Mature Girl Quotes

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Young girls are like helpless children in the hands of amorous men, whatever is said to them is true and whatever manipulation on their bodies seems like love to them, sooner or later, they come back to their senses, but the scars are not dead inasmuch as her spoiler lives.
Michael Bassey Johnson (Scars Of Beauty)
Anybody can look at a pretty girl and see a pretty girl. An artist can look at a pretty girl and see the old woman she will become. A better artist can look at an old woman and see the pretty girl that she used to be. But a great artist--a master--and that is what Auguste Rodin was--can look at an old woman, portray her exactly as she is . . . and force the viewer to see the pretty girl she used to be . . . and more than that, he can make anyone with the sensitivity of an armadillo, or even you, see that this lovely young girl is still alive, not old and ugly at all, but simply prisoned inside her ruined body.
Robert A. Heinlein (Stranger in a Strange Land)
The moment you have to recruit people to put another person down, in order to convince someone of your value is the day you dishonor your children, your parents and your God. If someone doesn't see your worth the problem is them, not people outside your relationship.
Shannon L. Alder
I’m not a kid!” she told Shane hotly. “I’m only, like, a year younger than Eve!” “And girls are much more mature.” Eve nodded wisely. “So you’re about ten years older than Shane, then.” “Seriously,” Claire insisted. “I’m not a kid!” “Whatever you say, kid,” Shane said blandly. “Cheer up. Just means you don’t have to put up with me telling you how much sex I didn’t get.” “I’m telling Michael,” Eve warned. “About how much sex I didn’t get? Go ahead.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
Most insensible, corrupt, cheap, disrespectful young girls run after bad, rude, cocky, nonsensical boys, but a mature, educated, thoughtful, virtuos lady opts for a wise, well breed, experienced, humble, modest gentleman.
Michael Bassey Johnson
Once upon a time, there was a naïve and innocent girl who thought she could tame the beast and live happily ever after. But the beast did not want to be tamed, for he was a beast and beasts care not for such things, and the girl died along with her dreams. From childhood's grave sprang a young woman, jaded before her years, who knew that beasts could wear the skins of men, and that evil could exist in sunlight, as well as darkness. Plus ça change, plus c'est la même chose.
Nenia Campbell (Terrorscape (Horrorscape, #3))
We could never understand why the girls cared so much about being mature, or why they felt compelled to compliment each other, but sometimes, after one of us had read a long portion of the diary out loud, we had to fight back the urge to hug one another or tell each other how pretty we were. We felt the imprisonment of being a girl, the way it made your mind active and dreamy, and how you ended up knowing which colors went together. We knew that the girls were our twins, that we allexisted in space like animals with identical skins, and that they knew everything about us though we couldn'y fathom them at all. We knew finally that the girls were really woman in diquise, that they understood love even death, and that our job was merely to create the noise that seemed to fascinate them.
Jeffrey Eugenides (The Virgin Suicides)
Childhood and adulthood were not factors of age but states of mind.
Alex Shakar (The Savage Girl)
Nothing special has happened today; no one can say she was more provoked than usual. It is only that every day one grows a little, every day something is different, so that in the heaping up of days suddenly a thing that was impossible has become possible. This is how a girl becomes a grown woman. Step by step until it is done.
Naomi Alderman (The Power)
The more one knows, the sooner one grows old,” Midnight returned cheerfully.
Katherine Arden (The Girl in the Tower (The Winternight Trilogy, #2))
Boys are two years behind girls in maturity level.
Jennifer Echols (Going Too Far)
There is so much woman in many a girl and too much boy in many a man.
Mokokoma Mokhonoana
I misjudged her, wasn't mature enough to understand how difficult it was for her.
Anne Frank (The Diary of a Young Girl)
Pike is proof that we learn when we’re forced to and maturity is more the result of experience than age,
Penelope Douglas (Birthday Girl)
Zeb was kindergarten teacher--a good one. I always thought it was because he was the same emotional age as his students.
Molly Harper (Nice Girls Don't Have Fangs (Jane Jameson, #1))
I like to think I am confident and secure and mature enough to know Nick loves me without him constantly proving it. I don’t need pathetic dancing monkey scenarios to repeat to my friends, I am content with letting him be himself. I don’t know why women find that so hard.
Gillian Flynn (Gone Girl)
Wine is the refined jewel that only a grown woman will prefer to the sparkling trinkets adored by little girls.
Muriel Barbery (Gourmet Rhapsody)
No amount of age, pride, or maturity could stop me from loving my papa with the heart of a little girl.
Nadine Brandes (Romanov)
The Girl was gone, buried in the past. She never wanted to hear that name again. She was a woman for better for worse. Whatever the future might bring she could face it as a woman, Ned Ridley's woman.
Catherine Cookson (The Girl)
We knew the pain of winter rushing up your skirt, and the ache of keeping your knees together in class, and how drab and infuriating it was to jump rope while the boys played baseball. We could never understand why the girls cared so much about being mature, or why they felt compelled to compliment each other...
Jeffrey Eugenides
And this is Liam," Erin said with leass enthusiasm. "I'm twelve. But I'm mature for my age. In case you felt like dating a younger man." "Mature?" Erin snorted. "You still play with Legos." "Just practicing for my future in engineering." His voice cracked in an unintended squeak. "Mam says one day girls are gonna fall for my intelligence." Liam wiggled those brows toward me. "Better get me while I'm still available.
Jenny B. Jones (There You'll Find Me)
Passing stranger! You do not know how longingly I look upon you, You must be he I was seeking, or she I was seeking, (it comes to me, as of a dream,) I have somewhere surely lived a life of joy with you, All is recall’d as we flit by each other, fluid, affectionate, chaste, matured, You grew up with me, were a boy with me, or a girl with me, I ate with you, and slept with you—your body has become not yours only, nor left my body mine only, You give me the pleasure of your eyes, face, flesh, as we pass—you take of my back, breast, hands, in return, I am not to speak to you—I am to think of you when I sit alone, or wake at night alone, I am to wait—I do not doubt I am to meet you again, I am to see to it that I do not lose you.
Walt Whitman
Life is Not a perpetual climb towards Greatness. For our family, ourselves, and friends, It is but sad Decay, so, Let every girl die after her Hebé (Ἥβη). And every man after his Aristeia(ἀριστεία).
Roman Payne
There's no reason to assume that all men are bad. Not even all the soldiers are monsters.
Mya Robarts (The V Girl: A Coming of Age Story)
The fact of the matter is that young men lack skill and experience and are very likely to approach a girl as though she were a sack of wheat. It is the old man—suave, debonair, maturely charming—who knows exactly what to do and how to do it, and is therefore better at it.
Isaac Asimov (The Sensuous Dirty Old Man)
Ana feels like pushing her neighbour up against the wall and telling him that the locker room where those boys sit telling their stupid jokes end up preserving them like a tin can. It makes them mature more slowly, while some even go rotten inside. And they don’t have any female friends, and there are no women’s teams here, so they learn that hockey only belongs to them, and their coaches teach them that girls only exist for fucking. She wants to point out how all the old men in this town praise them for “fighting” and “not backing down,” but not one single person tells them that when a girl says no, it means NO. And the problem with this town is not only that a boy raped a girl, but that everyone is pretending that he DIDN’T do it. So now all the other boys will think that what he did was okay. Because no one cares.
Fredrik Backman (Beartown (Beartown, #1))
Maturity isn’t something you wrap around you like a coat. Maturity is like the T-shirt you get for walking in a 5K: you can only put it on if you go through the experience first.
Rachel Hollis (Smart Girl (The Girl's #3))
Maturity is more the result of experience than age.
