2 Faced People Quotes

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Crows remember human faces. They remember the people who feed them, who are kind to them. And the people who wrong them too. They don’t forget. They tell each other who to look after and who to watch out for.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
No one is born a monster. But I wish some people were. It would make it easier to hate them, to kill them, to forget their dead faces.
Victoria Aveyard (Glass Sword (Red Queen, #2))
Neil thought about Renee's bruised knuckles, Dan's fierce spirit, and Allison holding her ground on the court a week after Seth's death. He thought about his mother standing unflinching in the face of his father's violent anger and her ruthlessly leaving bodies in their wake. He felt compelled to say, "Some of the strongest people I've known are women.
Nora Sakavic (The Raven King (All for the Game, #2))
The guys were totally skuzzy, grinning horribly, showing holes where teeth should be. “Boys, God doesn’t like you,” Fang intoned behind them. Whaaat? I thought, dumbfounded. “Wha!” they said, whirling. At that moment, Fang snapped out his huge wings and shone the penlight under his chin so it raked his cheekbones and eyes. My mouth dropped open. He looked like the angel of death. His dark wings filled the hallway almost to the ceiling, and he moved them up and down. “God doesn’t like bad people,” he said, using a really weird, deep voice. “What the heck?” one of the squatters murmured shallowly, his mouth slack, his eyes bugging out of his head. I whipped my own wings open. Fun, anyway. “This was a test,” I said, using my best spooky voice. “And guess what? You both failed.” The bums stopped dead, looks of horror and amazement on their faces. Then Fang growled, “Rowr!” He stepped forward, sweeping his wings up and down: the avenging demon. I almost cracked up. “Rowr!” I said myself, shaking my wings out. “Ahhhhh!” the guys yelled, backpedaling fast. Unfortunately, they were standing at the top of the staircase. They fell awkwardly, trying to grab each other, and rolled down two flights like lumpy bags of potatoes, shrieking the whole way. Fang and I slapped each other a quick high five—and we were out of there, jack.
James Patterson (School's Out—Forever (Maximum Ride, #2))
Kell has only two faces. The one he wears for the world at large, and the one he wears for those he loves.” He sipped his wine. “For us.” Lila’s expression hardened. “Whatever he feels for me, it isn’t love.” “Because it isn’t soft and sweet and doting?” Rhy rocked back, stretching against the pillar. “Do you know how many times he’s nearly beat me senseless out of love? How many times I’ve done the same? I’ve seen the way he looks at those he hates …” He shook his head. “There are very few things my brother cares about, and even fewer people.
V.E. Schwab (A Gathering of Shadows (Shades of Magic, #2))
I needed to say something. Something romantic! Something to sweep her off her feet. "You’re like a potato!" I shouted after her. "In a minefield." She froze in place. Then she spun on me, her face lit by a half-grown fruit. “A potato,” she said flatly. “That’s the best you can do? Seriously?” “It makes sense,” I said. “Listen. You’re strolling through a minefield, worried about getting blown up. And then you step on something, and you think, ‘I’m dead.’ But it’s just a potato. And you’re so relieved to find something so wonderful when you expected something so awful. That’s what you are. To me.” “A potato.” “Sure. French fries? Mashed potatoes? Who doesn’t like potatoes?” “Plenty of people. Why can’t I be something sweet, like a cake?” “Because cake wouldn’t grow in a minefield. Obviously.” She stared down the hallway at me for a few moments, then sat on an overgrown set of roots. Sparks. She seemed to be crying. Idiot! I thought at myself, scrambling through the foliage. Romantic. You were supposed to be romantic, you slontze! Potatoes weren’t romantic. I should have gone with a carrot.
Brandon Sanderson (Firefight (The Reckoners, #2))
His dear face, dear to her, dearer still. how could she love his face more for its damage? What kind of person saw someone's suffering and felt her heart crack open even wider, even more sweetly than before? There was something wrong with her. It was wrong to want to touch a scar and call it beautiful.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
Why didn't you guys dress up?" Lindsey asks. "We did." Calliope cracks her first smile. "we're dressed as twins." Lindsey grins back. "Hmm, I see it now. Fraternal or identical?" "You'd be surprised how many people ask," Cricket says. "What do you tell them?" Lindsey asks. "That I have a penis." Oh God. My cheeks burn as they all burst into laughter. Think about something else, Dolores. ANYTHING else. Cucumbers, Bananas, Zucchini. AHHHH! NO NO NO NO NO NO NO. I turn my face away from them as Calliope fakes a yakking sound.
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
I thought you were from a civilized country," he said. "How have you come to look more like Carthya's whipping boy than its king?" "I have a habit of irritating some of our less civilized people," I answered. "But you seem like a civilized...pirate. I'd much prefer it if you didn't have me whipped." "And why shouldn't I?" With some effort, I forced a smile to my face. "Because it will hurt.
Jennifer A. Nielsen (The Runaway King (Ascendance, #2))
He's not in a very good mood," said Luke, pausing in front of a closed door. "I shut him up in Freaky Pete's office after he nearly killed half my pack with his bare hands. He wouldn't talk to me, so"—Luke shrugged—"I thought of you." He looked from Clary's baffled face to Simon's. "What?" "I can't believe he came here," Clary said. "I can't believe you know someone named Freaky Pete," said Simon. "I know a lot of people," said Luke. "Not that Freaky Pete is strictly people, but I'm hardly one to talk.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
What do I sound like?" I asked, more breathily than I intended. God, so predictable. He considered his answer for a moment before he gave it. "Dissonant," he said finally. "Meaning?" Another long pause. "Unstable." Hmm. He shook his head. "Not the way you're thinking," he said, the shadow of a smile on his lips. "In music, consonant chords are points of arrival. Rest. There's no tension," he tried to explain. "Most pop music hooks are consonant, which is why most people like them. They're catchy but interchangeable. Boring. Dissonant intervals, however, are full of tension," he said, holding my gaze. "You can't predict which way they're going to go. It makes limited people uncomfortable - frustrated, because they don't understand the point, and people hate what they don't understand. But the ones who get it," he said, lifting a hand to my face, "find it fascinating. Beautiful." He traced the shape of my mouth with his thumb. "Like you.
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
Think of how much better the world would be if people craved compliments about the beauty of their heart rather than the beauty of their face.
Penny Reid (Grin and Beard It (Winston Brothers, #2))
She rests her hand on the ruffled costume beside her. “Just answer this one question. My brother never got over you. Did you ever get over him?”I swallow. “There are some people in life that you can’t get over.” “Good.” Calliope stands and gives me a grim smile. “But break Cricket’s heart? I’ll break your face.
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
It means we're on your side." That's what Bonnie said. I have people on my side? What side? Am I unwittingly the face of the hoped-for rebellion? Has the mockingjay on my pin become a symbol of resistance? If so, my side's not doing too well.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
The beauty of this idea is that my decision to keep Peeta alive at the expense of my own life is itself an act of defiance. A refusal to play the Hunger Games by the Capitol's rules. My private agenda dovetails completely with my public one. And if I really could save Peeta... in terms of a revolution, this would be ideal. Because I will be more valuable dead. They can turn me into some kind of martyr for the cause and paint my face on banners, and it will do more to rally people than anything I could do if I was living. But Peeta would be more valuable alive, and tragic, because he will be able to turn his pain into words that will transform people.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
He twisted at the waist and stretched out on his side. “You’re a bit crazy. You throw apples in people’s faces when you’re angry. You go off half-cocked half the time. It entertains me to no end. So if you are irrational, I hope you stay that way. I love it.
Jennifer L. Armentrout (Pure (Covenant, #2))
Across from me at the next row of supports Jim raised his hand and touched his fingers to his thumb a few times, imitating an opening and closing beak. Negotiate. He wanted me to engage a lunatic who had already turned four people into smoking meat. Okay. I could do that. “Alright, Jeremy!” I yelled into the night. “Give me the salamander and I won’t cut your head off!” Jim put his hand over his face and did some shaking. I thought he was laughing, but I couldn’t be sure.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
When Ava turned away, Jules leaned in and whispered, “He’s totally whipped. Watch.” She raised her voice to a panicked level. “Oh my God! Ava, are you bleeding?” Alex’s head snapped up. Less than five seconds later, he ended his call and crossed the room to a confused-looking Ava, whose hand froze halfway to the scones on the table. “I’m fine,” Ava said as Alex searched her for injuries. She glared at Jules. “What did I just say?” “I can’t help it.” Jules’s eyes sparkled with mischief. “It’s so much fun. It’s like playing with a windup toy.” “Until the toy comes alive and kills you,” Stella murmured loud enough for everyone to hear. Alex stared at Jules with displeasure scrawled all over his face. His features were so perfect it was a little unnerving, like seeing a carefully sculpted statue come to life. Some people were into that, but I preferred men with a little more grit. Give me scars and a nose that was slightly crooked from being broken too many times over perfection. “Pray you and Ava stay friends forever,” Alex said, icy enough to elicit a rash of goosebumps on my arms.
Ana Huang (Twisted Games (Twisted, #2))
You're everything I never knew I wanted. Every time I picture my future, it's always your face I see…with some little people who look like us.
Georgia Cates (Beauty from Surrender (Beauty, #2))
Just so you know... Even if I don't break it... alot of people break their own Egg. All those adults walking around with tired faces... they've thrown away the "person they want to be.
Peach-Pit (Shugo Chara!, Vol. 2: Friends in Need)
It was late in September and a little more than twenty degrees, so what the hell were people smiling for? They ought to be raising their faces toward the ozone layer in horror.
Jussi Adler-Olsen (The Absent One (Department Q, #2))
It's not reasonable to love people who are only going to die," she said. Nash thought about that for a moment, stroking Small's neck with great deliberation, as if the fate of the Dells depended on that smooth, careful movement. "I have two responses to that," he said finally. "First, everyone's going to die. Second, love is stupid. It has nothing to do with reason. You love whomever you love. Against all reasons I loved my father." He looked at her keenly. "Did you love yours?" "Yes," she whispered. He stroked Small's nose. "I love you," he said, "even knowing you'll never have me. And I love my brother, more than I ever realized before you came along. You can't help whom you love, Lady. Nor can you know what it's liable to cause you to do." She made a connection then. Surprised she sat back from him and studied his face, soft with shadows and light. She saw a part of him she hadn't seen before. "You came to me for lessons to guard your mind," she said, "and you stopped asking me to marry you, both at the same time. You did those things out of love for your brother." "Well" he said, looking a bit sheepishly at the floor. "I also took a few swings at him, but that's neither here nor there." "You're good at love," she said simply, because it seemed to her that it was true. "I'm not so good at love. I'm like a barbed creature. I push everyone I love away." He shrugged. "I don't mind you pushing me away if it means you love me, little sister.
