Sandbox Quotes

We've searched our database for all the quotes and captions related to Sandbox. Here they are! All 100 of them:

When I was a kid we had a sandbox. It was a quicksand box. I was an only child...eventually.
Steven Wright
I long ago abandoned myself to a blind lust for the written word. Literature is my sandbox. In it I play, build my forts and castles, spend glorious time.
Rabih Alameddine (An Unnecessary Woman)
When my daughter was a toddler, I used to take her to a park not far from our apartment. One day as she was playing in a sandbox, an ice-cream salesman approached us. I purchased her a treat, and when I turned to give it to her, I saw her mouth was full of sand. Where I had intended to put a delicacy, she had put dirt. Did I love her with dirt in her mouth? Absolutely. Was she any less of my daughter with dirt in her mouth? Of course not. Was I going to allow her to keep the dirt in her mouth? No way. I loved her right where she was, but I refused to leave her there. I carried her over to the water fountain and washed out her mouth. Why? Because I love her. God does the same for us. He holds us over the fountain. "Spit out the dirt, honey," our Father urges. "I've got something better for you." And so he cleanses us of filth; immorality, dishonesty, prejudice, bitterness, greed. We don't enjoy the cleansing; sometimes we even opt for the dirt over the ice cream. "I can eat dirt if I want to!" we pout and proclaim. Which is true—we can. But if we do, the loss is ours. God has a better offer.
Max Lucado (Just Like Jesus)
So here were the facts: I felt possessive of her. Not in a romantic sort of way, but in a "hit her over the head, drag her off by the hair, and fuck her" way. Like she was my toy and I was keeping the other boys in the sandbox from playing with her. How sick was that? If she ever heard me admit to that, she would cut off my balls and feed them to me.
Christina Lauren (Beautiful Bastard (Beautiful Bastard, #1))
It’s either this or that. Decide and move forward. You spend so much time playing in your mind, like a sandbox. Everything just slipping through your fingers, nothing solid to hold.
Ottessa Moshfegh (Death in Her Hands)
Ye're na meant for a tepid existence, so maybe 'tis time ta leave da sandbox. Brennus
Amy A. Bartol (Incendiary (The Premonition, #4))
Five things I'd rather do than swatch for my new project 1. Get a spinal tap. 2. Scrub the bathtub after all three of my daughters have come home from "Sandbox day" at the park. 3. Babysit two-year-old triplets while simultaneously diffusing a bomb. 4. Bathe a cat. 5. KNIT MY NEW PROJECT.
Stephanie Pearl-McPhee (Things I Learned From Knitting (whether I wanted to or not))
I long ago abandoned myself to a blind lust for the written word. Literature is my sandbox. In it I play, build my forts and castles, spend glorious time. It is the world outside that box that gives me trouble. I have adapted tamely, though not conventionally, to this visible world so I can retreat without much inconvenience into my inner world of books.
Rabih Alameddine (An Unnecessary Woman)
It's like going out to the desert and screaming and then having little kids throw their sandbox at you. I'm only 24.
Bob Dylan
Transmuting this sandy metaphor, if literature is my sandbox, then the real world is my hourglass—an hourglass that drains grain by grain.
Rabih Alameddine (An Unnecessary Woman)
You spend so much time playing in your mind, like a sandbox. Everything just slipping through your fingers, nothing solid to hold.
Ottessa Moshfegh (Death in Her Hands)
There's a quote of hers [Lucille Ball] that I've always loved: 'I guess I would rather regret the things I've done than to regret the things I've never done.
Carol Burnett (In Such Good Company: Eleven Years of Laughter, Mayhem, and Fun in the Sandbox)
You can’t make people go to your funeral,” Abby said. “They only go if they feel like it.” “They’ll feel like it.” Charlie pulled on a multicolored sock. “I’m gonna be buried in the sandbox next to the monkey bars. They’ll have to go because it’ll be during recess.
Ania Ahlborn (Seed)
Is this really about keeping me safe or about you not wanting to share your sandbox with the others?
Carol Oates (Ember (Ember, #1))
Fan writers call it “playing in someone else’s sandbox” or “borrowing someone’s toys.” I call it “writing.” Opponents call it “stealing”—and I call that bullshit.
Anne Jamison (Fic: Why Fanfiction Is Taking Over the World)
You know how Lucas is. He's the most spoiled toddler in the sandbox, and if he doesn't get his way, he packs up his toys and goes home.
Sierra Dean (Grave Secret (Secret McQueen, #5))
Lisa's friendship was less of a choice than a fact of life. It worked out well - kind of symbiotic, actually. I beat up anyone who messed with her, and she made sure my homework got done. Fair trade, right? Honestly, if not for Lisa's constant nagging, I'd probably still be crouched in our kindergarten sandbox eating glue and playing Neferet demons.
Cecily White (Prophecy Girl (Angel Academy, #1))
See, the trouble with Nietzsche, besides his being a real killjoy, is that he thinks like a spoiled seven-year-old who doesn’t want to share his sandbox toys—” “Sam!
Libba Bray (Lair of Dreams (The Diviners, #2))
have found that building a sandbox around a domineering child, then allowing that child to preside over it, frees the adults to do the real work.
Neal Shusterman (The Toll (Arc of a Scythe, #3))
I wanted to deny him, but that's the terrible power of a diary: it not only calls forth the person you used to be but rubs your nose in him, reminding you that not all change is evolutionary. More often than not, you didn't learn from your mistakes. You didn't get wiser, but simply older, growing from the twenty-five-year-old who got stoned and accidentally peed on his friend Katherine's kitten to the thirty-five-year-old who got drunk and peed in the sandbox at his old elementary school. "The sandbox!" my sister Amy said at the time. "Don't you realize that children have to pee in there?
David Sedaris (Let's Explore Diabetes with Owls: Essays, Etc.)
That’s what happens when you crowd enough folks into the same sandbox: eventually they’re gonna start throwing a fit over who gets what part to play with.
Jacob D. Lochner (The Twenty-Seven Swords - Part One)
Believe it or not, the notions of free will and destiny are not mutually exclusive. Predestination is the universal framework of limits (based on natural physical laws) placed upon us. Free will is our infinite ability to make choices within that framework. Because the universal scale is so great—and most of it constitutes an undiscovered frontier—our choices are only limited by our knowledge, our abilities, and our imagination. To put it simply, the world is such a huge playground sandbox that we will never run out of sand or reach the faraway safety fence of destiny. So go out there and play!
