Hoops Book Quotes

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Bright Idea #91: When the weather's bad and your lights go out, have a pajama party. Eat till you feel sick, hula-hoop, paint your faces. Catch fireflies, and dance naked in the rain. If you do, then your bare butt will light up like a firefly after it's been let out of a jar.
Sandra Kring (The Book of Bright Ideas)
He checked out his surrounding. More books. A drinking fountain. A poster showing a guy slam-dunking a basketball with one hand and holding a book in the other, urging kids to READ! Weird, thought Steve. How can he even see the hoop? ... You see, Steven, Librarians are the most elite, best trained secret force in the United States of America. Probably in the world." "No way." "Yes way." "What about the FBI?" "Featherweights." "The CIA?" Mackintosh snorted. "Don't make me laugh. Those guys can't even dunk a basketball andd read a book at the same time.
Mac Barnett (The Case of the Case of Mistaken Identity (Brixton Brothers, #1))
11 WAYS TO BE UNREMARKABLY AVERAGE 1. Accept what people tell you at face value. 2. Don’t question authority. 3. Go to college because you’re supposed to, not because you want to learn something. 4. Go overseas once or twice in your life, to somewhere safe like England. 5. Don’t try to learn another language; everyone else will eventually learn English. 6. Think about starting your own business, but never do it. 7. Think about writing a book, but never do it. 8. Get the largest mortgage you qualify for and spend 30 years paying for it. 9. Sit at a desk 40 hours a week for an average of 10 hours of productive work. 10. Don’t stand out or draw attention to yourself. 11. Jump through hoops. Check off boxes.
Chris Guillebeau (The Art of Non-Conformity: Set Your Own Rules, Live the Life You Want, and Change the World)
Men know that most women want to have an emotional connection with someone before they sleep with them. Men know that a lot of women think it's romantic to be friends first, and then the friendship blossoms into a relationship. Men know that they have to jump through all these hoops first, before they can get laid. And that's really all romance and courtship is to a man: hoops he has to jump through to get laid.
Oliver Markus (Why Men And Women Can't Be Friends)
Patches don’t look it, but when attached to your soul they can get pretty heavy. They go over the holes in your soul, like when you patch a sock. When you have a hole in your soul, it’s because you’re hurting from something. I don’t know if you noticed, but that girl had a lot of holes.
Nathan Reese Maher (Lights Out: Book 2)
There’s nothing wrong with you at all. Sometimes people say or do things that are mean because there's something the matter with them. With Lydia, it seems there’s always something wrong with her.
Nathan Reese Maher (Lights Out: Book 2)
The shadow self is what lies beneath the makeup. It’s those ugly parts that you haven’t accepted about yourself. You hide those parts in the shadows until you’re ready.” Her face remained a haunting calm. “When you realize the scars are who you are, that there was nothing wrong with you and that you were beautiful all along - that’s when you decide to take the makeup off.
Nathan Reese Maher (Lights Out: Book 2)
The Internet is a fad that is full of Tumbling and children who write explicit fan fiction pornography based upon my boyfriend’s books. They should be outside playing with pinecones or hula hoops or whatever it is children do these days, not talking about a fictional threesome that will never happen.
T.J. Klune (How to Be a Movie Star (How to Be, #2))
Reading two pages apiece of seven books every night, eh? I was young. You bowed to yourself in the mirror, stepping forward to applause earnestly, striking face. Hurray for the Goddamned idiot! Hray! No-one saw: tell no-one. Books you were going to write with letters for titles. Have you read his F? O yes, but I prefer Q. Yes, but W is wonderful. O yes, W. Remember your epiphanies written on green oval leaves, deeply deep, copies to be sent if you died to all the great libraries of the world, including Alexandria? Someone was to read them there after a few thousand years, a mahamanvantara. Pico della Mirandola like. Ay, very like a whale. When one reads these strange pages of one long gone one feels that one is at one with one who once ... The grainy sand had gone from under his feet. His boots trod again a damp crackling mast, razorshells, squeaking pebbles, that on the unnumbered pebbles beats, wood sieved by the shipworm, lost Armada. Unwholesome sandflats waited to suck his treading soles, breathing upward sewage breath, a pocket of seaweed smouldered in seafire under a midden of man's ashes. He coasted them, walking warily. A porterbottle stood up, stogged to its waist, in the cakey sand dough. A sentinel: isle of dreadful thirst. Broken hoops on the shore; at the land a maze of dark cunning nets; farther away chalkscrawled backdoors and on the higher beach a dryingline with two crucified shirts. Ringsend: wigwams of brown steersmen and master mariners. Human shells. He halted. I have passed the way to aunt Sara's. Am I not going there? Seems not.
