Mat Talk Quotes

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Your Royal Bloody Pain in My Back, We're bloody waiting here to talk to you, and we're getting angry perturbed. (That means angry.) Thom says that you're a queen now, but I figure that changes nothing, sense you acted like a queen all the time anyway. Don't forget that I carried halled your pretty little backside out of a hole in Tear, but you acted like a queen then, so I guess I don't know why I'm surprised now that you act like one when you really are a queen. So I'm thinking I should treat you like a bloody Queen and send you a bloody letter and all, speaking with high talk and getting your attention. I even used my ring as a signet, like it was paper proper. So here my formal salutation. So BLOODY STOP TURNING ME AWAY so we can talk. I need your bellfounders. It's bloody important. --Mat p.s. Salutation means greeting. p.p.s. Don't mind the scratched out words and bad spellings. I was going to rewrite this letter, but Thom is laffing so hard at me that I want to be done. p.p.s. Don't mind me calling your backside pretty. I hardly ever spent any time looking at it, as I've an awareness that you'd pull my eyes out if you saw me. Besides, I'm married now, so that all doesn't matter.
Robert Jordan
I've been keeping an eye on Henry throughout the fight. I glanced at him just as he stepped onto the mat. "Alpha," he called. "I chal—" He never got the whole word out—because I drew my foster father's SIG and shot him in the throat before he could. For a split second everyone stared at him, as if they couldn't figure out where all that blood had come from. "Stop the bleeding." I said. Though I made no move to do it myself. The rat could die for all I cared. "That was a lead bullet. He'll be fine." But he wouldn't be talking—or challenging Adam—for a while. "When he's stable put him in the holding cell where he can't do any more harm." Adam looked at me. "Trust you to bring a gun into a fist fight." He said with every evidence of admiration. Then he looked at his pack. Our pack. "What she said." He told them.
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
Talk to me," she says. It's not a command. It's a welcome mat. All I have to do is step to her.
Val Emmich (Dear Evan Hansen)
Cut it out!" Phillip exploded. "Cut it out right now or I swear I'm going to pull over and knock your heads together. Oh, my God." He took one hand off the wheel to drag it down his face. "I sound like Mom. Forget it. Just forget it. Kill each other. I'll dump the bodies in the mall parking lot and drive to Mexico. I'll learn how to weave mats and sell them on the beach at Cozumel. I'll be quiet, it'll be peaceful. I'll change my name to Raoul, and no one will know I was ever related to a bunch of fools." Seth scratched his belly and turned to Cam. "Does he always talk like that?" "Yeah, mostly. Sometimes he's going to be Pierre and live in a garret in Paris, but it's the same thing." "Weird," was Seth's only comment. (...) Getting new shows was turning into a new adventure.
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
Apparently the most effective way for firms to remain competitive is to ‘hire smart people and let them talk to one another’.13
Mats Alvesson (The Stupidity Paradox: The Power and Pitfalls of Functional Stupidity at Work)
When Mats came in the evenings, they would drink tea in the kitchen while reading their books and talking about them. If Katri came in, they were quiet and waited for her to leave. The back door would close, and Katri would have gone. “Does your sister read our books?” Anna wanted to know. “No. She reads literature.
Tove Jansson (The True Deceiver)
The Seanchan in the room seemed stunned that Mat had suddenly stripped to the waist. He did not see why, They had servants that wore much less. Light, but they did. "I'm tempted to do the same as you," Min muttered, grabbing the front of her dress. Mat Froze, then sputtered. He must have swallowed a fly or something. "Burn me," he said, throwing on the shirt he dug out of the bundle. "I'll give you a hundred Tar Valon marks if you do it, just so I can tell the story." That earned him a glare, through he did not know why. She was the one talking about striding about like a bloody Aiel Maiden on her way to the sweat tent. Min did not do it, and he was almost sad. Almost. He had to be careful around Min. He was certain that a smile in the wrong place would earn him a knifing not only from her, but from Tuon, and Mat was much happier with only one knife stuck on him at a time.