Penelope Douglas (Birthday Girl)
Oh, Kendra, before I forget, Gavin asked me to give you this letter." He held out a gray, speckled envelope. "Happy birthday to you!" Seth exclaimed, his voice full of implications. Kendra tried not to blush as she tucked the envelope away. "Dear Kendra," Seth improvised, "you're the only girl who really gets me, you know, and I think you're very mature for your age--" "What about some cake?" Grandma interrupted, holding the first piece out to Kendra and glaring at Seth.
Brandon Mull
She’s not a girl. She’s been through hurricanes of emotions, she fought the armies of fears, she passed the trickiest life’s trials. She matured like wine through humid darkness, cold and time. She came out fizzy and sweet.
Tatsiana (99 Sketches: A collection of philosophical and inspirational notes (poetry, prose and art))
Sometimes arriving too quickly is detrimental. It is dangerous to arrive without our character mature or intact.
Lisa Bevere (Girls with Swords: How to Carry Your Cross Like a Hero)
I think this conversation was making Grayson uncomfortable, but I couldn’t stop myself. My brain was stuck in a loop because moving forward meant acknowledging that Aiden saw me as a sister, and that was simply unacceptable. “He just hasn’t ever considered the possibility of a relationship between us,” I insisted. “Maybe he hasn’t hit that level of maturity yet. I mean it’s not like he’s ever gone out with anyone else. He never talks about any other girls.” “Maybe he’s gay.
Kelly Oram (The Avery Shaw Experiment (Science Squad, #1))
This was not some pretty little girl, coyly flirtatious, delicately stimulated. This was the mature female of the species, vivid, handsome and strong demanding that all the life within her be matched. Her instinct would detect any hedging, any dishonesty, any less than complete response to her - and then she would be gone for good.
John D. MacDonald (The Quick Red Fox (Travis McGee #4))
We became acquainted with starry skies the girls had gazed at while camping years before, and the boredom of summers traipsing from back yard to front to back again, and even a certain indefinable smell that arose from toilets on rainy nights, which the girls called "sewery." We knew what it felt like to see a boy with his shirt off, and why it made Lux write the name Kevin in purple Magic Marker all over her three-ring binder and even on her bras and panties, and we understood her rage coming home one day to find that Mrs. Lisbon had soaked her things in Clorox, bleaching all the "Kevins" out. We knew the pain of winter wind rushing up your skirt, and the ache of keeping your knees together in class, and how drab and infuriating it was to jump rope while the boys played baseball. We could never understand why the girls cared so much about being mature, or why they felt compelled to compliment each other, but sometimes, after one of us had read a long portion of the diary out loud, we had to fight back the urge to hug one another or to tell each other how pretty we were. We felt the imprisonment of being a girl, the way it made your mind active and dreamy, and how you ended up knowing which colors went together. We knew that the girls were our twins, that we all existed in space like animals with identical skins, and that they knew everything about us though we couldn't fathom them at all. We knew, finally, that the girls were really women in disguise, that they understood love and even death, and that our job was merely to create the noise that seemed to fascinate them.
Jeffrey Eugenides (The Virgin Suicides)
I mean, that was the code, wasn’t it? Single girls and taken guys weren’t allowed to be friends. The leash always got in the way.
Carrie Butler (Strength (Mark of Nexus, #1))
I think... girls have a hard time being interesting. It’s actually easier to be famous, or notorious, than it is to be interesting. In our world, girls climb very well until they hit puberty-sexual maturity-and then they begin to fall out of the tree. They start role-playing instead of thinking, flirting instead of learning. They start admiring how smart the boys are-or how athletic or how handsome-instead of concentrating on their own intelligence.
Sheri S. Tepper (The Family Tree)
Having lost the training and rites that prepare a girl for becoming truly queenly, a mature woman, we have instead beauty-queen contests for five-year-olds.
Bill Plotkin (Nature and the Human Soul: Cultivating Wholeness and Community in a Fragmented World)
It doesn't get any easier. You have to stay close to the people you trust so they can put you back together again.
Girl Meets World
For the inexperienced, however, it is very difficult to distinguish passionate love from mere sex hunger; especially is this the case with well-brought-up girls, who have been taught that they could not possibly like to kiss a man unless they loved him.
Bertrand Russell (Marriage and Morals)
I have leveled with the girls - from Anchorage to Amarillo. I tell them that all marriages are happy It's the living together afterward that's tough. I tell them that a good marriage is not a gift, It's an achievement. that marriage is not for kids It takes guts and maturity. It separates the men from the boys and the women from the girls. I tell them that marriage is tested dily by the ability to compromise. Its survival can depend on being smart enough to know what's worth fighting about. Or making an issue of or even mentioning. Marriage is giving - and more important, it's forgiving. And it is almost always the wife who must do these things. Then, as if that were not enough, she must be willing to forget what she forgave. Often that is the hardest part. Oh, I have leveled all right. If they don't get my message, Buster, It's because they don't want to get it. Rose-colored glasses are never made in bifocals Because nobody wants to red the small print in dreams.
Ann Landers
We knew the pain of winter wind rushing up your skirt, and the ache of keeping your knees together in class, and how drab and infuriating it was to jump rope while the boys played baseball. We could never understand why the girls cared so much about being mature, or why they felt compelled to compliment each other, but sometimes, after one of us had read a long portion of the diary out loud, we had to fight back the urge to hug one another or to tell each other how pretty we were. We felt the imprisonment of being a girl, the way it made your mind active and dreamy, and how you ended up knowing which colors went together. We knew that the girls were our twins, that we all existed in space like animals with identical skins, and that they knew everything about us though we couldn’t fathom them at all. We knew, finally, that the girls were really women in disguise, that they understood love and even death, and that our job was merely to create the noise that seemed to fascinate them.
Jeffrey Eugenides (The Virgin Suicides)
We grow before we even know what growth means. We just know, I see things differently now.
Girl Meets World
What’s so beautiful about girls?” I would implore. And the secret society of adults would reply with a smirk and wink as if I was merely a boy who couldn’t possibly have the mental maturity to comprehend such grown-up concepts as love and bleeding vaginas; “You’ll understand someday, James.
Jake Vander-Ark (The Accidental Siren)
Only a man can see in the face of a woman the girl she was. It is a secret which can be revealed only to a particular man, and, then, only at his insistence. But men have no secrets, except from women, and never grow up in the way women do. It is very much harder, and it takes much longer, for a man to grow up, and he could never do it at all without women. This is a mystery which can terrify and immobilize a woman, and it is always the key to her deepest distress. She must watch and guide, but he must lead, and he will always appear to be giving far more of his real attention to his comrades than he is giving to her. But that noisy, outward openness of men with each other enables them to deal with the silence and secrecy of women, that silence and secrecy which contains the truth of a man, and releases it. I suppose that the root of the resentment—a resentment which hides a bottomless terror—has to do with the fact that a woman is tremendously controlled by what the man’s imagination makes of her—literally, hour by hour, day by day; so she becomes a woman. But a man exists in his own imagination, and can never be at the mercy of a woman’s.—Anyway, in this fucked up time and place, the whole thing becomes ridiculous when you realize that women are supposed to be more imaginative than men. This is an idea dreamed up by men, and it proves exactly the contrary. The truth is that dealing with the reality of men leaves a woman very little time, or need, for imagination. And you can get very fucked up, here, once you take seriously the notion that a man who is not afraid to trust his imagination (which is all that men have ever trusted) if effeminate. It says a lot about this country, because, of course, if all you want to do is make money, the very last thing you need is imagination. Or women, for that matter: or men.
James Baldwin (If Beale Street Could Talk)
For the first time, Jacqueline heard Charisma sound less like an enthusiastic girl and more like a woman whose hard won maturity had cost her dearly
Christina Dodd
Man becomes wiser and more mature through life experience. The same can be said of tea.
Lisa See (The Tea Girl of Hummingbird Lane)
It only makes sense to me when I can get in trouble for it. – Maya
Girl Meets World
Topanga: Do I need to know the middle of the story? Corey: Do you want to be proud of her? Topanga: Yes. Corey: Then, no.
