Mechanic Retirement Quotes

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I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world’s cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in blurry, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table. I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you if you retire from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as a starfish loves a coral reef and as a kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fettuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. i will love you as a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey. I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and as an eraser loves to leave dust in the hairdos of people who talk too much. I will love you as a cufflink loves to drop from its shirt and explore the party for itself and as a pair of white gloves loves to slip delicately into the punchbowl. I will love you as the taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock.
Lemony Snicket
But when you talk about Nabokov and Coover, you’re talking about real geniuses, the writers who weathered real shock and invented this stuff in contemporary fiction. But after the pioneers always come the crank turners, the little gray people who take the machines others have built and just turn the crank, and little pellets of metafiction come out the other end. The crank-turners capitalize for a while on sheer fashion, and they get their plaudits and grants and buy their IRAs and retire to the Hamptons well out of range of the eventual blast radius. There are some interesting parallels between postmodern crank-turners and what’s happened since post-structural theory took off here in the U.S., why there’s such a big backlash against post-structuralism going on now. It’s the crank-turners fault. I think the crank-turners replaced the critic as the real angel of death as far as literary movements are concerned, now. You get some bona fide artists who come along and really divide by zero and weather some serious shit-storms of shock and ridicule in order to promulgate some really important ideas. Once they triumph, though, and their ideas become legitimate and accepted, the crank-turners and wannabes come running to the machine, and out pour the gray pellets and now the whole thing’s become a hollow form, just another institution of fashion. Take a look at some of the critical-theory Ph.D. dissertations being written now. They’re like de Man and Foucault in the mouth of a dull child. Academia and commercial culture have somehow become these gigantic mechanisms of commodification that drain the weight and color out of even the most radical new advances. It’s a surreal inversion of the death-by-neglect that used to kill off prescient art. Now prescient art suffers death-by acceptance. We love things to death, now. Then we retire to the Hamptons.
David Foster Wallace
The history of Immanuel Kant's life is difficult to portray, for he had neither life nor history. He led a mechanical, regular, almost abstract bachelor existence in a little retired street of Königsberg, an old town on the north-eastern frontier of Germany. I do not believe that the great clock of the cathedral performed in a more passionless and methodical manner its daily routine than did its townsman, Immanuel Kant. Rising in the morning, coffee-drinking, writing, reading lectures, dining, walking, everything had its appointed time, and the neighbors knew that it was exactly half-past three o'clock when Kant stepped forth from his house in his grey, tight-fitting coat, with his Spanish cane in his hand, and betook himself to the little linden avenue called after him to this day the "Philosopher's Walk." Summer and winter he walked up and down it eight times, and when the weather was dull or heavy clouds prognosticated rain, the townspeople beheld his servant, the old Lampe, trudging anxiously behind Kant with a big umbrella under his arm, like an image of Providence. What a strange contrast did this man's outward life present to his destructive, world-annihilating thoughts! In sooth, had the citizens of Königsberg had the least presentiment of the full significance of his ideas, they would have felt far more awful dread at the presence of this man than at the sight of an executioner, who can but kill the body. But the worthy folk saw in him nothing more than a Professor of Philosophy, and as he passed at his customary hour, they greeted him in a friendly manner and set their watches by him.
Heinrich Heine
I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world’s cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in a blurring, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table. I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you retire from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as the starfish loves a coral reef and as kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fetuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. I will love you as a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey. I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and an eraser loves to leave dust in the hairdos of the people who talk too much. I will love you as a taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock. I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong.
Lemony Snicket (The Beatrice Letters)
and she knew that, tenure or not, she might not last long, perhaps not even until retirement, although having seen the quiet desperation of professors emeritus she wanted to work until she dropped. How could she communicate the reality of war and its effects – her field was twentieth-century France – without upsetting some Alice-in-Wonderland student who, having experienced nothing and been hypnotized into victimhood, would demand a trigger warning? It was a madhouse, made even more difficult for her in navigating the shoals of what was her second language after French, the third being a childhood Arabic fortified by some later study. To her astonishment, she was forbidden to describe atrocities against white people or men. At first she thought this was a joke, but it wasn’t, and she quickly came to the realization that such a regime was merely a mechanism to give power to one or another struggling political faction in the highly infected, incestuous bloodstream of the university
Mark Helprin (Paris in the Present Tense)
This, I suppose, constitutes one of the greatest dangers of retiring, the sudden cutting off of motive power while the mechanism is still running at top speed. It would be so much better and easier, if it were possible, to cut off the motive power gradually; in other words to retire by slow and easy stages, instead of being in full production one day, crying "Come on! Come on!" and turning aimlessly around the next still saying "Come on!" but for no reason.