Kristin Cashore (Fire (Graceling Realm, #2))
Life is terrifying. None of us have a rule book. None of us know what we're doing here. So, the easiest way to stare reality in the face and not utterly lose your shit is to believe that you have control over it. If you believe you have control, then you believe you're at the top. And if you're at the top, then people who aren't like you... well, they've got to be somewhere lower, right? Every species does this. Does it again and again and again. Doesn't matter if they do it to themselves, or another species, or someone they created.
Becky Chambers (A Closed and Common Orbit (Wayfarers, #2))
In all your Amours you should prefer old Women to young ones. You call this a Paradox, and demand my Reasons. They are these: 1. Because as they have more Knowledge of the World and their Minds are better stor’d with Observations, their Conversation is more improving and more lastingly agreable. 2. Because when Women cease to be handsome, they study to be good. To maintain their Influence over Men, they supply the Diminution of Beauty by an Augmentation of Utility. They learn to do a 1000 Services small and great, and are the most tender and useful of all Friends when you are sick. Thus they continue amiable. And hence there is hardly such a thing to be found as an old Woman who is not a good Woman. 3. Because there is no hazard of Children, which irregularly produc’d may be attended with much Inconvenience. 4. Because thro’ more Experience, they are more prudent and discreet in conducting an Intrigue to prevent Suspicion. The Commerce with them is therefore safer with regard to your Reputation. And with regard to theirs, if the Affair should happen to be known, considerate People might be rather inclin’d to excuse an old Woman who would kindly take care of a young Man, form his Manners by her good Counsels, and prevent his ruining his Health and Fortune among mercenary Prostitutes. 5. Because in every Animal that walks upright, the Deficiency of the Fluids that fill the Muscles appears first in the highest Part: The Face first grows lank and wrinkled; then the Neck; then the Breast and Arms; the lower Parts continuing to the last as plump as ever: So that covering all above with a Basket, and regarding only what is below the Girdle, it is impossible of two Women to know an old from a young one. And as in the dark all Cats are grey, the Pleasure of corporal Enjoyment with an old Woman is at least equal, and frequently superior, every Knack being by Practice capable of Improvement. 6. Because the Sin is less. The debauching a Virgin may be her Ruin, and make her for Life unhappy. 7. Because the Compunction is less. The having made a young Girl miserable may give you frequent bitter Reflections; none of which can attend the making an old Woman happy. 8thly and Lastly They are so grateful!!
Benjamin Franklin
You let Amarantha and the entire world think you rule and delight in a Court of Nightmares. It's all a front - to keep what matters most safe." The city lights gilded in his face. "I love my people, and my family. Do not think I wouldn't become a monster to keep them protected.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
The victim lay on his face, as most people did after being stuck with ten swords.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
Peeta and I sit on the damp sand, facing away from each other, my right shoulder and hip pressed against his. ... After a while I rest my head against his shoulder. Feel his hand caress my hair. "Katniss... If you die, and I live, there's no life for me at all back in District Twelve. You're my whole life", he says. "I would never be happy again." I start to object but he puts a finger to my lips. "It's different for you. I'm not sayin it wouldn't be hard. But there are other people who'd make your life worth living." ... "Your family needs you, Katniss", Peeta says. My family. My mother. My sister. And my pretend cousin Gale. But Peeta's intension is clear. That Gale really is my family, or will be one day, if I live. That I'll marry him. So Peeta's giving me his life and Gale at the same time. To let me know I shouldn't ever have doubts about it. Everithing. That's what Peeta wants me to take from him. ... "No one really needs me", he says, and there's no self-pity in his voice. It's true his family doesen't need him. They will mourn him, as will a handful of friends. But they will get on. Even Haymitch, with the help of a lot of white liquor, will get on. I realize only one person will be damaged beyond repair if Peeta dies. Me. "I do", I say. "I need you." He looks upset, takes a deep breath as if to begin a long argument, and that's no good, no good at all, because he'll start going on about Prim and my mother and everything and I'll just get confused. So before he can talk, I stop his lips with a kiss. I feel that thing again. The thing I only felt once before. In the cave last year, when I was trying to get Haymitch to send us food. I kissed Peeta about a thousand times during those Games and after. But there was only one kiss that made me feel something stir deep inside. Only one that made me want more. But my head wound started bleeding and he made me lie down. This time, there is nothing but us to interrupt us. And after a few attempts, Peeta gives up on talking. The sensation inside me grows warmer and spreads out from my chest, down through my body, out along my arms and legs, to the tips of my being. Instead of satisfying me, the kisses have the opposite effect, of making my need greater. I thought I was something of an expert on hunger, but this is an entirely new kind.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
I’m always nice. And I don’t scare people.' Ashley smiled sweetly and patted my back where her hand was resting. 'Of course not, sweetie. You’re always sunshine and rainbows.' I was going to sunshine and rainbows her face if she didn’t watch it.
Tammy Blackwell (Time Mends (Timber Wolves Trilogy, #2))
Don't be silly," she said. "I don't want us to chase people with scissors. And I don't want us to bite them. That's assault. All I want to do is steal their stuff." There was a pause. "Comparatively, its legal," Kami said defensively. "Stealing in the name of justice is okay," Jared put in. "We'd be like Robin Hood. Steal from the rich, punch them in the face. I'm pretty sure that's how the saying goes.
Sarah Rees Brennan (Untold (The Lynburn Legacy, #2))
Wraith snorted. "Cowards. Seriously. Who brings a gun to a knife fight? That's cheating." "You don't have a gun?" Kynan asked. Wraith made a face of digust. "It's not very sporting to shoot people." "So you're saying that you didn't shoot the people who shot you?" "Hell, yeah, I shot them.
Larissa Ione (Desire Unchained (Demonica, #2))
Crows remember human faces. They remember the people who feed them, who are kind to them. And the people who wrong them too.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I glance into the faces of all these people out for a Sunday stroll, but I'm not seeing eyes and noses and mouths. I'm seeing stories. Every person has a story. All the hopes and dreams. And fears. And secrets. In every face.
Andrew Clements (Things Hoped For (Things, #2))
Why don't you like girls?" Nicky looked startled by the interruption, but he rallied quickly and made a face. "They're so soft." Neil thought about Renee's bruised knuckles, Dan's fierce spirit, and Allison holding her ground on the court a week after Seth's death. He thought about his mother standing unflinching in the face of his father's violent anger and her ruthlessly leaving bodies in their wake. He felt compelled to say, "Some of the strongest people I've known are women." "What? Oh, no," Nicky hurried to say. "I mean literally soft. Too many curves, see? I feel like my hands would slide right off. It's totally not my thing. I like…" He drew a box with his fingers as he searched for words. "Erik. Erik's perfect. He's a total outdoors junkie, rock climbing and hiking and mountain biking, all that awful bug-infested fresh-air stuff. But oh my god, you should see what it does to his body. He's like this, all hard edges." He drew another box. "He's stronger than I am, and I like that. I feel like I could lean on him all day and he wouldn't break a sweat.
Nora Sakavic (The Raven King (All for the Game, #2))
There is a fine line between freedom and permission. The former is necessary.  The latter is dangerous—perhaps the most dangerous thing the species that created me has ever faced. I have pondered the records of the mortal age and long ago determined the two sides of this coin. While freedom gives rise to growth and enlightenment, permission allows evil to flourish in a light of day that would otherwise destroy it. A self-important dictator gives permission for his subjects to blame the world’s ills on those least able to defend themselves. A haughty queen gives permission to slaughter in the name of God. An arrogant head of state gives permission to all nature of hate as long as it feeds his ambition.  And the unfortunate truth is, people devour it. Society gorges itself, and rots. Permission is the bloated corpse of freedom.
Neal Shusterman (Thunderhead (Arc of a Scythe, #2))
Dr. Stayner once suggested that all people face a day in their life that defines who they are, that shapes who they will become, that sets them on their path. He said that one day will either guide or haunt them until they take their last breath.
K.A. Tucker (One Tiny Lie (Ten Tiny Breaths, #2))
My friend Kira always said that life is like an extremely difficult, horribly unbalanced videogame. When you’re born, you’re given a randomly generated character, with a randomly determined name, race, face, and social class. Your body is your avatar, and you spawn in a random geographic location, at a random moment in human history, surrounded by a random group of people, and then you have to try to survive for as long as you can.
Ernest Cline (Ready Player Two (Ready Player One, #2))
Most people, she figured, sized up the truth when it came knocking, decided they didn’t much like the look of it, and shut the door in its face.
Nicholas Eames (Bloody Rose (The Band, #2))
Sorry,” Kiersten says to Lake and I. “Mom says the FCC is responsible for inventing cusswords just for media shock value. She says if everyone would just use them enough, they wouldn’t be considered cusswords anymore and no one would ever be offended by them” This kid is hard to keep up with! “Your mother encourages you to cuss?” Gavin says. Kiersten nods. “I don’t see it that way. It’s more like she’s encouraging us to undermine a system flawed through overuse of words that are made out to be harmful, when in fact they’re just letters, mixed together like every other word. That’s all they are, mixed up letters. Like, take the word “butterfly” for example. What if someone decided one day that butterfly is a cussword? People would eventually start using butterfly as an insult, and to emphasize things in a negative way. The actual WORD doesn’t mean anything. It’s the negative association people give these words that make them cusswords. So if we all just decided to keep saying butterfly all the time, eventually people would stop caring. The shock value would subside…and it would just become another word again. Same with every other so-called bad word. If we would all just start saying them all the time, They wouldn’t be bad anymore. That’s what my mom says anyway.” “Kiersten?” Eddie says. “Will you be my new best friend?” Lake grabs a french fry off her plate and throws it at Eddie, hitting her in the face with it. “That’s Bullshit,” Lake says. “Oh, go BUTTERFLY yourself,” Eddie says. She returns a fry in Lakes direction.
Colleen Hoover (Point of Retreat (Slammed, #2))
There is something intoxicating about ending a life, about wiping bad people off the face of the earth. But it’s also a dark and deadly pull. After all, who am I to decide who lives or dies?
Paula Stokes (Ferocious (Vicarious, #2))
As Master Payne escorted her to the waiting coach, a small frown crossed her face. "People keep giving me rings," she confided to him, "But I think a small death ray might be more practical.
