Mead Drink Quotes

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Yeah, that's exactly what I want. To help my girlfriend get her old boyfriend back." He turned away again, and I heard him mutter, "I need two drinks.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
Can't you . . . I don't know. Find a hobby or something?" "Being charming is my hobby," said Adrian obstinately. "I'm the life of the party— even without drinking. I wasn't meant to be alone.
Richelle Mead (Bloodlines (Bloodlines, #1))
What have you gotten me into?" I hissed at him. "Me? What have you gotten yourself into? Couldn't I have just picked you up at the police station for underage drinking, like most fathers?
Richelle Mead (Spirit Bound (Vampire Academy, #5))
Escape plan number seventeen," I told her. "Run away and open a juice stand in Fresno." "Why Fresno?" "Sounds like the kind of place people drink a lot of juice.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
You'd give up drinking to go see your dad?" "Well, not permanently," he said. "That'd be ridiculous. But maybe I could switch to something slightly cheaper for a while. Like...slushes. Do you know how much I love those? Cherry, especially.
Richelle Mead (The Golden Lily (Bloodlines, #2))
How?" I demanded. "How could you have screwed this one up?" "When I got in, they said the manager was on the phone and would be a few minutes. So, I sat down and ordered a drink." This time, I did lean my forehead against the steering wheel. "What did you order?" "A martini." "A martini." I lifted my head. "You ordered a martini before a job interview." "It's a bar, Sage. I figured they'd be cool with it.
Richelle Mead (Bloodlines (Bloodlines, #1))
Who... who are you?' I asked at last. It was true. I had left a body in the park, but seriously, what was I supposed to do? Drag him back to my hotel and tell my bellhop my friend had had too much to drink?
Richelle Mead (Blood Promise (Vampire Academy, #4))
Yeah. Rose." Jill sighed and stared vacantly ahead. "She's all he sees when he closes his eyes. Flashing dark eyes and a body full of fire and energy. No matter how much he tries to forget her, no matter how much he drinks . . . she's always there. He can't escape her.
Richelle Mead (Bloodlines (Bloodlines, #1))
Iʹve seen you too. Ozera. Crispin, right?ʺ ʺChristian,ʺ corrected Lissa. ʺRight.ʺ .... ʺSo what brings you and Christopher here?ʺ asked Blake. He finished a glass of something amber colored and set it down beside the new drink. ʺChristian,ʺ said Christian. .... Blake gave her puppy-dog eyes. ʺBut you just got here! I was hoping we could get to know each other.ʺ It went without saying what he meant by that. ʺOh. And Kreskin too.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
If you went twenty-four hours without cigarettes, I'd drink a can of pop. Regular pop. The whole can." Isaw the glimmer of Adrian's earlier smile returning. "You would not." "I totally would." "Half a can would put you into a coma." Sonya frowned. "Are you diabetic?" she asked me. "No," said Adrian, "but Sage is convinced one extraneous calorie will make her go from super skinny to just regular skinny. Tragedy." "Hey," I said. "You think it’d be a tragedy to go an hour without a cigarette." "Don’t question my steel resolve, Sage. I went without one for two hours today." "Show me twenty-four, and then I’ll be impressed." He gave me a look of mock surprise. "You mean you aren’t already? And here I thought you were dazzled from the moment you met me.
Richelle Mead (The Golden Lily (Bloodlines, #2))
God,” I moaned. “Do they use that stuff as rocket fuel?” “No one made you keep drinking it.” “Hey, don’t get preachy. Besides, I had to be polite.” “Sure,” she said.
Richelle Mead (Blood Promise (Vampire Academy, #4))
If I was drunk, I wouldn’t be here at all. And really, this is pretty good for four White Russians.” “White what?” I almost sat down but was afraid the chair might dematerialize beneath me. “It’s a drink,” he said. “You’d think I wouldn’t be into something named that—you know, considering my own personal experience with Russians. But they’re surprisingly delicious. The drinks, not real Russians.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
I can't believe you've been here all day and didn't come visit. ", Tatiana said. "Aw, I figured you had more important things to do than see me, " Adrian told her. "Besides, I quit smoking, so now we won't be able to go sneak cigarettes out behind the throne room together. " "Adrian!" chastised Nathan, turning bright red. It occurred to me then that I could have based a drinking game around how many times he exclaimed his son's name disapprovingly.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
I want to see you in the throes of orgasm ... I want to see your whole body writhing, your lips open as you drink in your own pleasure. Only yours, no one else’s. Just you, completely given up to ecstasy.
Richelle Mead (Succubus on Top (Georgina Kincaid, #2))
There were drinks and food in full force, and some Moroi guy had a guitar out and was trying to impress girls with his musical skills—which were nonexistent. In fact, his music was so awful that he might have discovered a new way to kill Strigoi.
Richelle Mead (Blood Promise (Vampire Academy, #4))
Well...I'm on birth control" I was drinking the water again and choked on it. It took several moments of coughing before I could gasp out. "What?" "It takes a while for it to start working, so I figured I should be prepared, just in case." "Just in case," I repeated, still dumbfounded.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
I couldn't. I just needed a few more seconds, a few more seconds to drink him in before I killed him. And that's when he spoke. "Roza." His voice had that same wonderful lowness, the same accent.. it was all just colder. "You forgot my first lesson: don't hesitate." I just barely saw his fist striking out toward my head.. and then I saw nothing at all.
