With all my heart, I love you. -Valerie
”
”
Alan Moore (V for Vendetta)
“
Being alone is not the most awful thing in the world. You visit your museums and cultivate your interests and remind yourself how lucky you are not to be one of those spindly Sudanese children with flies beading their mouths. You make out To Do lists - reorganise linen cupboard, learn two sonnets. You dole out little treats to yourself - slices of ice-cream cake, concerts at Wigmore Hall. And then, every once in a while, you wake up and gaze out of the window at another bloody daybreak, and think, I cannot do this anymore. I cannot pull myself together again and spend the next fifteen hours of wakefulness fending off the fact of my own misery.
People like Sheba think that they know what it's like to be lonely. They cast their minds back to the time they broke up with a boyfriend in 1975 and endured a whole month before meeting someone new. Or the week they spent in a Bavarian steel town when they were fifteen years old, visiting their greasy-haired German pen pal and discovering that her hand-writing was the best thing about her. But about the drip drip of long-haul, no-end-in-sight solitude, they know nothing. They don't know what it is to construct an entire weekend around a visit to the laundrette. Or to sit in a darkened flat on Halloween night, because you can't bear to expose your bleak evening to a crowd of jeering trick-or-treaters. Or to have the librarian smile pityingly and say, ‘Goodness, you're a quick reader!’ when you bring back seven books, read from cover to cover, a week after taking them out. They don't know what it is to be so chronically untouched that the accidental brush of a bus conductor's hand on your shoulder sends a jolt of longing straight to your groin. I have sat on park benches and trains and schoolroom chairs, feeling the great store of unused, objectless love sitting in my belly like a stone until I was sure I would cry out and fall, flailing, to the ground. About all of this, Sheba and her like have no clue.
”
”
Zoë Heller (What Was She Thinking? [Notes on a Scandal])
“
I used to think Romeo and Juliet was the greatest love story ever written. But now that I’m middle-aged, I know better. Oh, Romeo certainly thinks he loves his Juliet. Driven by hormones, he unquestionably lusts for her. But if he loves her, it’s a shallow love. You want proof?” Cagney didn’t wait for Dr. Victor to say yay or nay.
“Soon after meeting her for the first time, he realizes he forgot to ask her for her name. Can true love be founded upon such shallow acquaintance? I don’t think so. And at the end, when he thinks she’s dead, he finds no comfort in living out the remainder of his life within the paradigm of his love, at least keeping alive the memory of what they had briefly shared, even if it was no more than illusion, or more accurately, hormonal.
“Those of us watching events unfold from the darkness know she merely lies in slumber. But does he seek the reason for her life-like appearance? No. Instead he accuses Death of amorousness, convinced that the ‘lean abhorred monster’ endeavors to keep Juliet in her present state, her cheeks flushed, so that she might cater to his own dissolute desires. But does Romeo hold her in his arms one last time and feel the warmth of her blood still coursing through her veins? Does he pinch her to see if she might awaken? Hold a mirror to her nose to see if her breath fogs it? Once, twice, three times a ‘no.’”
Cagney sighed, listened to the leather creak as he shifted his weight in his chair.
“No,” he repeated. “His alleged love is so superficial and selfish that he seeks to escape the pain of loss by taking his own life. That’s not love, but obsessive infatuation. Had they wed—Juliet bearing many children, bonding, growing together, the masks of the star-struck teens they once were long ago cast away, basking in the comforting campfire of a love born of a lifetime together, not devoured by the raging forest fire of youth that consumes everything and leaves behind nothing—and she died of natural causes, would Romeo have been so moved to take his own life, or would he have grieved properly, for her loss and not just his own?
”
”
J. Conrad Guest (The Cobb Legacy)
“
It wasn't always like this. There was a time when I imagined my life could happen in another way. It's true that early on I became used to the long hours I spent alone. I discovered that I did not need people as others did. After writing all day it took an effort to make conversation, like wading through cement, and often I simply chose not to make it, eating at a restaurant with a book or going for long walks alone instead, unwinding the solitude of the day through the city. But loneliness, true loneliness, is impossible to accustom oneself to, and while I was still young I thought of my situation as somehow temporary, and did not stop hoping and imagining that I would meet someone and fall in love... Yes, there was a time before I closed myself off to others.
”
”
Nicole Krauss (Great House)
“
I love you, Lily. Everything you are. I love you."
I know those words get thrown around a lot, especially by teenagers. A lot of times prematurely and without much merit. But when he said them to me, I knew he wasn't saying it like he was in love with me. It wasn't that kind of "I love you."
Imagine the people you meet in your life. There are so many. They come in like waves, trickling in and out with the tide. Some waves are much bigger and make more of an impact than others. Sometimes the waves bring with them things from deep in the bottom of the sea and they leave those things tossed on the shore. Imprints against the grains of sand that prove the waves had once been there, long after the tide recedes.
That was what Atlas was telling me wen he said "I love you." He was letting me know that I was the biggest wave he'd ever come across. And I brought so much with me that my impression would always be there, even when the tide rolled out.
”
”
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
“
As the cab drove off, I caught a glimpse of Paul in the crowd and felt a rush of retrouvailles, another one of those words that do not translate into English, which means “the happiness of meeting someone you love again after a long time.” I
”
”
Martha Hall Kelly (Lilac Girls (Lilac Girls, #1))
“
Romance for me is
Meeting yeu after a Long time
After all those nighs i have spend longing
to hold yeu
thinking about yeu
And finally being next to yeu
when i still have to hold back
Because there are people around
Romance for me is trying to act normal
And not being able to take my eyes off yeu
”
”
Sandesh Hukpachongbang
“
An attachment grew up. What is an attachment? It is the most difficult of all the human interrelationships to explain, because it is the vaguest, the most impalpable. It has all the good points of love, and none of its drawbacks. No jealousy, no quarrels, no greed to possess, no fear of losing possession, no hatred (which is very much a part of love), no surge of passion and no hangover afterward. It never reaches the heights, and it never reaches the depths.
As a rule it comes on subtly. As theirs did. As a rule the two involved are not even aware of it at first. As they were not. As a rule it only becomes noticeable when it is interrupted in some way, or broken off by circumstances. As theirs was. In other words, its presence only becomes known in its absence. It is only missed after it stops. While it is still going on, little thought is given to it, because little thought needs to be.
It is pleasant to meet, it is pleasant to be together. To put your shopping packages down on a little wire-backed chair at a little table at a sidewalk cafe, and sit down and have a vermouth with someone who has been waiting there for you. And will be waiting there again tomorrow afternoon. Same time, same table, same sidewalk cafe. Or to watch Italian youth going through the gyrations of the latest dance craze in some inexpensive indigenous night-place-while you, who come from the country where the dance originated, only get up to do a sedate fox trot. It is even pleasant to part, because this simply means preparing the way for the next meeting.
One long continuous being-together, even in a love affair, might make the thing wilt. In an attachment it would surely kill the thing off altogether. But to meet, to part, then to meet again in a few days, keeps the thing going, encourages it to flower.
And yet it requires a certain amount of vanity, as love does; a desire to please, to look one's best, to elicit compliments. It inspires a certain amount of flirtation, for the two are of opposite sex. A wink of understanding over the rim of a raised glass, a low-voiced confidential aside about something and the smile of intimacy that answers it, a small impromptu gift - a necktie on the one part because of an accidental spill on the one he was wearing, or of a small bunch of flowers on the other part because of the color of the dress she has on.
So it goes.
And suddenly they part, and suddenly there's a void, and suddenly they discover they have had an attachment.
Rome passed into the past, and became New York.
Now, if they had never come together again, or only after a long time and in different circumstances, then the attachment would have faded and died. But if they suddenly do come together again - while the sharp sting of missing one another is still smarting - then the attachment will revive full force, full strength. But never again as merely an attachment. It has to go on from there, it has to build, to pick up speed. And sometimes it is so glad to be brought back again that it makes the mistake of thinking it is love.
("For The Rest Of Her Life")
”
”
Cornell Woolrich (Angels of Darkness)
“
His vulnerability allowed me to let my guard down, and gently and methodically, he tore apart my well-constructed dam. Waves of tender feelings were lapping over the top and slipping through the cracks. The feelings flooded through and spilled into me. It was frightening opening myself up to feel love for someone again. My heart pounded hard and thudded audibly in my chest. I was sure he could hear it.
Ren’s expression changed as he watched my face. His look of sadness was replaced by one of concern for me.
What was the next step? What should I do? What do I say? How do I share what I’m feeling?
I remembered watching romance movies with my mom, and our favorite saying was “shut up and kiss her already!” We’d both get frustrated when the hero or heroine wouldn’t do what was so obvious to the two of us, and as soon as a tense, romantic moment occurred, we’d both repeat our mantra. I could hear my mom’s humor-filled voice in my mind giving me the same advice: “Kells, shut up and kiss him already!”
So, I got a grip on myself, and before I changed my mind, I leaned over and kissed him.
He froze. He didn’t kiss me back. He didn’t push me away. He just stopped…moving. I pulled back, saw the shock on his face, and instantly regretted my boldness. I stood up and walked away, embarrassed. I wanted to put some distance between us as I frantically tried to rebuild the walls around my heart.
I heard him move. He slid his hand under my elbow and turned me around. I couldn’t look at him. I just stared at his bare feet. He put a finger under my chin and tried to nudge my head up, but I still refused to meet his gaze.
“Kelsey. Look at me.” Lifting my eyes, they traveled from his feet to a white button in the middle of his shirt. “Look at me.”
My eyes continued their journey. They drifted past the golden-bronze skin of his chest, his throat, and then settled on his beautiful face. His cobalt blue eyes searched mine, questioning. He took a step closer. My breath hitched in my throat. Reaching out a hand, he slid it around my waist slowly. His other hand cupped my chin. Still watching my face, he placed his palm lightly on my cheek and traced the arch of my cheekbone with his thumb.
The touch was sweet, hesitant, and careful, the way you might try to touch a frightened doe. His face was full of wonder and awareness. I quivered. He paused just a moment more, then smiled tenderly, dipped is head, and brushed his lips lightly against mine.
He kissed me softly, tentatively, just a mere whisper of a kiss. His other hand slid down to my waist too. I timidly touched his arms with my fingertips. He was warm, and his skin was smooth. He gently pulled me closer and pressed me lightly against his chest. I gripped his arms.
He sighed with pleasure, and deepened the kiss. I melted into him.
How was I breathing? His summery sandalwood scent surrounded me. Everywhere he touched me, I felt tingly and alive.
I clutched his arms fervently. His lips never leaving mine, Ren took both of my arms and wrapped them, one by one, around his neck. Then he trailed one of his hands down my bare arm to my waist while the other slid into my hair. Before I realized what he was planning to do, he picked me up with one arm and crushed me to his chest.
I have no idea how long we kissed. It felt like a mere second, and it also felt like forever. My bare feet were dangling several inches from the floor. He was holding all my body weight easily with one arm. I buried my fingers into his hair and felt a rumble in his chest. It was similar to the purring sound he made as a tiger. After that, all coherent thought fled and time stopped.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
It was she made me acquainted with love. She went by the peaceful name of Ruth I think, but I can't say for certain. Perhaps the name was Edith. She had a hole between her legs, oh not the bunghole I had always imagined, but a slit, and in this I put, or rather she put, my so-called virile member, not without difficulty, and I toiled and moiled until I discharged or gave up trying or was begged by her to stop. A mug's game in my opinion and tiring on top of that, in the long run. But I lent myself to it with a good enough grace, knowing it was love, for she had told me so. She bent over the couch, because of her rheumatism, and in I went from behind. It was the only position she could bear, because of her lumbago. It seemed all right to me, for I had seen dogs, and I was astonished when she confided that you could go about it differently. I wonder what she meant exactly. Perhaps after all she put me in her rectum. A matter of complete indifference to me, I needn't tell you. But is it true love, in the rectum? That's what bothers me sometimes. Have I never known true love, after all? She too was an eminently flat woman and she moved with short stiff steps, leaning on an ebony stick. Perhaps she too was a man, yet another of them. But in that case surely our testicles would have collided, while we writhed. Perhaps she held hers tight in her hand, on purpose to avoid it. She favoured voluminous tempestuous shifts and petticoats and other undergarments whose names I forget. They welled up all frothing and swishing and then, congress achieved, broke over us in slow cascades. And all I could see was her taut yellow nape which every now and then I set my teeth in, forgetting I had none, such is the power of instinct. We met in a rubbish dump, unlike any other, and yet they are all alike, rubbish dumps. I don't know what she was doing there. I was limply poking about in the garbage saying probably, for at that age I must still have been capable of general ideas, This is life. She had no time to lose, I had nothing to lose, I would have made love with a goat, to know what love was. She had a dainty flat, no, not dainty, it made you want to lie down in a corner and never get up again. I liked it. It was full of dainty furniture, under our desperate strokes the couch moved forward on its castors, the whole place fell about our ears, it was pandemonium. Our commerce was not without tenderness, with trembling hands she cut my toe-nails and I rubbed her rump with winter cream. This idyll was of short duration. Poor Edith, I hastened her end perhaps. Anyway it was she who started it, in the rubbish dump, when she laid her hand upon my fly. More precisely, I was bent double over a heap of muck, in the hope of finding something to disgust me for ever with eating, when she, undertaking me from behind, thrust her stick between my legs and began to titillate my privates. She gave me money after each session, to me who would have consented to know love, and probe it to the bottom, without charge. But she was an idealist. I would have preferred it seems to me an orifice less arid and roomy, that would have given me a higher opinion of love it seems to me. However. Twixt finger and thumb tis heaven in comparison. But love is no doubt above such contingencies. And not when you are comfortable, but when your frantic member casts about for a rubbing-place, and the unction of a little mucous membrane, and meeting with none does not beat in retreat, but retains its tumefaction, it is then no doubt that true love comes to pass, and wings away, high above the tight fit and the loose.
”
”
Samuel Beckett (Molloy / Malone Dies / The Unnamable)
“
We're all creatures of complex needs
and desires. The only certain thing in a romantic relationship is that you will both change, and one morning you will wake up, go the mirror, and see a stranger. You
will have what you wanted, and discover
you want something different. You think
you know who you are, and then you'll
surprise yourself. In all the choices in front of you, Restless, one thing is clear: love is not
something to be thrown away lightly.
There was something about this man, beyond
coincidences of timing and opportunity,
that drew you to him. Before you give
up on the marriage . . . give him a chance.
Be honest with him about the needs that
aren't being met, the dreams you want to
pursue. Let him find out who you really
are. Let him help you in the work of opening
that door, so the two of you can finally
meet after all these years.
How do you know he can't satisfy your
emotional needs? How can you be sure he
doesn't long for magic and passion just as
you do? Can you state with absolute certainty
that you know everything there is to
know about him?
There are rewards to be gained from the
effort, even if it fails. And it will take courage
as well as patience, Restless. Try
everything you can . . . fight to stay with a
man who loves you. Just for now, put
aside the question of what you might have
had with someone else, and focus on what
you can have, what you do have, at this
very moment. I hope you'll find new questions,
and that your husband might be the
answer.
”
”
Lisa Kleypas
“
Sweet for a little even to fear, and sweet,
O love, to lay down fear at love’s fair feet;
Shall not some fiery memory of his breath
Lie sweet on lips that touch the lips of death?
Yet leave me not; yet, if thou wilt, be free;
Love me no more, but love my love of thee.
Love where thou wilt, and live thy life; and I,
One thing I can, and one love cannot—die.
Pass from me; yet thine arms, thine eyes, thine hair,
Feed my desire and deaden my despair.
Yet once more ere time change us, ere my cheek
Whiten, ere hope be dumb or sorrow speak,
Yet once more ere thou hate me, one full kiss;
Keep other hours for others, save me this.
Yea, and I will not (if it please thee) weep,
Lest thou be sad; I will but sigh, and sleep.
Sweet, does death hurt? thou canst not do me wrong:
I shall not lack thee, as I loved thee, long.
Hast thou not given me above all that live
Joy, and a little sorrow shalt not give?
What even though fairer fingers of strange girls
Pass nestling through thy beautiful boy’s curls
As mine did, or those curled lithe lips of thine
Meet theirs as these, all theirs come after mine;
And though I were not, though I be not, best,
I have loved and love thee more than all the rest.
O love, O lover, loose or hold me fast,
I had thee first, whoever have thee last;
Fairer or not, what need I know, what care?
To thy fair bud my blossom once seemed fair.
Why am I fair at all before thee, why
At all desired? seeing thou art fair, not I.
I shall be glad of thee, O fairest head,
Alive, alone, without thee, with thee, dead;
I shall remember while the light lives yet,
And in the night-time I shall not forget.
Though (as thou wilt) thou leave me ere life leave,
I will not, for thy love I will not, grieve;
Not as they use who love not more than I,
Who love not as I love thee though I die;
And though thy lips, once mine, be oftener prest
To many another brow and balmier breast,
And sweeter arms, or sweeter to thy mind,
Lull thee or lure, more fond thou wilt not find.
”
”
Algernon Charles Swinburne (Poems and Ballads)
“
Romance for me is
Meeting yeu after a Long time
After all those nights i have spend longing to hold yeu
thinking about yeu
And finally being next to yeu
when i still have to hold back
Because there are people around
Romance for me is trying to act normal
And not being able to take my eyes off yeu
”
”
Sandesh Hukpachongbang
“
October 17, 1946
D’Arline,
I adore you, sweetheart.
I know how much you like to hear that — but I don't only write it because you like it — I write it because it makes me warm all over inside to write it to you.
It is such a terribly long time since I last wrote to you — almost two years but I know you'll excuse me because you understand how I am, stubborn and realistic; and I thought there was no sense to writing.
But now I know my darling wife that it is right to do what I have delayed in doing, and that I have done so much in the past. I want to tell you I love you. I want to love you. I always will love you.
I find it hard to understand in my mind what it means to love you after you are dead — but I still want to comfort and take care of you — and I want you to love me and care for me. I want to have problems to discuss with you — I want to do little projects with you. I never thought until just now that we can do that. What should we do. We started to learn to make clothes together — or learn Chinese — or getting a movie projector. Can't I do something now? No. I am alone without you and you were the "idea-woman" and general instigator of all our wild adventures.
When you were sick you worried because you could not give me something that you wanted to and thought I needed. You needn’t have worried. Just as I told you then there was no real need because I loved you in so many ways so much. And now it is clearly even more true — you can give me nothing now yet I love you so that you stand in my way of loving anyone else — but I want you to stand there. You, dead, are so much better than anyone else alive.
I know you will assure me that I am foolish and that you want me to have full happiness and don't want to be in my way. I'll bet you are surprised that I don't even have a girlfriend (except you, sweetheart) after two years. But you can't help it, darling, nor can I — I don't understand it, for I have met many girls and very nice ones and I don't want to remain alone — but in two or three meetings they all seem ashes. You only are left to me. You are real.
My darling wife, I do adore you.
I love my wife. My wife is dead.
Rich.
PS Please excuse my not mailing this — but I don't know your new address.
”
”
Richard P. Feynman
“
As the cab drove off, I caught a glimpse of Paul in the crowd and felt a rush of “retrouvailles”, another of those words that do not translate into Englis, which means “the happiness of meeting someone you love again after a long time.l
”
”
Martha Hall Kelly (Lilac Girls (Lilac Girls, #1))
“
He cannot do anything deliberate now. The strain of his whole weight on his outstretched arms hurts too much. The pain fills him up, displaces thought, as much for him as it has for everyone else who has ever been stuck to one of these horrible contrivances, or for anyone else who dies in pain from any of the world’s grim arsenal of possibilities. And yet he goes on taking in. It is not what he does, it is what he is. He is all open door: to sorrow, suffering, guilt, despair, horror, everything that cannot be escaped, and he does not even try to escape it, he turns to meet it, and claims it all as his own. This is mine now, he is saying; and he embraces it with all that is left in him, each dark act, each dripping memory, as if it were something precious, as if it were itself the loved child tottering homeward on the road. But there is so much of it. So many injured children; so many locked rooms; so much lonely anger; so many bombs in public places; so much vicious zeal; so many bored teenagers at roadblocks; so many drunk girls at parties someone thought they could have a little fun with; so many jokes that go too far; so much ruining greed; so much sick ingenuity; so much burned skin. The world he claims, claims him. It burns and stings, it splinters and gouges, it locks him round and drags him down…
All day long, the next day, the city is quiet. The air above the city lacks the usual thousand little trails of smoke from cookfires. Hymns rise from the temple. Families are indoors. The soldiers are back in barracks. The Chief Priest grows hoarse with singing. The governor plays chess with his secretary and dictates letters. The free bread the temple distributed to the poor has gone stale by midday, but tastes all right dipped in water or broth. Death has interrupted life only as much as it ever does. We die one at a time and disappear, but the life of the living continues. The earth turns. The sun makes its way towards the western horizon no slower or faster than it usually does.
Early Sunday morning, one of the friends comes back with rags and a jug of water and a box of the grave spices that are supposed to cut down on the smell. She’s braced for the task. But when she comes to the grave she finds that the linen’s been thrown into the corner and the body is gone. Evidently anonymous burial isn’t quite anonymous enough, after all. She sits outside in the sun. The insects have woken up, here at the edge of the desert, and a bee is nosing about in a lily like silk thinly tucked over itself, but much more perishable. It won’t last long. She takes no notice of the feet that appear at the edge of her vision. That’s enough now, she thinks. That’s more than enough.
Don’t be afraid, says Yeshua. Far more can be mended than you know.
She is weeping. The executee helps her to stand up.
”
”
Francis Spufford (Unapologetic: Why, Despite Everything, Christianity Can Still Make Surprising Emotional Sense)
“
Romance for me is
Meeting yeu after a long time
All those nights i have spent longing to hold yeu
thinking about yeu
And finally being next to yeu
when i still have to hold back
Because there are people around
Romance for me is trying to act normal
And not being able to take my eyes off yeu
”
”
Sandesh Hukpachongbang
“
Romance for me is
Meeting yeu after a long time
After all those nights i have spent longing to hold yeu
thinking about yeu
And finally being next to yeu
when i still have to hold back
Because there are people around
Romance for me is trying to act normal
And not being able to take my eyes off yeu
”
”
Sandesh Hukpachongbang
“
Dear Jessa, I’ve started this letter so many times and I’ve never been able to finish it. So here goes again . . . I’m sorry. I’m sorry that Riley is dead. I’m sorry for ignoring your emails and for not being there for you. I’m sorry I’ve hurt you. There isn’t a day that goes by that I don’t wish it had been me that died and not Riley. If I could go back in time and change everything I would. I’m sorry I left without a word. There’s no excuse for my behaviour but please know that it had nothing to do with you. I was a mess. I haven’t been able to talk to anyone for months. And I felt too guilty and didn’t know how to tell you the truth about what happened. I couldn’t bear the thought of you knowing. I got all your emails but I didn’t read them until last week. I couldn’t face it and I guess that makes me the biggest coward you’ll ever meet. I’m sorry. I’m sorry I never replied. You needed me and I wasn’t there for you. I don’t even know how to ask your forgiveness because I don’t deserve it. I’m just glad you’re doing better. I’m better too. I’ve started seeing a therapist – twice a week – you’d like her. She reminds me of Didi. I never thought I’d be the kind of guy who needed therapy, but they made it a condition of me keeping my job. She’s helped me a lot with getting the panic attacks under control. Working in a room the size of a janitor’s closet helps too – there aren’t too many surprises, only the occasional rogue paperclip. I asked for the posting. I have to thank your dad ironically. The demotion worked out. Kind of funny that I totally get where your father was coming from all those years. Looks like I’ll be spending the remainder of my marine career behind a desk, but I’m OK with that. I don’t know what else to say, Jessa. My therapist says I should just write down whatever comes into my head. So here goes. Here’s what’s in my head . . . I miss you. I love you. Even though I long ago gave up the right to any sort of claim over you, I can’t stop loving you. I won’t ever stop. You’re in my blood. You’re the only thing that got me through this, Jessa. Because even during the bad times, the worst times, the times I’d wake up in a cold sweat, my heart thumping, the times I’d think the only way out was by killing myself and just having it all go away, I’d think of you and it would pull me back out of whatever dark place I’d fallen into. You’re my light, Jessa. My north star. You asked me once to come back to you and I told you I always would. I’m working on it. It might take me a little while, and I know I have no right to ask you to wait for me after everything I’ve done, but I’m going to anyway because the truth is I don’t know how to live without you. I’ve tried and I can’t do it. So please, I’m asking you to wait for me. I’m going to come back to you. I promise. And I’m going to make things right. I’ll do whatever it takes. I’ll never stop trying for the rest of my life to make things right between us. I love you. Always. Kit
”
”
Mila Gray (Come Back to Me (Come Back to Me, #1))
“
MOMENTS
I saw you first
You looked exactly
The same as before
Tall and awkward and shy
I walked towards you
My hands clammy
I felt cold inside
My insides were shaking
Cant run
This is it.
