Medals For Mothers Quotes

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If you want to know the value of one year, just ask a student who failed a course. If you want to know the value of one month, ask a mother who gave birth to a premature baby. If you want to know the value of one hour, ask the lovers waiting to meet. If you want to know the value of one minute, ask the person who just missed the bus. If you want to know the value of one second, ask the person who just escaped death in a car accident. And if you want to know the value of one-hundredth of a second, ask the athlete who won a silver medal in the Olympics.
Marc Levy (Et si c'était vrai..., Vous revoir, édition complète 2 en 1)
She was not, herself, hugely in favor of motherhood in general. Obviously it was necessary, but it wasn't exactly difficult. Even cats managed it. But women acted as if they'd been given a medal that entitled them to boss people around. It was as if, just because they'd got the label which said "mother", everyone else got a tiny part of the label that said "child"...
Terry Pratchett (Carpe Jugulum (Discworld, #23; Witches, #6))
... you cow,' Estelle added. 'I heard that.' 'Give the woman the geriatric audiology medal,' Estelle said. 'I heard that, too', her mother said, from the other side of the door.
Fiona Wood (Six Impossible Things)
Maria, lonely prostitute on a street of pain, You, at least, hail me and speak to me While a thousand others ignore my face. You offer me an hour of love, And your fees are not as costly as most. You are the madonna of the lonely, The first-born daughter in a world of pain. You do not turn fat men aside, Or trample on the stuttering, shy ones, You are the meadow where desperate men Can find a moment's comfort. Men have paid more to their wives To know a bit of peace And could not walk away without the guilt That masquerades as love. You do not bind them, lovely Maria, you comfort them And bid them return. Your body is more Christian than the Bishop's Whose gloved hand cannot feel the dropping of my blood. Your passion is as genuine as most, Your caring as real! But you, Maria, sacred whore on the endless pavement of pain, You, whose virginity each man may make his own Without paying ought but your fee, You who know nothing of virgin births and immaculate conceptions, You who touch man's flesh and caress a stranger, Who warm his bed to bring his aching skin alive, You make more sense than stock markets and football games Where sad men beg for virility. You offer yourself for a fee--and who offers himself for less? At times you are cruel and demanding--harsh and insensitive, At times you are shrewd and deceptive--grasping and hollow. The wonder is that at times you are gentle and concerned, Warm and loving. You deserve more respect than nuns who hide their sex for eternal love; Your fees are not so high, nor your prejudice so virtuous. You deserve more laurels than the self-pitying mother of many children, And your fee is not as costly as most. Man comes to you when his bed is filled with brass and emptiness, When liquor has dulled his sense enough To know his need of you. He will come in fantasy and despair, Maria, And leave without apologies. He will come in loneliness--and perhaps Leave in loneliness as well. But you give him more than soldiers who win medals and pensions, More than priests who offer absolution And sweet-smelling ritual, More than friends who anticipate his death Or challenge his life, And your fee is not as costly as most. You admit that your love is for a fee, Few women can be as honest. There are monuments to statesmen who gave nothing to anyone Except their hungry ego, Monuments to mothers who turned their children Into starving, anxious bodies, Monuments to Lady Liberty who makes poor men prisoners. I would erect a monument for you-- who give more than most-- And for a meager fee. Among the lonely, you are perhaps the loneliest of all, You come so close to love But it eludes you While proper women march to church and fantasize In the silence of their rooms, While lonely women take their husbands' arms To hold them on life's surface, While chattering women fill their closets with clothes and Their lips with lies, You offer love for a fee--which is not as costly as most-- And remain a lonely prostitute on a street of pain. You are not immoral, little Maria, only tired and afraid, But you are not as hollow as the police who pursue you, The politicians who jail you, the pharisees who scorn you. You give what you promise--take your paltry fee--and Wander on the endless, aching pavements of pain. You know more of universal love than the nations who thrive on war, More than the churches whose dogmas are private vendettas made sacred, More than the tall buildings and sprawling factories Where men wear chains. You are a lonely prostitute who speaks to me as I pass, And I smile at you because I am a lonely man.
