“
Each of us is born with a box of matches inside us but we can't strike them all by ourselves
”
”
Laura Esquivel (Like Water for Chocolate)
“
and when love came to us twice
and lied to us twice
we decided to never love again
that was fair
fair to us
and fair to love itself.
we ask for no mercy or no
miracles;
we are strong enough to live
and to die and to
kill flies,
attend the boxing matches, go to the racetrack,
live on luck and skill,
get alone, get alone often,
and if you can't sleep alone
be careful of the words you speak in your sleep;
and
ask for no mercy
no miracles;
and don't forget:
time is meant to be wasted,
love fails
and death is useless.
”
”
Charles Bukowski (What Matters Most is How Well You Walk Through the Fire)
“
I was naturally a loner, content just to live with a woman, eat with her, sleep with her, walk down the street with her. I didn't want conversation, or to go anywhere except the racetrack or the boxing matches. I didn't understand t.v. I felt foolish paying money to go into a movie theatre and sit with other people to share their emotions. Parties sickened me. I hated the game-playing, the dirty play, the flirting, the amateur drunks, the bores.
”
”
Charles Bukowski (Women)
“
After the first glass of vodka
you can accept just about anything
of life even your own mysteriousness
you think it is nice that a box
of matches is purple and brown and is called La Petite and comes from Sweden
for they are words that you know and that is all you know words not their feelings or what they mean and you write because you know them not because you understand them because you don't you are stupid and lazy and will never be great but you do what you know because what else is there?
”
”
Frank O'Hara (The Collected Poems of Frank O'Hara)
“
Life is like a boxing match. Defeat is declared not when you fall but when you refuse to stand again.
”
”
Kristen Ashley (The Will (Magdalene, #1))
“
After dinner or lunch or whatever it was -- with my crazy 12-hour night I was no longer sure what was what -- I said, "Look, baby, I'm sorry, but don't you realize that this job is driving me crazy? Look, let's give it up. Let's just lay around and make love and take walks and talk a little. Let's go to the zoo. Let's look at animals. Let's drive down and look at the ocean. It's only 45 minutes. Let's play games in the arcades. Let's go to the races, the Art Museum, the boxing matches. Let's have friends. Let's laugh. This kind of life like everybody else's kind of life: it's killing us.
”
”
Charles Bukowski (Post Office)
“
The premiere was as exciting as the 1938 boxing match between Max Schmeling and Joe Lewis.
”
”
Dorlies von Kaphengst Meissner Rasmussen (Escaping the Russian Onslaught: A Family’s Story of Fleeing the Russian Army after Hitler’s Nazi Regime)
“
Without inspiration, we’re all like a box of matches that will never be lit.
”
”
David Archuleta (Chords of Strength: A Memoir of Soul, Song and the Power of Perseverance)
“
I carefully lay out the provisions. One thin black sleeping bag that reflects body heat. A pack of crackers. A pack of dried beef strips. A bottle of iodine. A box of wooden matches. A small coil of wire. A pair of sunglasses. And a half-gallon plastic bottle with a cap for carrying water that's bone dry.
No water. How hard would it have been for them to fill up the bottle?
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Each of us is born with a box of matches inside us but we can't strike them all by ourselves; we need oxygen and a candle to help. In this case, the oxygen for example, would come from the breath of the person you love; the candle would be any kind of food, music, caress, word, or sound that engenders the explosion that lights one of the matches. For a moment we are dazzled by an intense emotion. A pleasant warmth grows within us, fading slowly as time goes by, until a new explosion comes along to revive it. Each person has to discover what will set off those explosions in order to live, since the combustion that occurs when one of them is ignited is what nourishes the soul. That fire, in short, is its food. If one doesn't find out in time what will set off these explosions, the box of matches dampens, and not a single match will ever be lighted.
”
”
Laura Esquivel (Like Water for Chocolate)
“
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your
and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
”
”
Sarah Kane (Crave)
“
A man who discovers his pants are on fire tends to have very little time to worry about somebody else's box of matches
”
”
Jeff Lindsay (Dearly Devoted Dexter (Dexter, #2))
“
Each of us is born with a box of matches inside us but we can't strike them all by ourselves; just as in the experiment, we need oxygen and a candle to help. In this case, the oxygen, for example, would come from the breath of the person you love; the candle could be any kind of food, music, caress, word, or sound that engenders the explosion that lights one of the matches.
”
”
Laura Esquivel
“
She saw him drenched with gasoline. She could actually feel the box of matches in her hand.
”
”
Stieg Larsson (The Girl Who Played with Fire (Millennium #2))
“
...and yet there was not a definable thought in his mind. Only a terrifying effort to get from one side of a match box to another.
”
”
Hubert Selby Jr. (Last Exit to Brooklyn)
“
Perhaps, she thought, that’s what love does. It’s not there to make you feel special. It’s to make you brave. It was like a ration pack in the desert, she thought, like a box of matches in a dark wood. Love and courage, thought Sophie—two words for the same thing.
”
”
Katherine Rundell (Rooftoppers)
“
She had a mind like a box of fireworks and hands that played recklessly with matches.
”
”
Michael Faudet (Dirty Pretty Things)
“
It's like a movie, I thought, like a fucking movie. It seemed funny to me. It felt as if we were on camera. I liked it. It was better than the racetrack, it was better than the boxing matches. We kept drinking.
”
”
Charles Bukowski (Women)
“
A computer once beat me at chess, but it was no match for me at kick boxing.
”
”
Emo Philips
“
I can entertain the proposition that life is a metaphor for boxing-for one of those bouts that go on and on, round following round, jabs, missed punches, clinches, nothing determined, again the bell and again and you and your opponent so evenly matched it’s impossible to see your opponent is you …
”
”
Joyce Carol Oates (On Boxing)
“
Most of the matchbooks and little boxes were made of paper, and even if the matches dried out, the containers were split, torn, and shriveled. The damp cardboard dripped with water, discolored and broken.
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
She drilled a hole in the side of her jewelry box that allowed her to shake out two earrings. She wore them regardless of whether they matched or not.
”
”
Evan Roskos (Dr. Bird's Advice for Sad Poets)
“
In a boxing match, the fighters absorb some vicious blows because they’re ready for them. And usually, the knockout punch is the one they didn’t see coming.
”
”
Todd Burpo (Heaven is for Real: A Little Boy's Astounding Story of His Trip to Heaven and Back)
“
To be a boxer is to be within yourself, inside your thoughts and feelings.
”
”
Brian D'Ambrosio
“
I'm not saying you're wrong, Declan," Gansey said. His ear throbbed where it had been boxed. He could feel Ronan's pulse crashing in his arm where he restrained him. His vow to consider his words more carefully came back to him, so he framed the rest of the statement in his head before saying it out loud.
"But you are not Niall Lynch, and you won't ever be. And you'd get ahead a lot faster if you stopped trying."
Gansey released Ronan.
Ronan didn't move, though, and neither did Declan, as if by saying their father's name, Gansey had cast a spell. They wore matching raw expressions. Different wounds inflicted by the same weapon.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
That is the way we decided to talk, free and easy, two young men discussing a boxing match. That was the only way to talk. You couldn't let too much truth seep into your conversation, you couldn't admit with your mouth what your eyes had seen. If you opened the door even a centimeter, you would smell the rot outside and hear the screams. You did not open the door. You kept your mind on the tasks of the day, the hunt for food and water and something to burn, and you saved the rest for the end of the war.
”
”
David Benioff (City of Thieves)
“
You’re in a fight to the death. This isn’t a
boxing match. You can’t win by scoring the most points.
”
”
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
“
If I'd let my mind roll with that boxing metaphor just a little longer, I might've followed it to its logical conclusion: In a boxing match, the fighters absorb some vicious blows because they're ready for them. And usually, the knockout punch is the one they didn't see coming
”
”
Todd Burpo (Heaven is for Real: A Little Boy's Astounding Story of His Trip to Heaven and Back)
“
Boxing is beautiful brutality, and the devil is in the duality. Boxing is a tug of war and you recognize the antithetical feelings that are pulling you from the other end.
”
”
Brian D'Ambrosio
“
Maybe. I don’t know. Being around you feels like a never-ending boxing match, and I keep getting hit in the nuts.
”
”
Lucy Score (By a Thread)
“
MY MOTHER GETS DRESSED
It is impossible for my mother to do even
the simplest things for herself anymore
so we do it together,
get her dressed.
I choose the clothes without
zippers or buckles or straps,
clothes that are simple
but elegant, and easy to get into.
Otherwise, it's just like every other day.
After bathing, getting dressed.
The stockings go on first.
This time, it's the new ones,
the special ones with opaque black triangles
that she's never worn before,
bought just two weeks ago
at her favorite department store.
We start with the heavy, careful stuff of the right toes
into the stocking tip
then a smooth yank past the knob of her ankle
and over her cool, smooth calf
then the other toe
cool ankle, smooth calf
up the legs
and the pantyhose is coaxed to her waist.
You're doing great, Mom,
I tell her
as we ease her body
against mine, rest her whole weight against me
to slide her black dress
with the black empire collar
over her head
struggle her fingers through the dark tunnel of the sleeve.
I reach from the outside
deep into the dark for her hand,
grasp where I can't see for her touch.
You've got to help me a little here, Mom
I tell her
then her fingertips touch mine
and we work her fingers through the sleeve's mouth
together, then we rest, her weight against me
before threading the other fingers, wrist, forearm, elbow, bicep
and now over the head.
I gentle the black dress over her breasts,
thighs, bring her makeup to her,
put some color on her skin.
Green for her eyes.
Coral for her lips.
I get her black hat.
She's ready for her company.
I tell the two women in simple, elegant suits
waiting outside the bedroom, come in.
They tell me, She's beautiful.
Yes, she is, I tell them.
I leave as they carefully
zip her into
the black body bag.
Three days later,
I dream a large, green
suitcase arrives.
When I unzip it,
my mother is inside.
Her dress matches
her eyeshadow, which matches
the suitcase
perfectly. She's wearing
coral lipstick.
"I'm here," she says, smiling delightedly, waving
and I wake up.
Four days later, she comes home
in a plastic black box
that is heavier than it looks.
In the middle of a meadow,
I learn a naked
more than naked.
I learn a new way to hug
as I tighten my fist
around her body,
my hand filled with her ashes
and the small stones of bones.
I squeeze her tight
then open my hand
and release her
into the smallest, hottest sun,
a dandelion screaming yellow at the sky.
”
”
Daphne Gottlieb (Final Girl)
“
Saskia.” A hand covered hers.
Saskia frowned. It was irritating enough that she only had one hand to work with. She didn’t need to have the movement of that one impeded as well. “I’m in the middle of – Oh! Tania! What – I thought you were in Canberra.”
“I was yesterday. I returned this morning.”
“Yesterday?” Saskia turned from staring at Tania to staring at her computer and the table. A half-empty mug of something sat next to a partly eaten sandwich and a mostly empty glass of water. “Oh,” she sat back in her chair. “I do this sometimes. I get caught up in things.”
Her gaze fell on the lines and boxes on the monitor’s screen. She sat forward, her surroundings disappearing from her awareness again. “Tania, I think I’m close to figuring it out.”
Tania’s hand, still on Saskia’s, squeezed gently. “Good. But now you need to take a rest.”
“No. I can finish this. I’m on a roll.”
“Yes. You can roll again later.”
“Look! I think I’ve almost worked it out.” She tugged her hand from under Tania’s and pointed to her computer screen, which showed a bank statement. “Look at these transactions. I can match them to –”
Tania peered at the screen. “Whose statement is that?
”
”
Miriam Verbeek (The Forest: A thrilling international crime novel (Saskia van Essen crime thrillers))
“
Once upon a time there was a king who had three beautiful daughters.
No, no, wait.
Once upon a time there were three bears who lived in a wee house in the woods.
Once upon a time there were three soldiers, tramping together down the road after the war.
Once upon a time there were three little pigs.
Once upon a time there were three brothers.
No, this is it. This is the variation I want.
Once upon a time there were three Beautiful children, two boys and a girl. When each baby was born, the parents rejoiced, the heavens rejoiced, even the fairies rejoiced. The fairies came to christening parties and gave the babies magical gifts.
Bounce, effort, and snark.
Contemplation and enthusiasm. Ambition and strong coffee.
Sugar, curiosity, and rain.
And yet, there was a witch.
There's always a witch.
This which was the same age as the beautiful children, and as she and they grew, she was jealous of the girl, and jealous of the boys, too. They were blessed with all these fairy gifts, gifts the witch had been denied at her own christening.
The eldest boy was strong and fast, capable and handsome. Though it's true, he was exceptionally short.
The next boy was studious and open hearted. Though it's true, he was an outsider.
And the girl was witty, Generous, and ethical. Though it's true, she felt powerless.
The witch, she was none of these things, for her parents had angered the fairies. No gifts were ever bestowed upon her. She was lonely. Her only strength was her dark and ugly magic.
She confuse being spartan with being charitable, and gave away her possessions without truly doing good with them.
She confuse being sick with being brave, and suffered agonies while imagining she merited praise for it.
She confused wit with intelligence, and made people laugh rather than lightening their hearts are making them think.
Hey magic was all she had, and she used it to destroy what she most admired. She visited each young person in turn in their tenth birthday, but did not harm them out right. The protection of some kind fairy - the lilac fairy, perhaps - prevented her from doing so.
What she did instead was cursed them.
"When you are sixteen," proclaimed the witch in a rage of jealousy, "you shall prick your finger on a spindle - no, you shall strike a match - yes, you will strike a match and did in its flame."
The parents of the beautiful children were frightened of the curse, and tried, as people will do, to avoid it. They moved themselves and the children far away, to a castle on a windswept Island. A castle where there were no matches.
There, surely, they would be safe.
There, Surely, the witch would never find them.
But find them she did. And when they were fifteen, these beautiful children, just before their sixteenth birthdays and when they're nervous parents not yet expecting it, the jealous which toxic, hateful self into their lives in the shape of a blonde meeting.
The maiden befriended the beautiful children. She kissed him and took them on the boat rides and brought them fudge and told them stories.
Then she gave them a box of matches.
The children were entranced, for nearly sixteen they have never seen fire.
Go on, strike, said the witch, smiling. Fire is beautiful. Nothing bad will happen.
Go on, she said, the flames will cleanse your souls.
Go on, she said, for you are independent thinkers.
Go on, she said. What is this life we lead, if you did not take action?
And they listened.
They took the matches from her and they struck them. The witch watched their beauty burn,
Their bounce,
Their intelligence,
Their wit,
Their open hearts,
Their charm,
Their dreams for the future.
She watched it all disappear in smoke.
”
”
E. Lockhart (We Were Liars)
“
The second road was rocky, hard, and painful. It was challenging. It was unnatural. It was a mountain range. It was a fighting ring, a boxing match with Life. It was a road that would make me stronger, even if it hurt. This road was called Happiness. It tasted like insanity, like How can I possibly be happy when I have every right to be miserable?
”
”
Abbie Emmons (100 Days of Sunlight)
“
Man armed with science is like a baby with a box of matches.
”
”
J.B.S. Haldane (Daedalus)
“
He was welcome everywhere he went, and was well-aware of his inability to tolerate solitude. He felt no inclination to be alone and avoided it as far as possible; he didn't really want to become any better acquainted with himself. He knew that if he wanted to show his talents to best advantage, he needed to strike sparks off other people to fan the flames of warmth and exuberance in his heart. On his own he was frosty, no use to himself at all, like a match left lying in its box.
”
”
Stefan Zweig (The Burning Secret and other stories)
“
Agreed.” Casey picked up the box of matches. “Write it down, and we’ll sage it.” Rapunzel groaned. “Not more fucking sage.
”
”
Eve Dangerfield (Act Your Age (Act Your Age #1))
“
Life is like a boxing match, keep on throwing those punches and one of them will land.
Kevin Lane - The Shawshank Prevention
”
”
Ken Scott
“
I would like to visit the factory that makes train horns, and ask them how they are able to arrive at that chord of eternal mournfulness. Is it deliberately sad? Are the horns saying, Be careful, stay away from this train or it will run you over and then people will grieve, and their grief will be as the inconsolable wail of this horn through the night? The out-of-tuneness of the triad is part of its beauty.
”
”
Nicholson Baker (A Box of Matches)
“
As people, other people, living in a house who . . . borrow things?"
Mrs. May laid down her work. "What do you think?" she asked.
"I don't know," Kate said, pulling hard at her shoe button. "There can't be. And yet"-she raised her head-"and yet sometimes I think there must be."
"Why do you think there must be?" asked Mrs. May.
"Because of all the things that disappear. Safety pins, for instance. Factories go on making safety pins, and every day people go on buying safety pins and yet, somehow, there never is a safety pin just when you want one. Where are they all? Now, at this minute? Where do they go to? Take needles," she went on. "All the needles my mother ever bought-there must be hundreds-can't just be lying about this house."
"Not lying about the house, no," agreed Mrs. May.
"And all the other things we keep on buying. Again and again and again. Like pencils and match boxes and sealing-wax and hairpins and drawing pins and thimbles-
”
”
Mary Norton (The Borrowers (The Borrowers, #1))
“
It feels strange to me to be living in a box, hiding from the steadying influence of the moon; wearing the hide of a cow, which is supposed to be dyed to match God-knows-what, on my feet; making promises over the telephone about things I will do at a precise hour next year.
”
”
Barbara Kingsolver (High Tide in Tucson : Essays from Now or Never)
“
Life is not a sport. Life is not math. There is no final end goal and there is no right answer. Just because your truth does not match someone else's truth does not make either of you wrong. Life is not a zero sum game. If I am right, that does not make you wrong. If you are right, that does not make me wrong either. A jar of vinegar can sit in a cupboard beside a box of baking soda peacefully, and we can allow those who disagree with us to exist alongside us without reacting to them. There is nothing to prove. There is enough room in the world for all of us.
”
”
Vironika Tugaleva
“
Knowing that someone here cared about
me was like being given a box of matches when you’re stranded on a cold, deserted island.
”
”
Skyla Madi (Sun Kissed (Guardian Angel, #2))
“
This is an interview, not a boxing match.
”
”
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
“
The things she wanted the baby to know seemed small, so small. How it felt to go to a grocery store on vacation; to wake at three a.m. and run your whole life through your fingertips; first library card; new lipstick; a toe going numb for two months because you wore borrowed shoes to a friend’s wedding; Thursday; October; “She’s Like the Wind” in a dentist’s office; driver’s license picture where you look like a killer; getting your bathing suit back on after you go to the bathroom; touching a cymbal for sound and then touching it again for silence; playing house in the refrigerator box; letting a match burn down to the fingerprints; one hand in the Scrabble bag and then I I I O U E A; eyes racing to the end of Villette (skip the parts about the crétin, sweetheart); hamburger wrappers on a road trip; the twist of a heavy red apple in an orchard; word on the tip of the tongue; the portal, but just for a minute.