Robert Jordan (A Memory of Light (The Wheel of Time, #14))
The moon had spread over everything a thin layer of silver--over the rank grass, over the mud, upon the wall of matted vegetation standing higher than the wall of a temple, over the great river I could see through a somber gap glittering, glittering, as it flowed broadly by without a murmur. All this was great, expectant, mute, while the man jabbered about himself. I wondered whether the stillness on the face of the immensity looking at us two were meant as an appeal or as a menace. What were we who had strayed in here? Could we handle that dumb thing, or would it handle us? I felt how big, how confoundedly big, was that thing that couldn't talk, and perhaps was deaf as well. What was in there?
Joseph Conrad (Heart of Darkness)
The dog continued to bark at night, sometimes far away, sometimes close to the house. Towards morning, he would howl. It could be quiet for hours, but there were those who lay in bed waiting for the next howl, and they would say, "Did you hear that? It's like having a wolf in the woods. An unhappy woman has an unhappy dog. It ought to be shot." Katri did not talk about the dog, but she put out food and water in the yard. Sometimes at night Mats would wait by the kitchen window with the light off and the door open. He saw the dog only once, just as it was growing light, and he went very slowly out on the steps and tried to coax it in. But it ran off into the woods, so he gave up.
Tove Jansson (The True Deceiver)
I was talking to a homeless man at the laundry mat recently, and he said that when we reduce Christian spirituality to math we defile the Holy. I thought that was very beautiful and comforting because I have never been good at math.
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality (Paperback))
I walked across the two feet of drive to the lawn and stepped slowly onto the grass. It wasn't a wild grass, of course, but it was happy grass. Some variety of centipede, the mat stretching across the open spaces, the leaves and roots and runners heavily steeped in time and good water and care and nitrates. It felt…satisfied, maybe, and very oddly, it also felt...snobbish, if grass can feel snobbish. My own mixed grasses at home felt useful, functional, and beneficial. "You are supposed to be eaten," I told the snobbish grass softly, "by sheep and cattle and goats and geese. You are foodstuff." "Nell?" Rick asked. "Nothing," I said, walking away, the grass tickling my arches and pressing up between my toes. "Just talking to the grass.
Faith Hunter (Blood of the Earth (Soulwood, #1))
I drummed my fingers on the steering wheel as I looked around the empty lot. I wavered on getting out when a giant lightning bolt painted a jagged streak across the rainy lavender-gray sky. Minutes passed and still he didn’t come out of the Three Hundreds’ building. Damn it. Before I could talk myself out of it, I jumped out of the car, cursing at myself for not carrying an umbrella for about the billionth time and for not having waterproof shoes, and ran through the parking lot, straight through the double doors. As I stomped my feet on the mat, I looked around the lobby for the big guy. A woman behind the front desk raised her eyebrows at me curiously. “Can I help you with something?” she asked. “Have you seen Aiden?” “Aiden?” Were there really that many Aidens? “Graves.” “Can I ask what you need him for?” I bit the inside of my cheek and smiled at the woman who didn’t know me and, therefore, didn’t have an idea that I knew Aiden. “I’m here to pick him up.” It was obvious she didn’t know what to make of me. I didn’t exactly look like pro-football player girlfriend material in that moment, much less anything else. I’d opted not to put on any makeup since I hadn’t planned on leaving the house. Or real pants. Or even a shirt with the sleeves intact. I had cut-off shorts and a baggy T-shirt with sleeves that I’d taken scissors to. Plus the rain outside hadn’t done my hair any justice. It looked like a cloud of teal. Then there was the whole we-don’t-look-anything-alike thing going on, so there was no way we could pass as siblings. Just as I opened my mouth, the doors that connected the front area with the rest of the training facility swung open. The man I was looking for came out with his bag over his shoulder, imposing, massive, and sweaty. Definitely surly too, which really only meant he looked the way he always did. I couldn’t help but crack a little smile at his grumpiness. “Ready?” He did his form of a nod, a tip of his chin. I could feel the receptionist’s