James Kavanaugh (There Are Men Too Gentle to Live Among Wolves)
School was finally out and I was standing on a picnic table in our backyard getting ready for a great summer vacation when my mother walked up to me and ruined it.
Jack Gantos (Dead End in Norvelt: (Newbery Medal Winner) (Norvelt Series Book 1))
Alexander. Here he is, before he was Tatiana’s, at the age of twenty, getting his medal of valor for bringing back Yuri Stepanov during the 1940 Winter War. Alexander is in his dress Soviet uniform, snug against his body, his stance at-ease and his hand up to his temple in teasing salute. There is a gleaming smile on his face, his eyes are carefree, his whole man-self full of breath-taking, aching youth. And yet, the war was on, and his men had already died and frozen and starved … and his mother and father were gone… and he was far away from home, and getting farther and farther, and every day was his last – one way or another, every day was his last. And yet, he smiles, he shines, he is happy.
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
In my experience the most forceful and aggressive mothers are always the least inspired, the most unmusical of souls, all of them profoundly unsuccessful women who wear their daughter’s image on their breast like a medal, like a bright deflection from their own unshining selves.
Eleanor Catton (The Rehearsal)
I'm no longer afraid of this pain. Although it hurts and i'll be sore for days afterward, the accomplishment, perspective, and pride I'll derive will tranquilize it. My abrasions and my blisters will become my medals. It's the same reason mothers choose to become pregnant again. Some pain is worth it.
Joe Kita (Accidental Courage: Finding Out I'm a Bit Brave After All)
She did not get a medal - it was not fair. 'What a swizz,' she whispered bitterly to her mother as Cicely Barnard's name was called. 'She simply doesn't know enough to be bad.
Monica Dickens (Mariana)
strawberries. The girl his daughter might have spoken of on occasion. The girl who five years ago stood huddled with her mother and sister, as he presented her, the oldest child, with a medal
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
If ‘adjust’ were an Olympic sport, India would be assured of a gold medal.
Veena Venugopal (The Mother-in-Law: The Other Woman in Your Marriage)
The very first day, I came up with an obstacle course that everyone could do. The kids had to pick their way through five hula hoops lying on the ground; cross a mat by stepping on four giant, brightly colored "feet" that I'd cut out of felt; and then pick up an extra-large beanbag (actually a buckwheat neck and shoulder pillow) and bring it back to the group. I'd bought bags of cheap gold medals at Walmart, the kind you'd put in a little kid's birthday part goody bag. I made sure I had enough for everyone. So even when a child stepped on every single hula hoop and none of the giant feet, he or she got a medal. A few weeks in, I noticed that Adam, a nonverbal thirteen-year-old, was always clutching that medal in whichever hand his mom wasn't holding. The medals weren't very study to begin with, and his was beginning to look a bit worse for wear, so after class I slipped a couple of spares into his mom's purse. Turning to thank me, she had tears in her eyes. "You can't imagine how much it means to him to have a medal," she said. "He sleeps with it.
Kristine Barnett (The Spark: A Mother's Story of Nurturing Genius)
On June 21, AIDS patients at George Washington University Hospital opened their eyes to see a woman in a white linen gown moving among them. She wore no mask or gloves and was not afraid to approach their beds and ask the young men about their illness. Mother Teresa came to visit the AIDS patients directly from the White House, where President Reagan, who had yet to acknowledge the disease, had awarded her the Medal of Freedom.
Randy Shilts (And the Band Played On: Politics, People, and the AIDS Epidemic)
If you want to understand what a year of life means, ask a student who just flunked his end-of-the-year exams. Or a month of life: speak to a mother who has just given birth to a premature baby and is waiting for him to be taken out of the incubator before she can hold him safe and sound in her arms. Or a week: interview a man who works in a factory or a mine to feed his family. Or a day: ask two people madly in love who are waiting for their next rendezvous. Or an hour: talk to a claustrophobia sufferer stuck in a broken-down elevator. Or a second: look at the expression on the face of a man who has just escaped from a car wreck. Or one-thousandth of a second: ask the athlete who just won the silver medal at the Olympic Games, and not the gold he trained for all his life. Life is magic, Arthur, and I know what I'm saying because since my accident I appreciate the value of every instant. So I beg you, let's make the most of all the seconds that we have left.
