“
I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.
”
”
Sylvia Plath (The Bell Jar)
“
We stood there, looking at each other, saying nothing. But it was the kind of nothing that meant everything.
”
”
Jenny Han (It's Not Summer Without You (Summer, #2))
“
We were all heading for each other on a collision course, no matter what. Maybe some people are just meant to be in the same story.
”
”
Jandy Nelson (I'll Give You the Sun)
“
Your grandmother used to say that you were two souls separated in heaven. She mainly meant you were both trouble and deserved each other.
”
”
Kristen Ashley (Rock Chick (Rock Chick, #1))
“
May today there be peace within. May you trust that you are exactly where you are meant to be. May you not forget the infinite possibilities that are born of faith in yourself and others. May you use the gifts that you have received, and pass on the love that has been given to you. May you be content with yourself just the way you are. Let this knowledge settle into your bones, and allow your soul the freedom to sing, dance, praise and love. It is there for each and every one of us." ...
”
”
Thérèse of Lisieux
“
How could you love us being together?" he asked me "We are nothing alike and we are not meant for each other and we drive each other crazy, you love that? How can you love that?" So I told him "I know that we're not meant for each other, that we drive each other crazy, and that we are so different. But that's us. That's what we have; a wild nonsense. We are not good together, but together we are bad for each other. I love us together this way just like this. Because even if it's no good, it's what we have! It's us.
”
”
C. JoyBell C.
“
Good. Because I don't need protecting."
"I knew you'd say that.But the thing is, sometimes you do. And sometimes I do. We're meant to protect each other, but not from everything. Not from the truth. That's what it means to love someone but let them be themselves.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
Soulmates. That was the word. Maggie could sense what it meant. Two people connected, bound to each other forever, soul to soul, in a way that even death couldn't break. Two souls that were destined for each other.
”
”
L.J. Smith (Night World, No. 3 (Night World, #7-9))
“
If it's meant to be, you'll find each other again.
”
”
Suzanne Young (The Program (The Program, #1))
“
If two people are meant for each other, it doesn't mean they have to be together right now
or as soon as possible, but they will... eventually.
”
”
Nina Ardianti (Fly to the Sky)
“
If two people are meant to be, they'll find their way to each other.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
It's Major Ketchup in the bathroom with the laser scalpel."
"Hmm." He sliced a delicately herbed spear of asparagus. "Obviously we were meant for each other as I can interpret that as you meaning something more like Colonel Mustard in the conservatory with the candlestick.
”
”
J.D. Robb (Indulgence in Death (In Death, #31))
“
We’re meant to protect each other, but not from everything. Not from
the truth. That’s what it means to love someone but let them be themselves.
-Jace Wayland
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
Regrets
Timing is irrelevant when two people are meant for each other. It's what I once believed.
But we met during a time when I was such a mess, when I still had so much to figure out. How could I have known how crucial every word, every action was or how losing you would be something I would always regret?
If only you could have met me now, how different it would be. How much I have changed. How I have grown. I learned so much from all the mistakes I made with you. I just wish I had made them with someone else.
”
”
Lang Leav (Lullabies (Volume 2) (Lang Leav))
“
Death is nothing at all. It does not count. I have only slipped away into the next room. Nothing has happened. Everything remains exactly as it was. I am I, and you are you, and the old life that we lived so fondly together is untouched, unchanged. Whatever we were to each other, that we are still. Call me by the old familiar name. Speak of me in the easy way which you always used. Put no difference into your tone. Wear no forced air of solemnity or sorrow. Laugh as we always laughed at the little jokes that we enjoyed together. Play, smile, think of me, pray for me. Let my name be ever the household word that it always was. Let it be spoken without an effort, without the ghost of a shadow upon it. Life means all that it ever meant. It is the same as it ever was. There is absolute and unbroken continuity. What is this death but a negligible accident? Why should I be out of mind because I am out of sight? I am but waiting for you, for an interval, somewhere very near, just round the corner. All is well. Nothing is hurt; nothing is lost. One brief moment and all will be as it was before. How we shall laugh at the trouble of parting when we meet again!
”
”
Henry Scott Holland (Death is Nothing at All)
“
Some people are meant to fall in love with each other, but not meant to be together.
”
”
Scott Neustadter ((500) Days of Summer: The Shooting Script)
“
We stood there, looking at each other, saying nothing. But it was the kind of nothing that meant everything. In his eyes, there was no trace of what had happened between us earlier and I could feel something inside me break.
So that was that. We were finally, finally over.
I looked at him, and I felt so sad, because this thought occurred to me: 'I will never look at you the same way again. I'll never be that girl again. The girl who comes running back every time you push her away, the girl who loves you anyway.'
I couldn’t even be mad at him, because this was who he was. This was who he’d
always been. He’d never lied about that. He gave and then he took away. I felt it in the pit of my stomach, the familiar ache, that lost, regretful feeling only he could give me. I never wanted to feel it again. Never, ever.
Maybe this was why I came, so I could really know. So I could say good-bye.
I looked at him, and I thought, 'If I was very brave or very honest, I would tell him.'
I would say it, so he would know it and I would know it, and I could never take it back. But I wasn’t that brave or honest, so all I did was look at him. And I think he knew anyway.
'I release you. I evict you from my heart. Because if I don't do it now, I never will.'
I was the one to look away first.
”
”
Jenny Han (It's Not Summer Without You (Summer, #2))
“
Or maybe Jason's right: there are perfect people, many of them, and it's up to you to grab one when you find each other in the random chaos of life and love.
”
”
Lauren Morrill (Meant to Be)
“
I see us giving love to each other in a time of quiet between storms. It's what we were meant to do.
”
”
Frank Herbert (Dune (Dune, #1))
“
We so seldom understand each other. But if understanding is neither here nor there, and the universe is infinite, then understand that no matter where we go we will always be smack dab in the middle of nowhere. All we can do is share some piece of ourselves, and hope that it’s remembered. Hope that we meant something to someone
”
”
Shane L. Koyczan
“
…there is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I simply am not there. It is hard for me to make sense on any given level. Myself is fabricated, an aberration. I am a noncontingent human being. My personality is sketchy and unformed, my heartlessness goes deep and is persistent. My conscience, my pity, my hopes disappeared a long time ago (probably at Harvard) if they ever did exist. There are no more barriers to cross. All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused and my utter indifference toward it, I have now surpassed. I still, though, hold on to one single bleak truth: no one is safe, nothing is redeemed. Yet I am blameless. Each model of human behavior must be assumed to have some validity. Is evil something you are? Or is it something you do? My pain is constant and sharp and I do not hope for a better world for anyone. In fact, I want my pain to be inflicted on others. I want no one to escape. But even after admitting this—and I have countless times, in just about every act I’ve committed—and coming face-to-face with these truths, there is no catharsis. I gain no deeper knowledge about myself, no new understanding can be extracted from my telling. There has been no reason for me to tell you any of this. This confession has meant nothing….
”
”
Bret Easton Ellis (American Psycho)
“
They wordlessly excused each other for not loving each other as much as they had planned to. There were empty rooms in the house where they had meant to put their love, and they worked together to fill these rooms with midcentury modern furniture. ("Birthmark").
”
”
Miranda July (No One Belongs Here More Than You)
“
Iʹve seen you too. Ozera. Crispin, right?ʺ
ʺChristian,ʺ corrected Lissa.
ʺRight.ʺ
....
ʺSo what brings you and Christopher here?ʺ asked Blake. He finished a glass of something amber colored and set it down beside the new drink.
ʺChristian,ʺ said Christian.
....
Blake gave her puppy-dog eyes. ʺBut you just got here! I was hoping we could get to know each other.ʺ It went without saying what he meant by that. ʺOh. And Kreskin too.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
The way I felt about you was always so clear to me—even when we were young I knew you and I were meant for each other. Two halves of a whole. I loved you so much that the word ‘love’ didn’t seem big enough for how I felt.
”
”
Carley Fortune (Every Summer After)
“
That letter was your whole future, you daft prince."
"It was my past. I lost that the night my parents died. But I found you, Deryn. Maybe I wasn't meant to end the war, but I was meant to find you. I know that. You've saved me from having any reason to keep going."
"We save each other. That's how it works.
”
”
Scott Westerfeld (Goliath (Leviathan, #3))
“
I have a sense that we have not yet arrived, that we are still reaching. For each other. For who we are meant to be.
”
”
Ally Condie (Crossed (Matched, #2))
“
We found out a long time ago that we weren’t meant to fall in love with each other. But a part of me still fell in hope with him.
”
”
David Levithan
“
During the Depression of the 1930s everyone suffered, even the rich. It was hard times for all and people helped each other if they could. Americans coming through that together meant something. Now they were being asked to struggle again. But because so many servicemen were killed at Pearl Harbor, Americans had a cause that they all shared – fight the Fascists and keep the threat and the war from coming home. Yet, now the grim reality, the depths of the sacrifices, and the grief of their losses was devastating.
”
”
A.G. Russo (The Cases Nobody Wanted (O'Shaughnessy Investigations Inc. Mystery Series Book 1))
“
Letting my heart instead of my hormones decide when to do it made what Aiden and I'd done special. And when we passed each other throughout the day, the looks we stole suddenly meant more. Everything meant more, because we both were risking it all and neither of us regretted that.