Girl Meets World
By high school, some girls may be mature enough to be sexually active, but my experience is that the more mature and healthy girls avoid sex.
Mary Pipher
By drinking, a boy acts like a man. After drinking, many a man acts like a boy.
Mokokoma Mokhonoana
She tried so hard to be brave, to be fierce as a wolverine and all, but sometimes she felt like she was just a little girl after all.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
Many of the boys and men who are regarded as immature by some females are so deemed merely because they do not want to get married someday … or soon.
Mokokoma Mokhonoana
For seventy-five years I've made ladies dresses. That means that for seventy-five years I have made women happy. For seventy-five years I have made mature women spin around in front of the mirror like young girls. For seventy-five years I have made young girls look in the mirror and for the first time see a woman staring back at them. I have made young men's eyes pop out. I've made old men's eyes pop out. Because the right dress does that. It makes ordinary women feel extraordinary.
Jane L. Rosen (Nine Women, One Dress)
I was grateful to have him to support and steer me, even though he wasn’t particularly good-looking or with a dashing personality, both attributes I’d imagined for a husband before I was mature enough to accept that it was easier to dream than it was to make the dream come true
Bernardine Evaristo (Girl, Woman, Other)
There are botany textbooks that contain pages and pages of growth curves, but it is always the lazy-S-shaped ones that confuse my students the most. Why would a plant decrease in mass just when it is nearing its plateau of maximum productivity? I remind them that this shrinking has proved to be a signal of reproduction. As the green plants reach maturity, some of their nutrients are pulled back and repurposed toward flowers and seeds. Production of the new generation comes at a significant cost to the parent, and you can see it in a cornfield, even from a great distance.
Hope Jahren (Lab Girl)
I can conceive of no Negro native to this country who has not, by the age of puberty, been irreparably scarred by the conditions of his life. All over Harlem, Negro boys and girls are growing into stunted maturity, trying desperately to find a place to stand; and the wonder is not that so many are ruined but that so many survive.
James Baldwin (Notes of a Native Son)
Reiko set the ball on the ground and patted my knee. "Look," she said, "I'm not telling you to stop sleeping with girls. If you're O.K. with that, then it's OK. It's your life after all, it's something you have to decide. All I'm saying is that you shouldn't use yourself up in some unnatural form. Do you see what I'm getting at? It would be such a waste. The years nineteen and twenty are a crucial stage in the maturation of character, and if you allow yourself to become warped when you're that age, it will cause you pain when you're older. It's true. So think carefully. If you want to take care of Naoko, take care of yourself too." I said I would think about it.
Haruki Murakami (Norwegian Wood)
Maggie was ready to drop everyone and everything for him… And I was self-aware enough to know that I was feeling more than a little jealous. Not because I liked Maggie like that or anything. No, it had more to do with my selfish desire to have my girls all to myself. Hey, I never pretended to be overly mature. But at least I can own it.
A. Meredith Walters (Cloud Walking (Find You in the Dark, #1.5))
Being a failed teenager is not a crime, but a predicament and a secret crucible. It is a fun-house mirror where distortion and mystification led to the bitter reflection that sometimes ripens into self knowledge. Time is the only ally of the humiliated teenager, who eventually discovers the golden boy of the senior class is a bloated, bald drunk at the twentieth reunion, and that the homecoming queen married a wife-beater and philanderer and died in a drug rehabilitation center before she was thirty. The prince of acne rallied in college and is now head of neurology, and the homeliest girl blossoms in her twenties, marries the chief financial officer of a national bank, and attends her reunion as president of the Junior League. But since a teenager is denied a crystal ball that will predict the future, there is a forced march quality to this unspeakable rite of passage. It is an unforgivable crime for teenagers not to be able to absolve themselves for being ridiculous creatures at the most hazardous time of their lives.
Pat Conroy (South of Broad)
Nothing in these growth curves tells us what a tree should look like, only what trees have looked like. Every plant must find its own unique path to maturity. There
Hope Jahren (Lab Girl)
There were many stories of girls—brave girls, foolish girls, reckless girls, pretty girls—who went into the woods searching for fortune or adventure, only to encounter a monster. Whether man or beast, the monster served as an allegory for all the things that could befall a girl who strayed from the path. If she were valorous and her heart was pure, the stories said, she could rise above being brought low by hubris. But the stories never talked about the other girls—the ones who never came out of the woods and found themselves an unwilling bride to the venal darkness within those trees. The girls whose virtue was not quite enough to resist the seasoned allure of the wicked villain and who, as a result, found that men, like beasts, could devour the unwary, and that it could feel so good to be consumed.
Nenia Campbell (Escape (Horrorscape, #4))
A woman desires to be a man's last romance, her baby's first love and a person who can live with dignity all her life. As a girl matures to be a woman, her fairy tale imagination gets superseded by her struggle to be a good wife, a good mother and most importantly, a woman of virtue. As victor or vanquished, a woman keeps fighting the sequence of odds and evens throughout her life. Since nature had made women strong, society has very wisely done the reverse to maintain the balance.
Purba Chakraborty (The Hidden Letters...)
The fact is these mature men love the shit out of their second wives. Betty positively rescued them. Before Betty, they were misunderstood. Psychically lonely and imperfectly loved. Before Betty, all they had was cash. Now they have cash and Betty.
Rebecca Dinerstein Knight (Hex)
It was a cruel world though. More than half of all children died before they could reach maturity, thanks to chronic epidemics and malnutrition. People dropped like flies from polio and tuberculosis and smallpox and measles. There probably weren't many people who lived past forty. Women bore so many children, they became toothless old hags by the time they were in their thirties. People often had to resort to violence to survive. Tiny children were forced to do such heavy labor that their bones became deformed, and little girls were forced to become prostitutes on a daily basis. Little boys too, I suspect. Most people led minimal lives in worlds that had nothing to do with richness of perception or spirit. City streets were full of cripples and beggars and criminals. Only a small fraction of the population could gaze at the moon with deep feeling or enjoy a Shakespeare play or listen to the beautiful music of Dowland.
Haruki Murakami (1Q84 (1Q84, #1-3))
A universal truth that most mature women have learned, often the hard way.... When choosing a mate, keep in mind, only nature has the ability to turn sand into pearls. If the relationship isn't happy, healthy, or working, move on... unless of course you prefer sand.
K.E. Garvey
Twenty-five years later, a shy young girl called Lady Diana Spencer became engaged to marry Prince Charles, heir to the throne. I saw several film clips of her arriving at various engagements. Each time when the car stopped, the front nearside door would open, and her bodyguard would step out and open the rear door for Lady Diana. Then he would stand, jaw thrust forward, legs slightly apart, and look coolly around him at the crowds, a mature Jack, still practising the skills he had acquired in childhood, looking after his lady.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
Ohhhhh." A lush-bodied girl in the prime of her physical beauty. In an ivory georgette-crepe sundress with a halter top that gathers her breasts up in soft undulating folds of the fabric. She's standing with bare legs apart on a New York subway grating. Her blond head is thrown rapturously back as an updraft lifts her full, flaring skirt, exposing white cotton panties. White cotton! The ivory-crepe sundress is floating and filmy as magic. The dress is magic. Without the dress the girl would be female meat, raw and exposed. She's not thinking such a thought! Not her. She's an American girl healthy and clean as a Band-Aid. She's never had a soiled or a sulky thought. She's never had a melancholy thought. She's never had a savage thought. She's never had a desperate thought. She's never had an un-American thought. In the papery-thin sundress she's a nurse with tender hands. A nurse with luscious mouth. Sturdy thighs, bountiful breasts, tiny folds of baby fat at her armpits. She's laughing and squealing like a four year-old as another updraft lifts her skirt. Dimpled knees, a dancer's strong legs. This husky healthy girl. The shoulders, arms, breasts belong to a fully mature woman but the face is a girl's face. Shivering in New York City mid-summer as subway steam lifts her skirt like a lover's quickened breath. "Oh! Ohhhhh." It's nighttime in Manhattan, Lexington Avenue at 51st Street. Yet the white-white lights exude the heat of midday. The goddess of love has been standing like this, legs apart, in spike-heeled white sandals so steep and so tight they've permanently disfigured her smallest toes, for hours. She's been squealing and laughing, her mouth aches. There's a gathering pool of darkness at the back of her head like tarry water. Her scalp and her pubis burn from the morning's peroxide applications. The Girl with No Name. The glaring-white lights focus upon her, upon her alone, blond squealing, blond laughter, blond Venus, blond insomnia, blond smooth-shaven legs apart and blond hands fluttering in a futile effort to keep her skirt from lifting to reveal white cotton American-girl panties and the shadow, just the shadow, of the bleached crotch. "Ohhhhhh." Now she's hugging herself beneath her big bountiful breasts. Her eyelids fluttering. Between the legs, you can trust she's clean. She's not a dirty girl, nothing foreign or exotic. She's an American slash in the flesh. That emptiness. Guaranteed. She's been scooped out, drained clean, no scar tissue to interfere with your pleasure, and no odor. Especially no odor. The Girl with No Name, the girl with no memory. She has not lived long and she will not live long.