Marc Levy (If Only It Were True)
My first impression was of handsome women wearing classic evening gowns and marvelous tiaras and necklaces. I imagined those heirloom diamonds and pearls coming out of the family vault or the bank safe-deposit box especially for this gala evening. The men looked dignified in tuxedos, tails, or uniforms with ribbons and medals--very English and very military. This was the British aristocracy as I’d always imagined it--the epitome of long-standing tradition, secure in its lineage and customs.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
Is that who you are, that vaguely criminal face on your ID card, its soul snatched by the government camera as the guillotine shutter fell—or maybe just left behind with your heart, at the Stage Door Canteen, where they’re counting the night’s take, the NAAFI girls, the girls named Eileen, carefully sorting into refrigerated compartments the rubbery maroon organs with their yellow garnishes of fat—oh Linda come here feel this one, put your finger down in the ventricle here, isn’t it swoony, it’s still going. . . . Everybody you don’t suspect is in on this, everybody but you: the chaplain, the doctor, your mother hoping to hang that Gold Star, the vapid soprano last night on the Home Service programme, let’s not forget Mr. Noel Coward so stylish and cute about death and the afterlife, packing them into the Duchess for the fourth year running, the lads in Hollywood telling us how grand it all is over here, how much fun, Walt Disney causing Dumbo the elephant to clutch to that feather like how many carcasses under the snow tonight among the white-painted tanks, how many hands each frozen around a Miraculous Medal, lucky piece of worn bone, half-dollar with the grinning sun peering up under Liberty’s wispy gown, clutching, dumb, when the 88 fell—what do you think, it’s a children’s story?
Thomas Pynchon
After loud overtures from his daughters, Anthony finally left the house and went up the winding path to the “museum,” to the mobile home where he and his parents had lived from 1949 to 1958. It has been left untouched. The furniture, tables, the paint on the walls, the ’50s cabinets, the dressers, the closets, are all unchanged, remaining as they once were. And in her closet in the bedroom, past the nurse’s uniform, far away in the right-hand corner on the top shelf, lies the black backpack that contains Tatiana’s soul. Every once in a while when she can stand it—or when she can’t stand it—she looks through it. Alexander never looks through it. Tatiana knows what Anthony is about to see. Two cans of Spam in the pack. A bottle of vodka. The nurse’s uniform she escaped from the Soviet Union in that hangs in plastic in the museum closet, next to the PMH nurse’s uniform she nearly lost her marriage in. The Hero of the Soviet Union medal in the pack, in a hidden pocket. The letters she received from Alexander—including the last one from Kontum, which, when she heard about his injuries, she thought would be the last one. That plane ride to Saigon in December 1970 was the longest twelve hours of Tatiana’s life. Francesca and her daughter Emily took care of Tatiana’s kids. Vikki, her good and forgiven friend, came with her, to bring back the body of Tom Richter, to bring back Anthony. In the backpack lies an old yellowed book, The Bronze Horseman and Other Poems. The pages are so old, they splinter if you turn them. You cannot leaf, you can only lift. And between the fracturing pages, photographs are slotted like fragile parchment leaves. Anthony is supposed to find two of these photographs and bring them back. It should take him only a few minutes. Cracked leaves of Tania before she was Alexander’s. Here she is at a few months old, held by her mother, Tania in one arm, Pasha in the other. Here she is, a toddler in the River Luga, bobbing with Pasha. And here a few years older, lying in the hammock with Dasha. A beaming, pretty, dark-haired Dasha is about fourteen. Here is Tania, around ten, with two dangling little braids, doing a fantastic one-armed handstand on top of a tree stump. Here are Tania and Pasha in the boat together, Pasha threateningly raising the oar over her head. Here is the whole family. The parents, side by side, unsmiling, Deda holding Tania’s hand. Babushka holding Pasha’s, Dasha smiling merrily in front.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
On Saturday evening, August 5, 2017, FAPA announced and presented awards to the 2017 medalists at the FAPA President’s Book Awards Banquet that was held in the Hilton Hotel at Disney World in Orlando, Florida. Captain Hank Backer’s book “Suppressed I Rise” is the true story of Adeline Perry and her daughters’ saga in Nazi Germany. Evading evil forces that almost proved to be overwhelming, it begins when she left South Africa, her native country, and accompanied her German husband to a strange, foreboding and foreign country. Adapted from Adeline Perry’s original notes and manuscripts and her daughters’ reflections, Captain Hank Bracker, originally from Germany, reveals how the young mother survived through bombings and dangerous situations with her two children. “Suppressed I Rise” was recognized with three awards at the FAPA Banquet: a Bronze Medal for “Nonfiction for Young Adults,” a Silver Medal for “Political/Current Events” and the coveted Gold Medal for “Biography.
