Me Dump Quotes

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When you're dead, they really fix you up. I hope to hell when I do die somebody has sense enough to just dump me in the river or something. Anything except sticking me in a goddam cemetery. People coming and putting a bunch of flowers on your stomach on Sunday, and all that crap. Who wants flowers when you're dead? Nobody.
J.D. Salinger (The Catcher in the Rye)
The older lady harrumphed. "I warned you, daughter. This scoundrel Hades is no good. You could've married the god of doctors or the god of lawyers, but noooo. You had to eat the pomegranate." "Mother-" "And get stuck in the Underworld!" "Mother, please-" "And here it is August, and do you come home like you're supposed to? Do you ever think about your poor lonely mother?" "DEMETER!" Hades shouted. "That is enough. You are a guest in my house." "Oh, a house is it?" she said. "You call this dump a house? Make my daughter live in this dark, damp-" "I told you," Hades said, grinding his teeth, "there's a war in the world above. You and Persephone are better off here with me." "Excuse me," I broke in. "But if you're going to kill me, could you just get on with it?
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
I know my head isn't screwed on straight. I want to leave, transfer, warp myself to another galaxy. I want to confess everything, hand over the guilt and mistake and anger to someone else. There is a beast in my gut, I can hear it scraping away at the inside of my ribs. Even if I dump the memory, it will stay with me, staining me. My closest is a good thing, a quiet place that helps me hold these thoughts inside my head where no one can hear them.
Laurie Halse Anderson (Speak)
Shane dragged Eve's suitcase into the room and dumped it on the floor beside her bed. “Hey, Dark Princess? Here’s your crap. Also, bite me.
Rachel Caine (Kiss of Death (The Morganville Vampires, #8))
I get in the dumps at times, and don't open my mouth for days on end. You must not think I am sulky when I do that. Just let me alone, and I'll soon be right.
Arthur Conan Doyle (A Study in Scarlet (Sherlock Holmes, #1))
No," said Luis, "You can't date the Lord of the Night Court." "Well, I'm not, he dumped me." "You can't get dumped by the lord of the night court." "Oh, yes, you can. You so completely can.
Holly Black (Ironside (Modern Faerie Tales, #3))
Ezra: And then I said it. Interviewer; What did he say? Kady Grant: He said, ‘You picked a hell of a day to dump me, Kades.
Amie Kaufman (Illuminae (The Illuminae Files, #1))
I wasn't planning on dumping Cameron. We were here, and he called, and his face showed up on my phone- well, actually a llama came up on my phone because I don't actually have a picture of him so I just used a llama- and the llama made me so angry I just couldn't help myself." "Bad time to be a llama." "Is there ever a good time, really?
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
Frostpine made a face. Lifting the cup, he dumped its contents down his throat. “Auugghh!” he yelled, his voice stronger than it had been since his return from the harbor. "Are you trying to kill me, woman?" "If I mean to kill someone, I do it," Rosethorn told him. "I don't try.
Tamora Pierce (Tris's Book (Circle of Magic, #2))
Is this what you do with your spare time?” he asked me, ignoring his sister. “What—are you deciding to talk to me now?” Smiling tightly, I grabbed a handful of mulch and dumped it. Rinse and repeat. “Yeah, it’s kind of a hobby. What’s yours? Kicking puppies?
Jennifer L. Armentrout (Obsidian (Lux, #1))
I stared at her. Maybe I wasn't the brightest guy in the world when it came to girls, but I was pretty sure Rachel had just dumped me, which was lame considering we'd never even been together.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Conclusion: I don't need the water reclaimer at all. I'll drink as needed and dump my waste outdoors. Yeah, that's right, Mars, I'm gonna piss and shit on you. That's what you get for trying to kill me all the time.
Andy Weir (The Martian)
I think there must be probably different types of suicides. I'm not one of the self-hating ones. The type of like "I'm shit and the world'd be better off without poor me" type that says that but also imagines what everybody'll say at their funeral. I've met types like that on wards. Poor-me-I-hate-me-punish-me-come-to-my-funeral. Then they show you a 20 X 25 glossy of their dead cat. It's all self-pity bullshit. It's bullshit. I didn't have any special grudges. I didn't fail an exam or get dumped by anybody. All these types. Hurt themselves. I didn't want to especially hurt myself. Or like punish. I don't hate myself. I just wanted out. I didn't want to play anymore is all. I wanted to just stop being conscious. I'm a whole different type. I wanted to stop feeling this way. If I could have just put myself in a really long coma I would have done that. Or given myself shock I would have done that. Instead.
David Foster Wallace (Infinite Jest)
Let me repeat that in case you missed it: ALL GUYS TALK TO THEIR FRIENDS ABOUT SEX. If a guy tells you he doesn’t? Dump him, because he’s lying to you.
Emma Chase (Tangled (Tangled, #1))
Like the beach glass you guys always brought me. Sometimes I dump it out on my desk and press my ear to the pieces, trying to hear the ocean. Trying to hear you.
Sarah Ockler (Twenty Boy Summer)
For thousands of years, human beings had screwed up and trashed and crapped on this planet, and now history expected me to clean up after everyone. I have to wash out and flatten my soup cans. And account for every drop of used motor oil. And I have to foot the bill for nuclear waste and buried gasoline tanks and landfilled toxic sludge dumped a generation before I was born.
Chuck Palahniuk (Fight Club)
Many people are like garbage trucks. They run around full of garbage, full of frustration, full of anger, and full of disappointment. As their garbage piles up, they look for a place to dump it. And if you let them, they’ll dump it on you. So when someone wants to dump on you, don’t take it personally. Just smile, wave, wish them well, and move on. Believe me. You’ll be happier.
David J. Pollay (The Law of the Garbage Truck: How to Respond to People Who Dump on You, and How to Stop Dumping on Others)
The fight unfolded like background noise. White noise. In the foreground, even with his ghastly pale face looking dead in my hands, my fingers clenching his ragged hair, all I could see was random images of Fang, not dead. Fang telling me stupid fart jokes from the dog crate next to mine at the school, trying to make me laugh. Fang asleep at Jeb's old house, and me jumping wildly on his bed to wake him up. Him pretending to be asleep. Me laughing when I "accidentally" kicked him where it counts. Him dumping me off the bed. Fang gagging on my first attempt at cooking dinner after Jeb disappeared. Him spitting out the mac and cheese. Me dumping the rest of the bowl on him in response. Fang on the beach, that first time he was badly injured. Me realizing how I felt about him. Fang kissing me. So close I couldn't even see his dark eyes anymore. The first time. The second time. The third. I could always remember each and every one of them. Would always remember them. Fang. Not. Dead.
James Patterson (Fang (Maximum Ride, #6))
And let’s be honest, you weren’t exactly harmed. I even took you home.” “You dumped me on my doorstep. According to my mother, I looked half dead.” “Your mother exaggerates. A third dead at most.” I stared at him. Wow. Just wow.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
The three of us, working together to save the world. Me, my ex-girlfriend, and the guy she dumped me for.” His mouth twisted into a half smile. “This has to be the most screwed up situation three teenagers have ever found themselves in.” “I think I saw an episode of Gossip Girl like that once,” I offered.
Rachel Hawkins (Rebel Belle (Rebel Belle, #1))
The problem exactly is that she dumped me. That I'm alone. Oh my God, I'm alone again. And not only that, but I'm a total failure in case you haven't noticed. I'm washed up. I'm former. Formerly the boyfriend of Katherine XIX. Formerly a prodigy. Formerly full of potential. Currently full of shit.
John Green (An Abundance of Katherines)
In what twisted universe would a girl who's just been dumped still want to be friends with the boy who dumped her?
Susane Colasanti (Take Me There)
I’m not laughing.” I was actually crying. “And please don’t laugh at me now, but I think the reason it’s so hard for me to get over this guy is because I seriously believed David was my soul mate. ”He probably was. Your problem is you don’t understand what that word means. People think a soul mate is your perfect fit, and that’s what everyone wants. But a true soul mate is a mirror, the person who shows you everything that’s holding you back, the person who brings you to your own attention so you can change your life. A true soul mate is probably the most important person you’ll ever meet, because they tear down your walls and smack you awake. But to live with a soul mate forever? Nah. Too painful. Soul mates, they come into your life just to reveal another layer of yourself to you, and then they leave. And thank God for it. Your problem is, you just can’t let this one go. It’s over, Groceries. David’s purpose was to shake you up, drive you out of your marriage that you needed to leave, tear apart your ego a little bit, show you your obstacles and addictions, break your heart open so new light could get in, make you so desperate and out of control that you had to transform your life, then introduce you to your spiritual master and beat it. That was his job, and he did great, but now it’s over. Problem is, you can’t accept that his relationship had a real short shelf life. You’re like a dog at the dump, baby – you’re just lickin’ at the empty tin can, trying to get more nutrition out of it. And if you’re not careful, that can’s gonna get stuck on your snout forever and make your life miserable. So drop it.“But I love him.” “So love him.” “But I miss him.” “So miss him. Send him some love and light every time you think about him, then drop it. You’re just afraid to let go of the last bits of David because then you’ll be really alone, and Liz Gilbert is scared to death of what will happen if she’s really alone. But here’s what you gotta understand, Groceries. If you clear out all that space in your mind that you’re using right now to obsess about this guy, you’ll have a vacuum there, an open spot – a doorway. And guess what the universe will do with the doorway? It will rush in – God will rush in – and fill you with more love than you ever dreamed. So stop using David to block that door. Let it go.
Elizabeth Gilbert (Eat, Pray, Love)
I still love him. And here's the worst part. I want him back. - Ree
Susane Colasanti (Take Me There)
She dumped me for the worst reason of all. For absolutely no reason at all...I mean, if she fell in love with someone else, or I did something wrong, or I let her down in some unforgivable way...That, I'd understand, right? But instead, she said...it wasn't anything. Not a single thing. It was just me. I was nice. I was kind. We just...she didn't see the connection anymore. I think she thought I was boring. And the cruelest part is, when someone says something mean about you, you know when they're right.
Brad Meltzer (The Inner Circle (Culper Ring, #1))
But the absolute worst was when people asked if I was okay. Because then I had to admit that it was real, it happened, and we weren't together anymore.
Susane Colasanti (Take Me There)
But if your boyfriend, out of nowhere and with no advance warning whatsoever, dumps you for no apparent reason, is it really about you? Or is it all him?
Susane Colasanti (Take Me There)
Disassemble the cells of a sponge (by passing them through a sieve, for instance), then dump them into a solution, and they will find their way back together and build themselves into a sponge again. You can do this to them over and over, and they will doggedly reassemble because, like you and me and every other living thing, they have one overwhelming impulse: to continue to be.
Bill Bryson (A Short History of Nearly Everything)
she'd figured out how to steer Silveny by teaching her simple commands like left and right and if you dump me into another pile of sparkly manure, I will clobber you.
Shannon Messenger (Exile (Keeper of the Lost Cities, #2))
Don't worry about it. I'd have dumped me too if I was on a romantic date with that!
Leigh Fallon (Carrier of the Mark (Carrier, #1))
Evaluate. Long experience had taught me to evaluate and assess. When the unexpected gets dumped on you, don’t waste time. Don’t figure out how or why it happened. Don’t recriminate. Don’t figure out whose fault it is. Don’t work out how to avoid the same mistake next time. All of that you do later. If you survive.
Lee Child (Killing Floor (Jack Reacher, #1))
You saved the world," annabeth said. "We saved the world." "And Rachel is the new Oracle, which means she won't be dating anybody." "You don't sound disappointed," I noticed. Annabeth shrugged. "Oh, I don't care." "Uh-huh." She raised an eyebrow. "You got something to say to me, Seaweed Brain?" "You'd probably kick my butt." "You know I'd kick your butt." I brushed the cake off my hands. "When I was at the River Styx, turning invulnerable . . . Nico said I had to concentrate on one thing that kept me anchored to the world, that made me want to stay mortal." Annabeth kept her eyes on the horizon. "Yeah?" "Then up on Olympus," I said, "when they wanted to make me a god and stuff, I kept thinking—" "Oh, you so wanted to." "Well, maybe a little. But I didn't, because I thought—I didn't want things to stay the same for eternity, because things could always get better. And I was thinking . . ." My throat felt really dry. "Anyone in particular?" Annabeth asked, her voice soft. I looked over and saw that she was trying not to smile. "You're laughing at me," I complained. "I am not!" "You are so not making this easy." Then she laughed for real, and she put her hands around my neck. "I am never, ever going to make things easy for you, Seaweed Brain. Get used to it." When she kissed me, I had the feeling my brain was melting right through my body. I could've stayed that way forever, except a voice behind us growled, "Well, it's about time!" Suddenly the pavilion was filled with torchlight and campers. Clarisse led the way as the eavesdroppers charged and hoisted us both onto their shoulders. "Oh, come on!" I complained. "Is there no privacy?" "The lovebirds need to cool off!" Clarisse said with glee. "The canoe lake!" Connor Stoll shouted. and they dumped us in the water.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
And this is my life, getting dumped with no warning. Or liking people who don't like me back, or who don't like me enough, or not as much as they like someone else.
E. Lockhart (The Boyfriend List: 15 Guys, 11 Shrink Appointments, 4 Ceramic Frogs and Me, Ruby Oliver (Ruby Oliver, #1))
You can wipe your feet on me, twist my motives around all you like, you can dump millstones on my head and drown me in the river, but you can’t get me out of the story. I’m the plot, babe, and don’t ever forget it.
Margaret Atwood (Good Bones)
Flipping to the front, I caught Aiden's gaze and offered a sympathetic smile. "Skittles?" "Please." I dumped some into his open palm, then picked out the green ones. Aiden grinned at me. "You know I don't like the green ones?" Shrugging, I popped them in my mouth. "The few times I've seen you eat them, you leave the green ones behind." Deacon popped his head between our seats. "That's true love right there." "That it is." Aiden's gaze flicked to the road. I flushed like a little schoolgirl and focused on the remaining pieces of candy until Deacon drifted back into his seat. I handed all the red ones to Aiden.
Jennifer L. Armentrout (Apollyon (Covenant, #4))
She dumped me for the quarterback after she'd played my body like a banjo. So Sad." "I bet" "I'm serious. I was heartbroken." "For how long?" "A whole week." An eternity in the life of a teenage boy.
Nalini Singh (Play of Passion (Psy-Changeling, #9))
God grant me the serenity to accept the things I cannot change, courage to change the things I can, and the patience not to strangle my mother-in-law, chop her into little pieces, and dump them down a sewer.
Jennifer Weiner (Little Earthquakes)
No rescue boat can save the touches I left bobbing in the wild ocean of your flesh, but if they cut open your heart, like the belly of a shark, dumped its contents on a table—would there be any trace of me?
Jeffrey McDaniel (The Splinter Factory)
I was tired of well-meaning folks, telling me it was time I got over being heartbroke. When somebody tells you that, a little bell ought to ding in your mind. Some people don't know grief from garlic grits. There's somethings a body ain't meant to get over. No I'm not suggesting you wallow in sorrow, or let it drag on; no I am just saying it never really goes away. (A death in the family) is like having a pile of rocks dumped in your front yard. Every day you walk out and see them rocks. They're sharp and ugly and heavy. You just learn to live around them the best way you can. Some people plant moss or ivy; some leave it be. Some folks take the rocks one by one, and build a wall.
Michael Lee West (American Pie)
it's a rare day when she speaks in anything but platitudes--all those exhausted phrases and hand-me-down ideas that cram the dump sites of contemporary wisdom
Paul Auster (The Brooklyn Follies)
Want me to warm up the sauce?” “Do we do that? I mean, it’s in a jar, right? Can’t you just dump it over the pasta?” “Well, you can, but it tastes better if you warm it up.” “Oh.” Eve sighed. “This is complicated. No wonder I never cook.
Rachel Caine (The Dead Girls' Dance (The Morganville Vampires, #2))
Please don’t hate you??!! I hate that I love you. Loving you made me waste a year of my life. Loving you made me be passionate about nothing but you. Loving you made me take risks I never would have otherwise. Loving you made me give it up to you. Loving you made me neglect my parents and Amy. Loving you made me not care that my grandma just died. Loving you made me turn out bitter and hopeless like her. Loving you made me hate myself for being dumped by you. Loving you made me deluded, irrational, inconsiderate, and a liar. And because I love you, you’re always going to haunt me.
Daria Snadowsky (Anatomy of a Boyfriend (Anatomy, #1))
Being aware sucks.
Susane Colasanti (Take Me There)
My boyfriend recently asked me to marry him. I said yes. He’s the sweetest, kindest man I’ve ever known. Problem is, the diamond he gave me was smaller than I hoped for. I don’t really want to hurt his feelings. I need to know a polite way to express my disappointment. –Lori, Manhattan   God has the same dilemma when it comes to you, sweetheart. P.S. When your fiancé dumps your selfish ass, give him my number.   Answering
Vi Keeland (Stuck-Up Suit)
I know, somewhere in me, that it's not her that's being stupid. I understand, on one level, that she doesn't know, that everything's up in the air. But that's no use to me. You know the worst thing about being rejected? The lack of control. If you could only control the when and how of being dumped by somebody, then it wouldn't seem as bad. But then, of course, it wouldn't be rejection, would it? It would be by mutual consent. It would be musical differences. I would be leaving to pursue a solo career. I know how unbelievably and pathetically childish it is to push and push like this for some degree of probability, but it's the only thing I can do to grab any sort of control back from her.