James Joyce
Because I am, just as you are you. We don’t always get to pick who we are, Shelly Wynn, but we can choose to celebrate it.
Nathan Reese Maher (Lights Out: Book 2)
Don't you want to preserve old things? But you can't, Anthony. Beautiful things grow to a certain height and then they fail and fade off, breathing out memories as they decay. And just as any period decays in our minds, the things of that period should decay too, and in that way they're preserved for a while in the few hearts like mine that react to them. That graveyard at Tarrytown, for instance. The asses who give money to preserve things have spoiled that too. Sleepy Hollow's gone; Washington Irving's dead and his books are rotting in our estimation year by year - then let the graveyard rot too, as it should, as all things should. Trying to preserve a century by keeping its relics up to date is like keeping a dying man alive by stimulants. So you think that just as time goes to pieces its houses ought to go too? Of course! Would you value your Keats letter if the signature was traced over to make it last longer? It's just because I love the past that I want this house to look back on its glamorous moment of youth and beauty, and I want its stars to creak as if to the footsteps of women with hoop-skirts and men in boots and spurs. But they've made it into a blondined, rouged-up old woman of sixty. It hasn't any right to look so prosperous. It might care enough for Lee to drop a brick now and then. How many of these - these animals - get anything from this, for all the histories and guide-books and restorations in existence? How many of them who think that, at best, appreciation is talking in undertones and walking on tiptoes would even come here if it was any trouble? I want it to smell of magnolias instead of peanuts and I want my shoes to crunch on the same gravel that Lee's boots crunched on. There's no beauty without poignancy and there's no poignancy without the feeling that it's going, men, names, books, houses - bound for dust - mortal-
F. Scott Fitzgerald (The Beautiful and Damned)
I had long ago learned that books are the best presents you can buy for a person--except me. I like toys. But the point is books last longer, and aren't as easy to break, like almost everything else you can buy in today's free market. Call me an English major, but I happen to believe that books are more substantial than pet rocks, hula hoops, and most fruitcakes.
Gary Reilly (Home for the Holidays (Asphalt Warrior, #4))
You can never tell when you might want to know the finer points of being a pedestrian, keeping bees, carving headstones, or rolling hoops. Here is where you play the dilettante, and where it pays to do so. You are, in effect, dropping stones down a well. Every time you hear an echo from your Subconscious, you know yourself a little better. A small echo may start an idea. A big echo may result in a story. In your reading, find books to improve your color sense, your sense of shape and size in the world. Why not learn about the senses of smell and hearing?
Ray Bradbury (Zen in the Art of Writing)
The young ladies might behave like they were smooth and sealed as alabaster statues underneath their clothes, but then they would drop their soiled shifts on the bedchamber floor, to be whisked away and cleansed, and would thus reveal themselves to be the frail, leaking, forked bodily creatures that they really were. Perhaps that was why they spoke instructions at her from behind an embroidery hoop or over the top of a book: she had scrubbed away their sweat, their stains, their monthly blood; she knew they weren’t as rarefied as angels, and so they just couldn’t look her in the eye.