U saw me
Your face brightened
A smile painted on your face
I missed it
Your smile
It brought back the past
You walked
I walked
Nearer
It feels like in the
Movies
Two people
A boy and a girl
Meeting halfway
Hoping for a happy
Ever after
I stopped
Right before I reached you
I realized
This isn't like the movies
I turned
I told myself
Don’t smile
You reached me
Close
So close
I felt the urge
To touch you
Hug you
And maybe
Kiss you
There weren't Hellos
Only silent prayers
Smiling
You reached for my hand
Giving me something
You knew I love
It was awkward
You standing there
Me standing there
So close
Too close
Yet so far
I looked up to you
I tried to ask myself
Are you for real?
You smiled wider
Shy but happy
You left as fast
As you came back
It was for a second
I hated time
I wished it was
A little bit longer
With that,
I knew
I still want you.
”
”
Marianne Escobar
“
There were some children round him playing in the dust on the paths. They had long fair hair, and with very earnest faces and solemn attention were making little mountains of sand so as to stamp on them and squash them underfoot.
Pierre was going through one of those gloomy days when one looks into every corner of one's soul and shakes out every crease.
'Our occupations are like the work of those kids,' he thought. Then he wondered whether after all the wisest course in life was not to beget two or three of these little useless beings and watch them grow with complacent curiosity. And he was touched by the desire to marry. You aren't so lost when you're not alone any more. At any rate you can hear somebody moving near you in times of worry and uncertainty, and it is something anyway to be able to say words of love to a woman when you are feeling down.
He began thinking about women.
His knowledge of them was very limited, as all he had had in the Latin Quarter was affairs of a fortnight or so, dropped when the month's money ran out and picked up again or replaced the following month. Yet kind, gentle, consoling creatures must exist. Hadn't his own mother brought sweet reasonableness and charm to his father's home? How he would have loved to meet a woman, a real woman!
He leaped up, determined to go and pay a little visit to Mme Rosémilly.
But he quickly sat down again. No, he didn't like that one!
”
”
Guy de Maupassant (Pierre et Jean)
“
Born in the East, and clothed in Oriental form and imagery, the Bible walks the ways of all the world with familiar feet, and enters land after land to find its own everywhere. It has learned to speak in hundreds of languages to the heart of man. It comes into the palace to tell the monarch that he is the servant of the Most High, and into the cottage to assure the peasant that he is the son of God. Children listen to its stories with wonder and delight, and wisemen ponder them as parables of life. It has a word of peace for the time of peril, the hour of darkness. Its oracles are repeated in the assembly of the people, and its counsels whispered in the ear of the lonely. The wise and the proud tremble at its warnings, but to the wounded and penitent it has a mother's voice. The wilderness and the solitary place have been made glad by it, and the fire on the hearth has lighted the reading of its well-worn pages. It has woven itself into our deepest affections, and colored our dearest dreams; so that love and friendship, sympathy and devotion, memory and hope, put on the beautiful garments of its treasured speech, breathing of frankincense and myrrh. Above the cradle and beside the grave its great words come to us uncalled. They fill our prayers with power larger than we know, and the beauty of them lingers in our ear long after the sermons which they have adorned have been forgotten. They return to us swiftly and quietly, like birds flying from far away. They surprise us with new meanings, like springs of water breaking forth from the mountain beside a long-forgotten path. They grow richer, as pearls do when they are worn near the heart. No man is poor or desolate who has this treasure for his own. When the landscape darkens and the trembling pilgrim comes to the valley named the shadow, he is not afraid to enter; he takes the rod and staff of Scripture in his hand; he says to friend and comrade, "Good-by, we shall meet again"; and comforted by that support, he goes toward the lonely pass as one who climbs through darkness into light.
”
”
Henry Van Dyke
“
She was the first close friend who I felt like I’d really chosen. We weren’t in each other’s lives because of any obligation to the past or convenience of the present. We had no shared history and we had no reason to spend all our time to gether. But we did. Our friendship intensified as all our friends had children – she, like me, was unconvinced about having kids. And she, like me, found herself in a relationship in her early thirties where they weren’t specifically working towards starting a family.
By the time I was thirty-four, Sarah was my only good friend who hadn’t had a baby. Every time there was another pregnancy announcement from a friend, I’d just text the words ‘And another one!’ and she’d know what I meant.
She became the person I spent most of my free time with other than Andy, because she was the only friend who had any free time. She could meet me for a drink without planning it a month in advance. Our friendship made me feel liberated as well as safe. I looked at her life choices with no sympathy or concern for her. If I could admire her decision to remain child-free, I felt encouraged to admire my own. She made me feel normal. As long as I had our friendship, I wasn’t alone and I had reason to believe I was on the right track.
We arranged to meet for dinner in Soho after work on a Friday. The waiter took our drinks order and I asked for our usual – two Dirty Vodka Martinis.
‘Er, not for me,’ she said. ‘A sparkling water, thank you.’ I was ready to make a joke about her uncharacteristic abstinence, which she sensed, so as soon as the waiter left she said: ‘I’m pregnant.’
I didn’t know what to say. I can’t imagine the expression on my face was particularly enthusiastic, but I couldn’t help it – I was shocked and felt an unwarranted but intense sense of betrayal. In a delayed reaction, I stood up and went to her side of the table to hug her, unable to find words of congratulations. I asked what had made her change her mind and she spoke in vagaries about it ‘just being the right time’ and wouldn’t elaborate any further and give me an answer. And I needed an answer. I needed an answer more than anything that night. I needed to know whether she’d had a realization that I hadn’t and, if so, I wanted to know how to get it.
When I woke up the next day, I realized the feeling I was experiencing was not anger or jealousy or bitterness – it was grief. I had no one left. They’d all gone. Of course, they hadn’t really gone, they were still my friends and I still loved them. But huge parts of them had disappeared and there was nothing they could do to change that. Unless I joined them in their spaces, on their schedules, with their families, I would barely see them.
And I started dreaming of another life, one completely removed from all of it. No more children’s birthday parties, no more christenings, no more barbecues in the suburbs. A life I hadn’t ever seriously contemplated before. I started dreaming of what it would be like to start all over again. Because as long as I was here in the only London I knew – middle-class London, corporate London, mid-thirties London, married London – I was in their world. And I knew there was a whole other world out there.
”
”
Dolly Alderton (Good Material)
“
I’ve done you a disservice,” he said at last. “It’s only fair to let you know, but you won’t have a normal life span.”
I bit my lip. “Have you come to take my soul, then?”
“I told you that’s not my jurisdiction. But you’re not going to die soon. In fact, you won’t die for a long time, far longer than I initially thought, I’m afraid. Nor will you age normally.”
“Because I took your qi?”
He inclined his head. “I should have stopped you sooner.”
I thought of the empty years that stretched ahead of me, years of solitude long after everyone I loved had died. Though I might have children or grandchildren. But perhaps they might comment on my strange youthfulness and shun me as unnatural. Whisper of sorcery, like those Javanese women who inserted gold needles in their faces and ate children. In the Chinese tradition, nothing was better than dying old and full of years, a treasure in the bosom of one’s family. To outlive descendants and endure a long span of widowhood could hardly be construed as lucky. Tears filled my eyes, and for some reason this seemed to agitate Er Lang, for he turned away. In profile, he was even more handsome, if that was possible, though I was quite sure he was aware of it.
“It isn’t necessarily a good thing, but you’ll see all of the next century, and I think it will be an interesting one.”
“That’s what Tian Bai said,” I said bitterly. “How long will I outlive him?”
“Long enough,” he said. Then more gently, “You may have a happy marriage, though.”
“I wasn’t thinking about him,” I said. “I was thinking about my mother. By the time I die, she’ll have long since gone on to the courts for reincarnation. I shall never see her again.” I burst into sobs, realizing how much I’d clung to that hope, despite the fact that it might be better for my mother to leave the Plains of the Dead. But then we would never meet in this lifetime. Her memories would be erased and her spirit lost to me in this form.
“Don’t cry.” I felt his arms around me, and I buried my face in his chest. The rain began to fall again, so dense it was like a curtain around us. Yet I did not get wet.
“Listen,” he said. “When everyone around you has died and it becomes too hard to go on pretending, I shall come for you.”
“Do you mean that?” A strange happiness was beginning to grow, twining and tightening around my heart.
“I’ve never lied to you.”
“Can’t I go with you now?”
He shook his head. “Aren’t you getting married? Besides, I’ve always preferred older women. In about fifty years’ time, you should be just right.”
I glared at him. “What if I’d rather not wait?”
He narrowed his eyes. “Do you mean that you don’t want to marry Tian Bai?”
I dropped my gaze.
“If you go with me, it won’t be easy for you,” he said warningly. “It will bring you closer to the spirit world and you won’t be able to lead a normal life. My work is incognito, so I can’t keep you in style. It will be a little house in some strange town. I shan’t be available most of the time, and you’d have to be ready to move at a moment’s notice.”
I listened with increasing bewilderment. “Are you asking me to be your mistress or an indentured servant?”
His mouth twitched. “I don’t keep mistresses; it’s far too much trouble. I’m offering to marry you, although I might regret it. And if you think the Lim family disapproved of your marriage, wait until you meet mine.”
I tightened my arms around him.
“Speechless at last,” Er Lang said. “Think about your options. Frankly, if I were a woman, I’d take the first one. I wouldn’t underestimate the importance of family.”
“But what would you do for fifty years?”
He was about to speak when I heard a faint call, and through the heavy downpour, saw Yan Hong’s blurred figure emerge between the trees, Tian Bai running beside her. “Give me your answer in a fortnight,” said Er Lang. Then he was gone.
”
”
Yangsze Choo (The Ghost Bride)
“
When Elizabeth finally descended the stairs on her way to the dining room she was two hours late. Deliberately.
“Good heavens, you’re tardy, my dear!” Sir Francis said, shoving back his chair and rushing to the doorway where Elizabeth had been standing, trying to gather her courage to do what needed to be done. “Come and meet my guests,” he said, drawing her forward after a swift, disappointed look at her drab attire and severe coiffure. “We did as you suggested in your note and went ahead with supper. What kept you abovestairs so long?”
“I was at prayer,” Elizabeth said, managing to look him straight in the eye.
Sir Francis recovered from his surprise in time to introduce her to the three other people at the table-two men who resembled him in age and features and two women of perhaps five and thirty who were both attired in the most shockingly revealing gowns Elizabeth had ever seen.
Elizabeth accepted a helping of cold meat to silence her protesting stomach while both women studied her with unhidden scorn. “That is a most unusual ensemble you’re wearing, I must say,” remarked the woman named Eloise. “Is it the custom where you come from to dress so…simply?”
Elizabeth took a dainty bite of meat. “Not really. I disapprove of too much personal adornment.” She turned to Sir Francis with an innocent stare. “Gowns are expensive. I consider them a great waste of money.”
Sir Francis was suddenly inclined to agree, particularly since he intended to keep her naked as much as possible. “Quite right!” he beamed, eyeing the other ladies with pointed disapproval. “No sense in spending all that money on gowns. No point in spending money at all.”
“My sentiments exactly,” Elizabeth said, nodding. “I prefer to give every shilling I can find to charity instead.”
“Give it away?” he said in a muted roar, half rising out of his chair. Then he forced himself to sit back down and reconsider the wisdom of wedding her. She was lovely-her face more mature then he remembered it, but not even the black veil and scraped-back hair could detract from the beauty of her emerald-green eyes with their long, sooty lashes. Her eyes had dark circles beneath them-shadows he didn’t recall seeing there earlier in the day. He put the shadows down to her far-too-serious nature. Her dowry was creditable, and her body beneath that shapeless black gown…he wished he could see her shape. Perhaps it, too, had changed, and not for the better, in the past few years.
“I had hoped, my dear,” Sir Francis said, covering her hand with his and squeezing it affectionately, “that you might wear something else down to supper, as I suggested you should.”
Elizabeth gave him an innocent stare. “This is all I brought.”
“All you brought?” he uttered. “B-But I definitely saw my footmen carrying several trunks upstairs.”
“They belong to my aunt-only one of them is mine,” she fabricated hastily, already anticipating his next question and thinking madly for some satisfactory answer.
“Really?” He continued to eye her gown with great dissatisfaction, and then he asked exactly the question she’d expected: “What, may I ask, does your one truck contain if not gowns?”
Inspiration struck, and Elizabeth smiled radiantly. “Something of great value. Priceless value,” she confided.
All faces at the table watched her with alert fascination-particularly the greedy Sir Francis. “Well, don’t keep us in suspense, love. What’s in it?”
“The mortal remains of Saint Jacob.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
One of my greatest concerns for the young women of the Church is that they will sell themselves short in dating and marriage by forgetting who they really are--daughters of a loving Heavenly Father. . . . Unfortunately, a young woman who lowers her standards far enough can always find temporary acceptance from immature and unworthy young men. . . .
At their best, daughters of God are loving, caring, understanding, and sympathetic. This does not mean they are also gullible, unrealistic, or easily manipulated. If a young man does not measure up to the standards a young woman has set, he may promise her that he will change if she will marry him first. Wise daughters of God will insist that young men who seek their hand in marriage change before the wedding, not after. (I am referring here to the kind of change that will be part of the lifelong growth of every disciple.) He may argue that she doesn't really believe in repentance and forgiveness. But one of the hallmarks of repentance is forsaking sin. Especially when the sin involves addictive behaviors or a pattern of transgression, wise daughters of God insist on seeing a sustained effort to forsake sin over a long period of time as true evidence of repentance. They do not marry someone because they believe they can change him. Young women, please do not settle for someone unworthy of your gospel standards.
On the other hand, young women should not refuse to settle down. There is no right age for young men or young women to marry, but there is a right attitude for them to have about marriage: "Thy will be done" . . . . The time to marry is when we are prepared to meet a suitable mate, not after we have done all the enjoyable things in life we hoped to do while we were single. . . .
When I hear some young men and young women set plans in stone which do not include marriage until after age twenty-five or thirty or until a graduate degree has been obtained, I recall Jacob's warning, "Seek not to counsel the Lord, but to take counsel from his hand" (Jacob 4:10). . . .
How we conduct ourselves in dating relationships is a good indication of how we will conduct ourselves in a marriage relationship. . . .
Individuals considering marriage would be wise to conduct their own prayerful due diligence--long before they set their hearts on marriage. There is nothing wrong with making a T-square diagram and on either side of the vertical line listing the relative strengths and weaknesses of a potential mate. I sometimes wonder whether doing more homework when it comes to this critical decision would spare some Church members needless heartache. I fear too many fall in love with each other or even with the idea of marriage before doing the background research necessary to make a good decision.
It is sad when a person who wants to be married never has the opportunity to marry. But it is much, much sadder to be married to the wrong person. If you do not believe me, talk with someone who has made that mistake. Think carefully about the person you are considering marrying, because marriage should last for time and for all eternity.
”
”
Robert D. Hales (Return: Four Phases of our Mortal Journey Home)
“
Maybe I . . . shouldn’t tell him what I thought I’d heard. Not until I knew more. How exactly would I put the revelation anyway? Jack’s alive, but apparently he kept that little detail secret. Ah, but Matthew spilled the beans! Buying myself time, I waved Aric on.
I was scarcely listening as he began talking about Paul, of all people. How the EMT had grown worried when I’d been shut in with my grandmother for so long. How I had lost weight and become listless. The man had pleaded with me to get a checkup, even offering to source contraception after Aric and I had started sleeping together.
Wait. I glanced up. “After?”
Aric nodded. “He said you told him you had no need of contraception.”
The hell? “I went to him and got a shot prior to us getting together. I told you about it.”
“As I told him in turn, but he swears that never happened.”
Real? Unreal? Had I . . . imagined my meeting with Paul? I’d already feared gaps in my memory; Gran had told me things that I’d had no recollection of. Was I now inventing memories?
Had I invented Jack’s return?
In a soothing voice, Aric said, “I’m not angry, love. Just talk to me.” He wasn’t the first person to look at me as if I’d gone insane, like I was trouble with the possibility of rubble.
Won’t be the last.
No. I refused this. I had heard Jack, and I had gotten that shot. “It did happen, which means Paul’s a liar.” But why would he lie? “I’m going to confront him.” In time. Right now, all I wanted was to hear from Matthew again.
Yet I frowned as a thought occurred. “Why would you be talking to Paul about contraception?”
Aric tucked my hair behind my ear. “Sievā,” he said gently, “do you not know you’re pregnant?”
Tick-tock.
”
”
Kresley Cole (Arcana Rising (The Arcana Chronicles, #4))
“
I have put you on a horse—that same horse—and watched you ride away from me before. I thought I should never get over it that first time. I think I followed you for that; not for any noble desire to help you save Damar; only to pick up whatever pieces Agsded might have left of you.… I know I shall never get over it this time. If you do it, someday, a third time, it will probably kill me.” Aerin tried to smile, but Luthe stopped her with a kiss. “Go now. A quick death is the best, I believe.”
“You can’t scare me,” Aerin said, almost succeeding in keeping her voice level. “You told me long ago that you aren’t mortal.”
“I never said I can’t be killed,” replied Luthe. “If you wish to chop logic with me, my dearest love, you must make sure of your premises.”
“I shall practice them—while—I shall practice, that I may dazzle you when next we meet.”
There was a little silence, and Luthe said, “You need not try to dazzle me.”
“I must go,” Aerin said hopelessly, and flung herself at Talat just as she had done once before. “I will see you again.”
Luthe nodded.
She almost could not say the words: “But it will be a long time—long and long.”
Luthe nodded again.
“But we shall meet.”
Luthe nodded a third time.
“Gods of all the worlds, say something,” she cried, and Talat startled beneath her.
“I love you,” said Luthe. “I will love you till the stars crumble, which is a less idle threat than is usual to lovers on parting. Go quickly, for truly I cannot bear this.”
She closed her legs violently around the nervous Talat, and he leaped into a gallop. Long after Aerin was out of sight, Luthe lay full length upon the ground, and pressed his ear to it, and listened to Talat’s hoofbeats carrying Aerin farther and farther away.
”
”
Robin McKinley (The Hero and the Crown (Damar, #2))
“
Flying Home
As this plane dragged
its track of used ozone half the world long
thrusts some four hundred of us
toward places where actual known people
live and may wait,
we diminish down in our seats,
disappeared into novels of lives clearer than ours,
and yet we do not forget for a moment
the life down there, the doorway each will soon enter:
where I will meet her again
and know her again,
dark radiance with, and then mostly without, the stars.
Very likely she has always understood
what I have slowly learned,
and which only now, after being away, almost as far away
as one can get on this globe, almost
as far as thoughts can carry - yet still in her presence,
still surrounded not so much by reminders of her
as by things she had already reminded me of,
shadows of her
cast forward and waiting - can I try to express:
that love is hard,
that while many good things are easy, true love is not,
because love is first of all a power,
its own power,
which continually must make its way forward, from night
into day, from transcending union always forward into difficult day.
And as the plane descends, it comes to me
in the space
where tears stream down across the stars,
tears fallen on the actual earth
where their shining is what we call spirit,
that once the lover
recognizes the other, knows for the first time
what is most to be valued in another,
from then on, love is very much like courage,
perhaps it is courage, and even
perhaps
only courage.
Squashed
out of old selves, smearing the darkness
of expectation across experience, all of us little
thinkers it brings home having similar thoughts
of landing to the imponderable world,
the transoceanic airliner,
resting its huge weight down, comes in almost lightly,
to where
with sudden, tiny, white puffs and long, black, rubberish smears
all its tires know the home ground.
”
”
Galway Kinnell
“
I will have you for husband tonight,” she said in fierce, low tones, “or I will not go until I do!” “If there was any way, I would,” he protested. “Daise Congar would crack my head if I wanted to go against custom. For the love of the Light, Faile, just carry the message, and I’ll wed you the very first day I can.” He would. If that day ever came. Suddenly she was very intent on his beard, smoothing it and not meeting his eyes. She started speaking slowly but picked up speed like a runaway horse. “I … just happened to mention … in passing … I just mentioned to Mistress al’Vere how we had been traveling together—I don’t know how it came up—and she said—and Mistress Congar agreed with her—not that I talked to everybody!—she said that we probably—certainly—could be considered betrothed already under your customs, and the year is just to make sure you really do get on well together—which we do, as anyone can see—and here I am being as forward as some Domani hussy or one of those Tairen galls—if you ever even think of Berelain—oh, Light, I’m babbling, and you won’t even—” He cut her off by kissing her as thoroughly as he knew how. “Will you marry me?” he said breathlessly when he was done. “Tonight?” He must have done ever better with the kiss than he thought; he had to repeat himself six times, with her giggling against his throat and demanding he say it again, before she seemed to understand. Which was how he found himself not half an hour later kneeling opposite her in the common room, in front of Daise Congar and Marin al’Vere, Alsbet Luhhan and Neysa Ayellin and all the Women’s Circle. Loial had been roused to stand for him with Aram, and Bain and Chiad stood for Faile. There were no flowers to put in her hair or his, but Bain, guided by Marin, tucked a long red wedding ribbon around his neck, and Loial threaded another through Faile’s dark hair, his thick fingers surprisingly deft and gentle. Perrin’s hands trembled as he cupped hers. “I, Perrin Aybara, do pledge you my love, Faile Bashere, for as long as I live.” For as long as I live and after. “What I possess in this world I give to you.” A horse, an axe, a bow. A hammer. Not much to gift a bride. I give you life, my love. It’s all I have. “I will keep and hold you, succor and tend you, protect and shelter you, for all the days of my life.” I can’t keep you; the only way I can protect you is to send you away. “I am yours, always and forever.” By the time he finished, his hands were shaking visibly. Faile moved her hands to hold his. “I, Zarine Bashere …” That was a surprise; she hated that name. “ … do pledge you my love, Perrin Aybara … .” Her hands never trembled at all.