”
”
Jennifer L. Armentrout (Deity (Covenant, #3))
“
Death is nothing at all,
I have only slipped into the next room
I am I and you are you
Whatever we were to each other, that we are still.
Call me by my old familiar name,
Speak to me in the easy way which you always used
Put no difference in your tone,
Wear no forced air of solemnity or sorrow
Laugh as we always laughed at the little jokes we enjoyed together.
Play, smile, think of me, pray for me.
Let my name be ever the household world that it always was,
Let it be spoken without effect, without the trace of shadow on it.
Life means all that it ever meant.
It it the same as it ever was, there is unbroken continuity.
Why should I be out of mind because I am out of sight?
I am waiting for you, for an interval, somewhere very near,
Just around the corner.
All is well.
”
”
Henry Scott Holland
“
Because this is our life. We met on the road; we grew to know and to love each other on the road. It's where we were meant to be for however long, and it's what we're going to do until it becomes clear that we're meant to do something else.
”
”
J.A. Redmerski (The Edge of Always (The Edge of Never, #2))
“
Oh, why did people have to be seperated before they understood how much they meant to each other?
”
”
Linda Crew (Children of the River)
“
But, just because we loved each other, doesn't mean we were meant to be together.
And just because you loved one, doesn't mean you can't love another.
”
”
Kacen Callender (Felix Ever After)
“
When I found you, I didn’t know what I was finding,” Alec said. “Words about things that are beautiful and precious to me don’t come easily. You know that. You know me better than anyone.” He licked his dry lips. “And when one day people look back on me and what my life meant, I don’t want them to say, ‘Alec Lightwood fought in the Dark War’ or even ‘Alec Lightwood was Consul once.’ I want them to think, ‘Alec Lightwood loved one man so much he changed the world for him.’ ”
Magnus’s eyes shone bright as stars. He gazed at Alec with eyes full of joy, of a feeling so profound Alec felt humbled to be a part of it. “You know you’ve already changed the world for me.”
“Will you marry me?” Alec whispered. His heart was beating like a frantic bird’s wings. “Right now? Tonight?”
Magnus nodded wordlessly and pulled Alec to his feet. They wrapped their arms around each other, and Alec leaned up just that little bit, since Magnus was just that little bit taller, which he had always loved.
And they kissed for a long time.
”
”
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
“
Do you think we'll get married one day?" I said.
"To each other?" Charlie asked.
"No, silly. I mean to other people." (But really, I'd meant to each other.)
”
”
A.S. King (Please Ignore Vera Dietz)
“
He'd asked if I felt the pull. I could'nt deny that I did. And that it terrified me.
It wasn't like a crush. It wasn't like seeing a guy and thinking I'd like him to take me to the prom. It was soul-deep, as though he was everything, the one, forever. I had to remind myself that I barely knew the guy. But still I couldn't shake the feeling of being meant for each other - as corny as that sounded.
”
”
Rachel Hawthorne (Moonlight (Dark Guardian, #1))
“
Love does not cost anything. Kind words and deeds do not cost anything. The real beauty of the world is equal for everyone to see. It was given by God equally to all, without restrictions.
Everyone, was given a beautiful vehicle in which to express love to others. Feelings are free to express and give to ourselves and each other through our willingness to give and care.
What is complicated about this... Why have we made others feel they have to climb mountains and swim oceans in order to make a difference.
All we need to understand my friends, is that human life was given equally to us all, not partially but in totality.
The sun was given to all. It does not shine on the few. So, just has nature is indifferent to our station or situation, we need to know that we are all equal. We need to focus on the things that are constant and not place our values on things that can be blown away with the next, great, wind.
Value life in what ever house it dwells. For when it comes time that we are all stripped to bare bones before the divine and facing eternity, we will understand that the only law we were meant to follow, was to love ourselves and each other. Nothing more...nothing less.
”
”
Carla Jo Masterson
“
Cooking my mother's food had come to represent an absolute role reversal, a role I was meant to fill. Food was an unspoken language between us, had come to symbolize our return to each other, our bonding, our common ground.
”
”
Michelle Zauner (Crying in H Mart)
“
I think when love sneaks up on you, when it grabs onto you when you least expect it, maybe that's more of a sign that it's real. That it's meant to be and nothing could stop the two of you from falling for each other.
”
”
Nyrae Dawn (Façade (Games, #2))
“
Once, very long ago, Time fell in love with Fate. This, as you might imagine, proved problematic. Their romance disrupted the flow of time. It tangled the strings of fortune into knots. The stars watched from the heavens nervously, worrying what might occur. What might happen to the days and nights were time to suffer a broken heart? What catastrophes might result if the same fate awaited Fate itself? The stars conspired and separated the two. For a while they breathed easier in the heavens. Time continued to flow as it always had, or perhaps imperceptibly slower. Fate weaved together the paths that were meant to intertwine, though perhaps a string was missed here and there. But eventually, Fate and Time found each other again. In the heavens, the stars sighed, twinkling and fretting. They asked the Moon her advice. The Moon in turn called upon the parliament of owls to decide how best to proceed. The parliament of owls convened to discuss the matter amongst themselves night after night. They argued and debated while the world slept around them, and the world continued to turn, unaware that such important matters were under discussion while it slumbered. The parliament of owls came to the logical conclusion that if the problem was in the combination, one of the elements should be removed. They chose to keep the one they felt more important. The parliament of owls told their decision to the stars and the stars agreed. The Moon did not, but on this night she was dark and could not offer her opinion. So it was decided, and Fate was pulled apart. Ripped into pieces by beaks and claws. Fate’s screams echoed through the deepest corners and the highest heavens but no one dared to intervene save for a small brave mouse who snuck into the fray, creeping unnoticed through the blood and bone and feathers, and took Fate’s heart and kept it safe. When the furor died down there was nothing else left of Fate. The owl who consumed Fate’s eyes gained great site, greater site then any that had been granted to a mortal creature before. The Parliament crowned him the Owl King. In the heavens the stars sparkled with relief but the moon was full of sorrow. And so time goes as it should and events that were once fated to happen are left instead to chance, and Chance never falls in love with anything for long. But the world is strange and endings are not truly endings no matter how the stars might wish it so. Occasionally Fate can pull itself together again. And Time is always waiting.
”
”
Erin Morgenstern (The Starless Sea)
“
They were always meant to be together, one boy and one girl, two hearts split into two, sent to far-off lands on their own. For God wanted to see if true love could be tested. He wanted to see if two halves of one soul could find each other again, even against the odds. Years would pass. They would both be hurt. They would both be sad, but one day, when they least expected it, they would stumble into each other’s paths. The question is: would they recognize each other’s soul? And would they find their way back to love…?
”
”
Tillie Cole (Raze (Scarred Souls, #1))
“
Do more than:Stop self-destructing. Save each other. Not have a nervous breakdown or six by twenty five. Decolonize our minds, our hair, our hearts. Transform into the phoenixes we were all meant to be.
”
”
Leah Lakshmi Piepzna-Samarasinha
“
So Sonia was not my only or even my first best friend. She was the last. It wasn t that I hadn t made friends since just that I thought myself past the age of that particular kind of friendship. Adult friendship doesn t grant you an exclusive isn t meant to be ranked above romance and family. I couldn t imagine ever living that moment again when you say with a shy and hopeful pride You re my best friend. The other person says it back and there you have chosen each other out of everyone else in the world.
”
”
Leah Stewart (The Myth of You and Me)
“
Our love has evolved into something else because of the way we respect and listen to each other's needs.
”
”
Tiffany King (Meant to Be (The Saving Angels, #1))
“
Roland studied her a bit more, a tad too intently. "Perhaps you and I shall get to work with each other a bit, Lillian. Your position intrigues me."
She wouldn't mind working with him - but not in the way Roland meant. Her way would include a dagger, a shovel, and an unmarked grave.
”
”
Sarah J. Maas
“
Dr. Webb says that losing a sibling is oftentimes much harder for a person than losing any other member of the family. "A sibling represents a person's past, present, and future," he says. "Spouses have each other, and even when one eventually dies, they have memories of a time when they existed before that other person and can more readily imagine a life without them. Likewise, parents may have other children to be concerned with--a future to protect for them. To lose a sibling is to lose the one person with whom one shares a lifelong bond that is meant to continue on into the future.
”
”
John Corey Whaley (Where Things Come Back)
“
The importance of our connection, what it meant to find each other again, the way it made what happened to us and between us not be a waste, not be for nothing. He would know, he had to know, that not saying good-bye would be the worst end of all.
”
”
Sara Zarr (Sweethearts)
“
I tried to stop loving you
so I built walls around my heart
and found other names
to whisper in the night.
But you carved yourself into my veins
whether you meant to or not.
And sometimes I wonder
if you remember the way we looked at each other
or maybe you just forgot.
”
”
Courtney Peppernell (Pillow Thoughts (Pillow Thoughts, #1))
“
It was only later that I suffocated under the weight of his arguments, and his darker thoughts articulated. It was only later that our tongues produced landslides, that we became caught in the cracks between what we said and what we meant, until we could not find each other, did not trust the words in our own mouths.
”
”
Hannah Kent (Burial Rites)
“
But some relationships aren't meant to last.