Jo Baker (Longbourn)
But the period I studied -- the rollicking eighteenth century engraved by Hogarth -- was the one that saw the birth of America, of women's rights, and of the novel. The novel started as a low-class form, fit only to be read by serving maids, and it is the only literary form where women have distinguished themselves so early and with such excellence that even the rampant misogyny of literary history cannot erase them. Ever wonder about women and the novel? Women, like any underclass, depend for their survival on self-definition. The novel permitted this -- and pages could still be hidden under the embroidery hoop. From the writer's mind to the reader's there was only the intervention of printing presses. You could stay at home, yet send your book abroad to London -- the perfect situation for women. In a world where women are still the second sex, many still dream of becoming writers so they can work at home, make their own hours, nurse the baby. Writing still seems to fit into the interstices of a woman's life. Through the medium of words, we have hopes of changing our class. Perhaps the pen will not always be equated with the penis. In a world of computers, our swift fingers may yet win us the world. One of these days we'll have class. And so we write as feverishly as only the dispossessed can. We write to come into our own, to build our houses and plant our gardens, to give ourselves names and histories, inventing ourselves as we go along.
Erica Jong (Fear of Fifty: A Midlife Memoir)
our land: The Encyclopedia of Organic Gardening and Double Yoga. Northland Wildflowers and Quilts to Wear. Songs for the Dulcimer and Bread Baking Basics. Using Plants for Healing and I Always Look Up the Word Egregious. I took the books she’d read to me, chapter by chapter, before I could read to myself: the unabridged Bambi and Black Beauty and Little House in the Big Woods. I took the books that she’d acquired as a college student in the years right before she died: Paula Gunn Allen’s The Sacred Hoop and Maxine Hong Kingston’s The Woman Warrior and Cherríe Moraga and Gloria Anzaldúa’s This Bridge Called My Back. Herman Melville’s Moby-Dick and Mark Twain’s Huckleberry Finn and Walt Whitman’s Leaves of Grass. But I did not take the books by James Michener, the ones my mother loved the most. “Thank you,” I said now to Jeff, holding The Novel. “I’ll trade this for
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
The boys who have done you harm are surrounded by girls you will choose never to be. girls who are disgusting, who bleed and weep and wail. Girls who spend too much time in the bathroom. Girls who are never ready on time. Girls who titter, who are soft, who wear pretty clothes that are easily dirties, girls in hoop earrings and perfect wings of black eyeliner, girls who don't know what's cool. Girls who read the wrong books, twirl their hair around, are pursued, are hunted. You will remake yourself into something else: a boys' girl, a tough girl, a girl without needs or feelings, a girl who wisecracks and drinks whiskey in the backseat of cars, a girl cool as the first frost in winter, a girl so totally unlike other girls. If you cannot be loved and safe, you will be clever, mean, a girl as vicious as the serrated edge of a hunting knife. If you cannot be pretty, you will disdain beauty and its trappings. If you cannot be heard, you will be silent on purpose. You will find your knights again, a different set of boys, this time united against a common enemy: the softness and fragility of girls, of anything girlish within you, of anything girlish in any other girl. Against girls who are sad and silly and weeping (you don't cry), girls who complain (you protest nothing), girls who make demands (you never ask). This time, however, you will not be queen. Some of these boys will never even know your name.