”
”
Patricia Lockwood (No One Is Talking About This)
“
Yet there was no doubt that Theodore Roosevelt was peculiarly qualified to be President of all the people. Few, if any Americans could match the breadth of his intellect and the strength of his character. A random survey of his achievements might show him mastering German, French, and the contrasted dialects of Harvard and Dakota Territory; assembling fossil skeletons with paleontological skill; fighting for an amateur boxing championship; transcribing birdsong into a private system of phonetics; chasing boat thieves with a star on his breast and Tolstoy in his pocket; founding a finance club, a stockmen's association, and a hunting-conservation society; reading some twenty thousand books and writing fifteen of his own; climbing the Matterhorn; promulgating a flying machine; and becoming a world authority on North American game mammals. If the sum of all these facets of experience added up to more than a geometric whole - implying excess construction somewhere, planes piling upon planes - then only he, presumably, could view the polygon entire.
”
”
Edmund Morris (Theodore Rex (Theodore Roosevelt, #2))
“
He was like a nearly-there Rubik's Cube - this sealed box, all perfect edges and matched-up colors, except for the occasional hopeless misalignment, a lost orange square and a yellow piece stuck in a corner. Though why I thought this made me the right person for him I have no idea.
I'd never solved one of those fuckers in my entire life.
”
”
Alexis Hall (How to Bang a Billionaire (Arden St. Ives, #1))
“
Creative work bridges time because the energy of art is not time-bound. If it were we should have no interest in the art of the past, except as history or documentary. But our interest in art is our interest in ourselves both now and always. Here and forever. There is a sense of the human spirit as always existing. This makes our death bearable. Life + art is a boisterous communion/communication with the dead. It is a boxing match with time.
”
”
Jeanette Winterson (Why Be Happy When You Could Be Normal?)
“
The matches were a little 'he loves me, he loves me not,' but then I saw right on the box that I had twenty-four, which would end the game at not, so I just let the small handful sparkle and puff a bit, each one a thrill, a tiny delicious jolt for each part I remembered, until I burned my finger and went back in still thinking of all we did together.
”
”
Daniel Handler (Why We Broke Up)
“
Guess I can’t go back to working for Quetzalcoatl, eh?”
“When this is over, Billy,” Black Hawk said. “I think maybe we should go and visit the feathered serpent. Hand in our resignations. I’ll bring a box of matches.”
“You going to toast some marshmallows with him?”
“I’ll toast something,” Black Hawk promised.
”
”
Michael Scott (The Enchantress (The Secrets of the Immortal Nicholas Flamel, #6))
“
The most common theory points to the fact that men are stronger than women and that they have used their greater physical power to force women into submission. A more subtle version of this claim argues that their strength allows men to monopolize tasks that demand hard manual labor, such as plowing and harvesting. This gives them control of food production, which in turn translates into political clout. There are two problems with this emphasis on muscle power. First, the statement that men are stronger is true only on average and only with regard to certain types of strength. Women are generally more resistant to hunger, disease, and fatigue than men. There are also many women who can run faster and lift heavier weights than many men. Furthermore, and most problematically for this theory, women have, throughout history, mainly been excluded from jobs that required little physical effort, such as the priesthood, law, and politics, while engaging in hard manual labor in the fields....and in the household. If social power were divided in direct relation to physical strength or stamina, women should have got far more of it. Even more importantly, there simply is no direct relation between physical strength and social power among humans. People in their sixties usually exercise power over people in their twenties, even though twenty-somethings are much stronger than their elders. ...Boxing matches were not used to select Egyptian pharaohs or Catholic popes. In forager societies, political dominance generally resides with the person possessing the best social skills rather than the most developed musculature. In fact, human history shows that there is often an inverse relation between physical prowess and social power. In most societies, it’s the lower classes who do the manual labor.
Another theory explains that masculine dominance results not from strength but from aggression. Millions of years of evolution have made men far more violent than women. Women can match men as far as hatred, greed, and abuse are concern, but when push comes to shove…men are more willing to engage in raw physical violence. This is why, throughout history, warfare has been a masculine prerogative. In times of war, men’s control of the armed forces has made them the masters of civilian society too. They then use their control of civilian society to fight more and more wars. …Recent studies of the hormonal and cognitive systems of men and women strengthen the assumption that men indeed have more aggressive and violent tendencies and are…on average, better suited to serve as common soldiers. Yet, granted that the common soldiers are all men, does it follow that the ones managing the war and enjoying its fruits must also be men? That makes no sense. It’s like assuming that because all the slaves cultivating cotton fields are all Black, plantation owners will be Black as well. Just as an all-Black workforce might be controlled by an all-White management, why couldn’t an all-male soldiery be controlled by an all-female government?
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
The Stadium
Have you ever entered an empty stadium? Try it. Stand in the middle of the field and listen. There is nothing less empty than an empty stadium. There is nothing less mute than stands bereft of spectators.
At Wembley, shouts from the 1966 World Cup, which England won, still resound, and if you listen very closely you can hear groans from 1953 when England fell to the Hungarians. Montevideo’s Centenario Stadium sighs with nostalgia for the glory days of Uruguayan soccer. Maracanã is still crying over Brazil’s 1950 World Cup defeat. At Bombonera in Buenos Aires, drums boom from half a century ago. From the depths of Azteca Stadium, you can hear the ceremonial chants of the ancient Mexican ball game. The concrete terraces of Camp Nou in Barcelona speak Catalan, and the stands of San Mamés in Bilbao talk in Basque. In Milan, the ghosts of Giuseppe Meazza scores goals that shake the stadium bearing his name. The final match of the 1974 World Cup, won by Germany, is played day after day and night after night at Munich’s Olympic Stadium. King Fahd Stadium in Saudi Arabia has marble and gold boxes and carpeted stands, but it has no memory or much of anything to say.
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”
Eduardo Galeano (Soccer in Sun and Shadow)
“
If you were to stare at this box of matches, you could extract entire worlds out of it. If you search for tastes in a book, you will certainly find them because it was said: seek and ye shall find. But a critic should not rifle, search. Let him sit back with folded arms, waiting for the book to find him. Talents should not be sought with a microscope, a talent should let people know about itself by striking at all the bells.
”
”
Witold Gombrowicz (Diary)
“
She reached into an alabaster box and pulled out a violet cigarette that also exactly matched her eyes. Some people just don't know when to quit. She lit her colored coffin nail, set it into an ashtray, and promptly forgot about it. It smoldered into eternity silently begging for one more touch from her gorgeous lips.
”
”
Gary K. Wolf (Who Censored Roger Rabbit? (Roger Rabbit, #1))
“
Now I think of breaking up as moving. Imagine you have your own house, full of your own boxes. A person you meet has his own house, full of his own boxes. When you have a relationship with that person, you shack up in a third house, into which you can each put any number of your boxes. You shouldn't move them all in at once, or else you will seem too eager. And don't dawdle too much either, or you will seem skittish about commitment. You kind of aim to match each other's pace, so that the power balance feels fair and equal. Happy marriage--at least ideally--would be the situation in which both parties enthusiastically choose to keep all of their boxes in their shared house. Conversely, when someone starts to doubt the relationship, he might move a box or two back into his own house, just in case. While he's weighing his options, he may transport a few more boxes to the safety of his own home. When he's ready to take back his final few boxes, he breaks up with you. If you were too infatuated to see it coming, there you are, with all of your boxes in the shared house, and none in the security of your own home.
”
”
Tyler Oakley (Binge)
“
How many a time have I stood watching the toads mating, or a pair of hares having a boxing match in the young corn, and thought of all the important persons who would stop me enjoying this if they could. But luckily they can't. So long as you are not actually ill, hungry, frightened or immured in a prison or a holiday camp, spring is still spring. The atom bombs are piling up in the factories, the police are prowling through the cities, the lies are streaming from the loudspeakers, but the earth is still going round the sun, and neither the dictators nor the bureaucrats, deeply as they disapprove of the process, are able to prevent it.
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”
George Orwell
“
He is a demon, Clarissa,” said Valentine, still in the same soft voice. “A demon with a man’s face. I know how deceptive such monsters can be. Remember, I spared him once myself.”
“Monster?” echoed Clary. She thought of Luke, Luke pushing her on the swings when she was five years old, higher, always higher; Luke at her graduation from middle school, camera clicking away like a proud father’s; Luke sorting through each box of books as it arrived at his store, looking for anything she might like and putting it aside. Luke lifting her up to pull apples down from the trees near his farmhouse. Luke, whose place as her father this man was trying to take. “Luke isn’t a monster,” she said in a voice that matched Valentine’s, steel for steel. “Or a murderer. You are.”
“Clary!” It was Jace.
Clary ignored him. Her eyes were fixed on her father’s cold black ones. “You murdered your wife’s parents, not in battle but in cold blood,” she said. “And I bet you murdered Michael Wayland and his little boy, too. Threw their bones in with my grandparents’ so that my mother would think you and Jace were dead. Put your necklace around Michael Wayland’s neck before you burned him so everyone would think those bones were yours. After all your talk about the untainted blood of the Clave — you didn’t care at all about their blood or their innocence when you killed them, did you? Slaughtering old people and children in cold blood, that’s monstrous.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
Furthermore, goals create an “either-or” conflict: either you achieve your goal and are successful or you fail and you are a disappointment. You mentally box yourself into a narrow version of happiness. This is misguided. It is unlikely that your actual path through life will match the exact journey you had in mind when you set out. It makes no sense to restrict your satisfaction to one scenario when there are many paths to success
”
”
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
“
You’ve got to get cold to get warm,” Phoebe said.
Now that is the truth. That is so true about so many things. You learn it first with sheets and blankets: that the initial touch of the smooth sheets will send you shivering, but their warming works fast, and you must experience the discomfort to find the later contentment. It’s true with money and love, too. You’ve got to save to have something to spend. Think of how hard it is to ask out a person you like. In my case, Claire asked me to go on a date to the cash machine, so I didn’t actually have to ask her. Still, her lips were cold, but her tongue was warm.
”
”
Nicholson Baker (A Box of Matches)
“
..."let's think about each of these matches as a human life."... "each of these matches should burn for exactly the same amount of time, right?"..."but sometimes, you strike a match and it goes out almost immediately. Other times, it stops burning halfway."
"And sometimes it breaks when you try to light it."
"Exactly!... So even though they're technically the same, each match is actually very unique. Sometimes it's not as strong structurally, for reasons we can't see just by looking at it. And there are outside factors that contribute - like how hard we strike it against the box, or the dampness in the air, or how much breeze there is when we try to light it. All those things can affect how long a match burns for."...
"But what's that got to do with dying?"...
"Well, my dear, just as we don't know how long a match will last until we light it, we never know how long a life will last until we live it. And often there are factors that we have no control over.
”
”
Mikki Brammer (The Collected Regrets of Clover)
“
Boxing begins in illusion and ends in real blood and tears. That's what makes it so beautiful.
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”
Brian D'Ambrosio (Life in the Trenches)
“
The splitting up, I know, I know. I feel like the idiot that says, ‘Yeah I’ll go down to the basement alone to check out the breaker box, and I only have this one wooden match to light my way. Oh, and did I mention that we heard suspicious sounds down there only moments earlier?
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”
Mark Tufo (Alive in a Dead World (Zombie Fallout, #5))
“
Found it,” Mr. Pine said, waving a plastic bottle of colorless liquid and a box of matches. “It was on the liquor shelf, ’cause that’s both logical and safe. Your mother, sometimes . . .
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”
Kate Milford (Greenglass House)
“
Perez Hilton I challenge you to a 10 round boxing match, you can not be save by the bell and the three knock down rule use to end it if I don't knock your clap invested faggot ass out cold first.
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”
Larry Sinclair
“
I go to New York City, the Tournament of Champions, a significant milestone because it’s a clash of the top players in the world. Once more I square off against Chang, who’s developed a bad habit since we last met. Every time he beats someone, he points to the sky. He thanks God—credits God—for the win, which offends me. That God should take sides in a tennis match, that God should side against me, that God should be in Chang’s box, feels ludicrous and insulting. I beat Chang and savor every blasphemous stroke.
”
”
Andre Agassi (Open)
“
The difficulty, of course, with standing up to women was that it appeared to make little difference. At the end of the day,a man was no match for a woman.... The only thing to do was to try to avoid situations where women might corner you. And that was difficult, because women had a way of ensuring that you were neatly boxed in, which was exactly what had happened to him. He should have been more careful. He should have been on his guard when she offered him cake. That was her technique, he now understood; just as Eve had used an apple to trap Adam, so [she] had used fruit cake. Fruit cake, apples; it made no difference really. Oh foolish, weak men!
”
”
Alexander McCall Smith (The Full Cupboard of Life (No. 1 Ladies' Detective Agency, #5))
“
Baseball, football, basketball - these quintessentially American pastimes are recognizably sports because they involve play: they are games. One plays football, one doesn't play boxing...The boxing match is the very image, the more terrifying for being so stylized, of mankind's collective aggression; its ongoing historical madness.
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”
Joyce Carol Oates
“
There's a picture in When the Lights Go Down: A Short Illustrated History of Film of Alec Matto smoking in a chair in a room with a slice of light blaring over his head toward a screen we can't see. 'Alec Matto reviewing dailies for Where Has Julia Gone? (1947) in his private screening room.' Joan had to tell me what dailies are, it's when the director takes sometime in the evening, while smoking, to see all the footage that was filmed that day, maybe just one scene, a man opening a door over and over, a woman pointing out the window, pointing out the window, pointing out the window. That's dailies, and it took seven or eight matches on the roof over the garage for me to go over our breathless dailies that night, the nervous wait with the tickets in my hand, Lottie Carson heading north on those trains, kissing you, kissing you, the strange conversation in A-Post Novelties that had me all nerve-wracky after I talked to Al about it, even though he said he had no opinion. The matches were little he loves me, he loves me not, but then I saw right on the box that I had twenty-four, which would end the game at not, so I just let the small handful sparkle and puff for a bit, each one a thrill, a tiny delicious jolt for each part I remembered, until I burned my finger and went back in still thinking of all we did together.
”
”
Daniel Handler (Why We Broke Up)
“
I suggested, further, that the following might be sculpted: a large box filled with sixty moonshine jugs--piled high, toppling over, corks popping, liquor flowing. Disorder to match the clutter and chaos of our marvelous language. Words upon words, piled high, toppling over, thoughts popping, correspondence and conversation overflowing.
”
”
Mark Dunn (Ella Minnow Pea: A Novel in Letters)
“
Why are things beautiful? I don´t know. That´s a good question. Isn´t it pleasing when you ask a question of a person, a teacher, or a speaker, and he or she says, That´s a good question? Don´t you feel good when that happens?
”
”
Nicholson Baker (A Box of Matches)
“
The Brown Coast"
"Not long after the affair had run its course, Bob and his wife were driving to town when Vicky looked up and saw the phantom outline of a woman's footprint on the windshield over the glove box. She slipped her sandal off, saw that the print did not match her own, and told Bob that he was no longer welcome in their home.
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”
Wells Tower (Everything Ravaged, Everything Burned)
“
She reaches down into her bulging tote bag and pulls out a small plastic box with a hinged lid. It contains a round pill box with a threaded lid from which she tips out a vitamin pill, a fish-oil pill, and the enzyme tablet that lets her stomach digest milk. Inside the hinged plastic box she also carries packets of salt, pepper, horseradish, and hand-wipes, a doll size bottle of Tabasco sauce, chlorine pills for treating drinking water, Pepto-Bismol chews, and God knows what else. If you go to a concert, Bina has opera glasses. If you need to sit on the grass, she whips out a towel. Ant traps, a corkscrew, candles and matches, a dog muzzle, a penknife, a tiny aerosol can of freon, a magnifying glass - Landsman has seen everything come out of that overstuffed cowhide at one time or another.
”
”
Michael Chabon (The Yiddish Policemen's Union)
“
The rip of the match against the box, my hate becoming tangible, sparking and catching fire. The spike of adrenaline right before I tossed the match, turning my body into an inferno a second before the world became light and heat.
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”
Ashley Winstead (The Last Housewife)
“
But even while Rome is burning, there’s somehow time for shopping at IKEA. Social imperatives are a merciless bitch. Everyone is attempting to buy what no one can sell. See, when I moved out of the house earlier this week, trawling my many personal belongings in large bins and boxes and fifty-gallon garbage bags, my first inclination was, of course, to purchase the things I still “needed” for my new place. You know, the basics: food, hygiene products, a shower curtain, towels, a bed, and umm … oh, I need a couch and a matching leather chair and a love seat and a lamp and a desk and desk chair and another lamp for over there, and oh yeah don’t forget the sideboard that matches the desk and a dresser for the bedroom and oh I need a coffeetable and a couple end tables and a TV-stand for the TV I still need to buy, and don’t these look nice, whadda you call ’em, throat pillows? Oh, throw pillows. Well that makes more sense. And now that I think about it I’m going to want my apartment to be “my style,” you know: my own motif, so I need certain decoratives to spruce up the decor, but wait, what is my style exactly, and do these stainless-steel picture frames embody that particular style? Does this replica Matisse sketch accurately capture my edgy-but-professional vibe? Exactly how “edgy” am I? What espresso maker defines me as a man? Does the fact that I’m even asking these questions mean I lack the dangling brass pendulum that’d make me a “man’s man”? How many plates/cups/bowls/spoons should a man own? I guess I need a diningroom table too, right? And a rug for the entryway and bathroom rugs (bath mats?) and what about that one thing, that thing that’s like a rug but longer? Yeah, a runner; I need one of those, and I’m also going to need…
”
”
Joshua Fields Millburn (Everything That Remains: A Memoir by The Minimalists)
“
Life," Graveworthy said, when he saw Jack was awake and staring at him, "is a series of desperate gambles and boxing matches for the wits, bookended on the one side by events in which one is shot at, and on the other end by mornings like this.
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”
Sam Starbuck (The Dead Isle)
“
You big ugly. You too empty. You desert with your nothing nothing nothing. You scorched suntanned. Old too quickly. Acres of suburbs watching the telly. You bore me. Freckle silly children. You nothing much. With your big sea. Beach beach beach. I’ve seen enough already. You dumb dirty city with bar stools. You’re ugly. You silly shopping town. You copy. You too far everywhere. You laugh at me. When I came this woman gave me a box of biscuits. You try to be friendly but you’re not very friendly. You never ask me to your house. You insult me. You don’t know how to be with me. Road road tree tree. I came from crowded and many. I came from rich. You have nothing to offer. You’re poor and spread thin. You big. So what. I’m small. It’s what’s in. You silent on Sunday. Nobody on your streets. You dead at night. You go to sleep too early. You don’t excite me. You scare me with your hopeless. Asleep when you walk. Too hot to think. You big awful. You don’t match me. You burnt out. You too big sky. You make me a dot in the nowhere. You laugh with your big healthy. You want everyone to be the same. You’re dumb. You do like anybody else. You engaged Doreen. You big cow. You average average. Cold day at school playing around at lunchtime. Running around for nothing. You never accept me. For your own. You always ask me where I’m from. You always ask me. You tell me I look strange. Different. You don’t adopt me. You laugh at the way I speak. You think you’re better than me. You don’t like me. You don’t have any interest in another country. Idiot centre of your own self. You think the rest of the world walks around without shoes or electric light. You don’t go anywhere. You stay at home. You like one another. You go crazy on Saturday night. You get drunk. You don’t like me and you don’t like women. You put your arm around men in bars. You’re rough. I can’t speak to you. You burly burly. You’re just silly to me. You big man. Poor with all your money. You ugly furniture. You ugly house. You relaxed in your summer stupor. All year. Never fully awake. Dull at school. Wait for other people to tell you what to do. Follow the leader. Can’t imagine. Workhorse. Thick legs. You go to work in the morning. You shiver on a tram.