”
”
Robert Jordan (The Shadow Rising (The Wheel of Time, #4))
“
At Bridgewater, criticism is encouraged, including subordinates criticizing superiors. Do any of your employees ever criticize you? All the time. Can you give me an example? I was in a client meeting with a big European pension fund that was visiting managers in Connecticut. After the meeting, the salesperson criticized me for being inarticulate, running on too long, and adversely affecting the meeting. I asked others who had been at the meeting for their opinions. I was given a grade of “F” by one of our new analysts who was just one year out of school. I loved it because I knew they were helping me improve and that they understood that was what they were supposed to be doing.
”
”
Jack D. Schwager (Hedge Fund Market Wizards: How Winning Traders Win)
“
Imagine going a long time without seeing someone you love. Then after months or years getting the moment to see them and catch up. I think that's what death is like. Going a long time and missing them a lot, more and more each day. No matter how many years go by you miss them just as much as the first day they left. I miss my mom. Its been years. Its easier to manage but I miss her more and more. But I often think of the moment we will meet again and catch up again. In living life going a long time not seeing someone is tough then catching up right where you left off BUT imagine in death how powerful the feeling to see them again must be. Death is getting the chance to catch up and see them again. Experiencing the butterflies and that special high that is felt all over your body. Do not fear death. Embrace it as you do life. In life, love hard! Life moves fast. For when your time comes you have a chance to love hard again and catch up with those that left, those you've missed and those that missed you. Someone is there counting the days to seeing you again. Some you may not expect or some you've missed just as much. Don't fear what you think you're leaving behind. Don't fear at all. For what you leave is temporary, the living will too join you as you wait for them. And, that moment to catch up is worth the wait. You will pick up right where you left off as if time did not pass.
”
”
Jill Telford
“
Risking a glance at the dignified young man beside her- what was his name?- Mr. Arthurson, Arterton?- Pandora decided to try her hand at some small talk.
"It was very fine weather today, wasn't it?" she said.
He set down his flatware and dabbed at both corners of his mouth with his napkin before replying. "Yes, quite fine."
Encouraged, Pandora asked, "What kind of clouds do you like better- cumulus or stratocumulus?"
He regarded her with a slight frown. After a long pause, he asked, "What is the difference?"
"Well, cumulus are the fluffier, rounder clouds, like this heap of potatoes on my plate." Using her fork, Pandora spread, swirled, and dabbed the potatoes. "Stratocumulus are flatter and can form lines or waves- like this- and can either form a large mass or break into smaller pieces."
He was expressionless as he watched her. "I prefer flat clouds that look like a blanket."
"Altostratus?" Pandora asked in surprise, setting down her fork. "But those are the boring clouds. Why do you like them?"
"They usually mean it's going to rain. I like rain."
This showed promise of actually turning into a conversation. "I like to walk in the rain, too," Pandora exclaimed.
"No, I don't like to walk in it. I like to stay in the house." After casting a disapproving glance at her plate, the man returned his attention to eating.
Chastened, Pandora let out a noiseless sigh. Picking up her fork, she tried to inconspicuously push her potatoes into a proper heap again.
Fact #64 Never sculpt your food to illustrate a point during small talk. Men don't like it.
As Pandora looked up, she discovered Phoebe's gaze on her. She braced inwardly for a sarcastic remark.
But Phoebe's voice was gentle as she spoke. "Henry and I once saw a cloud over the English Channel that was shaped in a perfect cylinder. It went on as far as the eye could see. Like someone had rolled up a great white carpet and set it in the sky."
It was the first time Pandora had ever heard Phoebe mention her late husband's name. Tentatively, she asked, "Did you and he ever try to find shapes in the clouds?"
"Oh, all the time. Henry was very clever- he could find dolphins, ships, elephants, and roosters. I could never see a shape until he pointed it out. But then it would appear as if by magic." Phoebe's gray eyes turned crystalline with infinite variations of tenderness and wistfulness.
Although Pandora had experienced grief before, having lost both parents and a brother, she understood that this was a different kind of loss, a heavier weight of pain. Filled with compassion and sympathy, she dared to say, "He... he sounds like a lovely man."
Phoebe smiled faintly, their gazes meeting in a moment of warm connection. "He was," she said. "Someday I'll tell you about him."
And finally Pandora understood where a little small talk about the weather might lead.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
The Portal Potion Success! After weeks and weeks of trying, I’ve finally discovered the correct ingredients for the potion I’d hoped to create for my son! With just a few drops, the potion turns any written work into a portal to the world it describes. Even with my ability to create portals to and from the Otherworld, I never thought it would be possible to create a substance that allowed me passage to any world I wished. My son will get to see the places and meet the characters he’s spent his whole childhood dreaming about! And best of all, I’ll get to watch his happiness soar as it happens! The ingredients are much simpler than I imagined, but difficult to obtain. Their purposes are more metaphysical than practical, so it took some imagination to get the concoction right. The first requirement is a branch from the oldest tree in the woods. To bring the pages to life, I figured the potion would need the very thing that brought the paper to life in the first place. And what else has more life than an ancient tree? The second ingredient is a feather from the finest pheasant in the sky. This will guarantee your potion has no limits, like a bird in flight. It will ensure you can travel to lands far and wide, beyond your imagination. The third component is a liquefied lock and key that belonged to a true love. Just as this person unlocked your heart to a life of love, it will open the door of the literary dimensions your heart desires to experience. The fourth ingredient is two weeks of moonlight. Just as the moon causes waves in the ocean, the moonlight will stir your potion to life. Last, but most important, give the potion a spark of magic to activate all the ingredients. Send it a beam of joy straight from your heart. The potion does not work on any biographies or history books, but purely on works that have been imagined. Now, I must warn about the dangers of entering a fictional world: 1. Time only exists as long as the story continues. Be sure to leave the book before the story ends, or you may disappear as the story concludes. 2. Each world is made of only what the author describes. Do not expect the characters to have any knowledge of our world or the Otherworld. 3. Beware of the story’s villains. Unlike people in our world or the Otherworld, most literary villains are created to be heartless and stripped of all morals, so do not expect any mercy should you cross paths with one. 4. The book you choose to enter will act as your entrance and exit. Be certain nothing happens to it; it is your only way out. The
”
”
Chris Colfer (Beyond the Kingdoms (The Land of Stories, #4))
“
How was I ever going to explain to him, or to myself, why I couldn’t go to his home and meet his family, though every part of me was dying to? Oliver wife. Oliver sons. Oliver pets. Oliver study, desk, books, world, life. What had I expected? A hug, a handshake, a perfunctory hail-fellow-well-met, and then the unavoidable Later! ?
The very possibility of meeting his family suddenly alarmed me—too real, too sudden, too in-my-face, not rehearsed enough. Over the years I’d lodged him in the permanent past, my pluperfect lover, put him on ice, stuffed him with memories and mothballs like a hunted ornament confabulating with the ghost of all my evenings. I’d dust him off from time to time and then put him back on the mantelpiece. He no longer belonged to earth or to life. All I was likely to discover at this point wasn’t just how distant were the paths we’d taken, it was the measure of loss that was going to strike me—a loss I didn’t mind thinking about in abstract terms but which would hurt when stared at in the face, the way nostalgia hurts long after we’ve stopped thinking of things we’ve lost and may never have cared for.
Or was it that I was jealous of his family, of the life he’d made for himself, of the things I never shared and couldn’t possibly have known about? Things he had longed for, loved, and lost, and whose loss had crushed him, but whose presence in his life, when he had them, I wasn’t there to witness and wouldn’t know the first thing about. I wasn’t there when he’d acquired them, wasn’t there when he’d given them up. Or was it much, much simpler? I had come to see if I felt something, if something was still alive. The trouble was I didn’t want anything to be alive either.
”
”
André Aciman (Call Me by Your Name)
“
What to Make a Game About? Your dog, your cat, your child, your boyfriend, your girlfriend, your mother, your father, your grandmother, your friends, your imaginary friends, your summer vacation, your winter in the mountains, your childhood home, your current home, your future home, your first job, your worst job, the job you wish you had. Your first date, your first kiss, your first fuck, your first true love, your second true love, your relationship, your kinks, your deepest secrets, your fantasies, your guilty pleasures, your guiltless pleasures, your break-up, your make-up, your undying love, your dying love. Your hopes, your dreams, your fears, your secrets, the dream you had last night, the thing you were afraid of when you were little, the thing you’re afraid of now, the secret you think will come back and bite you, the secret you were planning to take to your grave, your hope for a better world, your hope for a better you, your hope for a better day. The passage of time, the passage of memory, the experience of forgetting, the experience of remembering, the experience of meeting a close friend from long ago on the street and not recognizing her face, the experience of meeting a close friend from long ago and not being recognized, the experience of aging, the experience of becoming more dependent on the people who love you, the experience of becoming less dependent on the people you hate. The experience of opening a business, the experience of opening the garage, the experience of opening your heart, the experience of opening someone else’s heart via risky surgery, the experience of opening the window, the experience of opening for a famous band at a concert when nobody in the audience knows who you are, the experience of opening your mind, the experience of taking drugs, the experience of your worst trip, the experience of meditation, the experience of learning a language, the experience of writing a book. A silent moment at a pond, a noisy moment in the heart of a city, a moment that caught you unprepared, a moment you spent a long time preparing for, a moment of revelation, a moment of realization, a moment when you realized the universe was not out to get you, a moment when you realized the universe was out to get you, a moment when you were totally unaware of what was going on, a moment of action, a moment of inaction, a moment of regret, a moment of victory, a slow moment, a long moment, a moment you spent in the branches of a tree. The cruelty of children, the brashness of youth, the wisdom of age, the stupidity of age, a fairy tale you heard as a child, a fairy tale you heard as an adult, the lifestyle of an imaginary creature, the lifestyle of yourself, the subtle ways in which we admit authority into our lives, the subtle ways in which we overcome authority, the subtle ways in which we become a little stronger or a little weaker each day. A trip on a boat, a trip on a plane, a trip down a vanishing path through a forest, waking up in a darkened room, waking up in a friend’s room and not knowing how you got there, waking up in a friend’s bed and not knowing how you got there, waking up after twenty years of sleep, a sunset, a sunrise, a lingering smile, a heartfelt greeting, a bittersweet goodbye. Your past lives, your future lives, lies that you’ve told, lies you plan to tell, lies, truths, grim visions, prophecy, wishes, wants, loves, hates, premonitions, warnings, fables, adages, myths, legends, stories, diary entries. Jumping over a pit, jumping into a pool, jumping into the sky and never coming down. Anything. Everything.
”
”
Anna Anthropy (Rise of the Videogame Zinesters)
“
It is already the fashion to diminish Eliot by calling him derivative, the mouthpiece of Pound, and so forth; and yet if one wanted to understand the apocalypse of early modernism in its true complexity it would be Eliot, I fancy, who would demand one's closest attention. He was ready to rewrite the history of all that interested him in order to have past and present conform; he was a poet of apocalypse, of the last days and the renovation, the destruction of the earthly city as a chastisement of human presumption, but also of empire. Tradition, a word we especially associate with this modernist, is for him the continuity of imperial deposits; hence the importance in his thought of Virgil and Dante. He saw his age as a long transition through which the elect must live, redeeming the time. He had his demonic host, too; the word 'Jew' remained in lower case through all the editions of the poems until the last of his lifetime, the seventy-fifth birthday edition of 1963. He had a persistent nostalgia for closed, immobile hierarchical societies. If tradition is, as he said in After Strange Gods--though the work was suppressed--'the habitual actions, habits and customs' which represent the kinship 'of the same people living in the same place' it is clear that Jews do not have it, but also that practically nobody now does. It is a fiction, a fiction cousin to a myth which had its effect in more practical politics. In extenuation it might be said that these writers felt, as Sartre felt later, that in a choice between Terror and Slavery one chooses Terror, 'not for its own sake, but because, in this era of flux, it upholds the exigencies proper to the aesthetics of Art.'
The fictions of modernist literature were revolutionary, new, though affirming a relation of complementarity with the past. These fictions were, I think it is clear, related to others, which helped to shape the disastrous history of our time. Fictions, notably the fiction of apocalypse, turn easily into myths; people will live by that which was designed only to know by. Lawrence would be the writer to discuss here, if there were time; apocalypse works in Woman in Love, and perhaps even in Lady Chatterley's Lover, but not n Apocalypse, which is failed myth. It is hard to restore the fictive status of what has become mythical; that, I take it, is what Mr. Saul Bellow is talking about in his assaults on wastelandism, the cant of alienation. In speaking of the great men of early modernism we have to make very subtle distinctions between the work itself, in which the fictions are properly employed, and obiter dicta in which they are not, being either myths or dangerous pragmatic assertions. When the fictions are thus transformed there is not only danger but a leak, as it were, of reality; and what we feel about. all these men at times is perhaps that they retreated inso some paradigm, into a timeless and unreal vacuum from which all reality had been pumped. Joyce, who was a realist, was admired by Eliot because he modernized myth, and attacked by Lewis because he concerned himself with mess, the disorders of common perception. But Ulysses ,alone of these great works studies and develops the tension between paradigm and reality, asserts the resistance of fact to fiction, human freedom and unpredictability against plot. Joyce chooses a Day; it is a crisis ironically treated. The day is full of randomness. There are coincidences, meetings that have point, and coincidences which do not. We might ask whether one of the merits of the book is not its lack of mythologizing; compare Joyce on coincidence with the Jungians and their solemn concordmyth, the Principle of Synchronicity. From Joyce you cannot even extract a myth of Negative Concord; he shows us fiction fitting where it touches. And Joyce, who probably knew more about it than any of the others, was not at tracted by the intellectual opportunities or the formal elegance of fascism.
”
”
Frank Kermode (The Sense of an Ending: Studies in the Theory of Fiction)
“
Two hours later there was no call, and still no answer when I tried his cell phone. Around midnight, the clock and I had a conversation, I told the clock I wanted to wait another fifteen minutes before my new life began, the life in which Karl had been killed in a plane crash. I requested fifteen minutes more in this world—which I was quickly coming to see as the past—before figuring out who to call, who to wake up. You’ll remember this feeling when the phone rings, I told myself. You’ll remember how scared you were when he calls to tell you he’s fine. And it was true. As many times as I’ve been in exactly this situation, I never forget it, and it never fails to shock me, the flood of adrenaline that does not serve for fight or flight but drowns me. At twelve-thirty I shifted my perspective again, from wondering what it would be like if he were dead to the knowledge that he was dead, and I decided I could wait another fifteen minutes. He would be dead forever, so what difference did it make if I have myself a little more time? I still had no idea what I was supposed to do.
After I had extended the final cutoff two more times, he walked in the door. That’s how these stories always end, of course, except for the one time they don’t. I saw the headlights against the garage door and went outside in the rain to meet him with my love and my rage and my sick relief. I wanted to kill him because he had not been killed. I wanted to step into his open jacket and stay there for the rest of my life. How had he not called?
“I did call. I called you from Kentucky.”
“But you never told me you’d left Kentucky.”
“It took a long time to get the transponder fixed.”
“Then why didn’t you call to say you’d landed?”
“It was too late.” In the house, he went to the refrigerator and poured himself a glass of orange juice. He was dead tired but not dead. “I didn’t want to wake you up.”
He might as well have said, I thought you were sleeping because I have no idea who you are, or who any normal people.
I stayed awake for what was left of the night to watch him, just to make sure he was really there.
”
”
Ann Patchett (These Precious Days: Essays)
“
She kissed his lips and felt his smile form. Alone in this beautiful space, Blake and Livia made things right. Blake kissed her slowly and patiently, like he had all the time in the world. Carefully, they eased back to lie down, and Blake braced himself above her.
He smelled of mint and fresh soap. Livia put her hands on his chest and felt the densely packed muscles there.
Empowered by his adoration, she shrugged off her fleece shirt, enjoying the feeling of being trapped between his arms.
Blake’s eyes became stormy seas. “Damn it all to hell,” he cursed.
Despite his words, Livia believed she was winning this battle of seduction. Blake kissed her mouth and sucked on her bottom lip. He moved to her earlobe and breathed, “First, I will blow, then I will lick, last I will bite.”
Holy crap.
Blake blew a gentle stream of minty breath along the outside of Livia’s ear, down to her neck, and along the edge of her breasts where they peeked out of her bright blue bra. Blake took his time creating an elaborate pattern on her stomach, and Livia was pretty sure he’d spelled the word torture. He increased the pressure of his breath as he grazed below her belly button to the top of her jeans. He skipped back to her mouth and gave her another long, slow kiss.
“And now I lick,” he murmured.
Livia bit back the embarrassingly loud moan she felt building. He gently traced the same trail his breath had left, this time with his tongue. When he reached her breast, she lost control and grabbed his hair, intent on kissing him.
“No. No.” Blake held her wrists above her head. “I’ve done this to you so many times in my mind. I won’t have you rush me.”
Livia groaned and arched her back in an effort to change his mind. But his slow, sexy smile told her he was doing it his way.
“Fine.” Livia dutifully kept her hands above her head as he picked up where he’d left off.
His tongue had her making noises that surely scared the wildlife. He spent an inordinate amount of time licking just above her belt buckle. Then again he was back to her mouth.
He spoke through his kiss. “I’m going to bite you now.”
Blake began down the same flaming path on Livia’s body with his teeth, nibbling in time with her heartbeat. When it speeded up, he bit slightly harder.
After what seemed to be sixteen million glorious years, Blake was at the top of her jeans again. A light, almost invisible, mist from the gray clouds now gave the clearing a slick sheen. The cool rain and his hot mouth were ecstasy.
Blake unbuckled her belt and used his tongue and teeth to unbutton her jeans. He chuckled as he flipped her zipper with his teeth. Each pop of the releasing zipper filled the woods as he blew again on the newly revealed skin.
Livia knew what to expect this time: blow, lick, bite. Oh, sweet God! This is heaven. At last, Livia could no longer obey and reached her hands down to his angelic face.
Blake glanced up as if to rebuke her, but quickly smiled and let her sit up to meet his lips.
Love. Crazy, soon, ever. Love, Livia’s mind raged. She tried to tell him with kisses, but it wasn’t enough. Blake knelt before her, and Livia straddled his thighs. She pulled back to try putting it into words and noticed how Blake glistened, covered in tiny raindrops. The clear, cool pond she’d described to Cole had just exploded over them. But instead of drowning, they wore it like a cloak.
”
”
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
“
Will you never forgive me for what I did so long ago, Jane?”
The soft question caught her off guard. “Would you do it again if you had the chance?” She could hardly breathe, awaiting his answer.
With a low oath, he glanced away. Then his features hardened into those of the rigid and arrogant Dom he had become. “Yes. I did the only thing I could to keep you happy.”
Her breath turned to ice in her throat. “That’s the problem. You still really believe that.”
His gaze swung to her again, but before he could say anything more, noises in the hall arrested them both.
“It’s gone very quiet in there.” It was the duke’s voice, remarkably clear, sounding as if it came from right outside the door. “Perhaps we should knock first.”
Oh no! As Jane frantically set her gown to rights, she heard Lisette say, “Don’t you dare bother them, Max. I’m sure everything’s fine. Let’s come back later.”
With panic growing in her belly, Jane glanced around for her tucker. Wordlessly, Dom plucked it from the back of a chair and handed it to her.
Without meeting his gaze, she pinned it into her bodice, hoping to hide the tiny holes where Dom had unwittingly ripped it free of its pins.
“Besides,” drawled Tristan, “it’s not as if Dom will seduce her or anything. That’s not his vice.”
Sweet Lord, were they all right outside the door?
“I’m not worried about that,” Max answered. “Miss Vernon isn’t the sort to let him seduce her.”
As Jane tensed, Dom hissed under his breath, “Do the blasted idiots not realize we can hear them?”
“Apparently not.”
Dom furtively adjusted his trousers, which seemed to be rather…oddly protruding just now.
Ohhh. Right. This was one time she wished Nancy hadn’t been so forthcoming about what happened to a man’s body when he was aroused. So that, not his pistol, had been the odd bulge digging into her.
Definitely not a pistol. Her cheeks positively flamed. Faith, how could she even face his family after this and not give away what she and Dom had been doing?
Mortified, she hurried to the looking glass to fix her hair. While she stuffed tendrils back into place and repinned drooping curls, Dom came up behind her to meet her gaze in the mirror. “Before we let them in, I want an answer to my question about Blakeborough.”
Curse the stubborn man. How could she tell Dom she was so pathetic that she hadn’t even managed to find another man to love in all the years they’d spent apart? That she’d been foolish enough to wait around for Dom all this time, when he’d happily gone on living his life without her? Her pride couldn’t endure having him know that.
To her relief, Tristan said, “Well, whatever they’re up to, we have to get moving.” A knock sounded at the door. “Dom? Jane? Are you done talking?”
She met Dom’s gaze with a certain defiance, and he arched one eyebrow in question.
So she took matters into her own hands and strode for the door. Caught off guard, Dom swore behind her and snatched up his greatcoat just as she opened the door and said, “Please come in. We’re quite finished.”
In more ways than one.
Their companions trooped in, casting her and Dom wary glances. Jane looked over to see Dom holding his greatcoat looped over his arm as if to shield the front of him. That brought the blushes back to her cheeks.
She caught Lisette furtively watching her, and she cursed herself for wearing her emotions on her sleeve. Better shift her attention elsewhere before Lisette guessed just how shameless she’d been.
”
”
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
“
What franticke fit (quoth he) hath thus distraught
Thee, foolish man, so rash a doome to give?
What justice ever other judgement taught,
But he should die, who merites not to live?
None else to death this man despayring drive,
But his owne guiltie mind deserving death.
Is then unjust to each his due to give?
Or let him die, that loatheth living breath?
Or let him die at ease, that liveth here uneath?
Who travels by the wearie wandring way,
To come unto his wished home in haste,
And meetes a flood, that doth his passage stay,
Is not great grace to helpe him over past,
Or free his feet, that in the myre sticke fast?
Most envious man, that grieves at neighbours good,
And fond, that joyest in the woe thou hast,
Why wilt not let him passe, that long hath stood
Upon the banke, yet wilt thy selfe not passe the flood?
He there does now enjoy eternall rest
And happie ease, which thou doest want and crave,
And further from it daily wanderest:
What if some litle paine the passage have,
That makes fraile flesh to feare the bitter wave?
Is not short paine well borne, that brings long ease,
And layes the soule to sleepe in quiet grave?
Sleepe after toyle, port after stormie seas,
Ease after warre, death after life does greatly please.
[...]
Is not his deed, what ever thing is donne,
In heaven and earth? did not he all create
To die againe? all ends that was begonne.
Their times in his eternall booke of fate
Are written sure, and have their certaine date.
Who then can strive with strong necessitie,
That holds the world in his still chaunging state,
Or shunne the death ordaynd by destinie?
When houre of death is come, let none aske whence, nor why.
The lenger life, I wote the greater sin,
The greater sin, the greater punishment:
All those great battels, which thou boasts to win,
Through strife, and bloud-shed, and avengement,
Now praysd, hereafter deare thou shalt repent:
For life must life, and bloud must bloud repay.
Is not enough thy evill life forespent?
For he, that once hath missed the right way,
The further he doth goe, the further he doth stray.
Then do no further goe, no further stray,
But here lie downe, and to thy rest betake,
Th'ill to prevent, that life ensewen may.
For what hath life, that may it loved make,
And gives not rather cause it to forsake?
