Meadow Land Quotes

His ascent was slow - the blow to the head must have disoriented him worse than he let on - so I went behind, ready to catch him should he lose his balance. Well, I could soften his landing when he hit the floor. Maybe.

My land When I die, may I turn into grass On my mountains in spring, In autumn I will turn to seed. When I die, may I turn into water, My misty breath Will fall onto the meadows as rain. When I die, may I turn into stone, On the confines of my land May I be a landmark. Translated by Robert Elsie

So green this summer and so fresh. There are white and gold daisies among the grass in front of an old wire fence, a meadow with some cows and far in the distance a low rising of the land with something golden on it. Hard to know what it is. No need to know.

God has blessed the vale of Kashmir with grace and grandeur. It is a land of lush green meadows, crystal clear springs and lakes, the majestic rivers and streams, the snow white and roaring cataracts, sweet waters, high snow-covered peaks make it a perfect archetype of the promised land of God.

I have a rendezvous with Death At some disputed barricade, When Spring comes back with rustling shade And apple-blossoms fill the air — I have a rendezvous with Death When Spring brings back blue days and fair. It may be he shall take my hand And lead me into his dark land And close my eyes and quench my breath — It may be I shall pass him still. I have a rendezvous with Death On some scarred slope of battered hill, When Spring comes round again this year And the first meadow-flowers appear. God knows 'twere better to be deep Pillowed in silk and scented down, Where love throbs out in blissful sleep, Pulse nigh to pulse, and breath to breath, Where hushed awakenings are dear... But I've a rendezvous with Death At midnight in some flaming town, When Spring trips north again this year, And I to my pledged word am true, I shall not fail that rendezvous.

Ah God! to see the branches stir Across the moon at Grantchester! To smell the thrilling-sweet and rotten Unforgettable, unforgotten River-smell, and hear the breeze Sobbing in the little trees. Say, do the elm-clumps greatly stand Still guardians of that holy land? The chestnuts shade, in reverend dream, The yet unacademic stream Is dawn a secret shy and cold Anadyomene, silver-gold? And sunset still a golden sea From Haslingfield to Madingley? And after, ere the night is born, Do hares come out about the corn? Oh, is the water sweet and cool, Gentle and brown, above the pool? And laughs the immortal river still Under the mill, under the mill? Say, is there Beauty yet to find? And Certainty? and Quiet kind? Deep meadows yet, for to forget The lies, and truths, and pain?… oh! yet Stands the Church clock at ten to three? And is there honey still for tea?

Why, if one wants to compare life to anything, one must liken it to being blown through the Tube at fifty miles an hour--landing at the other end without a single hairpin in one's hair! Shot out at the feet of God entirely naked! Tumbling head over heels in the asphodel meadows like brown paper parcels pitched down a shoot in the post office! With one's hair flying back like the tail of a race-horse. Yes, that seems to express the rapidity of life, the perpetual waste and repair; all so casual, all so haphazard... But after life. The slow pulling down of thick green stalks so that the cup of the flower, as it turns over, deluges one with purple and red light. Why, after all, should one not be born there as one is born here, helpless, speechless, unable to focus one's eyesight, groping at the roots of the grass, at the toes of the Giants?

Land and sea. We may think of them as opposites; as complements. But there is a difference in how we think of them; the sea, and the land. If we are walking around in a forest, a meadow or a town, we see our surroundings as being made up of individual elements. There are many different kinds of trees in varying sizes, those buildings, these streets. The meadow, the flowers, the bushes. Our gaze lingers on details, and if we are standing in a forest in the autumn, we become tongue-tied if we try to describe the richness around us. All this exists on land. But the sea. The sea is something completely different. The sea is one. We may note the shifting moods of the sea. What the sea looks like when the wind is blowing, how the sea plays with the light, how it rises and falls. But still it is always the sea we are talking about. We have given different parts of the sea different names for navigation and identification, but if we are standing before the sea, there is only one whole. The Sea. If we are taken so far out in a small boat that no land is visible in any direction, we may catch sight of the sea. It is not a pleasant experience. The sea is a god, an unseeing, unhearing deity that does not even know we exist. We mean less than a grain of sand on an elephant's back, and if the sea wants us, it will take us. That's just the way it is. The sea knows no limits, makes no concessions. It has given us everything and it can take everything away from us. To other gods we send our prayer: Protect us from the sea.

DD/MM/YYYY was not an ordinary day. Early in the morning, before the sunrise, a Baby Girl Fairy was dropped from the Fairy Lands to the Earth. There were songs of joys and rejoices everywhere. Cool breeze was playing and running across the meadows. Dew drops were dancing and floating over the leaves. Birds were swaying and singing in chorus: "Happy Birthday Happy Birthday Happy Birthday (Name), Happy Birthday Happy Birthday Happy Birthday to you.

The fairy waved her scarlet wand, and a shower of sparkling red fairy dust floated softly down to the ground. Where the dust landed, all kinds of red flowers appeared with a pop!

From the old and pleasantly situated village of Mayenfeld, a footpath winds through green and shady meadows to the foot of the mountains, which on this side look down from their stern and lofty heights upon the valley below. The land grows gradually wilder as the path ascends, and the climber has not gone far before he begins to inhale the fragrance of the short grass and sturdy mountain plants, for the way is steep and leads directly up to the summits above.

Now I would solicit the particular attention of those numerous people who imagine that money is everything in this world, and that rank and ability are inseparable from wealth: let them observe that Cincinnatus, the one man in whom Rome reposed all her hope of survival, was at that moment working a little three-acre farm (now known as Quinctian meadows) west of the Tiber, just opposite the spot where the shipyards are today. A mission from the city found him at work on his land - digging a ditch, maybe, or ploughing. Greetings were exchanged, and he was asked - with a prayer for God's blessing on himself and his country - to put on his toga and hear the Senate's instructions. This naturally surprised him, and, asking if all were well, he told his wife Racilia to run to their cottage and fetch his toga. The toga was brought, and wiping the grimy sweat from his hands and face he put it on; at once the envoys from the city saluted him, with congratulations, as Dictator, invited him to enter Rome, and informed him of the terrible danger of Minucius's army.

As the wind swelled, my tree started to sway. Almost like a human body it swung back and around, gently at first, then more and more wildly. While the swaying intensified, so did my fears that the trunk might snap and hurl me to the ground. But in time my confidence returned. Amazed at how the tree could be at once so flexible and so sturdy, I held on tight as it bent and waved, twisted and swirled, slicing curves and arcs through the air. With each graceful swing, I felt less a creature of the land and more a part of the wind itself. "The rain began falling, it's sound merging with the splashing river and the singing trees. Branches streamed like waterfalls of green. Tiny rivers cascaded down every trunk, twisting through moss meadows and bark canyons. All the while, I rode out the gale. I could not have felt wetter. I could not have felt freer. "When, at last, the storm subsided, the entire world seemed newly born. Sunbeams danced on rain-washed leaves. Curling columns of mist rose from every glade. The forest's colors shown more vivid, its smells struck more fresh. And I understood, for the first time in my life, that the Earth was always being remade, that life was always being renewed. That it may have been the afternoon of this particular day, but it was still the very morning of Creation.

From the old and pleasantly situated village of Mayenfeld, a footpath winds through green and shady meadows to the foot of the mountains, which on this side look down from their stern and lofty heights upon the valley below. The land grows gradually wilder as the path ascends, and the climber has not gone far before he begins to inhale the fragrance of the short grass and sturdy mountain plants, for the way is steep and leads directly up to the summits above. On a clear sunny morning in June two figures might be seen climbing the narrow mountain path; one, a tall strong-looking girl, the other a child whom she was leading by the hand, and whose little checks were so aglow with heat that the crimson color could be seen even through the dark, sunburned skin.

I am fluent in snark. Bethany only notices snark when snark grabs her off the sidewalk, throws her in the back of a sketchy van with tinted windows, drives to the middle of the Meadow-lands in the dead of night, and uses a heavy blunt instrument to smack her repeatedly about the head as it screams, “I’M SNARK. DO YOU FUCKING HEAR ME? I’M SNARKY SNARKY SNARK!” And even then she’s like, “Ohhhh? Snark? Is that you?

The heroes cleansed our world of chthonic terrors -- earthborn monsters that endangered mankind and threatened to choke the rise of civilisation. So long as dragons, giants, centaurs and mutant beasts infested the air, earth and seas we could never spread out with confidence and transform the wild world into a place of safety for humanity. In time, even the benevolent minor deities would find themselves elbowed out by the burgeoning and newly confident human race. The nymphs, dryads, fauns, satyrs and sprites of the mountains, streams, meadows and oceans could not compete with our need and greed for land to quarry, farm and build upon. The rise of a spirit of rational enquiry and scientific understanding pushed the immortals further from us. The world was being reshaped as a home fit for mortal beings only. Today, of course, some of the rarer and more vulnerable mortal creatures that have shared the world with us are undergoing the same threats to their natural territories that cuased the end of the nymphs and woodland spirits. Habitat loss and species extinction have all happened before. The days of the gods themselves were numbered too. Prometheus's gift of fire, as Zeus had feared, would one day allow us to do even without the Olympians.

When the crops were thriving, Squanto took the men to the open forests where the turkey dwelled. He pointed out the nuts, seeds, and insects that the iridescent birds fed upon. He showed them the leaf nests of the squirrels and the hideouts of the skunks and raccoons. Walking silently along bear trails, he took them to the blueberry patches. He told them that deer moved about at sundown and sunrise. He took them inland to valleys where the deer congregated in winter and were easy to harvest. He walked the Pilgrims freely over the land. To Squanto, as to all Native Americans, the land did not belong to the people, people belonged to the land. He took the children into the meadows to pick wild strawberries. He showed them how to dig up the sweet roots of the wild Jerusalem artichoke. In mid-summer he led them to cranberry bogs and gooseberry patches. Together they gathered chestnuts, hickory nuts, walnuts, and hazelnuts in September. He paddled the boys into the harbor in his dugout canoe to set lobster pots made of reeds and sinew. While they waited to lift their pots, he taught them the creatures of the tidal pools.

Flint's pond! Such is the poverty of our nomenclature. What right had the unclean and stupid farmer, whose farm abutted on this sky water, whose shores he has ruthlessly laid bare, to give his name to it? Some skin-flint, who loved better the reflecting surface of a dollar, or a bright cent, in which he could see his own brazen face; who regarded even the wild ducks which settled in it as trespassers; his fingers grown into crooked and bony talons from the long habit of grasping harpy-like; — so it is not named for me. I go not there to see him nor to hear of him; who never saw it, who never bathed in it, who never loved it, who never protected it, who never spoke a good word for it, nor thanked God that He had made it. Rather let it be named from the fishes that swim in it, the wild fowl or quadrupeds which frequent it, the wild flowers which grow by its shores, or some wild man or child the thread of whose history is interwoven with its own; not from him who could show no title to it but the deed which a like-minded neighbor or legislature gave him who thought only of its money value; whose presence perchance cursed — him all the shores; who exhausted the land around it, and would fain have exhausted the waters within it; who regretted only that it was not English hay or cranberry meadow — there was nothing to redeem it, forsooth, in his eyes — and would have drained and sold it for the mud at its bottom. It did not turn his mill, and it was no privilege to him to behold it. I respect not his labors, his farm where everything has its price, who would carry the landscape, who would carry his God, to market, if he could get anything for him; who goes to market for his god as it is; on whose farm nothing grows free, whose fields bear no crops, whose meadows no flowers, whose trees no fruits, but dollars; who loves not the beauty of his fruits, whose fruits are not ripe for him till they are turned to dollars. Give me the poverty that enjoys true wealth.

From the old and pleasantly situated village of Mayenfeld, a footpath winds through green and shady meadows to the foot of the mountains, which on this side look down from their stern and lofty heights upon the valley below. The land grows gradually wilder as the path ascends, and the climber has not gone far before he begins to inhale the fragrance of the short grass and sturdy mountain-plants, for the way is steep and leads directly up to the summits above. On a clear sunny morning in June two figures might be seen climbing the narrow mountain path; one, a tall strong-looking girl, the other a child whom she was leading by the hand, and whose little checks were so aglow with heat that the crimson color could be seen even through the dark, sunburnt skin.

Russia—not her politics, but her language, woodlands and meadows, rivers and lakes, centuries-old capitals, her poetry, her prayers, Tolstoy, Gogol, Bulgakov, Tchaikovsky, Prokofiev, Akhmatova, Mayakovsky, Pasternak, the White Nights, summers and winters, families, dachas, and above everything else, her ballet—birthed us and gave us a reason for life. I loved this land, and my place in it was at the theater. And if some things weren’t as they should be, that was also the case in every other country.

But knowing now the awesome power of memory, how it can open a blue door from one world to another, how it can move us from mountains to meadows, from green woods to fields caked in snow, knowing now that memory can fold the land like cloth, and knowing, too, how I had pushed my memory of her into the “down there” of my mind, how I forgot, but did not forget, I know now that this story, this Conduction, had to begin there on that fantastic bridge between the land of the living and the land of the lost.

The medicine to fear, these days, is a dose of reality! Because these days the reality is far worse than the disembodiment of the ideal. People today are afraid of the disembodiment of the ideal, because they think the ideal is the reality. A rabbit that does not know it lives in the ground with snakes, is constantly afraid of the sea hawk possibly finding its way to land, to destroy the rabbit’s meadowy existence. In the meadow, living in fear of the sea hawk, not knowing the hole in the ground next to its burrow belongs to a snake. I show the rabbit where the snakes are, thus eliminating its hazardous fear. Misplaced fear is hazardous fear. Fear well placed is a skill for survival.

It was that time of the year, the turning-point of summer, when the crops of the present year are a certainty, when one begins to think of the sowing for next year, and the mowing is at hand; when the rye is all in ear, though its ears are still light, not yet full, and it waves in gray-green billows in the wind; when the green oats, with tufts of yellow grass scattered here and there among it, droop irregularly over the late-sown fields; when the early buckwheat is already out and hiding the ground; when the fallow lands, trodden hard as stone by the cattle, are half ploughed over, with paths left untouched by the plough; when from the dry dung-heaps carted onto the fields there comes at sunset a smell of manure mixed with meadow-sweet, and on the low-lying lands the riverside meadows are a thick sea of grass waiting for the mowing, with blackened heaps of the stalks of sorrel among it.

To a Familiar Genius Flying By Reveal yourself, anonymous enchanter! What heaven hastens you to me? Why draw me to that promised land again That I gave up so long ago? Was it not you who in my youth Enchanted me with such sweet dreams, Did you not whisper, long ago, Dear hopes of a guests ethereal? Was it not you through whom all lived In golden days, in happy lands Of fragrant meadows, waters bright, Where days were merry ?neath clear skies? Was it not you who breathed into my vernal breast Some melancholy mysteries Tormenting it with keen desire Exciting it to anxious joy? Was it not you who bore my soul aloft Upon the inspiration of your sacred verse, Who flamed before me like a holy vision, Initiating me into life's beauty? In hours lost, hours of secret grief, Did you not always murmur to my heart, With happy comfort soothe it And nurture it with quiet hope? Did not my soul forever heed you In all the purest moments of my life When'ere it glimpsed fate's sacred essence With only God to witness it? What news bring you, O, my enchantress? Or will you once more call in dreams Awaken futile thoughts of old, Whisper of joy and then fall silent? O spirit, bide with me awhile; O, faithful friend, haste not away; Stay, please become my earthly life, O, Guardian angel of my soul.

When I go to sea, I go as a simple sailor, right before the mast, plumb down into the forecastle, aloft there to the royal mast-head. True, they rather order me about some, and make me jump from spar to spar, like a grasshopper in a May meadow. And at first, this sort of thing is unpleasant enough. It touches one's sense of honor, particularly if you come of an old established family in the land, the van Rensselaers, or Randolphs, or Hardicanutes. And more than all, if just previous to putting your hand into the tar-pot, you have been lording it as a country schoolmaster, making the tallest boys stand in awe of you. The transition is a keen one, I assure you, from the schoolmaster to a sailor, and requires a strong decoction of Seneca and the Stoics to enable you to grin and bear it. But even this wears off in time. What of it, if some old hunks of a sea-captain orders me to get a broom and sweep down the decks? What does that indignity amount to, weighed, I mean, in the scales of the New Testament? Do you think the archangel Gabriel thinks anything the less of me, because I promptly and respectfully obey that old hunks in that particular instance? Who ain't a slave? Tell me that. Well, then, however the old sea-captains may order me about—however they may thump and punch me about, I have the satisfaction of knowing that it is all right; that everybody else is one way or other served in much the same way—either in a physical or metaphysical point of view, that is; and so the universal thump is passed round, and all hands should rub each other's shoulder-blades, and be content.