”
”
Ania Walwicz
“
everything in the world is a boxing match in your heart, between Boldness and Not-Boldness. You let them holler inside you and wallop each other with Arguments For and Against. Then you end by betting on one or the other and that’s how things get decided.
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Catherynne M. Valente (The Boy Who Lost Fairyland (Fairyland, #4))
“
Problem #3: Goals restrict your happiness. The implicit assumption behind any goal is this: “Once I reach my goal, then I’ll be happy.” The problem with a goals-first mentality is that you’re continually putting happiness off until the next milestone. I’ve slipped into this trap so many times I’ve lost count. For years, happiness was always something for my future self to enjoy. I promised myself that once I gained twenty pounds of muscle or after my business was featured in the New York Times, then I could finally relax. Furthermore, goals create an “either-or” conflict: either you achieve your goal and are successful or you fail and you are a disappointment. You mentally box yourself into a narrow version of happiness. This is misguided. It is unlikely that your actual path through life will match the exact journey you had in mind when you set out. It makes no sense to restrict your satisfaction to one scenario when there are many paths to success. A systems-first mentality provides the antidote. When you fall in love with the process rather than the product, you don’t have to wait to give yourself permission to be happy. You can be satisfied anytime your system is running. And a system can be successful in many different forms, not just the one you first envision.
”
”
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
“
Tag was a tall man, towering well over six feet two if she had to hasten a guess. She’d seen him working out in boxing shorts many times, so didn’t have to speculate at his body type. It was fit and lean with muscles. Definition on every limb, not an ounce of body fat, many would drool over. Not her. She looked at him—not as a woman would—and saw how his jawline was sharp and curved into a strong chin. Dusted in fine wheat colored hair to match that on top of his head. He wore it in the style she’d seen a lot of men wearing here at the gym. Shaved around the sides with a step to the longer hair on top. He kept it neat and swept off to one side.
Being in Tag’s presence always put an anxious gallop into her heart.
It raced through her chest, and she forced her feet to hold before she skittered off like a lunatic.
Lord, she was pathetic to get this worked up over a man who’d been nothing but kind.
”
”
V. Theia (Prince Charming (Renegade Souls MC #9))
“
There was something to be learned about writing from watching boxing matches or going to the racetrack. The message wasn’t clear but it helped me. That was the important part: the message wasn’t clear. It was wordless, like a house burning, or an earthquake or a flood, or a woman getting out of a car, showing her legs. I didn’t know what other writers needed; I didn’t care, I couldn’t read them anyway. I was locked into my own habits,
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Charles Bukowski (Women)
“
In my mind, I gave the woman gifts. I gave her a candle stub. I gave her a box of wooden kitchen matches. I gave her a cake of Lifebuoy soap. I gave her a ceilingful of glow-in-the-dark planets. I gave her a bald baby doll. I gave her a ripe fig, sweet as new wood, and a milkdrop from its stem. I gave her a peppermint puff. I gave her a bouquet of four roses. I gave her fat earthworms for her grave. I gave her a fish from Roebuck Lake, a vial of my sweat for it to swim in.
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Lewis Nordan (Music of the Swamp (Front Porch Paperbacks))
“
Zhou fell in behind an administrator carrying a wooden box full of scrolls. His own arms were laden down with scrolls and a scholar's robe covered the dark clothes, the unfortunate previous owner would wake in a few hours with a large bruise and a headache to match. He kept his head down as they approached the guarded door to the keep.
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G.R. Matthews (The Stone Road (The Forbidden List, #1))
“
I was O negative and so were the other scientists they grabbed. They matched us based on blood because they hadn’t made all the connections with energy yet.
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”
J.B. Trepagnier (The Usas Box Set (Book 1-2))
“
In a fool, education can be like a full box of matches in the hand of a toddler that is home-alone.
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”
Mokokoma Mokhonoana (P for Pessimism: A Collection of Funny yet Profound Aphorisms)
“
the box of matches she kept in her pocket. The matchboxes were her precious possessions, her talismans.
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Yōko Ogawa (Mina's Matchbox)
“
It would indeed be a tragedy if the history of the human race proved to be nothing more than the story of an ape playing with a box of matches on a petrol dump.
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”
David Ormsby Gore
“
a man who discovers his pants are on fire tends to have very little time to worry about somebody else's box of matches.
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”
Jeff Lindsay (Dearly Devoted Dexter (Dexter, #2))
“
thanks to mommy and match-box cars, thanks for dad and to the stars.
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”
Dixie Chicks (Dixie Chicks - Fly)
“
The nice thing about putting on your glasses in the dark is that you know you could see better if it were light, but since it is dark the glasses make no difference at all.
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”
Nicholson Baker (A Box of Matches (Vintage Contemporaries))
“
They sat for a minute in uncomfortable silence, the hateful little blue box plopped between them like a bad referee at a tight match.
”
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Bonnie Garmus (Lessons in Chemistry)
“
How is it one careless match can start a forest fire, but it takes a whole box to start a campfire.” -- Unknown
”
”
Saeed Sikiru (Funny Quotes: 560 Humorous Sayings that Will Keep You Laughing Even After Reading Them)
“
The rest merely requires common sense; it is like a boxing match, the more you punch the better it is.
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Bernard Cornwell (Waterloo: The History of Four Days, Three Armies, and Three Battles)
“
There is only one way to fight, and that’s dirty. Clean, gentlemanly fighting will get you nowhere but dead, and fast. Take every cheap shot, every low blow, absolutely kick people when they’re down, and then maybe you’ll be the one who walks away. Remember that. You’re in a fight to the death. This isn’t a boxing match. You can’t win by scoring the most points.
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”
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
“
The head of the sledgehammer was cold, icy cold, and it touched his forehead as gently as a kiss.
'Pock! There,' said Czernobog. 'Is done.' There was a smile on his face that Shadow had never seen before, an easy, comfortable smile, like sunshine on a summer's day. The old man walked over to the case, and he put the hammer away, and closed the bag, and pushed it back under the sideboard.
'Czernobog?' asked Shadow. Then, 'Are you Czernobog?'
'Yes. For today,' said the old man. 'By tomorrow, it will all be Bielebog. But today, is still Czernobog.'
'Then why? Why didn't you kill me when you could?'
The old man took out an unfiltered cigarette from a pack in his pocket. He took a large box of matches from the mantelpiece and lit the cigarette with a match. He seemed deep in thought. 'Because,' said the old man, after some time, 'there is blood. But there is also gratitude. And it has been a long, long winter.
”
”
Neil Gaiman (American Gods (American Gods, #1))
“
These things matter to me, Daniel, says the man with six days to live. They are sitting on the porch in the last light. These things matter to me, son. The way the hawks huddle their shoulders angrily against hissing snow. Wrens whirring in the bare bones of bushes in winter. The way swallows and swifts veer and whirl and swim and slice and carve and curve and swerve. The way that frozen dew outlines every blade of grass. Salmonberries thimbleberries cloudberries snowberries elderberries salalberries gooseberries. My children learning to read. My wife's voice velvet in my ear at night in the dark under the covers. Her hair in my nose as we slept curled like spoons. The sinuous pace of rivers and minks and cats. Fresh bread with too much butter. My children's hands when they cup my face in their hands. Toys. Exuberance. Mowing the lawn. Tiny wrenches and screwdrivers. Tears of sorrow, which are the salt sea of the heart. Sleep in every form from doze to bone-weary. Pay stubs. Trains. The shivering ache of a saxophone and the yearning of a soprano. Folding laundry hot from the dryer. A spotless kitchen floor. The sound of bagpipes. The way horses smell in spring. Red wines. Furnaces. Stone walls. Sweat. Postcards on which the sender has written so much that he or she can barely squeeze in the signature. Opera on the radio. Bathrobes, back rubs. Potatoes. Mink oil on boots. The bands at wedding receptions. Box-elder bugs. The postman's grin. Linen table napkins. Tent flaps. The green sifting powdery snow of cedar pollen on my porch every year. Raccoons. The way a heron labors through the sky with such a vast elderly dignity. The cheerful ears of dogs. Smoked fish and the smokehouses where fish are smoked. The way barbers sweep up circles of hair after a haircut. Handkerchiefs. Poems read aloud by poets. Cigar-scissors. Book marginalia written with the lightest possible pencil as if the reader is whispering to the writer. People who keep dead languages alive. Fresh-mown lawns. First-basemen's mitts. Dish-racks. My wife's breasts. Lumber. Newspapers folded under arms. Hats. The way my children smelled after their baths when they were little. Sneakers. The way my father's face shone right after he shaved. Pants that fit. Soap half gone. Weeds forcing their way through sidewalks. Worms. The sound of ice shaken in drinks. Nutcrackers. Boxing matches. Diapers. Rain in every form from mist to sluice. The sound of my daughters typing their papers for school. My wife's eyes, as blue and green and gray as the sea. The sea, as blue and green and gray as her eyes. Her eyes. Her.
”
”
Brian Doyle (Mink River)
“
Young children understand that the idea of “we don’t see color” does not make sense. They will not necessarily use the socially constructed terms of race that we as adults use, such as Black or white, but when asked to describe what color they are and what color their friends are, they use words such as brown and peach that match up with the colors in their Crayola crayon boxes. When
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Layla F. Saad (Me and White Supremacy: Combat Racism, Change the World, and Become a Good Ancestor)
“
Boxing encompasses the very worst and very best of human nature and its beautiful brutality is a marvelous contradiction for a writer. It conjures up so many irreconcilably antagonistic feelings.
”
”
Brian D'Ambrosio
“
Every week seems to bring another luxuriantly creamy envelope, the thickness of a letter-bomb, containing a complex invitation – a triumph of paper engineering – and a comprehensive dossier of phone numbers, email addresses, websites, how to get there, what to wear, where to buy the gifts. Country house hotels are being block-booked, great schools of salmon are being poached, vast marquees are appearing overnight like Bedouin tent cities. Silky grey morning suits and top hats are being hired and worn with an absolutely straight face, and the times are heady and golden for florists and caterers, string quartets and Ceilidh callers, ice sculptors and the makers of disposable cameras. Decent Motown cover-bands are limp with exhaustion. Churches are back in fashion, and these days the happy couple are travelling the short distance from the place of worship to the reception on open-topped London buses, in hot-air balloons, on the backs of matching white stallions, in micro-lite planes. A wedding requires immense reserves of love and commitment and time off work, not least from the guests. Confetti costs eight pounds a box. A bag of rice from the corner shop just won’t cut it anymore.
”
”
David Nicholls (One Day)
“
When a band of flute players attempted a musical concert at a triumph in 167, the audience forced the musicians to change their performance into a boxing match.15 In the widening middle classes commercialism
”
”
Will Durant (Caesar and Christ (Story of Civilization, #3))
“
We have plenty of matches in our house
We keep them on hand always
Currently our favourite brand
Is Ohio Blue Tip
Though we used to prefer Diamond Brand
That was before we discovered
Ohio Blue Tip matches
They are excellently packaged
Sturdy little boxes
With dark and light blue and white labels
With words lettered
In the shape of a megaphone
As if to say even louder to the world
Here is the most beautiful match in the world
It’s one-and-a-half-inch soft pine stem
Capped by a grainy dark purple head
So sober and furious and stubbornly ready
To burst into flame
Lighting, perhaps the cigarette of the woman you love
For the first time
And it was never really the same after that
All this will we give you
That is what you gave me
I become the cigarette and you the match
Or I the match and you the cigarette
Blazing with kisses that smoulder towards heaven.
”
”
Ron Padgett (Collected Poems)
“
My grandmother had a very interesting theory; she said that each of us is born with a box of matches inside us but we can't strike them all by ourselves; just as in the experiment, we need oxygen and a candle to help. In this case, the oxygen, for example, would come from the breath of the person you love; the candle could be any kind of food, music, caress, word, or sound that engenders the explosion that lights one of the matches
”
”
Laura Esquivel (Like Water for Chocolate)
“
People imagine that the war is only a gigantic boxing-match at which they are gazing from afar, thanks to the papers. But that is completely untrue. It is a disease which, when it seems cured at one spot crops up in another.
”
”
Marcel Proust (In Search of Lost Time [volumes 1 to 7])
“
You see, Dimitri and I, we are both suffering from ennui! We have still the match-boxes. But at last one gets tired even of match-boxes. Besides, our collection will soon be complete. And then what are we going to do?"
'Oh, Madame!' I exclaimed, touched by the moral unhappiness of this pretty person, 'if you only had a son, then you would know what to do. You would then learn the purpose of your life, and your thoughts would become at once more serious and yet more cheerful.'
'But I have a son,' she replied. 'He is a big boy; he is eleven years old, and he suffers from ennui like the rest of us. Yes, my George has ennui, too; he is tired of everything. It is very wretched.
”
”
Anatole France (The Crime of Sylvestre Bonnard)
“
Blast it! Where is that letter?"
Sophia pulled it from her pocket. "I have it here."
Sir Reginald's voice lifted with amazament. "You took that from me? When we were-"
"Yes," she said, her color high. "I thought you'd sold my jewelry and that the envelope contained the payment. I wanted proof,so I took it."
"By kissing me?"
Outside, lightning cracked.
"You kissed him?" Dougal demanded.
"Only once."
"Actually, it was twice," Sir Reginald said softly.
Dougal punched him, sending the dandy flying into the wall, where he slid to the floor.
"B'God, that's a nice one!" Red cried. "MacLean, I'd like to see you in a real mill."
"Aye," the earl agreed. "He's got a good solid left."
"What do you know about boxing? Red asked rudely.
"I've seen every large match for the last-"
Thunder crashed as lightning sent shards of light flashing into the great hall.
"That's enough," Dougal said firmly, noting Sophia's pale face.
”
”
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
“
It’s very lonely and sad feeling when you are the Big Box in a relationship. You can fit them but they can’t fit you. You can understand them but they can’t understand you.
The ideal relationship is when one box is just slightly bigger than the other so that they fit like a glove fits in a hand. Then there is no room for insecurities and misunderstandings. Such a match doesn’t come ready-made. Both sides have to surrender to each other to fit into each other.
”
”
Shunya
“
There is nothing quite like the drama and suspense of a penalty shootout. The player tasked with taking the penalty can thunder the ball home or smash it against the crossbar, or even sky it completely over the bar. Nothing will bring housewives out of the kitchen or shush the pub into complete silence quite like the theatre of the penalty shootout, no matter who’s playing. No one can be apathetic about the penalty shootout
It’s as if for just those few seconds a player’s soul is laid bare for the entire world to see. The camera pans in and we can clearly see the hesitancy and heroics, the expectation and exultation, the self-doubt or self-glorification, the uncertainty and relief ….. or disappointment.
Nothing matches the thrill!
”
”
Karl Wiggins (Gunpowder Soup)
“
At any rate, though he never succeeded in laughing at her, as she had done (and continued to do) at him, he fulfilled at least half of what he had predicted he would do when they were married; he beat her. The trouble was, she fought back. And ably, too: for she would snatch up any weapon that was handy, a table lamp, the nail scissors, one of her sharp-heeled shoes, an open box of dusting powder, and once her rubber douche bag. With Amy thus accoutered, husband and wife were about evenly matched. This
”
”
Shelby Foote (Love in a Dry Season)
“
Now we hunt with high-powered sniper rifles, seeking trophies and the thrill of the kill. We're a box of matches in a child's hand. As a species, are we even capable on the whole of realizing the necessary balance in Mother Nature's web-of-life? Time will surely tell.
”
”
L. G. Cullens, Togwotee Passage
“
Look, people need to conform the external reality they face daily with this subjective feeling they likewise experience constantly. To do this they have two options. First, they can achieve what passes for great things. Now the external reality matches their feeling; they really are better than the rest and maybe they'll even be remembered as such. These are the ambitious people, the overachievers. These are also, however, the people who go on these abominable talk shows where they can trade their psychoses for exposure on that box, modernity's ultimate achievement. Not that this tact, being ambitious, is not the preferred course of action. The reason is it's the equivalent of sticking your neck out which we all know is dangerous. Instead many act like they have no ambition whatsoever. Their necks come back in and they're safe. Only problem is now they're at everyone else's level, which we've seen is untenable. The remedy of course is that everyone else needs to be sunk. This helps explain racism's enduring popularity. If I myself don't appear to be markedly superior to everyone else at least I'm part of the better race, country, religion et cetera. This in turn reflects well on my individual worth. There are other options, of course. For example, you can constantly bemoan others' lack of moral worth by extension elevating yourself. Think of the average person's reaction to our clients. Do these people strike you as so truly righteous that they are viscerally pained by our clients' misdeeds or are they similarly flawed people looking for anything to hang their hat on? The latter obviously, they're vermin.
”
”
Sergio de la Pava (A Naked Singularity)
“
I watch as he pulls out a small box and proceeds to light a match, the small flame burning bright. He sticks it in one of the donuts, all the pink frosting Shel asked for, because she knows it’s my favorite color, glowing in the light. I feel my heart warm at the gesture.
”
”
Penelope Douglas (Birthday Girl)
“
Apart from these parental physical jerks, he did not train his body; he merely inhabited it. A friend had once shown what he called gymnastics for the intelligentsia. You took a box of matches and threw its contents on the floor, then bent down and picked them up, one by one. The first time he tried it himself, he lost patience and stuffed all the matches back in handfuls. He persevered, but the next time, just as he was bending down, the telephone went, and he was needed at once; so the housekeeper was detailed to pick up the matches instead.
”
”
Julian Barnes (The Noise of Time)
“
Yes. It is tradition. The first month Vincent was here, he tried to stop it. There was nearly a riot. One gentleman tried to set himself on fire.’ ‘Oh my!’ Grace waved her hand dismissively. ‘He did not have petrol or anything; he just tried to set his anorak alight with a box of matches.
”
”
C.K. McDonnell (The Stranger Times (The Stranger Times #1))
“
I want you to go out and buy yourself a lighter or a good box of matches. If they are matches, it is nice for them to be strike-anywhere matches. Those are the best kind. The lighter does not have to be a very nice one. In fact, it should be fairly nondescript, if possible. You will keep it in your pocket as a sort of token. Stick your hand in there now and then as you go around and remember: all the buildings that exist, all the grand structures of wealth and power, they remain standing because you permit them to remain. With this little lick of flame in your pocket, with this little gift of Prometheus, you can reduce everyone to a sort of grim equality. All those who ride on the high horse may be made to walk. Therefore, when you are at the bank and the bank manager speaks roughly to you, when you are denied entrance to a restaurant or other place of business, when you are made to work longer than you should need to, when you are driven out of your own little dwelling and made to live in the street, reach into your pocket, caress your own little vehicle of flame, and feel the comfort there. We shall set fires—and when we set them, we shall know why.