Vera Nazarian (The Perpetual Calendar of Inspiration)
In the earliest years, when you could still drive a Volvo 240 without feeling self-conscious, the collective task in Ramsey Hill was to relearn certain life skills that your own parents had fled to the suburbs specifically to unlearn, like how to interest the local cops in actually doing their job, and how to protect a bike from a highly motivated thief, and when to bother rousting a drunk from your lawn furniture, and how to encourage feral cats to shit in somebody else’s children’s sandbox, and how to determine whether a public school sucked too much to bother trying to fix it.
Jonathan Franzen (Freedom)
I feel calmed and relieved when my husband knocks at my study door in the middle of a fight, puts his arms around me, and says, “I love you. This is stupid. Let’s just drop it.” Like two kids in the sandbox, we’re suddenly light and playful again.
Harriet Lerner (The Dance of Connection: How to Talk to Someone When You're Mad, Hurt, Scared, Frustrated, Insulted, Betrayed, or Desperate)
Some of these stories, it is understood, are not to be passed on to my father, because they would upset him. It is well known that women can deal with this sort of thing better than men can. Men are not to be told anything they might find too painful; the secret depths of human nature, the sordid physicalities, might overwhelm or damage them. For instance, men often faint at the sight of their own blood, to which they are not accustomed. For this reason you should never stand behind one in the line at the Red Cross donor clinic. Men, for some mysterious reason, find life more difficult than women do. (My mother believes this, despite the female bodies, trapped, diseased, disappearing, or abandoned, that litter her stories.) Men must be allowed to play in the sandbox of their choice, as happily as they can, without disturbance; otherwise they get cranky and won't eat their dinners. There are all kinds of things that men are simply not equipped to understand, so why expect it of them? Not everyone shares this believe about men; neverthetheless, it has its uses.
Margaret Atwood (Bluebeard's Egg)
I kind of understood at a young age that I didn’t play well with most other kids in the sandbox.
Chris Bohjalian (Close Your Eyes, Hold Hands)
who they were, or how they worked. That’s how I add my few grains to the sandbox of human knowledge. It’s what I love best about what I do. And there were so many
Geraldine Brooks (People of the Book)
Dabbling in the sandbox gives Rabbit a small headache. Over at the pavilion the rubber thump of Roofball and the click of checkers call to his memory, and the forgotten smell of that narrow plastic ribbon you braid bracelets and whistlechains out of and of glue and of the sweat on the handles on athletic equipment is blown down by a breeze laced with children's murmuring. He feels the truth: the thing that has left his life has left irrevocably; no search would recover it. No flight would reach it. It was here, beneath the town, in these smells and these voices, forever behind him. The fullness ends when we give Nature her ransom, when we make children for her. Then she is through with us, and we become, first inside, and then outside, junk. Flower stalks.
John Updike (Rabbit, Run (Rabbit Angstrom, #1))
I wonder if all mothers feel like this the moment they realize their daughters are growing up- as if it is impossible to believe that the laundry I once folded for her was doll-sized; as if I can still see her dancing in lazy pirouettes along the lip of the sandbox. Wasn't it yesterday that her hand was only as big as the sand dollar she found on the beach? That same hand, the one that's holding a boy's; wasn't it just holding mine, tugging so that I might stop and see the spiderweb, the milkweed pod, any of a thousand moments she wanted me to freeze? Time is an optical illusion- never quite as solid or strong as we think it is. You would assume that, given everything, I saw this coming. But watching Kate watch this boy, I see I have a thousand things to learn.
Jodi Picoult (My Sister’s Keeper)
In his first summers, forsaking all his toys, my son would stand rapt for nearly an hour in his sandbox in the orchard, as doves and redwings came and went on the warm wind, the leaves dancing, the clouds flying…the child was not observing; he was at rest in the very center of the universe, a part of things, unaware of endings and beginning, still in unison with the primordial nature of creation, letting all light and phenomena pour through.
Peter Matthiessen (The Snow Leopard)
So what's your doll's name?" Boo asked me. "Barbie," I said. "All their names are Barbie." "I see," she said. "Well, I'd think that would get boring, everyone having the same name." I thought about this, then said, "Okay, then her name is Sabrina." "Well, that's a very nice name," Boo said. I remember she was baking bread, kneading the dough between her thick fingers. "What does she do?" "Do?" I said. "Yes." She flipped the dough over and started in on it from the other side. "What does she do?" "She goes out with Ken," I said. "And what else?" "She goes to parties," I said slowly. "And shopping." "Oh," Boo said, nodding. "She can't work?" "She doesn't have to work," I said. "Why not?" "Because she's Barbie." "I hate to tell you, Caitlin, but somebody has to make payments on that town house and the Corvette," Boo said cheerfully. "Unless Barbie has a lot of family money." I considered this while I put on Ken's pants. Boo started pushing the dough into a pan, smoothing it with her hand over the top. "You know what I think, Caitlin?" Her voice was soft and nice, the way she always spoke to me. "What?" "I think your Barbie can go shopping, and go out with Ken, and also have a productive and satisfying career of her own." She opened the oven and slid in the bread pan, adjusting its position on the rack. "But what can she do?" My mother didn't work and spent her time cleaning the house and going to PTA. I couldn't imagine Barbie, whose most casual outfit had sequins and go-go boots, doing s.uch things. Boo came over and plopped right down beside me. I always remember her being on my level; she'd sit on the edge of the sandbox, or lie across her bed with me and Cass as we listened to the radio. "Well," she said thoughtfully, picking up Ken and examining his perfect physique. "What do you want to do when you grow up?" I remember this moment so well; I can still see Boo sitting there on the floor, cross- legged, holding my Ken and watching my face as she tried to make me see that between my mother's PTA and Boo's strange ways there was a middle ground that began here with my Barbie, Sab-rina, and led right to me. "Well," I said abruptly, "I want to be in advertising." I have no idea where this came from. "Advertising," Boo repeated, nodding. "Okay. Advertising it is. So Sabrina has to go to work every day, coming up with ideas for commercials and things like that." "She works in an office," I went on. "Sometimes she has to work late." "Sure she does," Boo said. "It's hard to get ahead. Even if you're Barbie." "Because she wants to get promoted," I added. "So she can pay off the town house. And the Corvette." "Very responsible of her," Boo said. "Can she be divorced?" I asked. "And famous for her commercials and ideas?" "She can be anything," Boo told me, and this is what I remember most, her freckled face so solemn, as if she knew she was the first to tell me. "And so can you.