Nick Hornby (High Fidelity)
I bought this place for a pittance, because it was a dump. Rejected, abandoned, unwanted. Like me. I fixed it up. Made it mine.
Jasinda Wilder (Falling Into You (Falling, #1))
He holds the canteen out to me, and I take a sniff. It’s water. “She dumped all of my flasks into the sea while I slept,” Kearan says. “Didn’t realize she cared so much.
Tricia Levenseller (Daughter of the Siren Queen (Daughter of the Pirate King, #2))
Whoa. Not too stiff," Cody said. "Secure, strong, but calm. Like you're caressing a beautiful woman, remember?" That made me think of Megan. I lost control, and a green wave of smoky energy burst from my hand and flew out in front of me. It missed the pipe completely, but vaporized the metal leg of the chair it sat on. Dust showered down and the chair went lopsided, dumping the pipe to the floor with a clang. "Sparks," Cody said. "Remind me to never let you caress me, lad.
Brandon Sanderson (Steelheart (The Reckoners, #1))
Aside from blow jobs, though, I'm through with being the perfect girlfriend, just through with it. Then if he's sore with me, let him dump my ass. That will just give me more time to be a genius.
Sheila Heti (How Should a Person Be?)
What are you doing?" he breathed. "You're going around, stirring up everything." "I've got time on my hands," I shot back, just as breathless, "since I dumped my asshat boyfriend." He growled, fiercely passionate, his hand in my hair pulling so tightly it pained me. "You can't make this up with a kiss or a f*ck, Gideon. Not this time." Gideon & Eva
Sylvia Day (Reflected in You (Crossfire, #2))
The late hour is such a friend; it has been for so many years. There is not a soul around as I carry Riley downstairs and dump him in my trunk. It is good, for I am not in the mood to kill again, and murder, for me, is very much tied to my mood, like making love. Even when it is necessary.
Christopher Pike (The Last Vampire (The Last Vampire, #1))
And why had Deb's last boyfriend dumped her? I dumped him. Maybe you didn't French-kiss him enough. I promise you that wasn't it. Tell me how many times a day you kissed, and I'll say if it was enough. Four hundred. Not enough.
Miranda July (No One Belongs Here More Than You)
Never marry something until you've established the perfect pizza ratio...The premise is simple. My husband and I knew we were made for each other because we're a 6:2 ratio, six slices for him and two for me...Never marry a man who wants two slices one week and four the next. They're undependable and highly unpredictable and will likely dump you for some Internet honey who says she doesn't mind his back hair.
Celia Rivenbark (Bless Your Heart, Tramp: And Other Southern Endearments)
Let me see—what are my other shortcomings? I get in the dumps at times, and don't open my mouth for days on end. You must not think I am sulky when I do that. Just let me alone, and I'll soon be right. What have you to confess now? It's just as well for two fellows to know the worst of one another before they begin to live together.
Arthur Conan Doyle (A Study in Scarlet (Sherlock Holmes, #1))
We're on vacation, Kaia, Strider grumbled. You weren't invited. She waved away his words as if they were unimportant. Deep down I know you meant to invite me, so ta-da. Here I am. You're welcome. It's scary how well you know us. Here, pay for this, William said, dumping his candy into Strider's arms. We'll be in the care. Making out.
Gena Showalter (The Darkest Secret (Lords of the Underworld, #7))
Rhys straightened. "You'd- make me food?" "Heat," I said. "I can't cook." It didn't seem to make a difference. But whatever it was, the act of offering him food... I dumped some cold soup into a pan and lit the burner. "I don't know the rules," I said, my back to him. "So you need to explain them to me." He lingered in the center of the cabin, watching my every move. He said hoarsely, "It's an... important moment when a female offers her mate food. It goes back to whatever beats we were a long, long time ago. But it still matters. The first time matters. Some mated pairs will make an occasion of it- throwing a party just so the female can formally offer mate food... That's usually done amongst the wealthy. But it means that the female... accepts the bond." I stared into the soup. "Tell me the story- tell me everything." He understood my offer: tell me while I cooked, and I'd decide at the end whether or not to offer him that food.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Shepley walked out of his bedroom pulling a T-shirt over his head. His eyebrows pushed together. “Did they just leave?” “Yeah,” I said absently, rinsing my cereal bowl and dumping Abby’s leftover oatmeal in the sink. She’d barely touched it. “Well, what the hell? Mare didn’t even say goodbye.” “You knew she was going to class. Quit being a cry baby.” Shepley pointed to his chest. “I’m the cry baby? Do you remember last night?” “Shut up.” “That’s what I thought.” He sat on the couch and slipped on his sneakers. “Did you ask Abby about her birthday?” “She didn’t say much, except that she’s not into birthdays.” “So what are we doing?” “Throwing her a party.” Shepley nodded, waiting for me to explain. “I thought we’d surprise her. Invite some of our friends over and have America take her out for a while.” Shepley put on his white ball cap, pulling it down so low over his brows I couldn’t see his eyes. “She can manage that. Anything else?” “How do you feel about a puppy?” Shepley laughed once. “It’s not my birthday, bro.” I walked around the breakfast bar and leaned my hip against the stool. “I know, but she lives in the dorms. She can’t have a puppy.” “Keep it here? Seriously? What are we going to do with a dog?” “I found a Cairn Terrier online. It’s perfect.” “A what?” “Pidge is from Kansas. It’s the same kind of dog Dorothy had in the Wizard of Oz.” Shepley’s face was blank. “The Wizard of Oz.” “What? I liked the scarecrow when I was a little kid, shut the fuck up.” “It’s going to crap every where, Travis. It’ll bark and whine and … I don’t know.” “So does America … minus the crapping.” Shepley wasn’t amused. “I’ll take it out and clean up after it. I’ll keep it in my room. You won’t even know it’s here.” “You can’t keep it from barking.” “Think about it. You gotta admit it’ll win her over.” Shepley smiled. “Is that what this is all about? You’re trying to win over Abby?” My brows pulled together. “Quit it.” His smile widened. “You can get the damn dog…” I grinned with victory. “…if you admit you have feelings for Abby.” I frowned in defeat. “C’mon, man!” “Admit it,” Shepley said, crossing his arms. What a tool. He was actually going to make me say it. I looked to the floor, and everywhere else except Shepley’s smug ass smile. I fought it for a while, but the puppy was fucking brilliant. Abby would flip out (in a good way for once), and I could keep it at the apartment. She’d want to be there every day. “I like her,” I said through my teeth. Shepley held his hand to his ear. “What? I couldn’t quite hear you.” “You’re an asshole! Did you hear that?” Shepley crossed his arms. “Say it.” “I like her, okay?” “Not good enough.” “I have feelings for her. I care about her. A lot. I can’t stand it when she’s not around. Happy?” “For now,” he said, grabbing his backpack off the floor.
Jamie McGuire (Walking Disaster (Beautiful, #2))
Picture this, Olive. Early two thousands. Preppy, ridiculously expensive all-male DC school. Two gay students in grade twelve. Well, two of us that were out, anyway. Richie Muller and I date for the entirety of senior year - and then he dumps me three days before prom for some guy he’d been having a thing with for months.” “He was a prick,” Adam muttered. “I have three choices. Not go to the dance and mope at home. Go alone and mope at school. Or, have my best friend - who was planning on staying home and moping over gamma-aminobutyric acids - come as my date. Guess which?” Olive gasped. “How did you convince him?” “That’s the thing, I didn’t. When I told him about what Richie did, he offered!
Ali Hazelwood (The Love Hypothesis)
Please don’t hate you??!! I hate that I love you. Loving you made me waste a year of my life. Loving you made me be passionate about nothing but you. Loving you made me take risks I never would have otherwise. Loving you made me give it up to you. Loving you made me neglect my parents and Amy. Loving you made me not care that my grandma just died. Loving you made me turn out bitter and hopeless like her. Loving you made me hate myself for being dumped by you. Loving you made me deluded, irrational, inconsiderate, and a liar. And because I love you, you’re always going to haunt me. I’ll never be able to have another birthday without wondering how you’re celebrating yours. I’ll never be able to think another guy is more handsome, talented, intelligent, or worth loving than you, despite all your faults (and there are many). I’ll never be able to check my e-mail without praying I’ll find a message from you with the subject line I love you, Dom—please come back to me. Meanwhile, every corner of this city is laced with memories of us together, and I’ll never be able to leave the house without hoping and dreading that I’ll run into you. You stole Fort Myers from me, and I lived here first, you fucking thief. You actually may be one of my last thoughts when I die.
Daria Snadowsky (Anatomy of a Boyfriend (Anatomy, #1))
That's enough of that," Jesse said. Next thing I knew, he'd scooped me up. Only instead of carrying me to my bed and setting me down on it all romantically, you know, like guys do to girls in the movies, he just dumped me onto it, so I bounced around and would have fallen off if I hadn't grabbed the edge of the mattress. "Thanks," I said, not quite able to keep all of the sarcasm out of my voice.
Meg Cabot
You want to just dump me in space?" My voice is low, but not for long. "It's not like I've done anything wrong! I didn't wake myself up, you know!" Eldest shrugs. "It would be by far the simplest solution. You are, after all, nonessential." "We can't do that," the doctor says, and I totally forgive him for being creepy and threatening me with drugs.
Beth Revis (Across the Universe (Across the Universe, #1))
You can't do that kind of thing normally, but normal dumped without a note nearly a month ago. These days, I'll happily set fire to a bridge the second after I've crossed it - I don't plan on being around for the consequences to catch up with me.
D.D. Barant (Dying Bites (The Bloodhound Files, #1))
We haven’t even been dating an hour yet and you already want to dump me? Am I not very good at this boyfriend thing?
Colleen Hoover (November 9)
It is always hard for me to share my creative output with others...It feels like I have taken a big dump on a platter and set it out at a party for people to view. I hope you like the way it looks and smells.
Lance Carbuncle
I've decided to call him Norbert,' said Hagrid, looking at the dragon with misty eyes. 'He really knows me now, watch. Norbert! Norbert! Where's Mummy?' 'He's lost his marbles,' Ron muttered in Harry's ear. 'Hagrid,' said Harry loudly, 'give it a fortnight and Norbert's going to be as big as your house. Malfoy could go to Dumbledore at any moment. Hagrid bit his lip. 'I- I know I can't jus' dump him, I can't.' Harry suddenly turned to Ron. 'Charlie,' he said. 'You're losing it too,' said Ron. 'I'm Ron, remember?
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
You're right, Dad. Dr. Golan did help me. But that doesn't mean he has to control every aspect of my life. I mean, Jesus, you and mom might as well buy me one of those little bracelets that says, What Would Golan Do? That way I can ask myself before I do anything. Before I take a dump. How would Dr. Golan want me to take this dump? Should I bank it off the side or go straight down the middle? What would be the most psychologically beneficial dump I could take?
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
That's when it happens. The moment of death is full of heat and sound and pain bigger than anything, a funnel of burning heat splitting me in two, something searing and scorching and tearing, and if screaming were a feeling it would be this. Then nothing. I know some of you are thinking maybe I deserved it. Maybe I shouldn't have sent that rose to Juliet or dumped my drink on her at the party. Maybe I shouldn't have copied off of Lauren Lornet's quiz. Maybe I shouldn't have said those things to Kent. There are probably some of you who think I deserved it because I was going to let Rob go all the way--because I wasn't going to save myself. But before you start pointing fingers, is what I did really so bad? So bad I deserved to die? So bad I deserved to die like THAT? Is what I did really so much worse than what anybody else does? Is it really so much worse than what YOU do? Think about it.
Lauren Oliver (Before I Fall)
So what do you wear to dump somebody?" she asked me, twirling a lock of hair around one finger. "Black, for mourning? Or something cheerful and colorful, to distract them from their pain? Or maybe you wear some sort of camouflage, something that will help you disappear quickly in case they don't take it well.
Sarah Dessen (This Lullaby)
Colin : “Perhaps now is the time to tell you that I have a weakness for agreeable women.” Sugar Beth : “Well, that sure does leave me out.” Colin : “Exactly. With agreeable women, I’m unendingly considerate. Gallant even.” Sugar Beth : “But with tarts like me, the gloves are off, is that it?” Colin : “I wouldn’t exactly call you a tart. But then, I tend to be broad-minded.” She suppressed the urge to dump her porridge in his lap.
Susan Elizabeth Phillips (Ain't She Sweet?)
My boyfriend dumped me. My best friend won't talk to me. My future is in a garbage can. Everything has turned to crap. Can you please just let me be a sullen teenager. just this once
J.J. Johnson (This Girl Is Different)
You know...” Amaranthe dumped her dust pile outside and returned to face him. “It’s hard for me to maintain my vigor and enthusiasm for leading you when you do nothing but stand there and ooze disapproval at me.
Lindsay Buroker (Deadly Games (The Emperor's Edge, #3))
Trehan &Lothaire “My Bride poisoned me so that I would lose a match against the demon male she loves.” Lothaire hiked his shoulders. “So?” “Did you not hear me? She dumped toxins into a goblet of blood, then handed it to me, urging me to drink” “Who doesn’t have petty spats during courtship? So fucking what?” “So she doesn’t fucking want me!” Lothaire roared back, “She doesn’t get a godsdamned say in the matter!” “Trehan’s brows drew together. “What are you advising “advising—that I abduct her? As you recently did the Forbearer king? And your Bride before him?” Lothaire snapped his fingers. “Exactly
Kresley Cole (Shadow's Claim (Immortals After Dark, #12; The Dacians, #1))
I took a six pound dump,” Jack offered. “You lie.” I laughed. The J’s could always make me feel better. “It’s true,” Josh said. “Our whole scrimmage team weighed in before and after.” “I won twenty bucks!” “Congrats, Jack. You’ve reached a new level of disgusting.” “But I won twenty bucks.
Kelly Oram (Serial Hottie)
There is a beast in my gut, I can hear it scraping away at the inside of my ribs. Even if I dump the memory, it will stay with me, staining me. My closest is a good thing, a quiet place that helps me hold these thoughts inside my head where no one can hear them.
Laurie Halse Anderson (Speak)
Then she laughed for real, and put her hands around my neck. 'I am never, ever going to make things easy for you Seaweed Brain. Get used to it.' When she kissed me, I had the feeling my brain was melting right through my body. I could've stayed that way forever, except a voice behind us growled, 'Well it's about time!' Suddenly the pavilion was filled with torchlight and campers. Clarisse led the way as the eavesdroppers charged and hoisted us both onto their shoulders. 'Oh, come on!' I complained. 'Is there no privacy?' 'The lovebirds need to cool off!' Clarisse said with glee. 'The canoe lake!' Conner Stoll shouted. With a huge cheer, they carried us down the hill, but they kept us close enough to hold hands. Annabeth was laughing, and I couldn't help laughing too, even though my face was completely red. We held hands right up to the moment they dumped us in the water.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Cole grasped a handful of vials and syringes with one hand and dumped them on the island in front of me. They rolled and whirled in misshapen circles on the counter surface. "Here are our options." My ears rang. "We have more than one?" "Three, precisely," Cole said. He pointed to each in turn. "That one makes you a wolf. That one makes me a wolf. That one gives us both seizures.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
I’m not the whore here, Acheron. You are. Bought and sold to anyone who could pay your fee. How dare you think for one minute you were ever worthy of a goddess. (Artemis) You’re right, my lady. I’m not worthy of you or anyone else. I’m just a piece of shit to be dumped naked in the street. Forgive me for ever sullying you. (Acheron)
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
The only good thing about age is that sooner or later all of the SOBs who dumped you are going to die.
Joan Rivers (I Hate Everyone... Starting with Me)
...everyone would wonder, 'What's he doing with her?' And then you'd say, 'Hmm, good question,' and you'd dump me. That wouldn't be nice.
Marni Bates (Awkward (Smith High, #1))
Where's your car? Miles asks, glancing at him as he slams his door shut and slings his backpack over his shoulder. "And whats up with your hand?" "I got rid of it," Damen says, gaze fixed on mine. Then glancing at Miles and seeing his expression he adds, "The car, not the hand." "Did you trade it in?" I ask, but only because Miles is listening. [...] He shakes his head and walks me to the gate, smiling as he says, "No, I just dropped off on the side of the road, key in the ignition, engine running." "Excuse me?!" Miles yelps. "You mean to tell me that you left your shiny, black, BMW M6 Coupe—by the side of the road?" Damen nods. But thats a hundred-thousand-dollar car!" Miles gasps as his face turns bright red. "A hundreds and ten." Damen laughs. "Don't forget, it was fully customized and loaded with options." Miles stares at him, eyes practically bugging out of his head, unable to comprehend how anyone could do such a thing—why anyone would do such a thing. "Um, okay, so let me get this straight—you just woke up and decided—Hey, what the hell? I think I'll just dump my ridiculously expensive luxury car by the side of the road—WHERE JUST ANYONE CAN TAKE IT?" Damen shrugs. "Pretty much." "Because in case you haven't noticed," Miles says, practically hyperventilating now. "Some of us are a little car deprived. Some of us were born with parents so cruel and unusual they're forced to rely on the kindness of friends for the rest of their lives!" "Sorry." Damen shrugs. "Guess I hadn't thought about that. Though if it makes you feel any better, it was all for a very good cause.