Richelle Mead (Blood Promise (Vampire Academy, #4))
Is she for real?” He paused and reconsidered. “Are you for real? Spells? Magic? I mean, don’t get me wrong. I drink blood and control people’s minds. But I’ve never heard of anything like this.
Richelle Mead (The Golden Lily (Bloodlines, #2))
Do you go see her?" "No," I said, refusing to acknowledge that I'd just seen Lissa last night. "That's not my life anymore." "Right. Your life is all about dangerous vigilante missions." "You wouldn't understand anything that isn't drinking, smoking, or womanizing." He shook his head. "You're the only one I want, Rose." "Well, you can keep feeling that way, but you're going to have to keep waiting." "Much longer?" He asked me. "I don't know." Hope blossomed on Adrian's face. "That's the most optimistic thing you've told me so far.
Richelle Mead (Blood Promise (Vampire Academy, #4))
Dreams, dreams. I walk them; I live them. I delude myself with them. It's a wonder I can spot reality anymore. " he turned from me with a sigh. "I need a drink. " "Oh, good. That'll fix everything. I'm glad in a world gone mad, you've still got your old standbys. " "What do you expect me to do?" he asked. "You could . . . You could . . . Well, now that you're here, you could help us. Plus, this guy we're meeting. He's another spirit user. " "Yeah, that's exactly what I want. To help my girlfriend get her old boyfriend back. " He turned away again, and I heard him mutter, "I need two drinks.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
I’ve seen all I need to. I’m going to go drink now in a futile effort to wipe away the memory of this debacle.
Richelle Mead (Succubus Revealed (Georgina Kincaid, #6))
I knew him instantly, even though he'd...changed. I think in a crowd of a million people, I would have recognized him. The connection between us would allow nothing else. And after being deprived of him for so long, I drank in every feature. The dark, chin-length hair, worn loose tonight and curling slightly around his face. The familiar set of lips, quirked now in an amused yet chilling smile. He even wore the duster he always wore, the long leather coat that could have come straight out of a cowboy movie. [...] The eyes. Oh God, the eyes. Even with that sickening red ring around his pupils, his eyes still reminded me of the Dimitri I'd known. The look in his eyes—the soulless, malicious gleam—that was nothing like him. But there was just enough resemblance to stir my heart, to overwhelm my senses and feelings. My stake was ready. All I had to do was keep swinging to make the kill. I had momentum on my side... But I couldn't. I just needed a few more seconds, a few more seconds to drink him in before I killed him. And that's when he spoke. "Roza." His voice had the same wonderful lowness, the same accent...it was just colder. "You forgot my first lesson: Don't hesitate.
Richelle Mead (Blood Promise (Vampire Academy, #4))
Spells? Magic? I mean, don’t get me wrong. I drink blood and control people’s minds. But I’ve never heard of anything like this.
Richelle Mead (The Golden Lily (Bloodlines, #2))
You're in an awfully good mood," he observed. "Was there a sale at Khakis-R-Us?" I gave up on my artistic interpretation and turned to him. "Nope. Brayden just broke up with me." Adrian's smirk faded. "Oh. Shit. I'm sorry. Are you... I mean, do you need a drink? Do you need to, uh, cry or anything?
Richelle Mead (The Golden Lily (Bloodlines, #2))
And the whole time, people kept refilling my cup. Determined not to look like an idiot again, I kept drinking until I could finally take the vodka down without coughing or spitting. I stood, finding it much harder to do than I'd expected. The world wobbled, and my stomach wasn't very happy with me. Someone caught a hold of my arm and steadied me. "Easy," said Sydney. "Don't push it." Slowly, carefully, she led me toward the house. "God," I moaned. "Do they use that stuff as rocket fuel?" "No one made you keep drinking it." "Hey, don't get preachy. Besides, I had to be polite." "Sure," she said.
Richelle Mead (Blood Promise (Vampire Academy, #4))
There were a few compensations to having corporeal Aspect. Food (jam tarts were my favourites); drink (mostly wine and mead); setting things on fire; sex (although I was still extremely confused by all the taboos surrounding this - no animals, no siblings, no men, no married women, no demons - frankly, it was amazing to me that anyone had sex at all, with so many rules against it).
Joanne Harris (The Gospel of Loki (Loki, #1))
Too bad I couldn’t take Hopper out drinking with me. He could have become Bar Hopper.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
Can’t you get me some swank bachelor’s pad like Keith has downtown so I can party with all the rich vacationers? Drinking alone is sad and pathetic. I need people. Even human people.
Richelle Mead (Bloodlines (Bloodlines, #1))
Here is the last thing, and a shameful admission it is. When the all-father in eagle form had almost reached the vats, with Suttung immediately behind him, Odin blew some of the mead out of his behind, a splatter wet fart of foul-smelling mead right in Suttung's face, blinding the giant and throwing him off Odin's trail. No one, then or now, wanted to drink the mead that came out of Odin's ass. But whenever you hear bad poets declaiming their bad poetry, filled with foolish similes and ugly rhymes, you will know which of the meads the have tasted.
Neil Gaiman (Norse Mythology)
He's an angel. Isn't he supposed to love everyone, even the damned? Especially when said damned are his drinking buddies.