Sarah Dessen (Dreamland)
...but stop thinking what you think I’m thinking because you’re wrong. Pike’s just pissed I won’t go play in his sandbox. Well, my sandbox is full. No room for more than one and he’s already here. -Grace from Tainted (Fey Court Trilogy) Book 2 Release July 2012
Cyndi Goodgame
You will have noticed that I didn’t give this story a pat conclusion, and that’s deliberate. Katherine (my wife and frequent coauthor, K. A. Applegate) and I were among the earliest authors to encounter fan fiction via the internet. We’ve embraced it from the start. And some part of me hopes that fanfic writers will carry this story forward. Don’t ask me what happens to these characters next, because I don’t know. Will Dekka find love, perhaps with Simone? Will Cruz and Armo? How will Sam and Astrid do in this terrifying extension of earlier trauma? Maybe you have some ideas. I built the sandbox; if you want to bring your pails and shovels and play in it, cool. It’s one of the best things about writing for young people: you are my collaborators in imagination. If I leave blanks it’s because I know you’ll fill them.
Michael Grant (Hero (Monster #3))
I did not in fact brush Barbie’s hair. I did once attempt to mummify her, though. Mom convinced me that I did not actually have to remove Barbie’s brains with a hook through her nose, but did allow me to wrap her in toilet paper and bury her in the sandbox. In retrospect, it’s pretty obvious why I turned out the way I did.
T. Kingfisher
Men, for some mysterious reason, find life more difficult than women do. (My mother believes this, despite the female bodies, trapped, diseased, disappearing, or abandoned, thayt litter her stories.) Men must be allowed to play in the sandbox of their choice, as happily as they can, without disturbance; otherwise they get cranky and won't eat their dinners. There are all kinds of things men aren't equipped to understand, so why expect it of them? Not everyone shares this belief about men; nevertheless, it has it's uses.
Margaret Atwood
So I went to sleep thinking of her, of the curve of her back in a light cotton dress, of her hair twisted up into its crown of braids, of her, leaping from the zenith of the plastic swing set and clearing the sandbox, turning a neat lap around the whole of Eastwood, California, while I stood there, trapped in the dreariness of it all, numbly watching.
Robyn Schneider (The Beginning of Everything)
I have found that building a sandbox around a domineering child, then allowing that child to preside over it, frees the adults to do the real work.
Neal Shusterman (The Toll (Arc of a Scythe, #3))
If you ever use me or my horses to win brownie points in your billionaire-baby sandbox, I will bury you there myself. Are we clear?
Elsie Silver (Off to the Races (Gold Rush Ranch, #1))
Painted desert, ocean of color sun's worshiper, moon's lover picture of a coyote's voice sandbox of angels, another toy.
Trine Daely (Life Games)
I have found that building a sandbox around a domineering child, then allowing that child to preside over it, frees the adults to do real work.
Neal Shusterman (The Toll (Arc of a Scythe, #3))
residue from radium extraction looked like seaside sand, and the company had offloaded this industrial waste by selling it to schools and playgrounds to use in their children’s sandboxes;
Kate Moore (The Radium Girls: The Dark Story of America's Shining Women)
The residue from radium extraction looked like seaside sand, and the company had offloaded this industrial waste by selling it to schools and playgrounds to use in their children’s sandboxes;
Kate Moore (The Radium Girls: The Dark Story of America's Shining Women)
Joshie had always told Post-Human Services staff to keep a diary, to remember who we were, because every moment our brains and synapses are being rebuilt and rewired with maddening disregard for our personalities, so that each year, each month, each day we transform into a different person, an utterly unfaithful iteration of our original selves, of the drooling kid in the sandbox.
Gary Shteyngart (Super Sad True Love Story)
Joshie has always told Post Human Services Staff to keep a diary, to remember who we were because every moment, our brains and synapses are being rebuilt and rewired with maddening disregard for our personalities, so that each year, each month, each day, we transfer into a different person, an utterly unfaithful iteration of our original selves, of the drooling kid in the sandbox. But not me. I am still a facsimile of my early childhood. I am still looking for a loving dad to lift me up and brush the sand off my ass and to hear English, calm and hurtless, fall off his lips.
Gary Shteyngart
Have you guys really prayed about this?” “Have you prayed in faith for him to be healed?” They imply that we haven’t prayed long or hard enough, used the right words, or sufficiently trusted God, and that’s why Martin wasn’t healed. In those moments, I want to respond, “Oh, faith! That’s a great idea! We should try that. Until now, we’ve haven’t been praying in faith, we’ve been praying in the sandbox!
Laura Story (When God Doesn't Fix It: Lessons You Never Wanted to Learn, Truths You Can't Live Without)
and she kissed me on the lips out of nowhere during recess one day while I was trying to read Huck Finn in the sandbox, and that was my first kiss, and later that day she dumped me because boys were gross.
John Green (An Abundance of Katherines)
They congratulated themselves and went back out to their sodas and Chex mix, leaving me in front of the mirror, a toddler’s fussed-over Barbie abandoned in the sandbox. I blinked back my tears and forced myself to look in the mirror. Looking
Janet Fitch (White Oleander)
For the last hour of our trip Jeremy ran through the do’s and don’ts. Most of them were don’ts. The simple act of dining now came with even more rules than Miss Fishton had for the kindergarten sandbox. I couldn’t raid the icebox. I couldn’t ask anyone except Jeremy for between-meal snacks. I had to eat with utensils. I had to chew with my mouth shut. I had to sit with the other Pack youth. I couldn’t touch any food before everyone older than I had taken their share. I couldn’t take seconds until everyone older than I had taken seconds. I couldn’t eat other people’s scraps. I couldn’t eat food I found on the floor. With all these rules I began to fear I might have to starve, rather than risk disobedience. I hoped it’d be a short weekend.
Kelley Armstrong (Savage (Otherworld Stories, #0.03))
I have a theory that no one taught Maximoff Hale how to flirt. He literally does the kindergarten sandbox “I hate you” maneuver with Farrow, and largely, it’s probably because he’s never needed to flirt to get cock or pussy. He’s a fucking celebrity.
Krista Ritchie (Charming Like Us (Like Us, #7))
We theorists use math, construct models, explain the whys and hows of nature. We are thinkers. Experimentalists . . . well, they like to fuck around and find out. Build things and get their hands dirty. Like engineers. Or three-year-olds at the sandbox.
Ali Hazelwood (Love, Theoretically)
The residue from radium extraction looked like seaside sand, and the company had offloaded this industrial waste by selling it to schools and playgrounds to use in their children’s sandboxes; kids’ shoes were reported to have turned white because of it, while one little boy complained to his mother of a burning sensation in his hands. Yet, in comments that made reassuring reading, von Sochocky pronounced the sand “most hygienic”10 for children to play in, “more beneficial than the mud of world-renowned curative baths.”11
Kate Moore (The Radium Girls: The Dark Story of America's Shining Women)
It’s a kind of fugue state, anyway, early sex. Before the routine sets in, or the love. Back when the groping is largely anonymous. Sandbox sex. It starts in the teens and lasts until twenty or twenty-one. It’s all about learning to share. It’s about sharing your toys.