eyes on us as he approached, but I was too busy taking in Grumpy Pants to bother looking at anyone else. Those brown eyes shifted to me for a second, and that time, I smirked uncontrollably. He glared down at me. “What are you smiling at?” I shrugged my shoulders and shook my head, trying to give him an innocent look. “Oh, nothing, sunshine.” He mouthed ‘sunshine’ as his gaze strayed to the ceiling. We ran out of the building side by side toward my car. Throwing the doors open, I pretty much jumped inside and shivered, turning the car and the heater on. Aiden slid in a lot more gracefully than I had, wet but not nearly as soaked. He eyed me as he buckled in, and I slanted him a look. “What?” With a shake of his head, he unzipped his duffel, which was sitting on his lap, and pulled out that infamous off-black hoodie he always wore. Then he held it out. All I could do was stare at it for a second. His beloved, no-name brand, extra-extra-large hoodie. He was offering it to me. When I first started working for Aiden, I remembered him specifically giving me instructions on how he wanted it washed and dried. On gentle and hung to dry. He loved that thing. He could own a thousand just like it, but he didn’t. He had one black hoodie that he wore all the time and a blue one he occasionally donned. “For me?” I asked like an idiot. He shook it, rolling his eyes. “Yes for you. Put it on before you get sick. I would rather not have to take care of you if you get pneumonia.” Yeah, I was going to ignore his put-out tone and focus on the ‘rather not’ as I took it from him and slipped it on without another word. His hoodie was like holding a gold medal in my hands. Like being given something cherished, a family relic. Aiden’s precious.
Mariana Zapata (The Wall of Winnipeg and Me)
Get married and have halfbreed babies, manuscripts, home¬spun blankets and mother’s milk on your happy ragged mat floor like this one. Get yourself a hut house not too far from town, live cheap, go ball in the bars once in a while, write and rumble in the hills and learn how to saw boards and talk to grandmas you damn fool, carry loads of wood for them, clap your hands at shrines, get supernatural favors, take flower-arrangement lessons and grow chrysanthemums by the door, and get married for krissakes, get a friendly smart sensitive human-being gal who don’t give a shit for martinis every night and all that dumb white machinery in the kitchen.
Jack Kerouac (The Dharma Bums)
Megan Meade’s Guide to the McGowan Boys Entry One Observation #1: When they’re beautiful, they know they’re beautiful. Like the second-to-oldest one, Evan. He’s a senior. He is perfection personified. And he knows it. You can tell because he just sort of smiles knowingly when you gape at him. Not that I’ve been gaping at him. Not at all. Anyway, too soon yet to tell if it negatively affects his behavior. (Like Mike Blukowsi and his Astrodome-sized ego problem.) Observation #2: They like skin. Especially skin they think they’re not necessarily supposed to be seeing. Like the space between your belly tee and your waistband. Observation #3: They have no problem bringing up events that would mortify me into shamed silence if the roles were reversed. Like Evan totally brought up the wiffleball bat incident, when if that had happened to me, I’d be wishing on every one of my birthday cakes for everyone to forget it. Observation #4: They gossip. Can you believe it? I overheard Finn and Doug in the backyard talking about some girl named Dawn who blew off some guy named Simon for some other guy named Rick for like TWENTY MINUTES! They sounded like those old mole-hair ladies at Sal’s Milkshakes. ‘Member the ones who lectured us for a whole hour that day about how young women shouldn’t wear shorts? Wait, okay, I got sidetracked. Observation #5: The older ones are so cute with the younger ones. They were playing ultimate Frisbee when I first got here and Evan totally let Caleb and Ian tackle him. It was soooooo cute. **sigh.** Observation #6: They’re cliquey. I mean, eye-rolling, secret-handshake, don’t-talk-to-us-unless-you’ve-got-an-X-and-a-Y cliquey. Very schooled in the art of the freeze-out. Observation #7: They have no sense of personal space. I need a lock on my door. STAT. Observation #8: Boys are icky. Do not even get me started on the state of the bathroom. I’m thinking of calling in a haz-mat team. Seriously. Observation #9: They have really freaky things going on down there. Yeah, I don’t think I’m ready to elaborate on that one yet. Observation #10: They know how to make enemies. Big time.
