Medley Love Quotes

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Oh, life is a glorious cycle of song, a medley of extemporanea, And love is a thing that can never go wrong, and I am Marie of Romania.
Dorothy Parker (Enough Rope)
Love should have no alternatives; love should be the sole reason for loving; love should spring of itself.
Nick Joaquín (Reportage on Lovers: A Medley of Factual Romances, Happy or Tragical, Most of Which Made News)
When you ignore your belly, you become homeless. You spend your life trying to erase your own existence. Apologizing for yourself. Feeling like a ghost. Eating to take up space, eating to give yourself the feeling that you have weight here, you belong here, you are allowed to be yourself -- but never quite believing it because you don't sense yourself directly. . . . I started teaching a simple belly meditation in which I asked people to become aware of sensations in their belly (numbness and emptiness count as sensations). Every time their mind wandered . . . I asked them to begin counting their breaths so they could anchor their concentration. Starting with the number one and saying it on the out breath, they'd count to seven and begin again. If they were able to stay concentrated on the sensations in their belly centers, they didn't need to use counting as a concentration anchor. . . . you begin the process of bringing yourself back to your body, to your belly, to your breath because they -- not the mind medleys -- are here now. And it is only here, only now that you can make a decision to eat or not eat. To occupy your own body or to vacate your arms and your legs while still breathing and go through your days as a walking head. . . . Meditation is a tool to shake yourself awake. A way to discover what you love. A practice to return yourself to your body when the mind medleys threaten to usurp your sanity.
Geneen Roth (Women, Food and God: An Unexpected Path to Almost Everything)
I fell in love when I was twenty-six. Love in my interpretation comes once in a lifetime.
Nick Joaquín (Reportage on Lovers: A Medley of Factual Romances, Happy or Tragical, Most of Which Made News)
But, oh, how sweet it was to love for once with the love of real life; for now he knew that nothing of what he had imagined to be love was real love, neither the turgid longing of the lonely youth, nor the passionate yearning of the dreamer, nor yet the nervous foreboding of the child. These were currents in the ocean of love, single reflections of its full light, fragments of love as the meteors rushing through space are splinters of a world--for that was love; a world complete in itself, fully rounded, vast, and orderly. It was no medley of confused sensations and moods rushing one upon another! Love was like nature, ever changing, ever renewing; no feeling died and no emotion withered without giving life to the seed of something still more perfect which was embedded in it.
Jens Peter Jacobsen (Niels Lyhne)
Before … everything.” She laughs a little. “Before I had the chance to fall in love. I dreamed of you. You didn’t have a face or a name. Your voice was simply a medley of my favorite love songs, the whisper in my head when reading my favorite poems about love. You were the reason I woke up two hours before school to do my hair and makeup in hopes that some boy would give me a second glance. It was you … the idea of you. The dream of you. The promise from my adoring mother that someday I would find my Romeo. When my brain managed to think about something other than hockey or boys … my heart was still thinking of you.
Jewel E. Ann (Fortuity (Transcend, #3))
Fifteen is an appropriate age to test for seasoning. It is not a complicated ritual, but it is an unusual rite of passage and not for the fastidious. It's a prick of a finger. It's five drops of blood. It's drizzling the blood onto sinigang- a heady soup of tamarind broth, with a savory sourness enhanced by spinach and okra, tomatoes and corms, green peppers for zest. Lola Simeon prefers stewed pork, and so that was chopped into the broth, a perfect medley of lean meat and fat.