Hank Bracker
We heard that the Americans and the British encouraged mothers to work in the war industries, that they provided child care and paid high wages to a highly motivated, patriotic workforce. But the Führer rejected this idea. German women received extra rations, even medals of honor, for breeding profusely.
Edith Hahn Beer (The Nazi Officer's Wife: How One Jewish Woman Survived the Holocaust)
He knew she must’ve said some real fly shit that ticked his mother off. Nice let V lean her body weight on him as he walked her out the front door. When he looked down at her he was trying his hardest not to laugh but his Aunt was rocking the jail house cornrows under a stocking cap and her wig was halfway on her head. Nice tried to get her back right and fix her wig the best way he could. He was trying to save her dignity and not have her out here looking crazier than she already did when she stepped out of the house that morning with that wig on. Nice put the pedal to the medal to drive V back to her house as she cried and blubbered drunkenly in the passenger seat about Cathy doing her dirty.
Ivory B. (It is What it is: A Hood Love Story II - Secrets (Hood Series Book 2))
If you’ve raced home after working ten-hour days to get dinner on the table every night for twenty years…you deserve more than absolution from guilt and the kindness you’d give freely to anyone else. You deserve a gold medal.
Linda Gray (The Road to Happiness is Always Under Construction)
Now it takes a certain twist of mind to be able to write anything. And another twist to be able to write every day in a house that’s falling down around you with a mother who’s working her way through the wine cellar and a moist Bank Manager who’s expecting At the very least, Mrs Kittering-Swain, a gesture. My father had both twists. As Matty Nolan said about Father Foley, Poor Man, when he came back with the brown feet after thirty years in Africa, he was Far Gone. Virgil had that power of concentration that he passed on to me. He filled one Salmon Journal and started on the next. He went a bit Marcus Aurelius who (Book 746, Meditations, Penguin Classics, London) said men were born with various mania. Young Marcus’s was, he said, to make a plaything of imaginary events. Virgil Swain meet Marcus. Imaginary events, imaginary people, imaginary places, whatever you’re having yourself. Gold-medal Mania. I suppose it was just pole-vaulting really, only with a smaller pole. Point is, he was very Far Gone.