Jeffrey Eugenides (Middlesex)
Albert Einstein hardly ever set foot in the laboratory; he didn’t test phenomena or use elaborate equipment. He was a theorist who perfected the “thought experiment,” in which you engage nature through your imagination, by inventing a situation or model and then working out the consequences of some physical principle. In Germany before World War II, laboratory-based physics far outranked theoretical physics in the minds of most Aryan scientists. Jewish physicists were all relegated to the lowly theorists’ sandbox and left to fend for themselves. And what a sandbox that would become.
Neil deGrasse Tyson (Astrophysics for People in a Hurry (Astrophysics for People in a Hurry Series))
In October 1920, her former employer was featured in the local news. The residue from radium extraction looked like seaside sand, and the company had offloaded this industrial waste by selling it to schools and playgrounds to use in their children’s sandboxes; kids’ shoes were reported to have turned white because of it, while one little boy complained to his mother of a burning sensation in his hands. Yet, in comments that made reassuring reading, von Sochocky pronounced the sand “most hygienic”10 for children to play in, “more beneficial than the mud of world-renowned curative baths.”11
Kate Moore (The Radium Girls: The Dark Story of America's Shining Women)
I wonder if all mothers feel like this the moment they realize their daughters are growing up—as if it is impossible to believe that the laundry I once folded for her was doll-sized; as if I can still see her dancing in lazy pirouettes along the lip of the sandbox. Wasn't it yesterday that her hand was only as big as the sand dollar she found on the beach? That same hand, the one that's holding a boy's; wasn't it just holding mine, tugging so that I might stop and see the spiderweb, the milkweed pod, any of a thousand moments she wanted me to freeze? Time is an optical illusion—never quite as solid or strong as we think it is.
Jodi Picoult (My Sister’s Keeper)
The residue from radium extraction looked like seaside sand, and the company had offloaded this industrial waste by selling it to schools and playgrounds to use in their children’s sandboxes; kids’ shoes were reported to have turned white because of it, while one little boy complained to his mother of a burning sensation in his hands.
Kate Moore (The Radium Girls: The Dark Story of America's Shining Women)
For their optimism, these few spent years being disparaged as futurists, as impractical dreamers, as kids playing in a sandbox—until suddenly, in the fall of 2015 and the spring of 2016, the industry recognized that the future the visionaries described wasn’t just possible. It was practical and desirable, and coming sooner than anyone might have ever thought.
Lawrence D. Burns (Autonomy: The Quest to Build the Driverless Car—And How It Will Reshape Our World)
We are spiritual beings having a human experience. We don't choose the experience but we do choose how we react to the experience we have. Choose to be positive, choose to be helpful, choose to be happy.
Paula Coffer (Sandbox to Sandbox)
If the U.S. government and nonprofit organizations, private corporations and university laboratories are going to dedicate money and time to the future, they also need to do so for the present. They need to fund accessible buses, schools, classrooms, movie theaters, restrooms, housing, and workplaces. They should support campaigns to end bullying, employment discrimination, social isolation, and the ongoing institutionalizing of disabled people with the same enthusiasm with which they implement cure research. I want money for accessible playgrounds, tree houses, and sandboxes so that wheelchair-using kids aren't left twiddling their thumbs in the present while they dream of running in the future. If we choose to wait for those always-just-around-the-corner cures, lavishing them with resources, energy, and media attention, we risk suspending our present-day lives.
Eli Clare (Brilliant Imperfection: Grappling with Cure)
DiAngelo’s White Fragility seeks to convert whites to a profound reconception of themselves as inherently complicit in a profoundly racist system of operation and thought. Within this system, if whites venture any statement on the topic other than that they harbor white privilege, it only proves that they are racists, too “fragile” to admit it. The circularity here—“You’re a racist, and if you say you aren’t, it just proves that you are”—is the logic of the sandbox.
John McWhorter (Woke Racism: How a New Religion Has Betrayed Black America)
We were born exactly six weeks apart, a perfect match, age-wise. You can imagine what it’s been like since our mothers first plopped us into a crib together, rubbing their hands in conspiratorial glee as they planned our wedding. Playdates followed where the adults smiled and cooed as they watched us dig in the sandbox, where Ryder tugging on my pigtails was a sure sign of his adoration, where me throwing sand in his face only proved my devotion. Star-crossed love? Ha! Not even close. Mostly, I try to avoid him whenever possible.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Our challenge as adults is to develop a strong voice that is uniquely our own, a voice that reflects our deepest values and convictions. Once we are comfortable within that voice, we can bring it to our most important relationships. We can choose to move to the center of a difficult conversation--or we can let it go. We can speak--or decide not to. Whatever we choose, we can head back to the sandbox with clarity, wisdom, and intention. By doing so, we can strengthen the self and our connections, and have the best chance of achieving happiness during our time with each other.
Harriet Lerner (The Dance of Connection: How to Talk to Someone When You're Mad, Hurt, Scared, Frustrated, Insulted, Betrayed, or Desperate)
In October 1920, her former employer was featured in the local news. The residue from radium extraction looked like seaside sand, and the company had offloaded this industrial waste by selling it to schools and playgrounds to use in their children’s sandboxes; kids’ shoes were reported to have turned white because of it, while one little boy complained to his mother of a burning sensation in his hands. Yet, in comments that made reassuring reading, von Sochocky pronounced the sand “most hygienic”10 for children to play in, “more beneficial than the mud of world-renowned curative baths.
Kate Moore (The Radium Girls: The Dark Story of America's Shining Women)
I wonder if all mothers feel like this the moment they realize their daughters are growing up—as if it is impossible to believe that the laundry I once folded for her was doll-sized; as if I can still see her dancing in lazy pirouettes along the lip of the sandbox. Wasn’t it yesterday that her hand was only as big as the sand dollar she found on the beach? That same hand, the one that’s holding a boy’s; wasn’t it just holding mine, tugging so that I might stop and see the spiderweb, the milkweed pod, any of a thousand moments she wanted me to freeze? Time is an optical illusion—never quite as solid or strong as we think it is.
Jodi Picoult (My Sister's Keeper)
Hey! Can you hear me? I’m talking to the American asshole who just told my daughter she was going to die. She says you put something inside her head, some sort of explosive. If that’s true, you better hope that thing doesn’t go off because if it does, you might as well kill yourself. I know what you’re thinking. There’s a good chance Moscow will do the same thing and kill me. There’s always a possibility the Chinese or Koreans will kill me, but I wouldn’t bet on that. You see, I’m not the easiest person to be with. I can be a bit of a dick sometimes, just ask my daughter. My point is if people keep me around, it’s not because of my charming personality, it’s because I have legs that bend the wrong way, and that’s kind of useful if you also happen to have Themis. So on the off chance that I make it through this, I want you to listen to me very carefully. I don’t give a shit who this robot belongs to an hour from now. I will fucking kill you. I will mow down whatever place you work at and the house you live in. I will kill everyone you’ve ever known, your high-school teacher, people you play softball with. I will march down Washington Avenue and turn DC into a fucking sandbox. I will end you and everything you hold dear. There. Will. Be. No United States when I’m done with you, and there is nothing, not a goddamn thing, you can do to stop me. Do you hear me? DO YOU HEAR ME, MOTHERFUCKER? ANSWER ME!