”
”
Jesse Ball (How to Set a Fire and Why)
“
Yet, there is a Chennai that hasn’t changed and never will. Women still wake up at the crack of dawn and draw the kolam—the rice-flour design—outside their doorstep. Men don’t consider it old-fashioned to wear a dhoti, which is usually matched with a modest pair of Bata chappals. The day still begins with coffee and lunch ends with curd rice. Girls are sent to Carnatic music classes. The music festival continues to be held in the month of December. Tamarind rice is still a delicacy—and its preparation still an art form. It’s the marriage between tradition and transformation that makes Chennai unique. In a place like Delhi, you’ll have to hunt for tradition. In Kolkata, you’ll itch for transformation. Mumbai is only about transformation. It is Chennai alone that firmly holds its customs close to the chest, as if it were a box of priceless jewels handed down by ancestors, even as the city embraces change.
”
”
Bishwanath Ghosh (Tamarind City)
“
Let us consider Elfland as a great national park, a vast and beautiful place where a person goes by himself, on foot, to get in touch with reality in a special, private, profound fashion. But what happens when it is considered merely as a place to "get away to"?
Well, you know what has happened to Yosemite. Everybody comes, not with an ax and a box of matches, but in a trailer with a motorbike on the back and a motorboat on top and a butane stove, five aluminum folding chairs, and a transistor radio on the inside. They arrive totally encapsulated in a secondhand reality. And then they move on to Yellowstone, and it's just the same there, all trailers and transistors. They go from park to park, but they never really go anywhere; except when one of them who thinks that even the wildlife isn't real gets chewed up by a genuine, firsthand bear.
The same sort of thing seems to be happening to Elfland, lately.
”
”
Ursula K. Le Guin (From Elfland to Poughkeepsie)
“
Inside was a box of La Riche Alpine Green hair dye. The color was an exact match for the dress. Graham J. Morgan had a serious sweet side. Curious, I tore open the next envelope. It was a box of green Betty Down There Hair Color with a sticky note that read, I wasn’t sure if the carpet matched the curtains.
”
”
Vi Keeland (Stuck-Up Suit)
“
She takes the box of matches and the pack of Bastos out of his inner pocket, pulls out two cigarettes, presses them between her lips, and lights them both, taking a deep drag with the ease of long habit, he sees the orange glow bright for a moment in the red half-light, and then, as if she’s done it hundreds of times before, she places the other cigarette between his lips, it’s still damp from her mouth like a gentle kiss. And he grows calm, he smoked with a comrade this way so often, keeping watch together at night, killing time by day, during shelling, sitting quietly as all around them the world was undone.
”
”
Anjet Daanje (The Remembered Soldier)
“
everything in the world is a boxing match in your heart, between Boldness and Not-Boldness. You let them holler inside you and wallop each other with Arguments For and Against. Then you end by betting on one or the other and that’s how things get decided.” He thought about it for a moment. “If you’re my father you bet
”
”
Catherynne M. Valente (The Boy Who Lost Fairyland (Fairyland, #4))
“
If you've got some hopelessly over matched heroes fighting evil and some Imperial types marching, John Williams is your guy. You need a song to make people reach for a box of Kleenex, talk to Randy Newman. But if you want creepy atmospherics and spine-shivering chords to back up your casual death threats, you gotta bring in Danny Elfman.
”
”
Kevin Hearne (Hammered (The Iron Druid Chronicles, #3))
“
Kestrel mixed the tiles, but when she set a box of matches on the table, he said, “Let’s play for something else.”
Kestrel didn’t move her hand from the box’s lid. Again she wondered what he could offer her, what he could gamble, and she could think of nothing.
Arin said, “If I win, I will ask a question, and you will answer.”
She felt a nervous flutter. “I could lie. People lie.”
“I’m willing to risk it.”
“If those are your stakes, then I assume my prize would be the same.”
“If you win.”
She still could not quite agree. “Questions and answers are highly irregular stakes in Bite and Sting,” she said irritably.
“Whereas matches make the perfect ante, and are so exciting to win and lose.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
I left the house at around midnight and crept up the driveway to the road. I wore canvas sneakers, athletic socks, safari shorts, a tee-shirt, and had the bright purple knapsack containing Jim's cold, hard foot, a garden trowel, a box of candles and matches to light them, a library copy of The Egyptian Book of the Dead, and some fig bars for a snack.
”
”
Donald Antrim
“
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy’s and talk about the day and type your letters and carry your boxes and laugh at your paranoia and give you tapes you don’t listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you’re sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the the programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you’re late and be amazed when you’re early and give you sunflowers and go to your party and dance till I’m black and be sorry when I’m wrong and happy when you forgive me and look at your photos and wish I’d known you forever and hear your voice in my ear and feel your skin on my skin (...) .
”
”
Sarah Kane (Crave)
“
Maybe I broke too many hearts, maybe I crushed too many souls, maybe my own heart was too broken to give a damn about anyone else’s. Maybe the wise man was right, maybe life was like a boxing match. Tons of people cheered for you from the outside but you were alone in the ring to ght your own battles and deal with your own mess. Maybe I couldn’t deal with mine.
”
”
Nidhie Sharma (Dancing With Demons)
“
So, just as all Fords rolling off the assembly line in a given week might have serial numbers beginning with the same few characters, all the network chips in a given batch would start with the same few hex digits. Some of Dinah’s chips were cheap off-the-shelf hardware made for terrestrial use, but she also had some rad-hard ones, which she hoarded in a shielded box in a drawer beneath her workstation. She opened that drawer, pulled out that box, and took out a little green PC board, about the size of a stick of gum, with an assortment of chips mounted to it. Printed in white capital letters directly on the board was its MAC address. And its first half-dozen digits matched those in the transmission coming from the Space Troll.
”
”
Neal Stephenson (Seveneves)
“
It is hard to understand why the modern West has been so much more troubled by sexual images than by violent ones. Murder has always been illegal in the West, but the representation of murder has rarely inspired the kind of hue and cry generated by the depiction of adults having sex. Those who claim that pornography will impel children to engage in sexual conduct seem not the least bit concerned that war stories and Westerns will encourage children to kill their neighbors. For all the talk of "sex and violence" on television, no one seems to blink at the amount of blood spilled in a boxing match, but one can only imagine the outcry that would follow if a similar amount of semen were shown in a bedroom scene of a daytime soap opera.
”
”
David Allyn (Make Love, Not War: The Sexual Revolution: An Unfettered History)
“
I go to the cupboard. I open the doors to a lacquered red interior the color of the Chinese music box in Aunt Fanniebelle’s curio cabinet. Out drifts lemon, mint, salt, vinegar, and the metallic whiff of blood. In the middle is a line of matching bottles labeled Stump, Ditch, Willow, Lightning, and Urine. Baskets of tiny silk bags tied with ribbons and dried roots are in orderly rows.
”
”
Leah Weiss (All the Little Hopes)
“
This poetry is utilitarian—heavy-duty, industrial strength poetry. It is meant to be read aloud and, even better, memorized and recited. It is best used in the natural world where there are starlit skies, the warmth of blazing fires, and sounds and sights of open expanse. This book is meant to be carried with you in the glove box of a pickup truck, the back pocket of a worn pair of pants, even a saddlebag. It is not made to take up space on a library shelf, squeezed between other unread volumes. Take it along; you never know when the opportunity will be just right. Nothing pleases more than to see copies of the book twice as thick as the original from continued page turning, with turned-down corners marking favorite poems, or the whole shape curved to match the owner’s posterior.
”
”
Hal Cannon (New Cowboy Poetry)
“
Remain Healthy All Day: Drink a spoonful of oil every morning. Reach up with your arms and extend your body to its full height. Use a warm towel to dry the cat. Consider a philosophical idea larger than your area of expertise. Avoid getting cancer. Chalk up bad decisions to outside influences. Don't take your father too seriously. Play a game where you close your eyes very tightly, and when you open your eyes, you have amnesia and you must draw the details of your life from your surroundings. Give up smoking, drinking, and poetic verse. Remind yourself how important you are to your friends or at least your animals. Wax the floor in socks. Enter into a healthy, monogamous relationship. Consider briefly the idea of a soulmate. Light an entire box of matches and throw it into the sink. Hold a metal rod to the heavens and beg for whatever comes next.
”
”
Amelia Gray (AM/PM)
“
Love Poem
We have plenty of matches in our house
We keep them on hand always
Currently our favourite brand
Is Ohio Blue Tip
Though we used to prefer Diamond Brand
That was before we discovered
Ohio Blue Tip matches
They are excellently packaged
Sturdy little boxes
With dark and light blue and white labels
With words lettered
In the shape of a megaphone
As if to say even louder to the world
Here is the most beautiful match in the world
It’s one-and-a-half-inch soft pine stem
Capped by a grainy dark purple head
So sober and furious and stubbornly ready
To burst into flame
Lighting, perhaps the cigarette of the woman you love
For the first time
And it was never really the same after thatAll this will we give you
That is what you gave me
I become the cigarette and you the match
Or I the match and you the cigarette
Blazing with kisses that smoulder towards heaven.
”
”
Ron Padgett (Complete Poems)
“
Mystical organizations are only a crystallization of facts which can be found, in a more diffuse and less tangible form, in all strata of people. The degree of mystical, sentimental and sadistic feelings corresponds exactly to the degree of the disturbance of natural orgastic experience. Close observation of the audience of a trashy thriller or of a boxing match teaches more about these problems than a hundred handbooks of sexology.
”
”
Wilhelm Reich (The Mass Psychology of Fascism)
“
I’m fragile, the fragility of a hopeless romantic trapped in a reality in which there is no happily ever after.
Some people outgrow their fragility. I never did. Instead I became proficient at packaging it. Have you ever encountered a product that comes in a box covered with duct tape, which opens to an explosion of packing peanuts, and then you are faced with layers of tightly taped bubble wrap, only to find after that there’s still a hard plastic shell that’s a pain in the ass to pry apart?
That’s me. Except I never let anyone get past the duct-tape stage. Okay, maybe occasionally Zelda saw the packing peanuts, but no further, no deeper.
So what’s underneath it all? Fear, yes. Need, so much of it. More wishful thinking than there is in the entire country on a Powerball weekend. Maybe greed too, a greed for happiness that’s matched only by the fear of losing it.
”
”
Sherry Thomas (The One In My Heart)
“
Mary.”
Turning at the soft sound of her name, she glanced behind herself. Then frowned. “Lassiter?”
“I’m over here.”
“Where?” She looked all around. “Why is your voice echoing?”
“Chimney.”
“What?”
“I’m stuck in the fucking chimney.”
She raced over to the fireplace and got on her hands and knees. Looking up into the dark flue, she shook her head. “Lass? What the hell are you doing up there?”
His voice emanated from somewhere above her. “Don’t tell anyone, okay?”
“What are you—”
An arm came down. A very sooty arm that was encased in a red sleeve that had white trim. Or what had been white trim and which was now smudged with ash.
“You’re stuck!” she exclaimed. “And thank God no one lit this fire!”
“You’re telling me,” he muttered in his disembodied voice. “I had to blow out Fritz’s match like a hundred times before he gave up. Fuck, that sounds dirty. Anyway, just remind me never to try to be Santa for your kid, okay? I’m not doing this again, even for her.”
Mary stretched a little farther in, but the logs on the hearth stopped her. “Lassiter. Why can’t you free yourself by dematerializing—”
“I’m impaled on a hook that’s iron. I can’t go ghost. And will you just take this?”
“What?”
“This.” He turned his hand toward her and there was…a box…in it? A small navy blue box. “Open it. And before you ask, I already cleared it with your pinheaded hellren. He’s not jel or anything.”
Mary sat back and shook her head. “I’m more worried about you—”
“Justopenthefuckingthingalready.”
Taking off the top, she found a slightly smaller box inside. That was velvet. “What is this?” As she lifted the lid, she…gasped. It was a pair of diamond earrings. A pair of perfectly matched, sparkly, diamond…
“A mother’s tears,” Lassiter’s slightly echo-y voice said softly. “So hard, so beautiful. I told you everything was going to be all right. And those are to remind you of how strong you are, how strong your love for your daughter is…how, even in the worst of times, things have a way of working out as they should.”
Blinking away tears, she thought of her crying in the foyer in front of the angel, crying because all had been lost. “They’re just beautiful,” she said hoarsely.
-Lassiter & Mary
”
”
J.R. Ward (Blood Vow (Black Dagger Legacy, #2))
“
She slid open the box, extracted a match, and struck it with a flourish. The flame flared up in the gloom of the unlit room, a tiny golden beacon. For a moment, Oma Kristel held it aloft, then the unthinkable happened. The match slipped out of her fingers and fell straight onto her pink mohair bosom. With a whooomph! like the sounds of a gas furnace firing up, the hairspray with which Oma Kristel had doused herself ignited, obliterating her in a column of flames.
”
”
Helen Grant (The Vanishing of Katharina Linden)
“
She said that each of us is born with a box of matches inside us but we can't strike them all by ourselves; just as in the experiment, we need oxygen and a candle to help. In this case, the oxygen, for example, would come from the breath of the person you love; the candle could be any kind of food, music, caress, words, or sound that engenders the explosion that lights one of the matches. For a moment we are dazzled by an intense emotion. A pleasant warmth grows within us, fading slowly as time goes by, until a new explosion comes along to revive it. Each person has to discover what will set off those explosions in order to live, since the combustion that occurs when one of them is ignited is what nourishes the soul. That fire, in short, is its food. If one doesn't find out in time what will set off those explosions, the box of matches dampens, and not a single match will ever be lighted.
If that happens, the soul flees from the body and goes to wander among the deepest shades, trying in vain to find food to nourish itself, unaware that only the body it left behind, cold, and defenseless, is capable of providing that food.
That's why it's important to keep your distance from people who have frigid breath. Just their presence can put out the most intense fire, with results we're familiar with. If we stay a good distance away from those people, it's easier to protect ourselves from being extinguished.
”
”
Laura Esquivel
“
4. Or else:
Rough draft of a letter
I think of you, often
sometimes I go back into a cafe, I ist near the door, I order a coffee
I arrange my packet of cigarettes, a box of matches, a writing pad, my felt-pen on the fake marble table
I Spend a long time stirring my cup of coffee with the teasspoon
(yet I don't put any sugar in my coffee, I drink it allowing the sugar to melt in my mouth, like the people of North, like the Russians and Poles when they drink tea)
I pretend to be precoccupied, to be reflecting, as if I had a decision to make
At the top and to the right of the sheet of paaper, I inscribe the date, sometimes the place, sometimes the time, I pretend to be writing a letter
I write slowly, very slowly, as slowly as I can, I trace, I draw each letter, each accent, I check the punctuation marks
I stare attentively at a small notice, the price-list for ice-creams, at a piece of ironwork, a blind, the hexagonal yellow ashtray (in actual fact, it's an equilaterial triangle, in the cutoff corners of which semi-circular dents have been made where cigarettes can be rested)
(...)
Outside there's a bit of sunlight
the cafe is nearly empty
two renovatior's men are having a rum at the bar, the owner is dozing behind his till, the waitress is cleaning the coffee machine
I am thinking of you
you are walking in your street, it's wintertime, you've turned up your foxfur collar, you're smiling, and remote
(...)
”
”
Georges Perec
“
Problem #3: Goals restrict your happiness. The implicit assumption behind any goal is this: “Once I reach my goal, then I’ll be happy.” The problem with a goals-first mentality is that you’re continually putting happiness off until the next milestone. I’ve slipped into this trap so many times I’ve lost count. For years, happiness was always something for my future self to enjoy. I promised myself that once I gained twenty pounds of muscle or after my business was featured in the New York Times, then I could finally relax. Furthermore, goals create an “either-or” conflict: either you achieve your goal and are successful or you fail and you are a disappointment. You mentally box yourself into a narrow version of happiness. This is misguided. It is unlikely that your actual path through life will match the exact journey you had in mind when you set out. It makes no sense to restrict your satisfaction to one scenario when there are many paths to success.
”
”
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
“
Five years ago, when your absence stitched her mouth shut for weeks, I hid your collection of feathers, hid the preserved shells of robin’s eggs, hid the specimens of bone. Each egg was its own shade of blue; I slipped them into a shoebox under my bed. When you were alive, the warmth of each shell held the thrill of possibility. I first learned to mix paint by matching the smooth turquoise of a heron’s egg: first aqua, then celadon, then cooling the warmth of cadmium yellow with phthalo blue. When you died, Teta quoted Attar: The self has passed away in the beloved. Tonight, the sparrows’ feathers are brushstrokes on the dark. This evening is its own witness, the birds’ throats stars on the canvas of the night. They clap into cars and crash through skylights, thunk into steel trash cans with the lids off, slice through the branches of boxed-in gingkoes. Gravity snaps shut their wings. The evening’s fog smears the city to blinding. Migrating birds, you used to say, the city’s light can kill.
”
”
Zeyn Joukhadar (The Thirty Names of Night)
“
My son was something of a disciple of flying things. On his bedroom wall were posters of fighter planes and wild birds. A model of a helicopter was chandeliered to his ceiling. His birthday cake, which sat before me on the picnic table, was decorated with a picture of a rocket ship - a silver-white missile with discharging thrusters. I had been hoping that the baker would place a few stars in the frosting as well (the cake in the catalog was dotted with yellow candy sequins), but when I opened the box I found that they were missing. So this is what I did: as Joshua stood beneath the swing set, fishing for something in his pocket, I planted his birthday candles deep in the cake. I pushed them in until each wick was surrounded by only a shallow bracelet of wax. Then I called the children over from the swing set. They came, tearing up divots in the grass.
We sang happy birthday as I held a match to the candles.
Joshua closed his eyes.
"Blow out the stars," I said, and his cheeks rounded with air.
”
”
Kevin Brockmeier (The United States of McSweeney's: Ten Years of Lucky Mistakes and Accidental Classics)
“
Later, as the sisters grew, Esther hyperfocused on their differences, but as a little kid she'd been far more hypnotised by their sameness. They both loved chewing lemon peels and watermelon rinds, loved pictures of goats but not actual goats, loved putting sand in their hair so they could scratch it out later, loved watching their parents slow-dance in the living room to Motown records. They loved the sound of the wind, the sound of breaking ice, the sound of coyotes calling on the mountain.
They disliked zippers, ham, the word 'milk', flute music, the gurgling sound of the refrigerator, Cecily's long weekends away, Abe's insistence on regular chess matches, and days with no clouds. They disliked the boxes of books that came to their door daily or were lugged home by their father, disliked their dusty lonesome smell and how they consumed Abe's attention. They disliked when their parents closed the bedroom door and fought in whispers. They hated the phrase 'half sister.' There had been no half about it.
”
”
Emma Törzs (Ink Blood Sister Scribe)
“
Three wretched chairs were all the furniture of this room, which was at once the kitchen and the dining-room. Over the chimney-piece were a piece of looking-glass, a tinder-box, three glasses, some matches, and a large, cracked white jug. Still, the floor, the utensils, the fireplace, all gave a pleasant sense of the perfect cleanliness and thrift that pervaded the dull and gloomy home. The old woman’s pale, withered face was quite in harmony with the darkness of the street and the mustiness of the place.
”
”
Honoré de Balzac (Works of Honore de Balzac)
“
While they go get the others, I figure out the details. The system I’ve set up is intended to "process’’ matches. It does this by moving a quantity of match sticks out of their box, and through each of the bowls in succession. The dice determine how many matches can be moved from one bowl to the next. The dice represent the capacity of each resource, each bowl; the set of bowls are my dependent events, my stages of production. Each has exactly the same capacity as the others, but its actual yield will fluctuate somewhat.