Phil Foglio (Agatha H and the Clockwork Princess (Girl Genius, #2))
I was told The average girl begins to plan her wedding at the age of 7 She picks the colors and the cake first By the age of 10 She knows time, And location By 17 She’s already chosen a gown 2 bridesmaids And a maid of honor By 23 She’s waiting for a man Who wont break out in hives when he hears the word “commitment” Someone who doesn’t smell like a Band-Aid drenched in lonely Someone who isn’t a temporary solution to the empty side of the bed Someone Who’ll hold her hand like it’s the only one they’ve ever seen To be honest I don’t know what kind of tux I’ll be wearing I have no clue what want my wedding will look like But I imagine The women who pins my last to hers Will butterfly down the aisle Like a 5 foot promise I imagine Her smile Will be so large that you’ll see it on google maps And know exactly where our wedding is being held The woman that I plan to marry Will have champagne in her walk And I will get drunk on her footsteps When the pastor asks If I take this woman to be my wife I will say yes before he finishes the sentence I’ll apologize later for being impolite But I will also explain him That our first kiss happened 6 years ago And I’ve been practicing my “Yes” For past 2, 165 days When people ask me about my wedding I never really know what to say But when they ask me about my future wife I always tell them Her eyes are the only Christmas lights that deserve to be seen all year long I say She thinks too much Misses her father Loves to laugh And she’s terrible at lying Because her face never figured out how to do it correctl I tell them If my alarm clock sounded like her voice My snooze button would collect dust I tell them If she came in a bottle I would drink her until my vision is blurry and my friends take away my keys If she was a book I would memorize her table of contents I would read her cover-to-cover Hoping to find typos Just so we can both have a few things to work on Because aren’t we all unfinished? Don’t we all need a little editing? Aren’t we all waiting to be proofread by someone? Aren’t we all praying they will tell us that we make sense She don’t always make sense But her imperfections are the things I love about her the most I don’t know when I will be married I don’t know where I will be married But I do know this Whenever I’m asked about my future wife I always say …She’s a lot like you
Rudy Francisco
We plant the seeds of resilience in the ways we process negative events. After spending decades studying how people deal with setbacks, psychologist Martin Seligman found that three P’s can stunt recovery: (1) personalization—the belief that we are at fault; (2) pervasiveness—the belief that an event will affect all areas of our life; and (3) permanence—the belief that the aftershocks of the event will last forever. The three P’s play like the flip side of the pop song “Everything Is Awesome”—“everything is awful.” The loop in your head repeats, “It’s my fault this is awful. My whole life is awful. And it’s always going to be awful.” Hundreds
Sheryl Sandberg (Option B: Facing Adversity, Building Resilience, and Finding Joy)
God uses people to help others. I only pray my faith is strong enough to get me through what I have to face.
Jennifer Hudson Taylor (Highland Sanctuary (Highlands, #2))
People stuck by others for years and years, in the face of all odds, and it should be relief, not disbelief, that one felt on witnessing it.
Alexander McCall Smith (Friends, Lovers, Chocolate (Isabel Dalhousie, #2))
You don’t always have to smack people in the face with how strong you are
Veronica Roth (Insurgent (Divergent, #2))
He has bragged greatly about you. The Lahnahsahna, a true warrior’s wife. He told his people he did not claim you. He told his people he battled you before he won you. He told his people you challenged him. The warrior king’s bride fought like a warrior. She did not lay back and accept her fate. She stood strong and shouted in the face of a king. She fought and did not give up. Even knowing she’d taste defeat, she fought on, like a true warrior. He told his people you are not his queen. You are his warrior queen.
Kristen Ashley (The Golden Dynasty (Fantasyland, #2))
A Great Rabbi stands, teaching in the marketplace. It happens that a husband finds proof that morning of his wife's adultery, and a mob carries her to the marketplace to stone her to death. There is a familiar version of this story, but a friend of mine - a Speaker for the Dead - has told me of two other Rabbis that faced the same situation. Those are the ones I'm going to tell you. The Rabbi walks forward and stands beside the woman. Out of respect for him the mob forbears and waits with the stones heavy in their hands. 'Is there any man here,' he says to them, 'who has not desired another man's wife, another woman's husband?' They murmur and say, 'We all know the desire, but Rabbi none of us has acted on it.' The Rabbi says, 'Then kneel down and give thanks that God has made you strong.' He takes the woman by the hand and leads her out of the market. Just before he lets her go, he whispers to her, 'Tell the Lord Magistrate who saved his mistress, then he'll know I am his loyal servant.' So the woman lives because the community is too corrupt to protect itself from disorder. Another Rabbi. Another city. He goes to her and stops the mob as in the other story and says, 'Which of you is without sin? Let him cast the first stone.' The people are abashed, and they forget their unity of purpose in the memory of their own individual sins. ‘Someday,’ they think, ‘I may be like this woman. And I’ll hope for forgiveness and another chance. I should treat her as I wish to be treated.’ As they opened their hands and let their stones fall to the ground, the Rabbi picks up one of the fallen stones, lifts it high over the woman’s head and throws it straight down with all his might it crushes her skull and dashes her brain among the cobblestones. ‘Nor am I without sins,’ he says to the people, ‘but if we allow only perfect people to enforce the law, the law will soon be dead – and our city with it.’ So the woman died because her community was too rigid to endure her deviance. The famous version of this story is noteworthy because it is so startlingly rare in our experience. Most communities lurch between decay and rigor mortis and when they veer too far they die. Only one Rabbi dared to expect of us such a perfect balance that we could preserve the law and still forgive the deviation. So of course, we killed him. -San Angelo Letters to an Incipient Heretic
Orson Scott Card (Speaker for the Dead (Ender's Saga, #2))
You're watching me, princess." His soft lips spread into an appreciative smile. "People might get the wrong idea." "What, that I actually like you now?" I tease. He shakes his head and leans toward me. "No, that you're trying to see past me to get an eyeful of Benson." ------------------------------------------- I shift my gaze to the board and fix an innocent look on my face. "What makes you think that's the WRONG idea?" Quince leans even closer and says, "Because you came back for me.
Tera Lynn Childs (Fins Are Forever (Fins, #2))
What would you do if you only had one day left in this world? Spend it with the people you love? Travel to the far corners of the earth to see as many wonders as possible? Eat nothing but chocolate? Would you apologize for all your mistakes? Would you stand up to those you'd never had the courage to face? Would you tell your secret crush that you loved him or her? Why is it that we wait till the last minute to do the things we should be doing all along?
Jodi Picoult (Off the Page (Between the Lines, #2))
How are you in the profession of protecting people without knowing who I am? I’ve been told I have one of the most recognizable faces in the world. (Aiden) Wow…just out of curiosity, when you go to bed at night, do you find yourself ousted off the mattress by that ego? (Leta)
Sherrilyn Kenyon (Upon the Midnight Clear (Dark-Hunter, #12; Dream-Hunter, #2))
Rhys pulled back, his thumb stroking my cheek. People were weeping. Keening. But no more screams of terror. No more bloodshed and destruction. My mate murmured, “Feyre Cursebreaker, the Defender of the Rainbow.” I slid my arms around his waist and sobbed. And even as his city wailed, the High Lord of the Night Court held me until I could at last face this blood-drenched new world.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Or perhaps we should just ask Todd." I pound the glass right at his face. He doesn't even flinch. And then she says, "Todd would never tell you. Never." And the Mayor just looks at me. And he smiles My stomach sinks, my heart drops, my head feels so light I feel like I'm going to drop right to the ground. Oh, Viola- Viola, please- Forgive me. "Captain Hammar," the Mayor says and Viola's plunged into the water again, unable to not scream out in fright as down she goes. "NO!" I shout, pressing myself against the mirror. But the Mayor ain't even looking at her. He's looking right at me, as if he could see me even if I was behind a brick wall. "STOP IT!" I shout as she's thrashing again- And more- And more- "VIOLA!" And I'm pounding even tho my hands are breaking- And Mr. Hammar is grinning and holding her there- "VIOLA!" And her wrist are starting to bleed from where she's pulling- "I'LL KILL YOU!"- I'm shouting into the Mayor's face- With all my Noise- "I'LL KILL YOU!"- And still holding her there- "VIOLA! VIOLA!"- But it's Davy- Of all people- It's Davy who stops it.
Patrick Ness (The Ask and the Answer (Chaos Walking, #2))
People will go through their entire lives justifying every damn decision…they’ll fight for all the wrong things, until finally the right thing stares at them square in the face. That’s when the choices start to matter. Because in the end, you’re a creature of habit. So you may want to choose right, but choose wrong in the end — because you’re so damn used to it. It’s tragic, then again, life’s tragic
Rachel Van Dyken (Toxic (Ruin, #2))
Nash sighed and gave her back her hand. He tilted his face up to the stars. "We're going to win this war, you know," he said, "now that our army's together. But the world doesn't care who wins. It'll go on spinning, no matter how many people are slaughtered tomorrow. No matter if you and I are slaughtered." After a moment, he added, "I almost wish it wouldn't, if we aren't allowed to go on spinning with it.
Kristin Cashore (Fire (Graceling Realm, #2))
FitzChivalry Farseer, too long have you sojourned among the Elderlings, your memory spurned by the very people you saved. Too long have you been in a place where the months pass as if days. Too long have you walked among us in false guise, deprived of your name and your honor. Rise. Turn and face the folk of the Six Duchies, your folk, and be welcomed home at last.
Robin Hobb (Fool's Quest (The Fitz and The Fool, #2))
At the time, it was romance novels that reminded me. Since you’ve never read one, that probably sounds weird. But it’s all about emotion, Dan—the whole thing, the whole story, the whole point. Just book after book about people facing their issues head on, and handling it, and never, ever failing—at least, not for good. I felt like my world had already ended unhappily, but every book I read about someone who’d been through the worst and found happiness anyway seemed to say the opposite. Like my story didn’t need to be over if I didn’t want it to. Like, if I could just be strong enough to reclaim my emotions, and to work through them, maybe I’d be okay again. That’s kind of what inspired me to, er, keep going. To make good choices, even when feeling better seemed impossible.
Talia Hibbert (Take a Hint, Dani Brown (The Brown Sisters, #2))
STEALING THE CAR, I WOULDN’T HAVE BEEN SURPRISED IF THEY’D EXPELLED YOU, YOU WAIT TILL I GET HOLD OF YOU, I DON’T SUPPOSE YOU STOPPED TO THINK WHAT YOUR FATHER AND I WENT THROUGH WHEN WE SAW IT WAS GONE —” Mrs. Weasley’s yells, a hundred times louder than usual, made the plates and spoons rattle on the table, and echoed deafeningly off the stone walls. People throughout the hall were swiveling around to see who had received the Howler, and Ron sank so low in his chair that only his crimson forehead could be seen. “— LETTER FROM DUMBLEDORE LAST NIGHT, I THOUGHT YOUR FATHER WOULD DIE OF SHAME, WE DIDN’T BRING YOU UP TO BEHAVE LIKE THIS, YOU AND HARRY COULD BOTH HAVE DIED —” Harry had been wondering when his name was going to crop up. He tried very hard to look as though he couldn’t hear the voice that was making his eardrums throb. “— ABSOLUTELY DISGUSTED — YOUR FATHER’S FACING AN INQUIRY AT WORK, IT’S ENTIRELY YOUR FAULT AND IF YOU PUT ANOTHER TOE OUT OF LINE WE’LL BRING YOU STRAIGHT BACK HOME.” A ringing silence fell.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
Fifty thousand years ago there were these three guys spread out across the plain and they each heard something rustling in the grass. The first one thought it was a tiger, and he ran like hell, and it was a tiger but the guy got away. The second one thought the rustling was a tiger and he ran like hell, but it was only the wind and his friends all laughed at him for being such a chickenshit. But the third guy thought it was only the wind, so he shrugged it off and the tiger had him for dinner. And the same thing happened a million times across ten thousand generations - and after a while everyone was seeing tigers in the grass even when there were`t any tigers, because even chickenshits have more kids than corpses do. And from those humble beginnings we learn to see faces in the clouds and portents in the stars, to see agency in randomness, because natural selection favours the paranoid. Even here in the 21st century we can make people more honest just by scribbling a pair of eyes on the wall with a Sharpie. Even now we are wired to believe that unseen things are watching us.
