β
I know all those words, but that sentence makes no sense to me.
β
β
Matt Groening
β
Never underestimate the big importance of small things
β
β
Matt Haig (The Midnight Library)
β
The only way to learn is to live.
β
β
Matt Haig (The Midnight Library)
β
As Thoreau wrote, βItβs not what you look at that matters, itβs what you see.
β
β
Matt Haig (The Midnight Library)
β
A person was like a city. You couldn't let a few less desirable parts put you off the whole. There may be bits you don't like, a few dodgy side streets and suburbs, but the good stuff makes it worthwhile.
β
β
Matt Haig (The Midnight Library)
β
Come on, Rory! It isn't rocket science, it's just quantum physics!
-The Doctor (Matt Smith)
β
β
Steven Moffat
β
How to stop time: kiss.
How to travel in time: read.
How to escape time: music.
How to feel time: write.
How to release time: breathe.
β
β
Matt Haig (Reasons to Stay Alive)
β
Of course Iβve gone mad with power! Have you ever tried going mad without power? Itβs boring and no one listens to you!
β Russ Cargill
β
β
Matt Groening
β
There is no standard normal. Normal is subjective. There are seven billion versions of normal on this planet.
β
β
Matt Haig (Reasons to Stay Alive)
β
You donβt have to understand life. You just have to live it.
β
β
Matt Haig (The Midnight Library)
β
Make sure, as often as possible, you are doing something youβd be happy to die doing.
β
β
Matt Haig (The Humans)
β
No one will understand you. It is not, ultimately, that important. What is important is that you understand you.
β
β
Matt Haig (The Humans)
β
If you aim to be something you are not, you will always fail. Aim to be you. Aim to look and act and think like you. Aim to be the truest version of you. Embrace that you-ness. Endorse it. Love it. Work hard at it. And don't give a second thought when people mock it or ridicule it. Most gossip is envy in disguise.
β
β
Matt Haig (The Midnight Library)
β
Youβre overthinking it.β βI have anxiety. I have no other type of thinking available.
β
β
Matt Haig (The Midnight Library)
β
Maybe love is just about finding the person you can be your weird self with.
β
β
Matt Haig (Reasons to Stay Alive)
β
A paradox: The things you donβt need to liveβbooks, art, cinema, wine, and so onβare the things you need to live.
β
β
Matt Haig (The Humans)
β
We only need to be one person.
We only need to feel one existence.
We don't have to do everything in order to be everything, because we are already infinite. While we are alive we always contain a future of multifarious possibility.
β
β
Matt Haig (The Midnight Library)
β
And that sadness is intrinsically part of the fabric of happiness. You canβt have one without the other. Of course, they come in different degrees and quantities. But there is no life where you can be in a state of sheer happiness for ever. And imagining there is just breeds more unhappiness in the life youβre in.
β
β
Matt Haig (The Midnight Library)
β
It is easy to mourn the lives we aren't living. Easy to wish we'd developed other other talents, said yes to different offers. Easy to wish we'd worked harder, loved better, handled our finances more astutely, been more popular, stayed in the band, gone to Australia, said yes to the coffee or done more bloody yoga.
It takes no effort to miss the friends we didn't make and the work we didn't do the people we didn't do and the people we didn't marry and the children we didn't have. It is not difficult to see yourself through the lens of other people, and to wish you were all the different kaleidoscopic versions of you they wanted you to be. It is easy to regret, and keep regretting, ad infinitum, until our time runs out.
But it is not lives we regret not living that are the real problem. It is the regret itself. It's the regret that makes us shrivel and wither and feel like our own and other people's worst enemy.
We can't tell if any of those other versions would of been better or worse. Those lives are happening, it is true, but you are happening as well, and that is the happening we have to focus on.
β
β
Matt Haig (The Midnight Library)
β
Between life and death there is a library, and within that library, the shelves go on forever. Every book provides a chance to try another life you could have lived. To see how things would be if you had made other choices⦠Would you have done anything different, if you had the chance to undo your regrets?