Alyson Noel (Shadowland (The Immortals, #3))
I review my three boyfriends, the three men I slept with in my twenties, searching for a common thread. Nothing. No consistent features, coloring, stature, personality. But one theme does emerge: they all picked me. And then dumped me. I played the passive role. Waiting for Hunter and then settling for Joey. Waiting to feel more for Nate. Then waiting to feel less. Waiting for Alec to go away and leave me in peace. And now Dex. My number four. And I am still waiting. For all of this to blow over. For his September wedding. For someone who gives me that tingly feeling as I watch him sleeping in...
Emily Giffin (Something Borrowed (Darcy & Rachel, #1))
Face it. There's not going to be a happy ending... at least not with this hero. So don't go mooning around thinking that your breakup is only the crisis before the big romantic scene, because I'm here to tell you that it's not. When you are dumped, you are dumped, and the guy isn't going to change his mind and realize that suddenly he loves you instead of that girl he's flirting with in lunchroom, now that he's free.
E. Lockhart (The Boyfriend List: 15 Guys, 11 Shrink Appointments, 4 Ceramic Frogs and Me, Ruby Oliver (Ruby Oliver, #1))
Let’s say you have an ax. Just a cheap one, from Home Depot. On one bitter winter day, you use said ax to behead a man. Don’t worry, the man was already dead. Or maybe you should worry, because you’re the one who shot him. He had been a big, twitchy guy with veiny skin stretched over swollen biceps, a tattoo of a swastika on his tongue. Teeth filed into razor-sharp fangs-you know the type. And you’re chopping off his head because, even with eight bullet holes in him, you’re pretty sure he’s about to spring back to his feet and eat the look of terror right off your face. On the follow-through of the last swing, though, the handle of the ax snaps in a spray of splinters. You now have a broken ax. So, after a long night of looking for a place to dump the man and his head, you take a trip into town with your ax. You go to the hardware store, explaining away the dark reddish stains on the broken handle as barbecue sauce. You walk out with a brand-new handle for your ax. The repaired ax sits undisturbed in your garage until the spring when, on one rainy morning, you find in your kitchen a creature that appears to be a foot-long slug with a bulging egg sac on its tail. Its jaws bite one of your forks in half with what seems like very little effort. You grab your trusty ax and chop the thing into several pieces. On the last blow, however, the ax strikes a metal leg of the overturned kitchen table and chips out a notch right in the middle of the blade. Of course, a chipped head means yet another trip to the hardware store. They sell you a brand-new head for your ax. As soon as you get home, you meet the reanimated body of the guy you beheaded earlier. He’s also got a new head, stitched on with what looks like plastic weed-trimmer line, and it’s wearing that unique expression of “you’re the man who killed me last winter” resentment that one so rarely encounters in everyday life. You brandish your ax. The guy takes a long look at the weapon with his squishy, rotting eyes and in a gargly voice he screams, “That’s the same ax that beheaded me!” IS HE RIGHT?
David Wong (John Dies at the End (John Dies at the End, #1))
It’s like that one time you woke up and tripped down a rabbit hole and a blond girl in a blue dress kept asking you for directions but you couldn’t tell her, you had no idea, you kept trying to speak but your throat was full of rain clouds and it’s like someone has taken the ocean and filled it with silence and dumped it all over this room.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
I've got a lot to download on your mercy and grace. I've always rushed up to You and dumped whatever it was and hurried away, fascinated by my own busyness. I want to turn all this over to You slowly, carefully, examining every fragment as I pass it off, so there'll never be any question about it again. Every time I've dumped and run, I've nearly always run back and snatched it out of Your hands. Help me in this.......Right now, I'm certain of only one thing - that You love us, and that's where we all have to begin.
Jan Karon
She was playing it like we had an affinity because we'd both been thrown over by you. The 'Dumped by Gideon Sisterhood.'" He glanced at me with cold eyes. "Don't be catty. It doesn't suit you.
Sylvia Day (Entwined with You (Crossfire, #3))
First of all, you don’t want me to get too hungry. Ever. I’m an ever worse bastard than normal and having starved for centuries, I’m not about to deprive myself again when I don’t have to. Second, let me tell you something about your ‘friends.’ Deimos held me down while I was branded and then took me to the human realm where I was left with nothing. No clothes, no money. Not a damn thing to call my own. Hence the aforementioned starvation. A hundred years later, M’Ordant dumped my inside a Spartan prison camp and told the commander I was a traitor to their people. You don’t really want to know what the Spartans did to people they thought betrayed them. D’Alerian had me put inside a Turkish prison in the fifteenth century where I was impaled after being tortured for three weeks. So you’ll have to excuse me if I have a hard time feeling too sorry for them right now. At least no one’s shoving a sharp spike up their asses. (Jericho)
Sherrilyn Kenyon (Dream Warrior (Dream-Hunter, #4; Dark-Hunter, #17))
It's like spending 6 months just trying to inhale. It's like forgetting how to move your muscles and reliving every nauseous moment in your life and struggling to get all the splinters out from underneath your skin. It's like that one time you woke up and tripped down a rabbit hole and a blond girl in a blue dress kept asking you for directions but you couldn't tell her, you had no idea, you kept trying to speak but your throat was full of rain clouds and it's like someone has taken the ocean and filled it with silence and dumped it all over this room. It's like this.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
Your old man, darlin’, what he said to me, he was fuckin’ right. These assholes would light themselves on fire if I weren’t here to dump a bucket of water on ’em.
Madeline Sheehan (Unbeautifully (Undeniable, #2))
I think of country radio like a great lover: you were nice to me, you gave me a lot of cool stuff, and then you dumped my ass for another woman.
Dolly Parton (Dream More)
Kyle dumped me for some stripper whore who shops at Wet Seal.
Diablo Cody (Candy Girl: A Year in the Life of an Unlikely Stripper)
Did you think you could dump me, and I’d bounce back to her and miraculously be happy? I’m not a Ping-Pong ball. You can’t just swat me back and forth and expect me to be content wherever I land. If Tod dumped you tomorrow, would you come back to me?
Rachel Vincent (Before I Wake (Soul Screamers, #6))
I'm dumping the whole box back into your life Ed, every item of you and me. I'm dumping this box on your porch, Ed, but it's you, Ed, who is getting dumped.
Daniel Handler (Why We Broke Up)
He counts as an ex because he made me feel dumped even without making me feel loved first.
David Levithan (Hold Me Closer: The Tiny Cooper Story)
It’s handy having a dumpster in the house. In this house, that’s my role. When Dad and Mom and Kise get so fed up they can’t bear it any longer, they dump everything onto me.
Sayaka Murata (Earthlings)
Years later, my wife, Ilusion, woke me up to the realization that you can't just "dump" your whole species simply because you've had a few bad encounters with some of its members. ... Intimacy's a greater goal to seek. ...That true knowledge of intimacy within our own species will allow us to pass it along to interspecies relations.
Cesar Millan
Do you ever wonder whether people would like you more or less if they could see inside you? I mean, I’ve always felt like the Katherines dump me right when they start to see what I look like from the inside—well, except K-19. But I always wonder about that. If people could see me the way I see myself—if they could live in my memories—would anyone, anyone, love me?
John Green (An Abundance of Katherines)
I’ve been thinking about that proof I spoke of last time – that you’re where you’re supposed to be. And it occurred to me, can you prove you’d be better off somewhere else? If you’d have left the state, your relationship would have ended still. Maybe you’d have even blamed yourself, not knowing that it was doomed because of him, either way. Instead, you’re here. You got dumped, skipped class, and met the best econ tutor at the university! Who knows, maybe I’ll make you fall in love with economics.
Tammara Webber (Easy (Contours of the Heart, #1))
That night I first saw you, I was going too fast. There I was rubbernecking at you and dumped the bike. Wrecked me up. I don’t want to wreck us up like that. I don’t want you to get hurt.” She
Bryn Greenwood (All the Ugly and Wonderful Things)
There should be exit interviews for dating. Just a brief evaluation of the highlights and challenges of the relationship, and maybe a few questions like “So what exactly was it that motivated you to dump me?
Devan Sipher (The Wedding Beat)
I was so tired of her getting upset for no reason. The way she would get sulky and make references to the freaking oppressive nature of tragedy or whatever but then never said what was wrong, never have any goddamned reason to be sad. And I just think you ought to have a reason. My girlfriend dumped me, so I'm sad. I got caught smoking, so I'm pissed off. My head hurts, so I'm cranky. She never had a reason, Pudge. I was just so tired of putting up with her drama. And I just let her go. Christ.
John Green (Looking for Alaska)
The horizontal world I had thought I occupied was tilting, dumping me somewhere else, somewhere new.
Jerry Spinelli
Travelling men make wide detours just to be in the same room as her. That's the most that even the best of of them can hope for. Molly Pratt, he says. Remind me, what's a heavenly creature like you doin in a dump like this? Servin rotgut to scoundrels like you, she says. An if you call my place a dump again, I'll bar you.
Moira Young (Rebel Heart (Dust Lands, #2))
There is still a chance to change things. We can provide fresh drinking water to all people. We can make sure crops are not regulated for profit; we can ensure that they are not genetically altered to benefit manufacturers. Our people are dying because we are feeding them poison. Animals are dying because we are forcing them to eat waste, forcing them to live in their own filth, caging them together and abusing them. Plants are withering away because we are dumping chemicals into the earth that make them hazardous to our health. But these are things we can fix.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
Halfway home, the sky goes from dark gray to almost black and a loud thunder snap accompanies the first few raindrops that fall. Heavy, warm, big drops, they drench me in seconds, like an overturned bucket from the sky dumping just on my head. I reach my hands up and out, as if that can stop my getting wetter, and open my mouth, trying to swallow the downpour, till it finally hits me how funny it is, my trying to stop the rain. This is so funny to me, I laugh and laugh, as loud and free as I want. Instead of hurrying to higher ground, I jump lower, down off the curb, splashing through the puddles, playing and laughing all the way home. In all my life till now, rain has meant staying inside and not being able to go out to play. But now for the first time I realize that rain doesn't have to be bad. And what's more, I understand, sadness doesn't have to be bad, either. Come to think of it, I figure you need sadness, just as you need the rain. Thoughts and ideas pour through my awareness. It feels to me that happiness is almost scary, like how I imagine being drunk might feel - real silly and not caring what anybody else says. Plus, that happy feeling always leaves so fast, and you know it's going to go before it even does. Sadness lasts longer, making it more familiar, and more comfortable. But maybe, I wonder, there's a way to find some happiness in the sadness. After all, it's like the rain, something you can't avoid. And so, it seems to me, if you're caught in it, you might as well try to make the best of it. Getting caught in the warm, wet deluge that particular day in that terrible summer full of wars and fires that made no sense was a wonderful thing to have happen. It taught me to understand rain, not to dread it. There were going to be days, I knew, when it would pour without warning, days when I'd find myself without an umbrella. But my understanding would act as my all-purpose slicker and rubber boots. It was preparing me for stormy weather, arming me with the knowledge that no matter how hard it seemed, it couldn't rain forever. At some point, I knew, it would come to an end.
Antwone Quenton Fisher (Finding Fish)
What would Golan Do? That way I can ask myself before I do anything. Before I take a dump. How would Dr. Golan want me to take this dump? Should I bank it off the side or go straight down the middle? What would be the most psychologically beneficial dump I could take?
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
Okay,” Cooper says agreeably. “But what if you and Nigel fall in love, and Nigel and I become BFFs, and then you guys get married, and Nigel wants me to be the best man, and you and I have to talk about the wedding plans?” “That would never happen, because since Nigel would be so in love with me, he would have dumped you as a BFF as soon as we got engaged and/or told you you were not allowed to be best man at our wedding, per my wishes.” “Yes, but—” “Wait a minute,” I say. “Did you just say ‘BFF’?” “Yes,” he says. He looks at me and shrugs. “I’ve been watching a lot of Disney Channel.
Lauren Barnholdt (One Night That Changes Everything (One Night That Changes Everything, #1))
Look at me; I look like a flying pegasus.” “Squawk,” said Crabwing, dancing in the sand. Suddenly, and without warning, cold rain dumped from the sky, and Star was soaked in seconds. Star nickered to his bird. “That’s what I get for admiring myself.
Jennifer Lynn Alvarez (Starfire (The Guardian Herd #1))
Red Fox The red fox crosses the ice intent on none of my business. It's winter and slim pickings. I stand in the bushy cemetery, pretending to watch birds, but really watching the fox who could care less. She pauses on the sheer glare of the pond. She knows I'm there, sniffs me in the wind at her shoulder. If I had a gun or dog or a raw heart, she'd smell it. She didn't get this smart for nothing. She's a lean vixen: I can see the ribs, the sly trickster's eyes, filled with longing and desperation, the skinny feet, adept at lies. Why encourage the notion of virtuous poverty? It's only an excuse for zero charity. Hunger corrupts, and absolute hunger corrupts absolutely, or almost. Of course there are mothers, squeezing their breasts dry, pawning their bodies, shedding teeth for their children, or that's our fond belief. But remember - Hansel and Gretel were dumped in the forest because their parents were starving. Sauve qui peut. To survive we'd all turn thief and rascal, or so says the fox, with her coat of an elegant scoundrel, her white knife of a smile, who knows just where she's going: to steal something that doesn't belong to her - some chicken, or one more chance, or other life.
Margaret Atwood (Morning in the Burned House: Poems)
Someone once told me that Fate will chew you up and spit you out many times, taking you away from those you love and dumping you into places you never wanted to be. It’s up to each of us where we choose to belong.
Donna Grant (Heat (Dark Kings, #12))
You should really, like, dump her and date me instead,' May heard herself saying, all confidence. 'I'm not as irritating. I mean, I'm irritating, but I'm not as bad as she is. And you know me better. Wouldn't that be funny? I mean, we've already hooked up, so we're good.' We broke up,' Pete said quickly. His voice was so bright that May could hear the smile coming through. For a moment she was confused. Who, you and me?' No. Nell and i.' Oh . . .' The meter in her brain clicked once or twice, signaling May that she'd probably said enough. I have to go,' she said suddenly. 'Okay? I think that's great. Cool. Okay. Gotta go now. Hey, Pete, I love you!
Maureen Johnson (The Key to the Golden Firebird)
Move along,” Hines said. “Last room down.” I spotted a fish tank halfway down the aisle. Dug into my pocket. “Hi,” I whispered. “Distraction in five. Four. Three...” I broke off as we neared the tank. Hi spun. “Yo, warden. When do we eat around here? I'm hypoglycemic, plus I've got a hernia. And rabies simplex D. Basically, I need a ton of pills or my arms will fall off.” “Boy, you're on my last nerve.” As Hines glared at Hiram, I palmed the flash drive and dumped it into the fish tank. The yellow-and-black rectangle tumbled to the bottom. So long, friend. Let's hope Shelton's email went through. “It's a cultural thing,” Hi was saying. “I think you're being very insensitive.” Hines snorted. “Do you want me to cuff you?” “Kinda.” “Hi.” I nodded.
Kathy Reichs (Exposure (Virals, #4))
Most girls have to be talked out of texting an ex, and here I was using freaking magic to summon back a dude who had, for all intents and purposes, dumped me. I
Rachel Hawkins (Lady Renegades (Rebel Belle, #3))
When Orion finally got round to dumping me, I wanted to come out of this mess as something more than a school-wide reputation for being a bit of a slapper.
Naomi Novik (A Deadly Education (The Scholomance, #1))
So what did you do, drug me, stuff me in the trunk, then dump me like a sacrificial offering into that vampire’s coffin? - Shella
Krista Alasti (Taming Shadows)
I know who you are," she said. "You're my enemy. The true believer. The righteous man with the righteous mission. The one that jails people for reading and burns the books. That persecutes people who do exercises the wrong way. That dumps out the medicine and pisses on it. That pushes the button that sends the drones to drop the bombs. And hides behind a bunker and doesn't get hurt. Shielded by God. Or the state. Or whatever lie he uses to hide his envy and self-interest and cowardice and lust for power. It took me a while to see you, though. You saw me right away. You knew I was your enemy. Was unrighteous. How did you know it?
Ursula K. Le Guin (The Telling)
Don’t worry,” he said letting me go and adding a brownie and chocolate milk to my tray. “All they see is me fucking with you. They’d never suspect—” “That you were serious?” He grinned to himself and dumped a bag of pretzels and some French fries on my tray. “No, that you like me.
Penelope Douglas (Nightfall (Devil's Night, #4))
So, Violet." Zane turns his chair in my direction. "Is your day getting better yet?" "Pretty sure it's getting worse as we speak," I say. - Zane's dark eyes are sparkling with humor. "Come on," he says. "It's not that bad, is it?" "Oh, let's see." I stare up at the fancy glass ball lamps hanging from the ceiling. "I got dumped at Taco Bill's today; fell down, split my pants, and generally humiliated myself in front of a complete stranger; went to dinner at a snooty restaurant, found out said stranger is my future step brother; got called a stripper, hooker, and virgin by my mother...did I leave anything out?" "Well, I don't know. The night is still young — anything could happen." The corners of his beautiful mouth twitch upwards. "It can only get better, right?" I frown. "Don't say that, you'll jinx me. Now my mom will come back and blurt out how she and Bill had kinky bathroom sex, and I'll run away before she can go into detail, and trip over that waiter carrying that flaming dessert - he'll go crashing into the lady with way too much product in her hair, and then the whole restaurant will be on fire.