They are worthy only till the time the two persons involved have time for each other.
They do not know eternity. They live for the present, the "now". And when distance plays it part, or life turns out to be busy, they fall apart.
And may be that's why they're never termed "LOVE". They simply remain what they were - mere RELATIONSHIPS.
”
”
Sanhita Baruah
“
Ernest once told me that the word paradise was a Persian words that meant walled garden. I knew then that he understood how necessary the promises we made to each other were to our happiness. You couldn't have real freedom unless you knew were the walls were and tended to them. We could lean on the walls because they existed; they existed because we leaned on them.
”
”
Paula McLain (The Paris Wife)
“
They were now representatives of something much larger than themselves - a way of life, a shared set of values. Liberty was perhaps the most fundamental of those values. But the things that held them together - trust in each other, mutual respsect, humility, fair play, watching out for one another - those were also part of what America meant to all of them.
”
”
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
“
Freuchen tells how one day, after coming home hungry from an unsuccessful walrus-hunting expedition, he found one of the successful hunters dropping off several hundred pounds of meat. He thanked him profusely. The man objected indignantly:
"Up in our country we are human!" said the hunter. "And since we are human we help each other. We don't like to hear anybody say thanks for that. What I get today you may get tomorrow. Up here we say that by gifts one makes slaves and by whips one makes dogs.
... The refusal to calculate credits and debits can be found throughout the anthropological literature on egalitarian hunting societies. Rather than seeing himself as human because he could make economic calculations, the hunter insisted that being truly human meant refusing to make such calculations, refusing to measure or remember who had given what to whom, for the precise reason that doing so would inevitably create a world where we began "comparing power with power, measuring, calculating" and reducing each other to slaves or dogs through debt. It's not that he, like untold millions of similar egalitarian spirits throughout history, was unaware that humans have a propensity to calculate. If he wasn't aware of it, he could not have said what he did. Of course we have a propensity to calculate. We have all sorts of propensities. In any real-life situation, we have propensities that drive us in several different contradictory directions simultaneously. No one is more real than any other. The real question is which we take as the foundation of our humanity, and therefore, make the basis of our civilization.
”
”
David Graeber (Debt: The First 5,000 Years)
“
No road will bring us together."
"Don't speak like that."
"I'm serious. We are not meant to come together, not any more than sun and moon were meant to come together, or sea and land. We are sun and moon, dear friend; we are sea and land. It is not our purpose to become each other; it is to recognize each other, to learn to see the other and honor him for what he is: each the other's opposite and complement.
”
”
Hermann Hesse (Narcissus and Goldmund)
“
More of that hair-raising energy rolled out of Vlad, until I was rubbing my arms to chase the tingling sensations away. Was this what Marty meant when he told me vampires could measure each others’ strength by feeling their auras? If so, then Vlad’s had Badass: Do Not Engage written all over it.
”
”
Jeaniene Frost (Twice Tempted (Night Prince, #2))
“
I used to think that loving somebody meant sacrificing anything for them. I thought it meant writing them a blank cheque. I thought it meant that you would die without each other. But it turns out that death and a broken heart are not he same.
These days, I think that love is not so dramatic as all that. Maybe loving somebody means simply they bring out the best in you, and you bring out the best in them - so that together, you are always the best possible versions of yourselves.
”
”
Leila Sales (Tonight the Streets Are Ours)
“
Humans were so preoccupied with love. They were all desperate to form an attachment to one person they could refer to as their other half. It seemed from my reading of literature that being in love meant becoming the beloveds entire world. The rest of the universe paled into insignificance compared to the lovers. When they were separated, each fell into a melancholy state, and only when they were reunited did their hearts start beating again. Only when they were together could really see the colors of the world. When they were apart, that color leached away, leaving everything a hazy gray. I lay in bed, wondering about the intensity of this emotion that was so irrational and so irrefutably human. What if a persons face was so sacred to you it was permanently inscribed in your memory? What if their smell and touch were dearer to you than life itself?
”
”
Alexandra Adornetto (Halo (Halo, #1))
“
Rather than seeing himself as human because he could make economic calculations, the hunter insisted that being truly human meant refusing to make such calculations, refusing to measure or remember who had given what to whom, for the precise reason that doing so would inevitably create a world where we began "comparing power with power, measuring, calculating" and reducing each other to slaves or dogs through debt.
”
”
David Graeber (Debt: The First 5,000 Years)
“
Some changes occur suddenly like a brilliant flash of lightning striking across a dark sky. These changes are stunning, exciting but can be quickly forgotten. Other changes happen slowly, gradually, like a flower blooming in early spring, each day unfurling its petals another fraction of an inch towards the warm, nurturing sun. These changes are as inevitable as nature running its course; they’re meant to be.
”
”
Suzi Davis
“
Her eyes were light blue, his eyes the richest of brown, but the left iris was smudged with the girl’s light blue.
They matched.
God made them this way so they would recognize themselves as meant for one another when they were born, so they would always find each other no matter where they were on Earth.
”
”
Tillie Cole (Raze (Scarred Souls, #1))
“
Zhi yin. Jem had told her once that it meant understanding music, and also a bond that went deeper than friendship. Jem played, and he played the years of Will's life as he had seen them. He played two little boys in the training room, one showing the other how to throw knives, and he played the ritual of parabatai: the fire and the vows and burning runes. He played two young men running through the streets of London in the dark, stopping to lean up against a wall and laugh together. He played the day in the library when he and Will had jested with Tessa about ducks, and he played the train to Yorkshire on which Jem had said that parabatai were meant to love each other as they loved their own souls. He played that love, and he played their love for Tessa, and hers for them, and he played Will saying, In your eyes I have always found grace. He played the too few times he had seen them since he had joined the Brotherhood- the brief meetings at the Institute; the time when Will had been bitten by a Shax demon and nearly died, and Jem had come from the Silent City and sat with him all night, risking discovery and punishment. And he played the birth of their first son, and the protection ceremony that had been carried out on the child in the Silent City. Will would have no other Silent Brother but Jem perform it. And Jem played the way he had covered his scarred face with his hands and turned away when he'd found out the child's name was James.
He played of love and loss and years of silence, words unsaid and vows unspoken, and all the spaces between his heart and theirs; and when he was done, and he'd set the violin back in its box, Will's eyes were closed, but Tessa's were full of tears. Jem set down his bow, and came toward the bed, drawing back his hood, so she could see his closed eyes and his scarred face. And he had sat down beside them on the bed, and taken Will's hand, the one that Tessa was not holding, and both Will and Tessa heard Jem's voice in their minds.
I take your hand, brother, so that you may go in peace.
Will had opened the blue eyes that had never lost their color over all the passing years, and looked at Jem and then Tessa, and smiled, and died, with Tessa's head on his shoulder and his hand in Jem's.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
The world had changed a great deal, but the little rules, contracts, and customs had not, which meant the world hadn’t actually changed at all. She mulled over Daehyun’s idea that registering as legally married changes the way you feel about each other. Do laws and institutions change values, or do values drive laws and institutions?
”
”
Cho Nam-Joo (Kim Jiyoung, Born 1982)
“
God is colourblind. But we are not God. God does not need to see colour and difference. God is far bigger than all of that. We are human. We are destined to grow and learn from each other and with each other and there is no growing, there is no learning, there is no wonder and no majesty in life if we were like God. We were meant to see colour and difference.To deny these is to lack respect. To blind ourselves to these is to fool one another. To shun these is to deny ourselves growth and knowledge.
”
”
C. JoyBell C.
“
But even more than her diary, Shimamura was surprised at her statement that she had carefully cataloged every novel and short story she had read since she was fifteen or sixteen. The record already filled ten notebooks.
"You write down your criticisms, do you?"
"I could never do anything like that. I just write down the author and the characters and how they are related to each other. That is about all."
"But what good does it do?"
"None at all."
"A waste of effort."
"A complete waste of effort," she answered brightly, as though the admission meant little to her. She gazed solemnly at Shimamura, however.
A complete waste of effort. For some reason Shimamura wanted to stress the point. But, drawn to her at that moment, he felt a quiet like the voice of the rain flow over him. He knew well enough that for her it was in fact no waste of effort, but somehow the final determination that it had the effect of distilling and purifying the woman's existence.
”
”
Yasunari Kawabata (Snow Country)
“
Did they all live happily ever after?
They did not. No one ever does, in spite of what the stories may say. They had their good days, as you do, and they had their bad days, and you know about those. They had their victories, as you do, and they had their defeats, and you know about those, too. There were times when they felt ashamed of themselves, knowing that they had not done their best, and there were times when they knew they had stood where their God had meant them to stand. All I'm trying to say is that they lived as well as they could, each and every one of them; some lived longer than others, but all lived well, and bravely, and I love them all, and am not ashamed of my love.
”
”
Stephen King (The Eyes of the Dragon)
“
No, I mean to the other place. The next place. I don't think I'll make it. I don't think you'll find me there." . . . "Listen to me." Baba held on to his arm. "You could never be more wrong, Amar. We taught you one way, but there could be others. We don't even know, even we can only hope. How many names are there for God?"
"Ninety-nine."
"Some contradict each other, remember? Didn't you just say to me--what if this is meant to show us more? What if we are meant to look closer?" . . .
"We will wait until you are allowed in," Baba said, as if to himself. "I will wait."