β
β
Matt Haig (The Midnight Library)
β
Wherever you are, at any moment, try and find something beautiful. A face, a line out of a poem, the clouds out of a window, some graffiti, a wind farm. Beauty cleans the mind.
β
β
Matt Haig (Reasons to Stay Alive)
β
Sometimes just to say your own truth out loud is enough to find others like you.
β
β
Matt Haig (The Midnight Library)
β
I am and always will be the optimist, the hoper of far-flung hopes and the dreamer of improblable dreams.
β
β
Matt Smith
β
Love is a snowmobile racing across the tundra and then suddenly it flips over, pinning you underneath. At night, the ice weasels come.
β
β
Matt Groening (The Big Book of Hell)
β
And most of all, books. They were, in and of themselves, reasons to stay alive. Every book written is the product of a human mind in a particular state. Add all the books together and you get the end sum of humanity. Every time I read a great book I felt I was reading a kind of map, a treasure map, and the treasure I was being directed to was in actual fact myself.
β
β
Matt Haig (Reasons to Stay Alive)
β
I am you and you are me. We are alone, but not alone. We are trapped by time, but also infinite. Made of flesh, but also stars.
β
β
Matt Haig (Reasons to Stay Alive)
β
Big flashy things have my name written all over them. Well... not yet, give me time and a crayon.
β
β
Matt Smith
β
Want,β she told her, in a measured tone, βis an interesting word. It means lack. Sometimes if we fill that lack with something else the original want disappears entirely.
β
β
Matt Haig (The Midnight Library)
β
You see, doing one thing differently is very often the same as doing everything differently.
β
β
Matt Haig (The Midnight Library)
β
We are all stories in the end, just make it a good one eh?
β
β
Stephen Moffat
β
THE WORLD IS increasingly designed to depress us. Happiness isnβt very good for the economy. If we were happy with what we had, why would we need more? How do you sell an anti-ageing moisturiser? You make someone worry about ageing. How do you get people to vote for a political party? You make them worry about immigration. How do you get them to buy insurance? By making them worry about everything. How do you get them to have plastic surgery? By highlighting their physical flaws. How do you get them to watch a TV show? By making them worry about missing out. How do you get them to buy a new smartphone? By making them feel like they are being left behind. To be calm becomes a kind of revolutionary act. To be happy with your own non-upgraded existence. To be comfortable with our messy, human selves, would not be good for business.
β
β
Matt Haig (Reasons to Stay Alive)
β
Advice for a human.
81. You can't find happiness looking for the meaning of life. Meaning is only the third most important thing. It comes after loving and being.
82. If you think something is ugly, look harder. Ugliness is just a failure of seeing.
β
β
Matt Haig (The Humans)
β
It is quite a revelation to discover that the place you wanted to escape to is the exact same place you escaped from. That the prison wasn't the place, but the perspective.
β
β
Matt Haig (The Midnight Library)
β
And even if you were a pawn - maybe we all are - then you should remember that a pawn is the most magical piece of all. It might look small and ordinary but it isn't. because a pawn is never just a pawn. A pawn is a queen-in-waiting. All you need to do is find a way to keep moving forward. One square after another. And you can get to the other side and unlock all kinds of power.
β
β
Matt Haig (The Midnight Library)
β
To other people, it sometimes seems like nothing at all. You are walking around with your head on fire and no one can see the flames.
β
β
Matt Haig (Reasons to Stay Alive)
β
Madame Kovarian: The anger of a good man is not a problem. Good men have too many rules.
The Doctor: Good men don't need rules. Today is not the day to find out why I have so many.
β
β
Steven Moffat
β
The single biggest act of bravery or madness anyone can do is the act of change.
β
β
Matt Haig (The Humans)
β
Reading isnβt important because it helps to get you a job. Itβs important because it gives you room to exist beyond the reality youβre given. It is how humans merge. How minds connect. Dreams. Empathy. Understanding. Escape. Reading is love in action.