Sylvain Neuvel (Only Human (Themis Files, #3))
A dachshund came out of the bushes. Ruzena's father extended his pole toward him, but the dog alertly evaded it and ran over to the boy, who lifted him up and hugged him. Other old men rushed over to help Ruzena's father and tear the dachshund out of the boy's arms. The boy was crying, shouting, and grappling with them so that the old men had to twist his arms and put a hand over his mouth because his cries were attracting too much attention from the passersby, who were turning to look but not daring to intervene. [...] Jakub was leading the dog by the collar toward the hotel steps when one of the old men shouted: "Release that dog at once!" And the other old man: "In the name of the law!" Jakub pretended not to notice the old men and kept going, but behind him a pole slowly descended alongside his body and the wire loop wavered clumsily over the boxer's head. Jakub grabbed the end of the pole and brusquely pushed it aside. A third old man ran up and shouted: "Its an attack on law and order! I'm going to call the police!" And the high-pitched voice of another old man complained: "He ran on the grass! He ran in the playground, where it's prohibited! He pissed in the kids' sandbox! Do you like dogs more than children?" The boxer scampered around the room curiously, unaware that he had just escaped danger. Jakub stretched out on the daybed, wondering what to do with him. He liked the lively, good-natured dog. The insouciance with which, in a few minutes, he had made himself at home in a strange room and struck up a friendship with a strange man was nearly suspicious and seemed to verge on stupidity. After sniffing all corners of the room, he leaped up on the daybed and lay down beside Jakub. Jakub was startled, but he welcomed without reservation this sign of camaraderie. He put his hand on the dog's back and felt with delight the warmth of the animal's body. He had always liked dogs. They were familiar, affectionate, devoted, and at the same time entirely incomprehensible. We will never know what actually goes on in the heads and hearts of these confident, merry emissaries from incomprehensible nature.
Milan Kundera (Farewell Waltz)
That’s because we misunderstand play itself, casting it as exuberant, silly, a frippery that signals to us that our children are still young enough to have not yet turned their minds to more weighty endeavours. But play is serious. Play is absolute. Play is the complete absorption in something that doesn’t matter to the external world, but which matters completely to you. It’s an immersion in your own interests that becomes a feeling in itself, a potent emotion. Play is a disappearance into a space of our choosing, invisible to those outside the game. It is the pursuit of pure flow, a sandbox mind in which we can test new thoughts, new selves. It’s a form of symbolic living, a way to transpose one reality onto another and mine it for meaning. Play is a form of enchantment.
Katherine May (Enchantment: Awakening Wonder in an Anxious Age)
Though she had spoken only rarely and had had no real friends, everybody possessed his own vivid memories of Cecilia. Some of us had held her for five minutes as a baby while Mrs. Lisbon ran back into the house to gether purse. Some of us had played in the sandbox with her, fighting over a shovel, or had exposed ourselves to her behind the mulberry tree that grew like deformed flesh through the chain link fence. We had stood in line with her for smallpox vaccinations, had held polio sugar cubes under our tongues with her, had taught her to jump rope, to light snakes, had stopped her from picking her scabs on numerous occasions, and had cautioned her against touching her mouth to the drinking fountain at Three Mile Park. A few of us had fallen in love with her, but had kept it to ourselves, knowing that she was the weird sister.
Jeffrey Eugenides (The Virgin Suicides)
Our precious lives, when you step back and look at them, are a kind of game. Try imagining the game described by the exciting copy above. A literal once-in-a-lifetime adventure—the grand game of life. You start playing. First, there’s a random character creation process that proceeds automatically as a collaboration between your parents. There’s the heartwarming opening with your mom and your dad and a thousand blessings and all that, and then finally, you get to dive in. You get a rough grasp on the controls, and then you’re tossed into “school,” a microcosmic tutorial for the heavy seas of society— The game’s setting—Earth. Awaiting us as we’re tossed into a corner of that oversized map is a massive sandbox game. There we have a vast array of choices, a spectacular degree of freedom, and countless minigames. Inspired by the hype, we advance just as advertised, but it’s not long before we realize something. —We’ve been had.
Yuu Kamiya (No Game, No Life Vol. 5 (No Game No Life Light Novels, #5))
Today we place lots of emphasis on increasing racial diversity in our churches. That’s a good thing. It’s needed. But there’s more to having a genuinely mosaic church than just racial and socioeconomic diversity. We also have to learn to work through the passionate and mutually exclusive opinions that we have in the realms of politics, theology, and ministry priorities. The world is watching to see if our modern-day Simon the Zealots and Matthew the tax collectors can learn to get along for the sake of the Lord Jesus. If not, we shouldn’t be surprised if it no longer listens to us. Jesus warned us that people would have a hard time believing that he was the Son of God and that we were his followers if we couldn’t get along. Whenever we fail to play nice in the sandbox, we give people on the outside good reason to write us off, shake their heads in disgust, and ask, “What kind of Father would have a family like that?”1 BEARING WITH ONE ANOTHER To create and maintain the kind of unity that exalts Jesus as Lord of all, we have to learn what it means to genuinely bear with one another. I fear that for lots of Christians today, bearing with one another is nothing more than a cliché, a verse to be memorized but not a command to obey.2 By definition, bearing with one another is an act of selfless obedience. It means dying to self and overlooking things I’d rather not overlook. It means working out real and deep differences and disagreements. It means offering to others the same grace, mercy, and patience when they are dead wrong as Jesus offers to me when I’m dead wrong. As I’ve said before, I’m not talking about overlooking heresy, embracing a different gospel, or ignoring high-handed sin. But I am talking about agreeing to disagree on matters of substance and things we feel passionate about. If we overlook only the little stuff, we aren’t bearing with one another. We’re just showing common courtesy.