One day I shall no longer exist, and no one will cut the meadow, the thickets will encroach upon it and later the forest will push as far as the wall and win back the land that man has stolen from it. Sometimes my thoughts grow confused, and it is as if the forest has put down roots in me, and is thinking its old, eternal thoughts with my brain. And the forest doesn't want human beings to come back.

Albert Graeme It was an English ladye bright, (The sun shines fair on Carlisle wall) And she would marry a Scottish knight, For Love will still be lord of all. Blithely they saw the rising sun When he shone fair on Carlisle wall; But they were sad ere day was done, Though Love was still the lord of all. Her sire gave brooch and jewel fine, Where the sun shines fair on Carlisle wall; Her brother gave but a flask of wine, For ire that Love was lord of all. For she had lands both meadow and lea, Where the sun shines fair on Carlisle wall, For he swore her death, ere he would see A Scottish knight the lord of all. That wine she had not tasted well (The sun shines fair on Carlisle wall) When dead, in her true love's arms, she fell, For Love was still the lord of all! He pierced her brother to the heart, Where the sun shines fair on Carlisle wall, So perish all would true love part That Love may still be lord of all! And then he took the cross divine, Where the sun shines fair on Carlisle wall, And died for her sake in Palestine; So Love was still the lord of all. Now all ye lovers, that faithful prove, (The sun shines fair on Carlisle wall) Pray for their souls who died for love, For Love shall still be lord of all! -- Canto 6

I had always avoided that bridge, for it was stained with the remembrance of the mothers, uncles, and cousins gone Natchez-way. But knowing now the awesome power of memory, how it can open a blue door from one world to another, how it can move us from mountains to meadows, from green woods to fields caked in snow, knowing now that memory can fold the land like cloth, and knowing, too, how I had pushed my memory of her into the “down there” of my mind, how I forgot, but did not forget, I know now that this story, this Conduction, had to begin there on that fantastic bridge between the land of the living and the land of the lost.

Her character was like a country which on first acquaintance seems grand, but inhospitable; but in which presently you discover smiling little villages among fruit trees in the folds of the majestic mountains, and pleasant ambling rivers that flow kindly through lush meadows. But these comfortable scenes, though they surprise and even reassure you, are not enough to make you feel at home in the land of tawny heights and windswept spaces.

What a scraping paring affair it is to be sure! The wonder is that I've any clothes on my back, that I sit surrounded by solid furniture at this moment. Why, if one wants to compare life to anything, one must liken it to being blown through the Tube at fifty miles an hour—landing at the other end without a single hairpin in one's hair! Shot out at the feet of God entirely naked! Tumbling head over heels in the asphodel meadows like brown paper parcels pitched down a shoot in the post office! With one's hair flying back like the tail of a race-horse. Yes, that seems to express the rapidity of life, the perpetual waste and repair; all so casual, all so haphazard ...

Look," Steven said, pointing at the sky. The stars were out in droves. One, far in the distance, was particularly bright. It flickered, then seemed to go out altogether before returning even brighter than before. "That's them, isn't it?" she said. "The Fall?" "Yes," Francesca said. "That's it. It looks just like the old texts say it would." "It was just"-Luce furrowed her brow, squinting-"I can only see it when I-" "Concentrate," Cam ordered. "What's happening to it?" Luce asked. "It is coming into being in this world," Daniel said. "It wasn't the physical transit from Heaven to Earth that took nine days. It was the shift from a Heavenly realm to an Earthly one. When we landed here, our bodies were...different. We became different. That took time." "Now time is taking us," Roland said, looking at the golden pocket watch that Dee must have given him before she died. "Then it is time for us to go," Daniel said to Luce. "Up there?" "Yes, we must soar up to meet them. We will fly right up to the limits of the Fall, and then you-" "I have to stop him?" "Yes." She closed her eyes thought back to the way Lucifer had looked at her in the Meadow. He looked like he wanted to crush every speck of tenderness there was. "I think I know how." "I told you she would say that!" Arriane whooped. Daniel pulled her close. "Are you sure?" She kissed him, never surer. "I just got my wings back, Daniel. I'm not going to let Lucifer take them away." So Luce and Daniel said goodbye to their friends, reached for each other's hands, and took off into the night. They flew upward forever, through the thinnest outer skin of the atmosphere, through a film of light at the edge of space.

Around them the stubbled land was marked off by plaques and signs that explained to visitors what had happened here on a long-ago July day not unlike this one. But Peter already knew all they said and more. He looked around at the people with their noses tucked in brochures and guidebooks, and those trailing, sheeplike, after tour guides and park employees. He was used to feeling somewhat out of place most everywhere he went--at school or the barbershop, even at home, but here, where he knew everything, all the names and dates and facts, he somehow seemed to fit, and the knowledge of this welled up inside him. It was like he'd been born a blue flower in a field full of red ones and had only now been plunked down in a meadow so blue it might as well have been the ocean.

Why, if one wants to compare life to anything, one must liken it to being blown through the Tube at fifty miles an hour--landing at the other end without a single hairpin in one's hair! Shot out at the feet of God entirely naked! Tumbling head over heels in the asphodel meadows like brown paper parcels pitched down a shoot in the post office! With one's hair flying back like the tail of a race-horse. Yes, that seems to express the rapidity of life, the perpetual waste and repair; all so casual, all so haphazard ...

Here again, I follow a light Because I want to end that night Because I want to stop the hunger Because I want to be much stronger Because, all I ever dreamt to be Is living a life of boredom free I find my mind playing a game To seduce a divine cloud of same Ones that rain only on meadows Those who bare no signs of sorrows I sing and laugh, I dance and leap I tell her stories of a past too deep I study her well to know the way To make her happy, to make her stay But when she rains and I realize That she is not what she once was And that my land did not grow A plant of love that I don’t know I miss the sun, I miss the wind And there this cloud’s story ends No more dances, no more songs There I count all her wrongs “You have to leave,” I tell her why she has to leave to free my sky for other clouds, big and divine will never wait nor stand in line There again, I follow a light Because I want to end that night Because I want to stop the hunger Because I want to be much stronger Because, all I ever dreamt to be Is living a life of boredom free

When this, our rose, is faded, And these, our days, are done, In lands profoundly shaded From tempest and from sun: Ah, once more come together, Shall we forgive the past, And safe from worldly weather Possess our souls at last? Or in our place of shadows Shall still we stretch an hand To green, remembered meadows, Of that old pleasant land? And vainly there foregathered, Shall we regret the sun? The rose of love, ungathered? The bay, we have not won? Ah, child! the world's dark marges May lead to Nevermore, The stately funeral barges Sail for an unknown shore, And love we vow to-morrow, And pride we serve to-day: What if they both should borrow Sad hues of yesterday? Our pride! Ah, should we miss it, Or will it serve at last? Our anger, if we kiss it, Is like a sorrow past. While roses deck the garden, While yet the sun is high, Doff sorry pride for pardon, Or ever love go by." -"Amantium Irae

But out under the Moon, Chestnut Ridge and Cheat behind them, and Monongahela to cross, into an Overture of meadow to the Horizon, low-lands become to them a dream whilst under a Spell, the way it gives back the Light, the way it withholds its Shadows,— who might not come to believe in an Eternal West? In a Momentum that bears all away? “Men are remov’d by it, and women, from where they were,— as if surrender’d to a great current of Westering. You will hear of gold cities, marble cities, men that fly, women that fight, fantastickal creatures never dream’d in Europe,— something always to take and draw you that way,

One at a time, then ten at a time, then hundreds of geese landed only yards from where Kya and Tate had sat under the ferns. The sky emptied as the wet meadow filled until it was covered in downy snow. No fancy dining room could compare to that, and the coon balls offered more spice and flare than almond-crusted trout.

Shortly after the American Revolution, Craig decided to start a new life in a freer place. Joining his brother Lewis, he led an exodus of six hundred people to what is present-day Kentucky. The group called itself “the Travelling Church.” The Kentucky they arrived in was a place of transition, new and unknown. To many, even the state’s name was a mystery. The Cherokee said it meant “dark and bloody ground,” but the Iroquois’s interpretation of Kanta-ke translated to “meadow-land.” The Wyandote interpreted it as “the land of tomorrow,” while the Shawnee claimed it meant “at the head of the river.” Others said it was simply a name invented by white people. The frontiersmen who had lived

I keep my eyes on what I remember as the road, because when I first landed in the Meadow, I wasn’t careful and I walked right into a rock. Only it wasn’t a rock — it was someone’s skull. It rolled over and over and landed faceup, and for a long time I couldn’t stop looking at the teeth, wondering whose they were, thinking of how mine would probably look the same way under similar circumstances.

Now she had words to dull her senses. English words, a new name, and covering it all like a warm blanket, a new life in amazing, immoderate, pulsating America. A sparkling new identity in a gilded immense new country. God had made it as easy as possible to forget him. To you, I give this, God said. I give you freedom and sun, and warmth, and comfort. I give you summers in Sheep Meadow and Coney Island, and I give you Vikki, your friend for life, and I give you Anthony, your son for life, and I give you Edward, in case you want love again. I give you youth and I give you beauty, in case you want someone other than Edward to love you. I give you New York. I give you seasons, and Christmas! And baseball and dancing and paved roads and refrigerators, and a car, and land in Arizona. I give it all to you. All I ask, is that you forget him and take it.

The Grand Canyon is a land of song. Mountains of music swell in the rivers, hills of music billow in the creeks, and meadows of music murmur in the rills that ripple over the rocks. Altogether it is a symphony of multitudinous melodies. All this is the music of waters. The adamant foundations of the earth have been wrought into a sublime harp, upon which the clouds of the heavens play with mighty tempests or with gentle showers.

The day was warm; but the fact that the sky was covered with a filmy veil of grey clouds gave to the vast plain before him the appearance of a landscape whose dominant characteristic consisted in a patient effacement of all emphatic or outstanding qualities. The green of the meadows was a shy, watery green. The verdure of the elm trees was a sombre, blackish monotony. The yellow of the stubble land was a whitish-yellow, pallid and lustreless.

Then they went floating under vernal arches, where a murmurous rustle seemed to whisper, "Stay!" along shadowless sweeps, where the blue turned to gold and dazzled with its unsteady shimmer; passed islands so full of birds they seemed green cages floating in the sun, or doubled capes that opened long vistas of light and shade, through which they sailed into the pleasant land where summer reigned supreme. To Sylvia it seemed as if the inhabitants of these solitudes had flocked down to the shore to greet her as she came. Fleets of lilies unfurled their sails on either hand, and cardinal flowers waved their scarlet flags among the green. The sagittaria lifted its blue spears from arrowy leaves; wild roses smiled at her with blooming faces; meadow lilies rang their flame-colored bells; and clematis and ivy hung garlands everywhere, as if hers were a floral progress, and each came to do her honor.

Only about one in fifteen great grey eggs hatch and make it to adulthood. Hatchlings get eaten by ravens, martens, black bears, and great horned owls; nestlings often starve. Because they require such extensive hunting grounds, great greys are particularly vulnerable to habitat loss: cattle trample meadows, decimating prey numbers; wildfires incinerate nesting areas; the owls eat rodents that have eaten poison, die in vehicle collisions, and fly into utility wires.

She drives him home. It is five in the morning. ‘I’ve never made love all night,’ she says. Her right hand rests in his…She drives with her left. They pass the cornbread meadow—a field covered with yellow poppies and black and white cows motionless in the blue mist. Sleeping. A small spread of land in the middle of civilization…it is almost dawn. The streets are peaceful. The world does not hurt at such an hour. There is time. -from Who Has Known Heights: The Mystique Memoirs of a Melancholic Mind

The song she heard from the meadow was the same tune as the bird's call.She looked up in the trees.For a moment she thought she'd lost the bird, and she nearly cried out for him, but he fluttered down,landed right at her feet, and grew into a man." "Oh." Meg sighed.She'd always liked that part. "He whistled the tune once more, then the fey man said, 'My lady,will you dance?" "'I will.' She crossed the bridge to the meadow,and danced with the whistler." "Tell us they married," Meg said. "The story doesn't go like that," Poppy reminded. "It should." Meg stroked Tom's blood-clotted hair. I fumbled with the charcoal in my blackened fingers. As the story went, the girl danced through the seasons, but when she wandered home at last and reached her cottage door, she was a shriveled-up old women, for a hundred years had passed while she danced with the whistler,and everyone she'd known in her former life had died. Meg knew how it went.But when our eyes locked, I saw tonight she couldn't bear it. I found another bit of charcoal. "That very spring when the meadow was in bloom,the whistler, who had fey power to transform into a bird and sing any girl he wished to into the wood, chose the one girl who'd followed him so bravely and so far to be his wife. And she lived with him and the fey folk deep in Dragonswood in DunGarrow Castle, a place that blends into the mountainside and cannot be seen with human eyes unless the fairies will it so." I drew the couple hand in hand, rouch sketches on the cave wall; the stone wasn't smooth by any means. "She lived free among the fey folk and never wanted to return to her old life that had been full of hunger and sorrow under her father's roof." I sketched what came next before I could think of it. "A dragon came to their wedding," I said, drawing his right wing so large, I had to use the ceiling. "He lit a bonfire to celebrate their union." I drew the left wing spanning over the couple in the meadow. "And they lived all their lives content in Dragonswood.

Horses I will not take to Ithaca. I’d rather leave them here to grace your own stables. For your kingdom is a broad plain, where clover and galingale grow in plenty, with wheat and rye and broad-eared white barley; whereas in Ithaca there is no room for horses to run, nor any meadows at all. It is a pasture-land for goats and more attractive to my eyes than the sort of land where horses thrive. None of the islands that slope down to the sea is rich in meadows or suitable for chariots, Ithaca least of all.

Жираф Сегодня, я вижу, особенно грустен твой взгляд, И руки особенно тонки, колени обняв. Послушай: далёко, далёко на озере Чад Изысканный бродит жираф. Ему грациозная стройность и нега дана, И шкуру его украшает волшебный узор, С которым равняться осмелиться только Луна, Дробясь и качаясь на влаге широких озёр. Вдали он подобен цветным парусам корабля, И бег его плавен, как радостный птичий полёт. Я знаю, что много чудесного видит земля, Когда на закате он прячется в мраморный грот. Я знаю весёлые сказки таинственных стран Про чёрную деву, про страсть молодого вождя, Но ты слишком долго вдыхала тяжёлый туман, Ты верить не хочешь во что-нибудь, кроме дождя. И как я тебе расскажу про тропический сад, Про стройный пальмы, про запах немыслимых трав... Ты плачешь? Послушай... далёко, на озере Чад Изысканный бродит жираф. The Giraffe O, the look in your eyes this morning is more than usually sad, With your little arms wrapped round your knees and body bent in half. Let me tell you a story: far, far away, on the distant shores of Lake Chad, There roams a most majestic giraffe Blessed with a handsome build and graceful carriage And a coat painted hypnotic, magical patterns, With which none but the moon above dare compare When her light falls down to be scattered and rocked on the waters, Passing like a blazing sail far out at sea As she runs by, nimble and carefree as a bird in flight. I hear tell the earth has seen many wonderful things When the giraffe hides herself away and the sun sets into night. I know fabulous tales of far off, alien lands, Of a dark maiden, of a young captain’s burning desire, all this I know, But you’ve breathed in the damp marsh air for so long You don’t want to believe in anything but the rain out your window. I still haven’t told you about her tropic garden, with the slenderest palm trees, The sweetest wildflowers, meadows of unbelievable grass . . . Are you crying? Let me tell you a story: far away, on the distant shores of Lake Chad, There roams a most majestic giraffe.