β
β
Matt Haig (Notes on a Nervous Planet)
β
All a woman actually wants is to feel special.
β
β
Matt Dunn (The Ex-Boyfriend's Handbook (Ed & Dan, #1))
β
There is this idea that you either read to escape or you read to find yourself.
β
β
Matt Haig (Reasons to Stay Alive)
β
Whenever I see someone reading a book, especially if it is someone I don't expect, I feel civilisation has become a little safer.
β
β
Matt Haig (How to Stop Time)
β
I
Like
The Way
That when you
Tilt
Poems
On their side
They
Look like
Miniature
Cities
From
A long way
Away.
Skyscrapers
Made out
Of
Words.
β
β
Matt Haig (How to Stop Time)
β
The thing that looks the most ordinary might end up being the thing that leads you to victory.
β
β
Matt Haig (The Midnight Library)
β
Regrets donβt leave. They werenβt mosquito bites. They itch for ever.
β
β
Matt Haig (The Midnight Library)
β
In a society governed passively by free markets and free elections, organized greed always defeats disorganized democracy.
β
β
Matt Taibbi (Griftopia: Bubble Machines, Vampire Squids, and the Long Con That Is Breaking America)
β
To alcohol! The cause of... and solution to... all of life's problems
β
β
Matt Groening
β
You only want everything you don't have"
Matt from The vampire diaries
β
β
L.J. Smith (The Struggle (The Vampire Diaries, #2))
β
Sweetheart, when you say Matt's name, you have the same look in your eyes that he'd get whenever he'd say yours.
β
β
Sarah Ockler (Twenty Boy Summer)
β
She realised that you could be as honest as possible in life, but people only see the truth if it is close enough to their reality.
β
β
Matt Haig (The Midnight Library)
β
Depression is also smaller than you. Always, it is smaller than you, even when it feels vast. It operates within you, you do not operate within it. It may be a dark cloud passing across the sky but - if that is the metaphor - you are the sky. You were there before it. And the cloud can't exist without the sky, but the sky can exist without the cloud.
β
β
Matt Haig (Reasons to Stay Alive)
β
River Song: Right then. I have questions, but number one is this - what in the name of sanity have you got on your head?
The Doctor: It's a fez. I wear a fez now. Fezzes are cool.
β
β
Steven Moffat
β
I think, that if the world were a bit more like ComicCon, it would be a better place.
β
β
Matt Smith
β
I love you," Matt said.
I love you, too," Maria replied. "I know that's a sin, and I'll probably go to hell for it."
If I have a soul, I'll go with you," promised Matt.
β
β
Nancy Farmer (The House of the Scorpion (Matteo Alacran, #1))
β
Maybe that's what all lives were, though. Maybe even the most seemingly perfectly intense or worthwhile lives ultimately felt the same. Acres of disappointment and monotony and hurts and rivalries but with flashes of wonder and beauty. Maybe that was the only meaning that mattered. To be the world, witnessing itself.
β
β
Matt Haig (The Midnight Library)
β
If itβs time to go, remember what youβre leaving. Remember the best.
β
β
Steven Moffat (Doctor Who: The Shooting Scripts)
β
It was interesting, she mused to herself, how life sometimes simply gave you a whole new perspective by waiting around long enough for you to see it.
β
β
Matt Haig (The Midnight Library)
β
Humans, as a rule, don't like mad people unless they are good at painting, and only then once they are dead. But the definition of mad, on Earth, seems to be very unclear and inconsistent. What is perfectly sane in one era turns out to be insane in another. The earliest humans walked around naked with no problem. Certain humans, in humid rainforests mainly, still do so. So, we must conclude that madness is sometimes a question of time, and sometimes of postcode.
Basically, the key rule is, if you want to appear sane on Earth you have to be in the right place, wearing the right clothes, saying the right things, and only stepping on the right kind of grass.