Kate Brian (Megan Meade's Guide to the McGowan Boys)
I still had moments when my nerves got to me, but whenever I’d start to get anxious, Kyla Ross would remind me, “Simone, just do what you do in practice.” And before I went out for each event, she’d high-five me and say, “Just like practice, Simone!” I’d say the same thing to her when it was her turn to go up. “Just like practice” became our catchphrase. As I walked onto the mat to do my floor exercise, I held on to that phrase like it was a lifeline, because I was about to perform a difficult move I’d come up with in practice—a double flip in the layout position with a half twist out. The way it happened was, I’d landed short on a double layout full out earlier that year during training, and I’d strained my calf muscle on the backward landing. Aimee didn’t want me to risk a more severe injury, so she suggested I do the double layout—body straight with legs together and fully extended as I flipped twice in the air—then add a half twist at the end. That extra half twist meant I’d have to master a very tricky blind forward landing, but it would put less stress on my calves. I thought the new combination sounded incredibly cool, so I started playing around with it until I was landing the skill 95 percent of the time. At the next Nationals Camp, I demonstrated the move for Martha and she thought it looked really good, so we went ahead and added it to the second tumbling pass of my floor routine. I’d already performed the combination at national meets that year, but doing it at Worlds was different. That’s because when a completely new skill is executed successfully at a season-ending championship like Worlds or the Olympics, the move will forever after be known by the name of the gymnast who first performed it. Talk about high stakes! I’ll cut to the chase: I nailed the move, which is how it came to be known as the Biles. How awesome is that! (The only problem is, when I see another gymnast perform the move now, I pray they don’t get hurt. I know it’s not logical, but because the move is named after me, I’d feel as if it was my fault.)
Simone Biles (Courage to Soar: A Body in Motion, a Life in Balance)
He left his shoes on the mat, mounted the stair unshod. Caroline stole after, with noiseless step. There was a gallery, and there was a passage; at the end of that passage Martin paused before a door and tapped. He had to tap twice—thrice. A voice, known to one listener, at last said, "Come in." The boy entered briskly. "Mr. Moore, a lady called to inquire after you. None of the women were about. It is washing-day, and the maids are over the crown of the head in soap-suds in the back kitchen, so I asked her to step up." "Up here, sir?" "Up here, sir; but if you object, she shall go down again." "Is this a place or am I a person to bring a lady to, you absurd lad?" "No; so I'll take her off." "Martin, you will stay here. Who is she?" "Your grandmother from that château on the Scheldt Miss Moore talks about." "Martin," said the softest whisper at the door, "don't be foolish." 508"Is she there?" inquired Moore hastily. He had caught an imperfect sound. "She is there, fit to faint. She is standing on the mat, shocked at your want of filial affection." "Martin, you are an evil cross between an imp and a page. What is she like?" "More like me than you; for she is young and beautiful." "You are to show her forward. Do you hear?" "Come, Miss Caroline." "Miss Caroline!" repeated Moore.
Charlotte Brontë (Shirley)
I whirled on him. He was spattered with blood, breathing hard, head down, eyes narrowed, and fury was rolling off him in thick, dangerous waves. How dare he be furious with me? I was the wronged party! My battle was interrupted, bloodlust was bottled up inside me, a turbo engine revved to redline. “The vamp was mine< Barrons.” “Inspect his teeth, Ms. Lane,” he said tightly. “They were cosmetic enhancements. He was no vampire.” I punched him lightly in the shoulder. “I don’t care what he was! It was my fight, you bastard!” He punched me back with the same light, warning force. “You were taking too long to finish it up.” “Who are you to decide how long is too long?” I gave him another tap in the shoulder. He returned the blow with equal force. “You were enjoying it!” “I was not!” “You were smiling, bouncing on the balls of your feet, egging him on.” “I was trying to end the fight!” I punched his shoulder, hard this time. “You were way past trying to end it,” he snapped, punching me back. I nearly fell over. “You were prolonging it. You were glorying in it.” “You don’t know what the feck you’re talking about!” I shouted. “I couldn’t tell the difference between the two of you anymore!” he roared. I smashed my fist into his face. Lies roll off us. It’s the truths we work hardest to silence. “Then you weren’t looking hard enough! I’m the one with boobs!” “I know you’re the one with boobs! They’re in my fucking face every fucking time I turn around!” “Maybe you need to get a grip on your libido, Barrons!” “Fuck you, Ms. Lane!” “You just try. I’ll kick the shit out of you!” “You think you could?” “Bring it on.” He grabbed a fistful of my T-shirt, and dragged me up against him until our noses touched. “I’ll bring it on, Ms. Lane. But remember you asked for it. So don’t even think about trying to tap out on the mat and quit the fight.” “You hear anybody crying ‘Uncle’ here, Barrons? I don’t.” “Fine.” “Fine.