Richelle Mead
What?" he asked. "I don't know. Just thinking about flowers. And impressing people. I mean, how strange is it that we bring plant sex organs to people we're attracted to? What's up with that? It's a weird sign of affection." His dark eyes lit up, like he'd just discovered something surprising and delightful. "Is it any weirder than giving chocolate, which is supposed to be an aphrodisiac? Or what about wine? A 'romantic' drink that really just succeeds in lowering the other person's inhibitions." "Hmmm, It's like people are trying to be both subtle and blatant at the same time. Like, they won't actually go up and say, 'Hey, I like you, lets get together.' Instead, they're like, 'Here, have some plant genitalia and aphrodisiacs.
Richelle Mead (Storm Born (Dark Swan, #1))
You know," said Sydney, after a sip. "I kind of can taste some citrus in this. Just barely. Like a hint of orange. And it's sweeter than I thought, but that'd make sense if the guy said it was late harvest varietal. Grapes retain more sugar the longer they stay on the vine." "I knew it," I said triumphantly. "I knew this was exactly what would happen if I ever got you to drink." She titled her head, puzzled. "What?" "Never mind.
Richelle Mead (Silver Shadows (Bloodlines, #5))
You wouldn't understand anything that isn't drinking, smoking, or womanizing." He shook his head. "You're the only one I want, Rose.
Richelle Mead (Blood Promise (Vampire Academy, #4))
What have you gotten me into?" I hissed to him. "Me? What have you gotten yourself into? Couldn't I have just picked you up at the police station for underage drinking, like most fathers?
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
When the all-father in eagle form had almost reached the vats, with Suttung immediately behind him, Odin blew some of the mead out of his behind, a splattery wet fart of foul-smelling mead right in Suttung’s face, blinding the giant and throwing him off Odin’s trail. No one, then or now, wanted to drink the mead that came out of Odin’s ass.
Neil Gaiman (Norse Mythology)
Seek and destroy, hunt and find We will kill all their kind They will beg and they will plead As we drink their blood with mead
Nancy Holder
No one, then or now, wanted to drink the mead that came out of Odin’s ass. But whenever you hear bad poets declaiming their bad poetry, filled with foolish similes and ugly rhymes, you will know which of the meads they have tasted.
Neil Gaiman (Norse Mythology)
It’s like bees and honey. Each bee makes only a tiny, tiny drop of honey. It takes thousands of them, millions perhaps, all working together to make the pot of honey you have on your breakfast table. Now imagine that you could eat nothing but honey. That’s what it’s like for my kind of people…we feed on belief, on prayers, on love. It takes a lot of people believing just the tiniest bit to sustain us. That’s what we need, instead of food. Belief.” “And Soma is…” “To take the analogy further, it’s honey wine. Mead.” He chuckled. “It’s a drink. Concentrated prayer and belief, distilled into a potent liqueur.
Neil Gaiman (American Gods)
Words can be more lethal than blades, Magnus. And Loki is a master of words. To beat him, you must find your inner poet. Only one thing can give you a chance to beat Loki at his own game.” “Mead,” I guessed. “Kvasir’s Mead.” The answer didn’t sit right with me. I’d been on the streets long enough to see how well “mead” improved people’s skills. Pick your poison: beer, wine, vodka, whiskey. Folks claimed they needed it to get through the day. They called it liquid courage. It made them funnier, smarter, more creative. Except it didn’t. It just made them less able to tell how unfunny and stupid they were acting.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
Is it terrible? Being cut off from spirit’s high?” “No, because being with you is a greater high than spirit, drinking, or anything else could ever conjure.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
Here is the last thing, and a shameful admission it is. When the all-father in eagle form had almost reached the vats, with Suttung immediately behind him, Odin blew some of the mead out of his behind, a splattery wet fart of foul-smelling mead right in Suttung’s face, blinding the giant and throwing him off Odin’s trail. No one, then or now, wanted to drink the mead that came out of Odin’s ass. But whenever you hear bad poets declaiming their bad poetry, filled with foolish similes and ugly rhymes, you will know which of the meads they have tasted.
Neil Gaiman (Norse Mythology)
Sure we have. You work for me now. You protect me. You transport me from place to place. You run errands. In an emergency, but only in an emergency, you hurt people who need to be hurt. In the unlikely event of my death, you will hold my vigil. And in return I shall make sure that your needs are adequately taken care of.