Nicole Christie (Falling for the Ghost of You)
Boy, when you're dead, they really fix you up. I hope to hell when I do die somebody has sense enough to just dump me in the river or something. Anything except sticking me in a goddam cemetery. People coming and putting a bunch of flowers on your stomach on Sunday, and all that crap. Who wants flowers when you're dead? Nobody.
J.D. Salinger
She could hear his words ringing in her ears like an air raid siren. “Father’s asked me to accompany a sick soldier home. I would leave tomorrow but be back by Christmas.” Who was this Airman Ralph Jacobs? And why now? Why Dick, for heaven’s sakes? The man was shot down in Italy. Wasn’t that Sly and Bobby’s territory? Wasn’t it Harry’s? Maybe that’s what Annie had heard. So instead of using Sly, they dumped the duty onto Dick.
Cece Whittaker (Glorious Christmas (The Serve, #7))
He looked around for the most trustworthy person, for someone to be on his team. He took a gamble and dumped Bat into Lily's arms. "Watch him for me, will you?" he asked. "Make sure he gets out all right?" "Put that werewolf down immediately, Lily," Raphael ordered. "It really hurts that you would say that," Bat muttered, and shut his eyes. Lily considered Bat's head, pillowed on her lavender bosom. "I don't want to put him down," she announced. "The Shadowhunter gave this DJ to me." Bat opened one eye. "Do you like music?" "I do," said Lily. "I like jazz." "Cool," said Bat. Raphael threw up his hands. "This is ridiculous! Fine," he snapped. "Fine. Let's just vacate the collapsing mansion, shall we? Can we all agree on that one fun, non-suicidal activity.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
Look, you’ve been really sweet since you stepped through that door. Well, apart from telling Mal about me puking on you. That was unnecessary. But in the preceding twenty-four hours you dumped me alone in a room, went off with a groupie, accused me of trying to get it on with your brother and sicced your posse of lawyers onto me.” [Evelyn]
Kylie Scott (Lick (Stage Dive, #1))
I know the answer to the question now, by the way: why bad things happen to good people and good things happen to bad people. It came from my inner editor, the part of me that forces the wordy writer in me to dump ninety percent of all modifiers: Ask both questions again, minus the adjectives. "Why do things happen to people?" Just because.
Chris Crutcher (King of the Mild Frontier: An Ill-Advised Autobiography – The Riveting, Laugh-Out-Loud Funny Young Adult Coming-of-Age Memoir)
I thought you dumped him.” “Oh, I did. But not because I wanted to. I was just accepting the inevitable. He fell out of love with me, but you can’t dump the weepy rape victim. So I did it for him.
Sarina Bowen (Rookie Move (Brooklyn Bruisers, #1))
For this will cure him that is sick, and rouse him that is in dumps; one that has loved, it will remember of it; one that has not, it will instruct. For there was never any yet that wholly could escape love, and never shall there be any, never so long as beauty shall be, never so long as eyes can see. But help me that God to write the passions of others; and while I write, keep me in my own right wits.
Longus (Daphnis and Chloe / The Love Romances of Parthenius and Other fragments)
Curran strode toward me, eyes blazing. "If I let her go, I'll need a replacement. Want to volunteer for the job." He looked like he wouldn't be taking no for an anser. I swiped Slayer from its sheath and backed away from the edge of the roof. "And be girlfriend number twenty-three soon to be dumped in favor of girlfriend number twenty-four who has slightly bigger boobs? I don't think so." He kept coming. "Oh Yeah?" "Yeah, you get these beautiful women, make them dependent on you, and then you dump them. Well, this time a woman left you first, and your enormous ego can't deal with it. And to think that I hoped we could talk like reasonable adults. If we were the last two people on Earth, I'd find myself a moving island so I could get the hell away from you.
Ilona Andrews
You can't live with the idea that someone might leave. So instead of being happy for me, like any normal person, you're pissed off because ooh, oh no, Hassan doesn't like me anymore. You're such a sitzpinkler. You're so goddamned scared of the idea that someone might dump you that your whole fugging life is built around not gettting left behind. Well, it doesn't work, kafir. I just - it's not just dumb, it's ineffective. Because then you're not being a good friend or a good boyfriend or whatever, because you're only thinking they-might-not-like-me-they-might-not-like-me, and guess what? When you act like that, no one likes you. There's your goddamned Theorem.
John Green (An Abundance of Katherines)
If I could do all of that on February 14th, it would be a personal best for me. Something to share with my crew for the glory and the laughs, or to cheer up the next buddy of mine to get dumped or cheated on. From "My Worst Valentine's Day.Ever: A Short Story
Zack Love (Stories and Scripts: an Anthology)
Peabody, with me." She waited until they were back in her office. "Don't hover over McNab like that." "Sir?" "You hover over him, you're going to make him think you're worried." "I am worried. The twenty-four-" "Worry all you want, dump on me if you need to. But don't let him see it. He's starting to fray, and he's trying hard not to show it. You try just as hard not to show it. If you need to vent, go out there on the kitchen terrace. Scream your lungs out." "Is that what you do?" "Sometimes. Sometimes I kick inanimate objects. Sometimes I jump Roarke and have jungle sex. The last," she said after a beat, "is not an option for you." "But I think it would really make me feel better, and be a more productive member of the investigative team." "Good, humor is good. Get me coffee.
J.D. Robb (Purity in Death (In Death, #15))
You don't need this prep but I'm going to give it to you anyway. I can tell, I don't know any of you that well, but I can see it in your faces that and some of you have faces that remind me of what my face looked like when I was younger. I see some of you young people out there and I remember how hard it is to be young. And I remember how hard it is to be rejected the first time when you're young. And so what I want you to do is close your eyes. And I can see you, so don't cheat me here. Close those eyes of yours. Put 'em, real tight. And I want you to imagine the first person who broke you heart. The first person that didn't like you back, the first person that said shitty stuff about you. The first person that dumped you. The first person that changed their phone number because you called them 62 times in one day. The first person that didn't know how good you were and they missed you, they passed you by. Imagine that person and then I want you to sing at the top of your fucking lungs. I want you to sing. I want to heal that with you right now. (sings): Look me in the eye and tell me you dont find me attractive. Look me in the heart and tell me that you wont go. Look me in the eye and promise no love is like our love look me in the heart and unbreak broken it wont happen.
Tegan Quin
I couldn't help but think, as I watched him, of the barrels of toxic fluids that had accrued behind Hal's bike shop where the scrub lining the railroad tracks had offered local companies enough cover to dump a stray contaner or two. Everything had been sealed up, but things were beginning to leak out. I had come to both pity and respect Len in the years since my mother left. He followed the physical to try to understand things that were impossible to comphrehend. In that, I could see, he was like me.
Alice Sebold
So I don’t know why you’re trying to talk yourself out of it now. The hard stuff is over. You dumped the groom, ran out on your wedding reception, and jumped on the back of a Harley in your slip. Then you got drunk and flew to Puerto Rico with your best friend’s older brother, who, incidentally, thinks you look smoking hot. Who’s got more balls than you?
Christine Bell (Down for the Count (Dare Me, #1))
Why is the universe? To shape God. Why is God? To shape the universe. I can’t get rid of it. I’ve tried to change it or dump it, but I can’t. I cannot. It feels like the truest thing I’ve ever written. It’s as mysterious and as obvious as any other explanation of God or the universe that I’ve ever read, except that to me the others feel inadequate, at best.
Octavia E. Butler (Parable of the Sower (Earthseed, #1))
This is for watching my fights and rooting for me,” he murmured, pressing a soft kiss to her forehead. “And this is for being brave and accepting my dare.” He pressed a second kiss on the tip of her nose. “And this is for dumping that dickhead Marty.” The next kiss landed on the corner of her mouth, and she parted her lips on a sigh. His heart hammered so loudly, he wondered if she heard it. “And this one? This one is because I want you so bad, it’s making me question my sanity.
Christine Bell (Down for the Count (Dare Me, #1))
There is a pile of clothing on the side of the train tracks. Light-blue cloth—a shirt, perhaps—jumbled up with something dirty white. It’s probably rubbish, part of a load dumped into the scrubby little wood up the bank. It could have been left behind by the engineers who work this part of the track, they’re here often enough. Or it could be something else. My mother used to tell me that I had an overactive imagination; Tom said that, too. I can’t help it, I catch sight of these discarded scraps, a dirty T-shirt or a lonesome shoe, and all I can think of is the other shoe and the feet that fitted into them.
Paula Hawkins (The Girl on the Train)
Hey, Zee,” I said. “I take it that you can fix it, but it’ll be miserable, and you’d rather haul it to the dump and start from scratch.” “Piece of junk,” groused Zee. “What’s not rusted to pieces is bent. If you took all the good parts and put them in a pile, you could carry them out in your pocket.” There was a little pause. “Even if you only had a small pocket.” I patted the car. “Don’t you listen to him,” I whispered to it. “You’ll be out of here and back on the road in no time.” Zee propelled himself all the way under the car so his head stuck out by my feet. “Don’t you promise something you can’t deliver,” he snarled. I raised my eyebrows, and said in dulcet tones, “Are you telling me you can’t fix it? I’m sorry. I distinctly remember you saying that there is nothing you can’t fix. I must have been mistaken, and it was someone else wearing your mouth.” He gave a growl that would have done Sam credit, and pushed himself back under again, muttering,“Deine Mutter war ein Cola-Automat!” “Her mama might have been a pop machine,” I said, responding to one of the remarks I understood even at full Zee-speed. “Your mama . . .” sounds the same in a number of languages. “But she was a beauty in her day.” I grinned at Gabriel. “We women have to stick together.
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
He kissed me like I was the empire he was sworn to protect and would die a thousand deaths to keep secure. He kissed me like I was a woman with a deep dark wildness that needed to be fed and he knew just how to do it. He kissed me like he was dying and this was the last kiss he would ever taste. Then his kiss changed and his tongue was velvet and silk as he kissed me like I was fine bone china that needed exacting care and gentleness. Then the storm built in both of us and I ground myself against him, and he was searching with his kiss and his hands sliding down to my ass for the part of me that was a savage animal and so was he and we were going to forget the world and “become two primal, uncomplicated beasts fucking as if the universe depended on our passion to fuel it. And I was pretty sure we could. I felt something building in me, a hunger that was exhilarated to be alive and knew it could come out and play as hard as it wanted, because I could never break this man. Not even with all my superpowers. I could dump every bit of myself on him and never have to worry about giving him a heart attack or breaking a bone or giving him a black eye by accident. He could handle anything. My high temper, my need for adventure and stimulation, my intellect, rages, and rants, my sheer physical strength, even the darkness of my shadow-self. He was a broad-shouldered beast. He was hard and capable and permanent and had an immortal heart. A frenzy of lust exploded inside me and I met the savagery of his kiss with all the savagery in my soul, and there is one fuck of a lot of it.
Karen Marie Moning (Feversong (Fever, #9))
He held up a hand to stop her. “Then one day, about six months ago, it hit me—love doesn’t trump all for you, safety does. And I knew sooner or later you’d dump me before I’d dump you because—and this is the important part, Rach—I would never dump you.” He gave her a beautiful, broken smile. “And that’s been my purpose all along.” After
Dennis Lehane (Since We Fell)
Coach Slader caught up followed closely by a trail of curious students all as surprised as I at this turn of events.Coach spoke in a delicate voice, like he didn’t want to spook a dangerous animal. “Jayden, what are you doing?” “She needs medical attention.” The guy didn’t pause stride. “Yes, but—” “I’m taking her to the nurse.” “Okay, but—” “She’s too weak to walk.” I huffed. “I am not. Put me down.” In one swift movement the boy stopped, dumped me on my feet and stepped back. My knees buckled and before you could say “Bob’s your uncle” he scooped me up again and kept walking. A chorus of giggles erupted behind us. “See,” he said.I put my arms around his neck and shut up.
A. Kirk
I remember first learning about death quite vividly. I'm not sure how old I was, but I remember the conversation like it was yesterday. My grandfather had died, and my mother was trying to explain it to me. 'Sometimes, when someone gets ill, and they're very very old, they don't get better again. They just get iller and iller and then... then their body stops working.' 'I don't understand.' 'What's in them just goes away, and doesn't come back.' 'Grandpa isn't coming back?' 'No,' she said. 'Not ever again.' 'Grandpa said he was going away and not ever coming back after he held Grandma's head in that cotton-dump outside of town and kicked Skeeter seventy-three times.' 'Grandpa was very drunk. That's not the same as being dead. Grandpa's dead, son. He's not there anymore.' And I remember saying, 'Hold everything right fucking THERE. 'You went to all the trouble of conceiving me, and giving birth to me, and raising me and feeding me and clothing me and all-- and, YEAH, whipping me from time to time, and making me live in a house that's freezing fucking cold all the goddamn time-- and you make me cry and things hurt so much and disappointments crush my heart every day and I can't do half the things I want to do and sometimes I just want to scream-- and what I've got to look forward to is my body breaking and something flipping off the switch in my head-- I go through all this-- and then there's death? 'What is the motherfucking deal here?
Warren Ellis (Transmetropolitan, Vol. 5: Lonely City)
Dear Madam Vorsoisson, I am sorry. This is the eleventh draft of this letter. They’ve all started with those three words, even the horrible version in rhyme, so I guess they stay. You once asked me never to lie to you. All right, so. I’ll tell you the truth now even if it isn’t the best or cleverest thing, and not abject enough either. I tried to be the thief of you, to ambush and take prisoner what I thought I could never earn or be given. You were not a ship to be hijacked, but I couldn’t think of any other plan but subterfuge and surprise. Though not as much of a surprise as what happened at dinner. The revolution started prematurely because the idiot conspirator blew up his secret ammo dump and lit the sky with his intentions. Sometimes these accidents end in new nations, but more often they end badly, in hangings and beheadings. And people running into the night. I can’t be sorry that I asked you to marry me, because that was the one true part in all the smoke and rubble, but I’m sick as hell that I asked you so badly. Even though I’d kept my counsel from you, I should have at least had the courtesy to keep it from others as well, till you’d had the year of grace and rest you’d asked for. But I became terrified that you’d choose another first. So I used the garden as a ploy to get near you. I deliberately and consciously shaped your heart’s desire into a trap. For this I am more than sorry, I am ashamed. You’d earned every chance to grow. I’d like to pretend I didn’t see it would be a conflict of interest for me to be the one to give you some of those chances, but that would be another lie. But it made me crazy to watch you constrained to tiny steps, when you could be outrunning time. There is only a brief moment of apogee to do that, in most lives. I love you. But I lust after and covet so much more than your body. I wanted to possess the power of your eyes, the way they see form and beauty that isn’t even there yet and draw it up out of nothing into the solid world. I wanted to own the honor of your heart, unbowed in the vilest horrors of Komarr. I wanted your courage and your will, your caution and your serenity. I wanted, I suppose, your soul, and that was too much to want. I wanted to give you a victory. But by their essential nature triumphs can’t be given. They must be taken, and the worse the odds and the fiercer the resistance, the greater the honor. Victories can’t be gifts. But gifts can be victories, can’t they. It’s what you said. The garden could have been your gift, a dowry of talent, skill, and vision. I know it’s too late now, but I just wanted to say, it would have been a victory most worthy of our House. Yours to command, Miles Vorkosigan
Lois McMaster Bujold (A Civil Campaign (Vorkosigan Saga, #12))
My name’s Gloria Dump,” she said. “Ain’t that a terrible last name? Dump?” “My last name is Buloni,” I said. “Sometimes the kids at school back home in Watley called me ‘Lunch Meat.’” “Hah!” Gloria Dump laughed. “What about this dog? What you call him?” “Winn-Dixie,” I said. Winn-Dixie thumped his tail on the ground. He tried smiling, but it was hard with his mouth all full of peanut butter. “Winn-Dixie?” Gloria Dump said. “You mean like the grocery store?” “Yes ma’am,” I said. “Whooooeee,” she said. “That takes the strange-name prize, don’t it?” “Yes ma’am,” I said. “I was just fixing to make myself a peanut-butter sandwich,” she said. “You
Kate DiCamillo (Because of Winn-Dixie)
It’s okay to kill a man if someone else deems him unfit to live. What I really want to say is who the hell are you and who are you to decide who gets to die. Who are you to decide who should be killed. Who are you to tell me which father I should destroy and which child I should orphan and which mother should be left without her son, which brother should be left without a sister, which grandmother should spend the rest of her life crying in the early hours of the morning because the body of her grandchild was buried in the ground before her own. What I really want to say is who the hell do you think you are to tell me that it’s awesome to be able to kill a living thing, that it’s interesting to be able to ensnare another soul, that it’s fair to choose a victim simply because I’m capable of killing without a gun. I want to say mean things and angry things and hurtful things and I want to throw expletives in the air and run far, far away; I want to disappear into the horizon and I want to dump myself on the side of the road if only it will bring me toward some semblance of freedom but I don’t know where to go. I have nowhere else to go.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
I shall be your guide through the fields of frantic holiday shoppers. You will come to depend on me. I'll be your Sherpa through the human mountain, your faithful Saint Bernard, guiding you through the shopping Alps, your Strider, hauling your poor hobbit ass through the perils of Middle Earth-" "My Gollum, prepared to dump my hobbit ass in the volcano," Hank finished, although it was hard because he was fighting laughter with every word.