Baba pointed at the sky, and Amar looked, past the stars and past the lighter patch of the Milky Way, past the moon, and maybe God was there and maybe God wasn't, but when Baba said to him, "I don't think He created us just to leave some of us behind," Amar believed him. Amar wanted to.
”
”
Fatima Farheen Mirza (A Place for Us)
“
She turned suddenly, and before I could react, framed my face with her hands and pressed her lips to mine.
I froze, mostly in shock, but after a moment my body uncoiled and I closed my eyes, relaxing into her. I remembered this; the feel of her lips on mine,
cool and soft, the touch of her fingers on my skin. I remembered her scent, those long nights when we would lie under the cold, frozen stars,
dreaming in each other’s arms.
For a second, my body reacted instinctively. I started to pull us closer, to wrap my arms around her and return the kiss with equal passion…but, then
I stopped.
I remembered this perfectly; every shining moment with Ariella was forever etched into my mind. What we’d had, what we’d shared, everything. I’d
built a shrine to her in my memories, carefully tended with grief and anger and regret. I knew every inch of our relationship, the passion, the feeling
of emptiness when we weren’t together, the longing and, yes, the love. I had been in love with Ariella. I remembered what she’d meant to me once,
what I’d felt for her then…
…and what I didn’t feel for her now.
”
”
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
“
It's okay. Don't feel bad. Stop beating yourself up. Nothing lasts forever. People come and people go. We cross paths, sometimes even travel together for a bit- to learn from each other. Stop trying to hold onto what is no longer meant to be. Yes, sometimes we need to stay even when it doesn't feel good because we still have something to learn, something to do there. But our souls will die if they stay in places they don't belong. You know the difference. Listen to your heart. If you stay when you've been told to go, you'll stop growing! Go! Give yourself permission to outgrow people and places.
It's okay.
”
”
Brooke Hampton
“
Life is meant to be fun, and joyous, and fulfilling. May each of yours be that - having each of you as a child of mine has certainly been one of the good things in my life. Know that I've always loved each of you with an eternal, bottomless love. A love that has nothing to do with each other, for I feel my love for each of you is total and all-encompassing. Please watch out for each other and love and forgive everybody. It's a good life, enjoy it.
”
”
Jim Henson (It's Not Easy Being Green and Other Things to Consider)
“
It could be yesterday
when I was less in love
I think
For I didn’t see you in the mirror
behind me
while getting dressed.
The way your hands couldn’t stay away
and our bodies always found their ways back to each other
as if they were meant to be together
Close.
But then it was today and I saw you
again
in the mirror
behind me while getting dressed
So I go to sleep tonight
alone
without actually falling asleep because I’m scared of the moment I will wake up
and realise it was just a dream
You’re actually gone.
Now all I can do is get through to another tomorrow
hoping that I will be less in love
again
Like yesterday
But not today.
I was never really well with things at all.
”
”
Charlotte Eriksson
“
All across the country, people felt it was the wrong thing. All across the country, people felt it was the right thing. All across the country, people felt they'd really lost. All across the country, people felt they'd really won. All across the country, people felt they'd done the right thing and other people had done the wrong thing. All across the country, people looked up Google: what is EU? All across the country, people looked up Google: move to Scotland. All across the country, people looked up Google: Irish Passport Applications. All across the country, people called each other cunts. All across the country, people felt unsafe. All across the country, people were laughing their heads off. All across the country, people felt legitimised. All across the country, people felt bereaved and shocked. All across the country, people felt righteous. All across the country, people felt sick. All across the country, people felt history at their shoulder. All across the country, people felt history meant nothing. All across the country, people felt like they counted for nothing. All across the country, people had pinned their hopes on it. All across the country, people waved flags in the rain. All across the country, people drew swastika graffiti. All across the country, people threatened other people. All across the country, people told people to leave. All across the country, the media was insane. All across the country, politicians lied. All across the country, politicians fell apart. All across the country, politicians vanished...
”
”
Ali Smith (Autumn (Seasonal Quartet, #1))
“
I have always been a lone wolf and in the real sense of the word (people say it all the time but it's usually not true.) I feel like I watch people and I wonder why they do things. Especially when it comes to love and relationships: most of the time I am thinking "Why are they together when they are not meant to be together?" but then I realize that they don't know that they're not meant to be together; it's just me who knows things like that! And I don't see any importance in all the other reasons why people usually want to be together— because it looks good, because it's convenient, because it's a fun game to play... the only reason to be with someone is if you are meant for someone. You're a wolf and they're a wolf too and you look at each other and you say "You're my family, you're my home." Well, that's how I think.
”
”
C. JoyBell C.
“
We have an odd relationship with words. We learn a few when we are small, throughout our lives we collect others through education, conversation, our contact with books, and yet, in comparison, there are only a tiny number about whose meaning, sense, and denotation we would have absolutely no doubts, if one day, we were to ask ourselves seriously what they meant. Thus we affirm and deny, thus we convince and are convinced, thus we argue, deduce, and conclude, wandering fearlessly over the surface of concepts about which we only have the vaguest of ideas, and, despite the false air of confidence that we generally affect as we feel our way along the road in verbal darkness, we manage, more or less, to understand each other and even, sometimes, to find each other.
”
”
José Saramago (The Double)
“
When two people talk, they don’t just fall into physical and aural harmony. They also engage in what is called motor mimicry. If you show people pictures of a smiling face or a frowning face, they’ll smile or frown back, although perhaps only in muscular changes so fleeting that they can only be captured with electronic sensors. If I hit my thumb with a hammer, most people watching will grimace: they’ll mimic my emotional state. This is what is meant, in the technical sense, by empathy. We imitate each other’s emotions as a way of expressing support and caring and, even more basically, as a way of communicating with each other.
”
”
Malcolm Gladwell (The Tipping Point: How Little Things Can Make a Big Difference)
“
If any of us had heard the word "feminist" we would have thought it meant a girl who wore too much makeup, but we were, without knowing it, feminists ourselves, bound together by the freemasonry that exists among intelligent women who know they are intelligent. It is the only kind of female bonding that works, which is why most men do not like intelligent women. They don't mind one female brain if they can enjoy it privately; it's the idea of two or more on the loose that upsets them. The girls in the college-bound group might not have been friends in every case--Sharon Cohen and I gave each other willies--but our instincts told us that we had the same enemies.
”
”
Florence King (Confessions of a Failed Southern Lady: A Memoir)
“
Mari [Mary Magdalene] possessed a remarkably coherent understanding of what following The Way [Rahasya] meant. She believed that this spiritual philosophy taught that the world represented Man's mystic school from whence each person ultimately graduated by reaching the Enlightened State. Therefore, according to this spiritual discipline, human suffering is very subjective and manifested itself according to every person's personal karma or attitude to life. This meant that every life a person experienced imparted a certain number of spiritual lessons that may not have been experienced before in other lives. Ultimately, every experience could be relived and bring about spiritual growth, assisting the individual to move continually closer to the Enlightened State.
”
”
Anton Sammut (The Secret Gospel of Jesus, AD 0-78)
“
When I knew my mother would be dead in a few months, I had two choices . . .” She looked at him. “I could distance myself from the pain or get closer to it. Maybe because I’d lost my dad without getting a chance to tell him what he meant to me, I decided to get closer. I got so close, her pain and fear became my own. We shared everything and loved each other like we never had when death was some distant thing. In the end, part of me died with her. I’m not recovered from it even now, but I made the conscious choice to enter the darkness with her. Everyone I know who’s lost someone they love has voiced regrets—they wish they’d done this or that or loved them more. I have no regrets. None.
”
”
Glendy Vanderah (Where the Forest Meets the Stars)
“
The soul, in its loneliness, hopes only for "salvation." And yet what is the burden of the Bible if not a sense of the mutuality of influence, rising out of an essential unity, among soul and body and community and world? These are all the works of God, and it is therefore the work of virtue to make or restore harmony among them. The world is certainly thought of as a place of spiritual trial, but it is also the confluence of soul and body, word and flesh, where thoughts must become deeds, where goodness must be enacted. This is the great meeting place, the narrow passage where spirit and flesh, word and world, pass into each other. The Bible's aim, as I read it, is not the freeing of the spirit from the world. It is the handbook of their interaction. It says that they cannot be divided; that their mutuality, their unity, is inescapable; that they are not reconciled in division, but in harmony. What else can be meant by the resurrection of the body? The body should be "filled with light," perfected in understanding. And so everywhere there is the sense of consequence, fear and desire, grief and joy. What is desirable is repeatedly defined in the tensions of the sense of consequence.
”
”
Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
“
Some day there will be girls and women whose name will no longer signify merely an opposite of the masculine, but something in itself, something that makes one think, not of any complement and limit, but only of life and existence: the feminine human being. This advance will (at first much against the will of the out-stripped men) change the love-experience, which is now full of error, will alter it from the ground up, reshape it into a relation that is meant to be of one human being to another, no longer of man to woman. And this more human love (that will fulfil itself, infinitely considerate and gentle, and kind and clear in binding and releasing) will resemble that which we are preparing with struggle and toil, the love that consists in this: that two solitudes protect and border and salute each other." Letters to a Young Poet (1904)
”
”
Rainer Maria Rilke
“
We were not meant for this. We were meant to live and love and play and work and even hate more simply and directly. It is only through outrageous violence that we come to see this absurdity as normal, or to not see it at all. Each new child has his eyes torn out so he will not see, his ears removed so he will not hear, his tongue ripped out so he will not speak, his mind juiced so he will not think, and his nerves scraped so he will not feel. Then he is released into a world broken in two: others, like himself, and those to be used. He will never realize that he still has all of his senses, if only he will use them. If you mention to him that he still has ears, he will not hear you. If he hears, he will not think. Perhaps most dangerously of all, if he thinks he will not feel. And so on, again.