One Autumn night, in Sudbury town, Across the meadows bare and brown, The windows of the wayside inn Gleamed red with fire-light through the leaves Of woodbine, hanging from the eaves Their crimson curtains rent and thin.” “As ancient is this hostelry As any in the land may be, Built in the old Colonial day, When men lived in a grander way, With ampler hospitality; A kind of old Hobgoblin Hall, Now somewhat fallen to decay, With weather-stains upon the wall, And stairways worn, and crazy doors, And creaking and uneven floors, And chimneys huge, and tiled and tall. A region of repose it seems, A place of slumber and of dreams, Remote among the wooded hills! For there no noisy railway speeds, Its torch-race scattering smoke and gleeds; But noon and night, the panting teams Stop under the great oaks, that throw Tangles of light and shade below, On roofs and doors and window-sills. Across the road the barns display Their lines of stalls, their mows of hay, Through the wide doors the breezes blow, The wattled cocks strut to and fro, And, half effaced by rain and shine, The Red Horse prances on the sign. Round this old-fashioned, quaint abode Deep silence reigned, save when a gust Went rushing down the county road, And skeletons of leaves, and dust, A moment quickened by its breath, Shuddered and danced their dance of death, And through the ancient oaks o'erhead Mysterious voices moaned and fled. These are the tales those merry guests Told to each other, well or ill; Like summer birds that lift their crests Above the borders of their nests And twitter, and again are still. These are the tales, or new or old, In idle moments idly told; Flowers of the field with petals thin, Lilies that neither toil nor spin, And tufts of wayside weeds and gorse Hung in the parlor of the inn Beneath the sign of the Red Horse. Uprose the sun; and every guest, Uprisen, was soon equipped and dressed For journeying home and city-ward; The old stage-coach was at the door, With horses harnessed, long before The sunshine reached the withered sward Beneath the oaks, whose branches hoar Murmured: "Farewell forevermore. Where are they now? What lands and skies Paint pictures in their friendly eyes? What hope deludes, what promise cheers, What pleasant voices fill their ears? Two are beyond the salt sea waves, And three already in their graves. Perchance the living still may look Into the pages of this book, And see the days of long ago Floating and fleeting to and fro, As in the well-remembered brook They saw the inverted landscape gleam, And their own faces like a dream Look up upon them from below.

My heart aches, and a drowsy numbness pains My sense, as though of hemlock I had drunk, Or emptied some dull opiate to the drains One minute past, and Lethe-wards had sunk: 'Tis not through envy of thy happy lot, But being too happy in thine happiness,— That thou, light-winged Dryad of the trees In some melodious plot Of beechen green, and shadows numberless, Singest of summer in full-throated ease. O for a beaker full of the warm South, Full of the true, the blushful Hippocrene, With beaded bubbles winking at the brim, And purple-stained mouth; That I might drink, and leave the world unseen, And with thee fade away into the forest dim: Fade far away, dissolve, and quite forget What thou among the leaves hast never known, The weariness, the fever, and the fret Here, where men sit and hear each other groan; Where palsy shakes a few, sad, last gray hairs, Where youth grows pale, and spectre-thin, and dies; Where but to think is to be full of sorrow And leaden-eyed despairs, Where Beauty cannot keep her lustrous eyes, Or new Love pine at them beyond to-morrow. Away! away! for I will fly to thee, Not charioted by Bacchus and his pards, But on the viewless wings of Poesy, Though the dull brain perplexes and retards: Already with thee! tender is the night, And haply the Queen-Moon is on her throne, Cluster'd around by all her starry Fays; But here there is no light, Save what from heaven is with the breezes blown Through verdurous glooms and winding mossy ways. I cannot see what flowers are at my feet, Nor what soft incense hangs upon the boughs, But, in embalmed darkness, guess each sweet Wherewith the seasonable month endows The grass, the thicket, and the fruit-tree wild; White hawthorn, and the pastoral eglantine; Fast fading violets cover'd up in leaves; And mid-May's eldest child, The coming musk-rose, full of dewy wine, The murmurous haunt of flies on summer eves. Darkling I listen; and, for many a time I have been half in love with easeful Death, Call'd him soft names in many a mused rhyme, To take into the air my quiet breath; Now more than ever seems it rich to die, To cease upon the midnight with no pain, While thou art pouring forth thy soul abroad Thou wast not born for death, immortal Bird! No hungry generations tread thee down; The voice I hear this passing night was heard In ancient days by emperor and clown: Perhaps the self-same song that found a path Through the sad heart of Ruth, when, sick for home, She stood in tears amid the alien corn; The same that oft-times hath Charm'd magic casements, opening on the foam Of perilous seas, in faery lands forlorn. Forlorn! the very word is like a bell To toll me back from thee to my sole self! Adieu! the fancy cannot cheat so well As she is fam'd to do, deceiving elf. Adieu! adieu! thy plaintive anthem fades Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep In the next valley-glades: Was it a vision, or a waking dream? Fled is that music:—Do I wake or sleep? - Ode to a Nightingale

SANCTUARY the safest place in the world is a book is a shifting land on top of a tree so high up that a belt can't reach is a closet opening into snow with a tropical child tumbling through is a river, a mermaid, a spaceship a girl with living tentacles for hair is a red-horned, gold-feathered angel a dusty crocodile on a second star is a fractional platform, another family one with only soft mothers and aunts is a meadow, is a menu of words an oxygen mask, chest compressions is a map for someone who has died many times, and wants to come back.

In recent years scientists have discovered that coastal wetlands—salt marshes, but also mangroves and saw grass meadows—store a quarter of the carbon found in the earth’s soil, despite covering only 5 percent of the planet’s land area. That means that an acre of healthy coastal wetlands will clean far more air than an acre of the Amazon. “They sequester about fifteen times more carbon than upland forests,” Beverly tells me. “But how effective are these ecosystems when they have been dammed, diked, culverted, or drained? That’s what we’d like to know.

There exist, he says, natural, vulgar, and pathological variants of this impulse, in addition to a higher form which is the only genuinely humane type. Its vulgar manifestation lacks all moral value, and can occur even among mindless animals. The less educated one is, the less familiar one is with the qualities of other places in the world: all the stronger is the attraction to the patch of land where one first saw the light of day. In this respect, Greenlanders and Laplanders, Samoyeds and Hottentots must be listed together with the cowherd on his Swiss Alpine meadow.

The rhododendron, growing every minute somewhere in Alpine meadows, are far happier than we, for they know neither love, nor hate, nor the Perillo slipper system, and they don't even die, since all nature, excepting man, is one undying, indestructible whole. If one tree somewhere in the forest perishes from old age, before dying, it gives the wind so many seeds, and so many new trees grow up around it on the land, near and far, that the wold tree, especially the rhododendron doesn't mind dying. [...] Only man minds and feels bitter, and burdened as he is with egotistical pity for himself.

Before my eyes daily as we sailed way down upon the Suwannee River were visions of spring furrows at Clouds Creek, the warmed earth opened up behind the plow; of wildflowered meadows, cool and verdant, and airy open woods along the shaded creeks, winding southeast to the Edisto. That spring landscape turned forever and away in my mind's eye, changing softly into gold greens of upland summer in that lost land where I was born, the country of my forefathers, the heart of home. Clouds Creek—my earth—was the wellspring and the source of Edgar Watson, all the Eden he had ever wished or hoped to find.

One Autumn night, in Sudbury town, Across the meadows bare and brown, The windows of the wayside inn Gleamed red with fire-light through the leaves Of woodbine, hanging from the eaves Their crimson curtains rent and thin. As ancient is this hostelry As any in the land may be, Built in the old Colonial day, When men lived in a grander way, With ampler hospitality; A kind of old Hobgoblin Hall, Now somewhat fallen to decay, With weather-stains upon the wall, And stairways worn, and crazy doors, And creaking and uneven floors, And chimneys huge, and tiled and tall. A region of repose it seems, A place of slumber and of dreams, Remote among the wooded hills! For there no noisy railway speeds, Its torch-race scattering smoke and gleeds; But noon and night, the panting teams Stop under the great oaks, that throw Tangles of light and shade below, On roofs and doors and window-sills. Across the road the barns display Their lines of stalls, their mows of hay, Through the wide doors the breezes blow, The wattled cocks strut to and fro, And, half effaced by rain and shine, The Red Horse prances on the sign. Round this old-fashioned, quaint abode Deep silence reigned, save when a gust Went rushing down the county road, And skeletons of leaves, and dust, A moment quickened by its breath, Shuddered and danced their dance of death, And through the ancient oaks o'erhead Mysterious voices moaned and fled. These are the tales those merry guests Told to each other, well or ill; Like summer birds that lift their crests Above the borders of their nests And twitter, and again are still. These are the tales, or new or old, In idle moments idly told; Flowers of the field with petals thin, Lilies that neither toil nor spin, And tufts of wayside weeds and gorse Hung in the parlor of the inn Beneath the sign of the Red Horse. Uprose the sun; and every guest, Uprisen, was soon equipped and dressed For journeying home and city-ward; The old stage-coach was at the door, With horses harnessed,long before The sunshine reached the withered sward Beneath the oaks, whose branches hoar Murmured: "Farewell forevermore. Where are they now? What lands and skies Paint pictures in their friendly eyes? What hope deludes, what promise cheers, What pleasant voices fill their ears? Two are beyond the salt sea waves, And three already in their graves. Perchance the living still may look Into the pages of this book, And see the days of long ago Floating and fleeting to and fro, As in the well-remembered brook They saw the inverted landscape gleam, And their own faces like a dream Look up upon them from below.

From his corner office on the ground floor of the St. Cyril station house, Inspector Dick has a fine view of the parking lot. Six Dumpsters plated and hooped like iron maidens against bears. Beyond the Dumpsters a subalpine meadow, and then the snow¬ capped ghetto wall that keeps the Jews at bay. Dick is slouched against the back of his two-thirds-scale desk chair, arms crossed, chin sunk to his chest, star¬ing out the casement window. Not at the mountains or the meadow, grayish green in the late light, tufted with wisps of fog, or even at the armored Dumpsters. His gaze travels no farther than the parking lot—no farther than his 1961 Royal Enfield Crusader. Lands¬man recognizes the expression on Dick's face. It's the expression that goes with the feeling Landsman gets when he looks at his Chevelle Super Sport, or at the face of Bina Gelbfish. The face of a man who feels he was born into the wrong world. A mistake has been made; he is not where he belongs. Every so often he feels his heart catch, like a kite on a telephone wire, on something that seems to promise him a home in the world or a means of getting there. An American car manufactured in his far-off boyhood, say, or a motor¬cycle that once belonged to the future king of England, or the face of a woman worthier than himself of being loved.

Well, now it looks as if the time’s come for witchers. You’re reading Roderick de Novembre? As far as I remember, there are mentions of witchers there, of the first ones who started work some three hundred years ago. In the days when the peasants used to go to reap the harvest in armed bands, when villages were surrounded by a triple stockade, when merchant caravans looked like the march of regular troops, and loaded catapults stood on the ramparts of the few towns night and day. Because it was us, human beings, who were the intruders here. This land was ruled by dragons, manticores, griffins and amphisboenas, vampires and werewolves, striga, kikimoras, chimera and flying drakes. And this land had to be taken from them bit by bit, every valley, every mountain pass, every forest and every meadow. And we didn’t manage that without the invaluable help of witchers. But those times have gone, Geralt, irrevocably gone. The baron won’t allow a forktail to be killed because it’s the last draconid for a thousand miles and no longer gives rise to fear but rather to compassion and nostalgia for times passed. The troll under the bridge gets on with people. He’s not a monster used to frighten children. He’s a relic and a local attraction -- and a useful one at that. And chimera, manticores and amphisboenas? They dwell in virgin forests and inaccessible mountains--

Now the last age by Cumae's Sibyl sung has come and gone, and the majestic roll of circling centuries begins anew: justice returns, returns old Saturn's reign, with a new breed of men sent down from heaven. Only do thou, at the boy's birth in whom the iron shall cease, the golden race arise, befriend him, chaste Lucina; 'tis thine own apollo reigns. And in thy consulate, this glorious age, O Pollio, shall begin, and the months enter on their mighty march. Under thy guidance, whatso tracks remain of our old wickedness, once done away, shall free the earth from never-ceasing fear. He shall receive the life of gods, and see heroes with gods commingling, and himself be seen of them, and with his father's worth reign o'er a world at peace. For thee, O boy, first shall the earth, untilled, pour freely forth her childish gifts, the gadding ivy-spray with foxglove and Egyptian bean-flower mixed, and laughing-eyed acanthus. Of themselves, untended, will the she-goats then bring home their udders swollen with milk, while flocks afield shall of the monstrous lion have no fear. Thy very cradle shall pour forth for thee caressing flowers. The serpent too shall die, die shall the treacherous poison-plant, and far and wide Assyrian spices spring. But soon as thou hast skill to read of heroes' fame, and of thy father's deeds, and inly learn what virtue is, the plain by slow degrees with waving corn-crops shall to golden grow, fom the wild briar shall hang the blushing grape, and stubborn oaks sweat honey-dew. Nathless yet shall there lurk within of ancient wrong some traces, bidding tempt the deep with ships, gird towns with walls, with furrows cleave the earth. Therewith a second Tiphys shall there be, her hero-freight a second Argo bear; new wars too shall arise, and once again some great Achilles to some Troy be sent. Then, when the mellowing years have made thee man, no more shall mariner sail, nor pine-tree bark ply traffic on the sea, but every land shall all things bear alike: the glebe no more shall feel the harrow's grip, nor vine the hook; the sturdy ploughman shall loose yoke from steer, nor wool with varying colours learn to lie; but in the meadows shall the ram himself, now with soft flush of purple, now with tint of yellow saffron, teach his fleece to shine.

...Most peasants never traveled farther than twenty-five miles from the village of their birth. They had strong social ties to their communities, and could not imagine living anywhere else. "In many places, peasant villages were located within a noble's estate, which was called a manor. Manors could be as small as one hundred acres or as large as several thousand acres and typically encompassed a mixture of cultivated and uncultivated land. Forests provided wood, nuts, and berries; pastures and meadows offered grazing for livestock; and lakes and rivers gave water and fish. But the largest acreage was devoted to agriculture, apportioned among the peasants and the noble, although the noble did no farming himself. Instead the peasants collectively worked both his land and theirs.

When winter comes for war, You shall hear no Lions roar. When winter forces you to yield, No Stags shall graze upon the field. When winter creeps upon you from the shadows, No Roses shall bloom from the meadows. When winter wreaks havoc on the land, You can bet there'll be no Snakes in the sand. When winter brings to life all it finds grim, The Krakens will freeze where they swim. When winter sets and the land begins to shiver, The Flayed Man will start to rot and wither. When winter fights to the last sliver, No more Trouts shall swim in the river. When winter ravages and all despair, No Falcons shall fly high in the air. When winter shows you what happens when snow falls, Not even Dragon breath shall warm you in your halls. When winter comes with all it's might, Only the Wolves shall howl in the night!

It is a lovely strath. The flat river lands widen and narrow, the path goes by and through hazel woods where nuts ripen in harvest weather, discloses sudden meadows where rabbits look and vanish, swerves round and on, but ever holds by the river. The slopes that shut out the strath from the moors are steep and wooded to their summits. It is not a glen of the mountains, craggy, stupendous, physically impressive. There is nothing here to overwhelm the romantic mind. Its beauty is an inward grace in oneself akin to what is indefinable in the memory of a masterpiece. Beauty, intimate and secretive, has a lingering, lovely mirth; at the core of it, hope and fulfilment meet and tread a measure; while heads turn with glistening eyes to look for any or no excuse to laugh. In some such mood the Creator must have looked upon his handiwork and called it good.

And such was the return to which he had looked through the weary perspective of many years, and for which he had undergone so much suffering! No face of welcome, no look of forgiveness, no house to receive, no hand to help him — and this too in the old village. What was his loneliness in the wild, thick woods, where man was never seen, to this! ‘He felt that in the distant land of his bondage and infamy, he had thought of his native place as it was when he left it; and not as it would be when he returned. The sad reality struck coldly at his heart, and his spirit sank within him. He had not courage to make inquiries, or to present himself to the only person who was likely to receive him with kindness and compassion. He walked slowly on; and shunning the roadside like a guilty man, turned into a meadow he well remembered; and covering his face with his hands, threw himself upon the grass.

Such is the lot of the knight that even though my patrimony were ample and adequate for my support, nevertheless here are the disturbances which give me no quiet. We live in fields, forests, and fortresses. Those by whose labors we exist are poverty-stricken peasants, to whom we lease our fields, vineyards, pastures, and woods. The return is exceedingly sparse in proportion to the labor expended. Nevertheless the utmost effort is put forth that it may be bountiful and plentiful, for we must be diligent stewards. I must attach myself to some prince in the hope of protection. Otherwise every one will look upon me as fair plunder. But even if I do make such an attachment hope is beclouded by danger and daily anxiety. If I go away from home I am in peril lest I fall in with those who are at war or feud with my overlord, no matter who he is, and for that reason fall upon me and carry me away. If fortune is adverse, the half of my estates will be forfeit as ransom. Where I looked for protection I was ensnared. We cannot go unarmed beyond to yokes of land. On that account, we must have a large equipage of horses, arms, and followers, and all at great expense. We cannot visit a neighboring village or go hunting or fishing save in iron. Then there are frequently quarrels between our retainers and others, and scarcely a day passes but some squabble is referred to us which we must compose as discreetly as possible, for if I push my claim to uncompromisingly war arises, but if I am too yielding I am immediately the subject of extortion. One concession unlooses a clamor of demands. And among whom does all this take place? Not among strangers, my friend, but among neighbors, relatives, and those of the same household, even brothers. These are our rural delights, our peace and tranquility. The castle, whether on plain or mountain, must be not fair but firm, surrounded by moat and wall, narrow within, crowded with stalls for the cattle, and arsenals for guns, pitch, and powder. Then there are dogs and their dung, a sweet savor I assure you. The horsemen come and go, among them robbers, thieves, and bandits. Our doors are open to practically all comers, either because we do not know who they are or do not make too diligent inquiry. One hears the bleating of sheep, the lowing of cattle, the barking of dogs, the shouts of men working in the fields, the squeaks or barrows and wagons, yes, and even the howling of wolves from nearby woods. The day is full of thought for the morrow, constant disturbance, continual storms. The fields must be ploughed and spaded, the vines tended, trees planted, meadows irrigated. There is harrowing, sowing, fertilizing, reaping, threshing: harvest and vintage. If the harvest fails in any year, then follow dire poverty, unrest, and turbulence.