Larry Osborne (Accidental Pharisees: Avoiding Pride, Exclusivity, and the Other Dangers of Overzealous Faith)
What about the backyard stuff?” he asked. “What about it?” “Is it okay if I use it, too?” “Oh, sure. The equipment is in a metal shed in the back. Just help yourself. It’s not locked or anything. And if you want company, just let me know. I’d be happy to play with you.” Did I just say that? I did not just say that. Like we were six years old and heading for a sandbox. He was grinning again, like he thought it was funny or stupid or I was having a Tiffany moment. “I didn’t mean play with you exactly,” I said. “I meant…you know, keep you company so you don’t feel awkward…you know, like I exercised with you.” “I’ll be okay alone in the backyard.” He stepped off the treadmill. “I’m going to go shower.” He waited a heartbeat, like he expected me to say I’d be happy to keep him company in the shower, too. Fortunately, my brain finally kicked in, and I kept my mouth shut. I watched him walk out of the room. I thought I’d known everything that would be involved in having a baseball player living with us for the summer. I was discovering that I didn’t have a clue.
Rachel Hawthorne (The Boyfriend League)
You, then, are very much at play in the Kingdom, like a child in a sandbox. And each event that arises for you need not be judged. I have shared with you many times that it is the egoic mind that compares and contrasts. Therefore, never compare or contrast your experience with another person’s. Yours is unique. And though the world would say, perhaps, that your experience is not as valuable because you are only worth twenty thousand dollars and somebody else is worth four hundred million, therefore, they have manifested more powerfully, that is simply not true. For manifestation is simply the expression that reveals where the mind has been focusing. The real power is the very mystery that anything can be manifested at all. And you are free to constantly choose anew. Cultivate, then, a very childlike attitude toward all of your experience. Learn to ponder it, to wonder about it, to look upon it like a father does to a child, like your Father does to you: Behold, I have created all things and it is good! In your Bible in the creation story that is told there, it is said that God said something like that. For God looked upon all that She had created and said, “Behold, it is very good!” You are the father of your creations. You are the father of your thoughts, your attitudes, and your choices. Look upon all of these things and say, “Behold, it is very good.” For goodness begets goodness. Judgment begets judgment. For nothing can produce except that which is like itself. An acorn cannot produce a fish. A man and a woman cannot produce an acorn. The thoughts you hold about yourself will reproduce themselves. When you look upon all things as good, goodness will be begotten from that decision. Each time, then, that you have chosen to hold a negative thought about yourself, or about anyone, you have only insured the kind of inconsistency in your mind that interrupts the power of your ability to create, more and more, as a living embodied master. This can only be because you have held deep within the mind some belief that says, “No matter what I do, it won’t work out.” There is some conflicted belief. A belief in goodness and a belief in evil create a conflict that must entrap the soul.
Shanti Christo Foundation (The Way of Mastery ~ Part Three: The Way of Knowing)
Outside the snapdragons, cords of light. Today is easy as weeds & winds & early. Green hills shift green. Cardinals peck at feeders—an air seed salted. A power line across the road blows blue bolts. Crickets make crickets in the grass. We are made & remade together. An ant circles the sugar cube. Our shadow’s a blown sail running blue over cracked tiles. Cool glistening pours from the tap, even on the edges. A red wire, a live red wire, a temperature. Time, in balanced soil, grows inside the snapdragons. In the sizzling cast iron, a cut skin, a sunny side runs yellow across the pan. Silver pots throw a blue shadow across the range. We must carry this the length of our lives. Tall stones lining the garden flower at once. Tin stars burst bold & celestial from the fridge; blue applause. Morning winds crash the columbines; the turf nods. Two reeling petal-whorls gleam & break. Cartoon sheep are wool & want. Happy birthday oak; perfect in another ring. Branch shadows fall across the window in perfect accident without weight. Orange sponge a thousand suds to a squeeze, know your water. School bus, may you never rust, always catching scraps of children’s laughter. Add a few phrases to the sunrise, and the pinks pop. Garlic, ginger, and mangoes hang in tiers in a cradle of red wire. That paw at the door is a soft complaint. Corolla of petals, lean a little toward the light. Everything the worms do for the hills is a secret & enough. Floating sheep turn to wonder. Cracking typewriter, send forth your fire. Watched too long, tin stars throw a tantrum. In the closet in the dust the untouched accordion grows unclean along the white bone of keys. Wrapped in a branch, a canvas balloon, a piece of punctuation signaling the end. Holy honeysuckle, stand in your favorite position, beside the sandbox. The stripes on the couch are running out of color. Perfect in their polished silver, knives in the drawer are still asleep. A May of buzz, a stinger of hot honey, a drip of candy building inside a hive & picking up the pace. Sweetness completes each cell. In the fridge, the juice of a plucked pear. In another month, another set of moths. A mosquito is a moment. Sketched sheep are rather invincible, a destiny trimmed with flouncy ribbon. A basset hound, a paw flick bitching at black fleas. Tonight, maybe we could circle the floodwaters, find some perfect stones to skip across the light or we can float in the swimming pool on our backs—the stars shooting cells of light at each other (cosmic tag)—and watch this little opera, faults & all.
Kevin Phan (How to Be Better by Being Worse)
If a shift in practice, action, or thought generates more embodiment, creativity, empowerment, sweetness, clarity, astuteness, love, energy, or connection, this is probably a solid sign that it’s adding value and enhancing your life for the better. If it does the opposite and detracts vitality over and over and over again, let it go, compost it, and trust in your ability to begin a new inquiry. Playing in the sandbox of experimentation also welcomes us into relationship with the process of creating messes.
Danny Arguetty (The 6 Qualities of Consciousness: Practical Insights from the Tantric Tradition of Yoga)
Were I to add but a trace note of leather to New Wave, Claude, I would say that I had drawn on my canvas the olfactory silhouette of the Nazi.” The word jolted Claude. He shuddered. The LeFever twins had been small boys during the Nazi occupation of Paris, but they recalled it as an adult recalls the breaking of a bone in childhood: the sickening crack, the fear, the pain, the sadness, the sudden ooze of blood that shows itself like the black blush of fairy-tale witches. It was a wound upon their memory, a thud of monster boots in a distant sandbox.
Tom Robbins (Jitterbug Perfume)
Activities to Develop the Tactile Sense Rub-a-Dub-Dub—Encourage the child to rub a variety of textures against her skin. Offer different kinds of soap (oatmeal soap, shaving cream, lotion soap) and scrubbers (loofah sponges, thick washcloths, foam pot-scrubbers, plastic brushes). Water Play—Fill the kitchen sink with sudsy water and unbreakable pitchers and bottles, turkey basters, sponges, eggbeaters, and toy water pumps. Or, fill a washtub with water and toys and set it on the grass. Pouring and measuring are educational and therapeutic, as well as high forms of entertainment. Water Painting—Give the child a bucket of water and paintbrush to paint the porch steps, the sidewalk, the fence, or her own body. Or, provide a squirt bottle filled with clean water (because the squirts often go in the child’s mouth). Finger Painting—Let the sensory craver wallow in this literally “sensational” activity. Encourage (but don’t force) the sensory avoider to stick a finger into the goop. For different tactile experiences, mix sand into the paint, or place a blob of shaving cream, peanut butter, or pudding on a plastic tray. Encourage him to draw shapes, letters, and numbers. If he “messes up,” he can erase the error with his hand and begin again. Finger Drawing—With your finger, “draw” a shape, letter, number, or design on the child’s back or hand. Ask the child to guess what it is and then to pass the design on to another person. Sand Play—In a sandbox, add small toys (cars, trucks, people, and dinosaurs), which the child can rearrange, bury, and rediscover. Instead of sand, use dried beans, rice, pasta, cornmeal, popcorn, and mud. Making mud pies and getting messy are therapeutic, too.
Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
It is Dangerous to Read Newspapers While I was building neat castles in the sandbox, the hasty pits were filling with bulldozed corpses and as I walked to the school washed and combed, my feet stepping on the cracks in the cement detonated red bombs. Now I am grownup and literate, and I sit in my chair as quietly as a fuse and the jungles are flaming, the underbrush is charged with soldiers, the names on the difficult maps go up in smoke. I am the cause, I am a stockpile of chemical toys, my body is a deadly gadget, I reach out in love, my hands are guns, my good intentions are completely lethal. Even my passive eyes transmute everything I look at to the pocked black and white of a war photo, how can I stop myself It is dangerous to read newspapers. Each time I hit a key on my electric typewriter, speaking of peaceful trees another village explodes.
Margaret Atwood
guess Jack is too big for sandboxes now, although it’s still there in their backyard. Sometimes, when Patrick is at work and Jack is at school, I go to the house and eat my lunch in the backyard.
Liane Moriarty (The Hypnotist's Love Story)
The equipment is in a metal shed in the back. Just help yourself. It’s not locked or anything. And if you want company, just let me know. I’d be happy to play with you.” Did I just say that? I did not just say that. Like we were six years old and heading for a sandbox. He was grinning again, like he thought it was funny or stupid or I was having a Tiffany moment. “I didn’t mean play with you exactly,” I said. “I meant…you know, keep you company so you don’t feel awkward…you know, like I exercised with you.” “I’ll be okay alone in the backyard.” He stepped off the treadmill. “I’m going to go shower.” He waited a heartbeat, like he expected me to say I’d be happy to keep him company in the shower, too.
Rachel Hawthorne (The Boyfriend League)
We know it is similar to the Persian sorcerer I met in the Sandbox,” Olaf said. “I know it would be weird, and too coincidental for real life, but could it be the same sorcerer with a slightly different spell, or whatever?” I asked. “Not possible,” Olaf said. “Why not?” I asked. “The sorcerer was not bulletproof.” “So he’s dead,” I said. Olaf nodded.
Laurell K. Hamilton (Skin Trade (Anita Blake, Vampire Hunter, #17))
The fact is that there will always be a power struggle between men and women in a “unisex”-mentality world. Only when women enjoy those strengths they have that men don’t, and enjoy the strengths men have that they as women don’t, will they be happier creatures and be able to play better in the sandbox called marriage.
Laura Schlessinger (The Proper Care and Feeding of Husbands)
Why should I discuss it with you?” she said, turning her gaze on Sax. “It’s clear what you all think about this, we’ve gone over it many times before, and nothing I’ve said makes any difference to you. Here you sit in your little holes running your little experiments, making things like kids with a chemistry set in a basement, while the whole time an entire world sits outside your door. A world where the landforms are a hundred times larger than their equivalents on Earth, and a thousand times older, with evidence concerning the beginning of the solar system scattered all over, as well as the whole history of a planet, scarcely changed in the last billion years. And you’re going to wreck it all. And without ever honestly admitting what you’re doing, either. Because we could live here and study the planet without changing it— we could do that with very little harm or even inconvenience to ourselves. All this talk of radiation is bullshit and you know it. There’s simply not a high enough level of it to justify this mass alteration of the environment. You want to do that because you think you can. You want to try it out and see— as if this were some big playground sandbox for you to build castles in. A big Mars jar! You find your justifications where you can, but it’s bad faith, and it’s not science.
Kim Stanley Robinson (Red Mars (Mars Trilogy, #1))
Why not? Carry him around in a suitcase. People say, Where's your husband? all you do is open you bag, yell, Here he is! Like a silver cornet. Take him outa his case any old hour, play a tune, stash him away. Keep a little sandbox for him on the back porch.
Ray Bradbury (The Dwarf)
He looked on them with the same amused detachment as Einstein, in the waning years of his life, must have felt watching children at play in a sandbox.
Stanisław Lem (Tales of Pirx the Pilot)
I long ago abandoned myself to a blind lust for the written word. Literature is my sandbox. In it I play, build my forts and castles, spend glorious time. It is the world outside that box that gives me trouble. I have adapted tamely, though not conventionally, to this visible world so I can retreat without much inconvenience into my inner world of books. Transmuting this sandy metaphor, if literature is my sandbox, then the real world is my hourglass - an hourglass that drains grain by grain. Literature gives me life, and life kills me. Well, life kills everyone.
Rabih Alameddine (An Unnecessary Woman)
Missions to Mars are basically sandbox play to these life-forms. And wouldn’t you know, they came here with the express purpose of neutralizing a barbaric species before more harmful space exploration practices could be established. Pretty much the Space Age equivalent of “Hey kid, step away from the hot stove before you burn your mitts off!
Gemma Voss (The Alien's Handler (Virgin Warriors of Kar’Kal #1))
I think Geertz missed a trick. He made the boundaries of deep play too solid. I see deep play everywhere, expressed in infinite ways. It captures, for me, a quality of attention that is unexpected in adult life, and which we barely even recognise in children. That's because we misunderstand play itself, casting it as exuberant, silly, a frippery that signals to us that our children are still young enough to have not yet turned their minds to more weighty endeavours. But play is serious. Play is absolute. Play is the complete absorption in something that doesn't matter to the external world, but which matters completely to you. It's an immersion in your own interests that becomes a feeling in itself, a potent emotion. Play is a disappearance into a space of our choosing, invisible to those outside the game. It is the pursuit of pure flow, a sandbox mind in which we can test new thoughts, new selves. It's a form of symbolic living, a way to transpose one reality onto another and mine it for meaning. Play is a form of enchantment.