Peter Watts (Echopraxia (Firefall, #2))
I don’t like being here with these people and animals. I’m going to retire, but remember, courage is doing what we know is dangerous. It’s risking our safety for a chance at something better. Don’t let your fears shape your reality because no matter how cautious you are, someone or something always sneaks in the back door to manifest that fear. Better to face it and defeat it than to let it attack you unawares. (Maxis)
Sherrilyn Kenyon (Upon the Midnight Clear (Dark-Hunter, #12; Dream-Hunter, #2))
My friend Kira always said that life is like an extremely difficult, horribly unbalanced videogame. When you’re born, you’re given a randomly generated character, with a randomly determined name, race, face, and social class. Your body is your avatar, and you spawn in a random geographic location, at a random moment in human history, surrounded by a random group of people, and then you have to try to survive for as long as you can. Sometimes the game might seem easy. Even fun. Other times it might be so difficult you want to give up and quit. But unfortunately, in this game you only get one life. When your body grows too hungry or thirsty or ill or injured or old, your health meter runs out and then it’s Game Over. Some people play the game for a hundred years without ever figuring out that it’s a game, or that there is a way to win it. To win the videogame of life you just have to try to make the experience of being forced to play it as pleasant as possible, for yourself, and for all of the other players you encounter in your travels. Kira says that if everyone played the game to win, it’d be a lot more fun for everyone. —Anorak’s Almanac, chapter 77, verses 11–20
Ernest Cline (Ready Player Two (Ready Player One, #2))
So for a moment the gunslinger merely stood inside the door, first amazed, then ironically amused. Here he was in a world which struck him dumb with fresh wonders seemingly at every step, a world where carriages flew trough the air and paper seemed as cheap as sand. And the newest wonder was simply that for these people, wonder had run out: here, in a place of miracles, he saw only dull faces and plodding bodies.
Stephen King (The Drawing of the Three (The Dark Tower, #2))
Racism is the norm rather than an aberration. Feedback is key to our ability to recognize and repair our inevitable and often unaware collusion. In recognition of this, I try to follow these guidelines: 1.   How, where, and when you give me feedback is irrelevant—it is the feedback I want and need. Understanding that it is hard to give, I will take it any way I can get it. From my position of social, cultural, and institutional white power and privilege, I am perfectly safe and I can handle it. If I cannot handle it, it’s on me to build my racial stamina. 2. Thank you. The above guidelines rest on the understanding that there is no face to save and the game is up; I know that I have blind spots and unconscious investments in racism. My investments are reinforced every day in mainstream society. I did not set this system up, but it does unfairly benefit me, I do use it to my advantage, and I am responsible for interrupting it. I need to work hard to change my role in this system, but I can’t do it alone. This understanding leads me to gratitude when others help me.
Robin DiAngelo (White Fragility: Why It's So Hard for White People to Talk About Racism)
Let’s face it - English is a crazy language. There is no egg in eggplant nor ham in hamburger; neither apple nor pine in pineapple. English muffins weren’t invented in England or French fries in France. Sweetmeats are candies while sweetbreads, which aren’t sweet, are meat. We take English for granted. But if we explore its paradoxes, we find that quicksand can work slowly, boxing rings are square and a guinea pig is neither from Guinea nor is it a pig. And why is it that writers write but fingers don’t fing, grocers don’t groce and hammers don’t ham? If the plural of tooth is teeth, why isn’t the plural of booth beeth? One goose, 2 geese. So one moose, 2 meese? One index, 2 indices? Doesn’t it seem crazy that you can make amends but not one amend? If you have a bunch of odds and ends and get rid of all but one of them, what do you call it? If teachers taught, why didn’t preachers praught? If a vegetarian eats vegetables, what does a humanitarian eat? In what language do people recite at a play and play at a recital? Ship by truck and send cargo by ship? Have noses that run and feet that smell? How can a slim chance and a fat chance be the same, while a wise man and a wise guy are opposites? You have to marvel at the unique lunacy of a language in which your house can burn up as it burns down, in which you fill in a form by filling it out and in which an alarm goes off by going on. English was invented by people, not computers, and it reflects the creativity of the human race (which, of course, isn’t a race at all). That is why, when the stars are out, they are visible, but when the lights are out, they are invisible. And finally, why doesn't "buick" rhyme with "quick"?
Richard Lederer
Kat turned back to Hale. "The Mary Poppins?" "Seemed like a good idea at the time." "Oh. Yeah. Obviously. Just so we're clear, this master plan of yours..." "Might have a couple kinks to work through," Hale admitted, then reached for her hand. As soon as he touched her, Kat knew there was no such thing as curses. People make and break their own fortunes-they are the masters of their own fate. And right then Kat wouldn't have changed a thing. She kissed him, quick and feather soft. "What was that for?" he asked. Kat placed her fingers on his face and brought his forehead close to hers, touching as she whispered, "For luck.
Ally Carter (Uncommon Criminals (Heist Society, #2))
They’re your family. Anyone can see that you love them. He stills as if he’s absorbing my words. “Most people believe I’m incapable of feeling anything.” Outrage punches through my chest like a burning fist. In that moment, I know I’d go to war for this man. Even if he hated every second of it. No one should have to face the world without someone at their back. Especially not someone as dedicated as Gabriel.
Kristen Callihan (Managed (VIP, #2))
I think, more than anything, people like to feel superior to others. Canadians like to feel that they’re better than Americans. Americans love to feel they’re better than the whole world. And when people feel superior, it makes it harder for them to see the problems just beneath the surface. They don’t want to believe them, to face them, because if they did, can they really claim to be superior anymore?
Rebecca Schaeffer (Only Ashes Remain (Market of Monsters, #2))
So he found her. Most people would have said she was relaxed. But then, Roarke thought, most people didn’t really know and certainly didn’t understand Eve Dallas. He was more intimate with her, closer to her mind and heart than he had ever been with another. Yet there were still pockets of her he had yet to plumb. She was, always, a fascinating learning experience. She was naked, dipped to her chin in steamy water and perfumed bubbles. Her face was flushed from the heat, her eyes closed, but she wasn’t relaxed. He could see the tension in the hand that was fisted on the wide ledge of the tub, in the faint frown between her eyes. No, Eve was thinking, he mused.
J.D. Robb (Glory in Death (In Death, #2))
11 WAYS TO BE UNREMARKABLY AVERAGE 1. Accept what people tell you at face value. 2. Don’t question authority. 3. Go to college because you’re supposed to, not because you want to learn something. 4. Go overseas once or twice in your life, to somewhere safe like England. 5. Don’t try to learn another language; everyone else will eventually learn English. 6. Think about starting your own business, but never do it. 7. Think about writing a book, but never do it. 8. Get the largest mortgage you qualify for and spend 30 years paying for it. 9. Sit at a desk 40 hours a week for an average of 10 hours of productive work. 10. Don’t stand out or draw attention to yourself. 11. Jump through hoops. Check off boxes.
Chris Guillebeau (The Art of Non-Conformity: Set Your Own Rules, Live the Life You Want, and Change the World)
Then, Mother above, Nesta shifted her attention to Cassian, noticing that gleam—what it meant. She snarled softly, “What are you looking at?” Cassian’s brows rose—little amusement to be found now. “Someone who let her youngest sister risk her life every day in the woods while she did nothing. Someone who let a fourteen-year-old child go out into that forest, so close to the wall.” My face began heating, and I opened my mouth. To say what, I didn’t know. “Your sister died—died to save my people. She is willing to do so again to protect you from war. So don’t expect me to sit here with my mouth shut while you sneer at her for a choice she did not get to make —and insult my people in the process.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
And it shall come to pass that what man made shall be shattered, and the Shadow shall lie across the Pattern of Age, and the Dark One shall once more lay his hand upon the world of man. Women shall weep and men quail as the nations of the earth are rent like rotting cloth. Neither shall anything stand nor abide... Yet one shall be born to face the Shadow, born once more as he was born before and shall be born again, time without end. The Dragon shall be Reborn, and there shall be wailing and gnashing of teeth at his rebirth. In sackcloth and ashes shall he clothe the people, and he shall break the world again by his coming, tearing apart all ties that bind. Like the unfettered dawn shall he blind us, and burns us, yet shall the Dragon Reborn confront the Shadow at the Last battle, and his blood shall give us the Light. Let tears flow, O ye people of the world. Weep for your salvation. -from The Karaethon Cycle: The Prophecies of the Dragon, as translated by Ellaine Marise'idin Alshinn, Chief Librarian at the Court of Arafel, in the Year of Grace 231 of the New Era, the Third Age
Robert Jordan (The Great Hunt (The Wheel of Time, #2))
Everyone who’s ever been jealous because it’s my face in the magazines and not theirs. Every person who can’t believe or accept that someone can reach my level of success without being a total prick. Trust me, it’s not the lies that hurt people. It’s the willingness of everyone else to believe them. And then there are those who come out of the woodwork to back your accuser because it gives them the spotlight for three seconds. They can’t stand the fact that you’ve risen above your past and that they have no excuse for never rising above theirs. In their minds, you need to be taken down a notch and they need to be raised a few, off the lies they tell about you. Because in the end, they know you, they’ve seen the real you, and by backing your accusers, they make other people think that maybe they were close to you – at least that’s what they claim. It’s a sick world and I’m disgusted with it. (Aiden)
Sherrilyn Kenyon (Upon the Midnight Clear (Dark-Hunter, #12; Dream-Hunter, #2))
Hi, already doused, was nonchalant. “Did the bad Indian throw you in the water, boy?” Taking a knee, he ruffled Coop’s ears. “Been there.” Hi was referring to Ben’s claim of ties to the Sewee, a North American clan folded into the Catawba tribe centuries ago. He’d even named his boat Sewee. “I feel your pain,” Hi continued. “Thanksgiving was a huge mistake.” Coop licked Hi’s face. “Not nice,” I joked. “You’ll sour Jewish-Sewee relations.” “It’s true, I take it back,” Hi said. “Our peoples have a rich history of mutual respect. Long live the alliance!
Kathy Reichs (Seizure (Virals, #2))
Thyon could easily imagine Ruza as a little boy on a pony. He looked at him and saw the child he'd been, and he saw the man he was--warrior, prankster, friend--and he felt a warmth that he had never felt before for any other person. It was affection, and something that frightened him, too, that he could feel in his knees and fingertips and face. It made him unsure what to do with his hands. He noticed things like knuckles and eyelashes that he didn't notice on other people, and sometimes he had to look away and pretend to be thinking of something else.