Our village life would stagnate if it were not for the unexplored forests and meadows which surround it. We need the tonic of wildness — to wade sometimes in marshes where the bittern and the meadow-hen lurk, and hear the booming of the snipe; to smell the whispering sedge where only some wilder and more solitary fowl builds her nest, and the mink crawls with its belly close to the ground. At the same time that we are earnest to explore and learn all things, we require that all things be mysterious and unexplorable, that land and sea be infinitely wild, unsurveyed and unfathomed by us because unfathomable. We can never have enough of nature. We must be refreshed by the sight of inexhaustible vigor, vast and titanic features, the sea-coast with its wrecks, the wilderness with its living and its decaying trees, the thunder-cloud, and the rain which lasts three weeks and produces freshets. We need to witness our own limits transgressed, and some life pasturing freely where we never wander.

But the creator of things,------1890 nature herself, was the first example of sowing seed and the start of grafting, for berries and acorns fell down from trees and, in due season, produced underneath a crowd of seedlings. Then from nature, too, they got the idea of setting young shoots into branches and planting new saplings in the ground through all their fields. After that, they kept trying various ways of tilling pleasant fields and saw that with tender care------1900 and gentle cultivation earth would tame wild fruits. Day by day, men forced the forests to move further up the mountains, yielding------[1370] lower parts to farming, so they could have meadows, lakes, streams, grain fields, and rich vineyards on hills and plains, and dark bands of olives could run between, marking the divisions, spreading over hillocks, plains, and valleys, just as you now see all land divided with various fine things—men make it shine------1910 by arranging sweet orchard trees in rows, and, with fertile shrubs planted all around, keep them fenced in.

She gazed out at the seductive vista. The countryside was dressed in its prettiest May garb- everything budding or blooming or bursting out in the exuberance of late spring. For Laura, the landscape at thirteen hundred feet up a Welsh mountain was the perfect mix of reassuringly tamed and excitingly wild. In front of the house were lush, high meadows filled with sheep, the lambs plump from their mother's grass-rich milk. Their creamy little shapes bright and clean against the background of pea green. A stream tumbled down the hillside, disappearing into the dense oak woods at the far end of the fields, the ocher trunks fuzzy with moss. On either side of the narrow valley, the land rose steeply to meet the open mountain on the other side of the fence. Here young bracken was springing up sharp and tough to claim the hills for another season. Beyond, in the distance, more mountains rose and fell as far as the eye could see. Laura undid the latch and pushed open the window. She closed her eyes. A warm sigh of the wind carried the scent of hawthorn blossom from the hedgerow.

It all starts with the wolves. Wolves disappeared from Yellowstone, the world’s first national park, in the 1920s. When they left, the entire ecosystem changed. Elk herds in the park increased their numbers and began to make quite a meal of the aspens, willows, and cottonwoods that lined the streams. Vegetation declined and animals that depended on the trees left. The wolves were absent for seventy years. When they returned, the elks’ languorous browsing days were over. As the wolf packs kept the herds on the move, browsing diminished, and the trees sprang back. The roots of cottonwoods and willows once again stabilized stream banks and slowed the flow of water. This, in turn, created space for animals such as beavers to return. These industrious builders could now find the materials they needed to construct their lodges and raise their families. The animals that depended on the riparian meadows came back, as well. The wolves turned out to be better stewards of the land than people, creating conditions that allowed the trees to grow and exert their influence on the landscape. My

Deep underground, microbes turn half a century's worth of city waste into methane. The gases and leachate are extracted through an extensive network of subterranean pipes and then used to power 22,000 nearby homes. While 150 million tons of garbage gradually decomposes unseen below the surface, above ground, the former dump reverts to meadows, woodland and saltwater marshes, providing a haven for wildlife and a massive park for the people of New York. This is Fresh Kills in the 2020s. In 2001, the infamous landfill received its last, and saddest, consignments - the charred debris of the World Trade Center. Since then, it has been transformed into a 2,315-acre public park. Three times bigger than Central Park, it is the largest new green public space created within New York City for over a century, a mixture of wildlife habitats, bike trails, sports fields, art exhibits and playgrounds. This is poisoned land: fifty years' worth of landfill has killed for ever one of the city's most productive wetland ecosystems. Restoration is impossible. Instead, a brand new ecosystem is emerging on top of the toxic garbage

By the shore of Gitche Gumee, By the shining Big-Sea-Water, At the doorway of his wigwam, In the pleasant Summer morning, Hiawatha stood and waited. All the air was full of freshness, All the earth was bright and joyous, And before him, through the sunshine, Westward toward the neighboring forest Passed in golden swarms the Ahmo, Passed the bees, the honey-makers, Burning, singing in the sunshine. Bright above him shone the heavens, Level spread the lake before him; From its bosom leaped the sturgeon, Sparkling, flashing in the sunshine; On its margin the great forest Stood reflected in the water, Every tree-top had its shadow, Motionless beneath the water. From the brow of Hiawatha Gone was every trace of sorrow, As the fog from off the water, As the mist from off the meadow. With a smile of joy and triumph, With a look of exultation, As of one who in a vision Sees what is to be, but is not, Stood and waited Hiawatha. Toward the sun his hands were lifted, Both the palms spread out against it, And between the parted fingers Fell the sunshine on his features, Flecked with light his naked shoulders, As it falls and flecks an oak-tree Through the rifted leaves and branches. O'er the water floating, flying, Something in the hazy distance, Something in the mists of morning, Loomed and lifted from the water, Now seemed floating, now seemed flying, Coming nearer, nearer, nearer. Was it Shingebis the diver? Or the pelican, the Shada? Or the heron, the Shuh-shuh-gah? Or the white goose, Waw-be-wawa, With the water dripping, flashing, From its glossy neck and feathers? It was neither goose nor diver, Neither pelican nor heron, O'er the water floating, flying, Through the shining mist of morning, But a birch canoe with paddles, Rising, sinking on the water, Dripping, flashing in the sunshine; And within it came a people From the distant land of Wabun, From the farthest realms of morning Came the Black-Robe chief, the Prophet, He the Priest of Prayer, the Pale-face, With his guides and his companions. And the noble Hiawatha, With his hands aloft extended, Held aloft in sign of welcome, Waited, full of exultation, Till the birch canoe with paddles Grated on the shining pebbles, Stranded on the sandy margin, Till the Black-Robe chief, the Pale-face, With the cross upon his bosom, Landed on the sandy margin. Then the joyous Hiawatha Cried aloud and spake in this wise: "Beautiful is the sun, O strangers, When you come so far to see us! All our town in peace awaits you, All our doors stand open for you; You shall enter all our wigwams, For the heart's right hand we give you. "Never bloomed the earth so gayly, Never shone the sun so brightly, As to-day they shine and blossom When you come so far to see us! Never was our lake so tranquil, Nor so free from rocks, and sand-bars; For your birch canoe in passing Has removed both rock and sand-bar. "Never before had our tobacco Such a sweet and pleasant flavor, Never the broad leaves of our cornfields Were so beautiful to look on, As they seem to us this morning, When you come so far to see us!' And the Black-Robe chief made answer, Stammered in his speech a little, Speaking words yet unfamiliar: "Peace be with you, Hiawatha, Peace be with you and your people, Peace of prayer, and peace of pardon, Peace of Christ, and joy of Mary!" Then the generous Hiawatha Led the strangers to his wigwam, Seated them on skins of bison, Seated them on skins of ermine, And the careful old Nokomis

Now the last age by Cumae's Sibyl sung has come and gone, and the majestic roll of circling centuries begins anew: justice returns, returns old Saturn's reign, with a new breed of men sent down from heaven. Only do thou, at the boy's birth in whom the iron shall cease, the golden race arise, befriend him, chaste Lucina; 'tis thine own apollo reigns. And in thy consulate, this glorious age, O Pollio, shall begin, and the months enter on their mighty march. Under thy guidance, whatso tracks remain of our old wickedness, once done away, shall free the earth from never-ceasing fear. He shall receive the life of gods, and see heroes with gods commingling, and himself be seen of them, and with his father's worth reign o'er a world at peace. For thee, O boy, first shall the earth, untilled, pour freely forth her childish gifts, the gadding ivy-spray with foxglove and Egyptian bean-flower mixed, and laughing-eyed acanthus. Of themselves, untended, will the she-goats then bring home their udders swollen with milk, while flocks afield shall of the monstrous lion have no fear. Thy very cradle shall pour forth for thee caressing flowers. The serpent too shall die, die shall the treacherous poison-plant, and far and wide Assyrian spices spring. But soon as thou hast skill to read of heroes' fame, and of thy father's deeds, and inly learn what virtue is, the plain by slow degrees with waving corn-crops shall to golden grow, fom the wild briar shall hang the blushing grape, and stubborn oaks sweat honey-dew. Nathless yet shall there lurk within of ancient wrong some traces, bidding tempt the deep with ships, gird towns with walls, with furrows cleave the earth. Therewith a second Tiphys shall there be, her hero-freight a second Argo bear; new wars too shall arise, and once again some great Achilles to some Troy be sent. Then, when the mellowing years have made thee man, no more shall mariner sail, nor pine-tree bark ply traffic on the sea, but every land shall all things bear alike: the glebe no more shall feel the harrow's grip, nor vine the hook; the sturdy ploughman shall loose yoke from steer, nor wool with varying colours learn to lie; but in the meadows shall the ram himself, now with soft flush of purple, now with tint of yellow saffron, teach his fleece to shine. While clothed in natural scarlet graze the lambs.

What does it help me now to think back on the reeling despair that seized me and declare it a mistake! Should I have set out in high spirits with a spring in my step? I did not. Should I have had more faith in the earth's friendly forces and felt certain and invulnerable at the wounding sight of flame-hued horizons? I could not do it, I was terribly vulnerable. Should I have justified myself, raising my eyes to the mountains? Oh, I tried, and always in vain... And so one day I wanted to break away, not knowing exactly from which fate, seeming to grasp only that I had been struck by calamity, as anyone can be, and now must stand apart, silent. How do the others live, I asked myself, how do they bear this land and the day to come, how do they bear it? But should the dusk of rapture fall once more, this shadowless day ebb, the deer stand on the sloping winter meadow already cloaked in fog; should I be granted one more such innocent hour, I will lower my eyes and repent, and never again lead myself into temptation, but admit: we are at home in but a narrow precinct, can cover but a tiny distance - and beyond, at an immeasurable distance, the ships land on the death's shores.

At the bottom of the passage, behind thick steel doors, I witnessed the true wealth of that country. Others have estimated the value in those rooms of grains, of nuts, of beans; of the millions in canned foie and white asparagus; of the greenhouses under their orange lights, and the vast spice grottos. I can't quote numbers. I can only say what happened when I pressed my face to a wheel of ten-year Parmigiano, how in a burst of grass and ripe pineapple I stood in some green meadow that existed only in the resonance, like a bell's fading peal, of that aroma. I can tell you how it was to cradle wines and vinegars older than myself, their labels crying out the names of lost traditions. And I can tell you of the ferocious crack in my heart when I walked into the deep freezer to see chickens, pigs, rabbits, cows, pheasants, tunas, sturgeon, boars hung two by two. No more boars roamed the world above, no Öland geese, no sharks; the day I climbed the mountain, there vanished wild larks. I knew, then, why the storerooms were guarded as if they held gold, or nuclear armaments. They hid something rarer still: a passage back through time. The animal carcasses were left unskinned. In the circulating air, the extinct revolved on their hooks to greet me.

The market's second wild trait-almost-cycles-is prefigured in the story of Joseph. Pharaoh dreamed that seven fat cattle were feeding in the meadows, when seven lean kine rose out of the Nile and ate them. Likewise, seven scraggly ears of corn consumed seven plump ears. Joseph, a Hebrew slave, called the dreams prophetic: Seven years of famine would follow seven years of prosperity. He advised Pharaoh to stockpile grain for bad times to come. And when all passed as prophesied, "Joseph opened all the storehouses, and sold unto the Egyptians...And all countries came into Egypt to Joseph to buy corn; because that the famine was so sore in all lands." Given the profits he and Pharaoh must have made, one might call Joseph the first international arbitrageur. That pattern, familiar from Hurst's work on the Nile, also appears in markets. A big 3 percent change in IBM's stock one day might precede a 2 percent jump another day, then a 1.5 percent change, then a 3.5 percent move-as if the first big jumps were continuing to echo down the succeeding days' trading. Of course, this is not a regular or predictable pattern. But the appearance of one is strong. Behind it is the influence of long-range dependence in an otherwise random process-or, put another way, a long-term memory through which the past continues to influence the random fluctuations of the present.

I still cherish my childhood memories of the sun opening the dusky eyelids of the west and the misty mornings against the backdrop of of Kgalatlou Mountain. The green prime of summer, twingling leaves of acacia yrees of Manthakge Plains, pure clear sky, the smooth plough fields and lush green meadows. In winter, that green carpet will be replaced by drearily looking land like a dim picture of the drowned past, all signs of life and feeling gone out of it, with the plough fields scorched and naked, the streams of Manyane silent, and the grass of the meadows looking like burned powder.  I still remember and cherish the touch of autumn nights and the ruddy moon leaning over Madibong. When I think about this, a sorrowful silent tear always roll down my cheek, I become sad and gripped by grief because of what has now become of the land of my forefathers. I have known and cherished its distinguished  rocks, fauna, and flora since I could stand and walk. I know its mountain slopes, plains, its rocks, and bushes like the veins and knuckles at the back of my hand. The ever changing beauty of Leolo Mountains, from the aloes of Segodi Boulders to the lilies of Legaletlweng; the imposing Letheleding Boulders towering over Manyane Dale. The interesting contrast of granite ingenious sedimentary rocks of Leolo Mountains and the red sand rock of Seolwane Mountain, the red sandy soil of Leruleng, the dark clay soil of Marakane and the red fertile loom soil of Sehalbeng Plains. The Magnetite rocks Ga - Sethadi and the shale rocks of Malatjane.

As the biggest property owners of the middle ages the Church underwent the same process as the rest of the landed proprietors. In order to use agricultural production as a source of money they ruined the peasant class, seized their common woods and meadows for themselves, and either drove the peasants from the land or squeezed them in the most pitiless manner. Life was no longer easy under the crozier. The growing lust for property led the Church to limit their alms to the poor. Their income in kind, the surplus of which they had earlier gladly given away as they could not consume it themselves, had now become saleable commodities, and the greed for profits that this aroused seized the Church too. If this made the Church more and more hated by the peasant class, it also failed to win the friendship of the rising bourgeoisie. However much it neglected the care of the poor, it could not give it up entirely without losing its last hold on the masses. To a certain extent it still formed a line of defense against the impoverishment of the masses, whose proletarianization could not be carried through quickly enough, as far as capital was concerned. The propertyless were still not delivered bound hand and foot to capitalist exploitation as long as they received alms, however miserable, from the Church. Moreover the religious holidays were a thorn in the flesh of the burgeoning towns. The more numerous they grew, the more they contradicted the capitalist wisdom according to which the worker does not work to live, but rather lives to work.