Amy Lane (Turkey in the Snow)
My father picked me up from school one day, and we played hooky and went to the beach. It was too cold to go in the water, so we sat on a blanket and ate pizza. When I got home, my sneakers were full of sand, and I dumped it on my bedroom floor. I didn't know the difference. I was six. My mother screamed at me for the mess, but he wasn't mad. He said that billions of years ago, the world shifting and the oceans moving brought that sand to that spot on the beach, and then I took it away. "Every day," he said, "we change the world," which is a nice thought until I think about how many days and lifetimes I would need to bring a shoe full of sand home until there is no beach, until it made a difference to anyone. Every day, we change the world, but to change the world in a way that means anything, that takes more time than most people have. It never happens all at once. It's slow. It's methodical. It's exhausting. We don't all have the stomach for it.
NOT A BOOK
My dad died, I write. almost a year ago. Car accident. My hand is shaking; my eyes sting and fill. I add Not his fault before pushing the notebook and pen back across the table, wiping a hand across my cheeks. As he reads, my impulse is to reach out, grab the notebook, run outside, dump it in the trash, bury it in the snow, throw it under the wheels of a passing car - something, something, so I can go back fifteen seconds when this part ofme was still shut away and private. Then I look at Ravi's face again, and the normally white white whites of his eyes are pink. This causes major disruption to my ability to control the flow of my own tears. I see myself when I look at him right now: he's reflecting my sadness, my broken heart, back to me. He takes the pe, writes, and slides it over. You'd think it's something epic from the way it levels my heart. It isn't. I'm really sorry, Jill. Four little words.
Sara Zarr (How to Save a Life)
She raised an eyebrow. "You got something to say to me, Seaweed Brain?" You'd probably kick my butt." You know I'd kick your butt." I brushed the cake off my hands. "When I was at the River Styx, turning invulnerable . . . Nico said I had to concentrate on one thing that kept me anchored to the world, that made me want to stay mortal." Annabeth kept her eyes on the horizon. "Yeah?" Then up on Olympus," I said, "when they wanted to make me a god and stuff, I kept thinking-" Oh, you so wanted to." Well, maybe a little. But I didn't, because I thought-I didn't want things to stay the same for eternity, because things could always get better. And I was thinking . . ." My throat felt really dry. Anyone in particular?" Annabeth asked, her voice soft. I looked over and saw that she was trying not to smile. You're laughing at me," I complained. I am not!" You are so not making this easy." Then she laughed for real, and she put her hands around my neck. "I am never, ever going to make things easy for you, Seaweed Brain. Get used to it.” When she kissed me, I had the feeling my brain was melting right through my body. I could've stayed that way forever, except a voice behind us growled, "Well, it's about time!" Suddenly the pavilion was filled with torchlight and campers. Clarisse led the way as the eavesdroppers charged and hoisted us both onto their shoulders. "Oh, come on!" I complained. "Is there no privacy?" "The lovebirds need to cool off!" Clarisse said with glee. "The canoe lake!" Connor Stoll shouted. and they dumped us in the water.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Diana, would you marry someone for money?" I asked her out of the blue one afternoon during her lunch break. Without missing a beat, she made a contemplative noise. "It depends.How much money?" It was right then I knew I'd called the wrong person. I should have dialed Oscar, my slightly younger brother, instead. He'd always been wise beyond his years. Diana...not so much. I only told her the partial truth. "What if someone bought you a house?" She "hmmed" and then "hmmed" a little more. "A nice house?" "It wouldn't be a mansion, you greedy whore, but I'm not talking about a dump or anything either." I figured at least.
Mariana Zapata (The Wall of Winnipeg and Me)
If you’ve never passed a winter in Chicago, let me describe it: You can live for a hundred straight days beneath an iron-gray sky that claps itself like a lid over the city. Frigid, biting winds blow in off the lake. Snow falls in dozens of ways, in heavy overnight dumps and daytime, sideways squalls, in demoralizing sloppy sleet and fairy-tale billows of fluff. There’s ice, usually, lots of it, that shellacs the sidewalks and windshields that then need to be scraped. There’s the sound of that scraping in the early mornings—the hack hack hack of it—as people clear their cars to go to work. Your neighbors, unrecognizable in the thick layers they wear against the cold, keep their faces down to avoid the wind. City snowplows thunder through the streets as the white snow gets piled up and sooty, until nothing is pristine.
Michelle Obama (Becoming)
He leaned over Augustus to look at me and through tightly strung vocal cords said, “She didn’t want to do it after.” “She didn’t want to dump a blind guy,” I said. He nodded, the tears not like tears so much as a quiet metronome—steady, endless. “She said she couldn’t handle it,” he told me. “I’m about to lose my eyesight and she can’t handle it.
John Green (The Fault in Our Stars)
The girl looked straight up at him. “You’re trying to get to me, aren’t you?” she said. Jeb’s eyes cowered and darted back and forth between her crossed, luminous knees and the rumbling windowpane. “I see your game. You’ve trying to shame me for being young and pretty. You want to make me apologize for all the other girls who didn’t like you. You just can’t stand that I’m right next door reminding you of all that. That’s it, isn’t it? Pump and dump,” she scoffed. “Nothing you say can hurt me. See if you can do it. I dare you.” She chuckled and sipped her whiskey, then placed the glass on the coffee table. “You
Ottessa Moshfegh (Homesick for Another World)
Harwin's eyes went from her face to the flayed man on her doublet. "How do you know me?" he said, frowning suspiciously. "The flayed man . . . who are you, some serving boy to Lord Leech?" For a moment she did not know how to answer. She'd had so many names. Had she only dreamed Arya Stark? "I'm a girl," she sniffed. "I was Lord Bolton's cupbearer but he was going to leave me for the goat, so I ran off with Gendry and Hot Pie. You have to know me! You used to lead my pony, when I was little." His eyes went wide. "Gods be good," he said in a choked voice. "Arya Underfoot? Lem, let go of her." "She broke my nose." Lem dumped her unceremoniously to the floor. "Who in seven hells is she supposed to be?" "The Hand's daughter." Harwin went to one knee before her. "Arya Stark, of Winterfell.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
My apologies, see, I forgot my manners. I get on the mic ’cause it’s my life. You show off for girls and cameras. You a pop star, not a rapper. A Vanilla Ice or a Hammer. Y’all hear this crap he dumping out? Somebody get him a Pamper. And a crown for me. The best have heard about me. You can only spell “brilliant” by first spelling Bri. You see, naturally, I do my shit with perfection. Better call a bodyguard ’cause you gon’ need some protection, And on this here election, the people crown a new leader. You didn’t see this coming, and your ghostwriters didn’t either. I came here to ether. I’m sorry to do this to you. This is no longer a battle, it’s your funeral, boo. I’m murdering you. On my corner they call me coroner, I’m warning ya. Tell the truth, this dude is borin’ ya. You confused like a foreigner. I’ll explain with ease: You’re just a casualty in the reality of the madness of Bri. No fallacies, I spit maladies, causin’ fatalities, And do it casually, damaging rappers without bandaging. Imagining managing my own label, my own salary. And actually, factually, there’s no MC that’s as bad as me. Milez? That’s cute. But it don’t make me cower. I move at light speed, you stuck at per hour. You spit like a lisp. I spit like a high power. Bri’s the future, and you Today like Matt Lauer. You coward. But you’re a G? It ain’t convincing to me. You talk about your clothes, about your shopping sprees. You talk about your Glock, about your i-c-e. But in this here ring, they all talking ’bout me, Bri!
Angie Thomas (On the Come Up)
Have you lost your mind?” I yelled. “Did you have to humiliate him in front of his comrades? Isn’t it enough that he already hates you with the fire of a thousand suns?” Her expression was grim. Unfeeling. She was in no hurry to answer, but when she did, her tone held no emotion. “Malich laughed the night he told me that he had killed Greta. He reveled in her death. He said it was easy. Her death cost him nothing. It will now. Every day that I breathe, I will make it cost him something. Every time I see that same smug grin on his face, I will make him pay for it.” She dumped her winnings on the bed and looked back at me. “So the short answer to your question, Kaden, is no. It’s not enough. It will never be enough.
Mary E. Pearson (The Heart of Betrayal (The Remnant Chronicles, #2))
You've been looking like this for months." Leo does something strange with his face. "I don't look like that." "Yeah. You do." "I'll look like that if Daisy dumps me, and she'll dump me if she thinks I lied," Dylan says. "You threw eggs at her head. Odds are she's dumping you anyway." I turn to Leo. "We decided. We said that we weren't telling anyone. We said it was art for art's sake. We said the more people knew, the more chance the cop's pick us up. We said it was you and me, no crew." "Are you sure I didn't say it was to score girls?
Cath Crowley (Graffiti Moon)
Pigeon?” “Yeah?” A few moments passed, and then he sighed. “Nothing.” Travis hesitated. “I can’t shake this feeling,” he said under his breath. “What do you mean? Like a bad feeling?” I said, suddenly nervous. He turned to me with concern in his eyes, “I have this crazy feeling that once we get home, I’m going to wake up. Like none of this was real.” I slid my arms around his waist, running my hands up the lean muscles of his back. “Is that what you’re worried about?” He looked down to his wrist, and then glanced to the thick silver band on his left finger. “I just can’t shake the feeling that the bubble’s going to burst, and I’m going to be lying in my bed alone, wishing you were there with me.” “I don’t know what I’m going to do with you, Trav! I’ve dumped someone for you—twice—I’ve picked up and went to Vegas with you—twice—I’ve literally gone through hell and back, married you and branded myself with your name. I’m running out of ideas to prove to you that I’m yours.” A small smile graced his lips. “I love it when you say that.” “That I’m yours?” I asked. I leaned up on the balls of my feet, pressing my lips against his. “I. Am. Yours. Mrs. Travis Maddox, forever and always.” His small smile faded as he looked at the boarding gate and then down to me. “I’m gonna fuck it up, Pigeon. You’re gonna get sick of my shit.” I laughed. “I’m sick of your shit, now. I still married you.” “I thought once we got married, that I’d feel a little more reassured about losing you. But I feel like if I get on that plane….” “Travis? I love you. Let’s go home.” His eyebrows pulled in. “You won’t leave me, right? Even when I’m a pain in the ass?” “I vowed in front of God…and Elvis…that I wouldn’t, didn’t I?” His frown lightened a bit. “This is forever?” One corner of my mouth turned up. “Would it make you feel better if we made a wager?” “What kind of husband would I be if I bet against my own marriage?” I smiled. “The stupid kind. Didn’t you listen to your dad when he told you not to bet against me?” He raised an eyebrow. “So you’re that sure, huh? You’d bet on it?” I wrapped my arms around his neck and smiled against his lips. “I’d bet my first born. That’s how sure I am.” And then the peace returned. “You can’t be that sure,” he said, the anxiousness absent from his voice. I raised an eyebrow, and my mouth pulled to one side. “Wanna bet?
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
Thank you for inviting me here today " I said my voice sounding nothing like me. "I'm here to testify about things I've seen and experienced myself. I'm here because the human race has become more powerful than ever. We've gone to the moon. Our crops resist diseases and pests. We can stop and restart a human heart. And we've harvested vast amounts of energy for everything from night-lights to enormous super-jets. We've even created new kinds of people, like me. "But everything mankind" - I frowned - "personkind has accomplished has had a price. One that we're all gonna have to pay." I heard coughing and shifting in the audience. I looked down at my notes and all the little black words blurred together on the page. I just could not get through this. I put the speech down picked up the microphone and came out from behind the podium. "Look " I said. "There's a lot of official stuff I could quote and put up on the screen with PowerPoint. But what you need to know what the world needs to know is that we're really destroying the earth in a bigger and more catastrophic was than anyone has ever imagined. "I mean I've seen a lot of the world the only world we have. There are so many awesome beautiful tings in it. Waterfalls and mountains thermal pools surrounded by sand like white sugar. Field and field of wildflowers. Places where the ocean crashes up against a mountainside like it's done for hundreds of thousands of years. "I've also seen concrete cities with hardly any green. And rivers whose pretty rainbow surfaces came from an oil leak upstream. Animals are becoming extinct right now in my lifetime. Just recently I went through one of the worst hurricanes ever recorded. It was a whole lot worse because of huge worldwide climatic changes caused by... us. We the people." .... "A more perfect union While huge corporations do whatever they want to whoever they want and other people live in subway tunnels Where's the justice of that Kids right here in America go to be hungry every night while other people get four-hundred-dollar haircuts. Promote the general welfare Where's the General welfare in strip-mining toxic pesticides industrial solvents being dumped into rivers killing everything Domestic Tranquility Ever sleep in a forest that's being clear-cut You'd be hearing chain saws in your head for weeks. The blessings of liberty Yes. I'm using one of the blessings of liberty right now my freedom of speech to tell you guys who make the laws that the very ground you stand on the house you live in the children you tuck in at night are all in immediate catastrophic danger.
James Patterson (The Final Warning (Maximum Ride, #4))
Even though we'd never met, imagining being dumped by Gene made me want to die. What was the point of going out with someone? What was the point of falling in love? The whole thing was enough to make me wish I'd been born in one of those countries where they still have arranged marriages. I mean, okay, yes, it would certainly suck not being allowed to drive or vote and having to ask a man's permission to leave the house. But at least you wouldn't have to worry about being dumped.
Melissa Kantor (The Breakup Bible)
Perhaps the reader is astonished by the frankness with which I expose and emphasize my mediocrity; let him remember that frankness is the virtue most appropriate to a defunct. In life, the watchful eye of public opinion, the conflict of interests, the struggle of greed against greed oblige a man to hide his old rags, to conceal the rips and patches, to withhold from the world the revelations that he makes to his own conscience; and the greatest reward comes when a man, in so deceiving others, manages at the same time to deceive himself, for in such case he spares himself shame, which is a painful experience, and hypocrisy, which is a hideous vice. But in death, what a difference! what relief! what freedom! How glorious to throw away your cloak, to dump your spangles in a ditch, to unfold yourself, to strip off all your paint and ornaments, to confess plainly what you were and what you failed to be! For, after all, you have no neighbors, no friends, no enemies, no acquaintances, no strangers, no audience at all. The sharp and judicial eye of public opinion loses its power as soon as we enter the territory of death. I do not deny that it sometimes glances this way and examines and judges us, but we dead folk are not concerned about its judgment. You who still live, believe me, there is nothing in the world so monstrously vast as our indifference.
Machado de Assis (Memórias póstumas de Brás Cubas)
Instructions for a Broken Heart I will find a bare patch of earth, somewhere where the ruins have fallen away, somewhere where I can fit both hands, and I will dig a hole. And into that hole, I will scream you, I will dump all the shadow places of my heart—the times you didn’t call when you said you’d call, the way you only half listened to my poems, your eyes on people coming through the swinging door of the café—not on me—your ears, not really turned toward me. For all those times I started to tell you about the fight with my dad or when my grandma died, and you said something about your car, something about the math test you flunked, as an answer. I will scream into that hole the silence of dark nights after you’d kissed me, how when I asked if something was wrong—and something was obviously so very wrong—how you said “nothing,” how you didn’t tell me until I had to see it in the dim light of a costume barn—so much wrong. I will scream all of it. Then I will fill it in with dark earth, leave it here in Italy, so there will be an ocean between the hole and me. Because then I can bring home a heart full of the light patches. A heart that sees the sunset you saw that night outside of Taco Bell, the way you pointed out that it made the trees seem on fire, a heart that holds the time your little brother fell on his bike at the fairgrounds and you had pockets full of bright colored Band-Aids and you kissed the bare skin of his knees. I will take that home with me. In my heart. I will take home your final Hamlet monologue on the dark stage when you cried closing night and it wasn’t really acting, you cried because you felt the words in you and on that bare stage you felt the way I feel every day of my life, every second, the way the words, the light and dark, the spotlight in your face, made you Hamlet for that brief hiccup of a moment, made you a poet, an artist at your core. I get to take Italy home with me, the Italy that showed me you and the Italy that showed me—me—the Italy that wrote me my very own instructions for a broken heart. And I get to leave the other heart in a hole. We are over. I know this. But we are not blank. We were a beautiful building made of stone, crumbled now and covered in vines. But not blank. Not forgotten. We are a history. We are beauty out of ruins.
Kim Culbertson (Instructions for a Broken Heart)
Then I take a dump. Feel better. Take off my clothes and step into the pool. Ice water. But great. I walk along toward the deep end of the pool, the water rising inch by inch, chilling me. Then I plunge below the water. It's restful. The world doesn't know where I am. I come up, swim to the far edge, find the ledge, sit there. It must be about the 9th or 10th race. The horses are still running. I plunge again into the water, being aware of my stupid whiteness, of my age hanging onto me like a leech. Still, it's OK. I should have been dead 40 years ago. I rise to the top, swim to the far edge, get out.