Niall Williams (History of the Rain)
Someday Tatiana must tell Alexander how glad she is that her sister Dasha did not die without once feeling what it was like to love. Alexander. Here he is, before he was Tatiana’s, at the age of twenty, getting his medal of valor for bringing back Yuri Stepanov during the 1940 Winter War. Alexander is in his dress Soviet uniform, snug against his body, his stance at-ease and his hand up to his temple in teasing salute. There is a gleaming smile on his face, his eyes are carefree, his whole man-self full of breathtaking, aching youth. And yet, the war was on, and his men had already died and frozen and starved... and his mother and father were gone... and he was far away from home, and getting farther and farther, and every day was his last—one way or another, every day was his last. And yet, he smiles, he shines, he is happy. Anthony is gone so long that his daughters say something must have happened to him. But then he appears. Like his father, he has learned well the poker face and outwardly remains imperturbable. Just as a man should be, thinks Tatiana. A man doesn’t get to be on the President’s National Security Council without steeling himself to some of life’s little adversities. A man doesn’t go through what Anthony went through without steeling himself to some of life’s little adversities. In this hand Anthony carries two faded photographs, flattened by the pages of the book, grayed by the passing years. The kitchen falls quiet, even Rachel and Rebecca are breathless in anticipation. “Let’s see...” they murmur, gingerly picking up the fragile, sepia pictures with their long fingers. Tatiana is far away from them. “Do you want to see them with us, Grammy? Grandpa?” “We know them well,” Tatiana says, her voice catching on something. “You kids go ahead.” The grandchildren, the daughter, the son, the guests circle their heads, gaping. “Washington, look! Just look at them! What did we tell you?” Shura and Tania, 23 and 18, just married. In full bloom, on the steps of the church near Lazarevo, he in his Red Army dress uniform, she in her white dress with red roses, roses that are black in the monochrome photo. She is standing next to him, holding his arm. He is looking into the camera, a wide grin on his face. She is gazing up at him, her small body pressed into him, her light hair at her shoulders, her arms bare, her mouth slightly parted. “Grammy!” Rebecca exclaims. “I’m positively blushing. Look at the way you’re coming the spoon on Grandpa!” She turns to Alexander from the island. “Grandpa, did you catch the way she is looking at you?” “Once or twice,” replies Alexander. The other colorless photo. Tania and Shura, 18 and 23. He lifts her in the air, his arms wrapped around her body, her arms wrapped around his neck, their fresh faces tilted, their enraptured lips in a breathless open kiss. Her feet are off the ground. “Wow, Grammy,” murmurs Rebecca. “Wow, Grandpa.” Tatiana is busily wiping the granite island. “You want to know what my Washington said about you two?” Rebecca says, not looking away from the photograph. “He called you an adjacent Fibonacci pair!” She giggles. “Isn’t that sexy?” Tatiana shakes her head, despite herself glancing at Washington with reluctant affection. “Just what we need, another math expert. I don’t know what you all think math will give you.” And Janie comes over to her father who is sitting at the kitchen table, holding her baby son, bends over Alexander, leans over him, kisses him, her arm around him, and murmurs into his ear, “Daddy, I’ve figured out what I’m going to call my baby. It’s so simple.” “Fibonacci?” She laughs. “Why, Shannon, of course. Shannon.” The
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
My dad was always tough to please. He thought pushing me would make me a man, but I was never man enough. All I ever wanted from him was a word of praise, a proud smile.” “What about your mother?” He smiled tenderly. “God, she was incredible. She always loved him, no matter what. And I didn’t have to do anything to make her think I was a hero. If I fell flat on my face she’d just beam and say, ‘Did you see that great routine of Ian’s? What a genius!’ When I was in that musical, she thought I was the best thing to hit Chico, but my dad asked me if I was gay.” He chuckled. “My mom was the best-natured, kindest, most generous woman who ever lived. Always positive. And faithful?” He laughed, shaking his head. “My dad could be in one of his negative moods where nothing was right—the dinner sucked, the ball game wasn’t coming in clear on the TV, the battery on the car was giving out, he hated work, the neighbors were too loud… And my mom, instead of saying, ‘Why don’t you grow the fuck up, you old turd,’ she would just say, ‘John, I bet I have something that will turn your mood around—I made a German chocolate cake.’” Marcie smiled. “She sounds wonderful.” “She was. Wonderful. Even while she was fighting cancer, she was so strong, so awesome that I kept thinking it was going to be all right, that she’d make it. As for my dad, he was always impossible to please, impossible to impress. I really thought I’d grown through it, you know? I got to the point real early where I finally