β
β
Matt Haig (The Humans)
β
She winced and covered her ears as Eric,onstage, wrestled with his microphone.
"Sorry about that, guys!" he yelled. "All right. I'm Eric, and this is my homeboy Matt on the drums. My first poem is called 'Untitled.'" He screwed up his face as if in pain, and wailed into the mike. "Come my faux juggernaut, my nefarious loins! Slather every protuberance with arid zeal!"
Simon slid down in his seat. "Please don't tell anyone I know him."
Clary giggled. "Who uses the word 'loins'?"
"Eric," Simon said grimly. "All his poems have loins in them."
'Turgid is my torment!" Eric wailed. "Agony swells within!"
"You bet it does," Clary said.
β
β
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
β
Music doesn't get in. Music is already in. Music simply uncovers what is there, makes you feel emotions that you didn't necessarily know you had inside you, and runs around waking them all up. A rebirth of sorts.
β
β
Matt Haig (How to Stop Time)
β
Sometimes regrets aren't based on fact at all
β
β
Matt Haig (The Midnight Library)
β
If you are the type of person who thinks too much about stuff then there is nothing lonelier in the world than being surrounded by a load of people on a different wavelength.
β
β
Matt Haig (Reasons to Stay Alive)
β
If getting drunk was how people forgot they were mortal, then hangovers were how they remembered.
β
β
Matt Haig (The Humans)
β
The lonely mind in the busy city yearns for connection because it thinks human-to-human connection is the point of everything. But amid pure nature (or the βtonic of wildnessβ as Thoreau called it) solitude took on a different character. It became in itself a kind of connection. A connection between herself and the world. And between her and herself.
β
β
Matt Haig (The Midnight Library)
β
Mom, I have to go. I think this Matt character is here."
"Are you sure it's him?"
Julie peered into the car as the window lowered. "I see a maniacal-looking guy with brightly-colored candy in one hand, and he's waving a sickle in the other. Oh! He's beckoning me to the car. This must be my ride.
β
β
Jessica Park (Flat-Out Love (Flat-Out Love, #1))
β
People you love never die. That is what Omai had said, all those years ago. And he was right. They don't die. Not completely. They live in your mind, the way they always lived inside you. You keep their light alive. If you remember them well enough, they can still guide you, like the shine of long-extinguished stars could guide ships in unfamiliar waters.
β
β
Matt Haig (How to Stop Time)
β
This was, I would later realise, a planet of things wrapped inside things. Food inside wrappers. Bodies inside clothes. Contempt inside smiles. Everything was hidden away.
β
β
Matt Haig (The Humans)
β
Happy moments can turn into pain, given time.
β
β
Matt Haig (The Midnight Library)
β
The paradox of volcanoes was that they were symbols of destruction but also life. Once the lava slows and cools, it solidifies and then breaks down over time to become soil - rich, fertile soil.
She wasn't a black hole, she decided. She was a volcano. And like a volcano she couldn't run away from herself. She'd have to stay there and tend to that wasteland.
She could plant a forest inside herself.
β
β
Matt Haig (The Midnight Library)
β
Once the storm is over you wonβt remember how you made it through, how you managed to survive. You wonβt even be sure, in fact, whether the storm is really over. But one thing is certain. When you come out of the storm you wonβt be the same person who walked in. Thatβs what this stormβs all about.
β
β
Matt Haig (Reasons to Stay Alive)
β
Life is waiting for you. You might be stuck here for a while, but the world isnβt going anywhere. Hang on in there if you can. Life is always worth it.
β
β
Matt Haig (Reasons to Stay Alive)
β
That's the thing with time, isn't it? It's not all the same. Some days - some years - some decades - are empty. There is nothing to them. It's just flat water. And then you come across a year, or even a day, or an afternoon. And it is everything. It is the whole thing.