Charles Bukowski (The Captain is Out to Lunch and the Sailors Have Taken Over the Ship)
In God’s economy, people don’t stand on opposing sides of the conflict scale. People stand on one side and Satan stands on the other. When we dump hurt into one another’s lives, we aren’t leveling the conflict scale. We are just weighing down the people side of the scale and elevating the Satan side of the scale. Satan loves it when we do his work for him by dumping on each other. The secret to healthy conflict resolution isn’t taking a you-against-me stance, but realizing it’s all of us against Satan—he’s the real enemy.
Lysa TerKeurst (Unglued: Making Wise Choices in the Midst of Raw Emotions)
It was she made me acquainted with love. She went by the peaceful name of Ruth I think, but I can't say for certain. Perhaps the name was Edith. She had a hole between her legs, oh not the bunghole I had always imagined, but a slit, and in this I put, or rather she put, my so-called virile member, not without difficulty, and I toiled and moiled until I discharged or gave up trying or was begged by her to stop. A mug's game in my opinion and tiring on top of that, in the long run. But I lent myself to it with a good enough grace, knowing it was love, for she had told me so. She bent over the couch, because of her rheumatism, and in I went from behind. It was the only position she could bear, because of her lumbago. It seemed all right to me, for I had seen dogs, and I was astonished when she confided that you could go about it differently. I wonder what she meant exactly. Perhaps after all she put me in her rectum. A matter of complete indifference to me, I needn't tell you. But is it true love, in the rectum? That's what bothers me sometimes. Have I never known true love, after all? She too was an eminently flat woman and she moved with short stiff steps, leaning on an ebony stick. Perhaps she too was a man, yet another of them. But in that case surely our testicles would have collided, while we writhed. Perhaps she held hers tight in her hand, on purpose to avoid it. She favoured voluminous tempestuous shifts and petticoats and other undergarments whose names I forget. They welled up all frothing and swishing and then, congress achieved, broke over us in slow cascades. And all I could see was her taut yellow nape which every now and then I set my teeth in, forgetting I had none, such is the power of instinct. We met in a rubbish dump, unlike any other, and yet they are all alike, rubbish dumps. I don't know what she was doing there. I was limply poking about in the garbage saying probably, for at that age I must still have been capable of general ideas, This is life. She had no time to lose, I had nothing to lose, I would have made love with a goat, to know what love was. She had a dainty flat, no, not dainty, it made you want to lie down in a corner and never get up again. I liked it. It was full of dainty furniture, under our desperate strokes the couch moved forward on its castors, the whole place fell about our ears, it was pandemonium. Our commerce was not without tenderness, with trembling hands she cut my toe-nails and I rubbed her rump with winter cream. This idyll was of short duration. Poor Edith, I hastened her end perhaps. Anyway it was she who started it, in the rubbish dump, when she laid her hand upon my fly. More precisely, I was bent double over a heap of muck, in the hope of finding something to disgust me for ever with eating, when she, undertaking me from behind, thrust her stick between my legs and began to titillate my privates. She gave me money after each session, to me who would have consented to know love, and probe it to the bottom, without charge. But she was an idealist. I would have preferred it seems to me an orifice less arid and roomy, that would have given me a higher opinion of love it seems to me. However. Twixt finger and thumb tis heaven in comparison. But love is no doubt above such contingencies. And not when you are comfortable, but when your frantic member casts about for a rubbing-place, and the unction of a little mucous membrane, and meeting with none does not beat in retreat, but retains its tumefaction, it is then no doubt that true love comes to pass, and wings away, high above the tight fit and the loose.
Samuel Beckett (Molloy / Malone Dies / The Unnamable)
You want me to be your boyfriend, don’t you?” Puck taunted. His wings suddenly popped out of his back and he swooped over to Sabrina. Before she knew how to react, the boy kissed her on the lips. A million thoughts ran through Sabrina’s head at once. Puck was annoying. He had dumped her in vats of disgusting glop. He’d put creepy crawlers in her bed. But the most awful thought of them all was the one about the kiss—it was nice.
Michael Buckley (The Problem Child)
The last werewolf tripped over Raphael Santiago’s foot. Alec hastily hit him in the back of the head with the hilt of his seraph blade, and the werewolf stayed down. “That was an accident,” said Raphael, with Lily and Elliott sticking close behind him. “He got in my way as I was trying to leave.” “Okay,” Alec panted. He wiped dust and sweat out of his eyes. Bat the DJ staggered toward them, claws out, and Alec flipped his seraph blade so he was holding the hilt again. “Someone dropped a piece of roof on me,” Bat told him, blinking in a way that was more owlish than wolfish. “Inconsiderate.” Alec realized Bat was not so much on a murderous out-of-control rampage as mildly concussed. “Easy there,” he said, as Bat tumbled against his chest. He looked around for the most trustworthy person, for someone to be on his team. He took a gamble and dumped Bat into Lily’s arms. “Watch him for me, will you?” he asked. “Make sure he gets out all right.” “Put that werewolf down immediately, Lily,” Raphael ordered. “It really hurts that you would say that,” Bat muttered, and shut his eyes. Lily considered Bat’s head, pillowed on her lavender bosom. “I don’t want to put him down,” she announced. “The Shadowhunter gave this DJ to me.” Bat opened one eye. “Do you like music?” “I do,” said Lily. “I like jazz.” “Cool,” said Bat. Raphael threw up his hands. “This is ridiculous! Fine,” he snapped. “Fine. Let’s just vacate the collapsing mansion, shall we? Can we all agree on that one fun, non-suicidal activity?
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
Ter refused to ride buses. The people depressed him, sitting there. He liked Greyhound stations though. We used to go to the ones in San Francisco and Oakland. Mostly Oakland, on San Pablo Avenue. Once he told me he loved me because I was like San Pablo Avenue. He was like the Berkeley dump. I wish there was a bus to the dump. We went there when we got homesick for New Mexico. It is stark and windy and gulls soar like nighthawks in the desert. You can see the sky all around you and above you. Garbage trucks thunder through dust-billowing roads. Gray dinosaurs.
Lucia Berlin (A Manual for Cleaning Women: Selected Stories)
Note what the catalogue says about colour and height and time of flowering, choose the appropriate shade of crayon and mark position of plant on plan. You will soon see what would make good neighbours nd what would be fatal. Last year I dumped a lot of seeds haphazardly in a hurry and got mesembryanthemums and a new ‘electric orange’ calendula mingled with a scarlet eschscholtzia and even the thought of it makes me shudder yet. The conjunction of paralytic pink, blinding blood-orange and genuine clear scarlet was practically un-lookable at. I expected it to blow up at any moment, …
Ethelind Fearon
Nothing irks me more than the vocabulary of social responsibility. The very word ‘duty’ is unpleasant to me, like an unwanted guest. But the terms ‘civic duty’, ‘solidarity’, ‘humanitarianism’ and others of the same ilk disgust me like rubbish dumped out of a window right on top of me. I’m offended by the implicit assumption that these expressions pertain to me, that I should find them worthwhile and even meaningful. I recently saw in a toy-shop window some objects that reminded me exactly of what these expressions are: make-believe dishes filled with make-believe tidbits for the miniature table of a doll. For the real, sensual, vain and selfish man, the friend of others because he has the gift of speech and the enemy of others because he has the gift of life, what is there to gain from playing with the dolls of hollow and meaningless words?
Fernando Pessoa (The Book of Disquiet)
I motioned for Slade to pick her up. “Take care of her, will you?” I asked him. Slade looked down at Katie, still clinging to his legs, and then back at me. A stricken look crossed his face. He leaned toward me and whispered, “Um. To be clear, are you asking me to kill her and dump her body?” “What? No! Why on earth would you think that?” Brent cleared his throat. “To a Shadow King, ‘taking care of someone’ has a very different connotation.” “Oh . . . Oh!” I was going to have to be more careful with my vocabulary choices in the future.
Bree Despain (The Savage Grace (The Dark Divine, #3))
I cleaned the shit off my pink high-tops and drove home, stopping for an espresso at the coffeehouse across from the college. Men and women were hunched over copies of Jean Paul Sartre and writing in their journals. Most wore the thin-rimmed tortoiseshell glasses favored by intellectuals. Their clothes were faded to a precisely fashionable degree; you can buy them that way from catalogs now, new clothes processed to look old. The intellectuals looked at me in my overalls the way such people inevitably look at farmers. I dumped a lot of sugar in my espresso and sipped it delicately at a corner table near the door. I looked at them the way farmers look at intellectuals.
Mary Rose O'Reilley
Sir Bird preens next to me, tucking feathers into place with a low noise in his throat almost like he’s talking to himself. A slow smile spreads across Finn’s face as he rubs his knuckles—black and blue with several bruises from Sir Bird’s beak. “Let’s see,” he says, flipping through his father’s book. “Here! I’ll need some water in a shallow bowl . . . ink . . . yes, I think this is everything.” He gathers the items, then reads over the entry several times, eyebrows knit in concentration. Dipping his pen in the ink, he whispers strange words while writing on the surface of the water. The ink drips down, elongating the form of the symbols that still hover where he wrote them. I recognize one—change. But the rest I haven’t learned yet. Then, without warning, he lifts up the bowl and dumps the whole thing onto Sir Bird. Only instead of getting wet, as the water washes over his body, Sir Bird’s feathers turn . . . blue. Bright, brilliant, shimmering blue. Squawking in outrage, Sir Bird hops and flies around the room, frantically shaking his feathers. He lands on the desk with a scrabble of clawed feet, then begins trying to bite off the color. “Ha!” Finn says, pointing at his knuckles. “Now you’re black and blue, too!” I can’t help but laugh at my poor, panicking bird. Not to mention the ridiculous pettiness of Finn’s magic show. Picking up Sir Bird, I stroke his feathers and speak softly to him. “Hush now. I’ll make him fix you. You’re still very handsome, but blue isn’t your color, is it?” He caws mournfully, still pulling at his own feathers. “Finn.” He puts his hands behind his back, trying to look innocent. “What? He deserved it.” “He’s a bird. You can’t really find this much satisfaction in revenge against a bird, can you?” His voice comes out just a tad petulant. “He started it.
Kiersten White (Illusions of Fate)
When I was at the River Styx, turning invulnerable...Nico said I had to concentrate on one thing that kept me anchored to the world, that made me want to stay mortal." Annabeth kept her eyes on the horizon. "Yeah?" "Then up on Olympus," I said, "when they wanted to make me a god and stuff, I kept thinking--" "Oh, you so wanted to." "Well, maybe a little. But I didn't, because I thought--I didn't want things to stay the same for eternity, because things could always get better. And I was thinking..." My throat felt really dry. "Anyone in particular?" Annabeth asked, her voice soft. I looked over and saw that she was trying not to smile. "You're laughing at me," I complained. "I am not!" "You are so not making this easy." Then she laughed for real, and she put her hands around my neck. "I am never, ever going to make things easy for you, Seaweed Brain. Get used to it." When she kissed me, I had the feeling my brain was melting right through my body. I could've stayed that way forever, except a voice behind us growled, "Well, it's about time!" Suddenly the pavilion was filled with torchlight and campers. Clarisse led the way as the eavesdroppers charged and hoisted us both onto their shoulders. "Oh, come on!" I complained. "Is there no privacy?" "The lovebirds need to cool off!" Clarisse said with glee. "The canoe lake!" Connor Stoll shouted. With a huge cheer, they carried us down the hill, but they kept us close enough to hold hands. Annabeth was laughing, and I couldn't help laughing too, even though my face was completely red. We held hands right up to the moment they dumped us in the water. Afterward, I had the last laugh. I made an air bubble at the bottom of the lake. Our friends kept waiting for us to come up, but hey--when you're the son of Poseidon, you don't have to hurry. And it was pretty much the best underwater kiss of all time.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
[Echo] dumped her backpack on the floor besides the door. "Children," she called, "I'm home." Ivy popped her head out of the bathroom door on the opposite side of the room, long, snowy hair-feathers gleaming in the dim light. “Oh, thank the gods,” she answered, wiping her hands on a washcloth as she walked over to Echo. “If I had to listen to Jasper whine about his poultice one more time, I was going to gag him.” “Excuse me, young lady, I do not whine,” Jasper said, angling his head to glare at Ivy. “I lament.” Ivy rolled her eyes. “You’re nineteen, Jasper. Don’t you ‘young lady’ me.
Melissa Grey (The Shadow Hour (The Girl at Midnight, #2))
4. The whole Icarus-flying-too-near-the-sun-and-plummeting-out-of-the-sky thing? That's real. Same with the Sirens who lure you to death with their irresistible song, and the odalisque so beautiful anyone who looks at her dies. And remember: as badass as Grendel was, Beowulf hadn't seen anything until he went up against Grendel's mother. I know, I know - I thought they were just myths too. But the fact is, sometimes, if you don't want to meet a tragic end, your only option is to avert your gaze, tie yourself to the mast with cotton in your ears, or ascend a little less close to the Vault of Heaven.
Todd Hanson (Things I've Learned from Women Who've Dumped Me)
Crayfish,” I said. I dumped out a tin of water. “Really?” I nodded. “Big ones?” “Not these. You can find them, though.” “Can I see?” She dropped down off the bank just like a boy would, not sitting first, just putting her left hand to the ground and vaulting the three-foot drop to the first big stone in the line that led zigzag across the water. She studied the line a moment and then crossed to the Rock. I was impressed. She had no hesitation and her balance was perfect. I made room for her. There was suddenly this fine clean smell sitting next to me. Her eyes were green. She looked around. To all of us back then the Rock was something special. It sat smack in the middle of the deepest part of the brook, the water running clear and fast around it.
Jack Ketchum (The Girl Next Door)
It seems like I've only shut my eyes for a few minutes, but when I open them, I flinch at the sight of Haymitch sitting a couple of feet from my bed. Waiting. Possibly for several hours if the clck is right. I think about hollering for a witness, but I'm going to have to face him sooner or later. Haymitch leans forward and dangles something on a thin white wire in front of my nose. It's hard to focus on, but I'm pretty sur what it is. He drops it in to the sheets. "That is your earpiece. I will give you exactly one more chance to wear it. If you remove it from your ear again, I'll have you fitted with this." He holds up some sort of metal headgear that I instantly name the head shackle. "It's alternative audio unit that locks around your skull and under your chin until it's opened with a key. And I'll have the only key. If for some reason you're clever enough to disable it" ---- Haymitch dumps the head shackle on the bed and whips out a tiny silver chip--- "I'll authorize them to surgically implant this transmitter into your ear so that I may speak to you twenty-four hours a day." Haymitch in my head full-time. Horrifying. "I'll keep the earpiece in," I mutter "Excuse me?" He says "I'll keep the earpiece in!" I say loud enough to wake half the hospital. "You sure? Because I'm equally happy with any of the three options," he tells me "I'm sure," I say. I scrunch up the earpiece protectivley in my fist and fling the head shakle back in his face with my free hand, but he catches it easily. Probably was expecting me to throw it. "Anything else?" Haymitch rises to go. "While I was waiting. . . I ate your lunch." My eyes take in the empty stew bowl and tray on my bed table. "I'm going to report you," I mumble into my pillow. "You do that sweetheart." He goes out, safe in the knowledge that I'm not the reporting kind.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Here, let me do it,” Peter says, coming up close behind me. I jerk away from him. “No no, I’ll do it,” I say, and he shakes his head and tries to take the measuring cup from me, but I won’t let go, and flour poufs out of the cup and into the air. It dusts us both. Peter starts cracking up and I let out an outraged shriek. “Peter!” He’s laughing too hard to speak. I cross my arms. “I’d better still have enough flour.” “You look like a grandma,” he says, still laughing. “Well, you look like a grandpa,” I counter. I dump the flour in my mixing bowl back into the flour canister. “Actually, you’re really a lot like my granny,” Peter says. “You hate cussing. You like to bake. You stay at home on Friday nights. Wow, I’m dating my granny. Gross.” I start measuring again. One, two. “I don’t stay home every Friday night.” Three. “I’ve never seen you out. You don’t go to parties. We used to hang out back in the day. Why’d you stop hanging out?” Four. “I…I don’t know. Middle school was different.” What does he want me to say? That Genevieve decided I wasn’t cool enough so I got left behind? Why is he so clueless? “I always wondered why you stopped hanging out with us.” Was I on five or six? “Peter! You made me lose my count again!” “I have that effect on women.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
If her mind had held even the smallest chance of a future, she would have had no reason to tell me anything at all, whether or not it could send her to prison. But this is what I know about people getting ready to walk off the edges of their own lives: they want someone to know how they got there. Maybe they want to know that when they dissolve into earth and water, that last fragment will be saved, held in some corner of someone's mind; or maybe all they want is is a chance to dump it pulsing and bloody into someone else's hands, so it won't weigh them down on the journey. They want to leave their stories behind. No one in all the world knows that better than I do.