Large-leafed plants at the edge of the jungle reflected the sun rather than soaking it up, their dark green surfaces sparkling white in the sunlight. Some of the smaller ones had literally low-hanging fruit, like jewels from a fairy tale. Behind them was an extremely inviting path into the jungle with giant white shells for stepping-stones. And rather than the muggy, disease-filled forests of books that seemed to kill so many explorers, here the air was cool and pleasant and not too moist- although Wendy could hear the distant tinkle of water splashing from a height. "Oh! Is that the Tonal Spring? Or Diamond Falls?" Wendy withered breathlessly. "Luna, let's go see!" She made herself not race ahead down the path, but moved at a leisurely, measured pace. Like an adventuress sure of herself but wary of her surroundings. (And yet, as she wouldn't realize until later, she hadn't thought to grab her stockings or shoes. Those got left in her hut without even a simple goodbye.) Everywhere she looked, Wendy found another wonder of Never Land, from the slow camosnails to the gently nodding heads of the fritillary lilies. She smiled, imagining John as he peered over his glasses and the snail faded away into the background in fear- or Michael getting his nose covered in honey-scented lily pollen as he enthusiastically sniffed the pretty flowers. The path continued, winding around a boulder into a delightful little clearing, sandy but padded here and there with tuffets of emerald green grass and clumps of purple orchids. It was like a desert island vacation of a perfect English meadow.

Kenilworth, Mountainside, Scotch Plains, Dunellen... they themselves seemed far from Jersey: names out of Waverley novels, promising vistas of castles, highland waterfalls, and meadows dotted with flocks of grazing sheep. But the signboards lied, the books had lied, the Times had lied; the land here was one vast and charmless suburb, and as the bus passed through it, speeding west across the state, Freirs saw before him only the flat grey monotony of highway, broken from time to time by gas stations, roadhouses, and shopping malls that stretched away like deserts. The bus was warm, and the ride was beginning to give him a headache. He could feel the backs of his thighs sweating through his chinos. Easing himself farther into the seat, he pushed up his glasses and rubbed his eyes. The scenery disappointed him, yet it was still an improvement over what they'd just come through. Back there, on the fringes of the city, every work of man seemed to have been given over to the automobile, in an endless line of showrooms and repair shops for mufflers, fenders, carburetors, ignitions, tires, brakes. Now at last he could make out hills in the distance and extended zones of green, though here and there the nearness of some larger town or development meant a length of highway lined by construction, billboards touting banks or amusement parks, and drive-in theaters, themselves immense blank billboards, their signs proclaiming horror movies, "family pictures," soft-core porn. A speedway announced that next Wednesday was ladies' night. Food stands offered pizzaburgers, chicken in the basket, fish 'n' chips.

So use other people’s experiences. The unicorn virgins, when they lost their jobs, immediately popped their cherry. Some, eager to make up for the years of sacrifice, became famous far and wide for their technique and zeal. The ratcatchers … Well, you’d better not copy them, because they, to a man, took to drink and went to the dogs. Well, now it looks as if the time’s come for witchers. You’re reading Roderick de Novembre? As far as I remember, there are mentions of witchers there, of the first ones who started work some three hundred years ago. In the days when the peasants used to go to reap the harvest in armed bands, when villages were surrounded by a triple stockade, when merchant caravans looked like the march of regular troops, and loaded catapults stood on the ramparts of the few towns night and day. Because it was us, human beings, who were the intruders here. This land was ruled by dragons, manticores, griffins and amphisboenas, vampires and werewolves, striga, kikimoras, chimera and flying drakes. And this land had to be taken from them bit by bit, every valley, every mountain pass, every forest and every meadow. And we didn’t manage that without the invaluable help of witchers. But those times have gone, Geralt, irrevocably gone. The baron won’t allow a forktail to be killed because it’s the last draconid for a thousand miles and no longer gives rise to fear but rather to compassion and nostalgia for times passed. The troll under the bridge gets on with people. He’s not a monster used to frighten children. He’s a relic and a local attraction—and a useful one at that. And chimera, manticores and amphisboenas? They dwell in virgin forests and inaccessible mountains—” “So

Last Night My Soul Cried O Exalted Sphere Of Heaven Last night my soul cried, “O exalted sphere of Heaven, you hang indeed inverted, with flames in your belly. “Without sin and crime, eternally revolving upon your body in its complaining is the indigo of mourning; “Now happy, now unhappy, like Abraham in the fire; at once king and beggar like Ebrahim-e Adham. “In your form you are terrifying, yet your state is full of anguish: you turn round like a millstone and writhe like a snake.” Heaven the blessed replied, “How should I not fear that one who makes the Paradise of the world as Hell? “In his hand earth is as wax, he makes it Zangi and Rumi , he makes it falcon and owl, he makes it sugar and poison. “He is hidden, friend, and has set us forth thus patent so that he may become concealed. “How should the ocean of the world be concealed under straws? The straws have been set adancing, the waves tumbling up and down’ “Your body is like the land floating on the waters of the soul; your soul is veiled in the body alike in wedding feast or sorrow. “In the veil you are a new bride, hot-tempered and obstinate; he is railing sweetly at the good and the bad of the world. “Through him the earth is a green meadow, the heavens are unresting; on every side through him a fortunate one pardoned and preserved. “Reason a seeker of certainty through him, patience a seeker of help through him, love seeing the unseen through him, earth taking the form of Adam through him. “Air seeking and searching, water hand-washing, we Messiah-like speaking, earth Mary-like silent. “Behold the sea with its billows circling round the earthy ship; behold Kaabas and Meccas at the bottom of this well of Zamzam!” The king says, “Be silent, do not cast yourself into the well, for you do not know how to make a bucket and a rope out of my withered stumps.

Eragon! Saphira! Rouse yourselves! Eragon’s eyes snapped open. He sat upright and grabbed Brisingr. All was dark, save for the dull red glow of the bed of coals to his right and a ragged patch of starry sky off to the east. Though the light was faint, Eragon was able to make out the general shape of the forest and the meadow…and the monstrously large snail that was sliding across the grass toward him. Eragon yelped and scrambled backward. The snail--whose shell was over five and a half feet tall--hesitated, then slimed toward him as fast as a man could run. A snakelike hiss came from the black slit of its mouth, and its waving eyeballs were each the size of his fist. Eragon realized that he would not have time to get to his feet, and on his back he did not have the space he needed to draw Brisingr. He prepared to cast a spell, but before he could, Saphira’s head arrowed past him and she caught the snail about the middle with her jaws. The snail’s shell cracked between her fangs with a sound like breaking slate, and the creature uttered a faint, quavering shriek. With a twist of her neck, Saphira tossed the snail into the air, opened her mouth as wide as it would go, and swallowed the creature whole, bobbing her head twice as she did, like a robin eating an earthworm. Lowering his gaze, Eragon saw four more giant snails farther down upon the rise. One of the creatures had retreated within its shell; the others were hurrying away upon their undulating, skirtlike bellies. “Over there!” shouted Eragon. Saphira leaped forward. Her entire body left the ground for a moment, and then she landed upon all fours and snapped up first one, then two, then three of the snails. She did not eat the last snail, the one hiding in its shell, but drew back her head and bathed it in a stream of blue and yellow flame that lit up the land for hundreds of feet in every direction. She maintained the flame for no more than a second or two; then she picked up the smoking, steaming snail between her jaws--as gently as a mother cat picking up a kitten--carried it over to Eragon, and dropped it at his feet. He eyed it with distrust, but it appeared well and truly dead. Now you can have a proper breakfeast, said Saphira.

Why Do the Silent Winds Howl? by Maisie Aletha Smikle Winds gallop In velocity Velocity you can detect Velocity which other than the object being moved by the force of the air You cannot see neither can you touch Knots faster than the speed of light Churn in unified force To push everything except Mountains and lands out of sight The silent air of the wind moves Forcing and gushing through holes and crevices And hastens to vacuum plateaus Plains valleys meadows and sandy deserts Taking chattels fossils Structures and trees Anything its forces can carry Upon the wind arrival and contact with land and objects Nature sends off a howl or whistle Bringing all species to full attention As the silent wind moves With forces stronger than a million battalion No force can withstand such a force Neither air force space force Land force sea force or nuclear force All forces flee from the forces of this force Nature whistles Nature howls Nature pleads Stay away species stay away Else you'll be carried like fossils and pieces of species by the silent wind That says neither hello nor goodbye

From John Haines: I recall an afternoon in October many years ago, when I stood on the edge of that high overlook near Maclaren Summit in the Alaska Range and gazed down onto the wide sweep of the Maclaren River Basin. The cold, late afternoon sun came through broken clouds, and the tundra below me was patched with sunlight. The river, a thin, silvery-blue thread, twisted through the subdued autumn coloration of the land. I was entirely alone at that moment…the land seemed incredibly vast and empty. far below me, a few scattered caribou were feeding in the meadows of the river basin…I felt as if I were looking down on a landscape elementary to our being, and that nothing had occurred to change it since the last of the continental ice melted from the earth, and the first grasses and shrubs began to grow.

It’s silverthorn. A Twoleg vine,” Finleap explained. “They use it to make barriers around their land. The thorns keep animals trapped in their meadows. Only StarClan knows why they left a bundle of it here.

The footprint reminded me of grass and trees, the green of the forest. It could point to Vodyanoy, the old Water Lord out in the rivers who dragged people underwater and enslaved rusalkas. There were the rusalkas themselves, drowned maidens turned sirens unable to let go of the Land of the Living. There were other sprites, nymphs, and spirits—the poleviki and poludnitsy of the fields and meadows, the treelike leshy, mushroom-topped lesovichki, Wild Ones, and vily fairies of the forests. But like the gods, these spirits had not been seen in a very long time and never by me.

If the land mechanism as a whole is good, then every part is good, whether we understand it or not. If the biota, in the course of aeons, has built something we like but do not understand, then who but a fool would discard seemingly useless parts? To keep every cog and wheel is the first precaution of intelligent tinkering. —Aldo Leopold,1 forester

The Proto-Indo-Europeans were herdsmen. And we have significant evidence that they believed that the afterlife (at least one of them) was a blissful pasture full of cattle. In Hittite to “go to the meadow” was an expression that meant “to die.” In the Rig-Veda, the land to which Yama has shown us the way is called a cattle-pasture (gavyuti). Similarly, one title of the Iranian Yima was “He who has good herds.

Bring me the sunrise of a faraway land where the soul sings of the memories of night and the sleeping dark leaps into light.....Tell me the story of torment and delight how distant moors turn into meadows of blooms and my sobbing deeps become the prairie soul.

Never forgotten Never forgotten, not even for a while, That laughter, that holding hands and that sudden smile, Out to face the reality of a Sunny day, With you it just seemed a lovely and a beautiful day, As the day advanced and we walked unto a far away land, Away from the town, away from every occupying bustle, feeling the touch of your hand, I looked at you and then at our shadows, Frolicking and walking past the happy meadows, Then at the top of a hill as we rested, I realised with you life’s every moment is so well spent and nothing is wasted, As we watched the Sun set behind those ebbing and rising sequences of peaks, We stood silent as we heard the voice of our hearts and we understood how love speaks, Just like the Sun, silently perishing behind those mountains and hills, It was then I realised Irma that your presence like this Sun, my landscape of life fills, With brightness, with joys, with your beautiful memories, Today, I remember the last kiss and I tell my still beating heart our love stories, You holding my hand, the sky, the mountains, the hills and the Sun, I still go the top of the hill, the sun still sets, the meadows look the same, but beside me there is no hand to hold. None, And the horizon turns blood red seeing me there thinking of you, Your hand, your smile, your kiss, everything else and you, Then when the horizon turns dark and night falls, I get up, take a long look at the once red sky and I ignore my heart’s calls, I walk away, back to the town, to the bustle, to the place that was familiar but now appears unknown, And I wait for the night to pass, so that I return again to the hill, to the meadow, to the setting sun, and once again feel the sensation of the only place that seems known, To the old echoes of our heart beats, to the hand, to the surroundings, to everything, It is this feeling of love, your memories, that for now is my world, my everything, And whenever I am here Irma I feel certain you shall hold my hand someday, And I hope the Sun, the mountains, the hills and the meadows last till that day!

Tomorrow was Kirsty’s birthday, and this special day at Candy Land was an early birthday present.

Twenty-seven years later It wasn’t until 2006 that Norman had the courage to look up the National Transportation Safety Board’s Accident Report for the crash and read the transcription of the pilot’s radio conversation with air traffic control. They had been doomed almost from takeoff. The pilot was using an underpowered plane with insufficient instruments on a rough day. He didn’t get a weather briefing or file a flight plan. He shouldn’t have taken off let alone headed into the storm. Thirty seconds into the flight he seemed lost and he was warned three times by air traffic control not to continue flying as he was. Big Bear airport was at an altitude of 2,100 m (7,000 ft) and was unmanned. Even with the right instruments and a modern plane it would have been all but impossible to land that day. Norman also went back up to the mountain to where Sandra had fallen. He paid his respects and continued up to the site of the crash. He was surprised, but even from that high vantage point he couldn’t see the meadow where he had been rescued. The big ridge blocked it out. So how had he known where to head for that day? Had he sensed the most likely place to find another human being? Was he lucky? Or maybe, just maybe, someone was looking out for him. This story is a brief retelling of the events in Crazy for the Storm by Norman Ollestad, published by HarperPress. Reprinted by permission of HarperCollins Publishers Ltd © 2009 Norman Ollestad.

3 Even today, the names of some peaks in the Alps testify to their former inhabitants; Alpine and Pyrenean legends attest to them ad infinitum,4 where this peak is nothing less than a petrified giant, that avalanche is the work of the land spirit, and the shepherds of the alpine summer meadows can all tell their own stories about encounters with the spirits.

Kimi, I think it’s a landslide!” Gracie cried out. Small rocks joined the pebbles and Kimi flicked her wand. A giant bubble appeared around the goat. The rocks and pebbles bounced off it, keeping everyone safe. A few seconds later, the kid landed gently beside its father. He nuzzled it happily. “Now I’m happy that the chief troll threw my bubble tea this way,” said Kimi. “If she hadn’t, we would never have been able to save the baby goat.

The Last Ride of Grayson “Grady” Hale In the heart of the wild west, under the vast expanse of the azure sky, rode Grayson “Grady” Hale, a cowboy known for his unyielding spirit and his trusty steed, Bess. Grady’s life was woven into the fabric of the frontier, a tapestry of cattle drives, campfire tales, and the pursuit of freedom that only the open range could offer. Grady was born to the saddle, learning to ride before he could walk, and to rope not long after. His father, a seasoned rancher, had instilled in him the values of hard work and respect for the land. Grady’s mother, a woman of strength and grace, taught him the gentle touch needed to soothe a spooked calf or mend a broken wing. As the years passed, Grady’s reputation grew. He wasn’t the fastest gun nor the richest rancher, but he had something more valuable—integrity. Folks from miles around would seek his help when rustlers threatened or when a neighbor needed a hand. Grady never turned his back on those in need, and his word was as solid as the mountains framing the horizon. One fateful day, a telegram arrived, calling Grady to a distant town. A band of outlaws had taken over, and the people were desperate. Grady kissed his wife, Emma, goodbye, promising to return once peace was restored. With Bess beneath him, he rode out, the dust of the trail rising like a storm behind him. The confrontation was inevitable. Grady, with a handful of brave souls, stood against the outlaws. Words were exchanged, and then gunfire. When the smoke cleared, the outlaws were either captured or fled, and the town was saved. But victory came at a cost—Grady had taken a bullet. As he lay there, the townsfolk gathered, their faces etched with concern and gratitude. Grady knew his ride was coming to an end. With his last breath, he whispered a message to be given to Emma, a message of love and a promise kept. Back at the ranch, Emma received the news with a stoic heart. She knew the risks of loving a cowboy, the same risks that made her love him all the more. She gazed out at the sunset, the colors painting the sky like the wildflowers of their meadow. And in that moment, she felt Grady’s presence, like the gentle brush of a breeze, telling her he was home at last. Grady’s tale is one of courage, sacrifice, and the enduring legacy of a cowboy who lived by his own code. His story, like the trails he once rode, winds its way into the legend of the west, reminding us that some spirits are as untameable as the land they love.

Agricultural education is still overwhelmingly about change and innovation, and "disruption," not what is sustainable and what will work in the long run. From the modernizing perspective, the student in my hay meadow was right. The current economics of farming are such that almost no genuinely sustainable farming is profitable at present. Farming for nature is economic suicide. Produce meat at a greater cost than intensively produced chicken or pork and you are considered an anachronism on the supermarket shelf.     I have to ignore my accounts in this bid for good husbandry and hope the rest of the world comes to its senses someday soon. Of course this is no basis for a sound system, but I decided years ago that if I had to work off the farm to top up our income, to enable me to look after our land properly, than I would. There is nothing new in having to adapt and earn a crust away from the farm. I know that if we are too proud, too stubborn, and too unbending, then we will be finished.