Feare, sicknesse, age, losse, labour, sorrow, strife,
Paine, hunger, cold, that makes the hart to quake;
And ever fickle fortune rageth rife,
All which, and thousands mo do make a loathsome life.
Thou wretched man, of death hast greatest need,
If in true ballance thou wilt weigh thy state:
For never knight, that dared warlike deede,
More lucklesse disaventures did amate:
Witnesse the dongeon deepe, wherein of late
Thy life shut up, for death so oft did call;
And though good lucke prolonged hath thy date,
Yet death then, would the like mishaps forestall,
Into the which hereafter thou maiest happen fall.
Why then doest thou, O man of sin, desire
To draw thy dayes forth to their last degree?
Is not the measure of thy sinfull hire
High heaped up with huge iniquitie,
Against the day of wrath, to burden thee?
Is not enough, that to this Ladie milde
Thou falsed hast thy faith with perjurie,
And sold thy selfe to serve Duessa vilde,
With whom in all abuse thou hast thy selfe defilde?
Is not he just, that all this doth behold
From highest heaven, and beares an equall eye?
Shall he thy sins up in his knowledge fold,
And guiltie be of thine impietie?
Is not his law, Let every sinner die:
Die shall all flesh? what then must needs be donne,
Is it not better to doe willinglie,
Then linger, till the glasse be all out ronne?
Death is the end of woes: die soone, O faeries sonne.
”
”
Edmund Spenser (The Faerie Queene)
“
The Garden"
How vainly men themselves amaze
To win the palm, the oak, or bays,
And their uncessant labours see
Crown’d from some single herb or tree,
Whose short and narrow verged shade
Does prudently their toils upbraid;
While all flow’rs and all trees do close
To weave the garlands of repose.
Fair Quiet, have I found thee here,
And Innocence, thy sister dear!
Mistaken long, I sought you then
In busy companies of men;
Your sacred plants, if here below,
Only among the plants will grow.
Society is all but rude,
To this delicious solitude.
No white nor red was ever seen
So am’rous as this lovely green.
Fond lovers, cruel as their flame,
Cut in these trees their mistress’ name;
Little, alas, they know or heed
How far these beauties hers exceed!
Fair trees! wheres’e’er your barks I wound,
No name shall but your own be found.
When we have run our passion’s heat,
Love hither makes his best retreat.
The gods, that mortal beauty chase,
Still in a tree did end their race:
Apollo hunted Daphne so,
Only that she might laurel grow;
And Pan did after Syrinx speed,
Not as a nymph, but for a reed.
What wond’rous life in this I lead!
Ripe apples drop about my head;
The luscious clusters of the vine
Upon my mouth do crush their wine;
The nectarine and curious peach
Into my hands themselves do reach;
Stumbling on melons as I pass,
Ensnar’d with flow’rs, I fall on grass.
Meanwhile the mind, from pleasure less,
Withdraws into its happiness;
The mind, that ocean where each kind
Does straight its own resemblance find,
Yet it creates, transcending these,
Far other worlds, and other seas;
Annihilating all that’s made
To a green thought in a green shade.
Here at the fountain’s sliding foot,
Or at some fruit tree’s mossy root,
Casting the body’s vest aside,
My soul into the boughs does glide;
There like a bird it sits and sings,
Then whets, and combs its silver wings;
And, till prepar’d for longer flight,
Waves in its plumes the various light.
Such was that happy garden-state,
While man there walk’d without a mate;
After a place so pure and sweet,
What other help could yet be meet!
But ’twas beyond a mortal’s share
To wander solitary there:
Two paradises ’twere in one
To live in paradise alone.
How well the skillful gard’ner drew
Of flow’rs and herbs this dial new,
Where from above the milder sun
Does through a fragrant zodiac run;
And as it works, th’ industrious bee
Computes its time as well as we.
How could such sweet and wholesome hours
Be reckon’d but with herbs and flow’rs!
”
”
Andrew Marvell (Miscellaneous Poems)
“
My dear, dear ladies,” Sir Francis effused as he hastened forward, “what a long-awaited delight this is!” Courtesy demanded that he acknowledge the older lady first, and so he turned to her. Picking up Berta’s limp hand from her side, he presed his lips to it and said, “Permit me to introduce myself. I am Sir Francis Belhaven.”
Lady Berta curtsied, her fear-widened eyes fastened on his face, and continued to press her handkerchief to her lips. To his astonishment, she did not acknowledge him at all; she did not say she was charmed to meet him or inquire after his health. Instead, the woman curtsied again. And once again. “There’s hardly a need for all that,” he said, covering his puzzlement with forced jovially. “I’m only a knight, you know. Not a duke or even an earl.”
Lady Berta curtsied again, and Elizabeth nudged her sharply with her elbow. “How do!” burst out the plump lady.
“My aunt is a trifle-er-shy with strangers,” Elizabeth managed weakly.
The sound of Elizabeth Cameron’s soft, musical voice made Sir Francis’s blood sing. He turned with unhidden eagerness to his future bride and realized that it was a bust of himself that Elizabeth was clutching so protectively, so very affectionately to her bosom. He could scarcely contain his delight. “I knew it would be this way between us-no pretense, no maidenly shyness,” he burst out, beaming at her blank, wary expression as he gently took the bust of himself from Elizabeth’s arms. “But, my lovely, there’s no need for you to caress a hunk of clay when I am here in the flesh.”
Momentarily struck dumb, Elizabeth gaped at the bust she’d been holding as he first set it gently upon its stand, then turned expectantly to her, leaving her with the horrifying-and accurate-thought that he now expected her to reach out and draw his balding head to her bosom. She stared at him, her mind in paralyzed chaos. “I-I would ask a favor of you, Sir Francis,” she burst out finally.
“Anything, my dear,” he said huskily.
“I would like to-to rest before supper.”
He stepped back, looking disappointed, but then he recalled his manners and reluctantly nodded. “We don’t keep country hours. Supper is at eight-thirty.” For the first time he took a moment to really look at her. His memories of her exquisite face and delicious body had been so strong, so clear, that until then he’d been seeing the Lady Elizabeth Cameron he’d met long ago. Now he belatedly registered the stark, unattractive gown she wore and the severe way her hair was dressed. His gaze dropped to the ugly iron cross that hung about her neck, and he recoiled in shock. “Oh, and my dear, I’ve invited a few guests,” he added pointedly, his eyes on her unattractive gown. “I thought you would want to know, in order to attire yourself more appropriately.”
Elizabeth suffered that insult with the same numb paralysis she’d felt since she set eyes on him. Not until the door closed behind him did she feel able to move. “Berta,” she burst out, flopping disconsolately onto the chair beside her, “how could you curtsy like that-he’ll know you for a lady’s maid before the night is out! We’ll never pull this off.”
“Well!” Berta exclaimed, hurt and indignant. “Twasn’t I who was clutching his head to my bosom when he came in.”
“We’ll do better after this,” Elizabeth vowed with an apologetic glance over her shoulder, and the trepidation was gone from her voice, replaced by steely determination and urgency. “We have to do better. I want us both out of here tomorrow. The day after at the very latest.”
“The butler stared at my bosom,” Berta complained. “I saw him!”
Elizabeth sent her a wry, mirthless smile. “The footman stared at mine. No woman is safe in this place. We only had a bit of-of stage fright just now. We’re new to playacting, but tonight I’ll carry it off. You’ll see. No matter what if takes, I’ll do it.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
I think I’m drowning. But not into her blue eyes like I happily would. No, I’m sinking into the floor, letting it swallow me whole. I can hardly breathe under the crushing weight of Kitt’s words. My ears ring. My heart pounds. The command echoes in my skull, though I have no idea why he would want this. Why he would want her. Not now. Not after everything. I’m surrounded by the entire court and the only thing I can focus on is not falling to my knees beside her. Marriage. Marriage to someone who isn’t me. Marriage to someone I will spend the rest of my life serving. I’ll lose her forever while being forced to watch. I can’t even look at her. I’m a coward, morphing back into the monster I was when she found me. My vision is blurry, eyes fixed on the dais above. This is how I lose her. Not by death but by something just as binding. The command rings in my head. And to think I wasted so much time trying to hate her. To think I won’t have enough time to love her. My heart aches because every beat belongs to her. And I may never get to tell her that. Is this how she will remember me? Escorting her to this fate? Bound by duty alone? I could laugh. I could cry. I could burn this palace to the ground like I did her house, just for a chance to confess my love before the flames consumed me. Because I am bound to her very being. Hers until the day she realizes I don’t deserve to be. The king’s eyes are on me while mine are somewhere far away. Somewhere with her. A place where I am nothing and no one and happy being powerless, so long as she is beside me. My gaze falls from the fantasy, finding its way to her. This is not how I will remember us. Not as enemies or traitors or monsters, but as two people dancing in the dark, swaying beneath the stars. Her feet atop mine, her head on the heart that beats only for her. Just Pae and Kai. I step away from her kneeling form, masking every emotion with a blank stare. I’m leaving her to face him. Her future husband. I melt into the crowd, standing at a safe enough distance to prevent myself from stealing her away. This will be the rest of my life. Forced to love her from a distance. Mourn the loss of her each day. But I will. I will smother every emotion but the one that belongs to her. I will love her until I am incapable of the feeling. She is the torture I may not survive. Eagerly, she is my undoing. Her gaze lifts, meeting eyes that are not my own. Eyes of the man who gets to have her—if she allows it. She was supposed to be my forever. Now I’ll watch her become someone else’s. Because the beast doesn’t get the beauty.
”
”
Lauren Roberts, Reckless
“
There is a scene I love where a brother and sister meet after many years and little communication. They meet in an arranged café in mid-afternoon. The light is dying and the city outside rumbles softly in the complacent time before rush hour. The café is unexceptional and quiet. She comes first, sits at the far end, a table facing the door, nervous in her buttoned raincoat. The waiter is an older man. He leaves her be. The brother enters late with the look but not the words of apology. He kisses her cheek. They sit and the old man brings them teas they do not want, two pots, strong for him weak for her. It is long ago since they said each other’s names aloud, and saying them now has the extraordinary shyness of encounter I imagine on the Last Day. At first there is the full array of human awkwardness. But here is the thing: almost in an instant their old selves are immediately present. The years and the changes are nothing. They need few words. They recognise each other in each other, and even in silence the familiarity is powerfully consoling, because despite time and difference there remains that deep-river current, that kind of maybe communion that only exists within people joined in the word family. So now what washes up between them, foam-white and fortifying and quite unexpectedly, is love. I cannot remember what book it is in. But it’s in this one now.
”
”
Anonymous
“
RICHARD FEYNMAN LETTER TO ARLINE FEYNMAN, 1946 Richard Feynman (1918–1988) shared the 1965 Nobel Prize in Physics for his work on quantum electrodynamics. Unrivaled in his generation for his brilliance and innovation, he was also known for being witty, warm, and unconventional. Those last three qualities were particularly evident in this letter, which he wrote to his wife Arline nearly two years after her death from tuberculosis. Feynman and Arline had been high school sweethearts and married in their twenties. Feynman’s second marriage, in 1952, ended in divorce two years later. His third marriage, in 1960, lasted until his death. D’Arline, I adore you, sweetheart. I know how much you like to hear that—but I don’t only write it because you like it—I write it because it makes me warm all over inside to write it to you. It is such a terribly long time since I last wrote to you—almost two years but I know you’ll excuse me because you understand how I am, stubborn and realistic; & I thought there was no sense to writing. But now I know my darling wife that it is right to do what I have delayed in doing, and that I have done so much in the past. I want to tell you I love you. I want to love you. I always will love you. I find it hard to understand in my mind what it means to love you after you are dead—but I still want to comfort and take care of you—and I want you to love me and care for me. I want to have problems to discuss with you—I want to do little projects with you. I never thought until just now that we can do that together. What should we do. We started to learn to make clothes together—or learn Chinese—or getting a movie projector. Can’t I do something now. No. I am alone without you and you were the “idea-woman” and general instigator of all our wild adventures. When you were sick you worried because you could not give me something that you wanted to & thought I needed. You needn’t have worried. Just as I told you then there was no real need because I loved you in so many ways so much. And now it is clearly even more true—you can give me nothing now yet I love you so that you stand in my way of loving anyone else—but I want you to stand there. You, dead, are so much better than anyone else alive. I know you will assure me that I am foolish & that you want me to have full happiness & don’t want to be in my way. I’ll bet you are surprised that I don’t even have a girl friend (except you, sweetheart) after two years. But you can’t help it, darling, nor can I—I don’t understand it, for I have met many girls & very nice ones and I don’t want to remain alone—but in two or three meetings they all seem ashes. You only are left to me. You are real. My darling wife, I do adore you. I love my wife. My wife is dead. Rich. P.S. Please excuse my not mailing this—but I don’t know your new address.
”
”
Lisa Grunwald (The Marriage Book: Centuries of Advice, Inspiration, and Cautionary Tales from Adam and Eve to Zoloft)
“
The kid in the newspaper was named Stevie, and he was eight. I was thirty-nine and lived by myself in a house that I owned. For a short time our local newspaper featured an orphan every week. Later they would transition to adoptable pets, but for a while it was orphans, children your could foster and possibly adopt of everything worked out, the profiles were short, maybe two or three hundred words. This was what I knew: Stevie liked going to school. He made friends easily. He promised he would make his bed every morning. He hoped that if he were very good we could have his own dog, and if he were very, very good, his younger brother could be adopted with him. Stevie was Black. I knew nothing else. The picture of him was a little bigger than a postage stamp. He smiled. I studied his face at my breakfast table until something in me snapped. I paced around my house, carrying the folded newspaper. I had two bedrooms. I had a dog. I had so much more than plenty. In return he would make his bed, try his best in school. That was all he had to bargain with: himself. By the time Karl came for dinner after work I was nearly out of my mind.
“I want to adopt him,” I said.
Karl read the profile. He looked at the picture. “You want to be his mother?”
“It’s not about being his mother. I mean, sure, if I’m his mother that’s fine, but it’s like seeing a kid waving from the window of a burning house, saying he’ll make his bed if someone will come and get him out. I can’t leave him there.”
“We can do this,” Karl said.
We can do this. I started to calm myself because Karl was calm. He was good at making things happen. I didn’t have to want children in order to want Stevie.
In the morning I called the number in the newspaper. They took down my name and address. They told me they would send the preliminary paperwork. After the paperwork was reviewed, there would be a series of interviews and home visits.
“When do I meet Stevie?” I asked.
“Stevie?”
“The boy in the newspaper.” I had already told her the reason I was calling.
“Oh, it’s not like that,” the woman said. “It’s a very long process. We put you together with the child who will be your best match.”
“So where’s Stevie?”
She said she wasn’t sure. She thought that maybe someone had adopted him.
It was a bait and switch, a well-written story: the bed, the dog, the brother. They knew how to bang on the floor to bring people like me out of the woodwork, people who said they would never come. I wrapped up the conversation. I didn’t want a child, I wanted Stevie. It all came down to a single flooding moment of clarity: he wouldn’t live with me, but I could now imagine that he was in a solid house with people who loved him. I put him in the safest chamber of my heart, he and his twin brother in twin beds, the dog asleep in Stevie’s arms.
And there they stayed, going with me everywhere until I finally wrote a novel about them called Run. Not because I thought it would find them, but because they had become too much for me to carry. I had to write about them so that I could put them down.
”
”
Ann Patchett (These Precious Days: Essays)
“
I saw her as soon as I pulled into the parking lot. This beautiful woman with a gigantic smile on her face was just about bouncing up and down despite the orthopedic boot she had on her foot as she waved me into a parking space. I felt like I’d been hit in the gut. She took my breath away. She was dressed in workout clothes, her long brown hair softly framing her face, and she just glowed. I composed myself and got out of the car. She was standing with Paul Orr, the radio host I was there to meet. Local press had become fairly routine for me at this point, so I hadn’t really given it much thought when I agreed to be a guest on the afternoon drive-time show for WZZK. But I had no idea I’d meet her.
Paul reached out his hand and introduced himself. And without waiting to be introduced she whipped out her hand and said, “Hi! I’m Jamie Boyd!” And right away she was talking a mile a minute. She was so chipper I couldn’t help but smile. I was like that little dog in Looney Toons who is always following the big bulldog around shouting, “What are we going to do today, Spike?” She was adorable. She started firing off questions, one of which really caught my attention.
“So you were in the Army? What was your MOS?” she asked.
Now, MOS is a military term most civilians have never heard. It stands for Military Occupational Specialty. It’s basically military code for “job.” So instead of just asking me what my job was in the Army, she knew enough to specifically ask me what my MOS was. I was impressed.
“Eleven Bravo. Were you in?” I replied.
“Nope! But I’ve thought about it. I still think one day I will join the Army.”
We followed Paul inside and as he set things up and got ready for his show, Jamie and I talked nonstop. She, too, was really into fitness. She was dressed and ready for the gym and told me she was about to leave to get in a quick workout before her shift on-air.
“Yeah, I have the shift after Paul Orr. The seven-to-midnight show. I call it the Jammin’ with Jamie Show. People call in and I’ll ask them if they’re cryin’, laughin’, lovin’, or leavin’.”
I couldn’t believe how into this girl I was, and we’d only been talking for twenty minutes. I was also dressed in gym clothes, because I’d been to the gym earlier. She looked down and saw the rubber bracelet around my wrist.
“Is that an ‘I Am Second’ bracelet? I have one of those!” she said as she held up her wrist with the band that means, “I am second after Jesus.”
“No, this is my own bracelet with my motto, ‘Train like a Machine,’ on it. Just my little self-motivator. I have some in my car. I’d love to give you one.”
“Well, actually, I am about to leave. I have to go work out before my shift,” she reminded me.
“You can have this one. Take it off my wrist. This one will be worth more someday because I’ve been sweating in it,” I joked.
She laughed and took it off my wrist. We kept chatting and she told me she had wanted to do an obstacle course race for a long time. Then Paul interrupted our conversation and gently reminded Jamie he had a show to do. He and I needed to start our interview. She laughed some more and smiled her way out the door.
”
”
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
“
Mikhail would be going into a dangerous situation, and a part of her knew he needed most of the night to complete his tasks, but there was no sign of impatience in him. He appeared relaxed and enjoying his time with her, wholly focused on her alone. She appreciated that in him so much--that ability to give her what she needed.
He lifted his head and looked at her. “You always come first with me, Raven.”
“I don’t know how I managed to get so lucky.” She trailed her fingers through his hair. All that dark silk intrigued her. She had never really seen men who wore their hair long and yet still looked so masculine.
“That you can say that after all that has happened amazes me,” Mikhail said. He dipped his head to taste the small indent of her belly button. His chin nuzzled her. “Someday my child will grow right here.”
“You’d like that, would you? I might get as big as a house.”
Mikhail kissed her tummy again and then kissed the path to her breasts. “You will have milk for our babies. That is such a miracle, Raven.”
She heard the ache in his voice. The need. He didn’t quite believe they would manage to have children, not when his people had been unable to do so for centuries, but he was willing to dream of it--with her.
“We’ll find a way to have children, Mikhail. You managed to convert me without becoming deranged.” There was gentle humor in her voice.
Mikhail’s head went up, his dark eyes meeting hers.
Raven laughed softly. “Did you think I wouldn’t know your worst fear? I am adept at reading minds, and you, my love, have opened yourself to me often. I knew your fear and loved you all the more for facing it alone.
”
”
Christine Feehan (Dark Prince (Dark, #1))
“
Well,that was fun," she said lightly as he maneuvered out of the lot. "I'm really glad you talked me into going out. My day was a blank page until seven."
That long, quiet moment lingered in his mind even as it lingered in Shelby's. Alan shifted, hoping to ease the thudding in the pit of his stomach. "Always happy to help someone fill in a few empty spaces." Alan controlled the speed of the car through force of will. Holding her hadn't soothed him but rather had only served to remind him how much time had passed since he had last held her.
"Actually you're an easy man to be with, Alan, for a politician." Easy? Shelby repeated to herself as she pressed the button to lower her window. Her blood was still throbbing from a meeting of eyes that had lasted less than ten seconds. If he was any easier, she'd be head over heels in love with him and headed for disaster. "I mean,you're not really pompous."
He shot her a look, long and cool, that boosted her confidence. "No?" he murmured after a humming silence.
"Hardly at all." Shelby sent him a smile. "Why,I'd probably vote for you myself."
Alan paused at a red light, studying it thoughtfully before he turned to her. "Your insults aren't as subtle today, Shelby."
"Insults?" Shelby gave him a bland stare. "Odd,I thought it was more flattery.Isn't a vote what it all comes down to? Votes, and that all-encompassing need to win."
The light stayed green for five full seconds before he cruised through it. "Be careful."
A nerve,she thought,hating herself more than a little. "You're a little touchy. That's all right." She brushed at the thigh of her jeans. "I don't mind a little oversensitivity."
"The subject of my sensitivity isn't the issue,but you're succeeding in being obnoxious."
"My,my,aren't we all Capitol Hill all of a sudden.
”
”
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
“
After we finished the interview Paul thanked me for my time and told me he thought I was great on the radio. He suggested I think about it as a career. I thanked him and said I’d consider it. But really all I was thinking about was Jamie. As soon as I got in my car I looked on my phone and saw I had a Facebook friend request from her. I felt schoolgirl giddy. I accepted the request and immediately called my Army buddy Max. Max is one of the guys who came with me on that first Tough Mudder. We are really close friends, and he’s someone I’ve always confided in. Just a few weeks before I had called and told him, “You know what? I’m done with women for the time being, but the next time I talk to a girl, I’m shooting out of my league.” So now I called Max and said, “I’ve met a girl way out of my league and I’m gonna take a shot.”
I wasn’t good at asking women out and felt really nervous. I told Max she had sent me a friend request and he urged me to send her a private message on Facebook.
I typed out a pretty long message and hit SEND. Then I finally put the keys in the ignition and left the radio station parking lot. Every red light I hit, I checked my phone to see if she had responded. She hadn’t. Why wasn’t she responding? Finally, I pulled over and looked again. The message hadn’t gone through! I panicked and called Max back.
“What am I gonna do? What if I send another one and the first one is just floating through the Internet and it eventually goes through? Do I send another one? Do I make it sound exactly the same? I’m gonna look like a crazy person! What do I do? I don’t know what to do!”
Max calmed me down again and I rewrote my original message. This time she responded.
“Jamie, it was great meeting you and Paul today. Sorry you got stuck with a used bracelet. If I run into you again I will hook you up with a new one. You’ll just have to give that one back. They aren’t free. LOL. Take care.”
She responded: “Ha ha. Actually, Noah Galloway, I got the one I wanted ;). Great to meet you, too. Love your story. Tragedy to triumph. I can’t imagine the number of people you inspire every day. Hope to run into you sooner rather than later.