Joyce Carol Oates (Blonde)
Women and the opportunities to meet them are not at all scarce — far from it. There are plenty of wonderful women out there, more so than any one of us can handle already, with new gorgeous girls maturing every single day, and the opportunities to meet them are more than plentiful as well.
W. Anton (The Manual: What Women Want and How to Give It to Them)
Men will always be at battle,” the little girl said with an uncanny maturity. With her stride unbroken, she continued “Whether that battle is on a battlefield like this one, or on the most difficult battlefield of the heart and mind. It really doesn’t matter all that much, men will battle.
Craig D. Lounsbrough (The Eighth Page: A Christmas Journey)
I’m young and have many hidden qualities; I’m young and strong and living through a big adventure; I’m right in the middle of it and can’t spend all day complaining because it’s impossible to have any fun! I’m blessed with many things: happiness, a cheerful disposition and strength. Every day I feel myself maturing, I feel liberation drawing near, I feel the beauty of nature and the goodness of the people around me. Every day I think what a fascinating and amusing adventure this is! With all that, why should I despair? Yours,
Anne Frank (The Diary of a Young Girl: The Definitive Edition)
Defining yourself in terms of how you rank is always dangerous and ultimately immature. It doesn't matter whether the rank has to do with your grades, your weight or where you finished in the 800 meter race. Becoming a mature adult means, among other things, that you define yourself relative to your own potential, not relative somebody else's standard.
Leonard Sax (Girls on the Edge: The Four Factors Driving the New Crisis for Girls: Sexual Identity, the Cyberbubble, Obsessions, Environmental Toxins)
An ancient man is one who wears his glasses in bed so he can get a better look at the girls he dreams about.” “An ancient man is one who only flirts with young girls at parties so his wife will take him home.” “The beauty of being ancient is that since you are too old to set a bad example, you can start giving good advice.” “Women like the simple things
Osho (Maturity: The Responsibility of Being Oneself)
To begin with, Margot’s a girl, and girls are always more mature than boys.
Anne Frank (The Diary of a Young Girl)
PASSING stranger! you do not know how longingly I look upon you, You must be he I was seeking, or she I was seeking, (it comes to me, as of a dream,) I have somewhere surely lived a life of joy with you, All is recall’d as we flit by each other, fluid, affectionate, chaste, matured, You grew up with me, were a boy with me, or a girl with me, 5 I ate with you, and slept with you—your body has become not yours only, nor left my body mine only, You give me the pleasure of your eyes, face, flesh, as we pass—you take of my beard, breast, hands, in return, I am not to speak to you—I am to think of you when I sit alone, or wake at night alone, I am to wait—I do not doubt I am to meet you again, I am to see to it that I do not lose you.
Walt Whitman (Leaves of Grass)
The “follow your heart” creed certainly isn’t found in the Bible. The Bible actually thinks our hearts have a disease: “the heart is deceitful above all things, and desperately sick; who can understand it?” (Jer. 17:9).
Lindsey Carlson (Growing in Godliness: A Teen Girl's Guide to Maturing in Christ)
Chong said, "Do yourself a favor, Morg. Next time you're staring at a girl's boobs, look up. You'll be shocked to learn it, but there's going to be a face up there. Nose, mouth, eyes. And behind the eyes is an actual person." "Yes, Confucius, I know. Girls are people. Wisom of the ages. Nix is a girl and therefore a person. I know that." "Really?" said Chong as he watched Benny vanish around a corner. "Maybe if you looked her in the eyes, she'd know that you know.
Jonathan Maberry
I know this may be a disappointment for some of you, but I don’t believe there is only one right person for you. I think I fell in love with my wife, Harriet, from the first moment I saw her. Nevertheless, had she decided to marry someone else, I believe I would have met and fallen in love with someone else. I am eternally grateful that this didn’t happen, but I don’t believe she was my one chance at happiness in this life, nor was I hers. Another error you might easily make in dating is expecting to find perfection in the person you are with. The truth is, the only perfect people you might know are those you don’t know very well. Everyone has imperfections. Now, I’m not suggesting you lower your standards and marry someone with whom you can’t be happy. But one of the things I’ve realized as I’ve matured in life is that if someone is willing to accept me—imperfect as I am—then I should be willing to be patient with others’ imperfections as well. Since you won’t find perfection in your partner, and your partner won’t find it in you, your only chance at perfection is in creating perfection together. There are those who do not marry because they feel a lack of “magic” in the relationship. By “magic” I assume they mean sparks of attraction. Falling in love is a wonderful feeling, and I would never counsel you to marry someone you do not love. Nevertheless—and here is another thing that is sometimes hard to accept—that magic sparkle needs continuous polishing. When the magic endures in a relationship, it’s because the couple made it happen, not because it mystically appeared due to some cosmic force. Frankly, it takes work. For any relationship to survive, both parties bring their own magic with them and use that to sustain their love. Although I have said that I do not believe in a one-and-only soul mate for anyone, I do know this: once you commit to being married, your spouse becomes your soul mate, and it is your duty and responsibility to work every day to keep it that way. Once you have committed, the search for a soul mate is over. Our thoughts and actions turn from looking to creating. . . . Now, sisters, be gentle. It’s all right if you turn down requests for dates or proposals for marriage. But please do it gently. And brethren, please start asking! There are too many of our young women who never go on dates. Don’t suppose that certain girls would never go out with you. Sometimes they are wondering why no one asks them out. Just ask, and be prepared to move on if the answer is no. One of the trends we see in some parts of the world is our young people only “hanging out” in large groups rather than dating. While there is nothing wrong with getting together often with others your own age, I don’t know if you can really get to know individuals when you’re always in a group. One of the things you need to learn is how to have a conversation with a member of the opposite sex. A great way to learn this is by being alone with someone—talking without a net, so to speak. Dates don’t have to be—and in most cases shouldn’t be—expensive and over-planned affairs. When my wife and I moved from Germany to Salt Lake City, one of the things that most surprised us was the elaborate and sometimes stressful process young people had developed of asking for and accepting dates. Relax. Find simple ways to be together. One of my favorite things to do when I was young and looking for a date was to walk a young lady home after a Church meeting. Remember, your goal should not be to have a video of your date get a million views on YouTube. The goal is to get to know one individual person and learn how to develop a meaningful relationship with the opposite sex.