The feeling against the Mormons as expressed by the San Francisco Daily Evening Bulletin was: The blood of American citizens cries for vengeance from the barren sands of the Great Basin. The insulted dignity of the nation demands retribution from their infamous murderers. Virtue, Christianity and decency require that the vile brood of incestuous miscreants who have perpetrated this atrocity shall be broken up and dispersed. And the tide of popular opinion, now rolling up from every end of the land, calls loudly upon the Government to let no longer delay ensue before beginning the good work. And even should the news of the Mormon massacre upon the plains not suffice to incite to full activity the entire power of the Federal Officers, the position now taken by Brigham Young must do so. He has not waited to be attacked, but has commenced offensive warfare. The Independence of Utah Territory has been declared, and the determination announced of adhering to no laws except such as the Mormons make themselves.

Those only know a country who are acquainted with its footpaths. By the roads, indeed, the outside may be seen; but the footpaths go through the heart of the land. There are routes by which mile after mile may be travelled without leaving the sward. So you may pass from village to village; now crossing green meadows, now cornfields, over brooks, past woods, through farmyard and rick "barken". But such tracks are not mapped, and a stranger misses them altogether unless under the guidance of and old inhabitant.

The Undiscovered Country —Edmund Stedman, 1878 COULD we but know The land that ends our dark, uncertain travel, Where lie those happier hills and meadows low,— Ah, if beyond the spirit’s inmost cavil, Aught of that country could we surely know, Who would not go?    5 Might we but hear The hovering angels’ high imagined chorus, Or catch, betimes, with wakeful eyes and clear, One radiant vista of the realm before us,— With one rapt moment given to see and hear, Ah, who would fear?    10 Were we quite sure To find the peerless friend who left us lonely, Or there, by some celestial stream as pure, To gaze in eyes that here were lovelit only,— This weary mortal coil, were we quite sure, Who would endure?    15

Do you think your dad—” “Not yet, and no. But the sheriff and some state troopers were over. I heard some stuff. They think the body’s been in there at least ten or fifteen years.” Excited as she was by all the action, it also made her sad. “Can you believe that? Not knowing where your kid has been for the last fifteen years. Not knowing if she’s still alive or dead.” When Laura Lynn and Marcus exchanged a look, she frowned. “What?” “Do you know how many kids die around here? Or go missing?” When Mandy shook her head, Marcus continued. “A lot. Like, a lot a lot.” “How?” she asked. “Why?” “Lots of reasons,” Laura Lynn said. “Cancer. Running away. Murder. There are lots of stories like that. Kids going crazy and sent to insane asylums.” Marcus sat straighter in his chair. “I don’t believe all of them. Jake used to try to freak me out by telling me if I didn’t clean my room, all the kids from the mental hospital would escape and eat me alive.” He glanced to the side and shook his head. “What an asshat.” “Who’s Jake?” Mandy asked. “My older brother. He’s in college now.” Marcus started in on his sandwich, talking through a mouthful of food. “But he said his friend’s brother died that way. Some rare disease or something. Totally incurable.” “That’s pretty weird,” Mandy said. “Maybe that’s what happened to the girl in the septic tank,” Laura Lynn offered. “Maybe she went crazy and fell in.” “And what?” Marcus asked. “Her parents just closed it up and forgot about her? I doubt it.” “Then it was probably murder,” Mandy said. Another thrill went through her, but a twinge of fear followed this one. “We should look into it. Do our own investigation.” Laura Lynn and Marcus both looked down at their plates. Marcus was the first to answer. “I don’t know about that.” “What?” Mandy felt confused. She had figured at least Marcus would be into the idea, even if Laura Lynn wasn’t. “Aren’t you a computer genius? You could help me solve the case! We’d be heroes.” “It’s not worth it.” When he looked up again, he was deadly serious. “A lot of people have gone missing over the years, Mandy. Not just kids. It’s better to just keep your head down. Don’t cause any trouble.” Mandy blanched. When she looked at Laura Lynn for support, she saw her friend nodding in agreement. Mandy sat back in her chair with a huff, the turkey and cheese sandwich untouched. So much for showing Bear she could take care of herself by solving this on her own. 9 Bear pulled his truck next to McKinnon’s cruiser and put it in park. He hopped out and met her around the side of her car. “A graveyard? This is about to get real interesting, or real weird.” “Let’s hope it gets interesting,” McKinnon said. The slam of her door echoed through the surrounding trees, and the two of them trudged their way up a set of steps to the cemetery. Bear had passed it a few times as he’d driven around town. It was the biggest within a twenty-mile radius, but it wasn’t huge. The gravestones were crammed near each other, filling the entire plot of land to the brim. There was a short wrought-iron fence around the perimeter and a plaque that read “April Meadows Cemetery” in block letters. A few trees were scattered around, along with a couple of larger headstones, but most of the markers were small and modest. The paths were skinny and winding, as though they had been an afterthought. “What’re we doing here?” Bear

The Five Tribes not only physically displaced other Indian nations in Indian Territory; they erased the history of southern Plains people and drafted a new history of Indian Territory. For example, in 1955, the Chickasaws built their council house, a sixteen-by-twenty-five-foot log house. Here, the Chickasaws rewrote their constitution and took their first actions as a sovereign legislature, under the first Chickasaw governor, Cyrus Harris. Although the log house was quickly replaced (within the next year or so) by a brick iteration, the log house serves a particular purpose in the pantheon of Chickasaw public history. In 1911, the Wapanucka Press, an Oklahoma-based newspaper, interviewed someone (presumably a representative of the Chickasaw Nation) about the story of the log house’s origins. The paper reported, ‘Slaves of the Chickasaws toiled in the dense oak forests cutting down the finest trees and hewing them into shape…Thick undergrowth was cleared from a knoll…paths were cut from bottom meadows.’ Rough-hewn and surrounded by overgrown foliage, the log house is meant to evoke the idea that the Chickasaws encountered a ‘wilderness’ in early Indian Territory. The reader is meant to believe that, as civilizers, the Chickasaws shaped this wilderness into the modern space that it became. This idea of ‘civilization’ is based on Euro-American colonizer’ ideas of advanced societies. The Cherokee Nation alleges on its website that ‘upon earliest contact with European explorers in the 1500s, Cherokee Nation was identified as one of the most advanced among Native American tribes.’ Although the Cherokees were asserting their longevity as a people and their pride in their culture, here they use a European measurement of their merit. In the nineteenth century, the Five Tribes succeeded at crafting a perception of difference. The western Indians certainly saw them as settlers. The special agent to the Comanches reported that they were angry that tribes such as the Creeks and Choctaws ‘have extended their occupation and improvements to the country heretofore used by themselves as a hunting ground,’ expressing that they saw the Five tribes as unlawful settlers, just like whites, and themselves as the dispossessed indigenous peoples of the region.

Evil in its best form, disguised as our fellow human possessed by greed, envy, lust, and power, chase me wherever I go. I’m always on the run, hiding desperately in the dark to protect myself. Silly of me for not realising that the darkness is the thriving kingdom of the villainous monsters. I run to the meadows, then into a forest, and then into a land of thorny shrubs. When I run, I regret being a coward, ashamed of being unable to slay the demon chasing me. I know how I lost a part of me because of its trickery, yet I run, yet I hide in shame with regret for allowing evil to play its trick on me. I regret being the fool.

The trees act not as individuals but somehow as a collective. But what we see is the power of unity. All flourishing is mutual.” “Ceremony is a vehicle for belonging - to a family, to a people, and to the land.” “He told me that science was not about beauty, not about the embrace between plants and humans.” “My natural inclination was to see relationships, to seek the threads that connect the world to join instead of divide.” "But science is rigorous in separating the observer from the observed, and the observed from the observer. Why two flowers are beautiful together would violate the division necessary for objectivity.” “Yes, I have learned the names of all the bushes, but I have yet to learn their songs. I was teaching the names and ignoring the songs.” “When I stare too long at the world with science eyes, I see an afterimage of traditional knowledge. Might science and traditional knowledge be purple and yellow to one another? We see the world more fully when we use both.” "The questions of goldenrod and asters was of course just emblematic of what I really wanted to know. it was an architecture of relationships, of connections that I yearned to understand. I wanted to see the shimmering threads that hold it all together. And I wanted to know why we love the world, why the most ordinary scrap of meadow can rock us back on our heels in awe.” “It’s not just the words that will be lost. The language is the heart of our culture, it holds our thoughts, our way of seeing the world.

This animal, homely as a steam-roller, [is] the embodiment of salvation,” it wrote. “Peace, plenty, and contentment lie before us; and a new life, with new experiences, new opportunities, new vigor, new romance, folded in that golden future when the meadows and the bayous of our Southern lands shall swarm with herds of hippopotami.

After all the dangers of the past few hours, she savored the tranquil beauty of the Orcadian landscape, with its delicate pastel wash of lavenders and blues. "This is a beautiful place," she whispered, especially charmed by the flock of hardy swans honking and clacking on the hillside, and by the shaggy black pony that was staring at them from the edge of a barren meadow nearby, its long mane blowing in the breeze. "Beautiful?" Rohan had turned to her. She could feel him staring at her. "You think so?" She looked at him. "Don't you?" He shrugged, then shook his head. "Bleak and harsh and difficult." "Perhaps." She smiled gently, gazing at him. "But there is an exquisite sensitivity in the color of the light. And the sweep of these hills bespeaks a calm strength," she said slowly, her gaze traveling over the landscape. "Noble, but unpretentious. It is what it is. A hard land, maybe. But plain and honest." She glanced at him. "I could live here." The morning light matched the soft blue shade of Rohan's eyes as he gazed at her, sensing she was not talking only about Orkney. His wordless stare was so overwhelmed with emotion for her that although she was covered in grime and dressed like somebody's footman, the way he looked at her made her feel as beautiful as a princess.

We were introduced to the pugil sticks this week. Pugil sticks are basically a four foot stick with thick pads on each end. The recruits wear helmets and protective padding. We battled guys from platoons 4043 and 4045. They had us lined up along this boardwalk, and we fought one on one. The goal is to deliver a blow to the head or chest, both considered kill shots. The first guy who lands two kill shots wins. When it was my turn, I went flying up the ramp yelling like my grandmother taught me to do when a coyote is trying to attack the sheep. I knocked the other guy off the platform with one big blow to the chest. D.I Meadows actually cheered. Sergeant Blood said “What was that, some kind of Indian War Cry?” He seemed to like it – at least he didn’t complain that I wasn’t loud enough. I think my opponent was more scared by my blood curdling scream than the actual blow to the chest. I’m starting to realize that’s the whole point with the constant yelling.

THE CHARM OF THE STONES CONSECRATED TO DIANA To find a stone with a hole in it is a special sign of the favour of Diana, He who does so shall take it in his hand and repeat the following, having observed the ceremony as enjoined: — Scongiurazione della pietra bucata. Una pietra bucata U ho trovato; Ne ringrazio il destin, E k) spirito che su questa via Mi ha portata, Che passa essere il mio bene, E la mia buona fortuna! Mi alzo la mattina al alba, E a passegio me ne vo Nelle valli, monti e campi, La fortuna cercarvo Della ruta e la verbena, Quello so porta fortuna Me lo tengo in senno chiuso £ saperlo nessuno no le deve, £ cosi cio che commendo, " La verbena far ben per me ! Benedica quella strege! Quella fata che mi segna!" Diana fu quella Che mi venne la notte in sogno E mi disse : " Se tu voir tener Le cattive persone da te lontano, Devi tenere sempre ruta con te, Sempre ruta con te e verbena!" Diana, tu che siei la regina Del cielo e della terra e dell* inferno, E siei la prottetrice degli infelici, Dei ladri, degli assassini, e anche Di donne di mali afifari se hai conosciuto, Che non sia stato V indole cattivo Delle persone, tu Diana, Diana li hai fatti tutti felici! Una altra volta ti scongiuro Che tu non abbia ne pace ne bene, Tu possa essere sempre in mezzo alle pene^ Fino che la grazia che io ti chiedo Non mi farai! THE CHARM OF THE STONES Invocation to the Holy-Stone} I have found A holy-stone upon the ground. O Fate! I thank thee for the happy find, Also the spirit who upon this road Hath given it to me; And may it prove to be for my true good And my good fortune I I rise in the morning by the earliest dawn, And I go forth to walk through (pleasant) vales. All in the mountains or the meadows fair, Seeking for luck while onward still I roam, Seeking for rue and vervain scented sweet, Because they bring good fortune unto all. I keep them safely guarded in my bosom, That none may know it—'tis a secret thing. And sacred too, and thus I speak the spell: " O vervain ! ever be a benefit, And may thy blessing be upon the witch Or on the fairy who did give thee to me ! " It was Diana who did come to me, All in the night in a dream, and said to me: " If thou would'st keep all evil folk afar, Then ever keep the vervain and the rue Safely beside thee I" I hole ii . But such a slone is IS really a claim to the ARADIA Great Diana I thou Who art the queen of heaven and of earth, And of the inferna! lands—yea, thou who art Protectress of all men unfortunate, Of thieves and murderers, and c Who lead an evil life, and yet hast known That their nature was not evil, thou, Diana, Hast still conferred on them some joy in life.' Or I may truly at another time So conjure thee that thou shalt have no peace Or happiness, for thou shalt ever be In suffering until thou grantest that Which 1 require in strictest faith from thee! [Here

In the streets of Cecilia, an illustrious city, I met once a goatherd, driving a tinkling flock along the walls. "Man blessed by heaven," he asked me, stopping, "can you tell me the name of the city in which we are?" "May the gods accompany you!" I cried. "How can you fail to recognise the illustrious city of Cecilia?" "Bear with me," that man answered. "I am a wandering herdsman. Sometimes my goats and I have to pass through cities; but we are unable to distinguish them. Ask me the names of the grazing lands: I know them all, the Meadow between the Cliffs, the Green Slope, the Shadowed Grass. Cities have no name for me: they are places without leaves, separating one pasture from another, and where the goats are frightened at street corners and scatter. The dog and I run to keep the flock together." "I am the opposite of you," I said. "I recognise only cities and cannot distinguish what is outside them. In uninhabited places each stone and each clump of grass mingles, in my eyes, with every stone and clump.

The train continued on its way to Rīga. I could not peel my eyes from the window. On some hillock, an old friend from long-gone days rushed towards me: the grey rock. A sight for sore eyes after stone-less Siberia. Beside the large one, two smaller ones. One more. Another one. Now, this is the homeland! Homeland, in which my near and dear long-unseen rocks are greeting me. In Siberia, we felt the lack of rocks keenly, that is why they touched me so deeply now. The Latvian has grown up so symbiotically with the rock, just as he has with his land and his sky. I remembered a scene Pumpurs had described, about some refugee who had embraced the rock in the forest meadow of his home with both arms, pressed his forehead against its cold forehead, stopped suffering, and started being joyful. The land is the same. What had changed were the circumstances and people who also called it their own. A

I want a fairytale romance in a make-believe land. Let’s run through the beautiful meadow and pretend the walls aren’t closing in. One trip and the world will consume us but don’t hesitate and don’t look back. This world of make-believe survives solely on your faith.

When she was a girl, Eleanor had completely believed the tale. That Zephyr brought her back from Africa with him, a pearl that he'd swallowed, that had remained hidden deep within his jaw when he was shot, skinned, sold, and shipped, during the decades his pelt was put on proud display at the big house and through his subsequent repair to reduced circumstances at the Lake House. It was there, one day, when the tiger's head was tilted just so, that the pearl rolled out of his lifeless mouth and became lost in the long weave of the library carpet. It was trodden on, bypassed, and all but forgotten, until one dark night, while the household slept, it was found by fairies on a mission of theft. They took the pearl deep into the woods, where it was laid on a bed of leaves, studied and pondered and tentatively stroked, before being stolen by a bird, who mistook it for an egg. High in the treetops, the pearl began to grow and grow and grow, until the bird became frightened that her own eggs would be crushed and she rolled the argent orb back down the side of the tree, where it landed with a soft thud on a bed of leaf fall. There, in the light of the full moon, surrounded by curious fairy folk, the egg began to hatch and a baby emerged. The fairies gathered nectar to feed her and took turns rocking the babe to sleep, but soon no amount of nectar was enough, and even fairy magic could not keep the child content. A meeting was held and it was decided the woods were no place for a human child and she must be returned to the house, laid on the doorstep in a wrap of woven leaves. As far as Eleanor was concerned, it explained everything: why she felt such an affinity with the woods, why she'd always been able to glimpse the fairies in the meadows where other people saw only grass, why birds had gathered on the ledge outside the nursery window when she was an infant. It also explained the fierce tiger rage that welled up inside her at times, that made her spit and scream and stomp, so that Nanny Bruen hissed and told her she'd come to no good if she didn't learn to control herself. Mr. Llewellyn, on the other hand, said there were worse things in life than a temper, that it only proved one had an opinion. And a pulse, he added, the alternative to which was dire! He said a girl like Eleanor would do well to keep the coals of her impudence warm, for society would seek to cool them soon enough.

such as a villain marrying without leave, failure to perform boon-works or bad performance of work, failure to place the tenant's sheep in the lord's fold, cutting of wood or brush, making unlawful paths across the fields, the meadows, or the common, encroachment in ploughing upon other men's land or upon the common, or failure to send grain to the lord's mill for grinding. Sometimes the offence was of a more general nature, such as breach of assize, breach of contract, slander, assault, or injury to property.