”
”
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
“
expected that it would go on to have such a long and varied life. I started with a very simple image of two boys sitting on either side of a fence, talking to each other, and was immediately interested in the journey that would bring them there, the conversations they would have, and the necessary end that I felt their story would reach. Ten years later, the novel not only changed my life but introduced me to people whom I had never expected to encounter. In my travels, I’ve been fortunate to meet survivors of the many death camps that were built around Europe during the early 1940s and to hear their stories firsthand, as well as descendants of the murdered, who have been generous enough to share their memories and grief with me. It’s been a privilege to be present for such moments and to take part in such emotive conversations. There are two things that interest me above all others in young people’s literature, and I’ve returned to them several times in subsequent books: the manner in which war affects and destroys the experience of childhood, which is supposed to be a happy and carefree period, and what it means for a child to be thrust into an adult situation far ahead of time. The heroes of my novels are, like Bruno, always optimistic, resourceful, and a little naïve, and they don’t want an adult to solve their problems for them, even when they’re not always capable of solving them themselves. They’re growing up surrounded by confusion and trying to make sense of it all. Sometimes they succeed and sometimes the chaos overwhelms them. But they’re never defeated. I will always be grateful to those millions of readers who allowed The Boy in the Striped Pajamas into their lives, those who have been moved by the story and, indeed, those who have taken issue with aspects of it and been vocal in their antipathy. After all, the great joy of literature, as opposed to politics or religion, is that it embraces differing opinions, it encourages debate, it allows us to have heated conversations with our closest friends and dearest loved ones. And through it all, no one gets hurt, no one gets taken away from their homes, and no one gets killed. Contents Cover Title Page Copyright Dedication Acknowledgements Introduction
”
”
John Boyne (The Boy in the Striped Pyjamas)
“
He ran long at the White House, and arrived late to his next meeting with Hillary Clinton, Jake Sullivan and Frank Ruggiero—their first major strategy session on Taliban talks after the secret meeting with A-Rod. She was waiting in her outer office, a spacious room paneled in white and gilt wood, with tasseled blue and pink curtains and an array of colorfully upholstered chairs and couches. In my time reporting to her later, I only ever saw Clinton take the couch, with guests of honor in the large chair kitty-corner to her. She’d left it open for him that day. “He came rushing in. . . . ” Clinton later said. “And, you know, he was saying ‘oh I’m so sorry, I’m so sorry.’ ” He sat down heavily and shrugged off his coat, rattling off a litany of his latest meetings, including his stop-in at the White House. “That was typical Richard. It was, like, ‘I’m doing a million things and I’m trying to keep all the balls in the air,’ ” she remembered. As he was talking, a “scarlet red” flush went up his face, according to Clinton. He pressed his hands over his eyes, his chest heaving. “Richard, what’s the matter?” Clinton asked. “Something horrible is happening,” he said. A few minutes later, Holbrooke was in an ambulance, strapped to a gurney, headed to nearby George Washington University Hospital, where Clinton had told her own internist to prepare the emergency room. In his typically brash style, he’d demanded that the ambulance take him to the more distant Sibley Memorial Hospital. Clinton overruled him. One of our deputies on the SRAP team, Dan Feldman, rode with him and held his hand. Feldman didn’t have his BlackBerry, so he scrawled notes on a State Department expense form for a dinner at Meiwah Restaurant as Holbrooke dictated messages and a doctor assessed him. The notes are a nonlinear stream of Holbrooke’s indomitable personality, slashed through with medical realities. “Call Eric in Axelrod’s office,” the first read. Nearby: “aortic dissection—type A . . . operation risk @ > 50 percent”—that would be chance of death. A series of messages for people in his life, again interrupted by his deteriorating condition: “S”—Secretary Clinton—“why always together for medical crises?” (The year before, he’d been with Clinton when she fell to the concrete floor of the State Department garage, fracturing her elbow.) “Kids—how much love them + stepkids” . . . “best staff ever” . . . “don’t let him die here” . . . “vascular surgery” . . . “no flow, no feeling legs” . . . “clot” . . . and then, again: “don’t let him die here want to die at home w/ his fam.” The seriousness of the situation fully dawning on him, Holbrooke turned to job succession: “Tell Frank”—Ruggiero—“he’s acting.” And finally: “I love so many people . . . I have a lot left to do . . . my career in public service is over.” Holbrooke cracked wise until they put him under for surgery. “Get me anything you need,” he demanded. “A pig’s heart. Dan’s heart.
”
”
Ronan Farrow (War on Peace: The End of Diplomacy and the Decline of American Influence)
“
Outside the room they found his family standing in the Great Hall, discussing something in heated whispers as Freddy nervously paced the other end.
Oliver cleared his throat, and they all jumped. “My fiancée has made it clear that she doesn’t appreciate my attempt at a joke.”
“Oliver enjoys shocking people,” Maria said calmly. When he looked at her, surprised that she had noticed, she arched one eyebrow at him. “I’m sure you know that about him by now. I find it a great flaw in his character.”
She seemed to consider many things as flaws in his character. Not that he could blame her.
Gran glanced from Maria to him. “So the two of you didn’t meet in a brothel?”
“We did,” he said, “but only because poor Freddy got lost and wandered into one by mistake. I was trying to determine what he was looking for when Maria rushed in, mad with worry over where he might have gone off to. With two such Americans lost in the wicked city, hopelessly innocent of its dangers, I felt compelled to help them. I’ve been squiring them about town the last week. Isn’t that right, sweetheart?”
She cast him a sugary and thoroughly false smile. “Oh, yes, dearest. And you were a very informative guide, too.”
Jarret arched one eyebrow. “Astonishing that after finding you in a brothel, Oliver, Miss Butterfield wasn’t put off of marrying you.”
“I ought to have been,” Maria said. “But he swore those days were behind him when he pledged his undying love to me on bended knee.”
When Gabriel and Jarret barely managed to stifle their laughter, Oliver gritted his teeth. Bended knee, indeed. She was determined to prick his pride at every opportunity. She probably felt he deserved it. He could only pray that Gran backed down from the right before he had to bring the chit around any of his friends, or Maria would have them taunting him unmercifully for the next decade.
“I’m afraid, my dear,” he said tersely, “that my brothers have trouble envisioning me bending a knee to anyone.”
She affected a look of wide-eyed shock. “Have they no idea what a romantic you are? I’ll have to show them the sonnets you wrote praising my beauty. I believe I left them in my redingote pocket.” The teasing wench actually looked back toward the entrance. “I could go fetch them if you like.”
“Not now,” he said, torn between a powerful urge to laugh and an equally powerful urge to strangle her. “It’s time for dinner, and I’m starved.”
“So am I,” Freddy put in. At a frown from Maria, he mumbled, “Not that it matters, mind you.”
“Of course it matters,” Gran said graciously. “We don’t like our guests to be uncomfortable. Come along then, Mr. Dunse. You may take me in to dinner, since my grandson is otherwise occupied.”
As they trooped toward the dining room, Oliver bent his head to whisper, “I see you’re enjoying making me out to be a besotted idiot.”
A minxish smile tipped up her fetching lips. “Oh, yes. It’s great fun.”
“Then my explanation of how you ended up in a brothel met with your approval?”
“It’ll do for now.” She cast him a glance from beneath her long lashes. “You’re by no means out of the woods yet, sir.”
But I will be by the time the night is over. No matter what it took, he would get her to stay and do this, so help him God.
”
”
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
“
I put my hand on his forearm, I don't know why I do this, and it's not exactly natural, although it's not unnatural, except that I really want to touch his skin. It's smooth and tan just a little bit and feels like summer, like something familiar and warm and good, like my skin did on the first days aboard 'Fishful Thinking' before it salted and burned and peeled.
'We broke up three years after that.'
I sit back in my chair and give a sly smile. Relationships are complex and sometimes you can't really explain them to an outside party.
'I can't believe I just told you that'
'YES! YOU! ARE! LIVING! YOUR! FULL! LIFE!'
A third time. I am not imagining it.
'There you are.'
This time my heart does skip a beat. I look down at his arm, and we are still touching, and he has made no attempt to retract his arm or retreat. All my surroundings, the red formica table top, the pink yogurt, the blue sky, the green vegetables in the market, they all come alive in vibrant technicolor as the sun peers from behind a cloud. I am living my full life.
'Honesty in all things,' Byron adds, lifting his cup of yogurt for a toast of sorts.
I pull my hand away from him and the instant my hand is back by his side, I miss the warmth of his arm, the warmth of him. Honesty in all things. I should put my hand back, that's where it wants to be, that's Lily's lesson to me. Be present in the moment, give spontaneous affection. I'm suddenly aware I haven't spoken in a bit.
'Did you know that an octopus has three hearts?'
As soon as it comes out of my mouth, I realize I sound like that kid from 'Jerry McGuire.' 'Did you know the human head weighs eight pounds?' I hope my question comes off almost a fraction as endearing.
'No,' Byron says with a glint in his eye that reads as curiosity, at least I hope that it does, but even if it doesn't I'm too into the inertia of the trivia to stop it.
'It's true, one heart called the systemic heart that functions much like the left side of the human heart, distributing blood throughout the heart, then two smaller branchial heart with gills that act like the right side of our hearts to pump the blood back.'
'What made you think of that?'
I smile. It may be entirely inappropriate first date conversation, but at least it doesn't bore me in the telling. I look up at the winsome August sky, marred only by the contrails of a passing jet, and a vaguely dachshund shaped cloud above the horizon. I don't believe in fate. I don't believe in love at first site. I don't believe in angels. I don't believe in heaven and that our loved ones are looking down on us, but the sun is so warm and the breeze is so cool and the company is so perfect and the whole afternoon so intoxicating, ti's hard not to hear Lily's voice dancing in the gentle wind, 'one! month! is Long! Enough TO! BE! SAD!'
...
'I recently lost someone close to me....I don't know, I feel her here today with us, you, me, her, three hearts, like an octopus,' I shrug.
If I were him, I would run. What a ridiculously creepy thing to say. I would run and I would not stop until I was home in my bed with a gallon of ice cream deleting my profile from every dating site I belonged to. Maybe it's because it's not rehearsed, maybe it's because it's as weird a thing to say as it is genuine, maybe it's because this is finally the man for me.
Byron stands and offers me his hand, 'Let's take a walk and you can tell me about her.'
The gentle untying of a shoe lace.
It takes me a minute to decide if I can do this, and I decide that I can, and I throw our yogurt dishes away, and I put my hand in his, and it's soft and warm, and instead of awkward fumbling, our hands clasp together like magnets and metal, like we've been hand-in-hand all along, and we are touching again.
...
”
”
Steven Rowley (Lily and the Octopus)
“
Very slowly, he leaned toward her. He took her face between his hands. His lips were gentle, but his kiss was firm--she melted beneath it as he pressed her tight against his chest. His lips traced a shivery path to her neck and lingered at the base of her throat. His hands slid to her shoulders and down her body, an embrace both relentless and tender--burning where it touched, but never forcing, never intrusive. He whispered to her in his secret language…their lips locked in a kiss…
“Miranda?” Aunt Teeta called softly.
Miranda’s cry was instantly muffled beneath Etienne’s lips. Shocked, she stared at him, even as he pulled away from her, snapped off the light, and slipped out of sight beneath the covers. After a second’s hesitation, Miranda slid in beside him and yanked the bedspread up to her chin.
“What?” she called back, with what she hoped was convincing grogginess.
Aunt Teeta opened the door, her bathrobe askew, her hair disheveled, and several oversize curlers bobbing on top of her head.
“Oh, darlin’, I’m so sorry. I didn’t think you’d be asleep yet. You know, I was just thinking--since you and Etienne have been spending so much time together, why don’t you invite him over sometime? So your mama can meet him? And ask Gage over, too--he’s such a cutie.”
Miranda yawned loudly. “That’s a great idea, Aunt Teeta. Thanks a lot.”
“All right now, hon, you go on back to sleep. Love you.”
“Love you, too.”
Miranda waited till the door closed. Till Aunt Teeta’s footsteps faded down the stairs, till the house was silent once more. She waited a long time.
At last the covers moved, and Etienne, after a thorough look around, threw them back and sat up. He seemed immensely amused.
“Damn, that was close. Your aunt, she woulda skinned me alive if she’d caught me here.
”
”
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
“
Take WALL-E, for example, which was known, early on, as Trash Planet. For a long time, that movie ended with our googly-eyed trash compactor robot saving his beloved droid, EVE, from destruction in a dumpster. But there was something about that ending that nagged, that never quite felt right. We had countless discussions about it, but Andrew Stanton, the director, was having difficulty putting his finger on what was wrong, let alone finding a solution. The confusing thing was that the romantic plotline seemed right. Of course WALL-E would save EVE—he’d fallen in love with her the moment he saw her. In a sense, that was precisely the flaw. And it was Brad Bird who pointed that out to Andrew in a Braintrust meeting. “You’ve denied your audience the moment they’ve been waiting for,” he said, “the moment where EVE throws away all her programming and goes all out to save WALL-E. Give it to them. The audience wants it.” As soon as Brad said that, it was like: Bing! After the meeting, Andrew went off and wrote an entirely new ending in which EVE saves WALL-E, and at the next screening, there wasn’t a dry eye in the house.
”
”
Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)
“
The focus of that week was “learning how to listen to the voice of God” in what was dubbed “My Quiet Time with God.” You have to admire the camp leaders’ intent, but let’s be honest. Most pre-adolescents are clueless about such deeply spiritual goals, let alone the discipline to follow through on a daily basis. Still, good little camperettes that we were, we trekked across the campground after our counselors told us to find our “special place” to meet with God each day. My special place was beneath a big tree. Like the infamous land-run settlers of Oklahoma’s colorful history, I staked out the perfect location. I busily cleared the dirt beneath my tree and lined it with little rocks, fashioned a cross out of two twigs, stuck it in the ground near the tree, and declared that it was good. I wiped my hands on my madras Bermudas, then plopped down, cross-legged on the dirt, ready to meet God. For an hour. One very long hour. Just me and God. God and me. Every single day of camp. Did I mention these quiet times were supposed to last an entire hour? I tried. Really I did. “Now I lay me down to sleep . . . ” No. Wait. That’s a prayer for babies. I can surely do better than that. Ah! I’ve got it! The Lord’s Prayer! Much more grown-up. So I closed my eyes and recited the familiar words. “Our Father, Who art in heaven . . .” Art? I like art. I hope we get to paint this week. Maybe some watercolor . . . “Hallowed by Thy name.” I’ve never liked my name. Diane. It’s just so plain. Why couldn’t Mom and Dad have named me Veronica? Or Tabitha? Or Maria—like Maria Von Trapp in The Sound of Music. Oh my gosh, I love that movie! “Thy kingdom come, Thy will be done . . . ” Be done, be done, be done . . . will this Quiet Time ever BE DONE? I’m sooooo bored! B-O-R-E-D. BORED! BORED! BORED! “On earth as it is in Heaven.” I wonder if Julie Andrews and I will be friends in heaven. I loved her in Mary Poppins. I really liked that bag of hers. All that stuff just kept coming out. “Give us this day, our daily bread . . . ” I’m so hungry, I could puke. I sure hope they don’t have Sloppy Joes today. Those were gross. Maybe we’ll have hot dogs. I’ll take mine with ketchup, no mustard. I hate mustard. “And forgive us our trespasses, as we forgive those who trespass against us.” What the heck is a trespass anyway? And why should I care if someone tresses past me? “And lead us not into temptation but deliver us from evil . . . ” I am so tempted to short-sheet Sally’s bed. That would serve her right for stealing the top bunk. “For Thine is the kingdom and the power and the glory forever.” This hour feels like forever. FOR-E-VERRRR. Amen. There. I prayed. Now what?
”
”
Diane Moody (Confessions of a Prayer Slacker)
“
Masters are under no cosmic compulsion to limit their residence.” My companion glanced at me quizzically. “The Himalayas in India and Tibet have no monopoly on saints. What one does not trouble to find within will not be discovered by transporting the body hither and yon. As soon as the devotee is willing to go even to the ends of the earth for spiritual enlightenment, his guru appears nearby.” I silently agreed, recalling my prayer in the Benares hermitage, followed by the meeting with Sri Yukteswar in a crowded lane. “Are you able to have a little room where you can close the door and be alone?” “Yes.” I reflected that this saint descended from the general to the particular with disconcerting speed. “That is your cave.” The yogi bestowed on me a gaze of illumination which I have never forgotten. “That is your sacred mountain. That is where you will find the kingdom of God.” His simple words instantaneously banished my life-long obsession for the Himalayas. In a burning paddy field I awoke from the monticolous dreams of eternal snows. “Young sir, your divine thirst is laudable. I feel great love for you.” Ram Gopal took my hand and led me to a quaint hamlet. The adobe houses were covered with coconut leaves and adorned with rustic entrances. The saint seated me on the umbrageous bamboo platform of his small cottage. After giving me sweetened lime juice and a piece of rock candy, he entered his patio and assumed the lotus posture. In about four hours, I opened my meditative eyes and saw that the moonlit figure of the yogi was still motionless. As I was sternly reminding my stomach that man does not live by bread alone, Ram Gopal approached me. “I see you are famished; food will be ready soon.” A fire was kindled under a clay oven on the patio; rice and dal were quickly served on large banana leaves. My host courteously refused my aid in all cooking chores. ‘The guest is God,’ a Hindu proverb, has commanded devout observance from time immemorial. In my later world travels, I was charmed to see that a similar respect for visitors is manifested in rural sections of many countries. The city dweller finds the keen edge of hospitality blunted by superabundance of strange faces.
”
”
Paramahansa Yogananda (The Autobiography of a Yogi ("Popular Life Stories"))
“
Seeds of greatness
My question for you is this: Are you really alive? Are you passionate about your life or are you stuck in a rut, letting the pressures of life weigh you down, or taking for granted what you have? You weren’t created to simply exist, to endure, or to go through the motions; you were created to be really alive.
You have seeds of greatness on the inside. There’s something more for you to accomplish. The day you quit being excited about your future is the day you quit living. When you quit being passionate about your future, you go from living to merely existing.
In the natural there may not be anything for you to be excited about. When you look into the future, all you see is more of the same. You have to be strong and say, “I refuse to drag through this day with no passion. I am grateful that I’m alive. I’m grateful that I can breathe without pain. I’m grateful that I can hear my children playing. I am grateful that I was not hurt in that accident. I’m grateful that I have opportunity. I’m not just alive--I’m really alive.”
This is what Paul told Timothy in the Bible: “Stir up the gift, fan the flame.” When you stir up the passion, your faith will allow God to do amazing things. If you want to remain passionate, you cannot let what once was a miracle become ordinary. When you stared that new job you were so excited. You told all your friends. You knew it was God’s favor. Don’t lose the excitement just because you’ve had it for five years.
When you fell in love after meeting the person of your dreams, you were on cloud nine. You knew this match was the result of God’s goodness. Don’t take it for granted. Remember what God has done.
When your children were born, you cried for joy. Their births were miracles. You were so excited. Now you have teenagers and you’re saying, “God, why did you do this to me?”
Don’t let what was once a miracle become so common that it’s ordinary. Every time you see your children you should say, “Thank you, Lord, for the gift you’ve given me.”
We worked for three years to acquire the former Houston Rockets basketball arena for our church. During that time, it was still for sports and music events. When there wasn’t a ball game or concert, Victoria and I would come up late at night and walk around it. We’d pray and ask God for His favor.
When the city leaders approved our purchase, we celebrated. It was a dream come true. Nearly ten years later, it’s easy to get used to. Holding services in such a huge building could become common, ordinary, and routine because we’ve been doing it so long now. But I have to admit that every time I walk in the building, I can’t help but say, “God, thank you. You have done more than I can ask or think.
”
”
Joel Osteen (You Can You Will: 8 Undeniable Qualities of a Winner)
“
A filmmaker made a short documentary about this happy-go-lucky teenager on death row, called My Last Days. It showed Zach living happily, hanging out with his family, and playing music. Everybody loved Zach. When you see the footage, you can’t help but like him. As you watch him laugh and love and sing, you catch yourself forgetting: this kid is about to die. Zach’s family tells the camera how knowing he would die has helped them realize what matters in life and to find true meaning. “It’s really simple, actually,” Zach says. “Just try and make people happy.” As the 22-minute film closes, Zach looks into the camera, smiling, and says, “I want to be remembered as the kid who went down fighting, and didn’t really lose.” Not long after he said those words, Zach passed away. When Eli Pariser and Peter Koechley of Upworthy saw the film, they thought, This is a story that needs to be heard. Now just over a year old, Upworthy has become quite popular. In fact, it recently hit 30 million monthly visitors, making it, according to the Business Insider, the fastest-growing media company in history.* (Seven-year-old BuzzFeed was serving 50 million monthly visitors at the time.) The Zach Sobiech story illustrates how Upworthy used rapid feedback to do it: According to Upworthy’s calculations, My Last Days had the potential to reach a lot of people. But so far, few had seen it. The filmmaker had posted the documentary under the headline, “My Last Days: Meet Zach Sobiech.” Though descriptive, it was suboptimal packaging. In the ADD world of Facebook and Twitter, it’s no surprise that few people clicked. Upworthy reposted the video with a new title: “We Lost This Kid 80 Years Too Early. I’m Glad He Went Out with a Bang,” and shared it with a small number of its subscribers, then waited to see who clicked.
”
”
Shane Snow (Smartcuts: The Breakthrough Power of Lateral Thinking)
“
It was a Sunday at the end of November, which meant summertime in Australia. My water broke at night, and this time I knew what was coming. I remember thinking, There’s no turning back now. Immediately after my water broke, the contractions started. I had been sleeping in Bindi’s room because I was so awkward and uncomfortable that I kept waking everybody up. Plus, Bindi loved being able to snuggle down in bed with her daddy.
I crept into their room quietly. As I stood beside the bed, I leaned in next to Steve’s ear. I could feel his breath. He smelled warm and sweet and familiar. He is going to be a daddy again, I thought, his favorite job in the world.
When I whispered “Steve,” he opened his eyes without moving. Bindi slept on at his side. It was about midnight, and I told Steve that we didn’t have to leave for the hospital yet, but it would be soon. Once he was satisfied that I was okay, I headed back to Bindi’s bed to get some rest.
Throughout our life together, I never knew what Steve was going to say next. True to form, he came to my bedside, not long after I lay down, and said, “I’m putting my foot down.”
“What?”
“The baby is going to be named Robert Clarence Irwin if it’s a boy,” he said. Robert after his dad, Bob, and Clarence after my dad.
“You don’t need to put your foot down,” I whispered to him. “I think it’s a beautiful name.”
When my contractions were four minutes apart, I knew it was time to head to the hospital. It was five o’clock in the morning. Steve got everything organized to take me. Of course, one of the things he grabbed was a camera. He was determined that we would capture everything on film. We called Trevor, our friend and cinematographer who had filmed Bindi’s birth, to meet us at the hospital, and Thelma, Bindi’s nanny, came over to get her off to school.
As we drove in the car, Steve filmed me from the driver’s seat. As he shot, the Ute slowly edged toward the side of the road. He looked up, grabbed the wheel, and corrected the steering. Then he went back to filming and the whole thing happened again. After two or three veers, I had had enough.
“Stop filming,” I yelled. He quickly put the camera down. I think he realized that this was no time to argue with mama bear.
”
”
Terri Irwin (Steve & Me)
“
My day had forty-eight hours.
It helped that I had no social life. I recall a poor fellow who asked me out during this period. I agreed to meet him for dinner. As I was getting ready, the phone rang.
“We’ve got a possum that’s been hit by a car,” the county animal control office said. “Can you help?”
I’ve always liked possums. Like a lot of wildlife, they are completely misunderstood. Virginia opossums are the only North American marsupials. Marsupials tend to have lower body temperatures than other animals, so possums are among the least likely of any mammal to contract rabies. In fact, they are one of the most disease-free animals I’ve dealt with.
That evening, answering the call as I dressed for my big date, I didn’t think twice. I thought I could pick it up and still make dinner. But when I got the injured possum home and examined it, I realized that it had probably been hit by the car two or three days earlier, and its body teemed with maggots.