β
β
Matt Haig (How to Stop Time)
β
If you think something is ugly, look harder. Ugliness is just a failure of seeing.
β
β
Matt Haig (The Humans)
β
That was how she had felt most of her life.
Caught in the middle. Struggling, flailing, just trying to survive while not knowing which way to go. Which path to commit to without regret.
β
β
Matt Haig (The Midnight Library)
β
So love is about finding the right person to hurt you?β
βPretty much.
β
β
Matt Haig (The Humans)
β
Knowledge is finite. Wonder is infinite.
β
β
Matt Haig (The Humans)
β
You can be a depressive and be happy, just as you can be a sober alcoholic.
β
β
Matt Haig (Reasons to Stay Alive)
β
If you always attach positive emotions to the things you want, and never attach negative emotions to the things you don't, then that which you desire most will invariably come your way.
β
β
Matt D. Miller
β
To talk about memories is to live them a little.
β
β
Matt Haig (How to Stop Time)
β
Everything is going to be all right. Or, if not, everything is going to be, so let's not worry.
β
β
Matt Haig (How to Stop Time)
β
You will one day experience joy that matches this pain. You will cry euphoric tears at the Beach Boys, you will stare down at a babyβs face as she lies asleep in your lap, you will make great friends, you will eat delicious foods you havenβt tried yet, you will be able to look at a view from a high place and not assess the likelihood of dying from falling. There are books you havenβt read yet that will enrich you, films you will watch while eating extra-large buckets of popcorn, and you will dance and laugh and have sex and go for runs by the river and have late-night conversations and laugh until it hurts. Life is waiting for you. You might be stuck here for a while, but the world isnβt going anywhere. Hang on in there if you can. Life is always worth it.
β
β
Matt Haig (Reasons to Stay Alive)
β
Three in the morning is never the time to try and sort out your life.
β
β
Matt Haig (Reasons to Stay Alive)
β
You tried your best and you failed miserably. The lesson is 'never try.'
Homer Simpson
β
β
Matt Groening
β
Of course, we can't visit every place or meet every person or do every job, yet most of what we'd feel in any life is still available. We don't have to play every game to know what winning feels like. We don't have to hear every piece of music in the world to understand music. We don't have to have tried every variety of grape from every vineyard to know the pleasure of wine. Love and laughter and fear and pain are universal currencies. We just have to close our eyes and savour the taste of the drink in front of us and listen to the song as it plays. We are as completely and utterly alive as we are in any other life and have access to the same emotional spectrum.
β
β
Matt Haig (The Midnight Library)
β
Donβt aim for perfection. Evolution, and life, only happen through mistakes.
β
β
Matt Haig (The Humans)
β
Goddammit Donut!
β
β
Matt Dinniman (Dungeon Crawler Carl (Dungeon Crawler Carl, #1))
β
What doesn't kill you very often makes you weaker. What doesn't kill you can leave you limping for the rest of your days. What doesn't kill you can make you scared to leave your house, or even your bedroom, and have you trembling, or mumbling incoherently, or leaning with your head on a window pane, wishing you could return to the time before the thing that didn't kill you.
β
β
Matt Haig (Reasons to Stay Alive)
β
Despite how open, peaceful, and loving you attempt to be, people can only meet you, as deeply as they've met themselves. This is the heart of clarity.
β
β
Matt Kahn
β
Let's not forget The Things They Do To Make Themselves Happy That Actually Make Them Miserable. This is an infinite list. It includes - shopping, watching TV, taking the better job, getting the bigger house, writing a semi-autobiographical novel, educating their young, making their skin look mildly less old and harboring a vague desire to believe there might be a meaning to it all.
β
β
Matt Haig (The Humans)
β
And Meredith and Bonnie, who's going to bend some spoons for us next. I'm going to throw you down a rope⦠that is, unless Bonnie can levitate you out.