Karen Marie Moning (Bloodfever (Fever, #2))
Near the exit to the blue patio, DeCoverley Pox and Joaquin Stick stand by a concrete scale model of the Jungfrau, ... socking the slopes of the famous mountain with red rubber hot-water bags full of ice cubes, the idea being to pulverize the ice for Pirate's banana frappes. With their nights' growths of beard, matted hair, bloodshot eyes, miasmata of foul breath, DeCoverley and Joaquin are wasted gods urging on a tardy glacier. Elsewhere in the maisonette, other drinking companions disentangle from blankets (one spilling wind from his, dreaming of a parachute), piss into bathroom sinks, look at themselves with dismay in concave shaving mirrors, slab water with no clear plan in mind onto heads of thinning hair, struggle into Sam Brownes, dub shoes against rain later in the day with hand muscles already weary of it, sing snatches of popular songs whose tunes they don't always know, lie, believing themselves warmed, in what patches of the new sunlight come between the mullions, begin tentatively to talk shop as a way of easing into whatever it is they'll have to be doing in less than an hour, lather necks and faces, yawn, pick their noses, search cabinets or bookcases for the hair of the dog that not without provocation and much prior conditioning bit them last night. Now there grows among all the rooms, replacing the night's old smoke, alcohol and sweat, the fragile, musaceous odor of Breakfast:flowery, permeating, surprising, more than the color of winter sunlight, taking over not so much through any brute pungency or volume as by the high intricacy to the weaving of its molecules, sharing the conjuror's secret by which-- though it is not often Death is told so clearly to fuck off--- the genetic chains prove labyrinthine enough to preserve some human face down ten or twenty generations. . . so the same assertion-through-structure allows this war morning's banana fragrance to meander, repossess, prevail. Is there any reason not to open every window, and let the kind scent blanket all Chelsea? As a spell, against falling objects. . . .
Thomas Pynchon
Kato’s expression shifts into something I could almost call a smile for the first time since I found him. He plucks the chordsagain in the beginnings of a tune I recognize, a ballad popular in southern Sinta. His fingers move with skill and subtlety over the strings. I had no idea he was musical. “Maybe we’re not meant to kill it.” He keeps playing. “Doesn’t music soothe the beast? I’ll play, you sing.” “I sound like a strangled Satyr when I sing.” He smiles. “Somehow that doesn’t surprise me.” “There’s no need for mudslinging,” I say with a huff. He chuckles softly. “I can carry a tune.” “Great!” I pat his arm. “That’ll be your job. I’ll stand back—waaaaay back—while you calm the beast. I’m confident you’ll sound as good as you look.” His chest puffs out. “How do I look?” “Terrible.” I grin. “You needed a bath, a shave, and a comb before we even set foot on the Ice Plains. Now, I can just barely make out your eyes and your nose. The rest is all”—I flap my hands around—“hair.” His chest deflates. He eyes me wryly. “I could say the same about you.” I gasp. “I grew a beard? Do you think Griffin will like it? I’ve been trying to keep it neat, but I may have picked up an eel.” Kato laughs outright, and he really is unbearably handsome. Some of the grimness evaporates from his eyes. “I was talking about this.” He gives one of my tousled waves a light tug. I once saw Griffin do that to Kaia. It’s brotherly. Affectionate. My heart squeezes in my chest. My love for Griffin is completely different, but Kato has a piece of me that no man ever had, not even Aetos. Kato sees me, and accepts. In that moment, I realize he’s slipped inside my soul right next to Eleni. They’re a blond-haired, blue-eyed, sunny pair—my light in the dark. Clearing my throat doesn’t drive away the thick lump in it, or dispel the sudden tightness, so I make a show of smoothing down my hair—a lost cause at this point. “Ah, that. It’s getting to the stage where it deserves a name. The Knotted Nest? The Twisted Tresses?” “What about the Terrible Tangle?” I nod. “That has serious possibilities.” “The Matted Mess?” he suggests. My jaw drops. “It’s not that bad!” Grinning, Kato pats my head. “Let’s get out of here.” Yes, please! “I have your clothes. They’re even dry, thanks to your Eternal Fires of the Underworld Cloak.” He quirks an eyebrow, taking the things I hand him. “That gets a name, too?” “I should think so,” I answer loftily.