Sarah McCarry (Here We Are)
At the time of the Fourth Fire, the history of another people came to be braided into ours. Two prophets arose among the people, foretelling the coming of the light-skinned people in ships from the east, but their visions differed in what was to follow. The path was not clear, as it cannot be with the future. The first prophet said that if the offshore people, the zaaganaash, came in brotherhood, they would bring great knowledge. Combined with Anishinaabe ways of knowing, this would form a great new nation. But the second prophet sounded a warning: He said that what looks like the face of brotherhood might be the face of death. These new people might come with brotherhood, or they might come with greed for the riches of our land. How would we know which face is the true one? If the fish became poisoned and the water unfit to drink, we would know which face they wore. And for their actions the zaaganaash came to be known instead as chimokman—Vne long-knife people. The prophecies described what eventually became history. They warned the people of those who would come among them with black robes and black books, with promises of joy and salvation. The prophets said that if the people turned against their own sacred ways and followed this black-robe path, then the people would suffer for many generations. Indeed, the burial of our spiritual teachings in the time of the Fifth Fire nearly broke the hoop of the nation. People became separated from their homelands and from each other as they were forced onto reservations. Their children were taken from them to learn the zaaganaash ways. Forbidden by law to practice their own religion, they nearly lost an ancient worldview. Forbidden to speak their languages, a universe of knowing vanished in a generation. The land was fragmented, the people separated, the old ways blowing away in the wind; even the plants and animals began to turn their faces away from us. The time was foretold when the children would turn away from the elders; people would lose their way and their purpose in life. They prophesied that, in the time of the Sixth Fire, “the cup of life would almost become the cup of grief.” And yet, even after all of this, there is something that remains, a coal that has not been extinguished. At the First Fire, so long ago, the people were told that it is their spiritual lives that will keep them strong. They say that a prophet appeared with a strange and distant light in his eyes. The young man came to the people with the message that in the time of the seventh fire, a new people would emerge with a sacred purpose. It would not be easy for them. They would have to be strong and determined in their work, for they stood at a crossroads. The ancestors look to them from the flickering light of distant fires. In this time, the young would turn back to the elders for teachings and find that many had nothing to give. The people of the Seventh Fire do not yet walk forward; rather, they are told to turn around and retrace the steps of the ones who brought us here. Their sacred purpose is to walk back along the red road of our ancestors’ path and to gather up all the fragments that lay scattered along the trail. Fragments of land, tatters of language, bits of songs, stories, sacred teachings—all that was dropped along the way. Our elders say that we live in the time of the seventh fire. We are the ones the ancestors spoke of, the ones who will bend to the task of putting things back together to rekindle the flames of the sacred fire, to begin the rebirth of a nation.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
Many of these students seem to have a blinkered view of their options. There’s crass but affluent investment banking. There’s the poor but noble nonprofit world. And then there is the world of high-tech start-ups, which magically provides money and coolness simultaneously. But there was little interest in or awareness of the ministry, the military, the academy, government service or the zillion other sectors. Furthermore, few students showed any interest in working for a company that actually makes products. . . . [C]ommunity service has become a patch for morality. Many people today have not been given vocabularies to talk about what virtue is, what character consists of, and in which way excellence lies, so they just talk about community service. . . . In whatever field you go into, you will face greed, frustration and failure. You may find your life challenged by depression, alcoholism, infidelity, your own stupidity and self-indulgence. . . . Furthermore . . . [a]round what ultimate purpose should your life revolve? Are you capable of heroic self-sacrifice or is life just a series of achievement hoops? . . . You can devote your life to community service and be a total schmuck. You can spend your life on Wall Street and be a hero. Understanding heroism and schmuckdom requires fewer Excel spreadsheets, more Dostoyevsky and the Book of Job. 110
Timothy J. Keller (Every Good Endeavor: Connecting Your Work to God's Work)
She was beautiful, a porcelain ocean, with silver hoops crawling up the shells of her ears and jewelry lining her agile wrists.
Nicole Fiorina (Bone Island: Book of Danvers (Tales of Weeping Hollow, #2))
​Ray set his cruise control and shifted in his seat.  “Wallace Black Elk, an Oglala Sioux holy man, taught that there are two roads.  The red road and the dark road.” ​“You mean like heaven and hell?” asked Danny. Ray glanced at him as he drove.  “Not really.  The dark road is the road of self-destruction, while the red road is the path to healing.” “Healing?” “If you walk the red road, you embody the Seven Sacred Virtues.  You are connected to everyone else on the road in a circle, a sacred hoop,” said Ray.