”
”
Derrick Jensen (The Culture of Make Believe)
“
We couldn't bear to be apart. So if Kizuki had lived, I'm sure we would have been together, loving each other, and gradually growing unhappy."
Unhappy? Why's that?"
With her fingers, Naoko combed her hair back several times. She had taken her barrette off, which made the hair fall over her face when she dropped her head forward.
Because we would have had to pay the world back what we owed it," she said, raising her eyes to mine. "The pain of growing up. We didn't pay when we should have, so now the bills are due. Which is why Kizuki did what he did, and why I'm here. We were like kids who grew up naked on a desert island. If we got hungry, we'd just pick a banana; if we got lonely, we'd go to sleep in each other's arms. But that kind of thing doesn't last forever. We grew up fast and had to enter society. Which is why you were so important to us. You were the link connecting us with the outside world. We were struggling through you to fit in with the outside world as best we could. In the end, it didn't work, of course."
I nodded.
I wouldn't want you to think that we were using you, though. Kizuki really loved you. It just so happened that our connection with you was our first connection with anyone else. And it still is. Kizuki may be dead, but you are still my only link with the outside world. And just as Kizuki loved you, I love you. We never meant to hurt you, but we probably did; we probably ended up making a deep wound in your heart. It never occurred to us that anything like that might happen.
”
”
Haruki Murakami (Norwegian Wood)
“
Looking back at those early days in the band house, we can all see how important they were in helping us bond as a band. It could have gone so wrong. Danny and I had picked Harry and Dougie after, literally, two days of knowing them. We could have all hated each other. We could have found that we had nothing in common, or that we resented the time we spent with each other. In fact, we had such a lot of fun. We weren’t yet famous or successful, but already we were having the time of our lives. Even when we hit the big time, we didn’t want to go out to clubs or celebrity haunts. Not our scene. For us, the best thing about being in a band was being in a band, doing band stuff - not all the trappings that went with it. We liked working on our music, and we liked hanging out together. All this meant we gelled more than most bands ever have the opportunity or inclination to do. Within a couple of months of moving into the band house, I had three new best friends. Their names were Danny, Harry and Dougie. No matter what the future held for us, our friendship was something we now know we could always rely on.
”
”
Tom Fletcher (McFly: Unsaid Things... Our Story)
“
So it hadn’t been wrong or dishonest of her to say no this morning, when he asked if she hated him, any more than it had been wrong or dishonest to serve him the elaborate breakfast and to show the elaborate interest in his work, and to kiss him goodbye. The kiss, for that matter, had been exactly right—a perfectly fair, friendly kiss, a kiss for a boy you’d just met at a party, a boy who’d danced with you and made you laugh and walked you home afterwards, talking about himself all the way.
The only real mistake, the only wrong and dishonest thing, was ever to have seen him as anything more than that. Oh, for a month or two, just for fun, it might be all right to play a game like that with a boy; but all these years! And all because, in a sentimentally lonely time long ago, she had found it easy and agreeable to believe whatever this one particular boy felt like saying, and to repay him for that pleasure by telling easy, agreeable lies of her own, until each was saying what the other most wanted to hear—until he was saying “I love you” and she was saying “Really, I mean it; you’re the most interesting person I’ve ever met.” What a subtle, treacherous thing it was to let yourself go that way! Because once you’d started it was terribly difficult to stop; soon you were saying “I’m sorry, of course you’re right,” and “Whatever you think is best,” and “You’re the most wonderful and valuable thing in the world,” and the next thing you knew all honesty, all truth, was as far away and glimmering, as hopelessly unattainable as the world of the golden people. Then you discovered you were working at life the way the Laurel Players worked at The Petrified Forest, or the way Steve Kovick worked at his drums—earnest and sloppy and full of pretension and all wrong; you found you were saying yes when you meant no, and “We’ve got to be together on this thing” when you meant the very opposite; then you were breathing gasoline as if it were flowers and abandoning yourself to a delirium of love under the weight of a clumsy, grunting, red-faced man you didn’t even like—Shep Campbell!—and then you were face to face, in total darkness, with the knowledge that you didn’t know who you were. (p.416-7)
”
”
Richard Yates (Revolutionary Road)
“
THE DAY YOU READ THIS On this day, you read something that moved you and made you realise there were no more fears to fear. No tears to cry. No head to hang in shame. That every time you thought you’d offended someone, it was all just in your head and really, they love you with all their heart and nothing will ever change that. That everyone and everything lives on inside you. That that doesn’t make any of it any less real. That soft touches will change you and stay with you longer than hard ones. That being alone means you’re free. That old lovers miss you and new lovers want you and the one you’re with is the one you’re meant to be with. That the tingles running down your arms are angel feathers and they whisper in your ear, constantly, if you choose to hear them. That everything you want to happen, will happen, if you decide you want it enough. That every time you think a sad thought, you can think a happy one instead. That you control that completely. That the people who make you laugh are more beautiful than beautiful people. That you laugh more than you cry. That crying is good for you. That the people you hate wish you would stop and you do too. That your friends are reflections of the best parts of you. That you are more than the sum total of the things you know and how you react to them. That dancing is sometimes more important than listening to the music. That the most embarrassing, awkward moments of your life are only remembered by you and no one else. That no one judges you when you walk into a room and all they really want to know, is if you’re judging them. That what you make and what you do with your time is more important than you’ll ever fathom and should be treated as such. That the difference between a job and art is passion. That neither defines who you are. That talking to strangers is how you make friends. That bad days end but a smile can go around the world. That life contradicts itself, constantly. That that’s why it’s worth living. That the difference between pain and love is time. That love is only as real as you want it to be. That if you feel good, you look good but it doesn’t always work the other way around. That the sun will rise each day and it’s up to you each day if you match it. That nothing matters up until this point. That what you decide now, in this moment, will change the future. Forever. That rain is beautiful. And so are you.
”
”
pleasefindthis (I Wrote This For You)
“
Give me the strongest cheese, the one that stinks best;
and I want the good wine, the swirl in crystal
surrendering the bruised scent of blackberries,
or cherries, the rich spurt in the back
of the throat, the holding it there before swallowing.
Give me the lover who yanks open the door
of his house and presses me to the wall
in the dim hallway, and keeps me there until I’m drenched
and shaking, whose kisses arrive by the boatload
and begin their delicious diaspora
through the cities and small towns of my body.
To hell with the saints, with martyrs
of my childhood meant to instruct me
in the power of endurance and faith,
to hell with the next world and its pallid angels
swooning and sighing like Victorian girls.
I want this world. I want to walk into
the ocean and feel it trying to drag me along
like I’m nothing but a broken bit of scratched glass,
and I want to resist it. I want to go
staggering and flailing my way
through the bars and back rooms,
through the gleaming hotels and weedy
lots of abandoned sunflowers and the parks
where dogs are let off their leashes
in spite of the signs, where they sniff each
other and roll together in the grass, I want to
lie down somewhere and suffer for love until
it nearly kills me, and then I want to get up again
and put on that little black dress and wait
for you, yes you, to come over here
and get down on your knees and tell me
just how fucking good I look.
- “For Desire
”
”
Kim Addonizio
“
We aren't fighting right now." I blurted out.
He gave me a sidelong look. "Do you want to fight?"
"No. I hate fighting with you. Verbally, I mean. I don't mind in the gym."
I thought I detected the hint of a smile. Always a half-smile for me. Rarely a full one. "I don't like fighting with you either."
Sitting next to him there, I marveled at the warm and happy emotions springing up inside me. There was something about being around him that felt so good, that moved me in a way Mason couldn't. You can't force love, I realized, It's there or it isn't. If it's not there, you've got to be able to admit it. If it is there, you've got to do whatever it takes to protect the ones you love.
The next words that came out of my mouth astonished me, both because they were completely unselfish and because I actually meant them.
"You should take it."
He flinched. "What?"
"Tasha's offer. You should take her up on it. It's a really great chance."
I remembered my mom's words about being ready for children. I wasn't. Maybe she hadn't been. But Tasha was. And I knew Dimitri was too. They got along really well. He could go be her guardian, have some kids with her...it would be a good deal for both of them.
"I never expected to hear you say anything like that," he told me, voice tight. "Especially after-"
"What a bitch I've been? Yeah." I tugged his coat tighter against the cold. It smelled like him. It was intoxicating, and I could half-imagine being wrapped in his embrace. Adrian might have been onto something about the power of scent. "Well. Like I said, I don't want to fight anymore. I don't want us to hate each other. And...well..." I squeezed my eyes shut and then opened them. "No matter how I feel about us...I want you to be happy."
Silence yet again. I noticed then that my chest hurt.