Amanda Bouchet (Breath of Fire (Kingmaker Chronicles, #2))
The school is teeming with activity. The rooms are small and large, many are special-purpose rooms, like shops and labs, but most are furnished like rather shabby living or dining rooms in homes: lots of sofas, easy chairs, and tables. Lots of people sitting around talking, reading, and playing games. On an average rainy day—quite different from a beautiful suddenly snowy day, or a warm spring or fall day—most people are inside. But there will also be more than a few who are outside in the rain, and later will come in dripping and trying the patience of the few people inside who think the school should perhaps be a “dry zone.” There may be people in the photo lab developing or printing pictures they have taken. There may be a karate class, or just some people playing on mats in the dance room. Someone may be building a bookshelf or fashioning chain mail armor and discussing medieval history. There are almost certainly a few people, either together or separate, making music of one kind or another, and others listening to music of one kind or another. You will find adults in groups that include kids, or maybe just talking with one student. It would be most unusual if there were not people playing a computer game somewhere, or chess; a few people doing some of the school’s administrative work in the office—while others hang around just enjoying the atmosphere of an office where interesting people are always making things happen; there will be people engaged in role-playing games; other people may be rehearsing a play—it might be original, it might be a classic. They may intend production or just momentary amusement. People will be trading stickers and trading lunches. There will probably be people selling things. If you are lucky, someone will be selling cookies they baked at home and brought in to earn money. Sometimes groups of kids have cooked something to sell to raise money for an activity—perhaps they need to buy a new kiln, or want to go on a trip. An intense conversation will probably be in progress in the smoking area, and others in other places. A group in the kitchen may be cooking—maybe pizza or apple pie. Always, either in the art room or in any one of many other places, people will be drawing. In the art room they might also be sewing, or painting, and some are quite likely to be working with clay, either on the wheel or by hand. Always there are groups talking, and always there are people quietly reading here and there. One
Russell L. Ackoff (Turning Learning Right Side Up: Putting Education Back on Track)
A livid Atal answered, ‘Main aisi charcha mein nahin padna chahta [I do not want to be drawn into such discussions].’ He added: It is alleged that I work under pressure. I do not work under anybody’s pressure. Your party under pressure stopped nuclear tests. The dates were ready and the preparations had been made. But under foreign pressure the tests were stopped. But we went ahead with the nuclear tests in spite of the pressures. When we were fighting in Kargil, Clinton pressured us to talk to Pakistan. But we said that so long as Pakistan holds one cent of our land we will not talk. What does Soniaji want to say? When she was in Italy I had started doing parliamentary work. I know about my countrymen more than you. Who are you to tell about the Sangh Parivar pressure? This is an internal Parivar matter. Aap dakhal mat dijiye.
Kingshuk Nag (Atal Bihari Vajpayee: A Man for All Seasons)
This is a bank that does not know anything beyond business. Chetan told me, 'When we make presentations to our MD, he says, "Teri unchi English mere ko samajh me nahi aati hai; mere ko ye bata ki ladoo kidhar hai."' Everybody in HDFC Bank understands what ladoo (a ball-shaped sweetmeat) stands for. The presentations don't last more than four to five slides. Aditya loves talking to the point. 'Paisa kidhar hai woh dikha, mujhe aur kuch nahi samajhta hai, seedha baat pe aa. Mujhe tu global gyan mat de.