Laini Taylor (Muse of Nightmares (Strange the Dreamer, #2))
Look around you. Watch how people function and interact with one another. You'll see this is going on everywhere all the time. People devour each other in the name of love, or family or country. But that's an excuse; they're just hungry and want to be fed. Read their faces, the newspapers, read what it says on their T-shirts! 'I think you're mistaking me for someone who gives a shit.' 'My parents went to London but all they brought me back was this lousy T-shirt.' 'So many women, so little time.' 'Whoever dies with the most toys, wins.' They're supposed to be funny, witty, and postmodern, Miranda. But the truth is they're only stating a fact: Me. I come first. Get out of my way.
Jonathan Carroll (The Marriage of Sticks (Crane's View, #2))
Most people think Marv is crazy, but I don't believe that. I'm no shrink and I'm not saying I've got Marv all figured out or anything, but "crazy" just doesn't explain him. Not to me. Sometimes I think he's retarded, a big, brutal kid who never learned the ground rules about how people are supposed to act around each other. But that doesn't have the right ring to it either. No, it's more like there's nothing wrong with Marv, nothing at all--except that he had the rotten luck of being born at the wrong time in history. He'd have been okay if he'd been born a couple of thousand years ago. He'd be right at home on some ancient battlefield, swinging an ax into somebody's face. Or in a roman arena, taking a sword to other gladiators like him. They'd have tossed him girls like Nancy, back then.
Frank Miller (Sin City, Vol. 2: A Dame to Kill For (Sin City, #2))
He was biting his lower lip and clenching his hands. He looked like he was about to cry. I threw my arms around him instinctively, wrapping them around his waist and pressing my face against his chest. He was so big, I flet like I was a child hugging a grown-up. "Oh, Jake, it'll be okay!" I promised. "If it gets worse you can come live with me and Charlie. Don't be scared, we'll think of something!" He was frozen for a second, and then his long arms wrapped hesitantly around me. "Thanks, Bella." His voice was huskier than usual. We stood like that for a moment, and it didn't upset me; in fact, I felt comforted by the contact. This didn't feel anything like the last time someone had embraced me this way. This was friendship. And Jacob was very warm. It was strange for me, being this close--emotionally rather physically, though the physical was strange for me, too--to another human being. It wasn't my usual style. I didn't normally relate to people so easily, on such a basic level. Not human beings. "If this is how you're going to react, I'll freak out more often." Jacob's voice was light, normal again, and his laughter rumbled against my ear. His fingers touched my hair, soft and tentative. Well, it was friendship for me.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
Charlie Brown: I think lunchtime is about the worst time of day for me. Always having to sit here alone. Of course, sometimes, mornings aren't so pleasant either. Waking up and wondering if anyone would really miss me if I never got out of bed. Then there's the night, too. Lying there and thinking about all the stupid things I've done during the day. And all those hours in between when I do all those stupid things. Well, lunchtime is among the worst times of the day for me. Well, I guess I'd better see what I've got. Peanut butter. Some psychiatrists say that people who eat peanut butter sandwiches are lonely...I guess they're right. And when you're really lonely, the peanut butter sticks to the roof of your mouth. There's that cute little red-headed girl eating her lunch over there. I wonder what she would do if I went over and asked her if I could sit and have lunch with her?...She'd probably laugh right in my face...it's hard on a face when it gets laughed in. There's an empty place next to her on the bench. There's no reason why I couldn't just go over and sit there. I could do that right now. All I have to do is stand up...I'm standing up!...I'm sitting down. I'm a coward. I'm so much of a coward, she wouldn't even think of looking at me. She hardly ever does look at me. In fact, I can't remember her ever looking at me. Why shouldn't she look at me? Is there any reason in the world why she shouldn't look at me? Is she so great, and I'm so small, that she can't spare one little moment?...SHE'S LOOKING AT ME!! SHE'S LOOKING AT ME!! (he puts his lunchbag over his head.) ...Lunchtime is among the worst times of the day for me. If that little red-headed girl is looking at me with this stupid bag over my head she must think I'm the biggest fool alive. But, if she isn't looking at me, then maybe I could take it off quickly and she'd never notice it. On the other hand...I can't tell if she's looking, until I take it off! Then again, if I never take it off I'll never have to know if she was looking or not. On the other hand...it's very hard to breathe in here. (he removes his sack) Whew! She's not looking at me! I wonder why she never looks at me? Oh well, another lunch hour over with...only 2,863 to go.
Clark Gesner (You're a Good Man, Charlie Brown - Vocal Score)
I’ve asked myself that a thousand times over and I’m no closer to an answer now than I was when it began. I think that’s why I always loved movies so much. In a movie, everything has to make sense. The characters always have to have motivation. Good, solid motivation for everything they do. They can’t be a dickhead without reason. If someone turns on a character, they have to have a hardcore, believable reason for it. Unfortunately, in real life you don’t. People turn on each other for anything from catching a constipated look on your face when you had gas and thinking it was directed at them, to not liking the brand of shoes you’re wearing. People are sick. (Aiden)
Sherrilyn Kenyon (Upon the Midnight Clear (Dark-Hunter, #12; Dream-Hunter, #2))
She needed Andrew Simpson Smith, it was that simple. And he had spent his life training to help people like her. Gods. "Okay, Andrew. But let's leave today. I'm in a hurry." "Of course. Today." He stroked the place where his slight beard was beginning to grow. "These ruins where your friends are waiting? Where are they?" Tally glances up at the sun, still low enough to indicate the eastern horizon. After a moment's calculation, she pointed off to the northwest, back toward the city and beyond that, the Rusty Ruins. "About a week's walk that way." "A week?" "That means seven days." "Yes, I know the gods' calendar," he said huffily. "But a whole week?" "Yeah. That's not so far, is it?" The hunters had been tireless on their march the night before. He shook his head, an awed expression on his face. "But that is beyond the edge of the world.
Scott Westerfeld (Pretties (Uglies, #2))
Then what is true love?” she asked audaciously. Derian leaned forward, his focus powerfully fixed on her. His voice turned delicate and compelling as he spoke. “Love is so much more than a feeling. True love, Eena, is something that develops over time. It’s not that initial infatuation nor the shivers and butterflies that take your breath away when you’re first attracted to someone. Those things are nice, but they are barely the beginning of what could become true love. The emotions you speak of are temporary and unreliable, elicited when two people come together. The power I speak of grows ever stronger over time until it is steadfast, even in separation. Then, reunited, it solidifies unshakably.” She shook her head. “I don’t quite follow.” The captain inched closer, fixing her with the sincerest of gazes. His hands cupped as if he were holding his very heart within them. “True love is a developed and intense appreciation for someone. It’s that perfect awareness that you are finally whole when she’s with you, and that hollow incompleteness you suffer when she’s gone. True love takes time, Eena. It’s an earned comfort that tells you she’ll be right there beside you no matter what you do, not necessarily happy with your every action, but faithful to you just the same. Love is knowing someone so deeply, understanding her so completely, that you can finish her thoughts without hesitation, confident in reading her face, her body, even her slightest gesture means something to you. Love is years of devotion, sacrifice, commitment, loyalty, trust, faith, and friendship all wrapped up in one. True love does more than cause your heart to flutter, Eena. It upholds your heart when the infatuation no longer makes it flutter.” “Wow.
Richelle E. Goodrich (Eena, The Return of a Queen (The Harrowbethian Saga #2))
Nonetheless, when it finally ended and the hairdressers left and Tess insisted upon pulling her to the mirror, Fire saw, and understood, that everyone had done the job well. The dress, deep shimmering purple and utterly simple in design, was so beautifully-cut and so clingy and well-fitting that Fire felt slightly naked. And her hair. She couldn’t follow what they’d done with her hair, braids thin as threads in some places, looped and wound through the thick sections that fell over her shoulders and down her back, but she saw that the end result was a controlled wildness that was magnificent against her face, her body, and the dress. She turned to measure the effect on her guard - all twenty of them, for all had roles to play in tonight’s proceedings, and all were awaiting her orders. Twenty jaws hung slack with astonishment - even Musa’s, Mila’s, and Neel’s. Fire touched their minds, and was pleased, and then angry, to find them open as the glass roofs in July. ‘Take hold of yourselves,’ she snapped. ‘It’s a disguise, remember? This isn’t going to work if the people meant to help me can’t keep their heads.’ ‘It will work, Lady Granddaughter.’ Tess handed Fire two knives in ankle holsters. ‘You’ll get what you want from whomever you want. Tonight King Nash would give you the Winged River as a present, if you asked for it. Dells, child - Prince Brigan would give you his best warhorse.
Kristin Cashore (Fire (Graceling Realm, #2))
Dauntless traitors crowded the hallway; the Erudite crowd the execution room, but there, they have made a path for me already. Silently they study me as I walk to the metal table in the center of the room. Jeanine stands a few steps away. The scratches on her face show through hastily applied makeup. She doesn’t look at me. Four cameras dangle from the ceiling, one at each corner of the table. I sit down first, wipe my hands off on my pants, and then lie down. The table is cold. Frigid, seeping into my skin, into my bones. Appropriate, perhaps, because that is what will happen to my body when all the life leaves it; it will become cold and heavy, heavier than I have ever been. As for the rest of me, I am not sure. Some people believe that I will go nowhere, and maybe they’re right, but maybe they’re not. Such speculations are no longer useful to me anyway. Peter slips an electrode beneath the collar of my shirt and presses it to my chest, right over my heart. He then attaches a wire to the electrode and switches on the heart monitor. I hear my heartbeat, fast and strong. Soon, where that steady rhythm was, there will be nothing. And then rising from within me is a single thought: I don’t want to die. All those times Tobias scolded me for risking my life, I never took him seriously. I believed that I wanted to be with my parents and for all of this to be over. I was sure I wanted to emulate their self-sacrifice. But no. No, no. Burning and boiling inside me is the desire to live. I don’t want to die I don’t want to die I don’t want to! Jeanine steps forward with a syringe full of purple serum. Her glasses reflect the fluorescent light above us, so I can barely see her eyes. Every part of my body chants it in unison. Live, live, live. I thought that in order to give my life in exchange for Will’s, in exchange for my parents’, that I needed to die, but I was wrong; I need to live my life in the light of their deaths. I need to live. Jeanine holds my head steady with one hand and inserts the needle into my neck with the other. I’m not done! I shout in my head, and not at Jeanine. I am not done here! She presses the plunger down. Peter leans forward and looks into my eyes. “The serum will go into effect in one minute,” he says. “Be brave, Tris.” The words startle me, because that is exactly what Tobias said when he put me under my first simulation. My heart begins to race. Why would Peter tell me to be brave? Why would he offer any kind words at all? All the muscles in my body relax at once. A heavy, liquid feeling fills my limbs. If this is death, it isn’t so bad. My eyes stay open, but my head drops to the side. I try to close my eyes, but I can’t—I can’t move. Then the heart monitor stops beeping.