Dieter F. Uchtdorf
Girls mature faster than boys, cost more to raise, and statistics show that the old saw about girls not knowing about money and figures is a myth. Girls start to outspend boys before puberty—and they manage to maintain this lead until death or an ugly credit manager, whichever comes first. Males are born with a closed fist. Girls are born with the left hand cramped in a position the size of an American Express card. Whenever a girl sees a sign reading, “Sale, Going Out of Business, Liquidation,” saliva begins to form in her mouth, the palms of her hands perspire and the pituitary gland says, “Go, Mama.” In the male, it is quite a different story. He has a gland that follows a muscle from the right arm down to the base of his billfold pocket. It's called “cheap.” Girls can slam a door louder, beg longer, turn tears on and off like a faucet, and invented the term, “You don't trust me.” So much for “sugar and spice and everything nice” and “snips and snails and puppydog tails.
Erma Bombeck (Motherhood: The Second Oldest Profession)
She’s twenty-one and just by her hairstyle you can tell she’s saving IT for the man she will marry. It’s short at the sides and high on top, with a sideburn-length curl in front each ear. Look around you next time you’re out strolling, there’s hordes of them like her. They all wore braces when they were kids, played a lot of sports, were considered tom-boys, spent endless hours worrying about pimples, black-heads and acne, and wanted only one thing out of life-- get married and be a loving motherto both their children and their husband. In the meantime, they work at meaningful jobs like teaching and nursing until the Right Man comes along. They’re the reason Canadian men are amongst the most neurotic, childish and apathetic males on the Western continent. They need the challenge of a mature woman in order to bring out their maturity, and instead they’re offered mamas. Yet it isn’t the girls’ fault. After all they’re only being what men want them to be, what they think men want them to be. And vice-versa. Both sexes being what they think the other wants them to be and neither one really knowing because they’ve never asked their opposite what they would like, and this total absence of communication being the root cause of this great void between modern man and woman
Juan Antonio Butler (The Garbageman)
So Anne Knight holds up her placard, and fixes the dubious observer with her pale unblinking eyes. "Woman has the capacity for instructing man," she wrote, and her toils "have strengthened her mind and matured her judgement till she is now superior to man...
Sarah Perry (Essex Girls: For Profane and Opinionated Women Everywhere)
In the middle of Lisa’s eighth-grade year, her teachers called Jobs. There were serious problems, and it was probably best for her to move out of her mother’s house. So Jobs went on a walk with Lisa, asked about the situation, and offered to let her move in with him. She was a mature girl, just turning fourteen, and she thought about it for two days. Then she said yes. She already knew which room she wanted: the one right next to her father’s. When she was there once, with no one home, she had tested it out by lying down on the bare floor.
Walter Isaacson (Steve Jobs)
An example of the Peter Pan syndrome is used in Aldous Huxley's 1962 novel Island. In it, one of the characters talks about male "dangerous delinquents" and "power-loving troublemakers" who are "Peter Pans". These types of males were "boys who can't read, won't learn, don't get on with anyone, and finally turn to the more violent forms of delinquency." He uses Adolf Hitler as an archetype of this phenomenon:[15] A Peter Pan if ever there was one. Hopeless at school. Incapable either of competing or co- operating. Envying all the normally successful boys—and, because he envied, hating them and, to make himself feel better, despising them as inferior beings. Then came the time for puberty. But Adolf was sexually backward. Other boys made advances to girls, and the girls responded. Adolf was too shy, too uncertain of his manhood. And all the time incapable of steady work, at home only in the compensatory Other World of his fancy. There, at the very least, he was Michelangelo. Here, unfortunately, he couldn't draw. His only gifts were hatred, low cunning, a set of indefatigable vocal cords and a talent for nonstop talking at the top of his voice from the depths of his Peter-Panic paranoia. Thirty or forty million deaths and heaven knows how many billions of dollars—that was the price the world had to pay for little Adolf's retarded maturation.
Aldous Huxley
There, too, she would sit for hours gazing seawards. No tiniest speck of sail that crossed the waters could escape her watchful eyes, and as she watched she dreamed that some day one of these distant sails should bear down towards her, and one should come, in whose hand she would lay her own, and they two would flee to the far East. But as the changeless years went by and brought him not, the girl grew sullen, and a sense of wrong possessed her, for the older she grew, the clearer became her consciousness of a world beyond her, and the greater her longing to seek it. ("The Serpent's Head")
Emilia Francis Strong Dilke (Gaslit Nightmares: Stories by Robert W. Chambers, Charles Dickens, Richard Marsh, and Others)
Nick and I, we sometimes laugh, laugh out loud, at the horrible things women make their husbands do to prove their love. The pointless tasks, the myriad sacrifices, the endless small surrenders. We call these men the dancing monkeys. Nick will come home, sweaty and salty and beer-loose from a day at the ballpark,and I’ll curl up in his lap, ask him about the game, ask him if his friend Jack had a good time, and he’ll say, ‘Oh, he came down with a case of the dancing monkeys – poor Jennifer was having a “real stressful week” and really needed him at home.’ Or his buddy at work, who can’t go out for drinks because his girlfriend really needs him to stop by some bistro where she is having dinner with a friend from out of town. So they can finally meet. And so she can show how obedient her monkey is: He comes when I call, and look how well groomed! Wear this, don’t wear that. Do this chore now and do this chore when you get a chance and by that I mean now. And definitely, definitely, give up the things you love for me, so I will have proof that you love me best. It’s the female pissing contest – as we swan around our book clubs and our cocktail hours, there are few things women love more than being able to detail the sacrifices our men make for us. A call-and-response, the response being: ‘Ohhh, that’s so sweet.’ I am happy not to be in that club. I don’t partake, I don’t get off on emotional coercion, on forcing Nick to play some happy-hubby role – the shrugging, cheerful, dutiful taking out the trash, honey! role. Every wife’s dream man, the counterpoint to every man’s fantasy of the sweet, hot, laid-back woman who loves sex and a stiff drink. I like to think I am confident and secure and mature enough to know Nick loves me without him constantly proving it. I don’t need pathetic dancing-monkey scenarios to repeat to my friends, I am content with letting him be himself. I don’t know why women find that so hard.
Gillian Flynn (Gone Girl)
And what had Mary said when these fervent protestations of an undying love had been thrown at her feet? Mary, it must be remembered, was very nearly of the same age as Frank; but, as I and others have so often said before, "Women grow on the sunny side of the wall." Though Frank was only a boy, it behoved Mary to be something more than a girl. Frank might be allowed, without laying himself open to much just reproach, to throw all of what he believed to be his heart into a protestation of what he believed to be love; but Mary was in duty bound to be more thoughtful, more reticent, more aware of the facts of their position, more careful of her own feelings, and more careful also of his.
Anthony Trollope (Doctor Thorne (Chronicles of Barsetshire, #3))
PASSING stranger! you do not know how longingly I look upon you, You must be he I was seeking, or she I was seeking, (it comes to me, as of a dream,) I have somewhere surely lived a life of joy with you, All is recall’d as we flit by each other, fluid, affectionate, chaste, matured, You grew up with me, were a boy with me, or a girl with me, I ate with you, and slept with you—your body has become not yours only, nor left my body mine only, You give me the pleasure of your eyes, face, flesh, as we pass—you take of my beard, breast, hands, in return, I am not to speak to you—I am to think of you when I sit alone, or wake at night alone, I am to wait—I do not doubt I am to meet you again, I am to see to it that I do not lose you.