Dimitri reached out and put his arm around me. He pulled me to him, and I rested my head on his chest. "Roza," was all he said.
It was the first time he'd really touched me since the night of the lust charm. The practice room had been something different...more animal. This wasn't even about sex. It was just about being close to someone you cared about, about the emotion that kind of connection flooded you with.
Dimitri might run off with Tasha, but I would still love him. I would probably always love him.
I cared about Mason. But I would probably never love him.
I sighed into Dimitri, just wishing I could stay like that forever. It felt right being with him. And-no matter how much the thought of him and Tasha made me ache-doing what was best for him felt right. Now, I knew, it was time to stop being a coward and do something else that was right. Mason had said I needed to learn something about myself. I just had.
Reluctantly, I pulled away and handed Dimitri his coat. I stood up. He regarded me curiously, sensing my unease.
"Where you going?" he asked.
"To break someone's heart," I replied.
I admired Dimitri for a heartbeat more-the dark, knowing eyes and silken hair. The I headed inside. I had to apologize to Mason...and tell him there'd never be anything between us.
”
”
Richelle Mead (Frostbite (Vampire Academy, #2))
“
The voice boomed from the Throne. "One more goodbye."
Together, Luce and Daniel turned to acknowledge the Throne, but the second their eyes fell upon it, the stately figure of the woman blazed into white-hot glory, and they had to shield their eyes.
The Throne was indiscernible again, a gathering of light too brilliant to be gazed upon by angels.
"Hey, guys." Arriane sniffed. "I think she meant for you two to say goodbye to each other."
"Oh," Luce said, turning to Daniel, suddenly panicked. "Right now? We have to-"
He took her hand. His wings brushed hers. He kissed the centers of her cheeks.
"I'm afraid," she whispered.
"What did I tell you?"
She sifted through the million exchanges she and Daniel had ever shared-the good, the sad, the ugly. One rose above the clouds of her mind.
She was shaking. "That you will always find me."
"Yes. Always. No matter what."
"Daniel-"
"I can't wait to make you the love of my mortal life."
"But you won't know me. You won't remember. Everything will be different."
He wiped away her tear with his thumb. "And you think that will stop me?"
She closed her eyes. "I love you too much to say goodbye."
"It isn't goodbye." He gave her one last angelic kiss and embraced her so tightly she could hear his steady heartbeat, overlapping her own. "It's until we meet again.
”
”
Lauren Kate (Rapture (Fallen, #4))
“
If you don't make a conscious effort to visualize, who you are and what you want to become in life, then you empower other people and circumstances to shape your journey by default. Your silence makes you reactive vs. proactive. God will bring people in your life that can take you on many different journeys that will bring about different outcomes to your life mission. However, if you are not proactive and define your dreams you will never know where “you” need to be and who needs to be with you to fulfill what God is asking you to do. Your life is your own. You must define your dreams, not live someone else’s vision of a good life. What is it that God is asking you to do with the talents and hobbies you enjoy? What were you blessed with a desire for? A good life is one spent in the service of helping others. Find a life partner that will help you reach God’s highest potential—service to humanity, service to his Kingdom, service to building others up. Also, begin any choice with the end in mind. This means to begin each day with a clear vision of your desired direction. It is not enough to live a passive life of religious devotion. God asked you to do more than worship. He has called you to serve, not to be a servant to other people’s dreams. You and only you know where your heart must travel. God brings you storms in life to wake you up. Don’t see it as his disappointment, but as his parental love for you. Life was not meant to stay the same. If someone truly loves you they will never take you away from God’s plan, they will only magnify it.
”
”
Shannon L. Alder
“
Why are you being so cruel?'
'Because you won't leave!' Jacks shouted. 'And if you stay, you will die. Chaos hasn't fed in thousands of years. I know he thinks he can control his hunger, but he can't. That's why they put the helm on him.'
'You could have just said that. If you didn't want me to say goodbye or you want me to leave, you don't have to hurt me to get me to do it.'
'I'm not- I-' Jacks broke off abruptly. His eyes were no longer just red, they were blazing with fear. She'd never seen him look so terrified before. She'd been poisoned, shot, lashed across the back, and Jacks had always kept his calm until now.
With a great deal of effort, he took a deep breath, and when he spoke again, his voice was soft but uneven. 'I'm sorry, Little Fox. I didn't want to hurt you, I just-'
He looked suddenly at a loss for words, as if whatever he said next might be the wrong thing. He's never looked at her like this before.
'Jacks, please, don't use the stones tonight. Come with me instead.'
He took a jagged breath. For a second, he looked torn. He raked a hand through his hair, his movements jagged.
Evangeline took a step closer.
He shuttered his expression and took a step back. 'This doesn't change anything. I still can't have you in my life. You and I aren't meant to be.'
'What if you're wrong?'
Evangeline had once heard a tale about a pair of doomed stars, drawn across skies toward each other's brightness, even though they knew that if they drew too close, their desire would end in a fiery explosion. This was how Jacks looked at her now. As if neither of them would survive if they drew any closer.
'Evangeline, you need to go.'
A thunderous roar poured out from the Valory, so loud it shook the arch and the angels and the ground at Evangeline's feet.
'Get out of here.' Jacks said.
She held his gaze, one final time, wishing she knew how to change his mind. 'I wish our story could have had another ending.'
'I don't want another ending,' Jacks said flatly. 'I just want you to leave.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
when she was 7, a boy pushed her on the playground
she fell headfirst into the dirt and came up with a mouthful of gravel and lines of blood chasing each other down her legs
when she told her teacher what happened, she laughed and said ‘boys will be boys honey don’t let it bother you
he probably just thinks you’re cute’
but the thing is,
when you tell a little girl who has rocks in her teeth and scabs on her knees that hurt and attention are the same
you teach her that boys show their affection through aggression
and she grows into a young woman who constantly mistakes the two
because no one ever taught her the difference
‘boys will be boys’
turns into
‘that’s how he shows his love’
and bruises start to feel like the imprint of lips
she goes to school with a busted mouth in high school and says she was hit with a basketball instead of his fist
the one adult she tells scolds her
‘you know he loses his temper easily
why the hell did you have to provoke him?’
so she shrinks
folds into herself, flinches every time a man raises his voice
by the time she’s 16 she’s learned her job well
be quiet, be soft, be easy
don’t give him a reason
but for all her efforts, he still finds one
‘boys will be boys’ rings in her head
‘boys will be boys
he doesn’t mean it
he can’t help it’
she’s 7 years old on the playground again
with a mouth full of rocks and blood that tastes like copper love
because boys will be boys baby don’t you know
that’s just how he shows he cares
she’s 18 now and they’re drunk
in the split second it takes for her words to enter his ears they’re ruined
like a glass heirloom being dropped between the hands of generations
she meant them to open his arms but they curl his fists and suddenly his hands are on her and her head hits the wall and all of the goddamn words in the world couldn’t save them in this moment
she touches the bruise the next day
boys will be boys
aggression, affection, violence, love
how does she separate them when she learned so early that they’re inextricably bound, tangled in a constant tug-of-war
she draws tally marks on her walls ratios of kisses to bruises
one entire side of her bedroom turns purple, one entire side of her body
boys will be boys will be boys will be boys
when she’s 20, a boy touches her hips and she jumps
he asks her who the hell taught her to be scared like that and she wants to laugh
doesn’t he know that boys will be boys?
it took her 13 years to unlearn that lesson from the playground
so I guess what I’m trying to say is
i will talk until my voice is hoarse so that my little sister understands that aggression and affection are two entirely separate things
baby they exist in different universes
my niece can’t even speak yet but I think I’ll start with her now
don’t ever accept the excuse that boys will be boys
don’t ever let him put his hands on you like that
if you see hate blazing in his eyes don’t you ever confuse it with love
baby love won’t hurt when it comes
you won’t have to hide it under long sleeves during the summer
and
the only reason he should ever reach out his hand
is to hold yours
”
”
Fortesa Latifi
“
A pause. Then she said: "Tell me, Noah, what do you remember most from the summer we spent together?"
"All of it."
"Anything in particular?"
"No," he said.
"You don't remember?"
He answered quietly. "No, it's not that. It's not what you're thinking. I was serious when I said 'all of it.' I can remember every moment we were together, and in each or them there was something wonderful. I can't pick any one time that meant more than any other.
The entire summer was perfect, the kind of summer everyone should have. How could I pick one moment over another?
"Poets often describe love as an emotion that we can't control, one that overwhelms logic and common sense. That's what it was like for me. I didn't plan on falling in love with you, and I doubt if you planned on falling in love with me. But once we met, it was clear that neither of use could control what was happening to us. We fell in love, despite our differences, and once we did, something rare and beautiful was created. For me, love like that has happened only once, and that's why every minute we spent together has been seared in my memory.
I'll never forget a single moment of it."
Allie stare at him. No one had ever said anything lik that to her before. Ever. She didn't know what to say and stayed silent, her face hot.
”
”
Nicholas Sparks (The Notebook (The Notebook, #1))
“
Do you know, when I am with you I am not afraid at all. It is a magic altogether curious that happens inside the heart. I wish I could take it with me when I leave.
It is sad, my Grey. We are constrained by the rules of this Game we play. There is not one little place under those rules for me to be with you happily. Or apart happily, which is what makes it so unfair.