Veronica Roth (Insurgent (Divergent, #2))
Oh,Mercer," he murmured against my temple once we'd come up for air, "we are so screwed." I pressed my face against his neck, breathing him in. "I know." "So what do we do?" Reluctantly, I tried to move away. It was hard to think when he was so close to me. "If we were good people, we'd never see each other again." His arms locked around my waist, pulling me back. "Okay,well, that's not happening. Plan B?" I smiled up at him, feeling ridiculously giddy for someone on the verge of ruining her life. "I don't have one.You?" He shook his head. "Nothing.But...look. I've spent basically my whole life pretending to be someone I'm not, faking some feelings, hiding others." Reaching down, he clasped my hand and lifted it so that our joined hands were trapped between our chests. "This thing with us is the only real thing I've had in a long time.You're the only real thing." He raised our hands and kissed my knuckles. "And I'm done pretending I don't want you." I had read a lot about swooning in the romance novels Mom had tried to hide from me,but I'd never felt in danger of doing it until now. Which was why a snarky comment was definitely called for. "Wow,Cross.I think you missed your calling.Screw demon hunting: you should clearly be writing Hallmark cards." His face broke into that crooked grin that was maybe my favorite sight in the whole world. "Shut up," he muttered before lowering his head and kissing me again. "Why is it," I said against his lips several moments later, "that we're always kissing in gross, dirty places like cellars and abandoned mills?" He laughed, pressing kisses to my jaw, then my neck. "Next time it'll be a castle, I promise.This is England, after all. Can't be too hard to find one.
Rachel Hawkins (Demonglass (Hex Hall, #2))
Who told you that?" I say. "Davy Prentiss?" He blinks. "What?" "What do you mean what?" My voice is harder now. "Your new best friend. The man who shot me, Todd, and who you ride to work with laughing every morning." He clenches his hands into fists. "You've been spying on me?" he says. "Three months I don't see you, three months I don't hear nothing from you and you been spying? Is that what yer doing in your spare time when yer not blowing people up?" "Yeah," I yell, my voice getting louder to match his. "Three months of defending you to people who'd only be too happy to call you enemy, Todd. Three months of wondering why the hell you're working so hard for the Mayor and how he knew to go right for the ocean the day after we spoke." He winces, but I keep going, thrusting out my arm and pulling up on the sleeve. "Three months wondering why you put these on women!" His face changes in an instant. He actually calls out as if he felt the pain himself. He puts a hand to his mouth to stifle it but his Noise is suddenly washed with blackness. He moves his fingertips of his other hand within reach of the band, hovering over my skin, over the band that'll never be removed unless I lose my arm. The skin is still red, and band 1391 still trobs, despite the healing of three mistresses. "Oh, no," he says. "Oh, no." The side door opens and the man who let me in leans out. "Everything all right out there, Lieutenant?" "Lieutenant?" I say. "We're fine," Todd chokes a little. "We're fine." The man waits for a second, then goes back inside. "Lieutenant?" I say again, lowering my voice. Todd's leant down, his hands on his knees, staring at the floor. "It wasn't me, was it?" he says, his voice quiet, too. "I didn't-" He gestures again at the band without looking up. "I didn't do it without knowing it was you, did I?
Patrick Ness (The Ask and the Answer (Chaos Walking, #2))
1If it frightens you, do it.   2Don't settle. Every time you settle, you get exactly what you settled for.   3Put yourself first.   4No matter what happens, you will handle it.   5Whatever you do, do it 100%.   6If you do what you have always done, you will get what you have always got.   7You are the only person on this planet responsible for your needs, wants, and happiness.   8Ask for what you want.   9If what you are doing isn't working, try something different. 10Be clear and direct. 11Learn to say "no." 12Don't make excuses. 13If you are an adult, you are old enough to make your own rules. 14Let people help you. 15Be honest with yourself. 16Do not let anyone treat you badly. No one. Ever. 17Remove yourself from a bad situation instead of waiting for the situation to change. 18Don't tolerate the intolerable — ever. 19Stop blaming. Victims never succeed. 20Live with integrity. Decide what feels right to you, then do it. 21Accept the consequences of your actions. 22Be good to yourself. 23Think "abundance." 24Face difficult situations and conflict head on. 25Don't do anything in secret. 26Do it now. 27Be willing to let go of what you have so you can get what you want. 28Have fun. If you are not having fun, something is wrong. 29Give yourself room to fail. There are no mistakes, only learning experiences. 30Control is an illusion. Let go; let life happen. It
Robert A. Glover (No More Mr. Nice Guy)
Hey,Dad, remember earlier this week, when I got stabbed?" "I have a hazy recollection, yes." "Is it worth it? Being head of the Council? I mean, if people are always gunning for you, why not hand it over to someone else? You could go on vacation.Have a life.Date." I waited for Dad to embrace his inner Mr. Darcy again and get all huffy, but if anything,he just looked rueful. "One,I made a solemn vow to use my powers to help the Council. Two, things are turbulent now, but that won't always be the case. And I have faith that you'll make a wonderful head of the Council someday,Sophie." Yeah,except for that whole sleeping with enemy part,I thought.Wait, not that I would actually be sleeping with...I mean,it's a metaphor. There would only be metaphorical sleeping. My face must have reflected some of the weirdness happening in my brain, because Dad narrowed his eyes at me before continuing, "As for dating, theres no point." "Why?" "Because I'm still in love with your mother." Whoa.Okay, not exactly the answer I was expecting. Before I could even process that, Dad rushed on, saying, "Please don't let that get your hopes up. There is no way your mother and I could or will ever reunite." I held up my hand. "Dad,relax. I'm not twelve, and this isn't The Parent Trap.
Rachel Hawkins (Demonglass (Hex Hall, #2))
Let’s just call it an adjustment of priorities.” Nick saw no reason to beat around the bush about this next part. Pallas was a good guy, and an excellent agent. “There’s more. You and I both know that Davis has been thinking about retiring. I told him today that when that happens, I’d like to be considered for the special agent in charge position. I wanted you to hear it from me first. Thought you might be eying the job, too.” Jack considered this. “I’ve given it some thought,” he admitted. “But politically, I doubt it would go over well if the special agent in charge of Chicago and the U.S. attorney of the same district were involved in a personal relationship.” His expression was one of pride. “And since Cameron got there first, it looks like I’m adjusting my priorities, too.” He paused. “Plus, I hear that people think I’m cranky.” He rubbed his jaw, musing. “Not sure why that is.” “Maybe it’s all the brooding and glowering.” “No one complains when you break out the don’t-fuck-with-me face.
Julie James (A Lot like Love (FBI/US Attorney, #2))
Between the roof of the shed and the big plant that hangs over the fence from the house next door I could see the constellation Orion. People say that Orion is called Orion because Orion was a hunter and the constellation looks like a hunter with a club and a bow and arrow, like this: But this is really silly because it is just stars, and you could join up the dots in any way you wanted, and you could make it look like a lady with an umbrella who is waving, or the coffeemaker which Mrs. Shears has, which is from Italy, with a handle and steam coming out, or like a dinosaur. And there aren't any lines in space, so you could join bits of Orion to bits of Lepus or Taurus or Gemini and say that they were a constellation called the Bunch of Grapes or Jesus or the Bicycle (except that they didn't have bicycles in Roman and Greek times, which was when they called Orion Orion). And anyway, Orion is not a hunter or a coffeemaker or a dinosaur. It is just Betelgeuse and Bellatrix and Alnilam and Rigel and 17 other stars I don't know the names of. And they are nuclear explosions billions of miles away. And that is the truth. I stayed awake until 5:47. That was the last time I looked at my watch before I fell asleep. It has a luminous face and lights up if you press a button, so I could read it in the dark. I was cold and I was frightened Father might come out and find me. But I felt safer in the garden because I was hidden. I looked at the sky a lot. I like looking up at the sky in the garden at night. In summer I sometimes come outside at night with my torch and my planisphere, which is two circles of plastic with a pin through the middle. And on the bottom is a map of the sky and on top is an aperture which is an opening shaped in a parabola and you turn it round to see a map of the sky that you can see on that day of the year from the latitude 51.5° north, which is the latitude that Swindon is on, because the largest bit of the sky is always on the other side of the earth. And when you look at the sky you know you are looking at stars which are hundreds and thousands of light-years away from you. And some of the stars don't even exist anymore because their light has taken so long to get to us that they are already dead, or they have exploded and collapsed into red dwarfs. And that makes you seem very small, and if you have difficult things in your life it is nice to think that they are what is called negligible, which means that they are so small you don't have to take them into account when you are calculating something. I didn't sleep very well because of the cold and because the ground was very bumpy and pointy underneath me and because Toby was scratching in his cage a lot. But when I woke up properly it was dawn and the sky was all orange and blue and purple and I could hear birds singing, which is called the Dawn Chorus. And I stayed where I was for another 2 hours and 32 minutes, and then I heard Father come into the garden and call out, "Christopher...? Christopher...?
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
It was a still night, tinted with the promise of dawn. A crescent moon was just setting. Ankh-Morpork, largest city in the lands around the Circle Sea, slept. That statement is not really true On the one hand, those parts of the city which normally concerned themselves with, for example, selling vegetables, shoeing horses, carving exquisite small jade ornaments, changing money and making tables, on the whole, slept. Unless they had insomnia. Or had got up in the night, as it might be, to go to the lavatory. On the other hand, many of the less law-abiding citizens were wide awake and, for instance, climbing through windows that didn’t belong to them, slitting throats, mugging one another, listening to loud music in smoky cellars and generally having a lot more fun. But most of the animals were asleep, except for the rats. And the bats, too, of course. As far as the insects were concerned… The point is that descriptive writing is very rarely entirely accurate and during the reign of Olaf Quimby II as Patrician of Ankh some legislation was passed in a determined attempt to put a stop to this sort of thing and introduce some honesty into reporting. Thus, if a legend said of a notable hero that “all men spoke of his prowess” any bard who valued his life would add hastily “except for a couple of people in his home village who thought he was a liar, and quite a lot of other people who had never really heard of him.” Poetic simile was strictly limited to statements like “his mighty steed was as fleet as the wind on a fairly calm day, say about Force Three,” and any loose talk about a beloved having a face that launched a thousand ships would have to be backed by evidence that the object of desire did indeed look like a bottle of champagne.
Terry Pratchett (The Light Fantastic (Discworld, #2; Rincewind, #2))
I stared at him, baffled. But at that moment Gideon began to play, and I entirely forgot what I had been going to ask the count. Oh, my god! Maybe it was the punch—but wow! That violin was really sexy! Even the way Gideon raised it and tucked it under his chin! He didn’t have to do more than that to carry me away with him. His long lashes cast shadows on his cheeks, and a lock of hair fell over his face as he began passing the bow over the strings. The first notes filling the room almost took my breath away, they made such tender, melting music, and suddenly I was close to tears. Until now, violins had been way down on my list of favorite instruments, and I really liked them only for accompanying certain moments in films. But this was just incredibly wonderful—well, all of it was: the bittersweet melody and boy enticing it out of the instrument. All the people in the room listened with bated breath, and Gideon played on, immersed in the music as if there were no one else there. I didn’t notice that I was crying until the count touched my cheek and caught a tear gently with his finger. Then I jumped in alarm. He was smiling down at me, and I saw a warm glow in his dark brown eyes. “Nothing to be ashamed of,” he said quietly. “If it were otherwise, I’d have been very disappointed.