Tamal Bandopadhyaya (A Bank for the Buck)
State wants the alleged techniques, presumably.” “I’ve been wondering about that,” Norman said. “I wonder if we do want them.” “How do you mean?” “It’s a bit difficult to explain … Look, have you been following television at all since you came home?” “Occasionally, but since the Yatakang news broke I’ve been much too busy to catch more than an occasional news bulletin.” “So have I, but—well, I guess I’m more familiar with the way trends get started here nowadays, so I can extrapolate from the couple or three programmes I have had time for.” Norman’s gaze moved over Elihu’s head to the far corner of the room. “Engrelay Satelserv blankets most of Africa, doesn’t it?” “The whole continent, I’d say. There are English-speaking people in every country on Earth nowadays, except possibly for China.” “So you’re acquainted with Mr. and Mrs. Everywhere?” “Yes, of course—these two who always appear in station identification slots, doing exotic and romantic things.” “Did you have a personalised set at any time, with your own identity matted into the Everywhere image?” “Lord, no! It costs—what? About five thousand bucks, isn’t it?” “About that. I haven’t got one either; the basic fee is for couple service, and being a bachelor I’ve never bothered. I just have the standard brownnose identity on my set.” He hesitated. “And—to be absolutely frank—a Scandahoovian one for the shiggy half of the pair. But I’ve watched friends’ sets plenty of times where they had the full service, and I tell you it’s eerie. There’s something absolutely unique and indescribable about seeing your own face and hearing your own voice, matted into the basic signal. There you are wearing clothes you’ve never owned, doing things you’ve never done in places you’ve never been, and it has the immediacy of real life because nowadays television is the real world. You catch? We’re aware of the scale of the planet, so we don’t accept that our own circumscribed horizons constitute reality. Much more real is what’s relayed to us by the TV.” “I can well understand that,” Elihu nodded. “And of course I’ve seen this on other people’s sets too. Also I agree entirely about what we regard as real. But I thought we were talking about the Yatakangi claim?” “I still am,” Norman said. “Do you have a homimage attachment on your set? No, obviously not. I do. This does the same thing except with your environment; when they—let’s see … Ah yes! When they put up something like the splitscreen cuts they use to introduce SCANALYZER, one of the cuts is always what they call the ‘digging’ cut, and shows Mr. and Mrs. Everywhere sitting in your home wearing your faces watching the same programme you’re about to watch. You know this one?” “I don’t think they have this service in Africa yet,” Elihu said. “I know the bit you mean, but it always shows a sort of idealised dream-home full of luxy gadgetry.” “That used to be what they did here,” Norman said. “Only nowadays practically every American home is full of luxy gadgetry. You know Chad’s definition of the New Poor? People who are too far behind with time-payments on next year’s model to make the down-payment on the one for the year after?” Elihu chuckled, then grew grave. “That’s too nearly literal to be funny,” he said. “Prophet’s beard, it certainly is! I found time to look over some of Chad’s books after Guinevere’s party, and … Well, having met him I was inclined to think he was a conceited blowhard, but now I think he’s entitled to every scrap of vanity he likes to put on.
John Brunner (Stand on Zanzibar)
I’d much rather have you under me on the mat than spare time.” His arm wraps around my waist, tugging me closer. “When it comes to the other marked ones, don’t risk trusting them. Not yet. They know they can’t kill you, but some of them would be happy to see you hurt given who your mother is.” “Back to that, are we?” I try to smile, but my lower lip trembles. I’m not actually upset about him leaving. That’s the lemonade talking. “Never left that,” he reminds me, keeping his voice low even though the others in the courtyard are now giving us more than enough privacy. “Keep yourself alive, and I’ll be back in seven days.” His hand slides to the side of my neck, and his thumb grazes my jawline as he lowers his mouth to only a breath above mine. “We managed to keep each other alive today. Trust me yet?” My heart jolts. I can almost taste his kiss, and gods, I want it. “With my life,” I whisper. “That’s all?” His mouth hovers above mine, all promise and no delivery. “That’s all.” Trust is earned, and he isn’t even trying. “Too bad,” he whispers, lifting his head. “But like I said, anticipation is a good thing.” Common sense crashes through the fog of lust with embarrassing ease. For fuck’s sake, what did I almost do? “No anticipation.” I outright glare, but my words lack bite. “We aren’t happening, remember? That’s your choice. I have every right to walk right back into the gathering hall and pick whomever I want to warm my bed. Someone a little more ordinary.” It’s a bluff. Maybe. Or alcohol. Or maybe I just want him to feel the same uncertainty I do. “You absolutely have every right, but you won’t.” He gives me a slow smile. “Because you’re impossible to replace?” It does not come out as a compliment. At least that’s what I tell myself. “Because you still love me.” The certainty in his eyes pricks every inch of my temper. “Fuck off and leave, Riorson.” “I would, but you’ve got a death grip on me.” He glances between our bodies. “Ugh!” I drop my hands from his waist and step back. “Go.” “See you in seven days, Violence.” He backs away, moving toward the tunnel that leads to the flight field. “Try not to burn the place down while I’m gone.