Rin Chupeco (Hungry Hearts: 13 Tales of Food & Love)
Dear New Orleans, What a big, beautiful mess you are. A giant flashing yellow light—proceed with caution, but proceed. Not overly ambitious, you have a strong identity, and don’t look outside yourself for intrigue, evolution, or monikers of progress. Proud of who you are, you know your flavor, it’s your very own, and if people want to come taste it, you welcome them without solicitation. Your hours trickle by, Tuesdays and Saturdays more similar than anywhere else. Your seasons slide into one another. You’re the Big Easy…home of the shortest hangover on the planet, where a libation greets you on a Monday morning with the same smile as it did on Saturday night. Home of the front porch, not the back. This engineering feat provides so much of your sense of community and fellowship as you relax facing the street and your neighbors across it. Rather than retreating into the seclusion of the backyard, you engage with the goings-on of the world around you, on your front porch. Private properties hospitably trespass on each other and lend across borders where a 9:00 A.M. alarm clock is church bells, sirens, and a slow-moving eight-buck-an-hour carpenter nailing a windowpane two doors down. You don’t sweat details or misdemeanors, and since everybody’s getting away with something anyway, the rest just wanna be on the winning side. And if you can swing the swindle, good for you, because you love to gamble and rules are made to be broken, so don’t preach about them, abide. Peddlin worship and litigation, where else do the dead rest eye to eye with the livin? You’re a right-brain city. Don’t show up wearing your morals on your sleeve ’less you wanna get your arm burned. The humidity suppresses most reason so if you’re crossing a one-way street, it’s best to look both ways. Mother Nature rules, the natural law capital “Q” Queen reigns supreme, a science to the animals, an overbearing and inconsiderate bitch to us bipeds. But you forgive her, and quickly, cus you know any disdain with her wrath will reap more: bad luck, voodoo, karma. So you roll with it, meander rather, slowly forward, takin it all in stride, never sweating the details. Your art is in your overgrowth. Mother Nature wears the crown around here, her royalty rules, and unlike in England, she has both influence and power. You don’t use vacuum cleaners, no, you use brooms and rakes to manicure. Where it falls is where it lays, the swerve around the pothole, the duck beneath the branch, the poverty and the murder rate, all of it, just how it is and how it turned out. Like a gumbo, your medley’s in the mix. —June 7, 2013, New Orleans, La.
Matthew McConaughey (Greenlights)
Fuchsia took three paces forward in the first of the attics and then paused a moment to re-tie a string above her knee. Over her head vague rafters loomed and while she straightened her-self she noticed them and unconsciously loved them. This was the lumber room. Though very long and lofty it looked relatively smaller than it was, for the fantastic piles of every imaginable kind of thing, from the great organ to the lost and painted head of a broken toy lion that must one day have been the plaything of one of Fuchsia's ancestors, spread from every wall until only an avenue was left to the adjacent room. This high, narrow avenue wound down the centre of the first attic before suddenly turning at a sharp angle to the right. The fact that this room was filled with lumber did not mean that she ignored it and used it only as a place of transit. Oh no, for it was here that many long afternoons had been spent as she crawled deep into the recesses and found for herself many a strange cavern among the incongruous relics of the past. She knew of ways through the centre of what appeared to be hills of furniture, boxes, musical instruments and toys, kites, pictures, bamboo armour and helmets, flags and relics of every kind, as an Indian knows his green and secret trail. Within reach of her hand the hide and head of a skinned baboon hung dustily over a broken drum that rose above the dim ranges of this attic medley. Huge and impregnable they looked in the warm still half-light, but Fuchsia, had she wished to, could have disappeared awkwardly but very suddenly into these fantastic mountains, reached their centre and lain down upon an ancient couch with a picture book at her elbow and been entirely lost to view within a few moments.
Mervyn Peake (The Gormenghast Novels (Gormenghast, #1-3))
But your lolas took offense at being called witches. That is an Amerikano term, they scoff, and that they live in the boroughs of an American city makes no difference to their biases. Mangkukulam was what they styled themselves as, a title still spoken of with fear in their motherland, with its suggestions of strange healing and old-world sorcery. Nobody calls their place along Pepper Street Old Manila, either, save for the women and their frequent customers. It was a carinderia, a simple eatery folded into three food stalls; each manned by a mangkukulam, each offering unusual specialties: Lola Teodora served kare-kare, a healthy medley of eggplant, okra, winged beans, chili peppers, oxtail, and tripe, all simmered in a rich peanut sauce and sprinkled generously with chopped crackling pork rinds. Lola Teodora was made of cumin, and her clients tiptoed into her stall, meek as mice and trembling besides, only to stride out half an hour later bursting at the seams with confidence. But bagoong- the fermented-shrimp sauce served alongside the dish- was the real secret; for every pound of sardines you packed into the glass jars you added over three times that weight in salt and magic. In six months, the collected brine would turn reddish and pungent, the proper scent for courage. unlike the other mangkukulam, Lola Teodora's meal had only one regular serving, no specials. No harm in encouraging a little bravery in everyone, she said, and with her careful preparations it would cause little harm, even if clients ate it all day long. Lola Florabel was made of paprika and sold sisig: garlic, onions, chili peppers, and finely chopped vinegar-marinated pork and chicken liver, all served on a sizzling plate with a fried egg on top and calamansi for garnish. Sisig regular was one of the more popular dishes, though a few had blanched upon learning the meat was made from boiled pigs' cheeks and head.