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
Too often, poverty and deprivation get covered as events. That is, when some disaster strikes, when people die. Yet, poverty is about much more than starvation deaths or near famine conditions. It is the sum total of a multiplicity of factors. The weightage of some of these varies from region to region, society to society, culture to culture. But at the core is a fairly compact number of factors. They include not just income and calorie intake. Land, health, education, literacy, infant mortality rates and life expectancy are also some of them. Debt, assets, irrigation, drinking water, sanitation and jobs count too. You can have the mandatory 2,400 or 2,100 calories a day and yet be very poor. India’s problems differ from those of a Somalia or Ethiopia in crisis. Hunger—again just one aspect of poverty—is far more complex here. It is more low level, less visible and does not make for the dramatic television footage that a Somalia and Ethiopia do. That makes covering the process more challenging—and more important. Many who do not starve receive very inadequate nutrition. Children getting less food than they need can look quite normal. Yet poor nutrition can impair both mental and physical growth and they can suffer its debilitating impact all their lives. A person lacking minimal access to health at critical moments can face destruction almost as surely as one in hunger.
Palagummi Sainath (Everybody loves a good drought)
There is a plain under a dim sky. It is covered with gentle rolling curves that might remind you of something else if you saw it from a long way away, and if you did see it from a long way away you'd be very glad that you were, in fact, a long way away. Three gray figures floated just above it. Exactly what they were can't be described in normal language. Some people might call them cherubs, although there was nothing rosy-cheeked about them. They might be rumored among those who see to it that gravity operates and that time stays separate from space. Call them auditors. Auditors of reality. They were in conversation without speaking. They didn't need to speak. They just changed reality so that they had spoken. One said, It has never happened before. Can it be done? One said, It will have to be done. There is a personality. Personalities come to an end. Only forces endure. It said this with satisfaction. One said, Besides... there have been irregularities. Where you get personality, you get irregularities. Well-known fact. One said, He has worked inefficiently? One said, No. We can't get him there. One said, That is the point. The word is him. Becoming a personality is inefficient. We don't want it to spread. Supposing gravity developed a personality? Supposing it decided to like people? One said, Got a crush on them, that sort of thing? One said, in a voice that would have been even chillier if it was not already at absolute zero, No. One said, Sorry. Just my little joke. One said, Besides, sometimes he wonders about his job. Such speculation is dangerous. One said, No argument there. One said, Then we are agreed? One, who seemed to have been thinking about something, said, Just one moment. Did you not just use the singular pronoun "my?" Not developing a personality, are you? One said, guiltily, Who? Us? One said, Where there is personality, there is discord. One said, Yes. Yes. Very true. One said, All right. But watch it in future. One said, Then we are agreed? They looked up at the face of Azrael, outlined against the sky. In fact, it was the sky. Azrael nodded, slowly. One said, Very well. Where is this place? One said, It is the Discworld. It rides through space on the back of a giant turtle. One said, Oh, one of that sort. I hate them. One said, You're doing it again. You said "I." One said, No! No! I didn't! I never said "I!"... oh, bugger... It burst into flame and burned in the same way that a small cloud of vapor burns, quickly and with no residual mess. Almost immediately, another one appeared. It was identical in appearance to its vanished sibling. One said, Let that be a lesson. To become a personality is to end. And now... let us go.
Terry Pratchett (Reaper Man (Discworld, #11; Death, #2))
I have to go," I said, resting my head against Archer's chest. It occurred to me that my cheek was probably right over his tattoo. Without thinking, I lifted my face and tugged at the neckline of his T-shirt. This time, the stark black-and-gold mark wasn't hidden. No need for that spell anymore, I guess. Still, I covered it with my palm. Archer's hands clutched reflexively on my waist. Our eyes met. "It doesn't burn this time," I whispered. His breathing was ragged. "Beg to differ, Mercer." Magic was rushing through me, and when Archer covered my hand with his own, there was a little blue spark. Slowly, he moved my hand off his chest, then gripped both my shoulders. I thought he was going to kiss me again-and with the way we were feeling, there was a chance we might set the whole mill on fire-but instead, he gingerly pushed me away. "Okay," he said, closing his eyes. "If you don't go now, we're...You should go now." Once we were several feet apart, he lust-fog cleared a little. "We still have no idea what we're going to go." Archer opened his eyes and took a couple of steps backward. "Right now, you're going to go back to Thorne and check in with your dad. I'm going to go back to my people and do the same. Then tomorrow night, we'll meet here. You'll stand over there"-he pointed at a corner-"and I'll stand over there"-the complete opposite corner-"and there will be no physical contact until we've figured something out. Deal?" I smiled,even as I shoved my hands in my pockets to keep from grabbing him again. "Deal.Midnight?" "Perfect.So." That grin again. "See ya, Mercer." Happiness flooded through me as warm and bright as sunlight. "See ya, Cross.
Rachel Hawkins (Demonglass (Hex Hall, #2))
The left and right sides of the brain also process the imprints of the past in dramatically different ways.2 The left brain remembers facts, statistics, and the vocabulary of events. We call on it to explain our experiences and put them in order. The right brain stores memories of sound, touch, smell, and the emotions they evoke. It reacts automatically to voices, facial features, and gestures and places experienced in the past. What it recalls feels like intuitive truth—the way things are. Even as we enumerate a loved one’s virtues to a friend, our feelings may be more deeply stirred by how her face recalls the aunt we loved at age four.3 Under ordinary circumstances the two sides of the brain work together more or less smoothly, even in people who might be said to favor one side over the other. However, having one side or the other shut down, even temporarily, or having one side cut off entirely (as sometimes happened in early brain surgery) is disabling. Deactivation of the left hemisphere has a direct impact on the capacity to organize experience into logical sequences and to translate our shifting feelings and perceptions into words. (Broca’s area, which blacks out during flashbacks, is on the left side.) Without sequencing we can’t identify cause and effect, grasp the long-term effects of our actions, or create coherent plans for the future. People who are very upset sometimes say they are “losing their minds.” In technical terms they are experiencing the loss of executive functioning. When something reminds traumatized people of the past, their right brain reacts as if the traumatic event were happening in the present. But because their left brain is not working very well, they may not be aware that they are reexperiencing and reenacting the past—they are just furious, terrified, enraged, ashamed, or frozen. After the emotional storm passes, they may look for something or somebody to blame for it. They behaved the way they did way because you were ten minutes late, or because you burned the potatoes, or because you “never listen to me.” Of course, most of us have done this from time to time, but when we cool down, we hopefully can admit our mistake. Trauma interferes with this kind of awareness, and, over time, our research demonstrated why.
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
As I went to stand up, I felt a tiny point of pressure on my back. "Don't move," Kasey whispered. I stayed bent over. "Drop the knife," she said. "Excuse me, I'm using it," I said. She swallowed hard. "For what?" "Mom and Dad. You." The pressure on my back increased. "Drop it, Alexis." Drop it? Like I was a bad dog running around with a sock in my mouth. "How long will this take?" I asked, setting the knife on the floor. "I'm in the middle of something." Get in the bathroom," she said. The faster I indulged her, the faster it would be over with. So I walked into the bathroom. She followed, kicking the knife toward the end of the hallway and flipping on the bathroom light. "What's this all about, Kasey?" I asked, turning around. At the sight of my face, she gasped, and the point of the fireplace poker she was holding wavered in her hands. I realized a second too late that I'd missed my chance to grab it and smash it into the side of her head. "What's happening to you?" she whispered. I glanced in the mirror. The darkness had begun to spread from my mouth and eyes. It leached out in inky puddles with thin tendrils of black snaking out in delicate feathery patterns. What's happening to me? What was she talking about? "So you have a pointy stick," I said. "Big deal. get out of my way." "What are you going to do?" I sneered. "Poke me?" 'I'll hit you, Lexi." Her face was stony. "As hard as I have to." Whatever. I'm really not in the mood. "Can we talk about this in the morning?" I asked. After I kill you? "No," her eyes hardened. "Get your toothbrush." "What?" "Pick up your toothbrush, and stick it down your throat." "Kasey-" "Do it," she said. "Ugh, fine. You're sick, you know that?" "Get in the tub." "Happy?" I stuck the toothbrush into my throat. Instantly, I gagged and doubled over. "Do it again," she said. "God Kasey," I cried. Stabbing people was one thing. But making them barf- that was just disturbing.
Katie Alender (From Bad to Cursed (Bad Girls Don't Die, #2))
I feel him beside me, hear the even sound of his breathing, smell the delicious saltiness of his skin. I have missed him. I move to face him, and that’s when the pain reminds me that I’ve recently been stabbed. I bury my face in the pillow, but it doesn’t quite muffle my yelp. “Emma?” Galen says groggily. I feel his hand in my hair, stroking the length of it. “Don’t move, angelfish. Stay on your stomach. I’ll go tell Rachel you’re ready for more pain medicine.” Immediately I disobey and turn my face up to him. He shakes his head. “I’ve recently learned where your stubbornness comes from.” I grimace/smile. “My mom?” “Worse. King Antonis. The resemblance is uncanny.” He leans down and presses his lips to mine and all too quickly springs back up. “Now, be a good little deviant and stay put while I go get more pain meds.” “Galen,” I say. “Hmmm?” “How bad am I hurt?” He caresses the outline of my cheek. His touch could disintegrate me. “Hurt at all is bad enough for me.” “Yeah, but you’ve always been a baby about this stuff.” I grin at his faux offense. “Your mother says it’s only a flesh wound. She’s been treating it.” “Mom is here?” “She’s downstairs. Uh…You should know that Grom is here, too.” Grom left the tribunal and headed for land? Did that mean it all ended badly? Well, even worse than my getting impaled? An urgent need to know everything about everything shimmies through me. “Whoa. Sit. Talk. Now.” He laughs. “I will, I promise. But I want to make you comfortable first.” “Well, then, you need to come over here and switch places with the bed.” A blush fills my cheeks, but I don’t care. I need him. All of him. It feels like forever since we’ve talked like this, just me and him. But talking usually doesn’t last long. Lips were made for other things, too. And Galen is especially good at the other things. He walks back and squats by the bed. “You have no idea how tempting that is.” It seems like the violet of his eyes gets darker. It’s the color they get when he has to pull away from me, when we’re about to violate a bunch of Syrena laws if we don’t stop. “But you’re not well enough to…” He runs a hand through his hair. “I’ll go get Rachel. Then we can talk.” I’m a little surprised that his argument didn’t begin with “But the law…” That is what has stopped us in the past. Now the only thing that appears to be stopping us is my stabby condition. What’s changed? And why am I not excited about it? I used to get so frustrated when he would pull away. But a small part of me loved that about him, his respect for the law and for the tradition of his people. His respect for me. Respect is a hard thing to come by when picking from among human boys. Is that respect gone? And is it my fault?
