Maternity Picture Quotes

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Working outward in concentric circles from the single mother's situation, we can easily draw a picture of what a 'good' mother-son relationship needs in order to flourish. In its ideal form, mom would be experiencing physical, material, social, and emotional support from four interdependent sources: an intimate partner who is also attached to the child; a select group of close friends and family; a wider community that supports mom's values and goals; and a maternity-flexible workplace.
Michael Gurian (The Wonder of Boys: What Parents, Mentors and Educators Can Do to Shape Boys into Exceptional Men)
I always imagined that when I got pregnant it would be awesome and everything would go perfectly, and I’d pose for all those artfully naked, pregnant Demi Mooresque pictures and put them all over my house, and suddenly I’d have less cellulite, and then I’d go into labor while I was standing in line at the bank, but it would be okay because the baby would get stuck in my pants leg, so it totally wouldn’t slam into the floor. Thank God for skinny jeans with maternity panels; am I right?
Jenny Lawson (Let's Pretend This Never Happened: A Mostly True Memoir)
There’s good reason for such worries. About a year after Pole created his pregnancy prediction model, a man walked into a Minnesota Target and demanded to see the manager. He was clutching an advertisement. He was very angry. “My daughter got this in the mail!” he said. “She’s still in high school, and you’re sending her coupons for baby clothes and cribs? Are you trying to encourage her to get pregnant?” The manager didn’t have any idea what the man was talking about. He looked at the mailer. Sure enough, it was addressed to the man’s daughter and contained advertisements for maternity clothing, nursery furniture, and pictures of smiling infants gazing into their mothers’ eyes. The manager apologized profusely, and then called, a few days later, to apologize again. The father was somewhat abashed. “I had a talk with my daughter,” he said. “It turns out there’s been some activities in my house I haven’t been completely aware of.” He took a deep breath. “She’s due in August. I owe you an apology.
Charles Duhigg (The Power of Habit: Why We Do What We Do and How to Change)
I loved the naive and hopeful tone of the soviet posters – the way they portrayed a world based on work and sacrifice. I found it therapeutic to look at these images, at their beautifully faded colours, to see all those soviet men and women working together for a common goal. Women looked stunning in these posters, but not in a delicate dyevushka way – they were strong and maternal: you could not picture these women putting on make-up or complaining about the food in a café. These women were resilient, self-sufficient, forward-looking.
Guillermo Erades (Back to Moscow)
in Dumfries his moral career was downwards. Heron, who had some acquaintance with the matter, says, “His dissipation became still more deeply habitual; he was here more exposed than in the country to be solicited to share the revels of the dissolute and the idle; foolish young men flocked eagerly about him, and from time to time pressed him to drink with them, that they might enjoy his wit. The Caledonia Club, too, and the Dumfries-shire and Galloway Hunt, had occasional meetings in Dumfries after Burns went to reside there: and the poet was of course invited to share their conviviality, and hesitated not to accept the invitation. In the intervals between his different fits of intemperance, he suffered the keenest anguish of remorse, and horribly afflictive foresight. His Jane behaved with a degree of conjugal and maternal tenderness and prudence, which made him feel more bitterly the evil of his misconduct, although they could not reclaim him.” This is a dark picture—perhaps too dark.
Thomas Carlyle (Life of Robert Burns)
Here are pictures of the sources for Daoist mijue "master to disciple" oral teachings, as shown in the manuals used by Daoist masters themselves. The manuals are insufficient for the casual reader to use, the oral koujue explanations given on a personal one-to-one basis are essential. After seeing how Daoists from Longhu Shan,as well as foreign ("american") Dao for $$$ have falsified their use, I am reluctant to share them in full, until a true Qingwei or Zhengyi Grade five and above master ask to see them. The Qingwei (5 thunder-vajra") Daoist seen performing the purification mudra in image #5 below (a mudra shared by Daoists, Tendai Tantric Buddhists in Japan, and Tibetan masters) said when he had seen the manuals shown in pictures 1-4. "Where is the other half of the Thunder-Vajra manual?" Then I knew that it was OK to give it to him! He gave me his address in Jiangxi province; I intend to bring the mijue manual to him on my next trip to China, as Master Zhuang asked me to do, (before his death in 1976, an order given to his maternal great grandfather by the 61st Longhu Shan master, in 1868)! [Saso facebook post, May 7 2015]
Michael Saso