Katherine May (Enchantment: Awakening Wonder in an Anxious Age)
Love isn’t always about falling in love with a person. Love is passing your final exams. Love is watching the sun come up between the clouds. Love is finding the light when you were in the dark. Love is when your favorite TV show returns. Love is when your dog tilts its head with confusion. Love is a free ice cream voucher left on your car windshield. Love is the leaves falling in the fall. Love is learning the constellations. Love is solving a ridiculous math problem. Love is the changing Starbucks menu for the seasons. Love is watching a child play in the sandbox. Love is warm clothes when they come out of the dryer. When you say you’ve given up on love, all you’re really saying is that you’ve closed your eyes. Open them.
Courtney Peppernell (Pillow Thoughts II: Healing the Heart)
Mojang for letting me play in their sandbox.
Max Brooks (Minecraft: The Mountain: An Official Minecraft Novel)
can’t be completely satisfied in life if you objectify her. She was created to help you, to take on your big world with you. Now let’s say He did send her to you, do you think you’re maximizing on her by consigning her to one place in your life: your sandbox? Is her only value in your life to physically feed you, and not mentally stimulate you, or spiritually back you? Is that all God created this bright, tough, apparently well-rounded—if she’s been surviving in your contrasting world—loving, and nurturing woman for? Think about it! God is all-knowing, but you’re not His only child. You’re not His end all and be all. Ezra, you’re good, but you ain’t all that, sweetie.” Needless
Love Belvin (Bonded with Ezra (Love Unaccounted #3))
A key characteristic of the engineering culture is that the individual engineer’s commitment is to technical challenge rather than to a given company. There is no intrinsic loyalty to an employer as such. An employer is good only for providing the sandbox in which to play. If there is no challenge or if resources fail to be provided, the engineer will seek employment elsewhere. In the engineering culture, people, organization, and bureaucracy are constraints to be overcome. In the ideal organization everything is automated so that people cannot screw it up. There is a joke that says it all. A plant is being managed by one man and one dog. It is the job of the man to feed the dog, and it is the job of the dog to keep the man from touching the equipment. Or, as two Boeing engineers were overheard to say during a landing at Seattle, “What a waste it is to have those people in the cockpit when the plane could land itself perfectly well.” Just as there is no loyalty to an employer, there is no loyalty to the customer. As we will see later, if trade-offs had to be made between building the next generation of “fun” computers and meeting the needs of “dumb” customers who wanted turnkey products, the engineers at DEC always opted for technological advancement and paid attention only to those customers who provided a technical challenge.
Edgar H. Schein (DEC Is Dead, Long Live DEC: The Lasting Legacy of Digital Equipment Corporation)
H. I. QUESTIONS FOR TEAM LEADERS Are you comfortable with the fact that your team will only be as good as the leadership you provide? Where are you in the process of moving from individual producer to leading through a team? In which of the five key responsibilities of a leader do you excel? Which of the five key responsibilities of a leader need more of your attention? Are you willing to dialogue with your team on these issues so that you can be a better leader for them? Are you flying at the correct altitude for your leadership role? LEADER’S SCORECARD Give yourself a grade (A, B, or C) in the following areas: _____I have made the transition from independent producer to leading through a team. _____I am flying at the right altitude. _____I am intentional in my spiritual life. _____I am intentional in my family life. _____I have intentional growth in my professional life. _____I manage my “dark side.” _____I regularly keep the mission in front of my team. _____I constantly ask questions. _____I regularly take time away to think. _____My team members are in the right seats. _____I provide maximum missional clarity to the team. _____I empower staff rather than control or micromanage them. _____I intentionally mentor/coach my team members (at least monthly). _____I have an intentional plan to develop new leaders. _____Mobilization of resources is high on my list. _____My schedule is designed to allow me to lead with excellence.
T.J. Addington (Leading from the Sandbox: How to Develop, Empower, and Release High-Impact Ministry Teams)
As Facebook kept evolving—and growing faster with every change—the established powers of the technology and media world began paying ever closer attention. This appeared to be the kind of irresistible consumer website every executive had dreamed of owning since the Internet took off in the mid-1990s. Mark Zuckerberg suddenly had a lot of new older, well-dressed friends from Los Angeles and the East Coast. But he didn’t think like the CEO of an established technology or media company. He barely gave a thought to profit and was still ambivalent about advertising. This wasn’t easy for his newfound suitors to understand. One senior executive from a tech company recalls a frustrating visit during that time with Zuckerberg, who seemed uninterested in increasing the company’s revenue. “He didn’t know what he didn’t know,” he says. “But when he opened his mouth he was very direct, very smart, and he was very focused on Facebook as a social tool, to the point of naïveté. It sounded just too altruistic at the time. So I asked him, ‘Is it a social tool as a tactic to get to the next point?’ And he says, ‘No, all I really care about is doing this social tool.’ So I thought, ‘Either this guy is being very strategic and not telling me what his next thing is, or he’s just got his sandbox and he’s playing in it.’ I couldn’t figure it out.
David Kirkpatrick (The Facebook Effect: The Inside Story of the Company That Is Connecting the World)
While her high cheekbones and sensual mouth added to her beauty, it was her eyes that caught him. They looked at the world as if it were a large sandbox waiting to expose its treasures.
Donna Grant (Firestorm (Dark Kings, #10))
simulations he’d been running on software called Universe Sandbox. It was a detailed physics simulation of the entire solar system—all the planets, their moons, their rings, even thousands of asteroids and smaller objects. She hit reset, and the dot representing Nomad streaked through the middle of the solar system, scattering the planets and dragging the sun behind it. “Jolly
Matthew Mather (Nomad (Nomad, #1))
It could just as easily have been me. That reminder of human frailty and the role that fortune and misfortune play in our lives prevented me from becoming too prideful. Better men than me had died over in the sandbox, often purely by chance. Were you in the lead vehicle, or at the tail end of the convoy? Sometimes it came down to which side of a vehicle you were sitting on when something went ka-boom. Why did the invisible shard of flying metal hit the Marine to your right instead of you?
Matthew Bracken (Castigo Cay (The Dan Kilmer "Rebel Yell" series Book 1))
Domenico groaned. “Don’t call me that. Sounds like you’re expecting me to take my bucket and go play in the sandbox.
K.A. Merikan (He is Mine (Guns n' Boys, #2))
Brands play in an exciting sandbox of symbolic meanings.
Laura Busche (Lean Branding)
Even superheroes make mistakes, or they wouldn’t have to be buried in handmade coffins in the sandbox.
Nora Roberts (The Inn BoonsBoro Trilogy (Inn BoonsBoro Trilogy, #1-3))
the open-world or sandbox or free-roaming game. This genre is superintended by a few general conventions, which include the sensation of being inside a large and disinterestedly functioning world, a main story line that can be abandoned for subordinate story lines (or for no purpose at all), large numbers of supporting characters with whom meaningful interaction is possible, and the ability to customize (or pimp, in the parlance of our time) the game's player-controlled central character.
Anonymous