”
”
Eliyahu M. Goldratt
“
When I’m in a match, I feel like I’m at the bottom of a deep, deep hole. So far inside I can’t see anyone else and no one can see me. Way down there in the darkness, doing battle. All alone. But not sad alone,” said Ozawa. “There’s all different kinds of loneliness. There’s the tragic loneliness that tears at your nerves with pain. And then there’s the loneliness that isn’t like that at all—though in order to reach that point, you’ve got to pare your body down. If you make the effort, you get back what you put in. That’s what I learned from boxing.
”
”
Haruki Murakami (The Elephant Vanishes)
“
The sitting room is subdued, symmetrical; it’s one of the shapes money takes when it freezes. Money has trickled through this room for years and years, as if through an underground cavern, crusting and hardening like stalactites into these forms. Mutely the varied surfaces present themselves: the dusk-rose velvet of the drawn drapes, the gloss of the matching chairs, eighteenth century, the cow’s-tongue hush of the tufted Chinese rug on the floor, with its peach-pink peonies, the suave leather of the Commander’s chair, the glint of brass on the box beside it.
”
”
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
“
A large and comfortable double-bedded room had been placed at our disposal, and I was quickly between the sheets, for I was weary after my night of adventure. Sherlock Holmes was a man, however, who when he had an unsolved problem upon his mind would go for days, and even for a week, without rest, turning it over, rearranging his facts, looking at it from every point of view, until he had either fathomed it, or convinced himself that his data were insufficient. It was soon evident to me that he was now preparing for an all-night sitting. He took off his coat and waistcoat, put on a large blue dressing-gown, and then wandered about the room collecting pillows from his bed, and cusions from the sofa and armchairs. With these he constructed a sort of Eastern divan, upon which he perched himself cross-legged, with an ounce of shag tobacco and a box of matches laid out in front of him. In the dim light of the lamp I saw him sitting there, an old brier pipe between his lips, his eyes fixed vacantly upon the corner of the ceiling, the blue smoke curling up from him, silent, motionless, with the light shining upon his strong-set aquiline features. So he sat as I dropped off to sleep, and so he sat when a sudden ejaculation caused me to wake up, and I found the summer sun shining into the apartment. The pipe was still between his lips, the smoke still curled upwards, and the room was full of a dense tobacco haze, but nothing remained of the heap of shag which I had seen upon the previous night.
'Awake, Watson?' he asked.
'Yes.'
'Game for a morning drive?'
'Certainly.'
'Then dress. No one is stirring yet, but I know where the stable-boy sleeps, and we shall soon have the trap out.
”
”
Arthur Conan Doyle (The Man with the Twisted Lip - a Sherlock Holmes Short Story (The Adventures of Sherlock Holmes, #6))
“
There is a lovely old-fashioned pearl set in the treasure chest, but Mother said real flowers were the prettiest ornament for a young girl, and Laurie promised to send me all I want," replied Meg. "Now, let me see, there's my new gray walking suit, just curl up the feather in my hat, Beth, then my poplin for Sunday and the small party, it looks heavy for spring, doesn't it? The violet silk would be so nice. Oh, dear!" "Never mind, you've got the tarlaton for the big party, and you always look like an angel in white," said Amy, brooding over the little store of finery in which her soul delighted. "It isn't low-necked, and it doesn't sweep enough, but it will have to do. My blue housedress looks so well, turned and freshly trimmed, that I feel as if I'd got a new one. My silk sacque isn't a bit the fashion, and my bonnet doesn't look like Sallie's. I didn't like to say anything, but I was sadly disappointed in my umbrella. I told Mother black with a white handle, but she forgot and bought a green one with a yellowish handle. It's strong and neat, so I ought not to complain, but I know I shall feel ashamed of it beside Annie's silk one with a gold top," sighed Meg, surveying the little umbrella with great disfavor. "Change it," advised Jo. "I won't be so silly, or hurt Marmee's feelings, when she took so much pains to get my things. It's a nonsensical notion of mine, and I'm not going to give up to it. My silk stockings and two pairs of new gloves are my comfort. You are a dear to lend me yours, Jo. I feel so rich and sort of elegant, with two new pairs, and the old ones cleaned up for common." And Meg took a refreshing peep at her glove box. "Annie Moffat has blue and pink bows on her nightcaps. Would you put some on mine?" she asked, as Beth brought up a pile of snowy muslins, fresh from Hannah's hands. "No, I wouldn't, for the smart caps won't match the plain gowns without any trimming on them. Poor folks shouldn't rig," said Jo decidedly. "I wonder if I shall ever be happy enough to have real lace on my clothes and bows on my caps?" said Meg impatiently. "You said the other day that you'd be perfectly happy if you could only go to Annie Moffat's," observed Beth in her quiet way. "So I did! Well, I am happy, and I won't fret, but it does seem as if the more one gets the more one wants, doesn't it?
”
”
Louisa May Alcott (Little Women (Little Women #1))
“
I began to think that you wouldn’t play someone you couldn’t beat,” said Arin.
Kestrel looked up from her piano to see him standing by the doors she had left open, then glanced at the Bite and Sting set lying on a table by the garden windows.
“Not at all,” said Kestrel. “I have been busy.”
His gaze flicked to the piano. “So I’ve heard.”
Kestrel moved to sit at the table and said, “I’m intrigued by your choice of room.”
He hesitated, and she thought he was ready to deny any responsibility of choice, to pretend that a ghost had left that tile on the piano. Then he shut the doors behind him. The room, though large, felt suddenly small. Arin crossed the room to join her at the table. He said, “I didn’t like playing in your suite.”
She decided not to take offense. She had asked him to be honest. Kestrel mixed the tiles, but when she set a box of matches on the table, he said, “Let’s play for something else.”
Kestrel didn’t move her hand from the box’s lid. Again she wondered what he could offer her, what he could gamble, and she could think of nothing.
Arin said, “If I win, I will ask a question, and you will answer.”
She felt a nervous flutter. “I could lie. People lie.”
“I’m willing to risk it.”
“If those are your stakes, then I assume my prize would be the same.”
“If you win.”
She still could not quite agree. “Questions and answers are highly irregular stakes in Bite and Sting,” she said irritably.
“Whereas matches make the perfect ante, and are so exciting to win and lose.”
“Fine.” Kestrel tossed the box to the carpet, where it landed with a muffled sound.
Arin didn’t look satisfied or amused or anything at all. He simply drew his hand. She did the same. They played in intent concentration, and Kestrel was determined to win.
She didn’t.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
night.” “Sometimes, yes,” Meggie had said. “But it only works for children.” Which made Mo tweak her nose. Mo. Meggie had never called her father anything else. That night—when so much began and so many things changed forever—Meggie had one of her favorite books under her pillow, and since the rain wouldn’t let her sleep she sat up, rubbed the drowsiness from her eyes, and took it out. Its pages rustled promisingly when she opened it. Meggie thought this first whisper sounded a little different from one book to another, depending on whether or not she already knew the story it was going to tell her. But she needed light. She had a box of matches hidden in the drawer of her bedside table. Mo had forbidden her to light candles at night. He didn’t like fire. “Fire devours books,” he always said, but she was twelve years old, she surely could be trusted to keep an eye on a couple of candle flames. Meggie loved to read by candlelight. She had five candlesticks on the windowsill, and she was just holding the lighted match to one of the black wicks when she heard footsteps outside. She blew out the match in alarm—oh, how well she remembered it, even many years later—and knelt to look out of the window, which was wet with rain. Then she saw him. The rain cast a kind of pallor on the darkness, and the stranger was little more than a shadow. Only his face gleamed white as he looked up at Meggie. His hair clung to his wet forehead. The rain was falling on him, but he ignored it. He stood there motionless, arms crossed over his chest as if that might at least warm him a little. And he kept on staring at the house. I must go and wake Mo, thought Meggie. But she stayed put, her heart thudding, and went on gazing out into the night as if the stranger’s stillness had infected her. Suddenly, he turned his head, and Meggie felt as if he were looking straight into her eyes. She shot off the bed so fast the open book fell to the floor, and she ran barefoot out into the dark corridor. This was the end of May, but it was chilly in the old house. There was still a light on in Mo’s room. He often stayed up reading late into the night. Meggie had inherited her love of books from her father. When she took refuge from a bad dream with him, nothing could lull her to sleep better than Mo’s calm breathing beside her and the sound of the pages turning. Nothing chased nightmares away faster than
”
”
Cornelia Funke (Inkheart / Inkspell / Inkdeath (The Inkheart Trilogy #1-3))
“
But that was where his excitement began to melt into cold anxiety. His dad had been the Gryffindor Seeker, the youngest one in Hogwarts history. The best he, James, could hope for was to match that record. That’s what everyone would expect of him, the first-born son of the famous hero. He remembered the story, told to him dozens of times (although never by his own dad) of how the young Harry Potter had won his first Golden Snitch by virtually jumping off his broom, catching the golden ball in his mouth and nearly swallowing it. The tellers of the tale would always laugh uproariously, delightedly, and if Dad was there, he’d smile sheepishly as they clapped him on the back. When James was four, he found that famed Snitch in a shoe box in the bottom of the dining room hutch. His mum told him it’d been a gift to Dad from the old school headmaster. The tiny wings no longer worked, and the golden ball had a thin coat of dust and tarnish on it, but James was mesmerized by it. It was the first Snitch he had ever seen close up. It seemed both smaller and larger than he’d imagined, and the weight of it in his small hand was surprising. This is the famous Snitch, James thought reverently, the one from the story, the one caught by my dad. He asked his dad if he could keep it, stored in the shoebox when he wasn’t playing with it, in his room. His dad agreed easily, happily, and James moved the shoebox from the bottom of the hutch to a spot under the head of his bed, next to his toy broom. He pretended the dark corner under his headboard was his Quidditch locker. He spent many an hour pretending to zoom and bank over the Quidditch green, chasing the fabled Snitch, in the end, always catching it in a fantastic diving crash, jumping up, producing his dad’s tarnished Snitch for the approval of roaring imaginary crowds.
”
”
G. Norman Lippert (James Potter and the Hall of Elders' Crossing (James Potter, #1))
“
Life, any life, is very short. But if you’ve managed to be happy for at least an instant, it will have been worth living.” “An instant! How short is that?” “Very short. It’s enough to be happy for as long as it takes a match to be lit and go out.” Dita is silent as she weighs up how many matches have been lit and gone out in her life—and there have been lots. Many brief moments in which a flame has shone, even in the midst of the deepest darkness. Some of those moments have occurred when, in the middle of some huge disaster, she has opened a book and buried herself in it. Her small library is a box of matches.
”
”
Antonio Iturbe (The Librarian of Auschwitz)
“
Even more importantly, there simply is no direct relation between physical strength and social power among humans. People in their sixties usually exercise power over people in their twenties, even though twenty-somethings are much stronger than their elders. The typical plantation owner in Alabama in the mid-nineteenth century could have been wrestled to the ground in seconds by any of the slaves cultivating his cotton fields. Boxing matches were not used to select Egyptian pharaohs or Catholic popes. In forager societies, political dominance generally resides with the person possessing the best social skills rather than the most developed musculature. In organized crime, the big boss is not necessarily the strongest man. He is often an older man who very rarely uses his own fists; he gets younger and fitter men to do the dirty jobs for him. A guy who thinks that the way to take over the syndicate is to beat up the don is unlikely to live long enough to learn from his mistake. Even among chimpanzees, the alpha male wins his position by building a stable coalition with other males and females, not through mindless violence.
In fact, human history shows that there is often an inverse relation between physical prowess and social power. In most societies, it’s the lower classes who do the manual labor. This may reflect homo sapiens position in the food chain. If all that counted were raw physical abilities, sapiens would have found themselves on a middle rung of the ladder. But their mental and social skills placed them at the top. It is therefore only natural that the chain of power within the species will also be determined by mental and social abilities more than by brute force. It is therefore hard to believe that the most influential and most stable social hierarchy in history is founded on men's ability to physically coerce women.
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
Wallace would never realize his political ambitions, but he would certainly play a part in seeing that Johnson realized his. After the assassination of President Kennedy, a fingerprint was found on a cardboard box in the sniper’s nest on the sixth floor of the Texas School Book Depository. It could not be linked with Oswald, any other employee of the Texas School Book Depository, or any law enforcement officer who had handled the box. Wallace’s print from his previous conviction and the one found on the box were a match, according to fingerprint expert A. Nathan Darby, former head of Austin’s police identification unit. Darby was the most experienced certified latent print examiner in America, with more than thirty-five years of military forensic and police experience. An initial comparison found a match between the two prints on fourteen unique points while Darby ultimately ascertained that the two prints had thirty-two matching points,65 far exceeding the requirement for identification and conviction. “I’m positive,” said Darby. “The finger that made the ink print also made the latent print. It’s a match.” In comparison, “the Dallas police found only three partial fingerprints of Oswald on only two of the boxes in the area.”66
”
”
Roger Stone (The Man Who Killed Kennedy: The Case Against LBJ)
“
It is a gratuitous pastime to belittle the material achievements of capitalism by observing that there are things that are more essential for mankind than bigger and speedier motorcars, and homes equipped with central heating, air conditioning, refrigerators, washing machines, and television sets. There certainly are such higher and nobler pursuits. But they are higher and nobler precisely because they cannot be aspired to by any external effort, but require the individual’s personal determination and exertion. those levelling this reproach against capitalism display a rather crude and materialistic view in assuming that moral and spiritual culture could be built either by the government or by the organization of production activities. All that these external factors can achieve in this regard is to bring about an environment and a competence which offers the individuals the opportunity to work at their own personal perfection and edification. It is not the fault of capitalism that the masses prefer a boxing match to a performance of Sophocles’ Antigone, jazz music to Beethoven symphonies, and comics to poetry. But it is certain that while pre-capitalistic conditions as they still prevail in the much greater part of the world makes these good things accessible only to a small minority of people, capitalism gives to the many a favorable chance of striving after them.
”
”
Ludwig von Mises (Liberty And Property)
“
She got to her feet instantly, overcome by the sudden need to get to the matches. She groped her way across the floor, got to the night stand and felt for the box. She opened it, took out a match, and lit it. She nearly had to squint in the sudden flare of brightness as the sulfury smell hit her nose. The pulsing circle of light that surrounded her right hand was so warm and welcome she almost felt like crying. When the match nearly burned down, she lit another, then found the candle and lit it. When it was going, the warm glow made the place look much different. It brought out the color of the wood all around her. It also made the shadows look even darker off in the corners, where the light didn’t reach.
”
”
Erik Goddard (The Kidnapping of Sarah Easton)
“
Considered in the abstract the boxing ring is an altar of sorts, one of those legendary spaces where the laws of a nation are suspended: inside the ropes, during an officially regulated three-minute round, a man may be killed at his opponents hands but he cannot be legally murdered. Boxing inhabits a sacred space predating civilization; or, to use D.H. Lawrence's phrase, before God was love. If it suggests a savage ceremony or a rite of atonement it also suggests the futility of such gestures. For what possible atonement is the fight waged if it must shortly be waged again... and again? The boxing match is the very image, the more terrifying for being so stylized, of mankind's collective aggression; its ongoing historical madness.
”
”
Joyce Carol Oates (On Boxing)
“
At any rate, spring is here, even in London N.1, and they can't stop you enjoying it. This is a satisfying reflection. How many a time have I stood watching the toads mating, or a pair of hares having a boxing match in the young corn, and thought of all the important persons who would stop me enjoying this if they could. But luckily they can’t. So long as you are not actually ill, hungry, frightened or immured in a prison or a holiday camp, Spring is still Spring. The atom bombs are piling up in the factories, the police are prowling through the cities, the lies are streaming from the loudspeakers, but the earth is still going round the sun, and neither the dictators nor the bureaucrats, deeply as they disapprove of the process, are able to prevent it.
”
”
George Orwell (Some Thoughts on the Common Toad)
“
Faint traces of other black churches are tucked away in handwritten ledgers at the state archives at Morrow; in the collections at the University of Georgia in Athens; even in the basement of the Forsyth courthouse, where a cardboard box atop a metal filing cabinet still holds deeds for the land on which black residents once founded Mt. Fair, Shakerag, and Stoney Point - about which nothing is known but names and approximate locations. All that can be said for certain is that, again and again in the fall of 1912, white men sloshed gasoline and kerosene onto the benches and wooden floors of such rooms, then backed out into the dark, tossing lit matches as they went. All over the county, beneath the ground on which black churches stood, the soil is rich with ashes.
”
”
Patrick Phillips (Blood at the Root: A Racial Cleansing in America)
“
I close my eyes and hear wind rushing through palm trees again. And then laughter. The scene is foggy at first, and then it comes into sharp focus. I am standing in a kitchen. It's one of those big, well-appointed spaces you see in magazines, but this one is well loved, not just staged. A cake bakes in the oven. Carrot. There are matches and a box of birthday candles at the ready by the stove. Stan Getz's smoky-sweet saxophone filters from a speaker somewhere nearby. I'm stirring a pot of marinara sauce; a bit has splattered onto the marble countertop, but I don't care. I take a sip of wine and sway to the music. A little girl giggles on the sofa. I don't see her face, just her blond ponytail. And then warm, strong arms around my waist as he presses his body against me. I breathe in the scent of rugged spice, fresh cotton, and love.
”
”
Sarah Jio (All the Flowers in Paris)
“
Hymn to Mercury : Continued
11.
...
Seized with a sudden fancy for fresh meat,
He in his sacred crib deposited
The hollow lyre, and from the cavern sweet
Rushed with great leaps up to the mountain's head,
Revolving in his mind some subtle feat
Of thievish craft, such as a swindler might
Devise in the lone season of dun night.
12.
Lo! the great Sun under the ocean's bed has
Driven steeds and chariot—the child meanwhile strode
O'er the Pierian mountains clothed in shadows,
Where the immortal oxen of the God
Are pastured in the flowering unmown meadows,
And safely stalled in a remote abode.—
The archer Argicide, elate and proud,
Drove fifty from the herd, lowing aloud.
13.
He drove them wandering o'er the sandy way,
But, being ever mindful of his craft,
Backward and forward drove he them astray,
So that the tracks which seemed before, were aft;
His sandals then he threw to the ocean spray,
And for each foot he wrought a kind of raft
Of tamarisk, and tamarisk-like sprigs,
And bound them in a lump with withy twigs.
14.
And on his feet he tied these sandals light,
The trail of whose wide leaves might not betray
His track; and then, a self-sufficing wight,
Like a man hastening on some distant way,
He from Pieria's mountain bent his flight;
But an old man perceived the infant pass
Down green Onchestus heaped like beds with grass.
15.
The old man stood dressing his sunny vine:
'Halloo! old fellow with the crooked shoulder!
You grub those stumps? before they will bear wine
Methinks even you must grow a little older:
Attend, I pray, to this advice of mine,
As you would 'scape what might appal a bolder—
Seeing, see not—and hearing, hear not—and—
If you have understanding—understand.'
16.
So saying, Hermes roused the oxen vast;
O'er shadowy mountain and resounding dell,
And flower-paven plains, great Hermes passed;
Till the black night divine, which favouring fell
Around his steps, grew gray, and morning fast
Wakened the world to work, and from her cell
Sea-strewn, the Pallantean Moon sublime
Into her watch-tower just began to climb.