Michael Cardwell (Frontier Outlaws: A Coogan Mystery (Frontier Series Book 2))
GRETCHEN O, Cady, if thou only knew’st how vile, How reprehensible, how knavish, and How horrible Regina truly is! Thou knowest I may not hoop earrings wear? ’Twas two full years ago she did declare Hoop earrings as her purview only, yea— The bound’ry circular of her domain— Ne’ermore would I be sanction’d in the wearing. When I, for Hanukkah, receiv’d a pair From my dear parents—white gold hoops were they, Expensive in the buying, priceless in The giving generous—yet ’twas my lot To act as though I could not stand the things. She took the ring of me: I’ll none of it, But must contest her wickedness anon. Know’st thou she cheateth frequently on Aaron, Doth make him cuckold for another’s lust? Each Thursday, when he thinks she is engag’d In preparation for the SAT, She earns him horns by being horny with Shane Oman, o’er in the projection room, Which sits above the auditorium. Ne’er have I shar’d this secret with a soul Because I am, I grant, a perfect friend. Yet knowledge of it nearly makes me burst, For Aaron is, in sooth, an innocent man— If there’s a chance of resurrecting love, I’m not above returning to the start, To find out where the heartache did begin.
Ian Doescher (William Shakespeare's Much Ado About Mean Girls (Pop Shakespeare Book 1))
All he had going for him was looks and talent, which honestly, I could find anywhere. Niggas in the hood could hoop and were fine, so I wasn’t sure why Cemone thought he was so amazing and otherworldly when his personality was trash and he was a slut, making him less appealing than a simple accountant with a beer gut and receding hairline.
Shvonne Latrice (Feelings For You (Crenshaw Kings Book 6))
Dear Children, I am your dad. The father of all five of you pale creatures. Given how attractive and fertile your mother is, there may be more of you by the time you read this book. If you are reading this, I am probably dead. I would assume this because I can honestly foresee no other situation where you’d be interested in anything I’ve done. Right now, you are actually more interested in preventing me from doing things like working, sleeping, and smiling. I’m kidding, of course. Kind of. I love you with all of my heart, but you are probably the reason I’m dead. All right, you didn’t kill me. Your mother did. She kept getting pregnant! I don’t know how. Don’t think about it. It will give you the willies. At one point, I was afraid she got pregnant while she was pregnant. She was so fertile I didn’t even let her hold avocados. Anyway, this is a book all about what I observed being your dad when you were very young and I had some hair back in good old 2013. So why a book? Well, since you’ve come into my life, you’ve been a constant source of entertainment while simultaneously driving me insane. I felt I had to write down my observations about you in a book. And also for money, so you could eat and continue to break things. By the way, I’m sorry I yelled so much and did that loud clapping thing with my hands. I hated when my dad would do the loud clapping thing with his hands, so every time I do the loud clapping thing, it pains me in many ways. Most of the pain is because that loud clapping thing actually hurts my hands. You may be wondering how I wrote this book. From a very early age, you all instinctively knew I wasn’t that bright of a guy. Probably from all the times you had to correct me when I couldn’t read all the words in The Cat in the Hat. Hell, I find writing e-mails a chore. (Thank you, spell-check!) I wrote this book with the help of many people, but mostly your mother. Your mother is not only the only woman I’ve ever loved, but also the funniest person I know. When your mom was not in labor yelling at me, she made me laugh so hard. Love, Dad P.S. How did you get that hula hoop into that restaurant Easter 2011? Who’s Who in the Cast Jim Gaffigan (Dad).
Jim Gaffigan (Dad Is Fat)
Soon, all the children were chanting it. “No school! No school!
Nathan Reese Maher (Lights Out: Book 2)
Somehow her hula hoop had cut into the driver’s side door like the vehicle was made of cheese.
Nathan Reese Maher (Lights Out: Book 2)
She could spin it between her legs, skip with it, twirl it around her neck and transfer it from one arm to the other. Shelly hooped because she enjoyed it; it calmed her whenever she would have an argument or a bad day at school, and it also allowed her to think. Today, she needed to hoop more than ever.
Nathan Reese Maher (Lights Out: Book 2)
Shelly shook her head and made sure she had plenty of space so that she wouldn’t hit anything. As many times before, she kept the hoop close to her waist and then twirled it with small, tight bursts of speed. As the hoop gathered in momentum it started to give off a hum that soon took on a light blue illumination far brighter than the streetlamps. It was so bright, that it lit up the entire backyard.
Nathan Reese Maher (Lights Out: Book 2)
I’m afraid they’re not coming.” Abby said fearfully. “Our parents, our teachers – everyone! They’ve disappeared. That’s it. Lights out, Shelly. We’re on our own.