understood that that’s just the kind of guy he was. He never beat me, he hardly even yelled at me. He didn’t get drunk, break up the furniture, miss work or—” “But what did he do, Ian?” she asked gently. He blinked a couple of times. “Did you know I got medals for getting Bobby out of Fallujah?” She nodded. “He got medals, too.” “My old man was there when I was decorated. He stood nice and tall, polite, and told everyone he knew about the medals. But he never said jack to me. Then when I told him I was getting out of the Marine Corps, he told me I was a fuckup. That I didn’t know a good thing when I had it. And he said…” He paused for a second. “He said he’d never been so ashamed of me in his whole goddamn life and if I did that—got out—I wasn’t his son.” Instead of crumbling into tears on his behalf, she leaned against him, stroked his cheek a little and smiled. “So—he was the same guy his whole stupid life.” Ian felt a slight, melancholy smile tug at his lips. “The same guy. One miserable son of a bitch.” “There’s
Robyn Carr (A Virgin River Christmas (Virgin River #4))
He folded back the hem of her housedress. Peeled the wet underpants from her skin and moved them down over her pale knees and her small feet and then dropped them on the floor. He could hear the voices of the children playing in the tree outside. He gently pushed her thighs apart and saw immediately that the baby had already begun to crown. Her skin was paler than his wife’s was, even in midwinter. He gave her his hand to get her through the next contraction, keeping his arm steady as she squeezed. He spread the fingers of the other over her taut belly. Mr. Persichetti wore a silver Saint Christopher’s medal around his neck and kept a Sacred Heart scapular in his pocket, but when Mary Keane asked him, catching her breath, “Who’s the patron saint of women in labor?” he shrugged. He told her he only knew Saint Dymphna was the patron of the insane. He’d had the story from an Irish priest assigned to Creedmoor. “A sad case himself,” Mr. Persichetti said, and gently pulled the damp hem of her dress back over her thighs. For a moment he found himself incapable of remembering Mr. Keane’s face, although they’d been neighbors for perhaps ten years. Nor could he remember another conversation he’d had with this woman stretched before him now on her living-room couch, her hair damp and her eyes a kind of gray, or green. He took her hand as if she were his child, or his own wife. “Apparently,” he said, “this Saint Dymphna was the daughter of an Irish chieftain, a pagan. But she had a beautiful Christian mother.” Gray eyes or green, he thought they were the one thing that might have made her pretty when she was young. “So the mother dies.” He paused only briefly. “When the girl’s about fourteen. And the chieftain goes crazy and tells his servants to go out and find another beautiful woman who resembled his dead wife so he can marry her.” He paused again to touch her
Alice McDermott (After This)
What, you think you’re a hero cos you have a female boss and you don’t make a fuss about it? Fuck, give the man a medal. Thanks for allowing the little woman to do her⁠—’ ‘I’m only saying that we’re not all bad,’ Bryant defended himself.
Angela Marsons (Guilty Mothers (DI Kim Stone, #20))
The Zombie Firetruck by Stewart Stafford Sirens moan, grave duty's flash of red, A mortuary whiff of something dead, Hoses trained with brains they suck, Your friendly neighbourhood zombie firetruck! All that remained of the human fire team, From the zombie pandemic of 2017, Still in their uniforms, their only treasures, Apocalyptic times call for end-time measures. When they reached the fire, people did scoff, They lurched, staggered, body parts fell off, As they wandered around, fire hoses forlorn, These knightly living dead faced a blazing dawn. The chief, hat off to his skeleton crew, In a voice once alive, now croaky like flu: 'To the hydrant, my ghouls, let's save Gothik Town, Or they'll call Ghostbusters, we'll be the clowns!' A glowering inferno, a cremation scene, Zombie firefighters, brave and light green. Through smoke and ash, they gravely stand, Composed decomposition with skeletal hand. Axeman Bony Ed led their clattering charge, Into the smoke, his cadavers did barge, The townsfolk looked on in dead of night, And disbelief, tiredness and mild fright. There soon followed medic Cemetery Phil, Decaying Murphy, Old Salty, and Dead Drill, Slab Stevens, Madly Hyde and Molly Voodoo, Determined to shake their initial hoodoo. A mother and baby backed by burning drapes, Team Macabre charged up the fire escape, Saving both and getting everyone out, Drank Brainer Ade as they leaked like a spout. Somehow, undead teamwork saved the day, No lives were lost as the water sprayed, Doused the flames, cool flatlined heroes, Much zombie kudos, no longer scary zeroes. The crowd cheered, did they ever doubt it? High fives lost hands but new ones sprouted, Frankenstein proud in their flapping flesh, Sure to get medals at the HalloweenFest. With a final groan and a clatter of bones, The zombie firetruck headed back home. Rotten yet proud, in their reanimated way, The risen would fight fires another day. © 2024, Stewart Stafford. All rights reserved.