Walt Whitman (Leaves of Grass)
There is one in this tribe too often miserable - a child bereaved of both parents. None cares for this child: she is fed sometimes, but oftener forgotten: a hut rarely receives her: the hollow tree and chill cavern are her home. Forsaken, lost, and wandering, she lives more with the wild beast and bird than with her own kind. Hunger and cold are her comrades: sadness hovers over, and solitude besets her round. Unheeded and unvalued, she should die: but she both lives and grows: the green wilderness nurses her, and becomes to her a mother: feeds her on juicy berry, on saccharine root and nut. There is something in the air of this clime which fosters life kindly: there must be something, too, in its dews, which heals with sovereign balm. Its gentle seasons exaggerate no passion, no sense; its temperature tends to harmony; its breezes, you would say, bring down from heaven the germ of pure thought, and purer feeling. Not grotesquely fantastic are the forms of cliff and foliage; not violently vivid the colouring of flower and bird: in all the grandeur of these forests there is repose; in all their freshness there is tenderness. The gentle charm vouchsafed to flower and tree, - bestowed on deer and dove, - has not been denied to the human nursling. All solitary, she has sprung up straight and graceful. Nature cast her features in a fine mould; they have matured in their pure, accurate first lines, unaltered by the shocks of disease. No fierce dry blast has dealt rudely with the surface of her frame; no burning sun has crisped or withered her tresses: her form gleams ivory-white through the trees; her hair flows plenteous, long, and glossy; her eyes, not dazzled by vertical fires, beam in the shade large and open, and full and dewy: above those eyes, when the breeze bares her forehead, shines an expanse fair and ample, - a clear, candid page, whereon knowledge, should knowledge ever come, might write a golden record. You see in the desolate young savage nothing vicious or vacant; she haunts the wood harmless and thoughtful: though of what one so untaught can think, it is not easy to divine. On the evening of one summer day, before the Flood, being utterly alone - for she had lost all trace of her tribe, who had wandered leagues away, she knew not where, - she went up from the vale, to watch Day take leave and Night arrive. A crag, overspread by a tree, was her station: the oak-roots, turfed and mossed, gave a seat: the oak-boughs, thick-leaved, wove a canopy. Slow and grand the Day withdrew, passing in purple fire, and parting to the farewell of a wild, low chorus from the woodlands. Then Night entered, quiet as death: the wind fell, the birds ceased singing. Now every nest held happy mates, and hart and hind slumbered blissfully safe in their lair. The girl sat, her body still, her soul astir; occupied, however, rather in feeling than in thinking, - in wishing, than hoping, - in imagining, than projecting. She felt the world, the sky, the night, boundlessly mighty. Of all things, herself seemed to herself the centre, - a small, forgotten atom of life, a spark of soul, emitted inadvertent from the great creative source, and now burning unmarked to waste in the heart of a black hollow. She asked, was she thus to burn out and perish, her living light doing no good, never seen, never needed, - a star in an else starless firmament, - which nor shepherd, nor wanderer, nor sage, nor priest, tracked as a guide, or read as a prophecy? Could this be, she demanded, when the flame of her intelligence burned so vivid; when her life beat so true, and real, and potent; when something within her stirred disquieted, and restlessly asserted a God-given strength, for which it insisted she should find exercise?
Charlotte Brontë (Shirley)
All I can do is pray to God to bring her back to us. I saw Hanneli, and no one else, and I understood why. I misjudged her, wasn’t mature enough to understand how difficult it was for her. She was devoted to her girlfriend, and it must have seemed as though I were trying to take her away. The poor thing, she must have felt awful! I know, because I recognize the feeling in myself! I had an occasional flash of understanding, but then got selfishly wrapped up again in my own problems and pleasures.
Anne Frank (The Diary of a Young Girl)
No?” This was a matter of some interest to Lily; when she and Harold had broken up, they had solemnly vowed to stay friends. And why wouldn’t they? They were both young and resilient and had had their hearts broken two or three times already. But soon he’d taken up with a new girl—an accounting major, please!—who’d forbidden him ever to speak to Lily again. This she found crushing; she had very much wanted to stay friends with him, partly because being friends with ex-lovers seemed sophisticated and mature and continental, and partly because it seemed humane, and partly because she harbored a catastrophic fear of losing touch with anyone. It reminded her of death, and she was too easily reminded of death already. Then again, she knew that she had a more acute sense of the passage of time in general—and the swiftness of life, in particular—because of her dead sister, or almost-sister, or whatever. So she’d learned to forgive people their shortsightedness, and be happy for them that they’d lived the kinds of lives that would allow it.
Jennifer duBois (Cartwheel)
I will begin by writing a sentence about cutting. I will begin by writing a sentence about silence. I will continue by writing a sentence about cutting. I will proceed to ask the question about cutting. I will proceed from this point without euphemism. The question is about the clitoris. I call my cousins in turn. I ask the question about the clitoris. I will begin by writing a sentence about the clitoris. I will begin with the assumption that we each continue to have a clitoris. False. We do not talk about this. I will begin with speculation about our mothers, that each continues to have a clitoris. False. We are never to ask. In the silence, my youngest cousin asks if our grandmothers were cut. We were meant to proceed without euphemism. The Arabic, however, does not allow it. The Arabic, cut by euphemism. We do not use the word cut. The word we use, left intact, is purified. I will ask. I will begin. I was born & allowed to mature uncut. I was born with a clitoris & remain uncut. I was born unnamed & upon arrival was given my orders. I was born & named for a woman who died. The Arabic here allows for nuance. My name, ours, is not the same as the word we use to mean cut. That word, conjugated, is the name of one of my grandmothers. I will not ask her the question. I am told she does not remember.
Safia Elhillo (Girls That Never Die: Poems)
If it makes you feel any better, he’s been all sad doll lately too.” “What are you talking about, Chels?” Chelsea stopped walking and stared at Violet. “Jay. I’m talking about Jay, Vi. I thought you might want to know that you’re not the only one who’s hurting. He’s been moping around school, making it hard to even look at him. He’s messed up . . . bad.” Just like the other night in Violet’s bedroom, something close to . . . sympathy crossed Chelsea’s face. Violet wasn’t sure how to respond. Fortunately sympathetic Chelsea didn’t stick around for long. She seemed to get a grip on herself, and like a switch had been flipped, the awkward moment was over and her friend was back, Chelsea-style: “I swear, every time I see him, I’m halfway afraid he’s gonna start crying like a girl or ask to borrow a tampon or something. Seriously, Violet, it’s disgusting. Really. Only you can make it stop. Please make it stop.” Violet didn’t want to, but she couldn’t help smiling at the absurd picture that Chelsea painted of Jay. And even though she knew it wasn’t very mature to feel smug at a time like this, especially over the delusional image concocted by her mentally unhinged friend, she couldn’t help herself; she laughed anyway. Still, she didn’t want to talk about it with Chelsea. Not even the kinder, more sensitive Chelsea. “I’m sure he’s fine, Chels. And if he’s not, he’ll get over it.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
Looking back, Colleen and Neal have somewhat different perspectives. . . . She remembers she "was impressed that he seemed to have so much charisma. People were looking to him for answers and just had a great regard for him." Then Neal adds, "So much charisma [that] she turned me down when I first asked her for a date." Fortunately for both, he called again, and this time she said yes. . . . Colleen found herself increasingly drawn to him. She found him "really cute and interesting," even if he did lack just a little social polish. He didn't care for dancing and didn't like small talk, both of which were more important to other people than they were to her. He "was so knowledgeable and such a good speaker, even though he did talk fast. But if you could listen fast you could learn a lot." As Neal came to know her better, he was impressed with her maturity, her sensitivity to other people, and the depth of her spiritual convictions. He began feeling a "spiritual impetus that this was a young woman out of the ordinary." . . . Emma remembered, "Our first introduction to Colleen was when you came home one night and said, 'I've got to see more of that girl. She has some thinking under her hood.'" . . . "I knew I was not dealing with an eighteen-year-old co-ed who was so anxious to please me that I'd have my way when I shouldn't," he said. "We hadn't been married long before I knew I had a kind of Gibraltar--someone who would be tough and strong in the storms of life.