Neil Gaiman (American Gods (American Gods, #1))
How did you find out?” he asked. I dropped the coat I’d been holding. “How do you think? She told me. She couldn’t wait to tell me.” He sighed and sat on the arm of my couch and stared into space. “That’s it? You have nothing else to say?” I asked. “I’m sorry. God, I’m really sorry. I didn’t mean for you to find out like this.” “Were you ever going to tell me?” “Yeah...of course.” His voice was so sweet and so gentle that it momentarily defused the anger that wanted to explode out of me. I stared at him, looking hard into those amber brown eyes. “She said...she said you didn’t drink, but you did, right? That’s what happened?” I sounded like I was Kendall’s age and suspected I wore the pleading expression Yasmine had given Jerome. Seth’s face stayed expressionless. “No, Thetis. I wasn’t drunk. I didn’t drink at all.” I sank down into the arm chair opposite him. “Then…then…what happened?” It took a while for him to get the story out. I could see the two warring halves within him: the one that wanted to be open and the one that hated to tell me things I wouldn’t like. “I was so upset after what happened with us. I was actually on the verge of calling that guy…what’s his name? Niphon. I couldn’t stand it—I wanted to fix things between us. But just before I did, I ran into Maddie. I was so…I don’t know. Just confused. Distraught. She asked me to get food, and before I knew it, I’d accepted.” He raked a hand through his hair, neutral expression turning confused and frustrated. “And being with her…she was just so nice. Sweet. Easy to talk to. And after leaving things off physically with you, I’d been kind of…um…” “Aroused? Horny? Lust-filled?” He grimaced. “Something like that. But, I don’t know. There was more to it than just that.” The tape in my mind rewound. “Did you say you were going to call Niphon?” “Yeah. We’d talked at poker…and then he called me once. Said if I ever wanted…he could make me a deal. I thought it was crazy at the time, but after I left you that night…I don’t know. It just made me wonder if maybe it was worth it to live the life I wanted and make it so you wouldn’t have to worry so much.” “Maddie coming along was a blessing then,” I muttered. Christ. Seth had seriously considered selling his soul. I really needed to deal with Niphon. He hadn’t listened to me when I’d told him to leave Seth alone. I wanted to rip the imp’s throat out, but my revenge would have to wait. I took a deep breath. “Well,” I told Seth. “That’s that. I can’t say I like it…but, well…it’s over.” He tilted his head curiously. “What do you mean?” “This. This Maddie thing. You finally had a fling. We’ve always agreed you could, right? I mean, it’s not fair for me to be the only one who gets some. Now we can move on.” A long silence fell. Aubrey jumped up beside me and rubbed her head against my arm. I ran a hand over her soft fur while I waited for Seth’s response. “Georgina,” he said at last. “You know…I’ve told you…well. I don’t really have flings.” My hand froze on Aubrey’s back. “What are you saying?” “I…don’t have flings.” “Are you saying you want to start something with her?” He looked miserable. “I don’t know.
Richelle Mead (Succubus Dreams (Georgina Kincaid, #3))
Revenge is the sweetest of all drinks Sweeter than honey more intoxicating than mead
Jason King Godwise (The Sacred Havamal)
Some of his pieces were quite good. Others-especially when he'd been drinking-looked like he'd accidentally spilled paint on canvas.
Richelle Mead
Inking an Araurran, for comparison, is like drinking from a stormy ocean made of mead.
Gabrielle Harbowy (Hellmaw: Of the Essence (Hellmaw, #7))
Oh, it is true enough. I may as well be hung for a sheep as a lamb (an old country saying, not of much account, but it will do for a rough soldier), and so I will speak my mind, regardless of your pleasure, and without hoping or intending to get your pardon. Why, Miss Everdene, it is in this manner that your good looks may do more harm than good in the world." The sergeant looked down the mead in critical abstraction. "Probably some one man on an average falls in love with each ordinary woman. She can marry him: he is content, and leads a useful life. Such women as you a hundred men always covet—your eyes will bewitch scores on scores into an unavailing fancy for you—you can only marry one of that many. Out of these say twenty will endeavour to drown the bitterness of despised love in drink; twenty more will mope away their lives without a wish or attempt to make a mark in he world, because they have no ambition apart from their attachment to you; twenty more—the susceptible person myself possibly among them—will be always draggling after you, getting where they may just see you, doing desperate things. Men are such constant fools! The rest may try to get over their passion with more or less success. But all these men will be saddened. And not only those ninety-nine men, but the ninety-nine women they might have married are saddened with them. There's my tale. That's why I say that a woman so charming as yourself, Miss Everdene, is hardly a blessing to her race.
Thomas Hardy
...Will you not join me in a cup of cocoa? The kettle boils.” Mr Sharnall’s face fell. “You ought to have been an old woman,” he said; “only old women drink cocoa. Well, I don’t mind if I do; any port in a storm.
John Meade Falkner (The Nebuly Coat)
No one, then or now, wanted to drink the mead that came out of Odin's arse. But whenever you hear bad poets declaiming their bad poetry, filled with foolish similes and ugly rhymes, you will know which of the meads they have tasted.
Neil Gaiman (Norse Mythology)
Later, when beekeepers realized that they could get lighter, sweeter honey by placing beehives near particular crops like clover, alfalfa, and citrus, the wild honey collected in forests went first to mead, while more refined, cultivated honey was preferred as a sweetener.
Amy Stewart (The Drunken Botanist: The Plants that Create the World's Great Drinks)
What have you gotten me into?” I hissed to him. “Me? What have you gotten yourself into? Couldn’t I have just picked you up at the police station for underage drinking, like most fathers?” Mead, Richelle (2010-05-18). Spirit Bound: A Vampire Academy Novel (p. 478). Penguin Young Readers Group. Kindle Edition.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
Odin’s wisdom is embodied in Hávamál (‘The Sayings of the High One’), a collection of anonymous Viking Age gnomic verses supposed to have been composed by Odin and preserved in a single thirteenth century Icelandic manuscript. Hávamál is not concerned with metaphysical questions, only with the kind of pragmatic common-sense wisdom valued by practical people. Cultivate friendships, never take hospitality for granted and repay gifts with gifts. Do not make enemies unnecessarily or pick foolish fights. On campaign, keep your weapons close to hand. Do not drink too much mead or ale, it robs a man of his wits. If you do not know what you are talking about, keep quiet: it is better to listen. Exercise caution in business and always beware of treachery and double dealing. Always deal honestly yourself except with your enemies: deceive them if you can. The advice is sometimes contradictory: Hávamál berates the coward who thinks he will live forever if he avoids fighting while also declaring that it is better to be a live dog than a dead lion.