Franklin Lushington
. You get some bona fide artists who come along and really divide by zero and weather some serious shit-storms of shock and ridicule in order to promulgate some really important ideas. Once they triumph, though, and their ideas become legitimate and accepted, the crank-turners and wannabes come running to the machine, and out pour the gray pellets and now the whole thing’s become a hollow form, just another institution of fashion. Take a look at some of the critical-theory Ph.D. dissertations being written now. They’re like de Man and Foucault in the mouth of a dull child. Academia and commercial culture have somehow become these gigantic mechanisms of commodification that drain the weight and color out of even the most radical new advances. It’s a surreal inversion of the death-by-neglect that used to kill off prescient art. Now prescient art suffers death-by acceptance. We love things to death, now. Then we retire to the Hamptons.
David Foster Wallace
Besides that, his secret - and principal - reason for retiring was to devote himself entirely to his idée fixe, his collection which was becoming ever larger and more complicated. Van Hulle's concern was no longer simply to have beautiful clocks or rare timepieces; his feelings for them were not simply those one has for inanimate objects. True, their outward appearance was still important, their craftsmanship, their mechanisms, heir value as works of art, but the fact that he had collected so many was for a different reason entirely. It was a result of his strange preoccupation with the exact time. It was no longer enough for him that they were interesting. He was irritated by the differences in time they showed. Above all when they struck the hours and the quarters. One, very old, was deranged and got confused in keeping count of the passage of time, which it had been doing for so long. Others were behind, little Empire clocks with children's voices almost, as if they had not quite grown up. In short, the clocks were always at variance. They seemed to be running after each other, calling out, getting lost, looking for each other at all the changing crossroads of time.
Georges Rodenbach (The Bells of Bruges)
I am a face myself. The quickest way of retiring from social Face-eating competition occurred to me when I attacked a policeman with my strong steel umbrella. I was quickly put into prison, where I spent months of health-giving meditation and compulsive exercise. My exemplary conduct in prison moved the Head Wardress to an excess of bounty, and that is how the Government presented me with the island, after a small and distinguished ceremony in a remote corner of the Protestant Cemetery. So here I am on the island with all sizes of mechanical artifacts whizzing by in every conceivable direction, even overhead. Here I sit.
Leonora Carrington (The Complete Stories of Leonora Carrington)
Different persons ruled in me in turn, though no one of them for long; each fallen tyrant was quick to regain power. Thus have I played host successively to the meticulous officer, fanatic in discipline, but gaily sharing with his men the privations of war; to the melancholy dreamer intent on the gods, the lover ready to risk all for a moment’s rapture; the haughty young lieutenant retiring to his tent to study his maps by lamplight, making clear to his friends his disdain for the way the world goes; and finally the future statesman. But let us not forget, either, the base opportunist who in fear of displeasing succumbed to drunkenness at the emperor’s table; the young fellow pronouncing upon all questions with ridiculous assurance; the frivolous wit, ready to lose a friend for the sake of a bright remark; the soldier exercising with mechanical precision his vile gladiatorial trade. And we should include also that vacant figure, nameless and unplaced in history, though as much myself as all the others, the simple toy of circumstance, no more and no less than a body, lying on a camp bed, distracted by an aroma, aroused by a breath of wind, vaguely attentive to some eternal hum of a bee.