17.
Now to Alpheus he had driven all
The broad-foreheaded oxen of the Sun;
They came unwearied to the lofty stall
And to the water-troughs which ever run
Through the fresh fields—and when with rushgrass tall,
Lotus and all sweet herbage, every one
Had pastured been, the great God made them move
Towards the stall in a collected drove.
18.
A mighty pile of wood the God then heaped,
And having soon conceived the mystery
Of fire, from two smooth laurel branches stripped
The bark, and rubbed them in his palms;—on high
Suddenly forth the burning vapour leaped
And the divine child saw delightedly.—
Mercury first found out for human weal
Tinder-box, matches, fire-irons, flint and steel.
19.
And fine dry logs and roots innumerous
He gathered in a delve upon the ground—
And kindled them—and instantaneous
The strength of the fierce flame was breathed around:
And whilst the might of glorious Vulcan thus
Wrapped the great pile with glare and roaring sound,
Hermes dragged forth two heifers, lowing loud,
Close to the fire—such might was in the God.
20.
And on the earth upon their backs he threw
The panting beasts, and rolled them o'er and o'er,
And bored their lives out. Without more ado
He cut up fat and flesh, and down before
The fire, on spits of wood he placed the two,
Toasting their flesh and ribs, and all the gore
Pursed in the bowels; and while this was done
He stretched their hides over a craggy stone.
”
”
Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)
“
I wore an emerald long-sleeved dress by Vivienne Tam and a pair of tangerine Christian Louboutins. I had seen the same look in one of Emerald's Vogues and asked Giada to overnight it. I learned quickly, though I wasn't very original. I'd changed in a coffee shop next to my apartment, then hopped into a cab.
"Next time we must coordinate outfits beforehand," Michael whispered as we sat down. "I was going for 'salt of the earth' today."
"Oh, I wanted to match the décor," I said.
Tellicherry felt like a sexy, sinister jewel box. A rich sapphire blue stained the walls in large, meandering splotches, like dye dropped into water. Bronze silk leaped and dipped in the cushions. The waitresses wore black dresses with seductive lace panels revealing flesh-colored bits, and the waiters slinked in semi-sheer pajama-like outfits, conjuring bedtime escapades, none of which involved sleeping.
”
”
Jessica Tom (Food Whore)
“
To watch boxing closely, and seriously, is to risk moments of what might be called animal panic—a sense not only that something very ugly is happening but that, by watching it, one is an accomplice. This awareness, or revelation, or weakness, or hairline split in one’s cuticle of a self can come at any instant, unanticipated and unbidden; though of course it tends to sweep over the viewer when he is watching a really violent match. I feel it as vertigo—breathlessness—a repugnance beyond language: a sheerly physical loathing. That it is also, or even primarily, self-loathing goes without saying.
...
At such times one thinks: What is happening? why are we here? what does this mean? can’t this be stopped? ... Yet we don't give up on boxing, it isn't that easy. Perhaps it's like tasting blood. Or, more discreetly put, love commingled with hate is more powerful than love. Or hate.
”
”
Joyce Carol Oates (On Boxing)
“
I wish I could talk,” she said. “I wish I could tell what it is I think about it.” Then she stretched her arm out, and took a match from the box on the table. She smoked, more than he did, and he expected her to take a cigarette also. But she did not. It was a big kitchen-match, the kind she liked. She turned it between thumb and finger, saying nothing. Then she scratched it against the box. The matchhead spurted into a flare. Then the fierceness faded out, and the wood of the match-shank burned quietly in yellow flame. Suddenly she blew it out. Vaguely he knew that she, who did not find words easily, had tried—perhaps half unconsciously—to act out something that she could not say. Slowly he thought that he understood. The match lived, not when it lay in the box, but merely when it burned—and it could not burn forever. So too with men and women. Not by denying life was life lived.
”
”
George R. Stewart (Earth Abides)
“
Arin said, “If I win, I will ask a question, and you will answer.”
She felt a nervous flutter. “I could lie. People lie.”
“I’m willing to risk it.”
“If those are your stakes, then I assume my prize would be the same.”
“If you win.”
She still could not quite agree. “Questions and answers are highly irregular stakes in Bite and Sting,” she said irritably.
“Whereas matches make the perfect ante, and are so exciting to win and lose.”
“Fine.” Kestrel tossed the box to the carpet, where it landed with a muffled sound.
Arin didn’t look satisfied or amused or anything at all. He simply drew his hand. She did the same. They played in intent concentration, and Kestrel was determined to win.
She didn’t.
“I want to know,” Arin said, “why you are not already a soldier.”
Kestrel couldn’t have said what she had thought he would ask, but this was not it, and the question recalled years of arguments she would rather forget. She was curt. “I’m seventeen. I’m not yet required by law to enlist or marry.”
He settled back in his chair, toying with one of his winning pieces. He tapped a thin side against the table, spun the tile in his fingers, and tapped another side. “That’s not a full answer.”
“I don’t think we specified how short or long these answers should be. Let’s play again.”
“If you win, will you be satisfied with the kind of answer you have given me?”
Slowly, she said, “The military is my father’s life. Not mine. I’m not even a skilled fighter.”
“Really?” His surprise seemed genuine.
“Oh, I pass muster. I can defend myself as well as most Valorians, but I’m not good at combat. I know what it’s like to be good at something.”
Arin glanced again at the piano.
“There is also my music,” Kestrel acknowledged. “A piano is not very portable. I could hardly take it with me if I were sent into battle.”
“Playing music is for slaves,” Arin said. “Like cooking or cleaning.”
Kestrel heard anger in his words, buried like bedrock under the careless ripple of his voice. “It wasn’t always like that.”
Arin was silent, and even though Kestrel had initially tried to answer his question in the briefest of ways, she felt compelled to explain the final reason behind her resistance to the general. “Also…I don’t want to kill.” Arin frowned at this, so Kestrel laughed to make light of the conversation. “I drive my father mad. Yet don’t all daughters? So we’ve made a truce. I have agreed that, in the spring, I will either enlist or marry.”
He stopped spinning the tile in his fingers. “You’ll marry, then.”
“Yes. But at least I will have six months of peace first.”
Arin dropped the tile to the table. “Let’s play again.”
This time Kestrel won, and wasn’t prepared for how her blood buzzed with triumph.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
I jumped then. It seemed I heard a child laugh. My imagination, of course. And then, when I should have known better, I headed for the closet and the high and narrow door at the very back end and the steep and narrow dark stairs. A million times I’d ascended these stairs. A million times in the dark, without a candle, or a flashlight. Up into the dark, eerie, gigantic attic, and only when I was there did I feel around for the place where Chris and I had hidden our candles and matches.
Still there. Time did stand still in this place. We’d had several candle holders, all of pewter with small handles to grasp. Holders we’d found in an old trunk along with boxes and boxes of short, stubby, clumsily made candles. We’d always presumed them to be homemade candles, for they had smelled so rank and old when they burned.
My breath caught! Oh! It was the same! The paper flowers still dangled down, mobiles to sway in the drafts, and the giant flowers were still on the walls. Only all the colors had faded to indistinct gray—ghost flowers. The sparkling gem centers we’d glued on had loosened, and now only a few daisies had sequins, or gleaming stones, for centers. Carrie’s purple worm was there only now he too was a nothing color. Cory’s epileptic snail didn’t appear a bright, lopsided beach ball now, it was more a tepid, half-rotten squashy orange. The BEWARE signs Chris and I had painted in red were still on the walls, and the swings still dangled down from the attic rafters. Over near the record player was the barre Chris had fashioned, then nailed to the wall so I could practice my ballet positions. Even my outgrown costumes hung limply from nails, dozens of them with matching leotards and worn out pointe shoes, all faded and dusty, rotten smelling.
As in an unhappy dream I was committed to, I drifted aimlessly toward the distant schoolroom, with the candelight flickering. Ghosts were unsettled, memories and specters followed me as things began to wake up, yawn and whisper. No, I told myself, it was only the floating panels of my long chiffon wings . . . that was all. The spotted rocking-horse loomed up, scary and threatening, and my hand rose to my throat as I held back a scream. The rusty red wagon seemed to move by unseen hands pushing it, so my eyes took flight to the blackboard where I’d printed my enigmatic farewell message to those who came in the future. How was I to know it would be me?
We lived in the attic,
Christopher, Cory, Carrie and me—
Now there are only three.
Behind the small desk that had been Cory’s I scrunched down, and tried to fit my legs under. I wanted to put myself into a deep reverie that would call up Cory’s spirit that would tell me where he lay.
”
”
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
“
No, it’s that empathy,” Irmgard said vigorously. Fists clenched, she roved into the kitchen, up to Isidore. “Isn’t it a way of proving that humans can do something we can’t do? Because without the Mercer experience we just have your word that you feel this empathy business, this shared, group thing. How’s the spider?” She bent over Pris’s shoulder. With the scissors, Pris snipped off another of the spider’s legs. “Four now,” she said. She nudged the spider. “He won’t go. But he can.” Roy Baty appeared at the doorway, inhaling deeply, an expression of accomplishment on his face. “It’s done. Buster said it out loud, and nearly every human in the system heard him say it. ‘Mercerism is a swindle.’ The whole experience of empathy is a swindle.” He came over to look curiously at the spider. “It won’t try to walk,” Irmgard said. “I can make it walk.” Roy Baty got out a book of matches, lit a match; he held it near the spider, closer and closer, until at last it crept feebly away. “I was right,” Irmgard said. “Didn’t I say it could walk with only four legs?” She peered up expectantly at Isidore. “What’s the matter?” Touching his arm she said, “You didn’t lose anything; we’ll pay you what that—what’s it called?—that Sidney’s catalogue says. Don’t look so grim. Isn’t that something about Mercer, what they discovered? All that research? Hey, answer.” She prodded him anxiously. “He’s upset,” Pris said. “Because he has an empathy box. In the other room. Do you use it, J. R.?” she asked Isidore. Roy Baty said, “Of course he uses it. They all do—or did. Maybe now they’ll start wondering.” “I don’t think this will end the cult of Mercer,” Pris said. “But right this minute there’re a lot of unhappy human beings.” To Isidore she said, “We’ve waited for months; we all knew it was coming, this pitch of Buster’s.” She hesitated and then said, “Well, why not. Buster is one of us.
”
”
Philip K. Dick (Do Androids Dream of Electric Sheep?)
“
When we use silence, we know exactly what’s going on in our minds and just don’t share it, but others don’t know what we hide at that moment. We know how we feel and think, but we refuse to share these thoughts.
If you have a certain belief, you identify as this certain box they have created to fit you in along with other people who share similar beliefs. The mind does not like complexity and wants to keep receiving information simple.
When you remain silent, this quick and simple process that the mind does becomes complex, because it needs more data. Silence requires more analytical thinking which is difficult for a mind that is preoccupied with thousands of tasks and projects to come across daily.
That’s the easiest job the mind can do. Based on previous experiences and personality samples that match yours, they will assume that you identify as a certain type, have certain beliefs or share similar thoughts to other people of that sample.
”
”
Terry Ouzounelli (The Silence of the Sheep)
“
Buster Friendly said, “We may never know. Nor can we fathom the peculiar purpose behind this swindle. Yes, folks, swindle. Mercerism is a swindle!”
“I think we know,” Roy Baty said. “It’s obvious. Mercerism came into existence—”
“But ponder this,” Buster Friendly continued. “Ask yourselves what is it that Mercerism does. Well, if we’re to believe its many practitioners, the experience fuses—”
“It’s that empathy that humans have,” Irmgard said.
“—men and women throughout the Sol System into a single entity. But an entity which is manageable by the so-called telepathic voice of ‘Mercer.’ Mark that. An ambitious politically minded would-be Hitler could—”
“No, it’s that empathy,” Irmgard said vigorously. Fists clenched, she roved into the kitchen, up to Isidore. “Isn’t it a way of proving that humans can do something we can’t do? Because without the Mercer experience we just have your word that you feel this empathy business, this shared, group thing. How’s the spider?” She bent over Pris’s shoulder.
With the scissors, Pris snipped off another of the spider’s legs. “Four now,” she said. She nudged the spider. “He won’t go. But he can.”
Roy Baty appeared at the doorway, inhaling deeply, an expression of accomplishment on his face. “It’s done. Buster said it out loud, and nearly every human in the system heard him say it. ‘Mercerism is a swindle.’ The whole experience of empathy is a swindle.” He came over to look curiously at the spider.
“It won’t try to walk,” Irmgard said.
“I can make it walk.” Roy Baty got out a book of matches, lit a match; he held it near the spider, closer and closer, until at last it crept feebly away.
“I was right,” Irmgard said. “Didn’t I say it could walk with only four legs?” She peered up expectantly at Isidore. “What’s the matter?” Touching his arm she said, “You didn’t lose anything; we’ll pay you what that—what’s it called?—that Sidney’s catalogue says. Don’t look so grim. Isn’t that something about Mercer, what they discovered? All that research? Hey, answer.” She prodded him anxiously.
“He’s upset,” Pris said. “Because he has an empathy box. In the other room. Do you use it, J. R.?” she asked Isidore.
Roy Baty said, “Of course he uses it. They all do—or did. Maybe now they’ll start wondering.”
“I don’t think this will end the cult of Mercer,” Pris said. “But right this minute there’re a lot of unhappy human beings.” To Isidore she said, “We’ve waited for months; we all knew it was coming, this pitch of Buster’s.” She hesitated and then said, “Well, why not. Buster is one of us.”
“An android,” Irmgard explained. “And nobody knows. No humans, I mean.”
Pris, with the scissors, cut yet another leg from the spider. All at once John Isidore pushed her away and lifted up the mutilated creature. He carried it to the sink and there he drowned it. In him, his mind, his hopes, drowned, too. As swiftly as the spider.
”
”
Philip K. Dick (Do Androids Dream of Electric Sheep?)
“
Arin had bathed. He was wearing house clothes, and when Kestrel saw him standing in the doorway his shoulders were relaxed. Without being invited, he strode into the room, pulled out the other chair at the small table where Kestrel waited, and sat. He arranged his arms in a position of negligent ease and leaned into the brocaded chair as if he owned it. He seemed, Kestrel thought, at home.
But then, he had also seemed so in the forge. Kestrel looked away from him, stacking the Bite and Sting tiles on the table. It occurred to her that it was a talent for Arin to be comfortable in such different environments. She wondered how she would fare in his world.
He said, “This is not a sitting room.”
“Oh?” Kestrel mixed the tiles. “And here I thought we were sitting.”
His mouth curved slightly. “This is a writing room. Or, rather”--he pulled his six tiles--“it was.”
Kestrel drew her Bite and Sting hand. She decided to show no sign of curiosity. She would not allow herself to be distracted. She arranged her tiles facedown.
“Wait,” he said. “What are the stakes?”
She had given this careful consideration. She took a small wooden box from her skirt pocket and set it on the table. Arin picked up the box and shook it, listening to the thin, sliding rattle of its contents. “Matches.” He tossed the box back onto the table. “Hardly high stakes.”
But what were appropriate stakes for a slave who had nothing to gamble? This question had troubled Kestrel ever since she had proposed the game. She shrugged and said, “Perhaps I am afraid to lose.” She split the matches between them.
“Hmm,” he said, and they each put in their ante.
Arin positioned his tiles so that he could see their engravings without revealing them to Kestrel. His eyes flicked to them briefly, then lifted to examine the luxury of his surroundings. This annoyed her--both because she could glean nothing from his expression and because he was acting the gentleman by averting his gaze, offering her a moment to study her tiles without fear of giving away something to him. As if she needed such an advantage.
“How do you know?” she said.
“How do I know what?”
“That this was a writing room. I have never heard of such a thing.” She began to position her own tiles. It was only when she saw their designs that she wondered whether Arin had really been polite in looking away, or if he had been deliberately provoking her.
She concentrated on her draw, relieved to see that she had a good set. A tiger (the highest tile); a wolf, a mouse, a fox (not a bad trio, except the mouse); and a pair of scorpions. She liked the Sting tiles. They were often underestimated.
Kestrel realized that Arin had been waiting to answer her question. He was watching her.
“I know,” he said, “because of this room’s position in your suite, the cream color of the walls, and the paintings of swans. This was where a Herrani lady would pen her letters or write journal entries. It’s a private room. I shouldn’t be allowed inside.”
“Well,” said Kestrel, uncomfortable, “it is no longer what it was.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Tokyo, Los Angeles, and Santiago de Chile sit on the ring of fire. Tehran, far away from the ring still suffers the same fate. Earthquake-prone, the city has learned to adapt. The city, stacked with apartments on top of one another, looks like a box of Lego. Tight alleyways, covered with buildings, stretch all the way to the foot of the mountains. The folks in Tehran don’t want to even imagine what chaos will ensue if a major earthquake strikes. The most frightening phenomenon though isn’t the rubble and building blocks crumbling down. None of that scares the people. What concerns them is if the mother of all earthquakes pays a visit, the biggest threat will be rats. Tehran’s underground has a burgeoning “ratopolis.” To every living human being in the city, there are three rats to match every living soul. And if the city collapses, three rats are enough to ravage through human flesh in a matter of days. So the urban myth goes. Even if bodies can be rescued from the rubble there’ll likely be carcasses left behind.
”
”
Soroosh Shahrivar (Tajrish)
“
I'll give you a hand with the feeding."
"I don't need it."
"I'll give you one anyway."
Keeley moved out of the box, rested a hand on the door. Best,she decided, to deal with this clean and simple. "Brian, you're working for my family, in a vital and essential role, so I think I should be straight with you."
"By all means." The serious tone didn't match the glint in his eyes as she leaned back.
"You bother me," she told him. "On some level,you just bother me. It's probably because I just don't care for cocky, intense men who smirk at me, but that's neither here nor there."
"No,that's here and it's there. What kind do you care for?"
"You see-that's just the sort of thing that annoys me."
"I know.It's interesting, isn't it, that I find myself compelled to do just the thing that gets a rise out of you? You bother me as well. Perhaps it's that I don't care for regal, cool-eyed women who look down their lovely noses at me. But here wwe are, so we should try getting on as best we can."
"I don't look down my nose at you, or anyone."
"Depends on your point of view, doesn't it?
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
As you see, within our bodies each of us has the elements needed to produce phosphorus. And let me tell you something I’ve never told a soul. My grandmother had a very interesting theory; she said that each of us is born with a box of matches inside us but we can’t strike them all by ourselves; just as in the experiment, we need oxygen and a candle to help. In this case, the oxygen, for example, would come from the breath of the person you love; the candle could be any kind of food, music, caress, word or sound that engenders the explosion that lights one of the matches. For a moment we are dazzled by an intense emotion. A pleasant warmth grows within us, fading slowly as time goes by, until a new explosion comes along to revive it. Each person has to discover what will set off those explosions in order to live, since the combustion that occurs when one of them is ignited is what nourishes the soul. That fire, in short, is its food. If one doesn’t find out in time what will set off these explosions, the box of matches dampens, and not a single match will ever be lit. ‘If
”
”
Laura Esquivel (Like Water for Chocolate)
“
Having perfected his arrangements, he would get my pipe, and, lighting it, would hand it to me. Often he was obliged to strike a light for the occasion, and as the mode he adopted was entirely different from what I had ever seen or heard of before I will describe it.