John Haywood (Northmen: The Viking Saga, 793-1241 AD)
...it was not considered right for a man not to drink, although drink was a dangerous thing. On the contrary, not to drink would have been thought a mark of cowardice and of incapacity for self-control. A man was expected even to get drunk if necessary, and to keep his tongue and his temper no matter how much he drank. The strong character would only become more cautious and more silent under the influence of drink; the weak man would immediately show his weakness. I am told the curious fact that in the English army at the present day officers are expected to act very much after the teaching of the old Norse poet; a man is expected to be able on occasion to drink a considerable amount of wine or spirits without showing the effects of it, either in his conduct or in his speech. "Drink thy share of mead; speak fair or not at all" - that was the old text, and a very sensible one in its way.
Eoghan Odinsson (Northern Lore: A Field Guide to the Northern Mind-Body-Spirit)
When the Æsir saw Odin flying, they placed their vats in the courtyard, and when Odin entered Asgard he spat the mead into the vats. It was such a close call, with Suttung almost catching him, that he blew some of the mead out of his rear. No one paid attention to this part, and whoever wanted it took it; we call this the bad poets’ portion. Odin gave Suttung’s mead to the Æsir and to those men who know how to make poetry. For this reason we call poetry Odin’s catch, find, drink or gift, as well as the drink of the Æsir.’ 3
Snorri Sturluson (The Prose Edda)
Under the root *( of the Ash Yggdrasil ) that goes to the frost giants is the Well of Mimir. Wisdom and Intelligence are hidden there, and Mimir is the name of the well's owner. He is full of wisdom because he drinks of the well from the Gjallarhorn. All-father went there and asked for one drink from the well, but he did not get this until he gave one of his eyes as a pledge. As it says in The Sibyl's Prophesy : Odin, I know all, where you hid the eye in that famous Well of Mimir. Each morning Mimir drinks mead from Val-Father's pledge. Do you know now or what ? ( The Sibyl's Prophesy. 28 )
Snorri Sturluson (The Prose Edda: Norse Mythology (Penguin Classics))
Wednesday got comfortable, ordered himself a Jack Daniel’s. “My kind of people see your kind of people…” He hesitated. “It’s like bees and honey. Each bee makes only a tiny, tiny drop of honey. It takes thousands of them, millions perhaps, all working together to make the pot of honey you have on your breakfast table. Now imagine that you could eat nothing but honey. That’s what it’s like for my kind of people…we feed on belief, on prayers, on love. It takes a lot of people believing just the tiniest bit to sustain us. That’s what we need, instead of food. Belief.” “And Soma is…” “To take the analogy further, it’s honey wine. Mead.” He chuckled. “It’s a drink. Concentrated prayer and belief, distilled into a potent liqueur.
Neil Gaiman (American Gods)
The sagas, however, do not mention any entheogens in any context that I can discover: the special meal prepared for the seeress in Eiriks saga rauöa is of the hearts of animals and is eaten the night before her seiör is to occur. References to drinking in the Eddas (e.g. Mimir's well, the mead of poetry) are ambiguously metaphorical at best (though in a highly speculative mode, Steven Leto (2000) suggests that the use of both A. muscaria and R semilanceata may be represented metaphorically in various poems or sagas). Archaeology, however, gives some evidence, from several hundred henbane seeds found in the pouch of a burial considered to be that of a seeress (Price, pers. com.) and a very small number of cannabis seeds present in the Oseberg burial (often considered to be that of a seeress or a priestess), carefully Placed, Neil Price tells me, between the cushions and feathers piled by the bed.
Jenny Blain (Nine Worlds of Seid-Magic)
In our personal spaces, where there are no eyes to guide our better nature caressing our intentions, we sometimes gnaw in the agonizing realization that, although we charitably took on the rough task with smiling faces, our condescension has produced our worst nightmare. For a new work has triggered our insecure buttons, birthing the fear that the author may flow past our selfish desires, and find their way into the ocean of our faith, leaving us alone and desperate. And so we must, with the extremest prejudice, bomb their potential future by damming all of our congratulations. Rendering Goodreads a stale pond of green algae and used condoms. But do we not know that this same pond we all must drink from? Instead of filing another dead weight upon our self-deprecation, we should condescend to our own little devils, transforming them into loving companions with our guidance, so they may sprout wings in our charity, by praising this new work loudly to all of our friends and acquaintances. Instead of a dam, we can fashion a fountain of ascension, whose poetic mead, we may all get drunk on. Then, one day, those that we have assisted, we may one day find them returning us the favor by building us a fountain. That's my opinion on the subject anyway. This has been an exercise in poetic articulation. Signing off.