Marguerite Yourcenar (Memoirs of Hadrian)
Unlike any other chromosome, the Y is “unpaired”—i.e., it has no sister chromosome and no duplicate copy, leaving every gene on the chromosome to fend for itself. A mutation in any other chromosome can be repaired by copying the intact gene from the other chromosome. But a Y chromosome gene cannot be fixed, repaired, or recopied from another chromosome; it has no backup or guide (there is, however, a unique internal system to repair genes in the Y chromosome). When the Y chromosome is assailed by mutations, it lacks a mechanism to recover information. The Y is thus pockmarked with the potshots and scars of history. It is the most vulnerable spot in the human genome. As a consequence of this constant genetic bombardment, the human Y chromosome began to jettison information millions of years ago. Genes that were truly valuable for survival were likely shuffled to other parts of the genome where they could be stored securely; genes with limited value were made obsolete, retired, or replaced; only the most essential genes were retained (some of these genes were duplicated in the Y chromosome itself—but even this strategy does not solve the problem completely). As information was lost, the Y chromosome itself shrank—whittled down piece by piece by the mirthless cycle of mutation and gene loss. That the Y chromosome is the smallest of all chromosomes is not a coincidence: it is largely a victim of planned obsolescence (in 2014, scientists discovered that a few extremely important genes may be permanently lodged in the Y). In genetic terms, this suggests a peculiar paradox. Sex, one of the most complex of human traits, is unlikely to be encoded by multiple genes. Rather, a single gene, buried rather precariously in the Y chromosome, must be the master regulator of maleness.I Male readers of that last paragraph should take notice: we barely made it.
Siddhartha Mukherjee (The Gene: An Intimate History)
Liberty is poorly served by men whose good intent is quelled from one failure or two failures or any number of failures, or from the casual indifference or ingratitude of the people, or from the sharp show of the tushes of power, or the bringing to bear soldiers and cannon or any penal statutes. Liberty relies upon itself, invites no one, promises nothing, sits in calmness and light, is positive and composed, and knows no discouragement. The battle rages with many a loud alarm and frequent advance and retreat…the enemy triumphs…the prison, the handcuffs, the iron necklace and anklet, the scaffold, garrote and leadballs do their work…the cause is asleep…the strong throats are choked with their own blood…the young men drop their eyelashes toward the ground when they pass each other…and is liberty gone out of that place? No never. When liberty goes it is not the first to go nor the second or third to go…it waits for all the rest to go…it is the last…When the memories of the old martyrs are faded utterly away…when the large names of patriots are laughed at in the public halls from the lips of the orators…when the boys are no more christened after the same but christened after tyrants and traitors instead…when the laws of the free are grudgingly permitted and laws for informers and bloodmoney are sweet to the taste of the people…when I and you walk abroad upon the earth stung with compassion at the sight of numberless brothers answering our equal friendship and calling no man master—and when we are elated with noble joy at the sight of slaves…when the soul retires in the cool communion of the night and surveys its experience and has much extasy over the word and deed that put back a helpless innocent person into the gripe of the gripers or into any cruel inferiority…when those in all parts of these states who could easier realize the true American character but do not yet—when the swarms of cringers, suckers, dough-faces, lice of politics, planners of sly involutions for their own preferment to city offices or state legislatures or the judiciary or congress or the presidency, obtain a response of love and natural deference from the people whether they get the offices or no…when it is better to be a bound booby and rogue in office at a high salary than the poorest free mechanic or farmer with his hat unmoved from his head and firm eyes and a candid and generous heart…and when servility by town or state or the federal government or any oppression on a large scale or small scale can be tried on without its own punishment following duly after in exact proportion against the smallest chance of escape…or rather when all life and all the souls of men and women are discharged from any part of the earth—then only shall the instinct of liberty be discharged from that part of the earth.