maternal love, the most successful object of the religious imagination of romantic art. For the most part real and human, it is yet entirely spiritual, without the interest and exigency of desire, not sensuous and yet present: absolutely satisfied and blissful spiritual depth. It is a love without craving, but it is not friendship; for be friendship never so rich in emotion, it yet demands a content, something essential, as a mutual end and aim. Whereas, without any reciprocity of aim and interests, maternal love has an immediate support in the natural bond of connection. But in this instance the mother’s love is not at all restricted to the natural side. In the child which she conceived and then bore in travail, Mary has the complete knowledge and feeling of herself; and the same child, blood of her blood, stands all the same high above her, and nevertheless this higher being belongs to her and is the object in which she forgets and maintains herself. The natural depth of feeling in the mother’s love is altogether spiritualized; it has the Divine as its proper content, but this spirituality remains lowly and unaware, marvellously penetrated by natural oneness and human feeling. It is the blissful maternal love, the love of the one mother alone who was the first recipient of this joy. Of course this love too is not without grief, but the grief is only the sorrow of loss, lamentation for her suffering, dying, and dead son, and does not, as we shall see at a later stage,[9] result from injustice and torment from without, or from the infinite battle against sins, or from the agony and pain brought about by the self. Such deep feeling is here spiritual beauty, the Ideal, human identification of man with God, with the spirit and with truth: a pure forgetfulness and complete self-surrender which still in this forgetfulness is from the beginning one with that into which it is merged and now with blissful satisfaction has a sense of this oneness. In such a beautiful way maternal love, the picture as it were of the Spirit, enters romantic art in place of the Spirit itself because only in the form of feeling is the Spirit made prehensible by art, and the feeling of the unity between the individual and God is present in the most original, real, and living way only in the Madonna’s maternal love. This love must enter art necessarily if, in the portrayal of this sphere, the Ideal, the affirmative satisfied reconciliation is not to be lacking. There was therefore a time when the maternal love of the blessed Virgin belonged in general to the highest and holiest [part of religion] and was worshipped and represented as this supreme fact. But when the Spirit brings itself into consciousness of itself in its own element, separated from the whole natural grounding which feeling supplies, then too it is only the spiritual mediation, free from such a grounding, that can be regarded as the free route to the truth; and so, after all, in Protestantism, in contrast to mariolatry in art and in faith, the Holy Spirit and the inner mediation of the Spirit has become the higher truth.
Georg Wilhelm Friedrich Hegel
Only with Clara did she allow herself the luxury of giving in to her overwhelming desire to serve and be loved; with her, however slyly, she was able to express the secret, most delicate yearnings of her soul. The long years of solitude and unhappiness had distilled her emotions and purified her feelings down to a few terrible, magnificent passions, which possessed her totally. She had no gift for small perturbations, mean-spirited resentments, concealed envies, works of charity, faded endearments, ordinary friendly politeness, or day-to-day acts of kindness. She was one of those people who are born for the greatness of a single love, for exaggerated hatred, for apocalyptic vengeance, and for the most sublime forms of heroism, but she was unable to shape her fate to the dimensions of her amorous vocation, so it was lived out as something flat and gray trapped between her mother’s sickroom walls, wretched tenements, and the tortured confessions with which this large, opulent, hot-blooded woman—made for maternity, abundance, action, and ardor—was consuming herself She was about forty-five years old then, and her splendid breeding and distant Moorish ancestors kept her looking fit and polished, with black, silky hair and a single white lock on her forehead, a strong and slender body and the resolute step of the healthy. Still, the emptiness of her life made her look far older than she was. I have a photograph of Ferula taken around that time, on one of Blanca’s birthdays. It is an old sepiatoned picture, discolored with age, but you can still see how she looked. She was a regal matron, but with a bitter smile on her face that revealed her inner tragedy. Those years with Clara were probably the only happy period in her life, because only with Clara could she be herself Clara was the one in whom she confided her most subtle feelings, and to her she consecrated her enormous capacity for sacrifice and veneration.
Isabel Allende
One result of active imagination, according to some reports, is an increase in synchronistic and paranormal phenomena. 32 This was certainly true of Jung. In 1916, Jung again felt that something within wanted to get out. An eerie restlessness seemed to permeate his home. Jung, I have to say, was lucky to have his house in Küsnacht, where he retired to a room, his “intellectual cave,” decorated in colored glass, to commune with his interior voices; he demanded and got absolute silence, and neither his children nor Emma—nor even the maid—were allowed to enter.33 As his maternal grandfather did, Jung felt the presence of the dead. His children seemed to feel it, too. One daughter saw a strange white figure; another had her blankets snatched from her at night. His son drew a picture of a fisherman he had seen in a dream: a flaming chimney rose from the fisherman’s head, and a devil flew through the air, cursing the fisherman for stealing his fish. An angel warned the devil that he couldn’t hurt the fisherman because he only caught bad fish. Jung had yet to mention Philemon the Kingfisher to his family. Then, on a Sunday afternoon, the doorbell rang loudly when it was clear no one was there. The pressure increased and Jung finally demanded “What in the world is this?” Then he heard the voices. “We have come back from Jerusalem,” they said, “where we found not what we sought,” the beginning of one of the strangest works of “automatic writing,” Jung’s Seven Sermons to the Dead, which he attributed to “Basilides in Alexandria, the City where the East toucheth the West.