Sun Moon
In those days there were two dark elves who lived in a fortress by the sea. They did magic there, and feats of alchemy. Like all dwarfs, they built things, wonderful, remarkable things, in their workshop and their forge. But there were things they had not yet made, and making those things obsessed them. They were brothers, and were called Fjalar and Galar. When they heard that Kvasir was visiting a town nearby, they set out to meet him. Fjalar and Galar found Kvasir in the great hall, answering questions for the townsfolk, amazing all who listened. He told the people how to purify water and how to make cloth from nettles. He told one woman exactly who had stolen her knife, and why. Once he was done talking and the townsfolk had fed him, the dwarfs approached. “We have a question to ask you that you have never been asked before,” they said. “But it must be asked in private. Will you come with us?” “I will come,” said Kvasir. They walked to the fortress. The seagulls screamed, and the brooding gray clouds were the same shade as the gray of the waves. The dwarfs led Kvasir to their workshop, deep within the walls of their fortress. “What are those?” asked Kvasir. “They are vats. They are called Son and Bodn.” “I see. And what is that over there?” “How can you be so wise when you do not know these things? It is a kettle. We call it Odrerir—ecstasy-giver.” “And I see over here you have buckets of honey you have gathered. It is uncapped, and liquid.” “Indeed we do,” said Fjalar. Galar looked scornful. “If you were as wise as they say you are, you would know what our question to you would be before we asked it. And you would know what these things are for.” Kvasir nodded in a resigned way. “It seems to me,” he said, “that if you were both intelligent and evil, you might have decided to kill your visitor and let his blood flow into the vats Son and Bodn. And then you would heat his blood gently in your kettle, Odrerir. And after that you would blend uncapped honey into the mixture and let it ferment until it became mead—the finest mead, a drink that will intoxicate anyone who drinks it but also give anyone who tastes it the gift of poetry and the gift of scholarship.” “We are intelligent,” admitted Galar. “And perhaps there are those who might think us evil.” And with that he slashed Kvasir’s throat, and they hung Kvasir by his feet above the vats until the last drop of his blood was drained. They warmed the blood and the honey in the kettle called Odrerir, and did other things to it of their own devising. They put berries into it, and stirred it with a stick. It bubbled, and then it ceased bubbling, and both of them sipped it and laughed, and each of the brothers found the verse and the poetry inside himself that he had never let out.
Neil Gaiman (Norse Mythology)
They went back into the great hall. The mood among the giants was more relaxed now, more jovial. 'Ah,' said Utgardaloki. 'Well, the failure of these two is perhaps understandable. But now, now we shall see something to impress us. Now is the turn of Thor, god of thunder, mightiest of heroes. Thor, whose deeds are sung across the worlds. Gods and mortals tell stories of your feats. Will you show us what you can do?' Thor stared at him. 'For a start, I can drink,' said Thor. 'There is no drink I cannot drain.' Utgardaloki considered this. 'Of course,' he said. 'Where is my cup-bearer?' The cup-bearer stepped forward. 'Bring me my special drinking horn.' The cup-bearer nodded and walked away, returning in moments with a long horn. It was longer than any drinking horn that Thor had ever seen, but he was not concerned. He was Thor, after all, and there was not drinking horn he could not drain. Runes and patterns were engraved on the side of the horn, and there was silver about the mouthpiece. 'It is the drinking horn of this castle,' said Utgardaloki. 'We have all emptied it here, in our time. The strongest and mightiest of us drain it all in one go; some of us, I admit it, take two attempts to drain it. I am proud to tell you that there is nobody here so weak, so disappointing, that it has taken them three drafts to finish it.' It was a long horn, but Thor was Thor, and he raised the brimming horn to his lips and began to drink. The mead of the giants was cold and salty, but he draink it down, draining the horn, drinking until his breath gave out and he could drink no longer. He expected to see the horn emptied, but it was as full as when he had begun to drink, or nearly as full. 'I had been led to believe that you were a better drinker than that,' said Utgardaloki drily. 'Still, I know you can finish it at a second draft, as we all do.' Thor took a deep breath, and he put his lips to the horn, and he drank deeply and drank well. He knew that he had to have emptied the horn this time, and yet when he lowered the horn from his lips, it had gone down by only the length of his thumb. The giants looked at Thor and they began to jeer, but he glared at them, and they were silent. 'Ah,' said Utgardaloki. 'So the tales of the mighty Thor are only tales. Well, even so, we will allow you to drink the horn dry on your third attempt. There cannot be much left in there, after all.' Thor raised the horn to his lips and he drank, and he drank like a good drinks, drank so long and so deeply that Loki and Thialfi simply stared at him in astonishment. But when he lowered the horn, the mead had gone down by only another knuckle's worth. 'I am done with this,' said Thor. 'And I am not convinced that it is only a little mead.
Neil Gaiman (Norse Mythology)
When we are young, we yearn for battle. In the firelit halls we listen to the songs of heroes; how they broke the foemen, splintered the shield wall, and soaked their swords in the blood of enemies. As youngsters we listen to the boast of warriors, hear their laughter as they recall battle, and their bellows of pride when their lord reminds them of some hard-won victory. And those youngsters who have not fought, who have yet to hold their shield against a neighbour's shield in the wall, are despised and disparaged. So we practise. Day after day we practise, with spear, sword, and shield. We begin as children, learning blade-craft with wooden weapons, and hour after hour we hit and are hit. We fight against men who hurt us in order to teach us, we learn not to cry when the blood from a split skull sheets across the eyes, and slowly the skill of the sword-craft builds. Then the day comes when we are ordered to march with the men, not as children to hold the horses and to scavenge weapons after the battle, but as men. If we are lucky we have a battered old helmet and a leather jerkin, maybe even a coat of mail that hangs like a sack. We have a sword with a dented edge and a shield that is scored by enemy blades. We are almost men, not quite warriors, and on some fateful day we meet an enemy for the first time and we hear the chants of battle, the threatening clash of blades on shields, and we begin to learn that the poets are wrong and that the proud songs lie. Even before the shield walls meet, some men shit themselves. They shiver with fear. They drink mead and ale. Some boast, but most are quiet unless they join a chant of hate. Some men tell jokes, and the laughter is nervous. Others vomit. Our battle leaders harangue us, tell us of the deeds of our ancestors, of the filth that is the enemy, of the fate our women and children face unless we win, and between the shield walls the heroes strut, challenging us to single combat, and you look at the enemy's champions and they seem invincible. They are big men; grim-faced, gold hung, shining in mail, confident, scornful, savage. The shield wall reeks of shit, and all a man wants is to be home, to be anywhere but on this field that prepares for battle, but none of us will turn and run or else we will be despised for ever. We pretend we want to be there, and then the wall at last advances, step by step, and the heart is thumping fast as a bird's wing beating, the world seems unreal. Thought flies, fear rules, and then the order to quicken the charge is shouted, and you run, or stumble, but stay in your rank because this is the moment you have spent a lifetime preparing for, and then, for the first time, you hear the thunder of shield walls meeting, the clangour of battle swords, and the screaming begins. It will never end. Till the world ends in the chaos of Ragnarok, we will fight for our women, for our land, and for our homes. Some Christians speak of peace, of the evil of war, and who does not want peace? But then some crazed warrior comes screaming his god's filthy name into your face and his only ambitions are to kill you, to rape your wife, to enslave your daughters, and take your home, and so you must fight.