Stewart Stafford
This was the essence of Floss: not mother of the year, but mother once a year, working remotely, and wanting the same medal.
Megan Angelo (Followers)
Fascists have been particularly enamored of traditional gender roles. Vichy France made Mother’s Day a major festival and awarded medals to good mothers. Goebbels, the Nazi propaganda chief, argued that “Man should be trained as a warrior and woman as recreation for the warrior,” a precept he put into practice in his own life as far as the recreation was concerned.
Margaret MacMillan (War: How Conflict Shaped Us)
Then, in the corridors outside, in the noisy confusion of leave-taking, a boy had thrown an arm about Keating’s shoulders and whispered: “Run on home and get out of the soup-and-fish, Pete, and it’s Boston for us tonight, just our own gang; I’ll pick you up in an hour.” Ted Shlinker had urged: “Of course you’re coming, Pete. No fun without you. And, by the way, congratulations and all that sort of thing. No hard feelings. May the best man win.” Keating had thrown his arm about Shlinker’s shoulders; Keating’s eyes had glowed with an insistent kind of warmth, as if Shlinker were his most precious friend; Keating’s eyes glowed like that on everybody. He had said: “Thanks, Ted, old man. I really do feel awful about that A.G.A. medal—I think you were the one for it, but you never can tell what possesses those old fogies.” And now Keating was on his way home through the soft darkness, wondering how to get away from his mother for the night.
Ayn Rand (The Fountainhead)
with me to the children’s ward to examine Immy. She greeted us with her wonderful take-no-prisoners smile. She was holding a new teddy bear. Someone had put a white bandage across its chest. I examined Immy carefully. Her heart sounds bore no resemblance whatever to the organized sounds of a normal heart. Once again, I marveled at her endurance. As I helped her to dress, I noticed a Saint Christopher medal pinned to her tiny pink undershirt. “What is this?” I asked her parents. Hesitantly her mother told me that a family member had made a special trip to Rome to have the medal blessed and then dipped into the healing waters at Lourdes. “We feel that it will protect her,” she said simply. Her husband nodded. I was touched. Immy spent the next day or two undergoing tests, and I saw her several more times.
Rachel Naomi Remen (My Grandfather's Blessings: Stories of Strength, Refuge, and Belonging)
across its chest. I examined Immy carefully. Her heart sounds bore no resemblance whatever to the organized sounds of a normal heart. Once again, I marveled at her endurance. As I helped her to dress, I noticed a Saint Christopher medal pinned to her tiny pink undershirt. “What is this?” I asked her parents. Hesitantly her mother told me that a family member had made a special trip to Rome to have the medal blessed and then dipped into the healing waters at Lourdes. “We feel that it will protect her,” she said simply. Her husband nodded. I was touched.
Rachel Naomi Remen (My Grandfather's Blessings: Stories of Strength, Refuge, and Belonging)
team working on two children who had been thrown from the back of their father’s pickup truck onto the roadway. By the time I reached the floor, Immy had been taken upstairs to surgery. The surgery had lasted almost twelve hours, and things had not gone well. The bypass pump, a relatively new technology, had malfunctioned for several minutes and Immy had lost a great deal of blood. She was on a respirator, unconscious and unresponsive, in the Intensive Care Unit. On the day after surgery, Immy’s mother told me in a shaking voice that Immy’s gown had been removed in the operating room and thrown into the hospital laundry. The medal was gone. Concerned, I called the surgery resident and told him what had happened. “Why are you telling me this?” he asked me.