I have discovered a curious fact about myself. An hour ago I was sure you were dead, and it hurt very much. Now you are alive, and it is only that I must leave you, and I find that even more painful. That is not at all logical.
Do you know the Symposium, Grey? The Symposium of Plato. [He] says that lovers are like two parts of an egg that fit together perfectly. Each half is made for the other, the single match to it. We are incomplete alone. Together, we are whole. All men are seeking that other half of themselves. Do you remember?
I think you are the other half of me. It was a great mix-up in heaven. A scandal. For you there was meant to be a pretty English schoolgirl in the city of Bath and for me some fine Italian pastry cook in Palermo. But the cradles were switched somehow, and it all ended up like this…of an impossibility beyond words.
I wish I had never met you. And in all my life I will not forget lying beside you, body to body, and wanting you.
”
”
Joanna Bourne (The Spymaster's Lady (Spymasters, #1))
“
The Constitution says: "We, the people of the United States, in order to form a more perfect union, establish justice, insure domestic tranquility, provide for the common defence, promote the general welfare, and secure the blessings of liberty to ourselves and our posterity do ordain and establish this Constitution for the United States of America." The meaning of this is simply We, the people of the United States, acting freely and voluntarily as individuals, consent and agree that we will cooperate with each other in sustaining such a government as is provided for in this Constitution. The necessity for the consent of "the people" is implied in this declaration. The whole authority of the Constitution rests upon it. If they did not consent, it was of no validity. Of course it had no validity, except as between those who actually consented. No one's consent could be presumed against him, without his actual consent being given, any more than in the case of any other contract to pay money, or render service. And to make it binding upon any one, his signature, or other positive evidence of consent, was as necessary as in the case of any other-contract. If the instrument meant to say that any of "the people of the United States" would be bound by it, who did not consent, it was a usurpation and a lie. The most that can be inferred from the form, "We, the people," is, that the instrument offered membership to all "the people of the United States;" leaving it for them to accept or refuse it, at their pleasure.
”
”
Lysander Spooner (No Treason: The Constitution of No Authority (Complete Series))
“
So, you care about me now,’ I said, meaning to make a joke of it, but it came out soft and low and full of something guttural that made me embarrassed. ‘Why?’
“Because I don’t know anybody like you. You’re like … a rare artefact. And it would be a shame if you got broken.’ Amusement spluttered from me in the most unattractive way. ‘Are you really comparing me to an antique right now? Oh my God, you nerd.”
He started laughing, and the carefree melody of it swept me up until I was laughing too, and it was absurd because our families were being threatened and murdered and there we were squished together in a hundred-degree heat outside a maximum security prison, and we used to hate each other and now we were laughing so hard I had tears in my eyes.
He composed himself first, but it took a while and I was left choking my laughter into silence. ‘What I meant was,’ his face twisted into a quiet smile that felt secret and deadly, ‘you’re a bright spark, Sophie. And I don’t want anyone to snuff you out.’
‘Oh.’ Well I couldn’t make fun of that. Was I supposed to say something back? Wasn’t that how compliments worked? The silence was growing and suddenly his words felt heavy and important and he was so close to me and I was perspiring and panicking, and … and I said, ‘And you’re kind of like a snowflake.’
Oh, Jesus Christ.
He masked his fleeting surprise with a quirked eyebrow. ‘Excuse me?’
‘Nothing,’ I said quickly. ‘I didn’t say anything.’
‘No, no,’ he said, rounding on me so his face was too close, his eyes too searing, his smile too irritating. ‘I’m a snowflake, am I?’
‘Shut up. Seriously.’ I pulled wisps of loose hair around my cheeks. ‘Shut up.’
‘I think you were trying to tell me I was special.’
‘Icy,’ I said. ‘I meant you were icy.’
I could practically taste his glee. I was floundering, and he was relishing it.
‘And unique, in that you’re uniquely annoying,’ I added. ‘God, you’re annoying.
”
”
Catherine Doyle (Inferno (Blood for Blood, #2))
“
What are you doing here?"
He takes a deep breath. "I came for you."
"And how on EARTH did you know I was up here?"
"I saw you." He pauses. "I came to make another wish,and I was standing on Point Zero when I saw you enter the tower. I called your name,and you looked around,but you didn't see me."
"So you decided to just...come up?" I'm doubtful,despite the evidence in front of me.It must have taken superhuman strength for him to make it past the first flight of stairs alone.
"I had to.I couldn't wait for you to come down,I couldn't wait any longer. I had to see you now.I have to know-"
He breaks off,and my pulse races. What what what?
"Why did you lie to me?"
The question startles me.Not what I was expecting.Nor hoping.He's still on the ground,but he stares up at me.His brown eyes are huge and heartbroken. I'm confused. "I'm sorry, I don't know what-"
"November.At the creperie. I asked you if we'd talked about anything strange that night I was drunk in your room.If I had said anything about our relationship,or my relationship with Ellie.And you said no."
Oh my God. "How did you know?"
"Josh told me."
"When?"
"November."
I'm stunned. "I...I..." My throat is dry. "If you'd seen the look on your face that day.In the restaurant. How could I possibly tell you? With your mother-"
"But if you had,I wouldn't have wasted all of these months.I thought you were turning me down.I thought you weren't interested."
"But you were drunk! You had a girlfriend! What was I supposed to do? God,St. Clair,I didn't even know if you meant it."
"Of course I meant it." He stands,and his legs falter.
"Careful!"
Step.Step.Step. He toddles toward me,and I reach for his hand to guide him.We're so close to the edge. He sits next to me and grips my hand harder. "I meant it,Anna.I mean it."
"I don't under-"
He's exasperated. "I'm saying I'm in love with you! I've been in love with you this whole bleeding year!"
My mind spins. "But Ellie-"
"I cheated on her every day.In my mind, I thought of you in ways I shouldn't have,again and again. She was nothing compared to you.I've never felt this way about anybody before-"
"But-"
"The first day of school." He scoots closer. "We weren't physics partners by accident.I saw Professeur Wakefield assigning lab partners based on where people were sitting,so I leaned forward to borrow a pencil from you at just the right moment so he'd think we were next to each other.Anna,I wanted to be your partner the first day."
"But..." I can't think straight.
"I doubt you love poetry! 'I love you as certain dark things are loved, secretly,between the shadow and the soul.'"
I blink at him.
"Neruda.I starred the passage.God," he moans. "Why didn't you open it?"
"Because you said it was for school."
"I said you were beautiful.I slept in your bed!"
"You never mave a move! You had a girlfriend!"
"No matter what a terrible boyfriend I was,I wouldn't actually cheat on her. But I thought you'd know.With me being there,I thought you'd know."
We're going in circles. "How could I know if you never said anything?"
"How could I know if you never said anyting?"
"You had Ellie!"
"You had Toph! And Dave!
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
I thought for once that acting decent ought to be rewarded. That's why I let you go, and that's why I didn't bring you back to the King."
"If it's so horrible there,why don't you stay with us?" I asked without thinking.
"No." He shook his head and lowered his eyes. "Tempting though the offer may be, your people wouldn't allow it, and my people...well,let's just say they wouldn't react well if I didn't come home. And wether I like or not, it is my home."
"I know that feeling all too well." I sighed. Though Forening was starting to feel more like home, I wasn't sure that it ever would completely.
"See?I told you,Princess." Loki's smile returned more easily. "You and I aren't all that different."
"You say that like it means something."
"Doesn't it?"
"No,not really. You're leaving today, going home to my enemies." I let out a deep breath, feeling an ache inside my chest. "If I'm lucky,I'll never see you again. Because if I do,that means we're at war,and I'd have to hurt you."
"Oh,Wendy,that's perhaps the saddest thing I've ever heard," Loki said, and he looked like he meant it. "But life doesn't have to be all doom and gloom. Don't you ever see the silver lining?"
"Not today." I shook my head. I heard garrett summon me from down the hall, which meant that lunch was over and the meetings were about to start up. "I have to get back.I'll see you when we make the exchange with the Vittra Queen."
"Good luck." Loki nodded.
I turned to walk away, and I hadn't made it very far when I heard Loki calling after me.
"Wendy!" Loki leaned out into the hall, so far it made him grimace with pain. "If you're right and the next time we see each other is when our kingdoms are at war, you and I never will be. I'll never fight you.That I can promise you.
”
”
Amanda Hocking (Torn (Trylle, #2))
“
1.
I told you that I was a roadway of potholes, not safe to cross. You said nothing, showed up in my driveway wearing roller-skates.
2.
The first time I asked you on a date, after you hung up, I held the air between our phones against my ear and whispered, “You will fall in love with me. Then, just months later, you will fall out. I will pretend the entire time that I don’t know it’s coming.”
3.
Once, I got naked and danced around your bedroom, awkward and safe. You did the same. We held each other without hesitation and flailed lovely. This was vulnerability foreplay.
4.
The last eight times I told you I loved you, they sounded like apologies.
5.
You recorded me a CD of you repeating, “You are beautiful.” I listened to it until I no longer thought in my own voice.
6.
Into the half-empty phone line, I whispered, “We will wake up believing the worst in each other. We will spit shrapnel at each other’s hearts. The bruises will lodge somewhere we don’t know how to look for and I will still pretend I don’t know its coming.”