Bruce C. Hafen (A Disciple's Life: The Biography of Neal A. Maxwell)
I’ve kept a tally of the alcohol Ellie’s consumed—three martinis at the dinner reception and four whiskeys neat at the pub. She downs a fifth one like water. “You’re a Viking!” Henry encourages her. “Vikings!!!” Ellie shouts. When the Prince calls the bartender for another, I push my way through the crowd to Henry. “She’s had enough,” I tell him quietly. “She’s fine.” He waves his hand at the air. “She’s just a girl,” I insist. Ellie takes exception, poking my arm with her finger and slurring. “Hey! I resent that. I’m a matter adult. Mattur. Ma-ture.” She tilts her head, gasping. “Oh my God, I just realized that except for one letter, mature and manure are the same word! That’s so weird.” I turn back to Prince Henry. “Like I said . . . more than enough.” He leans across the bar towards Ellie, holding up two fingers. “Ellie, how many fingers do you see?” Ellie squints and strains, until finally she grabs Henry’s hand and holds it still. “Four.” “Brilliant answer!” “Was I right?” Ellie asks hopefully. “No—if you’d gotten it right, I’d be really concerned.” Then he bangs the bar with his palm. “Another round!” That’s when Ellie slides clear off her stool. I catch her before she hits the floor, but just barely. And then I glare at Henry. “Mmm . . . perhaps we have reached our quota for the evening.” He puts his hand on Ellie’s arm, lifting his chin a little as he says, “It’s always important to be able to actually walk out of the pub on our own two feet. Dignity and all that.” Ellie’s head lolls on her neck until she rests it on my shoulder, her puffs of breath brushing my throat. “M’kay
Emma Chase (Royally Endowed (Royally, #3))
What happens when insatiability dominates a person's emotional functioning? The process of maturation is preempted by an obsession or an addiction, in this case for peer connection. Peer contact whets the appetite without nourishing. It titillates without satisfying. The end result of peer contact is usually an urgent desire for more. The more the child gets, the more he craves. The mother of an eight-year-old girl mused, “I don't get it — the more time my daughter spends with her friends, the more demanding she becomes to get together with them. How much time does she really need for social interaction, anyway?” Likewise, the parents of a young adolescent complained that “as soon as our son comes home from camp, he gets on the phone right away to call the kids he's just been with. Yet it's the family he hasn't seen for two weeks.” The obsession with peer contact is always worse after exposure to peers, whether it is at school or in playtimes, sleepovers, class retreats, outings, or camps. If peer contact satiated, times of peer interaction would lead automatically to increased self-generated play, creative solitude, or individual reflection. Many parents confuse this insatiable behavior with a valid need for peer interaction. Over and over I hear some variation of “but my child is absolutely obsessed with getting together with friends. It would be cruel to deprive him.” Actually, it would be more cruel and irresponsible to indulge what so clearly fuels the obsession. The only attachment that children truly need is the kind that nurtures and satisfies them and can bring them to rest. The more demanding the child is, the more he is indicating a runaway obsession. It is not strength that the child manifests but the desperation of a hunger that only increases with more peer contact.
Gabor Maté (Hold On to Your Kids: Why Parents Need to Matter More Than Peers)
Is it true? Could he be right? Back at the room, I change into my flannel nighty and put on thick socks. I don’t even go wash up. I just turn out the lights and crawl into bed. I can’t fall asleep, though. Every time I close my eyes, I see Peter’s face. How dare he say I need to grow up? What does he know about anything? As if he’s so mature! But…is he right about me? Do I only like the boys I can never have? I’ve always known Peter was out of my reach. I’ve always known he didn’t belong to me. But tonight he said he liked me. The thing I’ve been hoping for, he said it. So why didn’t I just tell him I liked him back when I had the chance? Because I do. I like him back. Of course I do. What girl wouldn’t fall for Peter Kavinsky, handsomest boy of all the Handsome Boys. Now that I really know him, I know he’s so much more than that. I don’t want to be afraid anymore. I want to be brave. I want…life to start happening. I want to fall in love and I want a boy to fall in love with me back.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
At this rate, I shall not pity the writers of history any longer. If people like to read their books, it is all very well; but to be at so much trouble in filling great volumes, which, as I used to think, nobody would willingly ever look into, to be laboring only for the torment of little boys and girls, always struck me as a hard fate; and though I know it is all very right and necessary, I have often wondered at the person's courage that could sit down on purpose to do it." "That little boys and girls should be tormented," said Henry, "is what no one at all acquainted with human nature in a civilized state can deny; but in behalf of our most distinguished historians, I must observe that they might well be offended at being supposed to have no higher aim; and that by their method and style they are perfectly well qualified to torment readers of the most advanced reason and mature time of life. I use the verb 'to torment,' as I observed to be your own method, instead of 'to instruct,' supposing them to be now admitted as synonymous.
Jane Austen (Northanger Abbey)
Maggie felt an unexpected pang. She had thought beforehand chiefly at her own deliverance from her teasing hair and teasing remarks about it, and something also of the triumph she should have over her mother and her aunts by this very decided course of action; she didn't want her hair to look pretty,–that was out of the question,–she only wanted people to think her a clever little girl, and not to find fault with her. But now, when Tom began to laugh at her, and say she was like an idiot, the affair had quite a new aspect. She looked in the glass, and still Tom laughed and clapped his hands, and Maggie's cheeks began to pale, and her lips to tremble a little. "Oh, Maggie, you'll have to go down to dinner directly," said Tom. "Oh, my!" ...But Maggie, as she stood crying before the glass, felt it impossible that she should go down to dinner and endure the severe eyes and severe words of her aunts, while Tom and Lucy, and Martha, who waited at table, and perhaps her father and her uncles, would laugh at her; for if Tom had laughed at her, of course every one else would; and if she had only let her hair alone, she could have sat with Tom and Lucy, and had the apricot pudding and the custard! What could she do but sob? She sat as helpless and despairing among her black locks as Ajax among the slaughtered sheep. Very trivial, perhaps, this anguish seems to weather-worn mortals who have to think of Christmas bills, dead loves, and broken friendships; but it was not less bitter to Maggie–perhaps it was even more bitter–than what we are fond of calling antithetically the real troubles of mature life. "Ah, my child, you will have real troubles to fret about by and by," is the consolation we have almost all of us had administered to us in our childhood, and have repeated to other children since we have been grown up. We have all of us sobbed so piteously, standing with tiny bare legs above our little socks, when we lost sight of our mother or nurse in some strange place; but we can no longer recall the poignancy of that moment and weep over it, as we do over the remembered sufferings of five or ten years ago. Every one of those keen moments has left its trace, and lives in us still, but such traces have blent themselves irrecoverably with the firmer texture of our youth and manhood; and so it comes that we can look on at the troubles of our children with a smiling disbelief in the reality of their pain. Is there any one who can recover the experience of his childhood, not merely with a memory of what he did and what happened to him, of what he liked and disliked when he was in frock and trousers, but with an intimate penetration, a revived consciousness of what he felt then, when it was so long from one Midsummer to another; what he felt when his school fellows shut him out of their game because he would pitch the ball wrong out of mere wilfulness; or on a rainy day in the holidays, when he didn't know how to amuse himself, and fell from idleness into mischief, from mischief into defiance, and from defiance into sulkiness; or when his mother absolutely refused to let him have a tailed coat that "half," although every other boy of his age had gone into tails already? Surely if we could recall that early bitterness, and the dim guesses, the strangely perspectiveless conception of life, that gave the bitterness its intensity, we should not pooh-pooh the griefs of our children.