There wasn’t any way I could head out for a lovely evening, not with a maggot-infested marsupial under my care. I grabbed my tweezers and began flicking off the fly larvae, one by one. The possum was cooperative, but as the maggot-picking process wore on, it became evident that I was not going to able to make dinner.
I called the fellow. “Here’s the situation,” I said. “I am working on a possum that was hit by a car. There is just no way I am going to be on time. What do you want to do?”
There was a long hesitation on the other end of the line.
“Why don’t I come over and help?” he finally asked. Great! I could always use help. A half hour later, in he came, looking smart and smelling of cologne.
His face immediately turned pale as he saw what the project entailed, and he made a halfhearted attempt to help. After a while I wasn’t sure whether I was going to be finishing up with the possum or providing medical aid for my poor date, whose face had now turned a whiter shade of green. He excused himself and headed off into the night, never to be heard from again.
”
”
Terri Irwin (Steve & Me)
“
U4NBA News: Notice The Version Of NBA 2K18 Is For You
NBA 2K18 is scheduled to debut on store shelves until September 15th for those that who pre-order. It'll come to Xbox One, PS4, Windows PCs and mobile. You must have noticed some NBA 2K18 version informations to help you to decide which version of NBA 2K18 is the one to pre-order now or purchase on release day.
NBA 2K18 Standard Edition
NBA 2K18 Standard Edition is for mild fans of the series that don't care as much about Virtual Currency as they do getting access four-days before everyone else. Standard Edition is $59.99.
Buyers get 5,000 in Virtual Currency, 10 Weeks of MyTeam Packs and some MyTeam themed cosmetic items for use in the game.
This version will come to the Xbox 360, Xbox One, PS4, PS3, PCs and the Nintendo Switch. This version of the game gets you access to the NBA 2K18 Early Tip-Off Weekend, provided you place a pre-order before September 15th.
Also Read: Kyrie Irving Will Grace The Cover Of The Standard Edition Of NBA 2K18
NBA 2K18 Legend Edition
NBA 2K18 Legend Edition is the upgraded version of the standard game and the version is for big-time fans of Shaq. It’s also for anyone that loves MyCareer and wants an early jumpstart to their character. It doesn’t come with any exclusive features. Instead, it packs Virtual Currency that could make starting out in MyCareer a little easier. Legend Edition is $99.99.
There's 100,000 in Virtual Currency included with Legend Edition. Again, you can use Virtual Currency to buy upgrades for your character in the game. The more Virtual Currency you have, the easier it’ll be to get extras in MyCareer. Character add-ons include a Shaq Championship Ring, Shaq Attaq shoes, Shaq Jerseys and Shaq clothing. There are 20 weeks of MyTeam Packs instead of the 10 that the basic version comes with. Physical copies of this game come with 5 Panini cards, Shaq MyTeam Stickers and a poster.
Xbox One, PS4, PCs and the Nintendo Switch will get this version. This version qualifies for Early Tip-Off Weekend.
NBA 2K18 Legend Edition Gold
NBA 2K18 Legend Edition Gold is for the player that enjoys the series year after year and will find themselves spending hours across MyCareer and MyTeam modes for a long time. It’s also for the fan that loves basketball games and doesn’t have a lot of free time to dump into the game to earn Virtual Currency. This version costs $149.99, the most that any version of the game does.
Shoppers get 250,000 in Virtual Currency when they buy Legend Edition Gold. There's 40 weekly MyTeam Packs. Developers guaranteed that players who own those packs can get at least one of Shaq and a TEAM 2K Card. Buyers also get the Shaq Attaq Shoes, the championship ring and Shaq Themed Jerseys and apparel. Physical add-ons include a poster, 10 Panini Cards, Shaq MyTeam Stickers and a lenticular printing.
Nintendo Switch, Xbox One, Windows PCs and PS4 will get this version. The game qualifies for Early Tip-Off Weekend.
In order meet player's demand for NBA 2K18 MT during Early Tip-Off Weekend, we decide to bring forward the activity where offers coupon code "NBA2017". You can buy NBA 2K18 MT from now on to gain up to 5% off.
”
”
Bunnytheis
“
Why are you so into Pinot?” 2 Maya asks. In the next 60 seconds of the movie, the character of Miles Raymond tells a story which would set off a boom in sales of Pinot Noir. It’s a hard grape to grow. It’s thin-skinned, temperamental, ripens early. It’s not a survivor like Cabernet, which can just grow anywhere and thrive even when it’s neglected. No, Pinot needs constant care and attention. In fact it can only grow in these really specific, tucked away corners of the world. And only the most patient and nurturing of growers can do it, really. Only somebody who really takes the time to understand Pinot’s potential can coax it into its fullest expression. Its flavors are the most haunting and brilliant and thrilling and subtle and ancient on the planet. Miles is describing himself in the dialogue and using Pinot as a metaphor for his personality. In this one scene moviegoers projected themselves on the character, feeling his longing and his quest to be understood. Sideways was a hit and won an Oscar for Best Adapted Screenplay. It also launched a movement, turning the misunderstood Pinot Noir into the must-have wine of the year. In less than one year after the movie’s 2004 fall release date, sales of Pinot Noir had risen 18 percent. Winemakers began to grow more of the grape to meet demand. In California alone 70,000 tons of Pinot Noir grapes were harvested and crushed in 2004. Within two years the volume had topped 100,000 tons. Today California wine growers crush more than 250,000 tons of Pinot Noir each year. Interestingly, the Japanese version of the movie did not have the same “Sideways Effect” on wine sales. One reason is that the featured grape is Cabernet, a varietal already popular in Japan. But even more critical and relevant to the discussion on storytelling is that Japanese audiences didn’t see the “porch scene” because there wasn’t one. The scene was not included in the movie. No story, no emotional attachment to a particular varietal. You see, the movie Sideways didn’t launch a movement in Pinot Noir; the story that Miles told triggered the boom. In 60 seconds Maya fell in love with Miles and millions of Americans fell in love with an expensive wine they knew little about.
”
”
Carmine Gallo (The Storyteller's Secret: From TED Speakers to Business Legends, Why Some Ideas Catch On and Others Don't)
“
Ways To Break This Southern Girl’s Heart
after Diane Lato's “Easy Ways To Break My Heart”
– give her unsweetened tea. there are no two more terrible words to a southern girl when put together
– tell her you're an alabama fan. you've gotta know that she's gonna bleed volunteer orange ‘til the end no matter
– tell her you don't like the mountains. her heart has east tennessee sunrises imprinted on it… and she wants to show you every sunlit, treelined, starkissed view
– turn down the volume when ‘country girl' by ray lamontagne comes on. papa used to play it for her on the porch, and she's gotta hear every bit of it, every time
– you wanna really crush her heart? then ask to meet her daddy. because he isn't in her heart anymore. he was the first one who broke it, and in too many ways, long ago
– and if you wanna just completely shatter her into pieces… then try to give her an ordinary love. because she needs love like wildfire. like forever-fire. until every last southern sun sets. till the stars burn out. and to know her heart is finally safe… with you
…she needs to know that breaking her heart is the very last thing you would ever want to do.
”
”
butterflies rising
“
Ways To Break This Southern Girl’s Heart
after Diane Lato's "Easy Ways To Break My Heart"
- give her unsweetened tea. there are no two more terrible words to a southern girl when put together
- tell her you're an alabama fan. you've gotta know that she's gonna bleed volunteer orange ‘til the end no matter
- tell her you don't like the mountains. her heart has east tennessee sunrises imprinted on it... and she wants to show you every sunlit, treelined, starkissed view
- turn down the volume when 'country girl' by ray lamontagne comes on. papa used to play it for her on the porch, and she's gotta hear every bit of it, every time
- you wanna really crush her heart? then ask to meet her daddy. because he isn't in her heart anymore. he was the first one who broke it, and in too many ways, long ago
- and if you wanna just completely shatter her into pieces... then try to give her an ordinary love. because she needs love like wildfire. like forever-fire. until every last southern sun sets. till the stars burn out. and until her heart is finally safe... with you
...she needs to know that breaking her heart is the very last thing you would ever want to do.
”
”
butterflies rising
“
direction, and you really know how to get things done. The American people are fortunate that you’ve chosen to serve us in your current capacity. Gator speaks incessantly about seeking employment elsewhere, but I think it’s just talk. He loves this line of work, and we have a lot of fun together at DIA. We share a common view of our world. But remember, Gator: You can’t expect to find a spy under every rock or behind every tree. You simply have to believe that a spy is there, somewhere, and that if you look under every rock and behind every tree, you will eventually find him. I expect Gator to remain welded to my hip for another decade or so. Ana Montes will serve her time productively, I am sure. Knowing Ana, she’ll be running the place before too long. I understand that she remains unrepentant about providing information to the Cubans. She still believes that she did the right, just, and moral thing in supporting them, and I suspect that she will hold that view for the rest of her life. That’s fine. At least she’s no longer in a position to cause the rest of us any harm. Ana Montes is now incarcerated near Fort Worth, Texas. Ana’s boyfriend, Bill, has had a rough time of it. He requested and received permission to remain in contact with Ana after her arrest, up until she was convicted. He sensed, understandably, that she needed his support during an emotional time in her life. But he made clear to me, during one of several meetings on the subject, that his support for Ana would end if and when she was convicted of the crime. Bill was as good as his word. Part of him feels sorry for Ana, but he can never understand or condone what she did. He is torn, but Bill is moving forward with his life without her. As for me, I continue to march. There are some among my peers in this business who take exception to my having published a book about my experience on the job. It goes against their grain. Some may even avoid working with me in the future, for fear that their actions and words will end up in a book somewhere or because they feel that I’ve crossed an ethical line by publishing this story. I understand. So be it. I remain firmly focused on my mission. I am not a writer. I am a counterintelligence investigator. And my job is to detect and investigate espionage and suspected espionage within the Defense Intelligence Agency. I’ve performed that job for almost two decades now, and I expect to continue
”
”
Scott W. Carmichael (True Believer: Inside the Investigation and Capture of Ana Montes, Cuba's Master Spy)
“
When he finished he had a magnificent house, perched on the edge of a precipice at whose feet the ocean thundered, but it was a house that knew no happiness, for shortly after Whip had moved in with his third wife, the Hawaiian-Chinese beauty Ching-ching, who was pregnant at the time, she had caught him fooling around with the brothel girls that flourished in the town of Kapaa. Without even a scene of recrimination, Ching-ching had simply ordered a carriage and driven back to the capital town of Lihune, where she boarded an H & H steamer for Honolulu. She divorced Whip but kept both his daughter Iliki and his yet-unborn son John. Now there were two Mrs. Whipple Hoxworths in Honolulu and they caused some embarrassment to the more staid community. There was his first wife, Iliki Janders Hoxworth, who moved in only the best missionary circles, and there was Ching-ching Hoxworth who lived within the Chinese community. The two never met, but Howxworth & Hale saw to it that each received a monthly allowance. The sums were generous, but not so much so as those sent periodically Wild Whip's second wife, the fiery Spanish girl named Aloma Duarte Hoxworth, whose name frequently appeared in New York and London newspapers... p623
When the polo players had departed, when the field kitchens were taken down, and when the patient little Japanese gardeners were tending each cut in the polo turf as if it were a personal wound, Wild Whip would retire to his sprawling mansion overlooking the sea and get drunk. He was never offensive and never beat anyone while intoxicated. At such times he stayed away from the brothels in Kapaa and away from the broad lanai from which he could see the ocean. In a small, darkened room he drank, and as he did so he often recalled his grandfather's words: "Girls are like stars, and you could reach up and pinch each one on the points. And then in the east the moon rises, enormous and perfect. And that's something else, entirely different." It was now apparent to Whip, in his forty-fifth year, that for him the moon did not intend to rise. Somehow he had missed encountering the woman whom he could love as his grandfather had loved the Hawaiian princess Noelani. He had known hundreds of women, but he had found none that a man could permanently want or respect. Those who were desirable were mean in spirit and those who were loyal were sure to be tedious. It was probably best, he thought at such times, to do as he did: know a couple of the better girls at Kapaa, wait for some friend's wife who was bored with her husband, or trust that a casual trip through the more settled camps might turn up some workman's wife who wanted a little excitement. It wasn't a bad life and was certainly less expensive in the long run than trying to marry and divorce a succession of giddy women; but often when he had reached this conclusion, through the bamboo shades of the darkened room in which he huddled a light would penetrate, and it would be the great moon risen from the waters to the east and now passing majestically high above the Pacific. It was an all-seeing beacon, brillant enough to make the grassy lawns on Hanakai a sheet of silver, probing enough to find any mansion tucked away beneath the casuarina trees. When this moon sought out Wild Whip he would first draw in his feet, trying like a child to evade it, but when it persisted he often rose, threw open the lanai screens, and went forth to meet it. p625
”
”
James A. Michener (Hawaii)
“
There are hints, too, of wider social trends. The first edition of the Dictionary contains more than thirty references to coffee, and even more to tea. Johnson would vigorously defend the latter, not long after the Dictionary was published, in his review of an essay by the umbrella-toting Hanway, who believed it was ‘pernicious to health, obstructing industry and impoverishing the nation’.2 Johnson’s love of tea was deep but not exceptional: the leaf had been available in England since the 1650s (Pepys records drinking it for the first time in September 1660), and by 1755 it was being imported to Britain at the rate of 2,000 tons a year. The fashion for tea-drinking, facilitated by Britain’s imperial resources, drove demand for another fruit of the colonies, sugar (‘the native salt of the sugar-cane, obtained by the expression and evaporation of its juice’). Tea also played a crucial role in the dissolution of the eighteenth-century British Empire, for it was of course Bostonian opponents of a British tax on tea who opened the final breach between Britain and colonial America. All the same, it was coffee that proved the more remarkable phenomenon of the age. Johnson gives a clue to this when he defines ‘coffeehouse’ as ‘a house of entertainment where coffee is sold, and the guests are supplied with newspapers’. It was this relationship between coffee and entertainment (by which Johnson meant ‘conversation’) that made it such a potent force. Coffee was first imported to Europe from Yemen in the early part of the seventeenth century, and the first coffee house opened in St Mark’s Square in Venice in 1647. The first in England opened five years later—a fact to which Johnson refers in his entry for ‘coffee’—but its proprietor, Daniel Edwards, could hardly have envisioned that by the middle of the following century there would be several thousand coffee houses in London alone, along with new coffee plantations, run by Europeans, in the East Indies and the Caribbean. Then as now, coffee houses were meeting places, where customers (predominantly male) could convene to discuss politics and current affairs. By the time of the Dictionary they were not so much gentlemanly snuggeries as commercial exchanges. As the cultural historian John Brewer explains, ‘The coffee house was the precursor of the modern office’; in later years Johnson would sign the contract for his Lives of the English Poets in a coffee house on Paternoster Row, and the London Stock Exchange and Lloyd’s have their origins in the coffee-house culture of the period. ‘Besides being meeting places’, the coffee houses were ‘postes restantes, libraries, places of exhibition and sometimes even theatres’. They were centres, too, of political opposition and, because they were open to all ranks and religions, they allowed a rare freedom of information and expression.
”
”
Henry Hitchings (Defining the World: The Extraordinary Story of Dr. Johnson's Dictionary)
“
It may have been only for a moment, it probably was; but I do know the silence was not broken till the aged minister, who stood at the head of the coffin, began his discourse. We stood with uncovered heads during the service, and when the old minister addressed us he spoke as though he might have been holding family worship and we had been his children. He invoked Heaven to comfort and sustain the mother when the news of her son's death reached her, as she would need more than human aid in that hour; he prayed that her faith might not falter and that she might again meet and be with her loved ones forever in the great beyond. He then took up the subject of life,—spoke of its brevity, its many hopes that are never realized, and the disappointments from which no prudence or foresight can shield us. He dwelt at some length on the strange mingling of sunshine and shadow that seemed to belong to every life; on the mystery everywhere, and nowhere more impressively than in ourselves. With his long bony finger he pointed to the cold, mute form that lay in the coffin before us, and said, "But this, my friends, is the mystery of all mysteries." The fact that life terminated in death, he said, only emphasized its reality; that the death of our companion was not an accident, though it was sudden and unexpected; that the difficulties of life are such that it would be worse than folly in us to try to meet them in our own strength. Death, he said, might change, but it did not destroy; that the soul still lived and would live forever; that death was simply the gateway out of time into eternity; and if we were to realize the high aim of our being, we could do so by casting our burdens on Him who was able and willing to carry them for us. He spoke feelingly of the Great Teacher, the lowly Nazarene, who also suffered and died, and he concluded with an eloquent description of the blessed life, the immortality of the soul, and the resurrection of the body. After the discourse was ended and a brief and earnest prayer was covered, the two young girls sang the hymn, "Shall we meet beyond the river?" The services being at an end, the coffin was lowered into the grave.
”
”
Andy Adams (10 Masterpieces of Western Stories)
“
Though I had fallen in love with Narian a long time ago, I was continually learning more about him. I’d always been familiar with his principles and his personality, but it was the little things that made a human being. Little things like how he was not accustomed to sharing his space--had I not been forced to hide in his bedroom during his exchange with the High Priestess, I would not yet have seen it. There were other things, as well. He was nearly fluent in three languages in addition to our own; he absolutely could not sleep on his back; and he didn’t know how to handle being irritated with me.
Had I lied for Shaselle? Yes. But he would have a difficult time confronting me about it. He never hesitated in handling issues with other people, but with me, he seemed to try his hardest to convince himself that there was nothing to handle.
It was late afternoon before he finally raised the matter. After holding audiences in the Hearing Hall, I had entered my office and was about ready to retire when there was a knock on the door. I knew it would be Narian, and that his countenance would be inscrutable. Indeed, when I granted him permission to enter, he was closed off, exactly as I hated him to be.
“I thought you would meet me in my quarters,” I said, attempting to keep things light.
“I will. But I need to talk to you first.” It was plain from the tone of his voice that he wasn’t about to mix business with pleasure.
“Of course.” I rose from my desk chair, straightening a few papers and avoiding eye contact with him, though I wasn’t sure of the reason.
“The knife I took from Shaselle didn’t belong to Baelic.”
“Oh?” I looked up to meet his disconcerting eyes. If he wouldn’t let me in, I wouldn’t let him in.
“Alera, it was Sarteradan. You lied for her. Why?”
“And what of Steldor’s dagger?” I asked, ignoring his inquiry.
“Hytanican. No doubt he managed to keep one of his own from my troops.”
“What were you and he arguing about?”
“That’s of no importance. But you needn’t worry--I’m not going to arrest him.” He scrutinized me, and I squirmed like a bug under a magnifying glass. “What is important, Alera, is the question you’re trying to avoid--why did you lie for Shaselle?
”
”
Cayla Kluver (Sacrifice (Legacy, #3))
“
My dad had struggled and been forgiven too. He knew what it was like to be judged and looked down upon for his past. Later on in another conversation, we talked more about forgiveness.
“Son, you’ll want your kids to have as sinless a life as possible. But it’s not possible to be perfect although some people, like your brother Jase, have lived a less sinful life than others.”
Jase is a strong man. But Dad and I are different from Jase and from others who somehow are able to stay on the straight and narrow just about all the time.
“Those people will never understand forgiveness as you and I will,” said Dad. “You and I could have died. People who’ve done something like that really understand forgiveness.”
I also talked to my mom and told her what had happened. She loved Jess and knew she was a good person. I told my mom that Jess was so much like her, and that made her happy. When I left Mom and Dad’s house that night, the stress was gone, lifted away by Bible verses we’d read together.
A week later I was at church, and I saw an elder, a different one. He’d heard what had happened at the meeting, and he came up to me and put his arm around me. I wasn’t expecting him to say anything, and I was really surprised when he told me this: “Son, some people around here are idiots. That girl is right by God. If you love her, son, get married, start a family, and name one of ‘em after me.”
In the end, I didn’t blame the elder or my friends for anything they said or did. They were trying to watch out for me and didn’t want to lose me. It’s just that they were wrong. Jessica was forgiven. And I also knew what it was to be forgiven. I’d been through my own share of struggles and understood what it meant to feel the love and mercy of God. I knew in my heart that I was to show that same forgiveness to Jessica.
She was still worried, though.
“I don’t want you to choose me over your friends,” she said one day at my house. “I don’t want them to hate me even more.”
“What they’re saying isn’t right. I know it’s not right. And they’ll get over it.”
I was starting to realize how deep my feelings were for her, and I wanted to let her know.
“I love who I am when I’m with you. We took the long way around, but we were destined to be together. I love you.”
“I love you too,” she said.
“We’ll just go to a different church if we have to. Don’t worry about my friends.”
She smiled.
“I choose you,” I said and reached out my arms to her.