β
β
L.J. Smith (The Struggle (The Vampire Diaries, #2))
β
The key is in accepting your thoughts, all of them, even the bad ones. Accept thoughts, but donβt become them. Understand, for instance, that having a sad thought, even having a continual succession of sad thoughts, is not the same as being a sad person. You can walk through a storm and feel the wind but you know you are not the wind.
β
β
Matt Haig (Reasons to Stay Alive)
β
Look at that chessboard we put back in place,β said Mrs Elm softly. βLook at how ordered and safe and peaceful it looks now, before a game starts. Itβs a beautiful thing. But it is boring. It is dead. And yet the moment you make a move on that board, things change. Things begin to get more chaotic. And that chaos builds with every single move you make.β
βItβs an easy game to play,β she told Nora. βBut a hard one to master. Every move you make opens a whole new world of possibilities...In chess, as in life, possibility is the basis of everything. Every hope, every dream, every regret, every moment of living...never underestimate the big importance of small things.
β
β
Matt Haig (The Midnight Library)
β
I understand addiction now. I never did before, you know. How could a man (or a woman) do something so self-destructive, knowing that theyβre hurting not only themselves, but the people they love? It seemed that it would be so incredibly easy for them to just not take that next drink. Just stop. Itβs so simple, really. But as so often happens with me, my arrogance kept me from seeing the truth of the matter.
I see it now though.
Every day, I tell myself it will be the last. Every night, as Iβm falling asleep in his bed, I tell myself that tomorrow Iβll book a flight to Paris, or Hawaii, or maybe New York. It doesnβt matter where I go, as long as itβs not here. I need to get away from Phoenixβaway from himβbefore this goes even one step further.
And then he touches me again, and my convictions disappear like smoke in the wind.
This cannot end well. Thatβs the crux of the matter, Sweets. Iβve been down this road beforeβyou know I haveβand thereβs only heartache at the end. Thereβs no happy ending waiting for me like there was for you and Matt. If I stay here with him, I will become restless and angry. Itβs happening already, and I cannot stop it. Iβm becoming bitter and terribly resentful. Before long, I will be intolerable, and eventually, heβll leave me. But if I do what I have to do, what my very nature compels me to do, and move on, the end is no better. One way or another, heβll be gone. Is it not wiser to end it now, Sweets, before it gets to that point? Is it not better to accept that this happiness I have is destined to self-destruct?
Tomorrow I will leave. Tomorrow I will stop delaying the inevitable. Tomorrow I will quit lying to myself, and to him.
Tomorrow.
What about today, you ask? Today itβs already too late. Heβll be home soon, and I have dinner on the stove, and wine chilling in the fridge. And he will smile at me when he comes through the door, and I will pretend like this fragile, dangerous thing we have created between us can last forever.
Just one last time, Sweets. Just one last fix. Thatβs all I need.
And that is why I now understand addiction.
β
β
Marie Sexton (Strawberries for Dessert (Coda, #4; Strawberries for Dessert, #1))
β
And, just as it only takes a moment to die, it only takes a moment to live. You just close your eyes and let every futile fear slip away. And then, in this new state, free from fear, you ask yourself: who am I? If I could live without doubt what would I do? If I could be kind without the fear of being fucked over? If I could love without fear of being hurt? If I could taste the sweetness of today without thinking of how I will miss that taste tomorrow? If I could not fear the passing of time and the people it will steal? Yes. What would I do? Who would I care for? What battle would I fight? Which paths would I step down? What joys would I allow myself? What internal mysteries would I solve? How, in short, would I live?
β
β
Matt Haig (How to Stop Time)
β
Do you ever think "how did I end up here?" Like you are in a maze and totally lost and it's all your fault because you were the one who made every turn? And you know that there are many routes that could have helped you out, because you hear all the people on the outside of the maze who made it through, and they are laughing and smiling. And sometimes you get a glimpse of them through the hedge. A fleeting shape through the leaves. And they seem so damn happy to have made it and you don't resent them, but you do resent yourself for not having their ability to work it all out. Do you? Or is this maze just for me?