A straight, dry, and partly decayed stick of the Hibiscus, about six feet in length, and half as many inches in diameter, with a small, bit of wood not more than a foot long, and scarcely an inch wide, is as invariably to be met with in every house in Typee as a box of lucifer matches in the corner of a kitchen cupboard at home.
The islander, placing the larger stick obliquely against some object, with one end elevated at an angle of forty-five degrees, mounts astride of it like an urchin about to gallop off upon a cane, and then grasping the smaller one firmly in both hands, he rubs its pointed end slowly up and down the extent of a few inches on the principal stick, until at last he makes a narrow groove in the wood, with an abrupt termination at the point furthest from him, where all the dusty particles which the friction creates are accumulated in a little heap.
At first Kory-Kory goes to work quite leisurely, but gradually quickens his pace, and waxing warm in the employment, drives the stick furiously along the smoking channel, plying his hands to and fro with amazing rapidity, the perspiration starting from every pore. As he approaches the climax of his effort, he pants and gasps for breath, and his eyes almost start from their sockets with the violence of his exertions. This is the critical stage of the operation; all his previous labours are vain if he cannot sustain the rapidity of the movement until the reluctant spark is produced. Suddenly he stops, becoming perfectly motionless. His hands still retain their hold of the smaller stick, which is pressed convulsively against the further end of the channel among the fine powder there accumulated, as if he had just pierced through and through some little viper that was wriggling and struggling to escape from his clutches. The next moment a delicate wreath of smoke curls spirally into the air, the heap of dusty particles glows with fire, and Kory-Kory, almost breathless, dismounts from his steed.
”
”
Herman Melville
“
Standing on the pavement was a big fat man whom Dixon recognized as his barber. Dixon felt a deep respect for this man because of his impressive exterior, his rumbling bass voice, and his unsurpassable stock of information about the Royal Family. At that moment two rather pretty girls stopped at a pillar-box a few yards away. The barber, his hands clasped behind his back, turned and stared at them. An unmistakable expression of furtive lust came over his face; then, like a courtly shyopwalker, he moved slowly towards the two girls. Welch now accelerated again and Dixon, a good deal shaken hurriedly switched his attention to the other side of the road, where a cricket match was being played and the bowler was just running up to bowl. The batsman, another big fat man, swiped at the ball, missed it, and was violently hit by it in the stomach. Dixon had time to see him double up and the wicket-keeper begin to run forward before a tall hedge hid the scene.
Uncertain whether this pair of vignettes was designed to illustrate the swiftness of divine retribution or its tendency to mistake its target, Dixon was quite sure that he felt in some way overwhelmed...
”
”
Kingsley Amis
“
It was as if the wars they were conducting were to be symbolized in their own relationships. I thought how contention makes us human. How every form of it is practiced religiously, from gentlemanly debate to rape and pillage, from dirty political attacks to assassinations. Our nighttime street fights outside of bars, our slapping arguments in plush bedrooms, our murderous mutterings in the divorce courts. We had parents who beat their children, schoolyard bullies, career-climbing killers in ties and suits, drivers cutting one another off, people pushing one another through the subway doors, nations making war, dropping bombs, swarming onto beaches, the daily military coups, the endless disappearances, the dispossessed dying in their tent camps, the ethnic cleansing crusades, drug wars, terrorist murders, and all violence in every form countenanced somewhere by some religion or other … and for its entertainment politicidal, genocidal, suicidal humanity attending its beloved kick-boxing matches, and cockfights, or losing its paychecks on the blackjack felt and then going back to work undercutting the competition, scamming, ponzi-ing, poisoning … and the impassioned lovers of their times contending in their own little universe of sex, one turgidly wanting it, the other wincingly refusing it.
”
”
E.L. Doctorow (Andrew's Brain)
“
It comes down to what is language? Up to now, until this age of mass literacy, language has been something spoken. In utterance there’s a minimum of slowness. In trying to treat words as chisel strokes, you run the risk of losing the quality of utterance, the rhythm of utterance, the happiness. A phrase out of Mark Twain—he describes a raft hitting a bridge and says that it “went all to smash and scatteration like a box of matches struck by lightning.” The beauty of “scatteration” could only have occurred to a talkative man, a man who had been brought up among people who were talking and who loved to talk himself. I’m aware myself of a certain dryness of this reservoir, this backlog of spoken talk. A Romanian once said to me that Americans are always telling stories. I’m not sure this is as true as it once was. Where we once used to spin yarns, now we sit in front of the tv and receive pictures. I’m not sure the younger generation even knows how to gossip. But, as for a writer, if he has something to tell, he should perhaps type it almost as fast as he could talk it. We must look to the organic world, not the inorganic world, for metaphors; and just as the organic world has periods of repose and periods of great speed and exercise, so I think the writer’s process should be organically varied. But there’s a kind of tautness that you should feel within yourself no matter how slow or fast you’re spinning out the reel.
”
”
John Updike
“
No, it’s that empathy,” Irmgard said vigorously. Fists clenched, she roved into the kitchen, up to Isidore. “Isn’t it a way of proving that humans can do something we can’t do? Because without the Mercer experience we just have your word that you feel this empathy business, this shared, group thing. How’s the spider?” She bent over Pris’s shoulder. With the scissors, Pris snipped off another of the spider’s legs. “Four now,” she said. She nudged the spider. “He won’t go. But he can.” Roy Baty appeared at the doorway, inhaling deeply, an expression of accomplishment on his face. “It’s done. Buster said it out loud, and nearly every human in the system heard him say it. ‘Mercerism is a swindle.’ The whole experience of empathy is a swindle.” He came over to look curiously at the spider. “It won’t try to walk,” Irmgard said. “I can make it walk.” Roy Baty got out a book of matches, lit a match; he held it near the spider, closer and closer, until at last it crept feebly away. “I was right,” Irmgard said. “Didn’t I say it could walk with only four legs?” She peered up expectantly at Isidore. “What’s the matter?” Touching his arm she said, “You didn’t lose anything; we’ll pay you what that—what’s it called?—that Sidney’s catalogue says. Don’t look so grim. Isn’t that something about Mercer, what they discovered? All that research? Hey, answer.” She prodded him anxiously. “He’s upset,” Pris said. “Because he has an empathy box. In the other room. Do you use it, J. R.?” she asked Isidore.
”
”
Philip K. Dick (Do Androids Dream of Electric Sheep?)
“
Jackaby,” said Marlowe.
“Marlowe,” said Jackaby. “Good morning, Mayor Spade.”
Spade had doffed his jacket. It was draped over the back of his chair, and a coffee brown bow tie hung undone over his beige waistcoat. He had a full beard and a perfectly bald dome, and he wore a thick pair of spectacles. Spade was not an intimidating figure at his best, and today he looked like he was several rounds into a boxing match he had no aspirations of winning. He had seemed more vibrant the first time we met, and that had been at a funeral.
“I haven’t been up here in years,” continued Jackaby. “You’ve done something with the front garden, haven’t you?”
“Yes,” said Spade. “We’ve let it grow back. Mary still hasn’t forgiven you.”
“Is that why she’s been avoiding me? Your eyebrows have filled in nicely, by the way, and you can tell your wife the roses look healthier than ever. I’m sure being rid of that nest of pesky brownies did wonders for the roots. I understand a little ash is good for the soil, too.”
“I never saw any brownies, but there was certainly plenty of ash to go around,” Spade mumbled. “That fire spread so quickly we’re lucky we managed to snuff it out at all.”
“You should try blowing up a dragon some time,” I said. “No, scratch that. That went terribly. I don’t recommend it.”
“Impressive blast radius, though,” Jackaby confirmed.
Mayor Spade looked from me to my employer and rubbed the bridge of his nose with one hand. “Good lord, one of you was quite enough. You had to recruit?
”
”
William Ritter (Ghostly Echoes (Jackaby, #3))
“
VIN RESISTED THE URGE TO PICK at her noblewoman’s dress. Even after a half week of being forced to wear one—Sazed’s suggestion—she found the bulky garment uncomfortable. It pulled tightly at her waist and chest, then fell to the floor with several layers of ruffled fabric, making it difficult to walk. She kept feeling as if she were going to trip—and, despite the gown’s bulk, she felt as if she were somehow exposed by how tight it was through the chest, not to mention the neckline’s low curve. Though she had exposed nearly as much skin when wearing normal, buttoning shirts, this seemed different somehow. Still, she had to admit that the gown made quite a difference. The girl who stood in the mirror before her was a strange, foreign creature. The light blue dress, with its white ruffles and lace, matched the sapphire barrettes in her hair. Sazed claimed he wouldn’t be happy until her hair was at least shoulder-length, but he had still suggested that she purchase the broochlike barrettes and put them just above each ear. “Often, aristocrats don’t hide their deficiencies,” he had explained. “Instead, they highlight them. Draw attention to your short hair, and instead of thinking you’re unfashionable, they might be impressed by the statement you are making.” She also wore a sapphire necklace—modest by noble standards, but still worth more than two hundred boxings. It was complemented by a single ruby bracelet for accentuation. Apparently, the current fashion dictated a single splash of a different color to provide contrast. And it was all hers,
”
”
Brandon Sanderson (Mistborn: The Final Empire (Mistborn, #1))
“
Lionel Messi (32), who plays for FC Barcelona in the Spanish football league, has recorded his 50th hat-trick. The team also won.
Messi made his first hat-trick as a left-handed striker in the 25th round of the away game against Spain in the 2018-2019 Primera División at the Ramon Sánchez Pisjuan Stadium in Seville, Spain.
Messi's 50th hat-trick. He wrote 44 hits in Barcelona and 6 hits in Argentina.
The start of the game was not good. In the 22nd minute Messi's passing mistake led to a counterattack in Seville. He scored a goal for Navas and Barcelona were 0-1.
Four minutes later Messi scored a fantastic goal. On the left side, Ivan Rakitić's cross came up with a direct volley shooting. It was stuck in the left corner of the goal correctly.
In the second half of the second half of the match, he managed to take a right-footed shot from the front of Arc Circle, Goalkeeper Thomas Bachlick reached out his hand but he was blind.
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In the 39th minute of the second half, Carlos Alenya's shot was deflected and deflected, and Messi broke into the box with a penalty box.
Messi helped Luis Suárez score just before the end of the game and made four goals on the day.
The team had a pleasant 4-2 victory and solidified the league with 57 points (17 wins, 6 draws, 2 losses). Madrid, who have been at the top of the table for the last time.
”
”
Messi, the 50th hatched ... Team versus reverse win
“
A shudder went through me at the thought of what I should still learn in this hour. How awry, altered and distorted everything and everyone was in these mirrors, how mockingly and unattainably did the face of truth hide itself behind all these reports, counter-reports and legends! What was still truth? What was still credible? And what would remain when I also learned about myself, about my own character and history from the knowledge stored in these archives?
I must be prepared for anything. Suddenly I could bear the uncertainty and suspense no longer. I hastened to the section Chattorum res gestas, looked for my sub-division and number and stood in front of the part marked with my name. This was a niche, and when I drew the thin curtains aside I saw that it contained nothing written. It contained nothing but a figure, an old and worn-looking model made from wood or wax, in pale colours. It appeared to be a kind of deity or barbaric idol. At first glance it was entirely incomprehensible to me. It was a figure that really consisted of two; it had a common back. I stared at it for a while, disappointed and surprised. Then I noticed a candle in a metal candlestick fixed to the wall of the niche. A match-box lay there. I lit the candle and the strange double figure was now brightly illuminated.
Only slowly did it dawn upon me. Only slowly and gradually did I begin to suspect and then perceive what it was intended to represent. It represented a figure which was myself, and this likeness of myself was unpleasantly weak and half-real; it had blurred features, and in its whole expression there was something unstable, weak, dying or wishing to die, and looked rather like a piece of sculpture which could be called "Transitoriness" or "Decay," or something similar. On the other hand, the other figure which was joined to mine to make one, was strong in colour and form, and just as I began to realise whom it resembled, namely, the servant and President Leo, I discovered a second candle in the wall and lit this also. I now saw the double figure representing Leo and myself, not only becoming clearer and each image more alike, but I also saw that the surface of the figures was transparent and that one could look inside as one can look through the glass of a bottle or vase. Inside the figures I saw something moving, slowly, extremely slowly, in the same way that a snake moves which has fallen asleep. Something was taking place there, something like a very slow, smooth but continuous flowing or melting; indeed, something melted or poured across from my image to that of Leo's. I perceived that my image was in the process of adding to and flowing into Leo's, nourishing and strengthening it. It seemed that, in time, all the substance from one image would flow into the other and only one would remain: Leo. He must grow, I must disappear.
As I stood there and looked and tried to understand what I saw, I recalled a short conversation that I had once had with Leo during the festive days at Bremgarten. We had talked about the creations of poetry being more vivid and real than the poets themselves.
The candles burned low and went out. I was overcome by an infinite weariness and desire to sleep, and I turned away to find a place where I could lie down and sleep.
”
”
Hermann Hesse (The Journey to the East)
“
As we were getting Mia’s things ready for her discharge, her nurse started to excuse herself to get a wheelchair to transport Mia to the car. Instantly, Mia said, “I’m not riding in a wheelchair.”
“Yes, you are, Mia. It’s a hospital regulation,” I said, believing that was true.
“Mom,” she protested, “they said I’m supposed to walk as much as possible. I’m walking to the car.”
I saw a certain look in Mia’s eyes as she made this announcement, the look that says “I am going to push hard for this.” I knew she was determined, and I would fight a losing battle to try to talk her out of it.
“I’m walking out of here,” she said again.
I guess the medical staff noticed that look too because they allowed her to try to walk, with a nurse close beside her. Seeing that little girl limp her way down the hall, holding Reed’s hand, was one of the proudest moments of my life. I was absolutely amazed by her spunk and determination. I grabbed my cell phone from my purse and snapped a picture.
She is such a fighter, I thought as Jase and I followed her. Visually, she looked roughed up, as though she had been through about fifteen rounds in a boxing match. But in that moment, she showed a level of toughness and resilience I have never seen in a child.
Remembering the information we were told on that first visit to ICI when Mia was seventeen days old, that she would need physical therapy to help her walk again after this surgery, I thanked God as I watched our daughter walk right out of the hospital twenty-four hours postoperation!
When we got into the car, Jase asked Mia, “Well, what do you think about that?”
“I’m a little tired, but I made it,” she replied. Indeed she did.
”
”
Missy Robertson (Blessed, Blessed ... Blessed: The Untold Story of Our Family's Fight to Love Hard, Stay Strong, and Keep the Faith When Life Can't Be Fixed)
“
The practice of tipping a paint brush started contaminating everybody and everything in a watch dial factory. Painters noticed that after sneezing into a handkerchief, it would glow. You could see the brush twirlers walking home after dark. Their hair showed a ghostly green excitation, and they could spell out words in the air with their luminous fingers. Some, thinking outside the box, started painting their teeth, fingernails, eyelashes, and other body parts with the luminous paint, then stealing away to the bathroom, turning out the lights, and admiring the effect in the mirror. There was no problem finding gross radium contamination in a factory. There was no need for a radiation detection instrument. All you had to do was close the blinds. Everything glowed; even the ceiling. Most workers were each swallowing about 1.75 grams of radioactive paint per day. By 1922, things started going bad in the radium dial industry. In the next two years, nine young radium painters in the West Orange factory died, and 12 were suffering from devastating illnesses. US Radium, the biggest watch-dial maker in town, strongly denied that anything in their plant could be causing this. No autopsies were performed, and the death certificates recorded anemia, syphilis, stomach ulcers, and necrosis of the jaw as causes. The dead and ailing, however, had dentists in common, and these health professionals had noticed unusual breakdowns of the jaws and teeth in all of these women. It was beginning to look like another case of an occupational hazard, following closely behind tetraethyl lead exposure at General Motors and “phossy jaw” from white phosphorus fumes in the match industry. Could it be the radium?
”
”
James Mahaffey (Atomic Accidents: A History of Nuclear Meltdowns and Disasters: From the Ozark Mountains to Fukushima)
“
People in their sixties usually exercise power over people in their twenties, even though twentysomethings are much stronger than their elders. The typical plantation owner in Alabama in the mid-nineteenth century could have been wrestled to the ground in seconds by any of the slaves cultivating his cotton fields. Boxing matches were not used to select Egyptian pharaohs or Catholic popes. In forager societies, political dominance generally resides with the person possessing the best social skills rather than the most developed musculature. In organised crime, the big boss is not necessarily the strongest man. He is often an older man who very rarely uses his own fists; he gets younger and fitter men to do the dirty jobs for him. A guy who thinks that the way to take over the syndicate is to beat up the don is unlikely to live long enough to learn from his mistake. Even among chimpanzees, the alpha male wins his position by building a stable coalition with other males and females, not through mindless violence. In fact, human history shows that there is often an inverse relation between physical prowess and social power. In most societies, it’s the lower classes who do the manual labour. This may reflect Homo sapiens’ position in the food chain. If all that counted were raw physical abilities, Sapiens would have found themselves on a middle rung of the ladder. But their mental and social skills placed them at the top. It is therefore only natural that the chain of power within the species will also be determined by mental and social abilities more than by brute force. It is therefore hard to believe that the most influential and most stable social hierarchy in history is founded on men’s ability physically to coerce women.
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
You smell good. Who’s this ‘guy’ you’re meeting? Are you back on the market?” He wiggled both blond eyebrows at me. “Does that mean Doc Nyce is no longer petting your cat?” I frowned. “Petting my cat?” What did Bogart, our vegetarian cat, have to do with Doc? Jeff leaned in for another sniff. “I’m really good at petting cats, too.” Oh, dear Lord! My brain had finally dipped low enough into the gutter to catch Jeff’s meaning. I shoved him back a step. “Doc is still petting my …” No! Just walk away, doofus. I started to do just that, but then stopped and turned back. In case Tiffany was going to be hearing the play-by-play of my run-in with Jeff, I wanted to clarify things so the red-headed siren wouldn’t get any ideas about trying to steal Doc away from me. We’d done that song and dance before, and there would be no encores on that score. “Doc Nyce is still my boyfriend,” I announced. Sheesh, “boyfriend” was such a silly word for a woman my age. “I mean, we’re a definite couple in all the ways.” Jeff grinned. “Which ways are those?” “You know, the ‘couple’ ways.” When he just stared at me with a dumb grin, I added, “Boom, boom, out goes the lights.” His laughter rang out loud and clear, catching the attention of people on the opposite side of the street. “I’m not sure if you know this, Violet Parker, but that old song actually refers to landing a knock-out punch.” Thinking back on all the times I’d pinched, elbowed, and tackled Doc, including the black eye I’d accidentally given him, I shrugged. “Sex with Doc is amazingly physical. He’s a real heavy hitter under the sheets, delivering a solid one-two sock-’em every time.” I wasn’t sure what I was alluding to by this point, but I kept throwing out boxing slang to fill the void. “I’d give you the real dirty blow-by-blow, but we don’t sell ringside tickets for our wild sex matches.” His jaw gaped. “No kidding?” Before my big mouth unleashed another round of idiotic sex-boxing ambiguities, I said, “See you around, Jeff.