”
”
Jep Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
“
I love you, Victoria Adams. I have for a long time. And what you’ve told me today only makes me love you more. I admire your courage, your fighting spirit and inner strength. I hate the path that carried you to Harper’s Station, but I thank God every day that he brought you to a place where we could meet.” He pulled her hands to his chest and placed them palm down against the thudding of his heart. “As steadfast as your love is for Lewis, that’s how strong my love is for you. It’s not going to go away. Ever. Someday, I’ll convince you to become my wife, Tori. To let me be a father to your son. But today, all I ask is that you believe me when I say I love you.” “You . . . you love me?” Her voice trembled and her bright blue eyes swam with wonder. Ben smiled and nodded. “With all my heart.” “Even after all I’ve told you?” She looked so bewildered, he worried she’d convince herself to push his words aside. Ben flattened her hands more tightly against his chest, wanting her to feel his intensity, his desire to never let her go. “Especially after all you’ve told me.” She peered up at him, apparently at a loss for words. But words had their limits. Perhaps another communication style would prove more convincing. Slowly, gently, Ben ran his hands up Tori’s arms to her elbows. With a small tug, he brought her body closer to his, her face closer to his. “I love you, Tori,” he whispered an instant before he touched his lips to hers. He
”
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Karen Witemeyer (Worth the Wait (Ladies of Harper’s Station, #1.5))
“
Early May 2012 In response to Andy’s Email, I wrote: Hi Andy, I’m glad to know you are doing well, and I trust that you are coping with the loss of Albert. Without doubt, your daily meditations and rowing exercises will do wonders for your healing process. We have both been through rough periods after our separation. We grew stronger in body and spirit through these experiences. Although we have matured, you are still the person I’ll always love and cherish. I’m sure there are many men who would be thrilled to have the opportunity to be in a relationship with you. Your charismatic personality traits and stunning good looks ensure that you will come out on top, every time! If I were single, I’d be the first in line to solicit a relationship with you, you handsome man! Are you currently dating anyone? My life partner Walter, is the person who spearheaded my search for you. He’s enamored with the way I describe you as God in human form. The two of you have very similar personalities; that’s the reason I love you both very, very much. This, my friend, is the undeniable truth. I am extremely grateful for the years we shared and I look forward to meeting again. For now I am grateful for our long distance friendship…
”
”
Young (Unbridled (A Harem Boy's Saga, #2))
“
Andy’s Message Around the time I received Arius’ email, Andy’s message arrived. He wrote: Young, I do remember Rick Samuels. I was at the seminar in the Bahriji when he came to lecture. Like you I was at once mesmerized by his style and beauty, which of course was a false image manufactured by the advertising agencies and sales promoters. I was surprised to hear your backroom story of him being gangbanged in the dungeon. We are not ones to judge since both of us had been down that negative road of self-loathing. This seems to be a common thread with people whom others considered good-looking or beautiful. In my opinion, it’s a fake image that handsome people know they cannot live up to. Instead of exterior beauty being an asset, it often becomes a psychological burden. During the years when I was with Toby, I delved in some fashion modeling work in New Zealand. I ventured into this business because it was my subconscious way of reminding me of the days we posed for Mario and Aziz. It was also my twisted way of hoping to meet another person like me, with the hope of building a loving long-term relationship. It was also a desperate attempt to break loose from Toby’s psychosomatic grip on my person. Ian was his name and he was a very attractive 24 year old architecture student. He modeled to earn some extra spending money. We became fast friends, but he had this foreboding nature which often came on unexpectedly. A sentence or a word could trigger his depression, sending the otherwise cheerful man into bouts of non-verbal communication. It was like a brightly lit light bulb suddenly being switched off in mid-sentence. We did have an affair while I was trying to patch things up with Toby. As delightful as our sexual liaisons were there was a hidden missing element, YOU! Much like my liaisons with Oscar, without your presence, our sexual communications took on a different dynamic which only you as the missing link could resolve. There were times during or after sex when Ian would abuse himself with negative thoughts and self-denigration. I tried to console him, yet I was deeply sorrowed about my own unresolved issues with Toby. It was like the blind leading the blind. I was gravely saddened when Ian took his own life. Heavily drugged on prescriptive anti-depressant and a stomach full of extensive alcohol consumption, he fell off his ten story apartment building. He died instantly. This was the straw that threw me into a nervous breakdown. Thank God I climbed out of my despondencies with the help of Ari and Aria. My dearest Young, I have a confession to make; you are the only person I have truly loved and will continue to love. All these years I’ve tried to forget you but I cannot. That said I am not trying to pry you away from Walter and have you return to me. We are just getting to know each other yet I feel your spirit has never left. Please make sure that Walter understands that I’m not jeopardizing your wonderful relationship. I am happy for the both of you. You had asked jokingly if I was interested in a triplet relationship. Maybe when the time and opportunity arises it may happen, but now I’m enjoying my own company after Albert’s passing. In a way it is nice to have my freedom after 8 years of building a life with Albert. I love you my darling boy and always will. As always, I await your cheerful emails. Andy. Xoxoxo
”
”
Young (Unbridled (A Harem Boy's Saga, #2))
“
He lifted me up and sat me on the counter, gave me another kiss that almost reduced me to a puddle and walked over to Jeremy, “Come help me with the ice chests.” “Brandon! I just barely got down from the counter, and Jeremy had to help me!” “I know.” He smiled wickedly and walked out to the garage. I turned to Konrad, “Care to help?” “Ya know, I forgot to get the ice from the store … wanna go with me baby?” He grabbed Bree’s hand and led her quickly out of the kitchen. Jerks. Looking to the only person left in the room I added dryly, “Want to join?” Aubrey walked up next to me and had to jump three times before she got enough leverage to lift herself all the way up. “They’re really high up, right? It’s not just me?” “No, it’s definitely not just you.” She said softly and tucked her hair behind her ears, “Thank you so much for having us, this is really sweet of you.” “Of course! It’s fun to do. I apologize in advance if it gets rowdy. I don’t know much about the guys coming.” She laughed and swung her legs back and forth, “That’s fine.” Man, did I talk this soft too? “So tell me, how did you meet Jeremy?” “Um, school.” “Oh yeah? How long have you been dating?” Aubrey blushed fiercely and looked over to the door leading to the garage, “Only a week. He asked me out a few times last year, we were Chemistry partners, but I don’t know … he scared me.” “What? Why?” “Well I mean, besides his size, he’s really popular and outgoing. He was already popular after his first week at the school, and I knew a lot of girls liked him. I don’t know. Guys like him don’t date girls like me, I thought it was a joke.” The first half of that didn’t surprise me one bit. He’d really filled out in the last year, was built just like Brandon, and looked exactly like him. Their size was intimidating, and they were incredibly handsome. But what the hell? “I’m sorry, I must be missing something, girls like you?” “He plays football and is the captain of the soccer team, I’m not into sports or anything school related really.” “If he’s dating you, then I’m pretty sure that doesn’t matter at all to him. You’re gorgeous Aubrey, and you seem really sweet, it’s not hard to see why he likes you. Jeremy doesn’t just date girls … actually, he hasn’t had a girlfriend in the two years that I’ve been with Brandon. So for him to ask you out is a big thing for him. And those boys don’t have a cruel bone in their body, he would never date you as a joke. He’s just like his brother, they’re extremely protective and devoted to the girls in their life. Nothing less.” She blushed again, “You and Brandon are so perfect together. Jeremy’s told me so much about you both, and seeing you together is cute. It’s obvious how much you love each other.” I smiled and leaned back on my hands, “We are definitely in love.” Brandon
”
”
Molly McAdams (Taking Chances (Taking Chances, #1))
“
By afternoon Jack found her down on her hands and knees scouring the bathroom floor around the toilet and tub. “For the love of God,” he said. “What?” “What the hell are you doing? If you want the bathroom cleaned, why don’t you just tell me? I know how to clean a goddamn bathroom.” “It wasn’t all that dirty, but since I’m in the cleaning mood, I thought I’d whip it into shape.” “David is ready for his nap. Why don’t you join him.” “I don’t feel like a nap. I’m going to vacuum the area rugs.” “No, you’re not,” he said. “I’ll do that if it has to be done right now.” “Okay,” Mel said, smiling. “I’ve been tricked.” “Only by yourself, darling,” she said, whirling away to get the Pledge and Windex. After that was done—and there was a lot of wood and glass and stainless steel to occupy her—she was sweeping off the porch and back steps. Not long after that, she was caught dragging the cradle into the master bedroom. “Melinda!” he shouted, startling her and making her jump. “Jack! Don’t do that!” “Let go of that thing!” He brushed her out of the way and grabbed the cradle. “Where do you want it?” “Right there,” she said. He put it beside the bed. “No,” she said. “Over there, kind of out of the way.” He put it there. “No,” she said. “Against that wall—we’ll put it where we need it when she comes.” He moved it again. “Thank you,” she said. The phone rang. “I’ll get it,” he said. He picked up a pencil and put it in her face. “If you lift anything heavier than this, I’m going to beat you.” Then he turned and left the room. He has cabin fever, she thought. Spending too much time at home with me, making sure I don’t pick up anything heavier than a pencil. He should get out more, and out of my hair. When Jack was done with the phone, she was on her knees in front of the hearth, brushing out the barely used fireplace. “Aw, Jesus Christ,” he said in frustration. “Can that not wait until at least frickin’ winter?” She sat back on her heels. “You are really getting on my last nerve. Don’t you have somewhere you can go?” “No, but we do. Go shower and get beautiful. Paul and Vanessa are back and after they view the prom couple, they’re going to the bar for dinner. We’ll all meet there, look at some pictures.” “Great,” she said. “I’m in the mood for a beer.” “Whatever you want, Melinda,” he said tiredly. “Just stop this frickin’ cleaning.” “You know I’m not going to be able to do much of this after the baby comes, so it’s good to have it all done. And the way I like it.” “You’ve always been good at cleaning. Why couldn’t you just cook?” he asked. “You don’t cook anything.” “You cook.” She smiled. “How many cooks does one house need?” “Just go shower. You have fireplace ash on your nose.” “Pain in the ass,” she said to him, getting clumsily to her feet. “Ditto,” he said. An
”
”
Robyn Carr (Second Chance Pass)
“
Aye, love,” he said softly. “Dangerous. Ye had the right word after all.” Jon opened his eyes and looked at Tom in torment. “There are… words I want to say to you,” he breathed. Tom’s brow creased deep, and he let out a soft groan as if he were in pain; Jon could feel the rapid thrum of the big heart that beat beneath the brawn and scars of Tom’s broad chest. “Don’t, Jon,” said Tom quickly, his voice sounding ragged and weak. “Hush.” He reached for the lantern and turned the cover so that the light from the flame was blocked. After pulling Jon down on the bed, Tom fumbled for him in the dark with gentle hands that shook. Jon let out a low moan as Tom covered his face with impossibly soft kisses before finally meeting his lips with breathless passion. The kiss was endless, staggering. It was as if a dam had broken between the men as they strained against each other on the hard mattress. They were raw with desire and truths unsaid, both wanting to draw the moment out as long as they could, knowing that it might be a very long time before they had a chance to shed their skins and press their scarred hearts together again.
”
”
Bey Deckard (Sacrificed: Heart Beyond the Spires (Baal's Heart, #2))
“
George, I probably owe you an apology,” Maureen said. “I don’t think I was as friendly as I could have been when we ran into each other at Jack’s a week or so ago. The fact is, I do remember meeting you at Luke’s wedding. I don’t know why I was acting as if I couldn’t remember you. It isn’t like me to play coy like that.” “I knew that, Mrs. Riordan,” he said. She was stunned. “You knew?” He smiled gently. Kindly. “I saw it in your eyes,” he explained, then shifted his own back and forth, breaking eye contact, demonstrating what he saw. “And the moment I met you I knew you were more straightforward than that. I’m sorry if I made you uncomfortable.” She was a little uncomfortable now, in fact. She felt vulnerable, being found out before she even had a chance to confess. “And I was widowed quite a while ago.” “Yes, I know that, too. Twelve years or so?” he asked. She put her hands on her hips. “And you know this how?” she asked, not trying too hard to keep the indignant tone from her voice. “Well, I asked,” he said with a shrug. “That’s what a man does when he has an interest in a woman. He asks about her.” “Is that so? Well, what else did you find out?” “Nothing embarrassing, I swear. Just that you’ve been widowed quite a while now, all five sons are in the military, you live in Phoenix and, as far as anyone knows, you’re not currently seeing anyone special.” Special? she thought. Not seeing anyone period with absolutely no intention of doing so. “Interesting,” she said. “Well, I don’t know a thing about you.” “Of course you do. I’m a friend of Noah’s. A teacher.” He chuckled. “And obviously I have time on my hands.” “That’s not very much information,” she said. He took a rag out of his back pocket and wiped some of the sawdust and sweat off his brow. “You’re welcome to ask me anything you like. I’m an open book.” “How long have you been a teacher?” she asked, starting with a safe subject. “Twenty years now, and I’m thinking of making some changes. I’m seventy and I always thought retirement would turn me into an old fuddy-duddy, but I’m rethinking that. I’d like to have more time to do the things I enjoy most and, fortunately, I have a small pension and some savings. Besides, I’m tired of keeping a rigid schedule.” “You would retire?” “Again.” He laughed. “I retired the first time at the age of fifty and, after twenty years at the university, I could retire again. There are so many young professors who’d love to see a tenured old goat like me leave an opening for them.” “And before you were a teacher?” “A Presbyterian minister,” he said. “Oh! You’re joking!” she said. “I’m afraid it’s the truth.” “I’m Catholic!” He laughed. “How nice for you.” “You’re making fun of me,” she accused. “I’m making fun of your shock,” he said. “Don’t you have any non-Catholic friends?” “Of course. Many. But—” “Because I have quite a few Catholic friends. And Jewish and Mormon and other faiths. I used to play golf with a priest friend every Thursday afternoon for years. I had to quit. He was a cheat.” “He was not!” “You’re right, he wasn’t. I just threw that in there to see if I could rile you up. No one riles quite as beautifully as a redhead.
”
”
Robyn Carr (Angel's Peak (Virgin River #10))
“
Reading Group Guide 1. The river town of Hobnob, Mississippi, is in danger of flooding. To offset the risk, the townspeople were offered the chance to relocate in exchange for money. Some people jumped at the opportunity (the Flooders); others (the Stickers) refused to leave, so the deal fell through. If you lived in Hobnob, which choice would you make and why? If you’d lived in New Orleans at the time of Hurricane Katrina, would you have fled the storm or stayed to protect your house? Did the two floods remind you of each other in terms of official government response or media coverage? 2. How are the circumstances during the Prohibition era (laws against consuming or selling alcohol, underground businesses that make and sell booze on the black market, corruption in the government and in law enforcement) similar to what’s happening today (the fight to legalize and tax marijuana, the fallout of the drug war in countries like Mexico and Colombia, jails filled with drug abusers)? How are the circumstances different? Do you identify with the bootleggers or the prohibitionists in the novel? What is your stance on the issue today? 3. The novel is written in third person from two different perspectives—Ingersoll’s and Dixie Clay’s—in alternating chapters. How do you think this approach adds to or detracts from the story? Are you a fan of books written from multiple perspectives, or do you prefer one character to tell his/her side of the story? 4. The Tilted World is written by two authors. Do you think it reads differently than a book written by only one? Do you think you could coauthor a novel with a loved one? Did you try to guess which author wrote different passages? 5. Language and dialect play an important role in the book. Do you think the southern dialect is rendered successfully? How about the authors’ use of similes (“wet towels hanging out of the upstairs windows like tongues”; “Her nylon stockings sagged around her ankles like shedding snakeskin.”). Do they provide necessary context or flavor? 6. At the end of Chapter 5, when Jesse, Ham, and Ingersoll first meet, Ingersoll realizes that Jesse has been drinking water the entire time they’ve been at dinner. Of course, Ham and Ingersoll are both drunk from all the moonshine. How does this discovery set the stage for what happens in the latter half of the book? 7. Ingersoll grew up an orphan. In what ways do you think that independence informed his character? His choices throughout the novel? Dixie Clay also became independent, after marrying Jesse and becoming ostracized from friends and family. Later, after Ingersoll rescues her, she reflects, “For so long she’d relied only on herself. She’d needed to. . . . But now she’d let someone in. It should have felt like weakness, but it didn’t.” Are love and independence mutually exclusive? How did the arrival of Willy prepare these characters for the changes they’d have to undergo to be ready for each other? 8. Dixie Clay becomes a bootlegger not because she loves booze or money but because she needs something to occupy her time. It’s true, however, that she’s not only breaking the law but participating in a system that perpetrates violence. Do you think there were better choices she could have made? Consider the scene at the beginning of the novel, when there’s a showdown between Jesse and two revenuers interested in making an arrest. Dixie Clay intercepts the arrest, pretending to be a posse of gunslingers protecting Jesse and the still. Given what you find out about Jesse—his dishonesty, his drunkenness, his womanizing—do you think she made the right choice? If you were in Dixie Clay’s shoes, what would you have done? 9. When Ham learns that Ingersoll abandoned his post at the levee to help Dixie Clay, he feels not only that Ingersoll acted
”
”
Tom Franklin (The Tilted World)
“
I didn’t want to go, but his arms were underneath me, easing me toward the edge of the gurney and a waiting wheelchair padded with pillows. I was afraid any resistance would result in another game of hospital gown peekaboo.
He settled me so gently in the soft wheelchair that my hip and my back hardly hurt. Pushing me past the curtain and into the bustling emergency room, he leaned close, over me, to say, “I fixed it. They’re going to lose the records of your visit, so you’ll never get billed. But you’re my girlfriend.”
“What do you mean, I’m your girlfriend?” What delicious blackmail was this? And was it worth the price? Perhaps I could stand it.
‘I had to make them think I have a vested interest in you,” he whispered. “They never would have agreed to lose your records if I told them you were my friend at twelve years old but not so much at eighteen and I had pretty much walked in and stolen the birthright to your family farm. See? Shhh. Hey, Brody.” He slapped hands with another man in scrubs wheeling an empty gurney in the opposite direction. The man eyed me, waggled his eyebrows at Hunter, and kept going.
“Couldn’t you have said we’re friends and left it at that?” I needed to keep up the façade that I did not like the idea at all. At the same time, I was a little afraid Hunter would call the charade off.
“I have a lot of friends,” he explained, wheeling me into a waiting room marked X-RAY. he rounded the wheelchair and knelt in front of me. Behind him, a door stood ajar. A contraption I assumed to be an X-ray machine was visible through the crack. He glanced over his shoulder at the door, then turned back to me. “Sorry about this,” he murmured as he slid both hands into my hair and kissed me.
All I could do at first was feel. His lips were on mine. His hands held me steady, so I couldn’t have shrugged away if I’d tried, but I would not try. Bright tingles spread from my lips across my face and down my neck to my chest. I longed to pull him closer for more. I reminded myself that we were faking this for a reason. I didn’t want to make the kiss deeper than necessary in case it turned him off.
Hunter deepened it. His tongue pressed past my teeth and swept inside my mouth. One of his hands released my hair and caressed my shoulder, traveling down. The farther his hand went, the higher I felt. My hip hardly hurt and my back pain was gone. I wondered how low his hand would go.
I never found out. A shadow stood in the doorway and cleared its throat.
I stopped kissing Hunter back and braced for him to jump away. He did back off, but very slowly. He sat back on his haunches and glared at the X-ray tech as if she had a lot of nerve. His cheeks were bright red.
“So, Hunter,” she said mischievously. “This is your girlfriend.”
“Hullo.” I gave her a small wave.
“And you got hit by a taxi while you were crossing the street to visit Hunter? That is so romantic! Have you seen Sleepless in Seattle?”
“Not romantic,” I said flatly. “I hate that movie. They don’t meet until the last scene. They don’t kiss at all.” Too late I realized I sounded like I was begging Hunter for more.
“But in that movie,” the tech said, “they talk about An Affair to Remember. Have you seen that? Deborah Kerr is crossing the street to meet Cary Grant and gets hit by a car. Years later he comes back to her and she’s paralyzed from the waist down.”
“You call that romantic?” I heard myself yelling. “That is repulsive!”
Hunter stood and put a heavy hand on my shoulder as he pushed my wheelchair past the tech and through the doorway to the X-ray machine. “Erin is in a lot of pain,” he murmured to the tech, “and she doesn’t want to think about being paralyzed from the waist down.”
After that the tech was a lot nicer, because Hunter had a way with people. Hunter lifted me onto the table and left the room so he wouldn’t be irradiated or see my bony ass.
”
”
Jennifer Echols (Love Story)
“
The Huge Artifice:
an interim assessment
Enough of this great work has now appeared
For sightings to be taken, the ground cleared,
Though the main purpose - what it's all about
In the thematic sense - remains in doubt.
We can be certain, even at this stage,
That seriousness adequate to engage
Our deepest critical concern is not
To be found here. First: what there is of plot
Is thin, repetitive, leaning far too much
On casual meetings, parties, fights and such,
With that excessive use of coincidence
Which betrays authorial inexperience.
We note, besides these evident signs of haste,
A great deal in most questionable taste:
Too many sex-scenes, far too many coarse
Jokes, most of which have long lost all their force.
It might be felt that, after a slow start,
Abundance incident made amends for art,
But the work's 'greatness' is no more than size,
While the shaping mind, and all that implies,
Is on a trivial scale, as can be guessed
From the brash nature of the views expressed
By a figure in an early episode, who
Was clearly introduced in order to
Act as some kind of author-surrogate,
Then hastily killed off - an unfortunate
Bid to retrieve a grave strategic lapse.
More damaging than any of this, the gaps
In sensitivity displayed are vast.
Concepts that have not often been surpassed
For ignorance or downright nastiness -
That the habit of indifference is less
Destructive than the embrace of love, that crimes
Are paid for never or a thousand times,
That the gentle come to grief - all these are forced
Into scenes, dialogue, comment, and endorsed
By the main action, manifesting there
An inhumanity beyond despair.
One final point remains: it has been urged
That a few characters are not quite submerged
In all this rubbish, the they can display
Reason, justice and forethought on their day,
And that this partly exculpates the mind
That was their author. Not at all. We find
Many of these in the history of art
(So this reviewer feels), who stand apart,
Who by no purpose but their own begin
To struggle free from a base origin.
”
”
Kingsley Amis (Collected Poems: 1944-1979 (NYRB Poets))
“
We had to convince these guys to perform, but they were easy to win over.” She points to the curtain, and it opens slowly. “I give you the Reeds, performing to Taylor Swift’s ‘You Belong with Me.’” The curtain opens, and Paul, Matt, Logan, Sam, and Pete are all standing in a line. They’re all dressed in jeans and sleeveless T-shirts, and you can see all their tattoos and they’re so fucking handsome that I can’t even believe they’re mine. I see Hayley, Joey, and Mellie standing on the side of the stage, all waiting anxiously to watch their daddies and uncles. Seth starts the music, and he’s underlaid some kind of hip-hop track beneath the beat, but you can still pick out the music. It’s a song about unrequited love and realizing that what you wanted was right there in front of you the whole time, but you were being too stupid to see it. It’s told from a girl’s point of view, so some of the words don’t exactly fit the boys, but it makes it all the funnier. The Reeds have moves. Serious moves. I think everyone woman in the auditorium sits forward in her seat so she doesn’t miss seeing the shaking hips and flexing muscles. Paul even picks Matt up and spins him around one time, and Sam does the same to Pete. I can’t stop laughing. Even Logan dances, and I can imagine the kind of work it took for him to learn this routine when he can’t even hear the music the same way everyone else can. He can appreciate music, just in a different way. As the song starts to close, Matt, Pete, Logan, and Paul all point out at the audience when the words, “You belong with me,” play. Matt points to Sky. Pete points to Reagan, and Logan points to Emily, who is holding the baby in her lap. And Paul points in my direction. Those four men jump off the stage and come toward us. They sing and dance all the way down the aisle. Out of the corner of my eye, I see Kelly get up to intercept Paul, but he doesn’t even notice her. He points past her, and sings out the last line, “You belong with me,” in my ear. He picks me up and spins me around, and I have never felt more happiness in my whole life. The music stops, and everyone looks to the stage. Sam has sat down on the side of it, and he looks pretty dejected. He’s holding a sign above his head that says, Available. After this, he won’t be available for long, because every woman there now has a crush on all the Reeds, and he’s the only one who isn’t taken. I love that they can be so silly, and so loving, and so…them. They don’t hide it. They don’t make a game of it. They just love. They love hard. “I love you so hard,” I say to Paul. His eyes jerk to meet mine, and he almost looks surprised. “You do?” he asks. I nod. “I do.” “Will you come home tonight?” he asks quietly. I nod. “Good. That’s where you belong.
”
”
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
“
Nomi asked, “When did you know? When did you know that Lila was the one, and nobody else?” “People always ask themselves that question,” he said as he watched a small child fascinated by the poodle. “Still,” Nomi persisted, as if Elias was in possession of some secret formula. “It was all in the breathing,” he said. “What do you mean?” “When I realized she was in every breath I took,” he said. Nomi tried to understand what he was saying: How many breaths did a person take during the course of a day, maybe a hundred thousand? And she was there in every one? “When you find it, you just know. It’s as simple as that child running after the dog.” Nomi gazed at him without comprehending. “When you forget yourself,” he explained. “When your own wishes shrink. Forgetting yourself is a wonderful feeling, and with Lila, I forgot myself all the time. “Once,” he said, continuing, “we were meeting in Ein Karem. This is when we were already in our fifties. Lila arrived by taxi, and at a traffic light we found ourselves next to each other. When I saw her, I don’t know what happened to me. It was like my chest was bursting, I had to say it. I leaned out my window and said to the driver, ‘Tell her that I love her.’ He did. She blushed like a girl. Then the driver called back to me: ‘She loves the way you love her.’ “With her, I saw everything I did in a wonderful light that was sweet and bright: going to the market, filling the tank with gas, sitting in a movie theater. Whenever we came out of the long narrow hallway they always make you exit cinemas from, I would think that with her I’m forgiving; I always want the heroes of the film to fall in love and overcome their challenges and continue their love story. With her I was prepared to be taken anywhere and everywhere.