β
β
Matt Haig (The Midnight Library)
β
You have survived everything you have been through, and you will survive this too. Stay for the person you will become. You are more than a bad day, or week, or month, or year, or even a decade. You are a future of multifarious possibility. You are another self at a point in future time looking back in gratitude that this lost and former you held on. Stay.
β
β
Matt Haig (The Comfort Book)
β
When you stay too long in a place, you forget just how big an expanse the world is. You get no sense of the length of those longitudes and latitudes. Just as, she supposed, it is hard to have a sense of the vastness inside any one person. But once you sense that vastness, once something reveals it, hope emerges, whether you want it to or not, and it clings to you as stubbornly as lichen clings to rock.
β
β
Matt Haig (The Midnight Library)
β
Nora had always had a problem accepting herself. From as far back as she could remember, she'd had the sense that she wasn't enough. Her parents who both had their own insecurities, had encouraged that idea.
She imagined, now, what it would be like to accept herself completely. Every mistake she had ever made. Every mark on her body. Every dream she had ever made. Every mark on her body. Every dream she hadn't reached or pain she had felt. Every lust or longing she had suppressed.
She imagined accepting it all. The way she accepted nature. The way she accepted a glacier or a puffin or the breach of a whale.
She imagined seeing herself as just another brilliant freak of nature. Just another sentient animal, trying her best.
And in doing so, she imagined what it was like to be free.
β
β
Matt Haig (The Midnight Library)
β
And I knew the point of love right then.
The point of love was to help you survive.
The point was also to forget meaning. To stop looking and start living. The meaning was to hold the hand of someone you cared about and to live inside the present. Past and future were myths. The past was just the present that had died and the future would never exist anyway, because by the time we got to it the future would have turned into the present. The present was all there was.
β
β
Matt Haig (The Humans)
β
You canβt re-create the first time you promise to love someone or the first time you feel loved by another. You cannot relive the sensation of fear, admiration, self-Βconsciousness, passion, and desire all mixed into one because it never happens twice. You chase it like the first high for the rest of your life. It doesnβt mean you canβt love another or move on; it just means that the one spontaneous moment, the split second that you took the leap, when your heart was racing and your mind was muddled with What ifs?βthat momentβwill never happen the same way again. It will never feel as intense as the first time. At least, thatβs the way I remember it. Thatβs why my mother always said we memorialize our past. Everything seems better in a memory.
β
β
Renee Carlino (Before We Were Strangers)
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If you'll kiss me back," he whispered huskily, brushing his lips along the curve of her jaw, "I'll make it six
million. If you'll go to bed with me tonight," he continued, losing himself in the scent of her perfume and the softness of her skin, "I'll give you the world. But if you'll move in with me," he continued, dragging his mouth across her cheek to the corner of her lips, "I'll do much better than that."
Unable to turn her face farther because his arm was in the way, and unable to turn her body because his body was in the way, Meredith tried to infuse disdain in her voice and simultaneously ignore the arousing touch of his tongue against her ear. "Six million dollars and the whole world!" she said in a slightly shaky voice. "What else could you possibly give me if I move in with you?" "Paradise." Lifting his head, Matt took her chin between his thumb and forefinger and forced her to meet
his gaze. In an aching, solemn voice he said, "I'll give you paradise on a gold platter. Anything you wantβ everything you want. I come with it, of course. It's a package deal." Meredith wallowed audibly, mesmerized by the melting look in his silver eyes and the rich timbre of his deep voice. "We'll be a family," he continued, describing the paradise he was offering while he bent his head to her again. "We'll have children ... I'd like six," he teased, his lips against her temple. "But I'll settle for one. You don't have to decide now." She drew in a ragged breath and Matt decided he'd pushed matters as far as he dared for one night. Straightening abruptly, he chucked her under her chin. "Think about it," he suggested with a grin.
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Judith McNaught (Paradise (Paradise, #1))