Nathan Reese Maher (Lights Out: Book 2)
Lydia displays her right hand and instantly bathed the room with a blinding light. It lasted only a moment before it drew back into her palm. “I can fix you if you’re ever broken.
Nathan Reese Maher
It’s no big deal. It’s kind of like a tattoo. It won’t hurt, not too much, just a few stitches and it’ll be all over. It’s really interesting how it’s done. You won’t believe where your soul hides. Go on, take a guess. Where do you think it is?
Nathan Reese Maher (Lights Out: Book 2)
Aloha Oukou. It looked like your soul was escaping so I put you in a tree.
Nathan Reese Maher (Lights Out: Book 2)
Yo momma is so fat… when a bus hit her she said, “Who threw the pebble?” Yo momma is so fat… when she puts on her yellow rain coat and walks down the street people shout out “taxi”! Yo momma is so fat… she uses the interstate as a slip and slide. Yo momma is so fat… you could use her bellybutton as a wishing well. Yo momma is so fat… the government forced her to wear taillights and blinkers so no one else would get hurt. Yo momma is so fat… she supplies 99% of the world’s gas. Yo momma is so fat… when she goes to Taco Bell, they run for the border! Yo momma is so fat… she rolled out of bed and everybody thought there was an earthquake. Yo momma is so fat… when God said, “Let there be light,” he had to ask her to move out of the way. Yo momma is so fat… she has more chins than a Chinese phone book. Yo momma is so fat… she jumped in the air and got stuck. Yo momma is so fat… she's got to wake up in sections. Yo momma is so skinny… Yo momma is so skinny… she can hang glide with a Dorito! Yo momma is so skinny… she swallowed a meatball and thought she was pregnant. Yo momma is so skinny… she turned sideways and disappeared. Yo momma is so skinny… she hula hoops with a cheerio. Yo momma is so skinny… she has to run around in the shower just to get wet. Yo momma is so skinny… she don’t get wet when it rains. Yo momma is so skinny… her nipples touch. Yo momma is so skinny… she has to wear a belt with her spandex pants. Yo momma is so skinny… she can see through peepholes with both eyes. Yo momma is so skinny… she can dive through a chain-linked fence. Yo momma is so skinny… she uses cotton balls for pillows. Yo momma is so old… Yo momma is so old… she knew the Great Wall of China when it was only good! Yo momma is so old… that her bus pass is in hieroglyphics! Yo momma is so old… she was wearing a Jesus starter jacket! Yo momma is so old… her birth certificate is in Roman numerals. Yo momma is so old… she ran track with dinosaurs. Yo momma is so old… she knew Burger King while he was still a prince. Yo momma is so old… her birth certificate says expired on it. Yo momma is so old… she has a picture of Moses in her yearbook. Yo momma is so old… that when she was in school there was no history class. Yo momma is so old… her social security number is 1! Yo momma is so old… I told her to act her own age, and she died. Yo momma is so short… Yo momma is so short… she does backflips under the bed. Yo momma is so short … she can play handball on the curb. Yo momma is so short… she can use a sock for a sleeping bag. Yo momma is so short… she can tie her shoes while standing up. Yo momma is so short… she can sit on a dime and swing her legs. Yo momma is so short … she has to use a ladder to pick up a dime. Yo momma is so short … she poses for trophies! Yo momma is so short… she has a job as a teller at a piggy bank. Yo momma is so short… she has to use rice to roll her hair up. Yo momma is so short… she uses a toothpick as pool stick. Yo momma is so short… she can surf on a popsicle stick.
Various (151+ Yo Momma Jokes)
Youth, dumb with embarrassment, breathless with exhibitionism, stuttering with nerves, inarticulate with conceit; the socially flamboyant, the robustly brawny, the crudely uninstructed, the palely epicene; one and all had obediently leapt through the hoop at Sillery's ringmaster behest; one and all submitted themselves to the testing flame of this burning fiery furnace of adolescent experience.