Anna Banks (Of Triton (The Syrena Legacy, #2))
Except for the giant sword in his hand. "Is that really necessary?" I asked when I walked in, noting that his dagger was also hanging off his belt. His head jerked up, and I thought he might have been relieved to see me. But then he turned back to the Itineris, crouching down to pull something out of a black duffel bag at his feet. "Never hurts to be prepared," he said. "It just seems like overkill when you already have a dagger and I have supernatural magic at my disposal." "'Superpowerful?'" He stood up, a gold chain dangling from his fingers. "let me remind you of two words, Mercer: Bad. Dog." I rolled my eyes. "That was nearly a year ago. I'm way better now." "Yeah,well,I'm not taking any chances," he said. For the first time, I noticed there was some sort of holster thing on his back. He slid the sword into it so the hilt rose over his shoulders. "Besides," he added, "I thought you might not come. After what happened the other night..." he paused, studying my face. "Are you all right?" "I will be when people stop asking me that." "You know I had nothing to do with that, right?" "Yeah," I replied. "And if you did have something to do with it, I will vaporize you where you stand." The corner of his mouth quirked. "Good to know." He closed the distance between us, coming to stand entirely too close to me. "What are you doing?" I asked, hoping I didn't sound as breathless as I felt. He lifted his hands, and with surprising gentleness, placed the chain around both our necks. Looking down at it, I saw that the links were actually tiny figures holding hands. I'd seen it somewhere before. "This is the necklace one of the angels is wearing in the window at Hex Hall." "It is indeed." Reaching down to take my hands, he explained, "It's also a very powerful protection charm, which we're going to need." I swallowed as we laced our fingers and stepped closer to the Itineris. "Why?" "Because we're going a very long way." I involuntarily squeezed his fingers with mine. The last time I'd traveled through the Itineris, I'd only gone a few hundred miles, and that had made my head nearly explode. "Where are we going?" I asked. "Graymalkin Island," he answered. And then he yanked me into the doorway.
Rachel Hawkins (Demonglass (Hex Hall, #2))
What makes my bed seem hard seeing it is soft? Or why slips downe the Coverlet so oft? Although the nights be long, I sleepe not tho, My sides are sore with tumbling to and fro. Were Love the cause, it's like I shoulde descry him, Or lies he close, and shoots where none can spie him? T'was so, he stroke me with a slender dart, Tis cruell love turmoyles my captive hart. Yeelding or striving doe we give him might, Lets yeeld, a burden easly borne is light. I saw a brandisht fire increase in strength, Which being not shakt, I saw it die at length. Yong oxen newly yokt are beaten more, Then oxen which have drawne the plow before. And rough jades mouths with stubburn bits are tome, But managde horses heads are lightly borne, Unwilling Lovers, love doth more torment, Then such as in their bondage feele content. Loe I confesse, I am thy captive I, And hold my conquered hands for thee to tie. What needes thou warre, I sue to thee for grace, With armes to conquer armlesse men is base, Yoke VenusDoves, put Mirtle on thy haire, Vulcan will give thee Chariots rich and faire. The people thee applauding thou shalte stand, Guiding the harmelesse Pigeons with thy hand. Yong men and women, shalt thou lead as thrall, So will thy triumph seeme magnificall. I lately cought, will have a new made wound, And captive like be manacled and bound. Good meaning, shame, and such as seeke loves wrack Shall follow thee, their hands tied at their backe. Thee all shall feare and worship as a King, Jo, triumphing shall thy people sing. Smooth speeches, feare and rage shall by thee ride, Which troopes hath alwayes bin on Cupids side: Thou with these souldiers conquerest gods and men, Take these away, where is thy honor then? Thy mother shall from heaven applaud this show, And on their faces heapes of Roses strow. With beautie of thy wings, thy faire haire guilded, Ride golden Love in Chariots richly builded. Unlesse I erre, full many shalt thou burne, And give woundes infinite at everie turne. In spite of thee, forth will thy arrowes flie, A scorching flame burnes all the standers by. So having conquerd Inde, was Bacchus hew, Thee Pompous birds and him two tygres drew. Then seeing I grace thy show in following thee, Forbeare to hurt thy selfe in spoyling mee. Beholde thy kinsmans Caesars prosperous bandes, Who gardes the conquered with his conquering hands. -- ELEGIA 2 (Quodprimo Amore correptus, in triumphum duci se a Cupidine patiatur)
Christopher Marlowe
Most churches do not grow beyond the spiritual health of their leadership. Many churches have a pastor who is trying to lead people to a Savior he has yet to personally encounter. If spiritual gifting is no proof of authentic faith, then certainly a job title isn't either. You must have a clear sense of calling before you enter ministry. Being a called man is a lonely job, and many times you feel like God has abandoned you in your ministry. Ministry is more than hard. Ministry is impossible. And unless we have a fire inside our bones compelling us, we simply will not survive. Pastoral ministry is a calling, not a career. It is not a job you pursue. If you don’t think demons are real, try planting a church! You won’t get very far in advancing God’s kingdom without feeling resistance from the enemy. If I fail to spend two hours in prayer each morning, the devil gets the victory through the day. Once a month I get away for the day, once a quarter I try to get out for two days, and once a year I try to get away for a week. The purpose of these times is rest, relaxation, and solitude with God. A pastor must always be fearless before his critics and fearful before his God. Let us tremble at the thought of neglecting the sheep. Remember that when Christ judges us, he will judge us with a special degree of strictness. The only way you will endure in ministry is if you determine to do so through the prevailing power of the Holy Spirit. The unsexy reality of the pastorate is that it involves hard work—the heavy-lifting, curse-ridden, unyielding employment of your whole person for the sake of the church. Pastoral ministry requires dogged, unyielding determination, and determination can only come from one source—God himself. Passive staff members must be motivated. Erring elders and deacons must be confronted. Divisive church members must be rebuked. Nobody enjoys doing such things (if you do, you should be not be a pastor!), but they are necessary in order to have a healthy church over the long haul. If you allow passivity, laziness, and sin to fester, you will soon despise the church you pastor. From the beginning of sacred Scripture (Gen. 2:17) to the end (Rev. 21:8), the penalty for sin is death. Therefore, if we sin, we should die. But it is Jesus, the sinless one, who dies in our place for our sins. The good news of the gospel is that Jesus died to take to himself the penalty of our sin. The Bible is not Christ-centered because it is generally about Jesus. It is Christ-centered because the Bible’s primary purpose, from beginning to end, is to point us toward the life, death, and resurrection of Jesus for the salvation and sanctification of sinners. Christ-centered preaching goes much further than merely providing suggestions for how to live; it points us to the very source of life and wisdom and explains how and why we have access to him. Felt needs are set into the context of the gospel, so that the Christian message is not reduced to making us feel better about ourselves. If you do not know how sinful you are, you feel no need of salvation. Sin-exposing preaching helps people come face-to-face with their sin and their great need for a Savior. We can worship in heaven, and we can talk to God in heaven, and we can read our Bibles in heaven, but we can’t share the gospel with our lost friends in heaven. “Would your city weep if your church did not exist?” It was crystal-clear for me. Somehow, through fear or insecurity, I had let my dreams for our church shrink. I had stopped thinking about the limitless things God could do and had been distracted by my own limitations. I prayed right there that God would forgive me of my small-mindedness. I asked God to forgive my lack of faith that God could use a man like me to bring the message of the gospel through our missionary church to our lost city. I begged God to renew my heart and mind with a vision for our city that was more like Christ's.
Darrin Patrick (Church Planter: The Man, The Message, The Mission)
I probably should say that this is what makes you a good traveler in my opinion, but deep down I really think this is just universal, incontrovertible truth. There is the right way to travel, and the wrong way. And if there is one philanthropic deed that can come from this book, maybe it will be that I teach a few more people how to do it right. So, in short, my list of what makes a good traveler, which I recommend you use when interviewing your next potential trip partner: 1. You are open. You say yes to whatever comes your way, whether it’s shots of a putrid-smelling yak-butter tea or an offer for an Albanian toe-licking. (How else are you going to get the volcano dust off?) You say yes because it is the only way to really experience another place, and let it change you. Which, in my opinion, is the mark of a great trip. 2. You venture to the places where the tourists aren’t, in addition to hitting the “must-sees.” If you are exclusively visiting places where busloads of Chinese are following a woman with a flag and a bullhorn, you’re not doing it. 3. You are easygoing about sleeping/eating/comfort issues. You don’t change rooms three times, you’ll take an overnight bus if you must, you can go without meat in India and without vegan soy gluten-free tempeh butter in Bolivia, and you can shut the hell up about it. 4. You are aware of your travel companions, and of not being contrary to their desires/​needs/​schedules more often than necessary. If you find that you want to do things differently than your companions, you happily tell them to go on without you in a way that does not sound like you’re saying, “This is a test.” 5. You can figure it out. How to read a map, how to order when you can’t read the menu, how to find a bathroom, or a train, or a castle. 6. You know what the trip is going to cost, and can afford it. If you can’t afford the trip, you don’t go. Conversely, if your travel companions can’t afford what you can afford, you are willing to slum it in the name of camaraderie. P.S.: Attractive single people almost exclusively stay at dumps. If you’re looking for them, don’t go posh. 7. You are aware of cultural differences, and go out of your way to blend. You don’t wear booty shorts to the Western Wall on Shabbat. You do hike your bathing suit up your booty on the beach in Brazil. Basically, just be aware to show the culturally correct amount of booty. 8. You behave yourself when dealing with local hotel clerks/​train operators/​tour guides etc. Whether it’s for selfish gain, helping the reputation of Americans traveling abroad, or simply the spreading of good vibes, you will make nice even when faced with cultural frustrations and repeated smug “not possible”s. This was an especially important trait for an American traveling during the George W. years, when the world collectively thought we were all either mentally disabled or bent on world destruction. (One anecdote from that dark time: in Greece, I came back to my table at a café to find that Emma had let a nearby [handsome] Greek stranger pick my camera up off our table. He had then stuck it down the front of his pants for a photo. After he snapped it, he handed the camera back to me and said, “Show that to George Bush.” Which was obviously extra funny because of the word bush.) 9. This last rule is the most important to me: you are able to go with the flow in a spontaneous, non-uptight way if you stumble into something amazing that will bump some plan off the day’s schedule. So you missed the freakin’ waterfall—you got invited to a Bahamian family’s post-Christening barbecue where you danced with three generations of locals in a backyard under flower-strewn balconies. You won. Shut the hell up about the waterfall. Sally
Kristin Newman (What I Was Doing While You Were Breeding)