Rin Chupeco (Hungry Hearts: 13 Tales of Food & Love)
..I took in the perfection of his chest, the feel of his weight on mine. And then...and then...GOSPEL! A medley of riffs piercing the air. Mary Mary, doing vocal gymnastics for Jesus, in the middle of this most intimate moment, in the middle of an act I still thought of as an abomination. JESUS being sung at full volume, in front of the sachets of condoms and lube I'd retrieved from under the bed. The shame shot through me as I leapt to switch off the speaker and fumbled for my clothes. After years of hiding Jesus away from my sexuality -- and vice versa -- the two had collided. How could I have been so careless?
Keith Jarrett (The Book of Queer Prophets: 21 Writers on Sexuality and Religion)
What must love itself in its fullness, its perfection be. He did not know that what he was experiencing then, that unreal, undesirous medley of ecstasy and peace, would be unrecapturable forever.
F. Scott Fitzgerald (Love in the Night (Greetings Book))
INFINITE GRACE   Lying here in each other’s arms I acknowledge the fact that she completes me. Her slim deerlike physique clings to me nestled inside of my embrace. Her lovely hair is strewn down her face and onto mine as soft as the flower that she does move across my face and neck. A vinal shine turns over shades of cerulean and jasper from her expressive lips revealing a jewel-like surface beneath a light that remains colorfast in a kiss composed of infinite grace. Being in a state of rest she still makes me the center of attention, dovetailing in an erotic entwinement that impels me to knead her coiling flex. Her resplendent fullness macerated into my bosom grants me a restful anodyne enabling the allay of my inner soul. My touch gently hydrofoils over her jawline and jugular, sending her body into a medley of resonant intensity. My kiss now impregnates her inner soul and heart with a limn love of the mind’s eye.
Luccini Shurod
Mediocrity. I tell all my kittens as I pummel their tiny heads with my sandpaper tongue that smells like an eclectic medley of fish. They hear of scratching posts and leather furniture and catnip and Science Diet and the extraordinary pleasure of yarfing on a Persian rug and the magical kkkkkkrrrkkk of a can opening. Because we tell our blue-eyed kittens what to fear and what to love, what is a warm sun spot and what is sinister and menacing, like cucumbers. We must remember the Mediocre Servants when they were less rotten. Dee stroked my head and allowed me to chew on her arm. I claimed her by rubbing my face on her finger. This is a binding contract of ownership, throughout the universe, in perpetuity. I feel change coming in the way the wind whips against my whiskers. I see playful patterns in the rainbow light. I will Dee to live on, the last, the one with eyes that see everything like Genghis. And frankly, one day Dee will be all grown up and able to make cheese. Really, it’s all about the fucking cheese. Mediocre Servants have never been perfect, but they were once a damn sight better and I’m god enough to admit it—I miss them. So now I’m here and I’m not afraid of what’s next. Oh, and I brought some fucking backup with me.
Kira Jane Buxton (Feral Creatures (Hollow Kingdom #2))
I often wonder about this sort of thing. You’re running a jet full of 500 passengers. Do you pack 250 chicken and 250 squid medley? Really? Or do you think, ‘Hm, more people seemed to opt for the chicken and rice, rather than the fish tentacles in slime. In fact, this has been the case on every flight for the last ten years. Maybe this time I’ll take more chicken and less octopus…’ Obviously, that thought process has never taken place.
Tony James Slater (Can I Kiss Her Yet?: A True Tale of Love, Marriage... and Camels)
The most important thing I learned from my parents is that there is nothing like sympathy, it is only compassion that one should feel. My parents have given me love and I have understood what compassion is from them. That in the ultimate analysis has made me what I am. I am what I am; there is no other state I can be. There is no question of ‘If’ in my vocabulary. A majority of us spend our time thinking about the choices we have made in life and how things could have been different if we had chosen otherwise. We have made certain choices because they were within our power to do so. When we start thinking that things could have been different and maybe we would have led a better life than our present state, we start feeling unhappy and miserable. We are helpless when we start questioning our origins and why we were not born under more favorable circumstances. We question God and blame him for all the misery that we are undergoing now. There are no answers when someone comes along and says it is due to our Karma and we are atoning for our sins in a previous birth. All the same we are miserable. Most of the time, we end up blaming extraneous reasons for our mistakes and retreat into a shell of self-pity. If
Gs. Subbu (Darkness and Beyond: A Medley of Many Lives)
Lost in a Medley of Medication, Concentration’s constantly drifting. Floating like confetti, In celebration of my opposition, Forcing me to watch the Imperfections of Love being pinned into submission.
Kevin J. Estes (LOVE LETTERS TO REALITY: (The Señor Estes Experience))