Anthony Powell (Books Do Furnish a Room)
If I grew an inch a day, in 365 days I’d be one year tall. I’d be over three basketball hoops high, but I’d still only be able to palm a Sunday once a year.
Jarod Kintz (This Book is Not for Sale)
Cathy remembered Hindley had soldered the hoop to the staple after Joseph, that old spying eavesdropper, had accused her of “lurking amang t’fields” after midnight with that “fahl, flaysome divil” Heathcliff.
N.J. Dorrian (Heathcliff: Wuthering Heights Retelling (Wuthering Heights Variations Book 1))
Sibil is white. Not Caucasian but white: as sheet ice as new paper as porcelain, from her braids to her bare feet. Not a blemish, not a variation, every feature of her—hair, skin, pupilless eyes—smooth like the inside of a shell, dazzling like a torch, as though carved from a single radiant white stone. Likewise her ornaments—her beads and star pendant, diadem, hoop earrings, the pedestal she rests on—are made of the same ghostly matter. She clasps in her casual hand blank pages, a skinny book with its cover torn off.
Katie Ward (Girl Reading)
With five players on each team taking the field, the goal is to get the orange basketball in the hoop. Two points are scored for close shots, three points if it is behind the large arc. While popular in the United States, other countries also play this sport. Michael Jordan is the stand out player in this game.
Jenny River (Sports! A Kids Book About Sports - Learn About Hockey, Baseball, Football, Golf and More)
We cannot trifle with this reality, this cropping-out in our planted gardens of the core of the world. No picture of life can have any veracity that does not admit the odious facts. A man’s power is hooped in by a necessity which, by many experiments, he touches on every side until he learns its arc.
Kim Stanley Robinson (Sixty Days and Counting (Science in the Capital Book 3))
It was the Michael Jordan/Nike phenomenon that really let people see that athletes were OK, and black athletes were OK. Defying a previous wisdom - not only that black athletes wouldn't sell in white America, but that the NBA as a predominantly black sport could not sell in white America.
David Stern (Nba Hoop Shots: Classic Moments from a Super Era (Basketball and Football Books of the Year))
The author's postscript relating the ceremony on Harney Peak does little to buoy hope. There the old man prayed that the sacred tree might bloom again and the people find their way back to the sacred hoop and the good red road. He cried out, "O make my people live!"-and in reply a low rumble of thunder sounded, and a drizzle of rain fell from a sky that shortly before had been cloudless. Whether this sign was a hopeful one or, more likely, a tragic recognition of the power that Black Elk had been given but failed to use is one of the dynamic issues that makes the book a literary success. Black Elk Speaks can be best characterized as an elegy, the commemoration of a man who has failed in his life's work, as well as of a people whose way of life has passed.
Raymond J. Demallie (The Sixth Grandfather: Black Elk's Teachings Given to John G. Neihardt)
She stepped back into the house. “I want to show you something.” Trying to get his legs back, his head wobbly, and his internal referee still giving him the eight count, Myron followed her silently up the stairway. She led him down a darkened corridor lined with modern lithographs. She stopped, opened a door, and flipped on the lights. The room was teenage-cluttered, as if someone had put all the belongings in the center of the room and dropped a hand grenade on them. The posters on the walls—Michael Jordan, Keith Van Horn, Greg Downing, Austin Powers, the words YEAH, BABY! across his middle in pink tie-dye lettering—had been hung askew, all tattered corners and missing pushpins. There was a Nerf basketball hoop on the closet door. There was a computer on the desk and a baseball cap dangling from a desk lamp. The corkboard had a mix of family snapshots and construction-paper crayons signed by Jeremy’s sister, all held up by oversized pushpins. There were footballs and autographed baseballs and cheap trophies and a couple of blue ribbons and three basketballs, one with no air in it. There were stacks of computer-game CD-ROMs and a Game Boy on the unmade bed and a surprising amount of books, several opened and facedown. Clothes littered the floor like war wounded; the drawers were half open, shirts and underwear hanging out like they’d been shot mid-escape. The room had the slight, oddly comforting smell of kids’ socks.
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