Tana French (Broken Harbour)
Well,the hell with you." She natched up her purse. "The hell with both of you." "We love you, Margo." That stopped her.She whirled back to glare at Kate. "That's a lousy thing to say.Bitch." When Kate grinned,she tried to grin back.Instead she dropped her purse back behind the counter and burst into tears. "Oh,shit." Shocked,Kate leaped forward to gather her close. "Oh,hell.Oh, shit.Lock the door,Laura.I'm sorry, Margo.I'm sorry.Bad plan.I thought you'd just get mad and go tearing off to fix his butt.What did the bastard do to you,honey?I'll fix his butt for you." "He dumped me." Thoroughly ashamed, she sobbed wretchedly on Kate's shoulder. "He hates me.I wish he were dead.I wish I had slept with Claudio." "Wait.Whoa." Firmly, Kate drew he back,while Laura brought over a cup of tea. "Who's Claudio and when didn't you sleep with him?" "He's a friend,just a friend.And I never slept with him." The tears were so hot it felt as though her eyes were on fire. "Especially not when Josh found us in the bedroom." "Uh-oh." Kate rolled her eyes at Laura. "Is it a French farce or a Greek tragedy?You be the judge." "Shut up,Kate.Come on Margo.Let's sit down.This time you tell us everything.
Nora Roberts (Daring to Dream (Dream Trilogy, #1))
I think it should be done over, Buddy. …Please make peace with your wit. It's not going to go away, Buddy. To dump it on your own advice would be as bad and unnatural as dumping your adjectives and your adverbs because Prof. B. wants you to. What does he know about it? What do you really know about your own wit? I've been sitting here tearing up notes to you. I keep starting to say things like 'This one is wonderfully constructed,' and 'The conversation between the two cops is terrific.' So I'm hedging. I'm not sure why. I started to get a little nervous right after you began to read. It sounded like the beginning of something your arch-enemy Bob B. calls a rattling good story. Don't you think he would call this a step in the right direction? Doesn't that worry you? Even what is funny about the woman on the back of the truck doesn't sound like something you think is funny. It sounds much more like something that you think is universally considered funny. I feel gypped. Does that make you mad? You can say our relatedness spoils my judgement. It worries me enough. But I'm also just a reader. Are you a writer or just a writer of rattling good stories. I mind getting a rattling good story from you.
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
Jenks walked around the bench, standing where Ashby could see him. “Hi,” he said. Ashby turned his head. “Hi.” Jenks upturned the tub. The bolts clattered to the floor like heavy rain. “These are several hundred bolts. They are all different shapes and sizes, and Kizzy always keeps them in one communal tub. It drives me crazy.” Ashby blinked. “Why are they on the floor?” “Because we are going to sort them. We are going to sort them into nice, neat little piles. And then we’re going to take those piles and put them in smaller tubs, so that when I need a bolt, I don’t have to go digging.” “I see.” Ashby blinked again. “Why are we doing this?” “Because she jackass dumped them all over the floor, and they have to be cleaned up. And if they have to be cleaned up, we might as well sort them while we’re at it.” Jenks sat down, leaning comfortably against a planter. He began to pick through the bolts. “See, my best friend in the whole galaxy is currently on another ship, holed up in a wall, disarming hackjob explosives. … I want to do something, and it’s driving me…crazy that I can’t. I can’t even smoke because there are Aeluons around. So, fine. I’m going to sort bolts.” He swung his eyes up to Ashby. “And I think anybody who has similar feelings should join me.
Becky Chambers (The Long Way to a Small, Angry Planet (Wayfarers, #1))
Sometimes, I feel discriminated against, but it does not make me angry. It merely astonishes me. How can any deny themselves the pleasure of my company? It's beyond me. But in the main, I feel like a brown bag of miscellany propped against a wall. Against a wall In company with other bags, white, red and yellow. Pour out the contents, and there is discovered a jumble of small, things priceless and worthless. A first water diamond, an empty spool bits of broken glass, lengths of string, a key to a door long since crumbled away, a rusty knife-blade, old shoes saved for a road that never was and never will be, a nail bent under the weight of things too heavy for any nail, a dried flower or two still a little fragrant. in your hand is the brown bag. On the ground before you is the jumble it held so much like the jumble in the bags could they be emptied that all might be dumped in a single heap and the bags refilled without altering the content of any greatly. A bit of colored glass more or less would not matter. Perhaps that is how the Great Stuffer of Bags filled them in the first place, who knows?
Zora Neale Hurston (How it Feels to be Colored Me (American Roots))
He had a point. The planet was being destroyed by manufacturing processes, and what was being manufactured was lousy, by and large. Then Trout made a good point, too. 'Well,' he said, 'I used to be a conservationist. I used to weep and wail about people shooting bald eagles with automatic shotguns from helicopters and all that, but I gave it up. There's a river in Cleveland which is so polluted that it catches fire about once a year. That used to make me sick, but I laugh about it now. When some tanker accidentally dumps its load in the ocean, and kills millions of birds and billions of fish, I say, 'More power to Standard Oil,' or whoever it was that dumped it.' Trout raised his arms in celebration. 'Up your ass with Mobil gas,' he said.
Kurt Vonnegut Jr.
Ha! Listen, this guy walks into a bar, with a shopping bag, right? He sits down, puts the bag on the bar. Something in the bag is moving, and the bartender says ‘Hey, buddy, no animals in here’. You with me, Jones?” “Yah.” “The guy is looking real unhappy, totally down in the dumps, he reaches in the bag. He pulls out a brass lantern, then a small piano, a little stool, and finally a little guy in a tuxedo, about a foot tall. The little guy sits on the stool and starts playing the piano. Playing the piano, right?” “Yah. Got, it.” “Bartender says,” Williams’ grasp on a handhold slipped for a heart-stopping moment before the suit gloves restored their sticky grip. He could see the problem was some sort of fluid leaking from the access hatch above had coated the handhold. He moved his hand to the left to avoid the slippery fluid, and continued climbing down. “Bartender says, ‘That’s amazing, where’d you get him?’ Guy points to the lamp. ‘Magic genie granted me a wish, But he don’t hear so well-’ Before the guy can stop him, the bartender grabs the lamp, rubs it and shouts ‘I want a million bucks!’. POOF! The bar is filled with ducks! Ducks everywhere, under the tables, in the street outside, feathers flying all over the place. The bartender says ‘What the hell?’ So the guy says ‘I told you the genie don’t hear so well. You really think I asked for a twelve inch pianist?
Craig Alanson (Black Ops (Expeditionary Force, #4))
The two-man crew of the patrol boat does not speak English. Rachel exploits this as best she can, while still dumping life jackets in the water. “What? I don’t understand what you’re saying? Do you speak English?” They confirm in their native tongue that they obviously do not. Rachel must be putting on a theatrical display, because the small boat rocks while she talks. “I don’t need these life jackets anymore,” she says, in her thickest Italian accent. “The colors are all wrong for me. I mean, look at this orange. Ew, right?” Galen rolls his eyes. I try not to giggle. “And this green? Hideous!” she continues. The men get more irate when she doesn’t stop littering their domain. “Hey, what the…Don’t touch me! I have a foot injury, you jerk!” Galen and I slink below the surface. “We knew that might happen,” he says.
Anna Banks (Of Triton (The Syrena Legacy, #2))
I awoke from this nightmare into a freezing cold motel room: the heater had broken at some point during the night, and the fan was now blowing icy air into the room. At first I tried to keep warm under the crappy motel bedspread by thinking about the man I loved. At the time he was traveling in Europe, and was thus unreachable. I didn't know it yet, but as I lay there, he was traveling with another woman. Does it matter now? I tried hard to feel his body wrapped tightly around mine. Next I tried to imagine everyone I had ever loved, and everyone who had ever loved me, wrapped around me. I tried to feel that I was the composite of all these people, instead of alone in a shitty motel room with a broken heater somewhere outside of Detroit, a few miles from where Jane's body was dumped thirty-six years ago on a March night just like this one. 'Need each other as much as you can bear,' writes Eileen Myles. 'Everywhere you go in the world.' I felt the wild need for any or all of these people that night. Lying there alone, I began to feel - perhaps even to know - that I did not exist apart from their love and need of me. Of this latter I felt less sure, but it seemed possible, if the equation worked both ways. Falling asleep I thought, 'Maybe this, for me, is the hand of God.
Maggie Nelson (The Red Parts)
Why is it the most unoriginal thing we can say to one another is still the thing we long to hear? 'I love you' is always a quotation. You did not say it first and neither did I, yet when you say it and when I say we speak like savages who have found three words and worship them. It's the cliches that cause the trouble. A precise emotion seeks a precise expression. If what I feel is not precise then should I call it love? It is so terrifying, love, that all I can do is shove it under a dump bin of pink cuddly toys and send myself a greetings card saying 'Congratulations on your engagement.' But I am not engaged I am deeply distracted. I am desperately looking the other way so that love won't see me. I want the diluted version, the happy language, the insignificant gestures. The saggy armchair of cliches. It's all right, millions of bottoms have sat here before me. The springs are well worn, the fabric smelly and familiar. I don't have to be frightened, look, my grandma and grandad did it, he in a stiff collar and club tie, she in white muslin straining a little at the life underneath. They did it, my parents did it, now I will do it won't I, arms outstretched, not to hold you, just to keep my balance, sleepwalking to that armchair. How happy we will be. How happy everyone will be. And they all lived happily ever after.
Jeanette Winterson (Written on the Body)
Speaking of chocolate, what kind of cake are we having for the shower?” “I don’t know.” Sincerely shocked, Peabody jerked around in her seat. “You didn’t get cake?” “I don’t know. Probably.” Because the idea of the shower, what she had to do, hadn’t done, should do, made her stomach jitter, Eve squirmed. “Look, I called the caterer, okay? I did it myself. I didn’t dump it on Roarke, I didn’t ask—God forbid—Summerset to handle it.” “Well, what did you ask for? What’s the theme?” The jitters escalated into a roiling. “What do you mean, theme?” “You don’t have a theme? How can you have a baby shower without a theme?” “Jesus Christ, I need a theme? I don’t even know what that means. I called the caterer. I did my job. I told her it was a baby shower. I told her how many people, more or less. I told her when and where. She started asking me all kinds of questions, which gives me a fucking headache, and I told her not to ask me all kinds of questions or she was fired. Just to do whatever needed doing. Why isn’t that enough?” Peabody’s sigh was long and heartfelt. “Give me the caterer’s info, and I’ll check in with her. Does she do the decorations, too?” “Oh, my God. I need decorations?” “I’m going to help you, Dallas. I’m going to run interference with the caterer. I’m going to come over early on the day and help get it set up.” Eve narrowed her eyes and tried to ignore the joy and relief bubbling in her breast. “And what’s this going to cost me?” “Nothing. I like baby showers.” “You’re a sick, sick woman.
J.D. Robb
For all its outwardly easy Latin charm, Buenos Aires was making me feel sick and upset, so I did take that trip to the great plains where the gaucho epics had been written, and I did manage to eat a couple of the famous asados: the Argentine barbecue fiesta (once summarized by Martin Amis's John Self as 'a sort of triple mixed grill swaddled in steaks') with its slavish propitiation of the sizzling gods of cholesterol. Yet even this was spoiled for me: my hosts did their own slaughtering and the smell of drying blood from the abattoir became too much for some reason (I actually went 'off' steak for a good few years after this trip). Then from the intrepid Robert Cox of the Buenos Aires Herald I learned another jaunty fascist colloquialism: before the South Atlantic dumping method was adopted, the secret cremation of maimed and tortured bodies at the Navy School had been called an asado. In my youth I was quite often accused, and perhaps not unfairly, of being too politicized and of trying to import politics into all discussions. I would reply that it wasn’t my fault if politics kept on invading the private sphere and, in the case of Argentina at any rate, I think I was right. The miasma of the dictatorship pervaded absolutely everything, not excluding the aperitifs and the main course.
Christopher Hitchens (Hitch 22: A Memoir)
One day, soon after her disappearance, an attack of abominable nausea forced me to pull up on the ghost of an old mountain road that now accompanied, now traversed a brand new highway, with its population of asters bathing in the detached warmth of a pale-blue afternoon in late summer. After coughing myself inside out I rested a while on a boulder and then thinking the sweet air might do me good, walked a little way toward a low stone parapet on the precipice side of the highway. Small grasshoppers spurted out of the withered roadside weeds. A very light cloud was opening its arms and moving toward a slightly more substantial one belonging to another, more sluggish, heavenlogged system. As I approached the friendly abyss, I grew aware of a melodious unity of sounds rising like vapor from a small mining town that lay at my feet, in a fold of the valley. One could make out the geometry of the streets between blocks of red and gray roofs, and green puffs of trees, and a serpentine stream, and the rich, ore-like glitter of the city dump, and beyond the town, roads crisscrossing the crazy quilt of dark and pale fields, and behind it all, great timbered mountains. But even brighter than those quietly rejoicing colors - for there are colors and shades that seem to enjoy themselves in good company - both brighter and dreamier to the ear than they were to the eye, was that vapory vibration of accumulated sounds that never ceased for a moment, as it rose to the lip of granite where I stood wiping my foul mouth. And soon I realized that all these sounds were of one nature, that no other sounds but these came from the streets of the transparent town, with the women at home and the men away. Reader! What I heard was but the melody of children at play, nothing but that, and so limpid was the air that within this vapor of blended voices, majestic and minute, remote and magically near, frank and divinely enigmatic - one could hear now and then, as if released, an almost articulate spurt of vivid laughter, or the crack of a bat, or the clatter of a toy wagon, but it was all really too far for the eye to distinguish any movement in the lightly etched streets. I stood listening to that musical vibration from my lofty slope, to those flashes of separate cries with a kind of demure murmur for background, and then I knew that the hopelessly poignant thing was not Lolita's absence from my side, but the absence of her voice from that concord.
Vladimir Nabokov (Lolita)
Fine, fuck it," Clay said, tossing the plate into the yard. The chicken parts bounced nicely, breading themselves with a light coating of sand, ants, and dried grass. "When did chicken become like plutonium anyway, for Christ's sake? You can't let it touch you or it's certain fucking death. And eggs and hamburgers kill you unless you cook them to the consistency of limestone! And if you turn on your fucking cell phone, the plane is going to plunge out of the sky in a ball of flames? And kids can't take a dump anymore but they have to have a helmet and pads on make them look like the Road Warrior. Right? Right? What the fuck happened to the world? When did everything get so goddamn deadly? Huh? I've been going to sea for thirty damned years, and nothing's killed me. I've swum with everything that can bite, sting, or eat you, and I've done every stupid thing at depth that any human can -- and I'm still alive. Fuck, Clair, I was unconscious for an hour underwater less than a week ago, and it didn't kill me. Now you're going to tell me that I'm going to get whacked by a fucking chicken leg? Well, just fuck it then!
Christopher Moore (Fluke: Or, I Know Why the Winged Whale Sings)
He had a point. The planet was being destroyed by manufacturing processes, and what was being manufactured was lousy, by and large. Then Trout made a good point, too. 'Well,' he said, 'I used to be a conservationist. I used to weep and wail about people shooting bald eagles with automatic shotguns from helicopters and all that, but I gave it up. There's a river in Cleveland which is so polluted that it catches fire about once a year. That used to make me sick, but I laugh about it now. When some tanker accidentally dumps its load in the ocean and kills millions of birds and billions of fish, I say, 'More power to Standard Oil' or whoever it was that dumped it.' Trout raised his arms in celebration. 'Up your ass with Mobil gas,' he said... 'I realized,' said Trout, 'that God wasn't any conservationist, so for anybody else to be one was sacrilegious and a waste of time. You ever see one of His volcanoes or tornadoes or tidal waves? Anybody ever tell you about the Ice Ages he arranges for every half-million years? How about Dutch Elm disease? There's a nice conservation measure for you. That's God, not man. Just about the time we got our rivers cleaned up, he'd probably have the whole galaxy go up like a celluloid collar...