She didn't know 'this meadow', exactly. But she was familiar with the concept. The types of plants. The 'raven,' which she knew was too big to be a 'crow'. The trees: the way the trees circled meant there was probably a bog or a stream in the middle, where the land dipped. She 'knew' that. She knew that beyond these leafy trees would be gnarled, thicker trees with dark green leaves. And beyond them, pines. And under their heavy boughs, there lay a friendly darkness so complete it put the vines over the castle bailey to shame.

city, ending again at the palace gate. “Bounds must always be walked to dawn first,” Belvarin had explained. “It is not the direction of the circle, but the direction of the first turn that matters—it must be the shortest way to the rising sun and the elvenhome kingdoms.” Now they were nearing the city’s margin, with forest beyond gardens and orchards. A cloud of birds rose singing from the trees—tiny birds, brilliantly colored, fluttering like butterflies. They swooped nearer, flew in a spiral over his head, and returned to the trees as the procession turned toward the river. Butterflies then took over, out of the gardens and orchards, arching over the lane, then settling on his shoulders and arms as lightly as air, as if he wore a cloak of jeweled wings. As they neared the river side of the city, the butterflies lifted away, and out of the water meadows rose flying creatures as brightly colored as the birds and butterflies … glittering gauzy wings, metallic greens, golds, blues, scarlet. Kieri put up his hand and one landed there long enough for him to see it clearly. Great green eyes, a body boldly striped in black, gold, and green, with a green tail. The head cocked toward him; he could see tiny jaws move. Was it talking? He could hear nothing, but the creature looked as if it were listening. It was a long walk, and his new boots—comfortable enough that morning—were far less so by the time they reached the palace gates again. He could smell the fragrance of roast meats and bread, but next he had the ritual visit to the royal ossuary, and spoke vows into that listening silence, to those who had given him bone and blood, vows no one else would hear. He came up again to find the feast spread in the King’s Ride, long tables stretching away into the distance. On either side, the trees rose up; he could feel them, feel their roots below the cushiony sod that welcomed his feet. His place lay at the farthest table, with

Here he sensed there was nothing in the landscape but itself. He was delighted at this liberation from history. The trees, the meadows, the houses were just themselves; attractive, healthy, often beautiful, civil in their lack of extremes, open in what they had to offer. There were no poisonous snakes crawling here. How curiously like Americans themselves, he thought. Obviously the characteristics of the land seemed to have entered into the people too. Perhaps, he thought with a start, that was true of India as well. The extremes of kindness and cruelty, the brooding patience, and always, behind the smile, a slithering something.

PART ONE BRIGHT WINTER SKIES Christmas, 1274 A.D. The de Wolfe stronghold of Castle Questing The snows were fierce along the borders this year. The first snow of the season hitting about a week before Christmas and possibly dumping an entire year’s worth of snow onto the countryside in just a few days. The beauty of it was that the entire land was white, from the trees to the structures to the meadows – a pristine, pure white that, under bright winter skies, was blindingly brilliant. But the dreary of it, if there was such a thing, was that there had only been one pristine white day in the past week, and it happened to be

This is what the Lord says— he who made you, who formed you in the womb, and who will help you: Do not be afraid, Jacob, my servant, Jeshurun, whom I have chosen. For I will pour water on the thirsty land, and streams on the dry ground; I will pour out my Spirit on your offspring, and my blessing on your descendants. They will spring up like grass in a meadow, like poplar trees by flowing streams. Some will say, “I belong to the Lord”; others will call themselves by the name of Jacob; still others will write on their hand, “The Lord’s,” and will take the name Israel. (Isa. 44:2–5 NIV)

Something in this meadow and places like it, humble and hidden, offers respite and moments of calm for the wild, adventurous soul that plagues the boys of the world, the wanderer's soul that gnaws and aches inside of them even unto gray manhood. It is the plague of horizons, the plague of the next river bend, the plague that drives men over the vast oceans into strange lands beyond the edges of the maps.

Several years ago, I visited a friend who had built a country cottage, surrounded by a vast rolling garden of sunlit meadows, rainbow blooms, shaded glens, streams and ponds. It was impossible to see the entire garden all at once. The only way to imagine the wholeness of the garden was to walk through it, follow the winding path and view the garden from different perspectives. Invariably, secrets revealed themselves around each bend. And sometimes, I chose to step off the winding path and follow the contours of the land and my heart. In my youth, I imaged my entire life planned out before me, a straight path, if you like. Today, I know that I was seeing only one perspective. And like any winding path, perspective may change around each bend: youth, sacrifice, friendship, success, love, parenthood, joy, loss, folly, misfortune, and aging. And yet, no matter how many turns we may take, we may not fully comprehend the wholeness of our life, the unifying secret of our life, until we look back on all that has come before.

and descended into a nearby meadow. When it was still several feet from the ground, five men jumped out and landed in the knee-high grass, moving quickly toward the road. Their camouflaged clothing blended perfectly with the surroundings, as did the camouflaged tape wrapped around the automatic weapons slung across their backs. The team leader took point and ran for the treeline on the opposite side of the road while the others followed. Once inside the cover of the vegetation, the team changed

meant well, and they had all been very good to her. Mrs Thornton was forever telling her to consider The Meadow her home, and she had even turned the little box room at the end of the second-floor landing into a bedroom for her. Mrs Thornton had insisted she keep a few clothes there, and when she had visited Gwen in November she had left behind

It was only outside in the sun and heat that she began to feel the weight of what she had done. Her feet were terribly hot and slipping in her shoes, and the sand worked its way in. With each step she fell more into herself, and her stomach roiled with the curdled truth of her betrayal. I can see you, she imagined God saying. The basket of eggs hit her hip and one shell cracked, freeing yolk and white into a slippery mess, which dripped through the wicker and landed in thick shiny drops on her skirt. * 

A castle. Far off, in the hills in the distance. It was as if I were looking at a postcard from my childhood, the feeling was so familiar, and I thought for a moment that the castle had been built by me. I line up all the little knights that lay in the box in the basement: castle. And sheep. Sheep grazing in a nearby meadow. . . . The mortar shells began to land in that meadow, and the sheep were hit, and lay bloody, half-alive, their bowels spilling among the meadow flowers.

Nor tears, nor cries, can give the dead relief. Desist, my much-lov’d lord, t’ indulge your pain; You bear no more than what the gods ordain. My fates permit me not from hence to fly; Nor he, the great controller of the sky. Long wand’ring ways for you the pow’rs decree; On land hard labors, and a length of sea. Then, after many painful years are past, On Latium’s happy shore you shall be cast, Where gentle Tiber from his bed beholds The flow’ry meadows, and the feeding folds. There end your toils; and there your fates provide A quiet kingdom, and a royal bride: There fortune shall the Trojan line restore, And you for lost Creusa weep no more. Fear not that I shall watch, with servile shame, Th’ imperious looks of some proud Grecian dame; Or, stopping to the victor’s lust, disgrace My goddess mother, or my royal race. And now, farewell! The parent of the gods Restrains my fleeting soul in her abodes: I trust our common issue to your care.

Jersey City’s railroads were built by Irish immigrants, men from Con-naught and Munster who dug a crucial tunnel through the Palisades in the late 1850s, linking waterfront rail terminals with tracks laid in the meadow-lands to the west and the vast continent that lay beyond.

As the orderly insinuated a careful arm under his shoulders the pain came alive again: rampant, tearing, clutching. It was choking him. He couldn't bear it a second longer. Life at this price wasn't worth it. It wasn't worth it. Why did they fuss with him like this when he'd probably go west anyhow? It was just cruelty. They had put him down again. One of the orderlies said, 'Good man!' And the nurse was smiling at him again. That was the way with people. They thought it was their duty to torture you instead of putting you decently out of it as soon as they could. He remembered the first life he had ever taken. That rabbit he had jumped on unexpectedly coming over the fence by the low meadow. It had been in the grassy rut of the lane, lying doggo, and he had landed on it unawares. Well, he had not left it long in agony. Why couldn't they see that he'd rather…

It had preserved nearly 50,000 acres of land in 23 countries, which had had a tremendous positive effect on the enviroment and the communities of northeast Ohio. It has permanently preserved meadows, streams, wetlands, forests, camps, parks, and family farms, enabling flora and fauna to flourish.

Long ago there was a little land, over which ruled a regulus or kinglet, who was called King Peter, though his kingdom was but little. He had four sons whose names were Blaise, Hugh, Gregory and Ralph: of these Ralph was the youngest, whereas he was but of twenty winters and one; and Blaise was the oldest and had seen thirty winters. Now it came to this at last, that to these young men the kingdom of their father seemed strait; and they longed to see the ways of other men, and to strive for life. For though they were king's sons, they had but little world's wealth; save and except good meat and drink, and enough or too much thereof; house-room of the best; friends to be merry with, and maidens to kiss, and these also as good as might be; freedom withal to come and go as they would; the heavens above them, the earth to bear them up, and the meadows and acres, the woods and fair streams, and the little hills of Upmeads, for that was the name of their country and the kingdom of King Peter.

LOOKING FOR THE KINGDOM The north shore of Kauai is one of the most beautiful places on earth, and the pastures above the cliffs overlooking Anini Beach are some of the last open lands in that paradise. From those verdant meadows you can look out on the whales and dolphins playing in the Pacific, watch the breakers roll in and crash over the reef below. It is an enchanting place that casts an Eden-like spell on even the most cynical tourist. A friend of ours has been advocating for the protection of those gorgeous meadows; he took us there last winter to see a view that may soon be available only to the very rich. The pastures have already been marked out for small five-acre “ranchettes,” each plot going for several million; add to that the home required by the development and the bill will run more than $20 million. “The young rich have discovered Kauai,” our friend told us. “Zuckerberg has a home here; so do the guys from Apple and Google. This is the place to be.” We stood there watching the gulls and frigate birds soaring on the warm updrafts, drinking in the beauty only money can apparently buy. It had been raining; a rainbow appeared over the lush cliffs to our right. The untouched beauty of the place feels like it has been held in time since the islands were formed; unblemished beauty. Forgetting what the promise means, my heart began to ache again for life as it was meant to be, and I started to scramble internally trying to figure out how we could grab our own little slice of Eden. “They are looking for the kingdom,” Stasi said. “They are trying to buy the kingdom.” And with that, the spell was broken. Suddenly the emptiness of it all became clear—not the longing for heaven on earth, but the grasping to buy it, to arrange for our piece of it apart from the palingenesia. Now, most of the human race doesn’t have the kind of money that allows them to purchase paradise—we sure don’t—but that doesn’t stop our ravenous hunger or desperate searching

Falken navigated the veil of hedgerow and shrubs beside the trail where they’d stopped and found a copse in the meadow. There, he undid his britches and sighed in relief as he broke his warm, golden seal upon the taupe bark of his chosen tree. A finch landed on a low strung branch next to the boy and regarded him. “Don’t watch me. Shoo!” The bird chirped in defiance and Falken waved his hand at it, distracting him from the fine, universal art of not peeing on himself. “Shoo, birdie!” The bird remained still. Falken looked down at a wet patch on his woad-dyed trousers. “Now look what you made me do!” he cursed, and the bird took off, satisfied.

The voice of my grandfather said to me, The air is precious. It shares its spirit with all the life it supports. The wind that gave me my first breath also received my last sigh. You must keep the land and air apart and sacred, as a place where one can go to taste the wind that is sweetened by the meadow flowers.

Exactly when they pass from the bleak to the fecund isn’t clear. The B road narrows and some oak branches drape the road for a stretch, darkening the interior of the cab. The route then dips, veers west. A turn, a steep ascent later and the outlook changes. Even Gracey is distracted by the carousel of shadow and sunlight upon a wilder earth and upon the windscreen. Not so flat here either. Hills ruffle the skyline and contour the land with smooth undulations. Patches of trees extend into actual woods that you can’t see the far side of from the nearest edge. A buzzard hovers. Then another. Wood pigeons flap for cover beneath them. Tonal shifts emerge. Varieties of cereal crops occult the liverish earth, combed by giants. Odd hay meadows are pebble-dashed with pastel. Hedgerows thicken to spike outwards and suggest internal hoppings and buzzings of minute life. Ancient trees instil repose, austere sentinels drowsing in the corner of fields. Below their muscular branches mooch caramel cows patched with chocolate. Above the vista, the dusty sheets of ashen cloud break apart into cumulus, plump like white cotton. The distinction between back there and here startles Tom. As it did when he came here for the viewings

To her delight, a tiny fairy tumbled through the letterbox and landed on the doormat with a bump and a merry laugh. "Oh dear," she said. "I keep hoping that I'll learn to be graceful, but I'm not so sure! Hello, Kirsty. I'm Niamh the Invitation Fairy.

And the mills of capitalism provide them. Supply meets demand. Fantasy becomes a commodity, an industry. Commodified fantasy takes no risks: it invents nothing, but imitates and trivializes. It proceeds by depriving the old stories of their intellectual and ethical complexity, turning their action to violence, their actors to dolls, and their truth-telling to sentimental platitude. Heroes brandish their swords, lasers, wands, as mechanically as combine harvesters, reaping profits. Profoundly disturbing moral choices are sanitized, made cute, made safe. The passionately conceived ideas of the great storytellers are copied, stereotyped, reduced to toys, molded in bright-colored plastic, advertised, sold, broken, junked, replaceable, interchangeable. What the commodifiers of fantasy count on and exploit is the insuperable imagination of the reader, child or adult, which gives even these dead things life—of a sort, for a while. Imagination like all living things lives now, and it lives with, from, on true change. Like all we do and have, it can be co-opted and degraded; but it survives commercial and didactic exploitation. The land outlasts the empires. The conquerors may leave desert where there was forest and meadow, but the rain will fall, the rivers will run to the sea. The unstable, mutable, untruthful realms of Once-upon-a-time are as much a part of human history and thought as the nations in our kaleidoscopic atlases, and some are more enduring. We have inhabited both the actual and the imaginary realms for a long time. But we don’t live in either place the way our parents or ancestors did. Enchantment alters with age, and with the age. We know a dozen different Arthurs now, all of them true. The Shire changed irrevocably even in Bilbo’s lifetime. Don Quixote went riding out to Argentina and met Jorge Luis Borges there. Plus c’est la même chose, plus ça change.

Now tell me,” Wendell said, once we all had our tea. “What has become of the rhododendron meadow?” I could not believe he was asking about flowers, what with everything else we had to worry about, and opened my mouth to tell him so, but he only touched my hand and said, “It’s an important matter, Em.” “You know my dear sister hated the place,” Lord Taran said. “She ordered the gardeners to neglect it. And, well—I’m afraid it’s been claimed by the Deer.” “One more thing for the to-do list,” Wendell said with a sigh. “What on earth does that mean?” I said. Wendell looked apologetic. “All lands claimed by the hag-headed deer are—unfriendly places. They have a tendency to go feral.” While I contemplated what feral rhododendrons might look like, Lord Taran said, “Enough small talk, Your Highness—you must satisfy my curiosity. We have heard all manner of rumors about you over the years. You are employed at a mortal school as a common labourer, some say; others, that you have been in the north, harassing one of the winter kings.” “Oh, that,” Wendell said, and launched into an account of our adventures in Ljosland, the bulk of which consisted of hyperbolic descriptions of snow and cold.

Members of his own herd had left him to die. Already he saw that Rockwing’s words were true. Heaviness and emptiness rolled through him at the same time. Morningleaf looked back toward Dawn Meadow, Sun Herd’s main grazing land, and scowled. “He’s a featherhead, but Star, why were you out here alone? It’s not safe.

Before the first echo of her cry had faded, the meadow erupted into chaos. Foals stampeded, mares bared their teeth for battle, and warriors took flight, their eyes glowing with a violent mixture of awe and terror. Frostfire and the stallions holding Star landed at the northern edge of the grassy valley. When Star’s hooves touched the soil, he was let go.