Gary Lachman (Jung the Mystic: The Esoteric Dimensions of Carl Jung's Life & Teachings)
I know why you are here.” She knew! “We receive extensive financial statements, and I know you did not pay your own way, so let us put that drama out of the way, shall we?” “Is it a drama?” Jane said with a laugh, relieved the woman was just referring to Carolyn’s bequest. “Hm?” Mrs. Wattlesbrook would not budge from her intended course of conversation. Jane sighed. “Yes, my great-aunt left me this vacation in her will, but I don’t know what you mean by drama. I never intended to hide--” “No need to make a fuss.” She waved her arms as if wafting Jane’s exclamations out the window like a foul odor. “You are here, you are paid in full. I would not have you worry that we will not take care of you just because you are not our usual type of guest and there is no chance, given your economic conditions, that you would ever be a repeat client or likely to associate with and recommend us to potential clients. Let me assure you that we will still do all in our power to make your visit, such as it is, enjoyable.” Mrs. Wattlesbrook smiled, showing both rows of yellowing teeth. Jane blinked. Economic conditions? Usual type of guest? She made herself take two deep-rooted yoga breaths, smiled back, and thought of men in breeches. “Okay then.” “Good, good.” Mrs. Wattlesbrook patted Jane’s arm, suddenly the picture of hospitality and maternal tenderness. “Now, do have some tea. You must be quite chilled from your journey.” In fact, the temperature of the limo, unlike this pseudo-inn, had been quite comfortable, and in the blazing heat the last thing Jane wanted was hot tea, but she reminded herself to play along, so she sweated and drank.
Shannon Hale (Austenland (Austenland, #1))
Surprised at Kaye’s belated display of maternal instincts, Sean relented, promising he’d get in touch with Lily. Besides, he knew his own mother would never forgive him if he refused such a simple request. As he made his way down the narrow streets to the pensione opposite the Pantheon, where Lily and her roommate were staying, Sean steadfastly refused to acknowledge any other reason for agreeing to take Lily out. It had been three years since they’d left for college, not once had she come home to visit. But Sean still couldn’t look at a blonde without comparing her to Lily. He’d mounted the four flights of narrow, winding stairs, the sound of his steps muffled by red, threadbare carpet. At number seventeen, he’d stopped and stood, giving his racing heart a chance to quiet before he knocked. Calm down, he’d instructed himself. It’s only Lily. His knock echoed loudly in the empty hall. Through the door he heard the sound of approaching footsteps. Then it opened and there she was. She stood with her mouth agape. Her eyes, like beacons of light in the obscurity of the drab hallway, blinked at him with astonishment. “What are you doing here?” The question ended on a squeak. As if annoyed with the sound, she shut her mouth with an audible snap. Was it possible Kaye hadn’t bothered to tell Lily he’d be coming? “I heard you were spending a few days in Rome.” Sean realized he was staring like a dolt, but couldn’t help himself. It rattled him, seeing Lily again. A barrage of emotions and impressions mixed and churned inside him: how good she looked, different somehow, more self-confident than in high school, how maybe this time they might get along for more than 3.5 seconds. He became aware of a happy buzz of anticipation zinging through him. He was already picturing the two of them at a really nice trattoria. They’d be sitting at an intimate corner table. A waiter would come and take their order and Sean would impress her with his flawless Italian, his casual sophistication, his sprezzatura. By the time the waiter had served them their dessert and espresso, she’d be smiling at him across the soft candlelight. He’d reach out and take her hand. . . . Then Lily spoke again and Sean’s neat fantasy evaporated like a puff of smoke. “But how did you know I was here?” she’d asked, with what he’d conceitedly assumed was genuine confusion—that is, until a guy their age appeared. Standing just behind Lily, he had stared back at Sean through the aperture of the open door with a knowing smirk upon his face. And suddenly Sean understood. Lily wasn’t frowning from confusion. She was annoyed. Annoyed because he’d barged in on her and Lover Boy. Lily didn’t give a damn about him. At the realization, his jumbled thoughts at seeing her again, all those newborn hopes inside him, faded to black. His brain must have shorted after that. Suave, sophisticated guy that he was, Sean had blurted out, “Hey, this wasn’t my idea. I only came because Kaye begged me to—” Stupendously dumb. He knew better, had known since he was eight years old. If you wanted to push Lily Banyon into the red zone, all it took was a whispered, “Kaye.” The door to her hotel room had come at his face faster than a bullet train. He guessed he should be grateful she hadn’t been using a more lethal weapon, like the volleyball she’d smashed in his face during gym class back in eleventh grade. Even so, he’d been forced to jump back or have the number seventeen imprinted on his forehead. Their last skirmish, the one back in Rome, he’d definitely lost. He’d stood outside her room like a fool, Lover Boy’s laughter his only reply. Finally, the pensione’s night clerk had appeared, insisting he leave la bella americana in peace. He’d gone away, humiliated and oddly deflated.