Bernard Cornwell (The Flame Bearer (The Saxon Stories, #10))
Oh, I should like to ride the seas, A roaring buccaneer; A cutlass banging at my knees, A dirk behind my ear. And when my captives’ chains would clank I’d howl with glee and drink, And then fling out the quivering plank And watch the beggars sink. I’d like to straddle gory decks, And dig in laden sands, And know the feel of throbbing necks Between my knotted hands. Oh, I should like to strut and curse Among my blackguard crew....
Marion Meade (Dorothy Parker: What Fresh Hell Is This?)
The term honeymoon was coined to refer to the sweetness of a new marriage. But according to Norse legend, a man abducted his bride from a neighboring village. He was then required to take her into hiding until the bride’s family abandoned their search. His whereabouts were known only to his best man. While in seclusion, the couple drank mead, a honeyed wine. 1 ½ oz. good quality bourbon 1 oz. apple cider ½ oz. Calvados ½ oz. honey syrup* A dash of bitters 1 wide slice of orange peel *To make honey syrup, boil ½ cup of water together with a cup of honey until the honey dissolves. Store in a sealed jar. Measure everything into a cocktail shaker and add a good handful of ice. Shake vigorously and then strain the drink into a clear lowball glass with one large piece of ice. Rub the orange peel around the rim of the glass. Garnish with an apple slice. [Source: Original]
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles #2))
the term honeymoon comes from the old tradition of a bride and groom drinking honeyed mead for one month after the nuptials to ensure good fortune.
Tracy Brogan (Hold On My Heart)
Near the door towered a brightly painted clock with jewelled pendulums. But instead of hours, it seemed to have names of food and drink. Things like Dumplings & Meat, Fish Stew, Mystery Stew, Toast and Tea, Porridge, Ale, Beer, Mead, Wine, Cider, Honey Pie, Brambleberry Crisp, Forest Cakes.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
Keep not the mead cup but drink thy measure; speak needful words or none.
Hávamál
traditional Norse blessing. Facing in each direction as he speaks, he forbids all evil from entering our lives from this point forward. After invoking the gods, our ancestors, and everyone gathered here today as our witnesses, he lights a symbolic candle to purify us so that we may enter our marriage with unadulterated love. Dipping an evergreen sprig into a bowl of holy water, he anoints Ella and me, offering his blessings before binding our hands together with the rite of the white ribbon. We recite a prayer to Frigga, the goddess of marriage, followed by our vows promising to love, honor, and cherish each other. The rings we exchange were personally chosen by Ella. A moonstone set into oxidized silver for her, and a brushed silver Tungsten band for me. As the final rite of passage into married life, the Gothi pours a goblet of mead wine and brings our free hands together around the stem, encouraging each of us to drink. Once we do, he declares us bound for eternity as husband and wife. He removes the goblet, and I bring my hand to Ella’s face, sealing our marriage with a kiss. Around us, bells begin to ring, a salute from the witnesses. But Ella and I only have eyes for each other as we seal our commitment to one another. When the Gothi opens the circle again with one last symbolic prayer, we exit to our new life amongst our family and friends. Celebrations are in order, and the chef has prepared a feast of traditional foods.
A. Zavarelli (Stealing Cinderella)
You’re done, hun.” “Lies! I have not yet begun to drink!
Kimberly Lemming (That Time I Got Drunk and Saved a Demon (Mead Mishaps, #1))
Kam-Kager og allehaande krusede Brød, Og store Træskaaler med Hamborger Miød, Vore Qvinder de giorde dem tomme.
Petter Dass (The Trumpet of Nordland)
Thi Gurru hun svarede Halvor en Pæl, Tak have den Dan-Qvind' som giorde saa vel, Og icke goed Tilbud forsmaade; Ey heller var Anfri og Malfri saa svag, De begge med Flasken jo droges et Drag, Saa meget de stakler formaade.