I designed, after my first voyage, to spend the rest of my days at Bagdad, but it was not long ere I grew weary of an indolent life, and I put to sea a second time, with merchants of known probity. We embarked on board a good ship, and, after recommending ourselves to God, set sail. We traded from island to island, and exchanged commodities with great profit. One day we landed on an island covered with several sorts of fruit trees, but we could see neither man nor animal. We walked in the meadows, along the streams that watered them. While some diverted themselves with gathering flowers, and others fruits, I took my wine and provisions, and sat down near a stream betwixt two high trees, which formed a thick shade. I made a good meal, and afterward fell asleep. I cannot tell how long I slept, but when I awoke the ship was gone.

There are “50 simple things you can do to save the planet.” Buy an energy-efficient car, for one. Recycle your bottles and cans, vote knowledgeably in elections—if you are among those people in the world blessed with cars, bottles, cans, or elections. There are also not-so-simple things to do: Work out your own frugally elegant lifestyle, have at most two children, argue for higher prices on fossil energy (to encourage energy efficiency and stimulate development of renewable energy), work with love and partnership to help one family lift itself out of poverty, find your own “right livelihood,” care well for one piece of land, do whatever you can to oppose systems that oppress people or abuse the earth, run for election yourself.

when I learned of the festive holiday of Thanksgiving that apparently everybody celebrated. I returned the next day preaching about Native American genocide. “Did you know,” I asked the art teacher, “that Indians to this day are still being driven off of their land? The government took away their forests and meadows and now they want their rocks. For the uranium. So we can make atomic bombs to kill every last woman, man, and child.

You've seen the prince? Like the real prince of the Otherworld?'' ''Yep. Saw him three times.'' (...) ''Once he was in this meadow. Kind of like the meadow in that movie with the sparkly vampires and crazy hair''. (...) The second time was when i was near their palace. It kind of looked like something on the show you watch where everyone dies.'' ''Game of Thrones? I suggested. ''King's Landing?'' He jumped as he nodded. ''And the third time was...well, he was doing something you never do.'' (...) ''What was that?'' (...) ''He was having sex.

The socially validated natural beauty, deriving charisma from moisture, is the forest, the waterfall, the alpine meadow, the mountaintop crisp with snow. But the grace of the arid steppe, the subtlety of the life there, the muted shades of color, the delicate perfumes, these are unsung, unloved. The sage steppe is the orphan child of the environmental movement. There is almost no literature celebrating it.

Because it was us, human beings, who were the intruders here. This land was ruled by dragons, manticores, griffins and amphisboenas, vampires and werewolves, striga, kikimoras, chimera and flying drakes. And this land had to be taken from them bit by bit, every valley, every mountain pass, every forest and every meadow.

You sit by the window and it is snowing-- your hair is white and your hands-- but in both mirrors of your white face summer has been maintained: Land for meadows raised into the invisible-- potions for shadow deer at night. But mourning I sink into your whiteness, your snow-- which life leaves ever so quietly as after a prayer is spoken to the end-- O to fall asleep in your snow with all my grief in the fiery breath of the world. While the delicate lines on your brow drown already in the ocean of night for a new birth.

...whenever you find a clearing like this," Beatrix said, leading Christopher to a small, sun-dappled meadow, "it's most likely an ancient field enclosure from the Bronze Age. They knew nothing about fertilizing, so when a patch of land became unproductive, they simply cleared a new area. And the old areas became covered with gorse and bracken and heather. And here-" she showed him the cavity of an oak tree near the clearing- "is where I watched a hobby chick hatch in early summer. Hobbies don't build their own nests, they use ones made by other birds. They're so fast when they fly, they look like sickles cutting through the air." Christopher listened attentively. With the breeze playing lightly in his dark gold hair, and a slight smile on his lips, he was so handsome that it was difficult not to gape at him. "You know all the secrets of this forest, don't you?" he asked gently. "There's so much to learn, I've only scratched the surface. I've filled books with sketches of animals and plants, and I keep finding new ones to study.

They headed across the meadow, passing groups of students eating lunch. A mottled bird that looked like a cross between a chicken and a pheasant burst from the undergrowth. Ash watched it flutter into the trees, then land in the bushes. “What in the world…?” Vale followed his gaze to where the bird waddled through the undergrowth. “It’s a spruce grouse.” Ash stared into the trees. A few steps away from the meadow, the light dropped by half. “What did you call it again?” “Spruce grouse is the official name, though they’re sometimes called prairie chickens or fool hens.” Ash chuckled. “Fool hens, huh?” “Yeah. People think they’re kind of dumb—the way they let other animals get close to them. They’re pretty mellow.” Ash watched it as it faded back into the autumn foliage, the plumage a match to the brown and orange leaves. “How do you know all this stuff?” “I don’t know,” she said. “I read things, I guess.” “I know that, but where’d you learn the stuff about birds?” “I’ve got a couple books on wildlife. Books on the woods, and on camping, and survival, and…” Vale shrugged. “I just read a lot of stuff. Okay?” Ash grinned. “Pretty cool.

Facing the small window, Sophie let her mind travel. She was standing in the middle of a sunlight-drenched meadow, situated in a safe, spacious, warm land far away from the duchess and her evil intentions. She was free. No one was yelling at her or belittling her or locking her in a dungeon.

The land on which my home sits was originally woodland but was converted to pasture in the early 1700s by the Guidott family. The meadows provided grazing for the cattle that supplied much of the city's milk and cream. The farmhouse was known as Cream Hall and it is here that city dwellers would come to take tea-- the farm was renowned for its cheesecakes-- and in 1740 a Cake and Ale House opened 'offering cakes dipped in frothing cream, custards and syllabubs.

A sludgy, psychedelic rhythm poured out of the speakers, the slowest, sludgiest rhythm Carl had ever heard, like a hypnotized dinosaur stomping unknowingly over flower children and a meadow full of butterflies in a gently rolling landscape. Above the proceedings opened up a sky filled with the suns of a million spotlights and out of those heights came the falsetto voice of Marshal Mellow, naked and featherless, squawking as it flitted downward, a tiny, prehistoric bird landing on the dinosaur's neck and tossed around.

It all starts with the wolves. Wolves disappeared from Yellowstone, the world’s first national park, in the 1920s. When they left, the entire ecosystem changed. Elk herds in the park increased their numbers and began to make quite a meal of the aspens, willows, and cottonwoods that lined the streams. Vegetation declined and animals that depended on the trees left. The wolves were absent for seventy years. When they returned, the elks’ languorous browsing days were over. As the wolf packs kept the herds on the move, browsing diminished, and the trees sprang back. The roots of cottonwoods and willows once again stabilized stream banks and slowed the flow of water. This, in turn, created space for animals such as beavers to return. These industrious builders could now find the materials they needed to construct their lodges and raise their families. The animals that depended on the riparian meadows came back, as well. The wolves turned out to be better stewards of the land than people, creating conditions that allowed the trees to grow and exert their influence on the landscape. My hope is that the wolves’ stewardship of natural processes in Yellowstone will help people appreciate the complex ways that trees interact with their environment, how our interactions with forests affect their success, and the role forests play in making our world the kind of place where we want to live. Apart from that, forests hide wonders that we are only just beginning to explore. I invite you to enter my world.

Adding firewood to the hearth, she made a thick syrup by mixing rosewater and dark meadow-flower honey, a gift from Lord Zopyrus. Setting the pot aside to cool, she turned her attention to the cake's filling. From the storehouse, she fetched a sackcloth filled with pistachios that she had harvested herself the previous fall. Pistachios always reminded Roxannah of her father. Not the man lying in his bed now, the one who had a barbed tongue and heavy hand. No. Pistachios remind Roxannah of the father she remembered from her girlhood. The quiet, amiable man who hadn't yet been ruined by the cruelty of war and too much wine. For a moment, her eyes welled. When she had been little, her father had taken her on one of his rambles through their land. They had ended up in the pistachio grove. Plucking a young fruit from a fat cluster, he had peeled off the pink and green outer skin to show her the split seed inside.

The physical reclamation of the floodplain of the Spey involved a hugely ambitious series of localised engineering projects, surely equal to any undertaking in lowland Britain - perhaps more so considering the region's remoteness and economic difficulties. ...Around 40 miles of banks were constructed over five decades, reclaiming some 4,000 acres of the most fertile land in Badenoch, dramatically increasing the region's pastoral and arable yields to the benefit of all. Many of these floodbanks still protect the riverside fields, a monument not just to the ideology of Enlightenment and improvement, but to the vision and labour of all involved - lairds, tacksmen, tenants and labourers. Ironically, the huge Invereshie reclamation scheme, the great drain and riverbanks, are now - in response to a new ideological vision being re-converted into wetlands, the Invereshie Meadows reverting to the Insh Marshes.

As we went on, I could not help but noticing that the path Wendell made for us was a much cheerier one than Ariadne and I had followed; we traversed sunny glades and bluebell meadows, and sections of bilberry-studded moor open to the sky, often boasting impressive standing stones. Silver baubles sparkled in the treetops, about the size of globes and light as air, which sometimes drifted from one tree to another with the wind. Wendell informed me that these were, in fact, a kind of faerie stone, which contained enchantments meant to provide comfort to travelers.

I grabbed Darcy’s arm, unable to form a word as my lips parted at the sight before me. A whole herd of stunning winged unicorns landed before ambling through the meadow, their coats gleaming in sparkling metallic colours from silver to bronze and gold to pinks, yellows and even green. Their coats were sprinkled with glitter and their long, golden horns caught the sunlight like they were made from polished metal.

She dies for this,” Tairn demands, his impact rustling the green meadow grass as we land twenty feet in front of Theophanie, who welcomes us with a smile.

The amount of land we set aside for conservation each year. The minimum wage. How much we spend on AIDS research or Stealth bombers. The service charge the bank extracts from your account. All of these are parameters, adjustments to faucets. So, by the way, is firing people and getting new ones, including politicians. Putting different hands on the faucets may change the rate at which the faucets turn, but if they’re the same old faucets, plumbed into the same old system, turned according to the same old information and goals and rules, the system behavior isn’t going to change much.

This text contains a wealth of details, among which stand out the following: the kingdom is a land of play and pleasure, a beautiful country of rivers, green meadows, forests, and plains. A kind of darkness reigned there, as the sun did not shine on it directly; the days there were misty, and neither the moon nor the stars illuminated the nights. This mist is reminiscent of the name of the Nibelungen and of Montnuble, the castle of Aubéron according to Gandor of Brie. In this particular occasion, we have a summary description of these subterranean beings at our disposal, which also describes their mind-set and their food: They are small in size but possess immense qualities. They are yellow and have long hair. They eat a kind of milk-based broth flavored with saffron. Lies, fickleness, and infidelity are odious to them (this trait is strongly reminiscent of Aubéron).

Ask me the names of the grazing lands: I know them all, the Meadow between the Cliffs, the Green Slope, the Shadowed Grass. Cities have no name for me: they are places without leaves, separating one pasture from another, and where the goats are frightened at street corners and scatter. The dog and I run to keep the flock together.

Clouds stand for the beginnings and ends of flows. They are stocks—sources and sinks—that are being ignored at the moment for the purposes of simplifying the present discussion. They mark the boundary of the system diagram. They rarely mark a real boundary, because systems rarely have real boundaries. Everything, as they say, is connected to everything else, and not neatly. There is no clearly determinable boundary between the sea and the land, between sociology and anthropology, between an automobile’s exhaust and your nose. There are only boundaries of word, thought, perception, and social agreement—artificial, mental-model boundaries.

There were trees below her, so that she looked out over the tops of them, and there were trees on both sides and above; the little quarry was a dimple in the hill, bathed in sunshine, redolent with the scent of sun-warmed pines. At the bottom of the hill the gray houses of Ryddelton clustered, with their gray slate roofs and curls of smoke rising from their chimneys. In the midst of the town rose the church spire. Beyond the town a road ran, curving away into the distance. The valley itself stretched southward, shallow and sunlit, bounded by rolling hills clad with green grass and patches of brilliant purple heather and dark pine woods, and above the hills was the pale blue sky with fat white clouds floating in it. Along the floor of the valley wound the river, sparkling in the sunshine; it wound among woods and yellow cornfields and bright green meadows full of cattle that looked like toys, and over it all was a faint haze, an almost imperceptible opal-tinted haze that softened the brightness of the colors. Green it was, green and peaceful, an oasis of peace in a land at war.

On her arrival by RAF plane at Northolt, Tulip underwent no landing formalities, thereby at no point officially entering the UK. Describing himself as ‘the appointed representative of a Service that is very proud of you’, Dr Meadows made a brief speech of welcome in the VIP reception room in the transit area, and presented her with a bouquet of English roses which appeared to affect her deeply, for she held them silently to her face throughout the journey.

Each night the wilderness, the meadows, the far country flowed down-creek through ravine and welled up in town with a smell of grass and water, and the town was disinhabited and dead and gone back to earth. And each morning a little more of the ravine edged up into town, threatening to swamp garages like leaking rowboats, devour ancient cars which had been left to the flaking mercies of rain and therefore rust. “Hey! Hey!” John Huff and Charlie Woodman ran through the mystery of ravine and town and time. “Hey!” Douglas moved slowly down the path. The ravine was indeed the place where you came to look at the two things of life, the ways of man and the ways of the natural world. The town was, after all, only a large ship filled with constantly moving survivors, bailing out the grass, chipping away the rust. Now and again a lifeboat, a shanty, kin to the mother ship, lost out to the quiet storm of seasons, sank down in silent waves of termite and ant into swallowing ravine to feel the flicker of grasshoppers rattling like dry paper in hot weeds, become soundproofed with spider dust and finally, in avalanche of shingle and tar, collapse like kindling shrines into a bonfire, which thunderstorms ignited with blue lightning, while flash-photographing the triumph of the wilderness. It was this then, the mystery of man seizing from the land and the land seizing back, year after year, that drew Douglas, knowing the towns never really won, they merely existed in calm peril, fully accoutered with lawn mower, bug spray and hedge shears, swimming steadily as long as civilization said to swim, but each house ready to sink in green tides, buried forever, when the last man ceased and his trowels and mowers shattered to cereal flakes of rust.

For him, England has always been a land of fairy tales: a world of pictures, of black-and-white sketches depicting pale, chubby children eating currant buns. A land of fairies and witches, hedgerows and secret gardens, goblins and magical woods. When he arrived he was surprised to find it looked almost exactly as it did in the stories. The trees, the meadows, the little brick houses. He had not come to a real country, but a story come to life. Every day, then, he woke to a fantasy. And no matter how solid and cold and uncomfortable it was, he could never feel it was a country as such, could never quite believe that it had been formed from the same molten stuff that had made his birthplace. England was always secondary, always derivative, always an aftereffect of a story. Perhaps this is why, now, he can decide to leave it.

Where Kings lie low upon the fractured lands, A silence falls that ancient shadows keep. The waters swells against the crumbling meadows, And wakes the truths the world has sought to sleep.

So you see, translators do not so much deliver a message as they rewrite the original. And herein lies the difficulty – rewriting is still writing, and writing always reflects the author’s ideology and biases. After all, the Latin translatio means “to carry across”. Translation involves a spatial dimension – a literal transportation of texts across conquered territory, words delivered like spices from an alien land. Words mean something quite different when they journey from the palaces of Rome to the tearooms of today’s Britain. ‘And we have not yet moved past the lexical. If translation were only a matter of finding the right themes, the right general ideas, then theoretically we could eventually make our meaning clear, couldn’t we? But something gets in the way – syntax, grammar, morphology and orthography, all the things that form the bones of a language. Consider the Heinrich Heine poem “Ein Fichtenbaum”. It’s short, and its message is quite easy to grasp. A pine tree, longing for a palm tree, represents a man’s desire for a woman. Yet translating it into English has been devilishly tricky, because English doesn’t have genders like German does. So there’s no way to convey the binary opposition between the masculine ein Fichtenbaum and the feminine einer Palme. You see? So we must proceed from the starting assumption that distortion is inevitable. The question is how to distort with deliberation.’ (…) ‘Actually—’ Robin fidgeted with the stem of his glass for a moment, then decided to keep talking. ‘I think translation can be much harder than original composition in many ways. The poet is free to say whatever he likes, you see – he can choose from any number of linguistic tricks in the language he’s composing in. Word choice, word order, sound – they all matter, and without any one of them the whole thing falls apart. So the translator needs to be translator, literary critic, and poet all at once – he must read the original well enough to understand all the machinery at play, to convey its meaning with as much accuracy as possible, then rearrange the translated meaning into an aesthetically pleasing structure in the target language that, by his judgment, matches the original. The poet runs untrammelled across the meadow. The translator dances in shackles.