Laura Moore (Night Swimming: A Novel)
She had looked around the office one day and realised that there were no women above a certain pay grade. She spotted a pregnant woman in the company dining hall and asked the people at her table how long the company’s maternity leave was, and none of the five, including one department head, knew the answer because none of them had ever seen an employee go on maternity leave. She couldn’t picture herself at the company ten years down the road and resigned after some thought. Her boss grumbled, “This is why we don’t hire women.” She replied, “Women don’t stay because you make it impossible for us to stay.
Cho Nam-Joo (82년생 김지영)
In last month’s photo, a front tooth dangled over her bottom lip and Iris laughed out loud, wanting to reach into the picture and yank the loose tooth from her daughter’s mouth. She wondered about the conversations she missed with the child—the fights they must have had over Melody’s need to keep that tooth a day, a week, a month, longer. Why hadn’t Aubrey snuck into her room in the middle of the night and yanked it the way her own father had done—Iris waking in the morning with that new space in her mouth and a crisp dollar bill beneath her pillow. But now the tooth was gone. Had Melody gotten a dollar for it too? Iris studied the space—the pink half circle of gum beside a tiny front tooth that hung at a slight angle as though it too was loose now. Iris shivered. Ran her tongue along her own straight teeth. She had missed the child’s birthday but had called, only to have Melody say, It’s my birthday and it’s party day. Bye! Daddy got me a bicycle. Bye again. And when she reminded the child that the bicycle was from both of them, Melody said, But Daddy put it together. And Daddy’s gonna teach me to ride. Always the phone calls were Daddy, Daddy, Daddy, and TV shows she’d watched. When she tried to ask Melody what she was reading, the child laughed. Everything, she said. I read everything. Now, staring at the picture of her daughter, she remembered again how her own mother had said more than once that there was nothing at all maternal about Iris and wondered if the maternal gene kicked in later. Iris wondered if it would happen in her twenties or thirties. And if it did, would she want more children?
Jacqueline Woodson (Red at the Bone)
I’m going to have to talk to HR sooner rather than later about arranging for my maternity leave anyway. And people are going to find out in time. I unlock my phone and open Instagram. I have an oddly high number of followers thanks to an article Forbes did on me right after I sold the app to Apple. I’m not that interesting of a person, but I do find the best funny memes to share. I upload my favorite picture of Archer and me from this weekend, heart fluttering when I look at it. We’re standing by the pink balloons, and looking lovingly into each other’s eyes. My hair is tucked awkwardly behind my ear, but we both look so happy. So inlove. Archer’s hand is on my stomach, and his smile is genuine. Man, I miss him. Tomorrow is too far away. Long distance sucks. “We cannot wait for spring. Hashtag thirteen weeks. Hashtag baby girl,” I say out loud as Itype. “Don’t forget hashtag blessed.” “And grateful. Please. I might be basic, but I know enough not to flaunt it around on social media,” I laugh and post the photo. But I really do feel those things.
Emily Goodwin (End Game (Dawson Family, #2))
It’s impossible to know if investing time and money in my domestic space is making me happier as a mother, but I’m loath to imagine a world in which my maternal labor is unvalued, unpaid, and disrespected and there’s no reprieve to be found in buying something to soothe the ache of longing.
Sara Petersen (Momfluenced: Inside the Maddening, Picture-Perfect World of Mommy Influencer Culture)
Activity pouch on airplanes Buttons and pins Crayons and coloring place mats from restaurants Disposable sample cup from the grocery store Erasers and pencils with eraser tops Fireman hat from a visit to the fire station Goodie bags from county fairs and festivals Hair comb from picture day at school Infant goods from the maternity ward Junior ranger badge from the ranger station and Smokey the Bear Kids’ meal toys Lollipops and candy from various locations, such as the bank Medals and trophies for simply participating in (versus winning) a sporting activity Noisemakers to celebrate New Year’s Eve OTC samples from the doctor’s office Party favors and balloons from birthday parties Queen’s Jubilee freebies (for overseas travelers) Reusable plastic “souvenir” cup and straw from a diner Stickers from the doctor’s office Toothbrushes and floss from the dentist’s office United States flags on national holidays Viewing glasses for a 3-D movie (why not keep one pair and reuse them instead?) Water bottles at sporting events XYZ, etc.: The big foam hand at a football or baseball game or Band-Aids after a vaccination or various newspapers, prospectuses, and booklets from school, museums, national parks . . .
Bea Johnson (Zero Waste Home: The Ultimate Guide to Simplifying Your Life by Reducing Your Waste)