”
”
Anat Talshir (About the Night)
“
Kelly swallowed her mounting dread as she and Ryan entered the restaurant. Ryan spoke in low tones to the maître d’ and then they were ushered to a table in the back.
Ryan broke into a broad smile when he saw Rafael already seated next to a woman Kelly assumed was his wife, Bryony. Ryan’s mother was also seated, as were Devon and Cameron. Just great. They were last to arrive, and so they made an “entrance.”
Kelly stood by Ryan’s side as he greeted everyone, then said, “Of course, you all remember Kelly. Except for you, Bryony.”
He turned to Kelly. “Kelly, this is Bryony de Luca, Rafael’s wife. Bryony, this is my fiancée, Kelly Christian.”
The room went absolutely silent at his declaration. The expressions ranged from his mother’s ill-disguised horror to outright disbelief on his friends’ faces.
Even Bryony looked skeptical as she rose to extend her hand to Kelly. It was then that Kelly noticed that Bryony appeared every bit as pregnant as Kelly was.
“It’s nice to meet you,” Bryony said with what looked to be a forced smile.
Hell, how much could Bryony possibly know about Kelly anyway? It wasn’t as if she’d been around for that long. But she, like the others, didn’t appear to roll out the welcome mat.
Kelly offered a nervous smile and allowed Ryan to seat her. This was going to be a long night.
“How are you, Kelly?” Devon asked politely.
He was seated next to her and she supposed common courtesy dictated his question.
“I’m good,” she replied in a low voice. “Nervous.”
He seemed surprised by her honesty.
Ryan conversed with his friends and his mother. Kelly sat quietly beside him and watched the goings-on around her. No one tried to include her in conversation and the one time she offered a comment, the awkward silence that ensued told her all she needed to know.
They were tolerating her for Ryan’s sake, but she didn’t miss the looks they cast in his direction when they thought she wasn’t watching. Looks that plainly said, Are you crazy?
By the time the food was served, she was extremely grateful to have something to focus on. She felt out of place. She felt conspicuous. This was going down as one of the worst nights of her life and she was counting the minutes until she and Ryan could make their escape.
The food felt dry in her mouth. Her stomach churned and after only a few bites, she gave up trying to force herself to eat. Instead, she sipped at her water and pretended she was back on the beach with Ryan, about to dance underneath the moonlight.
That was her problem. She was living in a fantasy world, avoiding reality. And reality sucked. Her reality was sitting here at a dinner table while five other people judged her. Her reality was living with a man—a man she intended to marry—who felt he needed to forgive her for sins she hadn’t committed.
At what point in her life had she decided she didn’t deserve better than this?
It was a startling discovery. The blinders had come off.
Why was she putting up with this?
”
”
Maya Banks (Wanted by Her Lost Love (Pregnancy & Passion, #2))
“
Sometimes,
at the moment we meet someone or talk to someone or they behave in a certain way with us,
we may not know where they or their thoughts come from but with time, it all falls into place, as long as we have our senses vigil.
”
”
Vidhu Kapur (DO WE MAKE FRIENDS AFTER SCHOOL?)
“
A withered woman sits in a chair hardly moving, her face red and swollen, her eyesight almost gone, her hearing gone, her breathing scratchy like the rustle of dead leaves on stones. Years pass. There are few visitors. Gradually, the woman gains strength, eats more, loses the heavy lines in her face. She hears voices, music. Vague shadows gather themselves into light and lines and images of tables, chairs, people’s faces. The woman makes excursions from her small house, goes to the market, occasionally visits a friend, drinks tea at cafés in good weather. She takes needles and yarn from the bottom drawer of her dresser and crochets. She smiles when she likes her work. One day her husband, with whitened face, is carried into her house. In hours, his cheeks become pink, he stands stooped over, straightens out, speaks to her. Her house becomes their house. They eat meals together, tell jokes, laugh. They travel through the country, visit friends. Her white hair darkens with brown streaks, her voice resonates with new tones. She goes to a retirement party at the gymnasium, begins teaching history. She loves her students, argues with them after class. She reads during her lunch hour and at night. She meets friends and discusses history and current events. She helps her husband with the accounts at his chemist’s store, walks with him at the foot of the mountains, makes love to him. Her skin becomes soft, her hair long and brown, her breasts firm. She sees her husband for the first time in the library of the university, returns his glances. She attends classes. She graduates from the gymnasium, with her parents and sister crying tears of happiness. She lives at home with her parents, spends hours with her mother walking through the woods by their house, helps with the dishes. She tells stories to her younger sister, is read to at night before bed, grows smaller. She crawls. She nurses.
”
”
Alan Lightman (Einstein's Dreams)
“
There is a scene I love where a brother and sister meet after many years and little communication. They meet in an arranged café in mid-afternoon. The light is dying and the city outside rumbles softly in the complacent time before rush hour. The café is unexceptional and quiet. She comes first, sits at the far end, a table facing the door, nervous in her buttoned raincoat. The waiter is an older man. He leaves her be. The brother enters late with the look but not the words of apology. He kisses her cheek. They sit and the old man brings them teas they do not want, two pots, strong for him weak for her. It is long ago since they said each other’s names aloud, and saying them now has the extraordinary shyness of encounter I imagine on the Last Day. At first there is the full array of human awkwardness. But here is the thing: almost in an instant their old selves are immediately present. The years and the changes are nothing. They need few words. They recognise each other in each other, and even in silence the familiarity is powerfully consoling, because despite time and difference there remains that deep-river current, that kind of maybe communion that only exists within people joined in the word family. So now what washes up between them, foam-white and fortifying and quite unexpectedly, is love. I cannot remember what book it is in. But it’s in this one now.
”
”
Niall Williams (This Is Happiness)
“
I tune in to all the people I’ll see and meet and interact with in the future, through my blogs, teleclasses, radio shows, podcasts, emails, social media, and keynotes. I feel a connection with everyone in my future and everyone in my past. I feel love flowing from my heart to all of them. I carry within me the indelible imprint of that time spent in communion with the infinite. I know that it will infuse my whole day, elevating my mind to a level at which it would never be capable of functioning unless I had centered myself at the start of the day. The insights and ideas that arise in and after meditation are usually at a level of brilliance far above that of which I am capable in my ordinary waking consciousness. From this elevated perspective I’m making connections in a way that my ordinary consciousness cannot match. I know I will find solutions, solve problems, and experience breakthroughs that I would never have had were my daily activities not infused with the wisdom, creativity, clarity, and joy of Bliss Brain. This produces a fundamentally different life from one lived at the level of ordinary consciousness. I lived at that address for a long time before I discovered the ecstasy of connection with the infinite. At that level of ordinary reality, I believed my fears were real. I believed that my limitations were objective facts. I believed that who I was today was determined by my past experiences. My mind was trapped in a small subset of possibilities. Now that I know that the expansive state is possible, and that I can reach it in meditation every day, I see limitless possibilities. I’m no longer stuck in that small local mind that sees problems as real and limitations as facts. When I move into Bliss Brain, I see vistas of possibility in which those problems and limitations cease to exist. They are only real at that limited level of mind, and they disappear when you consciously choose to ascend your awareness to the level of infinite nonlocal mind. You then bring the solutions and possibilities of that level back down to your daily walk through life. This creates a completely different experience than a life trapped in the confinement of local mind.
”
”
Dawson Church (Bliss Brain: The Neuroscience of Remodeling Your Brain for Resilience, Creativity, and Joy)
“
In Conversation With The Earth!
Hello I am Earth , your home,
Hello I am human from Climate summit at Rome,
Pleasure meeting you today,
Well I thought you met and saw me everyday,
Nevermind, human mind is a curious creation,
Look at the devastation and your numb sensation,
Water levels rising,
Frequent wildfires are least surprising,
Landslides burying people alive,
For the poor Earth is no longer a place to thrive,
CO2 emissions creating a blanket of doom,
The world looks like a planet draped in agony and gloom,
Deforestation has left me naked,
By your callousness I feel raped, you humans are so ungrateful and wicked,
The rising heat will kill us both,
I will manage drifting in the universe but imagine your plight in the cosmic broth?
You are the cause of your own extinction,
And you seek mercy from me for this inevitable destruction,
I am part of the universe the universe is not a part of me,
And if there is a cause, an effect too there shall be!
But I am wondering why you are still procrastinating,
You are more interested in Mars’s Terraforming,
Instead of saving your present home,
Where there is Italy, Germany, India, America, Russia, China, many others and Rome,
You seem to ignore my pleadings and warning signs,
And somehow your conscience resigns,
Into a slumber of thoughtlessness,
And you seem willing to endure this perpetual feeling of restlessness,
But refrain from acting now,
Sometimes you just need to start, without wasting too much time on thinking how,
This maybe my last conversation with you , my dear human being,
It is time you believed in what you are seeing,
A ravaged soul of mine,
I fret and fume, yet you convince yourself I am fine,
Because you can still breathe in my air,
But how long, because you are offering me a bargain that is unfair,
Very soon you may need protected air zones to survive,
And then only those with a penny in the pocket shall be alive,
Where will your less fortunate brothers and sisters go?
I think after the great fall, today humanity has fallen really too low,
Not placing restraint on their acts so ignoble,
Although you see my scars so fresh and palpable,
Anyway, why shall you care as long as you can breathe,
And not realise the irony, the day you feel choked I too shall no more be able to breathe!
Mars is a distant dream,
Pay heed now when I yell and scream,
Mars is just a reflection in the mirror,
But I am the mirror, you just need to be a heedful observer,
And act now before it is too late,
And stop wasting time in a bureaucratically complex debate,
Maybe this will be the last summer for you and me too,
But I am still believing and expecting the best from you!
By: Javid Ahmad Tak
”
”
Javid Ahmad Tak (They Loved in 2075!)
“
My Spring and Your Eyes
After a long winter spell the Spring is here,
But without seeing it reflect through your eyes, for me it appears to be nowhere,
Everything, the buds of May, even the bright day seem to be glad,
But without you around my love, every surrounding and every corner looks so sad,
Million flowers await to bloom from every hopeful bud of Spring,
But to me, without you, nothing, no matter how beautiful does any joy bring,
The freshness of light green hue, covers everything, even the morning dew,
But I only think of you, even though the nature looks so beautiful and new,
The Spring has rescued everything from the veil of seemingly permanent gloom,
But I, my thoughts, and my joys wait for you, to be able to bloom,
In the distance I can hear the river flowing happily to meet the sea,
But I wait for my beautiful Spring that only through your eyes I can feel and see,
And I know the Spring is here and it surely has arrived,
But for me, the Spring bliss is incomplete unless from your senses it is derived,
To me the real Spring shall feel like you and be as beautiful as you,
But with you not here, maybe it is Spring time somewhere, but not here , not here, because this year it does not feel like you,
So I shall let them rejoice and say “the Spring is here!”
But for me as long as you are not here, it is Spring there but not here, not here!
”
”
Javid Ahmad Tak (They Loved in 2075!)
“
[On emotional deprivation:]
Avoid cold partners who generate high chemistry. This is that simple rule that is so hard to follow. Do not get involved with depriving partners. The rule is so hard to follow because these are precisely the partners who attract you most. We often give patients this rule-of-thumb: If you meet someone for whom you feel a high degree of chemistry, rate how much chemistry on a 0 to 10 scale. If you rate the person a 9 or 10, then think twice about becoming involved with this person. Occasionally, such relationships work out, after a great deal of turmoil. But, more often, the strong chemistry you feel will be based on lifetraps that they trigger in you, rather than positive qualities that will make the relationship last.
We are not saying that you have to settle for spending the rest of your life with a partner who only generates a responses of 0-5 in you. We feel that there has to be some chemistry for the relationship to work. But, if there is only romantic chemistry, it almost certainly will not work in the long run. There are plenty of 6’s, 7’s, and 8’s out there. One of them might bring you the deep fulfilment of an intimate, loving relationship, perhaps for the first time in your life.
”
”
Jeffrey Young (Reinventing Your Life: The Breakthrough Program to End Negative Behavior...and Feel Great Again)
“
[On emotional deprivation:] Avoid cold partners who generate high chemistry. This is that simple rule that is so hard to follow. Do not get involved with depriving partners. The rule is so hard to follow because these are precisely the partners who attract you most. We often give patients this rule-of-thumb: If you meet someone for whom you feel a high degree of chemistry, rate how much chemistry on a 0 to 10 scale. If you rate the person a 9 or 10, then think twice about becoming involved with this person. Occasionally, such relationships work out, after a great deal of turmoil. But, more often, the strong chemistry you feel will be based on lifetraps that they trigger in you, rather than positive qualities that will make the relationship last.
We are not saying that you have to settle for spending the rest of your life with a partner who only generates a responses of 0-5 in you. We feel that there has to be some chemistry for the relationship to work. But, if there is only romantic chemistry, it almost certainly will not work in the long run. There are plenty of 6’s, 7’s, and 8’s out there. One of them might bring you the deep fulfilment of an intimate, loving relationship, perhaps for the first time in your life.
”
”
Jeffrey Young (Reinventing Your Life: The Breakthrough Program to End Negative Behavior...and Feel Great Again)
“
One thing that helps me in difficult times is that I long ago decided that the Mystery, that inexplicable source of Love and Life energy, is vastly more complex and intelligent than we can comprehend. What makes us think that nothing in the universe could be more intelligent and complex than the human brain? When something bad happens, rather than assuming that there’s a creator out there who is either cruel, slacking off, or totally fictional, I tend to assume there’s a lot more going on than meets the eye. I lean toward trusting that all of this probably makes more sense in a complexity beyond our comprehension.
”
”
Liz Eastwood (Soul Comfort for Cat Lovers: Coping wisdom for heart and soul after the loss of a beloved feline)
“
In the fringes of our yard, daffodils await their triumphant chorus. The golden bells have just opened on our forsythia, and clusters of hyacinth flowers await flourish in purple blooms. By aesthetic standards, any of these blossoms would have outshone the fistful of yellow spikes my little boy offered. In the coming months, dozens of its cousins, cast away as weeds, will meet an untimely end beneath the blades of a lawnmower. Their brazen head will be lopped off, their awkward petals demolished and scattered. They will be declared a nuisance, expendable. Yet when gripped within Pip's fingers, how perfect, how precious became this paltry bloom. He had put aside the torrent of irritability and overwhelm that trouble him hourly, and found grace in a spiral of petals. Through a humble weed, love had broken through. God works this way. He does great things with the meager, and beautiful things with the misshapen. He chooses the smallest, the humblest, the most broken as his servants. (1 Sam 16:10-12, Numbers 12:3, 1 Tim 1:15) He works for good through the greatest calamity. (Gen 50:20) With his most beloved broken and crushed, he reaches through the firmament, and in love makes things new. (Rev 21:5) Where we see weakness, he offers grace. (2 Cor 12:9) He shatters pride, so new blossoms can burst forth. I've spent the past few months wrestling with God. After Pip's evaluation, as we clumsily felt out life with special needs, the questions of why wrapped around my heart, infusing me with daily bitterness. Resentment broiled to the surface. I'd left medicine to follow God's call, but a large part of me, in shocking arrogance, wanted to comply on my terms. Over the past two years, God has compelled me to confront my idols. I thrived on productivity. But now I inevitably find grime in corners I have just cleaned. I prized efficiency. But it now takes 30 minutes of wrangling over potty... I'm an introvert, who needs alone time to rejuvenate. But is anyone less alone than a mom with young kids? A "save the world" mentality drives me. But my daily life fodder is now the mundane. I relish instant gratification. But this business of shepherding hearts is long, with few immediate rewards. I relished accolades... I consider God's graciousness to us, and in the stillness of a springtime morning, I struggle for breath. His mercy toward us in this season -- in the face of my arrogance, despite the brokenness to which I've so stalwartly clung -- is stunning. During all the years of my training and career, homeschooling was never the plan. God inexplicably placed the idea in my heart, like a shadow that deepened daily. But now, I see how perfect were his methods. I shudder to think of how our family would struggle if I was still barreling ahead at the hospital, subsumed with my own self importance, while Pip fought daily to deal with every crowd... Homeschooling was never the plan. . . but oh, what a plan! That he called us this way, was mercy manifest. That he has equipped us to continue, is the greatest gift. Even on the hard days, I count it all joy. On the days when Pip, after a week of handling things so well, has a meltdown in the grocery store, complete with screaming and a blow to my chin -- there is joy there. God can work even with our ugliness. Through Christ, God redeems even the most corrupt. He assembles the stray petals, the unseemly stems, and makes things new. He strips away the idolatry of a surgeon desperate to prove her own worth, and points her toward the fount of all worth -- Christ Jesus. There is a deep well of peace in serving God where he has placed you. There is a refining grace, in realizing his work even in the hard moments. There is a profound beauty in redemption -- in the love that breaks forth through brokenness -- if we can only put away our preoccupations, and embrace his will. "My grace is sufficient for you, for my power is made perfect in weakness." -- 2 Cor 12:9
”
”
Kathryn Butler
“
Dear reader, I guess there’s a chance – just the tiniest chance – that I might hunt you down. Beforehand I’d always let such a frivolous impulse fade but these days – and I am not proud of this – the pictures lurking in the corners of my mind are gaining in colour, detail and intensity. I fight them, I really do, but the scenario seems to have a life of its own, slowly taking shape and maybe dreaming of the day it gets unleashed into the real world. Becomes flesh and blood, if you like. And despite my very best efforts at restraint, I’m afraid I’ve already started... planning. You know, plotting a bit. Gathering details about your movements and habits. That sort of thing. And if I’m pushed, I might admit to lingering on the finer points of your demise, perhaps even gorging on the sight of your stricken face as I finally take centre stage in your life. You see, I guess I’m just tired of your lack of appreciation. Let’s face it, I’m not exactly the first name on your Christmas card list. I’m still waiting for you to swing by for a cuppa and a few kind words. Hey, a simple email would have been enough. Don’t you know how precious a bit of encouragement can be? And here’s the rub: for as long as I can remember I have been on my knees in front of you only to be treated like the invisible man. You’ve repeatedly ignored my imploring face and open arms, although occasionally you’ve stopped and dallied, causing my heart to skitter wildly. I can’t begin to tell you how much it means to be noticed. It’s so... nourishing. After all, a flower can’t bloom in the dark. But then it dawns on me that you’re not committed to our fledgling relationship. In fact, it’s just a flirtation and soon you’ll be skipping on your merry way. Whatever trifling affection you have shown, it’s clear you’ll never bang the drum for little old me. And don’t think I don’t know about the others. The ones you fawn over. Just tell me – why are you so in thrall with their rampant mediocrity? Hell, maybe they’ve somehow infected you, skewed your take on things and made you unable to sort the wheat from the chaff. Perhaps I should offer condolences but the fact remains that kneeling before you with my heart in my hands only seems to result in you jumping into bed with them. Do you not understand how much love I’ve lavished on you? Call me tetchy, but some days you simply seem unworthy of my great sacrifice. But let’s not get ahead of ourselves. All is not lost. For here we are again meeting as equals and this time I know I have your attention. I can only hope you have lost the desire to bait me, or God forbid, spit in my face. So help me. Accept my tender embrace. Or one day, dear reader, you might find the invisible man taking shape right in front of your disbelieving eyes. And you’d only have yourself to blame.
”
”
Dave Franklin (The Goodreads Killer)
“
I do not think I will be in love again in my life, except with you. These are honest words.” And they were. His anxiety about the long separation from JP seemed to intensify during the affair with Arthur, especially after he decided that Arthur wanted him only for sex. “I’m still very much in love with Jean Pierre,” he wrote in his journal near the end of May. “I still desire the chance to leave here and live with him in Paris. Jean Pierre was the first man to be completely relaxed and loving with me. Unafraid of my personality or my creative movements. There was room with him to love and live and grow and change. Time has put a distance between us. And my meeting Arthur filled up that kind of empty space.”
Ever since David left Paris, he and JP had tried to figure out some way to get back together. Like dual citizenship—which would have allowed David to work in France but would also require his mandatory service in its military. Then there was the idea of entering a French university, but David didn’t have the money. That May, they had one last pipe dream between them: David would get a position with UNESCO. Jean Pierre knew a woman who worked there and she promised to help, but David had none of the skills or education the agency required.
It would have been easy to lose touch completely. David still had no telephone. Letters usually took about a week to arrive and sometimes as long as three. But now that David finally had some income, he hoped to visit France in August. He and JP had, of course, not seen each other since the previous August.
”
”
Cynthia Carris Alonso (Fire in the Belly: The Life and Times of David Wojnarowicz)
“
Photographs from Distant Places
(1)
In distant villages,
You always see the same scenes:
Farms
Cattle
Worship spaces
Small local shops.
Just basic the things humans need
To endure life.
(2)
‘Can you stay with me forever?’
She asked him in the airport,
While hugging him tightly in her arms.
‘Sorry, I can’t. My flight leaves in two hours and a half.’
He responded with an artificially caring voice,
As he kissed her on her right cheek.
(3)
I was walking in one of Bucharest’s old streets,
In a neighborhood that looked harshly beaten
by Time,
And severely damaged by development and globalization.
I saw a poor homeless man
Combing his dirty hair
In a side mirror of a modern and expensive car!
(4)
The shape and the color of the eyes don’t matter.
What matters is that,
As soon as you gaze into them,
You know that they have seen a lot.
All eyes that dare to bear witness
To what they have seen are beautiful.
(5)
A stranger asked me how I chose my path in life.
I told him: ‘I never chose anything, my friend.’
My path has always been like someone forced to sit
In an airplane on a long flight.
Forced to sit with the condition
Of keeping the seatbelt on at all times,
Until the end of the flight.
Here I am still sitting with the seatbelt on.
I can neither move
Nor walk.
I can’t even throw myself
out of the plane’s emergency exit
To end this forced flight!
(6)
After years of searching and observing,
I discovered that despair’s favorite hiding place
Is under business suits and tuxedos.
Under jewelry and expensive night gowns.
Despair dances at the tables where
Expensive wines of corruption
And delicious dinners of betrayal are served.
(7)
Oh, my poet friend,
Did you know that
The bouquet of fresh flowers in that vase
On your table is not a source of inspiration or creativity?
The vase is just a reminder
Of a flower massacre that took place recently
In a field
Where these poor flowers happened to be.
It was their fate to have their already short lives cut shorter,
To wither and wilt in your vase,
While breathing the not-so-fresh air
In your room,
As you sit down at your table
And write your vain words.
(8)
Under authoritarian regimes,
99.9% of the population vote for the dictator.
Under capitalist ‘democratic’ regimes,
99.9% of people love buying and consuming products
Made and sold by the same few corporations.
Awe to those societies where both regimes meet
to create a united vicious alliance against the people!
To create a ‘nation’
Of customers, not citizens!
(9)
The post-revolution leaders are scavengers not hunters.
They master the art of eating up
The dead bodies and achievements
Of the fools who sacrificed themselves
For the ‘revolution’ and its ideals.
Is this the paradox and the irony of all revolutions?
(10)
Every person is ugly if you take a close look at them,
And beautiful, if you take a closer look.
(11)
Just as wheat fields can’t thrive
Under the shadow of other trees,
Intellectuals, too, can’t thrive under the shadow
Of any power or authority.
(12)
We waste so much time trying to change others.
Others waste so much time thinking they are changing.
What a waste!
October 20, 2015
”
”
Louis Yako (أنا زهرة برية [I am a Wildflower])