7.
You photographed my eyebrow shapes and turned them into flashcards: mood on one side, correct response on the other. You studied them until you knew when to stay silent.
8.
I bought you an entire bakery so that we could eat nothing but breakfast for a week. Breakfast, untainted by the day ahead, was when we still smiled at each other as if we meant it.
9.
I whispered, “I will latch on like a deadbolt to a door and tell you it is only because I want to protect you. Really, I’m afraid that without you I mean nothing.”
10.
I gave you a bouquet of plane tickets so I could practice the feeling of watching you leave.
11.
I picked you up from the airport limping. In your absence, I’d forgotten how to walk. When I collapsed at your feet, you refused to look at me until I learned to stand up without your help.
12.
Too scared to move, I stared while you set fire to your apartment – its walls decaying beyond repair, roaches invading the corpse of your bedroom. You tossed all the faulty appliances through the smoke out your window, screaming that you couldn’t handle choking on one more thing that wouldn’t just fix himself.
13.
I whispered, “We will each weed through the last year and try to spot the moment we began breaking. We will repel sprint away from each other. Your voice will take months to drain out from my ears. You will throw away your notebook of tally marks from each time you wondered if I was worth the work. The invisible bruises will finally surface and I will still pretend that I didn’t know it was coming.”
14.
The entire time, I was only pretending that I knew it was coming.
”
”
Miles Walser
“
It was she made me acquainted with love. She went by the peaceful name of Ruth I think, but I can't say for certain. Perhaps the name was Edith. She had a hole between her legs, oh not the bunghole I had always imagined, but a slit, and in this I put, or rather she put, my so-called virile member, not without difficulty, and I toiled and moiled until I discharged or gave up trying or was begged by her to stop. A mug's game in my opinion and tiring on top of that, in the long run. But I lent myself to it with a good enough grace, knowing it was love, for she had told me so. She bent over the couch, because of her rheumatism, and in I went from behind. It was the only position she could bear, because of her lumbago. It seemed all right to me, for I had seen dogs, and I was astonished when she confided that you could go about it differently. I wonder what she meant exactly. Perhaps after all she put me in her rectum. A matter of complete indifference to me, I needn't tell you. But is it true love, in the rectum? That's what bothers me sometimes. Have I never known true love, after all? She too was an eminently flat woman and she moved with short stiff steps, leaning on an ebony stick. Perhaps she too was a man, yet another of them. But in that case surely our testicles would have collided, while we writhed. Perhaps she held hers tight in her hand, on purpose to avoid it. She favoured voluminous tempestuous shifts and petticoats and other undergarments whose names I forget. They welled up all frothing and swishing and then, congress achieved, broke over us in slow cascades. And all I could see was her taut yellow nape which every now and then I set my teeth in, forgetting I had none, such is the power of instinct. We met in a rubbish dump, unlike any other, and yet they are all alike, rubbish dumps. I don't know what she was doing there. I was limply poking about in the garbage saying probably, for at that age I must still have been capable of general ideas, This is life. She had no time to lose, I had nothing to lose, I would have made love with a goat, to know what love was. She had a dainty flat, no, not dainty, it made you want to lie down in a corner and never get up again. I liked it. It was full of dainty furniture, under our desperate strokes the couch moved forward on its castors, the whole place fell about our ears, it was pandemonium. Our commerce was not without tenderness, with trembling hands she cut my toe-nails and I rubbed her rump with winter cream. This idyll was of short duration. Poor Edith, I hastened her end perhaps. Anyway it was she who started it, in the rubbish dump, when she laid her hand upon my fly. More precisely, I was bent double over a heap of muck, in the hope of finding something to disgust me for ever with eating, when she, undertaking me from behind, thrust her stick between my legs and began to titillate my privates. She gave me money after each session, to me who would have consented to know love, and probe it to the bottom, without charge. But she was an idealist. I would have preferred it seems to me an orifice less arid and roomy, that would have given me a higher opinion of love it seems to me. However. Twixt finger and thumb tis heaven in comparison. But love is no doubt above such contingencies. And not when you are comfortable, but when your frantic member casts about for a rubbing-place, and the unction of a little mucous membrane, and meeting with none does not beat in retreat, but retains its tumefaction, it is then no doubt that true love comes to pass, and wings away, high above the tight fit and the loose.
”
”
Samuel Beckett (Molloy / Malone Dies / The Unnamable)
“
But what was so great about marriage? I had been married and married. It had its good points, but it also had its bad. The virtues of marriage were mostly negative virtues. Being unmarried in a man's world was such a hassle that anything had to be better. Marriage was better. But not much. Damned clever, I thought, how men had made life so intolerable for single women that most would gladly embrace even bad marriages instead. Almost anything had to be an improvement on hustling for your own keep at some low-paid job and fighting off unattractive men in your spare time while desperately trying to ferret out the attractive ones. Though I've no doubt that being single is just as lonely for a man, it doesn't have the added extra wallop of being downright dangerous, and it doesn't automatically imply poverty and the unquestioned status of a social pariah.
Would most women get married if they knew what it meant? I think of young women following their husbands wherever their husbands follow their jobs. I think of them suddenly finding themselves miles away from friends and family, I think of them living in places where they can't work, where they can't speak the language. I think of them making babies out of their loneliness and boredom and not knowing why. I think of their men always harried and exhausted from being on the make. I think of them seeing each other less after marriage than before. I think of them falling into bed too exhausted to screw. I think of them farther apart in the first year of marriage than they ever imagined two people could be when they were courting. And then I think of the fantasies starting. He is eyeing the fourteen-year-old postnymphets in bikinis. She covets the TV repairman. The baby gets sick and she makes it with the pediatrician. He is fucking his masochistic little secretary who reads Cosmopolitan and things herself a swinger. Not: when did it all go wrong? But: when was it ever right?
.......
I know some good marriages. Second marriages mostly. Marriages where both people have outgrown the bullshit of me-Tarzan, you-Jane and are just trying to get through their days by helping each other, being good to each other, doing the chores as they come up and not worrying too much about who does what. Some men reach that delightfully relaxed state of affairs about age forty or after a couple of divorces. Maybe marriages are best in middle age. When all the nonsense falls away and you realize you have to love one another because you're going to die anyway.
”
”
Erica Jong (Fear of Flying)
“
A change in direction was required. The story you finished was perhaps never the one you began. Yes! He would take charge of his life anew, binding his breaking selves together. Those changes in himself that he sought, he himself would initiate and make them. No more of this miasmic, absent drift. How had he ever persuaded himself that his money-mad burg would rescue him all by itself, this Gotham in which Jokers and Penguins were running riot with no Batman (or even Robin) to frustrate their schemes, this Metropolis built of Kryptonite in
which no Superman dared set foot, where wealth was mistaken for riches and the joy of possession for happiness, where people lived such polished lives that the great rough truths of raw existence had been rubbed and buffed away, and in which human souls had wandered so separately for so long that they barely remembered how to touch; this city whose fabled electricity powered the electric fences that were being erected between men and men, and men and women, too? Rome did not fall because her armies weakened but because Romans forgot what
being Roman meant. Might this new Rome actually be more provincial than its provinces; might these new Romans have forgotten what and how to value, or had they never known? Were all empires so undeserving, or was this one particularly crass? Was nobody in all this bustling endeavor and material plenitude engaged, any longer, on the deep quarry-work of the mind and heart? O Dream-America, was civilization's
quest to end in obesity and trivia, at Roy Rogers and Planet Hollywood, in USA Today and on E!; or in million-dollar-game-show greed or fly-on-the-wall voyeurism; or in the eternal confessional booth of Ricki and Oprah and Jerry, whose guests murdered each other after the show; or in a spurt of gross-out dumb-and-dumber comedies
designed for young people who sat in darkness howling their ignorance at the silver screen; or even at the unattainable tables of Jean-Georges Vongerichten and Alain Ducasse? What of the search for the hidden keys that unlock the doors of exaltation? Who demolished the City on the Hill and put in its place a row of electric chairs,
those dealers in death's democracy, where everyone, the innocent, the mentally deficient, the guilty, could come to die side by side? Who paved Paradise and put up a parking lot? Who settled for George W. Gush's boredom and Al Bore's gush? Who let Charlton Heston out of his cage and then asked why children were getting shot? What, America, of the Grail? O ye Yankee Galahads, ye Hoosier Lancelots, O Parsifals of the stockyards, what of the Table Round? He felt a flood bursting in him and did not hold back. Yes, it had seduced him, America; yes, its brilliance aroused him, and its vast potency too, and he was compromised by this seduction. What he opposed in it he must also attack in himself. It made him want what it promised and eternally withheld. Everyone was an American now, or at least Americanized: Indians, Uzbeks, Japanese, Lilliputians, all. America was the world's playing field, its rule book, umpire, and ball. Even anti-Americanism was Americanism in disguise, conceding, as it did, that America was the only game in town and the matter of America the only business at hand; and so, like everyone, Malik Solanka now walked its high corridors cap in hand, a supplicant at its feast; but that did not mean he could not look it in the eye. Arthur had fallen, Excalibur was lost and dark Mordred was king. Beside him on the throne of Camelot sat the queen, his sister, the witch Morgan le Fay.
”
”
Salman Rushdie (Fury)