Walt Whitman (Leaves of Grass: The First (1855) Edition)
These descending sensory pathways originate in the cortex, and their influence can either inhibit or facilitate the sensory input from any area of the body, greatly amplify or suppress altogether any given sensation. Sensory activity within the central nervous system is a Janus head, a two-way stream; signals originating in the brain have just as much to do with conscious sensation as do actual stimulations of the peripheral nerve endings. In fact, it is the descending paths which determine the sensitivity of any particular ascending pathway. The wide varieties of sexual response—among different individuals and within the same individual at different times—provide us with a clear example of this centrifugal influence upon incoming sensations: Depending upon past experiences and the present situation, the same stimulation of the genitals can produce intense ecstasy, bland and neutral sensations, or extreme discomfort. Orgasm can be immediate, or deferred indefinitely. And the imagination alone can produce constant engorgement, utter impotence, and all the degrees of arousal in between. The descending paths can color all kinds of sensory input to this degree. These pathways allow the mind to determine the active threshold for different sensory signals, and make it possible to focus attention upon a single source of input in the midst of many. It is difficult to imagine what practical use our sensory apparatus would be to us without such a mechanism. We would have no way of selecting a voice from all the other sounds around us, of locating specific objects within the swirl of visual impressions, or of retiring from our senses for contemplation and sleep. This centrifugal principle of selectivity is as vital to our appropriate responses to the world as is stimulation itself.
Deane Juhan (Job's Body: A Handbook for Bodywork)
We North Americans are fortunate that our ancestors, frontier colonists and emigrants, were forced to develop for survival a pragmatic, positive attitude toward inventions and mechanisms. It helped us a great deal to make the most out of the first centuries of industrialization. Unfortunately, the cultural heritage in some of the nations that need industrialization most is very different and constitutes a barrier to urgently needed technical development. Throughout India, for example, so many young people choose to be educated for "clean" desk jobs that the nation now has an unusable surplus of office workers, and many civil servants face mandatory retirement at the age of fifty.
Gerard K. O'Neill (2081)
It was a great day and age to be a retired but still healthy mechanic with no family to distract him.
Neal Stephenson (Termination Shock)
The great question that hovers over this issue, one that we have dealt with mainly by indifference, is the question of what people are for. Is their greatest dignity in unemployment? Is the obsolescence of human beings now our social goal? One would conclude so from our attitude toward work, especially the manual work necessary to the long-term preservation of the land, and from our rush toward mechanization, automation, and computerization. In a country that puts an absolute premium on labor-saving measures, short workdays, and retirement, why should there be any surprise at permanence of unemployment and welfare dependency? Those are only different names for our national ambition.
Wendell Berry (What Are People For?)
I think of mathematics as having a large component of psychology, because of its strong dependence on human minds. Dehumanized mathematics would be more like computer code, which is very different. Mathematical ideas, even simple ideas, are often hard to transplant from mind to mind. There are many ideas in mathematics that may be hard to get, but are easy once you get them. Because of this, mathematical understanding does not expand in a monotone direction. Our understanding frequently deteriorates as well. There are several obvious mechanisms of decay. The experts in a subject retire and die, or simply move on to other subjects and forget. Mathematics is commonly explained and recorded in symbolic and concrete forms that are easy to communicate, rather than in conceptual forms that are easy to understand once communicated. Translation in the direction conceptual -> concrete and symbolic is much easier than translation in the reverse direction, and symbolic forms often replaces the conceptual forms of understanding. And mathematical conventions and taken-for-granted knowledge change, so older texts may become hard to understand.
William P. Thurston
His two young mechanics lived in a completely different world, it seemed to him. This was not the world that he and Mma Ramotswe inhabited - a world in which people went about their business in an orderly way, drank tea at regular intervals, and retired to bed before nine-thirty at night.
Alexander McCall Smith (The Joy and Light Bus Company (No. 1 Ladies' Detective Agency, #22))
A decade or two ago, the emptiness which was beginning to be experienced on a fairly broad scale by the middle classes could be laughed at as the sickness of the suburbs. The clearest picture of the empty life is the suburban man, who gets up at the same hour every weekday morning, takes the same train to work in the city, performs the same task in the office, lunches at the same place, leaves the same tip for the waitress each day, comes home on the same train each night, has 2.3 children, cultivates a little garden, spends a two-week vacation at the shore every summer which he does not enjoy, goes to church every Christmas and Easter, and moves through a routine, mechanical existence year after year until he finally retires at sixty-five and very soon thereafter dies of heart failure, possibly brought on by repressed hostility. I have always had the secret suspicion, however, that he dies of boredom.