Kurt Vonnegut Jr. (Breakfast of Champions)
I probably should say that this is what makes you a good traveler in my opinion, but deep down I really think this is just universal, incontrovertible truth. There is the right way to travel, and the wrong way. And if there is one philanthropic deed that can come from this book, maybe it will be that I teach a few more people how to do it right. So, in short, my list of what makes a good traveler, which I recommend you use when interviewing your next potential trip partner: 1. You are open. You say yes to whatever comes your way, whether it’s shots of a putrid-smelling yak-butter tea or an offer for an Albanian toe-licking. (How else are you going to get the volcano dust off?) You say yes because it is the only way to really experience another place, and let it change you. Which, in my opinion, is the mark of a great trip. 2. You venture to the places where the tourists aren’t, in addition to hitting the “must-sees.” If you are exclusively visiting places where busloads of Chinese are following a woman with a flag and a bullhorn, you’re not doing it. 3. You are easygoing about sleeping/eating/comfort issues. You don’t change rooms three times, you’ll take an overnight bus if you must, you can go without meat in India and without vegan soy gluten-free tempeh butter in Bolivia, and you can shut the hell up about it. 4. You are aware of your travel companions, and of not being contrary to their desires/​needs/​schedules more often than necessary. If you find that you want to do things differently than your companions, you happily tell them to go on without you in a way that does not sound like you’re saying, “This is a test.” 5. You can figure it out. How to read a map, how to order when you can’t read the menu, how to find a bathroom, or a train, or a castle. 6. You know what the trip is going to cost, and can afford it. If you can’t afford the trip, you don’t go. Conversely, if your travel companions can’t afford what you can afford, you are willing to slum it in the name of camaraderie. P.S.: Attractive single people almost exclusively stay at dumps. If you’re looking for them, don’t go posh. 7. You are aware of cultural differences, and go out of your way to blend. You don’t wear booty shorts to the Western Wall on Shabbat. You do hike your bathing suit up your booty on the beach in Brazil. Basically, just be aware to show the culturally correct amount of booty. 8. You behave yourself when dealing with local hotel clerks/​train operators/​tour guides etc. Whether it’s for selfish gain, helping the reputation of Americans traveling abroad, or simply the spreading of good vibes, you will make nice even when faced with cultural frustrations and repeated smug “not possible”s. This was an especially important trait for an American traveling during the George W. years, when the world collectively thought we were all either mentally disabled or bent on world destruction. (One anecdote from that dark time: in Greece, I came back to my table at a café to find that Emma had let a nearby [handsome] Greek stranger pick my camera up off our table. He had then stuck it down the front of his pants for a photo. After he snapped it, he handed the camera back to me and said, “Show that to George Bush.” Which was obviously extra funny because of the word bush.) 9. This last rule is the most important to me: you are able to go with the flow in a spontaneous, non-uptight way if you stumble into something amazing that will bump some plan off the day’s schedule. So you missed the freakin’ waterfall—you got invited to a Bahamian family’s post-Christening barbecue where you danced with three generations of locals in a backyard under flower-strewn balconies. You won. Shut the hell up about the waterfall. Sally
Kristin Newman (What I Was Doing While You Were Breeding)
Where I lived at Pencey, I lived in the Ossenburger Memorial Wing of the new dorms. It was only for juniors and seniors. I was a junior. My roommate was a senior. It was named after this guy Ossenburger that went to Pencey. He made a pot of dough in the undertaking business after he got out of Pencey. What he did, he started these undertaking parlors all over the country that you could get members of your family buried for about five bucks apiece. You should see old Ossenburger. He probably just shoves them in a sack and dumps them in the river. Anyway, he gave Pencey a pile of dough, and they named our wing alter him. The first football game of the year, he came up to school in this big goddam Cadillac, and we all had to stand up in the grandstand and give him a locomotive—that's a cheer. Then, the next morning, in chapel, he made a speech that lasted about ten hours. He started off with about fifty corny jokes, just to show us what a regular guy he was. Very big deal. Then he started telling us how he was never ashamed, when he was in some kind of trouble or something, to get right down his knees and pray to God. He told us we should always pray to God—talk to Him and all—wherever we were. He told us we ought to think of Jesus as our buddy and all. He said he talked to Jesus all the time. Even when he was driving his car. That killed me. I can just see the big phony bastard shifting into first gear and asking Jesus to send him a few more stiffs. The only good part of his speech was right in the middle of it. He was telling us all about what a swell guy he was, what a hotshot and all, then all of a sudden this guy sitting in the row in front of me, Edgar Marsalla, laid this terrific fart. It was a very crude thing to do, in chapel and all, but it was also quite amusing. Old Marsalla. He damn near blew the roof off. Hardly anybody laughed out loud, and old Ossenburger made out like he didn't even hear it, but old Thurmer, the headmaster, was sitting right next to him on the rostrum and all, and you could tell he heard it. Boy, was he sore. He didn't say anything then, but the next night he made us have compulsory study hall in the academic building and he came up and made a speech. He said that the boy that had created the disturbance in chapel wasn't fit to go to Pencey. We tried to get old Marsalla to rip off another one, right while old Thurmer was making his speech, but be wasn't in the right mood.
J.D. Salinger (The Catcher in the Rye)
There is a tendency for people affected by this epidemic to police each other or prescribe what the most important gestures would be for dealing with this experience of loss. I resent that. At the same time, I worry that friends will slowly become professional pallbearers, waiting for each death of their lovers, friends, and neighbors, and polishing their funeral speeches; perfecting their rituals of death rather than a relatively simple ritual of life such as screaming in the streets. I worry because of the urgency of the situations, because of seeing death coming in from the edges of abstraction where those with the luxury of time have cast it. I imagine what it would be like if friends had a demonstration each time a lover or a friend or a stranger died of AIDS. I imagine what it would be like if, each time a lover, friend or stranger died of this disease, their friends, lovers or neighbors would take the dead body and drive with it in a car a hundred miles an hour to washington d.c. and blast through the gates of the white house and come to a screeching halt before the entrance and dump their lifeless form on the front steps. It would be comforting to see those friends, neighbors, lovers and strangers mark time and place and history in such a public way. But, bottom line, this is my own feelings of urgency and need; bottom line, emotionally, even a tiny charcoal scratching done as a gesture to mark a person's response to this epidemic means whole worlds to me if it is hung in public; bottom line, each and every gesture carries a reverberation that is meaningful in its diversity; bottom line, we have to find our own forms of gesture and communication. You can never depend on the mass media to reflect us or our needs or our states of mind; bottom line, with enough gestures we can deafen the satellites and lift the curtains surrounding the control room.
David Wojnarowicz (Close to the Knives: A Memoir of Disintegration)
Galen picking you up for school?" "No, I'm driving myself." Vinegar turns to acid. Sure, it's irritating to take a lukewarm shower when you intended to scald the flesh from your body. But not being able to see Galen today is more disappointing than not having hot water all winter. And I hate it. Spending all of yesterday with him slaughtered my intention of keeping him at a distance. Even if he weren't worthy of his own billboard underwear ad, he's just too likeable. Except for his habit of almost-kissing me. But his obsession with trying to order me around is too cute. Especially the way his mouth gets all pouty when I don't listen. "You two fighting already?" She's fishing, but for what I don't know. Shrugging seems safe until I can figure out what she wants to hear. "Do you fight often?" Shrugging again, I ladle enough oatmeal into my mouth to make talking impossible for at least a minute, which is more than enough time for her to drop it. It doesn't work. After the exaggerated minute, I reach for my glass of milk. "You know, if he ever hit you-" The glass in mid-tilt, I swallow before the milk can escape through my nose. "Mom, he would never hit me!" "I didn't say he would." "Good, because he wouldn't. Ever. What's with you? Do you have to interrogate me about Galen every time you see me?" This time she shrugs. "Seems like the right thing to do. When you have children, you'll understand." "I'm not stupid. If Galen acts up, I'll either dump him or kill him. You have my word." Mom laughs and butters my muffin. "I guess I can't ask for more than that." Accepting the muffin-and the truce-I say, "Nope. Anything more would be unreasonable." "Just remember, I'm watching you like a hawk. Except for right now, because I'm going to bed.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Unhappiness and dissatisfaction with life are common themes in the American culture today. Folks sometimes mistake my meaning when I say, “You have the freedom of choice and the ability to create your best life”, because they all too often rush to drop everything that is weighing them down. They quit the job, ditch the unhappy marriage, cut out negative friends and family, get out of Dodge, etc. I do not advocate such hastiness; in fact, I believe that rash decision-making leads to more problems further down the road. Another unsatisfying job manifests; another unhappy relationship results. These people want a new environment, yet the same negative energy always seems to occupy it. This is because transformation is all about the internal shift, not the external. Any blame placed on outside sources for our unhappiness will forever perpetuate that unhappiness. Pointing the finger is giving away your power of choice and the ability to create our best life. We choose: “That person is making me unhappy” vs. “I make myself happy.” When you are in unhappy times of lack and feelings of separation – great! Sit there and be with it. Find ways to be content with little. Find ways to be happy with your Self. As we reflect on the lives of mystics past and present, it is not the things they possess or the relationships they share that bring them enlightenment – their light is within. The same light can bring us unwavering happiness (joy). Love, Peace, Joy – these three things all come from within and have an unwavering flame – life source – that is not dependent on the conditions of the outside world. This knowing is the power and wisdom that the mystics teach us that we are all capable of achieving. When I say, “You have the freedom of choice and the ability to create your best life”, I am not referring to external conditions; I am referring to the choice you have to look inward and discover the ability to transform the lead of the soul into gold. Transformation is an inner journey of the soul. Why? Because, as we mentioned above, wherever we go, ourselves go with us. Thus, quitting the job, dumping relationships, etc. will not make us happy because we have forgotten the key factor that makes or breaks our happiness: ourselves. When we find, create, and maintain peace, joy, and love within ourselves, we then gain the ability to embrace the external world with the same emotions, perspective, and vibration. This ability is a form of enlightenment. It is the modern man’s enlightenment that transforms an unsatisfying life into one of fulfillment.
Alaric Hutchinson (Living Peace: Essential Teachings For Enriching Life)
and confused if someone does not appreciate their niceness. Others often sense this and avoid giving them feedback not only, effectively blocking the nice person’s emotional growth, but preventing risks from being taken. You never know with a nice person if the relationship would survive a conflict or angry confrontation. This greatly limits the depths of intimacy. And would you really trust a nice person to back you up if confrontation were needed? 3. With nice people you never know where you really stand. The nice person allows others to accidentally oppress him. The “nice” person might be resenting you just for talking to him, because really he is needing to pee. But instead of saying so he stands there nodding and smiling, with legs tightly crossed, pretending to listen. 4. Often people in relationship with nice people turn their irritation toward themselves, because they are puzzled as to how they could be so upset with someone so nice. In intimate relationships this leads to guilt, self-hate and depression. 5. Nice people frequently keep all their anger inside until they find a safe place to dump it. This might be by screaming at a child, blowing up a federal building, or hitting a helpless, dependent mate. (Timothy McVeigh, executed for the Oklahoma City bombing, was described by acquaintances as a very, very nice guy, one who would give you the shirt off his back.) Success in keeping the anger in will often manifest as psychosomatic illnesses, including arthritis, ulcers, back problems, and heart disease. Proper Peachy Parents In my work as a psychotherapist, I have found that those who had peachy keen “Nice Parents” or proper “Rigidly Religious Parents” (as opposed to spiritual parents), are often the most stuck in chronic, lowgrade depression. They have a difficult time accessing or expressing any negative feelings towards their parents. They sometimes say to me “After all my parents did for me, seldom saying a harsh word to me, I would feel terribly guilty complaining. Besides, it would break their hearts.” Psychologist Rollo May suggested that it is less crazy-making to a child to cope with overt withdrawal or harshness than to try to understand the facade of the always-nice parent. When everyone agrees that your parents are so nice and giving, and you still feel dissatisfied, then a child may conclude that there must be something wrong with his or her ability to receive love. -§ Emotionally starving children are easier to control, well fed children don’t need to be. -§ I remember a family of fundamentalists who came to my office to help little Matthew with his anger problem. The parents wanted me to teach little Matthew how to “express his anger nicely.” Now if that is not a formula making someone crazy I do not know what would be. Another woman told me that after her stinking drunk husband tore the house up after a Christmas party, breaking most of the dishes in the kitchen, she meekly told him, “Dear, I think you need a breath mint.” Many families I work with go through great anxiety around the holidays because they are going to be forced to be with each other and are scared of resuming their covert war. They are scared that they might not keep the nice garbage can lid on, and all the rotting resentments and hopeless hurts will be exposed. In the words to the following song, artist David Wilcox explains to his parents why he will not be coming home this Thanksgiving: Covert War by David Wilcox
Kelly Bryson (Don't Be Nice, Be Real)
Remus,” said Hermione tentatively, “is everything all right . . . you know . . . between you and—” “Everything is fine, thank you,” said Lupin pointedly. Hermione turned pink. There was another pause, an awkward and embarrassed one, and then Lupin said, with an air of forcing himself to admit something unpleasant, “Tonks is going to have a baby.” “Oh, how wonderful!” squealed Hermione. “Excellent!” said Ron enthusiastically. “Congratulations,” said Harry. Lupin gave an artificial smile that was more like a grimace, then said, “So . . . do you accept my offer? Will three become four? I cannot believe that Dumbledore would have disapproved, he appointed me your Defense Against the Dark Arts teacher, after all. And I must tell you that I believe that we are facing magic many of us have never encountered or imagined.” Ron and Hermione both looked at Harry. “Just—just to be clear,” he said. “You want to leave Tonks at her parents’ house and come away with us?” “She’ll be perfectly safe there, they’ll look after her,” said Lupin. He spoke with a finality bordering on indifference. “Harry, I’m sure James would have wanted me to stick with you.” “Well,” said Harry slowly, “I’m not. I’m pretty sure my father would have wanted to know why you aren’t sticking with your own kid, actually.” Lupin’s face drained of color. The temperature in the kitchen might have dropped ten degrees. Ron stared around the room as though he had been bidden to memorize it, while Hermione’s eyes swiveled backward and forward from Harry to Lupin. “You don’t understand,” said Lupin at last. “Explain, then,” said Harry. Lupin swallowed. “I—I made a grave mistake in marrying Tonks. I did it against my better judgment and I have regretted it very much ever since.” “I see,” said Harry, “so you’re just going to dump her and the kid and run off with us?” Lupin sprang to his feet: His chair toppled over backward, and he glared at them so fiercely that Harry saw, for the first time ever, the shadow of the wolf upon his human face. “Don’t you understand what I’ve done to my wife and my unborn child? I should never have married her, I’ve made her an outcast!” Lupin kicked aside the chair he had overturned. “You have only ever seen me amongst the Order, or under Dumbledore’s protection at Hogwarts! You don’t know how most of the Wizarding world sees creatures like me! When they know of my affliction, they can barely talk to me! Don’t you see what I’ve done? Even her own family is disgusted by our marriage, what parents want their only daughter to marry a werewolf? And the child—the child—” Lupin actually seized handfuls of his own hair; he looked quite deranged. “My kind don’t usually breed! It will be like me, I am convinced of it—how can I forgive myself, when I knowingly risked passing on my own condition to an innocent child? And if, by some miracle, it is not like me, then it will be better off, a hundred times so, without a father of whom it must always be ashamed!
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
The day wore on.While yet Rycca slept, Dragon did all the things she had said he would do-paced back and forth, contemplated mayhem,and even honed his blade on the whetstone from the stable.All except being oblivious to her,for that he could never manage. But when she awoke,sitting up heavy-lidded, her mouth so full and soft it was all he could do not to crawl back into bed with her,he put aside such pursuits and controlled himself admirably well,so he thought. Yet in the midst of preparing a meal for them from the provisions in the pantry of the lodge,he was stopped by Rycca's hand settling upon his. "Dragon," she said softly, "if you add any more salt to that stew, we will need a barrel of water and more to drink with it." He looked down, saw that she was right, and cursed under his breath. Dumping out the spoiled stew, he started over. They ate late but they did eat.He was quite determined she would do so,and for once she seemed to have a decent appetite. "I'm glad to see your stomach is better," he said as she was finishing. She looked up,startled. "What makes you say that?" "You haven't seemed able to eat regularly of late." "Oh,well,you know...so many changes...travel...all that." He nodded,reached for his goblet, and damn near knocked it over as a sudden thought roared through him. "Rycca?" She rose quickly,gathering up the dishes. His hand lashed out, closing on her wrist. Gently but inexorably, he returned her to her seat. Without taking his eyes from her,he asked, "Is there something you should tell me?" "Something...?" "I ask myself what sort of changes may cause a woman to be afflicted with an uneasy stomach and it occurs to me I've been a damned idiot." "Not so! You could never be that." "Oh,really? How otherwise would I fail to notice that your courses have not come of late? Or is that also due to travel,wife?" "Some women are not all that regular." "Some women do not concern me.You do,Rycca. I swear,if you are with child and have not told me, I will-" She squared her shoulders,lifted her head,and met his eyes hard on. "Will what?" "What? Will what? Does that mean-" "I'm sorry,Dragon." Truly repentant, Rycca sighed deeply. "I was going to tell you.I was just waiting for a calmer time.I didn't want you to worry more." Still grappling with what she had just revealed,he stared at her in astonishment. "You mean worry that my wife and our child are bait for a murderous traitor?" "I know you're angry and you have a right to be.But if I had told you, we wouldn't be here now." "Damn right we wouldn't be!" He got up from the table so abruptly that his chair toppled over and crashed to the floor.Ignoring it,Dragon paced back and forth,glaring at her. Rycca waited,trusting the storm to pass. As she did,she counted silently, curious to see just how long it would take her husband to grasp fully what he had discovered. Nine...ten... "We're going to have a baby." Not long at all. She nodded happily. "Yes,we are, and you're going to be a wonderful father." He walked back to the table,picked her up out of her chair,held her high against his chest,and stared at her. "My God-" Rycca laughed. "You can't possibly be surprised.It's not as though we haven't been doing our best to make this happen." "True,but still it's absolutely incredible." Very gently,she touched his face. "Perhaps we think of miracles wrongly. They're supposed to be extraordinarily rare but in fact they're as commonplace as a bouquet of wildflowers plucked by a warrior...or a woman having a baby." Dragon sat down with her still in his arms and held her very close.He swallowed several times and said nothing. Both could have remained contentedly like that for a long while, but only a few minutes passed before they were interrupted. The raven lit on the sill of the open window just long enough to catch their attention,then she was gone into the bloodred glare of the dying day.
Josie Litton (Come Back to Me (Viking & Saxon, #3))