Rachel Naomi Remen (My Grandfather's Blessings: Stories of Strength, Refuge, and Belonging)
the hospital to tape it to the closed door of Dr. X’s office. I had signed it and on the way back to my bed I began to worry. What if I had done something really foolish? If the surgical resident didn’t care about such things, why should Dr. X? I was off call the next day and, exhausted, I spent most of the time asleep. When I returned to the hospital for the evening shift, the pediatric day resident told me that Immy was no better. For the next few hours I took care of whatever was most urgently needed on the service, but later in the evening I stopped by the Intensive Care Unit to examine Immy and speak with her family. I found her parents in the waiting room. Together we went to see Immy. She was still unconscious. Leaning over to listen to her chest, I suddenly noticed a medal pinned to her hospital gown. Turning to her parents in relief, I asked if it was another one. “No,” her mother said, “it was the same one that was lost.” Dr. X had come that afternoon and brought it to them. I told them how glad I was that it had been found. “Yes,” her father said. “We are too.” Then he smiled. “She is safe now, no matter what happens,” he told me.
Rachel Naomi Remen (My Grandfather's Blessings: Stories of Strength, Refuge, and Belonging)
to her parents in relief, I asked if it was another one. “No,” her mother said, “it was the same one that was lost.” Dr. X had come that afternoon and brought it to them. I told them how glad I was that it had been found. “Yes,” her father said. “We are too.” Then he smiled. “She is safe now, no matter what happens,” he told me. The following morning, the surgery resident told me how the medal had been found. On the previous day, Dr. X had made his patient care rounds much as usual, followed by a dozen of the young surgeons he was training. But instead of ending the rounds in the ICU, he had taken them all to the laundry department in the subbasement of the hospital. There, he explained what had happened, and then he and all his residents and fellows had gone through the pediatric laundry from the day before
Rachel Naomi Remen (My Grandfather's Blessings: Stories of Strength, Refuge, and Belonging)
Then she remembered what her mother called heart-sleep. That sleep a wounded heart needed to help it heal. She rubbed the ring and medal between her fingers.
Nora Roberts (Of Blood and Bone (Chronicles of the One, #2))
Do you think Teegan will listen to his mother if she says no?” “Some kids actually listen to their mothers.” “Really?” Janco blinked at Ari. “What a concept.” “Your poor mother. She should get a medal for not killing you.” “Oh, she tried. Many times. That’s how I learned the fine art of duck and cover.
Maria V. Snyder (Dawn Study (Soulfinders, #3; Study, #6))
I am grateful to all of those people who read my book over the years, including the always wonderful Gizabeth and Dr. Orthochick. My mother has even read it twice, and she probably deserves some sort of medal. I recruited a few
Freida McFadden (Suicide Med)
Here, in this life she was in now, she had pursued a career to keep him happy, while sacrificing her own relationships, her own love of music, her own dreams beyond anything that didn't involve a medal, her own life. And her father had paid this back by having an affair with this Nadia person and leaving her mother and he still got terse with her. After all that.
Matt Haig (The Midnight Library)
Remember, O most compassionate Virgin Mary, that never was it known that anyone who fled to your protection, implored your assistance, or sought your intercession, was left unaided. Inspired with this confidence, we fly unto you, O Virgin of Virgins, our Mother; to you we come; before you we kneel, sinful and sorrowful. O Mother of the Word Incarnate, despise not our petitions, but, in your clemency, hear and answer them. Amen.
Christine Watkins (The Miraculous Medal: Pendant of Power)
WHY PRAY FOR NINE DAYS? The nine days that make up a novena are associated with the nine days that separate the feast of Ascension from the feast of Pentecost. In the Bible, this period for the disciples and the Blessed Mother was a time of prayerful waiting, which culminated in the descent of the Holy Spirit upon them. “All these devoted themselves with one accord to prayer, together with some women, and Mary the mother of Jesus, and his brothers” (Acts 1:14). We, too, can use a novena as a period of waiting for a particular grace.
Christine Watkins (The Miraculous Medal: Pendant of Power)
Jane hung up and called her sister, who told her their mother was full of white feminist second-wave claptrap, that she’d always cared more about feeding her own ego than feeding her half-caste children.
Danzy Senna (Colored Television)
Truth lies below the table; she knew this even as a child. If given the choice, she would have taken her dinner plate down into the cool, dark space beneath the tablecloth, where she would watch her mother’s fingers tighten along with the conversation. Watch her older brother’s shoes point toward the exit even as their father interrogated him about his latest swim meet. Medals he did or didn’t get, effort he did or didn’t expend.
Erica Bauermeister (No Two Persons)