Rollo May (Man's Search for Himself)
so single-minded, as the placenta-mammary dyad. They exist only for the baby, and if the baby does not call on them, they are retired. They are expensive organs, and they are not maintained unless absolutely necessary. That is why the suckling of the baby is crucial to the productivity of the mammary gland. The mammary gland will not continue making milk unless the mechanical sensation of suckling tells it that lactogenesis is necessary. In evolutionary terms, babies die too often to make automatic milk ejection a sane strategy. It would be terribly wasteful if, after the arrival of a stillborn infant, a woman’s body were to generate milk automatically for anything more than a handful of days, at a cost of 600 calories a day. Lactation is a contingent function and a conditioned response, which is why it can be so frustrating to initiate and maintain. The body stands poised to flow, and to stop flowing. In a way, lactation is analogous to blood. Blood must course through your veins nonstop, yet it must be prepared to coagulate if the skin is breached, or else we would bleed to death at the brush of a thornbush.
Natalie Angier (Woman: An Intimate Geography)
I’ve talked about the mammary gland as a modified sweat gland, but there is another way to think of it: as a modified placenta. The placenta and the mammary gland have much in common. They are specialists, and they are temporary workers. They are designed to nourish a baby. No other organs are so fleeting, so single-minded, as the placenta-mammary dyad. They exist only for the baby, and if the baby does not call on them, they are retired. They are expensive organs, and they are not maintained unless absolutely necessary. That is why the suckling of the baby is crucial to the productivity of the mammary gland. The mammary gland will not continue making milk unless the mechanical sensation of suckling tells it that lactogenesis is necessary. In evolutionary terms, babies die too often to make automatic milk ejection a sane strategy. It would be terribly wasteful if, after the arrival of a stillborn infant, a woman’s body were to generate milk automatically for anything more than a handful of days, at a cost of 600 calories a day. Lactation is a contingent function and a conditioned response, which is why it can be so frustrating to initiate and maintain. The body stands poised to flow, and to stop flowing. In a way, lactation is analogous to blood. Blood must course through your veins nonstop, yet it must be prepared to coagulate if the skin is breached, or else we would bleed to death at the brush of a thornbush.
Natalie Angier (Woman: An Intimate Geography)
Angry Gran Toss – Launch, Fly, and Upgrade in This Hilarious Arcade Adventure Get ready for a wild ride with Angry Gran Toss in slope-ball.io , a wildly entertaining arcade game that turns an angry grandma into a flying projectile. This offbeat and hilarious title combines distance-launching mechanics with quirky upgrades, crazy gadgets, and an endless sky to conquer. Whether you're here for the laughs or the challenge, Angry Gran Toss delivers high-flying fun that will keep you coming back for more. What Is Angry Gran Toss? In Angry Gran Toss, you play as a cranky grandmother who’s just broken out of the retirement home. Armed with a giant cannon and an attitude to match, she’s ready to soar through the skies. Your mission is simple: launch Grandma as far as you can, collect coins, dodge obstacles, and upgrade your equipment to achieve greater distances. The game blends elements of timing, strategy, and chaos. Each launch is unpredictable, making every round feel fresh and fun. Whether she’s bouncing off rooftops, flying through billboards, or smashing into helicopters, Grandma's journey is anything but boring. Game Features Addictive Launch Gameplay: Tap to launch at the perfect angle and power, then use gadgets to extend flight. Wacky Power-Ups: From jetpacks to rocket pants, unlock insane equipment to keep Granny airborne. Fun Physics: Hilarious ragdoll physics make every crash and bounce unpredictable and funny. Upgradable Gear: Spend the coins you earn on new launchers, gadgets, and boosts to fly farther. Colorful Visuals: Cartoon-style graphics bring the chaos to life in a lighthearted and vibrant world. Why Angry Gran Toss Is So Fun At its core, Angry Gran Toss is simple but incredibly rewarding. The satisfaction of watching your upgrades pay off as you launch further and further each time is what makes the gameplay loop so addictive. The humorous visuals and unexpected obstacles keep things from ever feeling repetitive. There’s also a level of strategy involved. Do you spend your coins on a stronger cannon, or invest in mid-air boosts? Do you time your launches for maximum efficiency, or rely on luck and chaos? The balance between skill and unpredictability is what keeps players hooked.
Games Workshop