Petter Dass (The Trumpet of Nordland)
Then spoke Gangleri: 'Where is the chief centre or holy place of the gods?' High replied: 'It is at the ash Yggdrasil. There the gods must hold their courts each day.' Then spoke Gangleri: 'What is there to tell about that place?' Then said Just-as-high: 'The ash is of all trees the biggest and best. Its branches spread out over all the world and extend across the sky. Three of the tree's roots support it and extend very, very far. One is among the Æsir, the second among the frost-giants, where Ginnungagap once was. The third extends over Niflheim, and under that root is Hvergelmir, and Nidhogg gnaws the bottom of the root. But under the root that reaches towards the frost-giants, there is where Mimir's well is, which has wisdom and intelligence contained in it, and the master of the well is called Mimir. He is full of learning because he drinks of the well from the horn Giallarhorn. All-father went there and asked for a single drink from the well, but he did not get one until he placed his eye as a pledge. Thus it says in Voluspa: I know it all, Odin, where you deposited your eye, in that renowned well of Mimir. Mimir drinks mead every morning from Val-father's pledge. Know you yet, or what?
Anthony Faulkes (Edda: Skaldskaparmal (Set of 2 Copies) (Icelandic Edition))
Coppers? Not the dice again. You can’t be gambling with that lot. Those dice of his are fixed. You’ll never win against him. I know, but the mead I was drinking convinced me otherwise.
Aaron-Michael Hall (Kurintor Nyusi)
Fame kicks into boy's head faster than the mead, and we all know that a man can be killed if he's fighting full of drinks.
Giles Kristian (Wings of the Storm (The Rise of Sigurd, #3))
Let’s talk about where meditation and mindfulness practice lead. Imagine, if you will, one of those thirteenth-century Scottish fight scenes with Mel Gibson. The untrained and distracted mind is a melee of broadswords, hideous grimaces, war cries, people’s heads flying off. As we practice returning to the breath, we slowly build up the necessary stability in awareness to notice this battle that we’ve been waging with ourselves. We recognize, we accept. We remember. Very slowly, the internal thugs get disarmed. Eventually they’re gathered in a circle, drinking mead and hiccupping and singing weepy Gaelic ballads. A great calm descends upon the land. So that’s one part of it. The other is we start to notice and appreciate the gorgeous green highland scenery that these idiots have been standing in front of the whole time.
Jeff Warren (Meditation for Fidgety Skeptics: A 10% Happier How-To Book)
resumed walking. The visitors unloaded fresh meat, beer, and mead; and cooking fires were started inside and outside the fort. The banquet hall proved ideal for the jarls, except that the throne-like chair used by Olaf was set aside. The banquet ran its course, first the toasts, then the eating and more drinking intermingled with conversation and more toasts until all were satiated and relaxed, for this was a business banquet. Gunnar, with the most longships, stood to speak of their proposal. “We came here first to congratulate you for getting rid of Olaf. He was a threat to all of us. And to know more about Alfonso, the Christian warrior we have heard so much about. We heard that your God gives you great strength and protection, as you killed seven berserkers single-handed.” Alfonso was about to say, “Only one,” but Harald jabbed him on the ribs with his elbow. “We heard that you bent the steel bars in the freezing water of the creek to get inside the fort.” Alfonso’s eyes shifted for a moment from Gunnar to Harald and saw him with a serious look and nodding at the statement. “We heard that you killed the guards by the gates, opened them, then fought off Olaf’s men until Harald and his warriors arrived. “We heard that you can do all this because your God seeks a vestal virgin that was kidnapped from His temple. Is all this true?” Alfonso was about to stand up, when Harald stood up and looked all around. “Yes, it is all true. We saw him kill the berserker.” The visitors looked around and saw Harald’s men nodding. “And he had to get through the bars underwater. Soon after, he killed the gate guards and opened the gates, defending them until we arrived.” He looked around, “Ask my men.” Words of “Yes, true, I saw it,” were heard. Harald sat down and looked at Alfonso. “Your turn.” They had become quiet as he stood and looked all around. He realized that the jarls were there because of him. They had some purpose in mind. They wanted his help but how? “Yes, I killed the berserker sent by Olaf. I was in the freezing water and got through the bars. I killed everyone guarding the gate, I opened it and
Armel Abundis (Two Asturians)
Valholl contained 540 doors. From each there emerged simultaneously 800 warriors who spent their days fighting one another, but the dead and wounded found their lives and health restored every evening. They then dined together, eating the flesh of the wild boar Saehrimnir, which always grew back, and drinking the mead served them by the Valkyries. This would continue until the Twilight of the Powers (Ragnarok), which Wagner immortalized under the name of Twilight of the Gods. At this time, three cocks would crow in Hel; the wolf Fenris would become free; the earth would convulse; Yggdrasil the World Tree would tremble; the sun and moon would vanish; the stars would go out; the Midgard Serpent would leave the sea; the giants would set sail on Naglfar; Surt, the fire giant, would advance by rain-bow; and, at the sides of the gods, the Unique Warriors would engage in their ultimate battle, a combat that would culminate with the conflagration of the world.
Claude Lecouteux (The Return of the Dead: Ghosts, Ancestors, and the Transparent Veil of the Pagan Mind)
Gratitude needs practice, though. Gratitude for the things that don't seem to help, that aren't sought out or welcome-that's a demanding kind, and it is needed in hard times. A book about dying should have that kind of gratitude in it, bleeding through from the other side of sorrow. Drink enough of the sweet, strong mead of grief and love for being alive and it isn't long before you're sending a trembling, life-soaked greeting out to everything that came before you and to everything that will follow, a kind of love letter to the Big Story.
Stephen Jenkinson (Die Wise: A Manifesto for Sanity and Soul)