George Eliot (The Mill on the Floss)
Knowledgeable observers report that dating has nearly disappeared from college campuses and among young adults generally. It has been replaced by something called “hanging out.” You young people apparently know what this is, but I will describe it for the benefit of those of us who are middle-aged or older and otherwise uninformed. Hanging out consists of numbers of young men and young women joining together in some group activity. It is very different from dating. For the benefit of some of you who are not middle-aged or older, I also may need to describe what dating is. Unlike hanging out, dating is not a team sport. Dating is pairing off to experience the kind of one-on-one association and temporary commitment that can lead to marriage in some rare and treasured cases. . . . All of this made dating more difficult. And the more elaborate and expensive the date, the fewer the dates. As dates become fewer and more elaborate, this seems to create an expectation that a date implies seriousness or continuing commitment. That expectation discourages dating even more. . . . Simple and more frequent dates allow both men and women to “shop around” in a way that allows extensive evaluation of the prospects. The old-fashioned date was a wonderful way to get acquainted with a member of the opposite sex. It encouraged conversation. It allowed you to see how you treat others and how you are treated in a one-on-one situation. It gave opportunities to learn how to initiate and sustain a mature relationship. None of that happens in hanging out. My single brothers and sisters, follow the simple dating pattern and you don’t need to do your looking through Internet chat rooms or dating services—two alternatives that can be very dangerous or at least unnecessary or ineffective. . . . Men, if you have returned from your mission and you are still following the boy-girl patterns you were counseled to follow when you were 15, it is time for you to grow up. Gather your courage and look for someone to pair off with. Start with a variety of dates with a variety of young women, and when that phase yields a good prospect, proceed to courtship. It’s marriage time. That is what the Lord intends for His young adult sons and daughters. Men have the initiative, and you men should get on with it. If you don’t know what a date is, perhaps this definition will help. I heard it from my 18-year-old granddaughter. A “date” must pass the test of three p’s: (1) planned ahead, (2) paid for, and (3) paired off. Young women, resist too much hanging out, and encourage dates that are simple, inexpensive, and frequent. Don’t make it easy for young men to hang out in a setting where you women provide the food. Don’t subsidize freeloaders. An occasional group activity is OK, but when you see men who make hanging out their primary interaction with the opposite sex, I think you should lock the pantry and bolt the front door. If you do this, you should also hang up a sign, “Will open for individual dates,” or something like that. And, young women, please make it easier for these shy males to ask for a simple, inexpensive date. Part of making it easier is to avoid implying that a date is something very serious. If we are to persuade young men to ask for dates more frequently, we must establish a mutual expectation that to go on a date is not to imply a continuing commitment. Finally, young women, if you turn down a date, be kind. Otherwise you may crush a nervous and shy questioner and destroy him as a potential dater, and that could hurt some other sister. My single young friends, we counsel you to channel your associations with the opposite sex into dating patterns that have the potential to mature into marriage, not hanging-out patterns that only have the prospect to mature into team sports like touch football. Marriage is not a group activity—at least, not until the children come along in goodly numbers.
Dallin H. Oaks
The front door is locked—what’s up with that?” “Logan fixed the lock,” I tell her. Her bright red, heart-shaped mouth smiles. “Good job, Kevin Costner. You should staple the key to Ellie’s forehead, though, or she’ll lose it.” She has names for the other guys too and when her favorite guard, Tommy Sullivan, walks in a few minutes later, Marlow uses his. “Hello, Delicious.” She twirls her honey-colored, bouncy hair around her finger, cocking her hip and tilting her head like a vintage pinup girl. Tommy, the fun-loving super-flirt, winks. “Hello, pretty, underage lass.” Then he nods to Logan and smiles at me. “Lo . . . Good morning, Miss Ellie.” “Hey, Tommy.” Marlow struts forward. “Three months, Tommy. Three months until I’m a legal adult—then I’m going to use you, abuse you and throw you away.” The dark-haired devil grins. “That’s my idea of a good date.” Then he gestures toward the back door. “Now, are we ready for a fun day of learning?” One of the security guys has been walking me to school ever since the public and press lost their minds over Nicholas and Olivia’s still-technically-unconfirmed relationship. They make sure no one messes with me and they drive me in the tinted, bulletproof SUV when it rains—it’s a pretty sweet deal. I grab my ten-thousand-pound messenger bag from the corner. “I can’t believe I didn’t think of this before. Elle—you should have a huge banger here tonight!” says Marlow. Tommy and Logan couldn’t have synced up better if they’d practiced: “No fucking way.” Marlow holds up her hands, palms out. “Did I say banger?” “Huge banger,” Tommy corrects. “No—no fucking way. I meant, we should have a few friends over to . . . hang out. Very few. Very mature. Like . . . almost a study group.” I toy with my necklace and say, “That actually sounds like a good idea.” Throwing a party when your parents are away is a rite-of-high-school passage. And after this summer, Liv will most likely never be away again. It’s now or never. “It’s a terrible idea.” Logan scowls. He looks kinda scary when he scowls. But still hot. Possibly, hotter. Marlow steps forward, her brass balls hanging out and proud. “You can’t stop her—that’s not your job. It’s like when the Bush twins got busted in that bar with fake IDs or Malia was snapped smoking pot at Coachella. Secret Service couldn’t stop them; they just had to make sure they didn’t get killed.” Tommy slips his hands in his pockets, laid back even when he’s being a hardass. “We could call her sister. Even from an ocean away, I’d bet she’d stop her.” “No!” I jump a little. “No, don’t bother Liv. I don’t want her worrying.” “We could board up the fucking doors and windows,” Logan suggests. ’Cause that’s not overkill or anything. I move in front of the two security guards and plead my case. “I get why you’re concerned, okay? But I have this thing—it’s like my motto. I want to suck the lemon.” Tommy’s eyes bulge. “Suck what?” I laugh, shaking my head. Boys are stupid. “You know that saying, ‘When life gives you lemons, make lemonade’?—well, I want to suck the lemon dry.” Neither of them seems particularly impressed. “I want to live every bit of life, experience everything it has to offer, good and bad.” I lift my jeans to show my ankle—and the little lemon I’ve drawn there. “See? When I’m eighteen, I’m going to get this tattooed on for real. As a reminder to live as much and as hard and as awesome as I can—to not take anything for granted. And having my friends over tonight is part of that.” I look back and forth between them. Tommy’s weakening—I can feel it. Logan’s still a brick wall. “It’ll be small. And quiet—I swear. Totally controlled. And besides, you guys will be here with me. What could go wrong?” Everything. Everything goes fucking wrong.
Emma Chase (Royally Endowed (Royally, #3))
Out of regard for me, if for no other reason, he shouldn't have taken the innocence of a young woman under my protection. It's a matter of respect." Kathleen hoisted herself more fully over him, staring down into his blue eyes. "This," she mocked gently, "from a man who seduced me in nearly every room, stairwell and hay-nook of Eversby Priory. Where was your regard for innocence then?" His frown disappeared. "That was different." "Why, may I ask?" Devon flipped her over, reversing their positions neatly and surprising a giggle from her. "Because," he said huskily, "I wanted you so much..." She writhed and laughed as he unfastened her nightgown. "... and as lord of the manor," he continued, proceeding to strip her naked, "I thought it was time to exercise my droit de seigneur." "As if I were some medieval peasant girl?" she asked, shoving him onto his back, and climbing over him. Grabbing his marauding hands, she tried to pin him down with her entire weight. A deep laugh escaped him. "Love, that won't work. You're no heavier than a butterfly." Clearly enjoying their play, he lay unresisting as she gripped his thick wrists more tightly. "A determined butterfly," he conceded. As he stared up at her, his smile faded, and his eyes darkened to intense blue. "I was a selfish bastard," he said softly. "I shouldn't have seduced you." "I was willing," Kathleen pointed out, inwardly surprised by his remorse. He was changing, she thought, rapidly gaining maturity as he shouldered the responsibilities that had been forced on him so unexpectedly. "I would do it differently now. Forgive me." He paused, frowning in self-reproach. "I wasn't raised to be honorable. It's damned difficult to learn." Kathleen slid her hands over his until their fingers interlaced. "There's nothing to forgive, or regret." Devon shook his head, not allowing her to absolve him. "Tell me how to atone." She bent to brush her lips against his. "Love me," she whispered. With great care, Devon rolled until she was caught beneath him. "Always," he said huskily, and possessed her mouth while his hands slid over her body.
Lisa Kleypas (Marrying Winterborne (The Ravenels, #2))