”
”
Ann Charles (Never Say Sever in Deadwood (Deadwood #12))
“
The worst was to come, then — and if the books were right this worst would be very bad. The experience of the last six hours had enlarged his conception of what heavy weather could be like. “It’ll be terrific,” he pronounced, mentally. He had not consciously looked at anything by the light of the matches except at the barometer; and yet somehow he had seen that his water-bottle and the two tumblers had been flung out of their stand. It seemed to give him a more intimate knowledge of the tossing the ship had gone through. “I wouldn’t have believed it,” he thought. And his table had been cleared, too; his rulers, his pencils, the inkstand — all the things that had their safe appointed places — they were gone, as if a mischievous hand had plucked them out one by one and flung them on the wet floor. The hurricane had broken in upon the orderly arrangements of his privacy. This had never happened before, and the feeling of dismay reached the very seat of his composure. And the worst was to come yet! He was glad the trouble in the ‘tween-deck had been discovered in time. If the ship had to go after all, then, at least, she wouldn’t be going to the bottom with a lot of people in her fighting teeth and claw. That would have been odious. And in that feeling there was a humane intention and a vague sense of the fitness of things. These instantaneous thoughts were yet in their essence heavy and slow, partaking of the nature of the man. He extended his hand to put back the matchbox in its corner of the shelf. There were always matches there — by his order. The steward had his instructions impressed upon him long before. “A box . . . just there, see? Not so very full . . . where I can put my hand on it, steward. Might want a light in a hurry. Can’t tell on board ship what you might want in a hurry. Mind, now.” And of course on his side he would be careful to put it back in its place scrupulously. He did so now, but before he removed his hand it occurred to him that perhaps he would never have occasion to use that box any more. The vividness of the thought checked him and for an infinitesimal fraction of a second his fingers closed again on the small object as though it had been the symbol of all these little habits that chain us to the weary round of life. He released it at last, and letting himself fall on the settee, listened for the first sounds of returning wind.
”
”
Joseph Conrad (Delphi Complete Works of Joseph Conrad)
“
At a time when I believed what people told me, I should have been tempted to believe Germany, then Bulgaria, then Greece when they proclaimed their pacific intentions. But since my life with Albertine and with Françoise had accustomed me to suspect those motives they did not express, I did not allow any word, however right in appearance of William II, Ferdinand of Bulgaria or Constantine of Greece to deceive my instinct which divined what each one of them was plotting. Doubtless my quarrels with Françoise and with Albertine had only been little personal quarrels, mattering only to the life of that little spiritual cellule which a human being is. But in the same way as there are bodies of animals, human bodies, that is to say, assemblages of cellules, which, in relation to one of them alone, are as great as a mountain, so there exist enormous organised groupings of individuals which we call nations; their life only repeats and amplifies the life of the composing cellules and he who is not capable of understanding the mystery, the reactions and the laws of those cellules, will only utter empty words when he talks about struggles between nations. But if he is master of the psychology of individuals, then these colossal masses of conglomerate individuals facing one another will assume in his eyes a more formidable beauty than a fight born only of a conflict between two characters, and he will see them on the scale on which the body of a tall man would be seen by infusoria of which it would require more than ten thousand to fill one cubic milimeter. Thus for some time past the great figure of France, filled to its perimeter with millions of little polygons of various shapes and the other figure of Germany filled with even more polygons were having one of those quarrels which, in a smaller measure, individuals have. But the blows that they were exchanging were regulated by those numberless boxing-matches of which Saint-Loup had explained the principles to me. And because, even in considering them from the point of view of individuals they were gigantic assemblages, the quarrel assumed enormous and magnificent forms like the uprising of an ocean which with its millions of waves seeks to demolish a secular line of cliffs or like giant glaciers which, with their slow and destructive oscillation, attempt to disrupt the frame of the mountain by which they are circumscribed. In spite of this, life continued almost the same for many people who have figured in this narrative, notably for M. de Charlus and for the Verdurins, as though the Germans had not been so near to them; a permanent menace in spite of its being concentrated in one immediate peril leaving us entirely unmoved if we do not realise it.
”
”
Marcel Proust (In Search of Lost Time [volumes 1 to 7])
“
Until his hand brushes against something hard. There, beneath one of his t-shirts, is a small wooden box. For a minute James just stares at it. It’s been a long time since he’s looked at it—shoved all the way at the back of his dresser. He’s not sure why he kept it, except that the idea of throwing it away makes him want to be sick.
Eventually he gives in, reaching for it as he collapses down onto the floor. He runs his fingers over it, brushing off the dust, before he flicks open the lid, revealing the little miniature ball inside, initials catching the light.
J&R
Sometimes, he can’t even believe any of it really happened. It doesn’t sound real. Doesn’t sound like him—getting with his best mates brother. A Slytherin. A Death Eater.
He stares the Quaffle down like it’ll give him the answers. Like it’ll tell him what happened and why all this time later it still feels…like this. He’d told his mother he didn’t want Regulus to become a bruise and he’d gotten his wish. Regulus isn’t a bruise. He’s a tsunami. And every time James lets himself think of him, lets himself remember, he's overwhelmed. He loses sight of the shore. Forgets it even exists at all. He isn't even here, hasn't been, in a very long time, and yet somehow, Regulus still has the ability to wrap himself around James. To be all he can hear and feel and think. All he can breathe and smell and taste.
Which is exactly why he needs to stay at the back of James's dresser.
He snaps the box shut, eyes falling on what had been lying next to it. Black velvet, a jewelry case his mother had very politely not asked him about when she saw him buying it. This he really doesn't know why he kept. He sets the Quaffle down next to it, a matching set. He'd agonized about what to get Regulus, what could possibly match his gift. It couldn't just be something he bought, it had to be something he made. The problem was, James's magic has always been big and loud and strong, well suited to duelling not meticulous charm worm. Still he'd been determined.
He can't help wondering what Regulus would've thought, if he'd had the time to give it to him. If everything hadn't gone to hell after Christmas. If things had been different. It shouldn't matter now. He wishes it didn't.
"James?" The front door closes and James jolts, like he's been caught.
He throws the two boxes back in his dresser, slamming the drawer shut and trying to ignore the sinking feeling of guilt currently eating its way through his stomach.
"Up here!" James calls down to Lily as he heads for the bedroom door. Looking over his shoulder like he's expecting to see Regulus standing there. Like Lily could walk in on them. Catch him with the memory of the boy he used to love.
Still loves. When he lets himself. When he forgets about the shore.
”
”
MesserMoon (Choices)
“
to look at Louisa, stroked her cheek, and was rewarded by a dazzling smile. She had been surprised by how light-skinned the child was. Her features were much more like Eva’s than Bill’s. A small turned-up nose, big hazel eyes, and long dark eyelashes. Her golden-brown hair protruded from under the deep peak of her bonnet in a cascade of ringlets. “Do you think she’d come to me?” Cathy asked. “You can try.” Eva handed her over. “She’s got so heavy, she’s making my arms ache!” She gave a nervous laugh as she took the parcel from Cathy and peered at the postmark. “What’s that, Mam?” David craned his neck and gave a short rasping cough. “Is it sweets?” “No, my love.” Eva and Cathy exchanged glances. “It’s just something Auntie Cathy’s brought from the old house. Are you going to show Mikey your flags?” The boy dug eagerly in his pocket, and before long he and Michael were walking ahead, deep in conversation about the paper flags Eva had bought for them to decorate sand castles. Louisa didn’t cry when Eva handed her over. She seemed fascinated by Cathy’s hair, and as they walked along, Cathy amused her by singing “Old MacDonald.” The beach was only a short walk from the station, and it wasn’t long before the boys were filling their buckets with sand. “I hardly dare open it,” Eva said, fingering the string on the parcel. “I know. I was desperate to open it myself.” Cathy looked at her. “I hope you haven’t built up your hopes, too much, Eva. I’m so worried it might be . . . you know.” Eva nodded quickly. “I thought of that too.” She untied the string, her fingers trembling. The paper fell away to reveal a box with the words “Benson’s Baby Wear” written across it in gold italic script. Eva lifted the lid. Inside was an exquisite pink lace dress with matching bootees and a hat. The label said, “Age 2–3 Years.” Beneath it was a handwritten note: Dear Eva, This is a little something for our baby girl from her daddy. I don’t know the exact date of her birthday, but I wanted you to know that I haven’t forgotten. I hope things are going well for you and your husband. Please thank him from me for what he’s doing for our daughter: he’s a fine man and I don’t blame you for wanting to start over with him. I’m back in the army now, traveling around. I’m due to be posted overseas soon, but I don’t know where yet. I’ll write and let you know when I get my new address. It would be terrific if I could have a photograph of her in this little dress, if your husband doesn’t mind. Best wishes to you all, Bill For several seconds they sat staring at the piece of paper. When Eva spoke, her voice was tight with emotion. “Cathy, he thinks I chose to stay with Eddie!” Cathy nodded, her mind reeling. “Eddie showed me the letter he sent. Bill wouldn’t have known you were in Wales, would he? He would have assumed you and Eddie had already been reunited—that he’d written with your consent on behalf of you both.” She was afraid to look at Eva. “What are you going to do?” Eva’s face had gone very pale. “I don’t know.” She glanced at David, who was jabbing a Welsh flag into a sand castle. “He said he was going to be posted overseas. Suppose they send him to Britain?” Cathy bit her lip. “It could be anywhere, couldn’t it? It could be the other side of the world.” She could see what was going through Eva’s mind. “You think if he came here, you and he could be together without . . .” Her eyes went to the boys. Eva gave a quick, almost imperceptible nod, as if she was afraid someone might see her. “What about Eddie?” “I don’t know!” The tone of her voice made David look up. She put on a smile, which disappeared the
”
”
Lindsay Ashford (The Color of Secrets)
“
How is it one careless match can start a forest fire, but it takes a whole box to start a campfire.” -- Unknown “I didn’t say it was your fault, I said I was blaming you.” -- Unknown “Some people say “If you can’t beat them, join them”. I say “If you can’t beat them, beat them”, because they will be expecting you to join them, so you will have the element of surprise.” -- Unknown
”
”
Saeed Sikiru (Funny Quotes: 560 Humorous Sayings that Will Keep You Laughing Even After Reading Them)
“
The afternoon was given over to sport, or to the appreciation of sport, as Ulf watched two football matches on the television, one after the other. They were scrappy and inconclusive games, marred by several ill-natured arguments with the referee. That always irritated Ulf, who felt that referees should be granted powers of arrest. If the police were waiting on the lines, and offenders could be seized and marched off to the cells, then there would be none of this bad behaviour, thought Ulf. As it was, these overpaid and over-indulged sportsmen could play to the gallery, parading their egos in displays of arrogance and petulance that held up the game unnecessarily. And as for those who deliberately sought to prolong a match for strategic reasons by feigning injury, they would soon abandon that if referees were allowed to count them out on the ground, just as the umpires of boxing matches could do. They would not have to count up to ten, thought Ulf: three would probably be enough to restore these sham casualties to rude health.
”
”
Alexander McCall Smith (The Talented Mr. Varg (Detective Varg, #2))
“
Then there was his dad. He wouldn’t be as emotional or judgmental about the situation. After all, he’d saved all their lives. But his dad was at best unpredictable. When Cody Hoyt had his fuse lit, anything could happen. Justin wasn’t sure he wanted to be the one holding the match.
”
”
C.J. Box (The Highway (Highway Quartet #2))
“
Today I embrace that I do care what some people think. But I refuse to present myself in any other way than honestly. I had to box myself in my whole life to stay safe. I'm not doing that anymore.
It doesn't mean I don't need to work on things or change a few things. Ofcourse I do we all do. But I accept that it's ok to be where I am and the responsibility of loving myself right where I am.
I'm not perfect. I don't want to be. I am sarcastic as fuck and clingy to some. Sorry about that clingees. I cry for no reason, I hate crowds. The sun blinds me and my inner monolog drowns the outer world to utter silence.
But I'm also loyal as fuck, honest when it even if it hurts. Repsectful...mostly. I swear like every other word. I hate being boxed in any way.
I like dissecting people. I need to know the driving forces behind everything.
I would have made a great detective. I have a way of reading people .... that's unique...I do not simply assess the tonal quality the structure of the way you arranged the words but the inflection as well as how the body language matches up to the words. Thats not it. Everyone does that and interprets it to their own ways of processing. I also feel the person.
I can sort of ..adapt? To The environment and there's an energy about everyone and I use that to Guage everything.
I know what isn't said because I'm fluent in all forms of communication. The sad reason is I had to read a room from a young age.
Sometimes I don't always understand what I need to change about myself in order to be the most honorable version of myself spiritually but I know enough to know enough about myself to know that I Guage what's right to me and it doesn't matter if that means the crowd will crucify me. I simply will not squish into that box and that is why my life's been hard. Because as far back as I can remember it didn't matter what they said was right, I knew. And sometimes I knew different and tried to help them see the way but I was met with harsh crowd control measures and forced to conformity.
I rebelled myself all the way to ....that's a different story. I shall continue another day.
”
”
Shay Hazelwood
“
No, it seemed that there was more than that to restrain her among many factors, fear of contamination. She would not willingly have touched a box of matches belonging to him. So erratic, vicious and dangerous, so inaccessible to reason and human feeling had he demonstrated himself to be, and so bent on the spiritual destruction of those about him, that the very artifacts he handled seemed to sicken. His eyes, merely by looking, spread the contagion, so that the fabric and foundations of the house were diseased; the silver Jaguar that he drove as though it were a weapon of war was diseased. She herself. She herself. She shuddered. What wasn’t? The wind? The sky?
”
”
Elizabeth Harrower (The Watch Tower)
“
When Enrique had realized that Carolina might not be going home for Christmas Eve, he had snuck away to the gift shop in Carmel to get her a present. There hadn't been too many options, but he purchased a pretty butterfly necklace with matching earrings.
Once they were alone in the room, he took out the small wrapped box.
Her eyes lit up. "Enrique! You didn't have to get me anything."
He grinned. "I know. But I wanted to. Open it."
She carefully unwrapped the box. "Oh, mariposas! I love these. Gracias."
"You know, the butterfly represents rebirth. Carolina, you can do anything. I know you are struggling with what is going on with your family, but I want you to know that you are amazing, and I believe in you.
”
”
Alana Albertson (Kiss Me, Mi Amor (Love & Tacos, #2))
“
me and the raft that I was on it, became like a matches box floating in this endless ocean, I don’t know how long I stayed in this case, day, two days, I guess my body condition wasn’t able to handle more than this period, but as I told you there was an invisible power take care of me where the waves by the time pushed me and my raft to that faraway beach, this beach that I called it later, the beach of knowledge and surviving
”
”
Mo'taz Abd El kareem (THE GREEN LINE : The Unknown Field)
“
There was a Barbie doll with the pink hair, but she didn't wear any little replica outfits this time. Instead, down the length of her body, down her arms, legs, and even across her forehead, the same word was scribbled over and over. MINE. Then, just in case we didn't get the message, there was a box of matches and a pair of mud-crusted, black lace panties. The same pair I'd been wearing that day with Archer before we went to Wisteria. The same ones I'd kicked off on the side of the road and left behind in the rain and mud. No one spoke.
”
”
Tate James (Fake (Madison Kate, #3))
“
Joe George, so I heard, had liberty that Friday night as well and was slated to fight in a “smoker.” Smokers were boxing matches held at the recreation center in Honolulu. If you won, you wouldn’t get money, which was against Navy rules, but you could receive a gift of some sort, such as a watch. You would then turn around and sell the watch, often to the very person who gave it to you. George did that a lot. After the smoker, he celebrated his win by getting drunk, which led to a fight with one of his own shipmates. Well, Shore Patrol came and broke up the fight, then took George to the ship’s brig. The next morning he was escorted to the captain’s mast to face Captain Young. The captain was so angry to see George disgrace his ship again and bring dishonor to his shipmates, he lashed out at him. “I wish I could take you to the forecastle and have all hands kick the shit out of you. But since I can’t, I’m going to give you a summary court-martial.” Joe was immediately put on report and sentenced to become a prisoner at large—PAL, for short—which meant he didn’t have to do time in the brig; he only had to be watched and restricted by the ship’s master-of-arms, who happened to be a friend. And so, on the night of December 6, instead of being locked belowdecks in the brig, he spent it sleeping under the stars in the forecastle.
”
”
Donald Stratton (All the Gallant Men: An American Sailor's Firsthand Account of Pearl Harbor)
“
The hot bright afternoon and the gleaning birds and the mowing men and this beautiful boy, paused in front of his sketch, rolling a cigarette, his charcoal-covered fingertips blackening the paper, and he licked across the edge of the cigarette paper with his bright tongue and put the cigarette between what Bridget noticed with a slight rush of breath were his full lips and took a kitchen match from the back pocket of his pants and struck it against the little wooden box he kept his charcoal sticks in and touched it to the end of the cigarette and deeply inhaled smoke into his lungs and held it and crossed his arms and stood back from the drawing and contemplated it and let the smoke from his lungs in a sustained relaxed torrent that made a matted blue cloud in the sunlight and smelled sweet and made her want to smoke. This boy before her, smoking his cigarette and looking at the sketch deciding it was done, seemed like a ghost, not because he was otherworldly or like a hallucination but because Bridget knew that she would remember this moment for however long she lived in its perfect entirety—the grass, the sunlight, the blue cloud of smoke, the tedder and the windrows and the mowing men, this boy she found more and more beautiful—and she could already feel what it was going to be like to look back on it and remember the young girl she’d once been and the young boy who’d stood right in front of her and whisked a stick of charcoal around and nearly miraculously rendered the grass, the light, the mowers, the windrows, the huge, heavy, volumed, shadowed, sunny, swarming, monolithic stacks of hay— everything she saw and anticipated remembering—onto a white pane of paper exactly as it looked to her own eyes.
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Paul Harding (This Other Eden)
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Having defined the battle plan at the beginning of the pre-match training, the boxer is specially prepared for it, choosing the necessary methods and means for this purpose and perfecting them during the training.
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Michael Wenz (BOXING: COMBAT SPORT: RULES, TECHNIQUES, POSITIONS, DISTANCE, MOVEMENT. BECOME A SPORT LEGEND. (TRAINING))
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As you see, within our bodies each of us has the elements needed to produce phosphorus. And let me tell you something I've never told a soul. My grandmother had a very interesting theory; she said that each of us is born with a box of matches inside us but we can't strike them all by ourselves; we need oxygen and a candle to help. In this case, the oxygen for example, would come from the breath of the person you love; the candle would be any kind of food, music, caress, word, or sound that engenders the explosion that lights one of the matches. For a moment we are dazzled by an intense emotion. A pleasant warmth grows within us, fading slowly as time goes by, until a new explosion comes along to revive it. Each person has to discover what will set off those explosions in order to live, since the combustion that occurs when one of them is ignited is what nourishes the soul. That fire, in short, is its food. If one doesn't find out in time what will set off these explosions, the box of matches dampens, and not a single match will ever be lighted.
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Laura Esquivel (Like Water For Chocolate)
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I took women either to the boxing matches or to the racetrack.
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Charles Bukowski (Women)