Rebecca Yarros (Iron Flame (The Empyrean, #2))
Melinda, what are you doing?” he asked, unzipping his jeans to take them off and take a shower of his own. “Nothing,” she said, averting her eyes. He frowned and stepped toward her. He lifted her chin and looked into her eyes. “Were you covering up? In front of me?” he asked, astonished. “Jack, I’m going to pot,” she said, cinching the towel tighter. “What?” he asked, laughter in his voice. “What are you talking about?” She took a deep breath. “My boobs are drooping, my butt fell into my thighs, I have a potbelly, and if that’s not bad enough, I’m so covered with stretch marks, I look like a deflated balloon.” She put a hand against his rock-hard chest. “You’re eight years older than I am and you’re in perfect shape.” He started to laugh. “I thought you were trying to cover a tattoo or something. Mel, I didn’t have two children, a year apart. Emma’s only a few months old. Give yourself a little time, huh?” “I can’t help it. I miss my old body.” “Oh-oh,” he said, putting his arms around her. “If you’re thinking like that, I’m not doing my job.” “But it’s true,” she said, laying her head against the soft mat of hair on his chest. “Mel, you are more beautiful every day. I love your body.” “It’s not what it was…” “Hmm. But it’s better,” he said. He tugged at the towel and she hung on. “Come on,” he said. She let go and he pulled it away. “Ah,” he said, smiling down at her. “This body is amazing to me—incredible. More lush and irresistible every day.” “You can’t mean that,” she said. “But I do.” He leaned down and touched her lips with his, one hand on her breast, the other moving smoothly down her back and over her bottom. “This body has given me so much—I worship this body.” He lifted her breast slightly. “Look,” he said. “I can’t bear it,” she complained. “Look, Mel. Look in the mirror. Sometimes when I see you like this, uncovered, I can’t breathe. Every small change just makes you better, more delicious to me. You can’t think I’d have anything but complete admiration for the body that gave me my children. You give me so much pleasure, sometimes I think I might be losing my mind. Baby, you’re perfect.” “I’m twenty pounds heavier than when you met me,” she said. He laughed at her. “What are you now? A size four?” “You don’t know anything. It’s much more than a four. We’re headed for double digits…” “God above,” he said. “Twenty more pounds for me to gobble up.” “What if I just keep getting fatter and fatter?” “Will you still be in there? Because it’s you I love. I love your body, Mel, because it’s you. You understand that, right?” “But…” “If I had an accident that blew my legs off, would you stop loving me, wanting me?” “Of course not! That’s not the same thing!” “We’re not our bodies. We’ve been lucky with our bodies, but we’re more than that.” “It was my butt in a pair of jeans that got your attention….” “My love for you is a lot deeper than that, and you know it. However—” he grinned “—you still knock me out in those jeans. If you’ve gained twenty pounds, it went to all the right places.” “I’m thinking—tummy tuck,” she said. “What nonsense,” he said, leaning down to cover her mouth in a bold and serious kiss.
Robyn Carr (Temptation Ridge)
That’s nice to hear,” Rand said, smiling. “No wisecracks about my nice coat?” “What? Wisecracks? You aren’t still sore because I teased you a little a couple of years ago?” “Teased?” Rand said. “You spent weeks refusing to talk to me.” “Here now,” Mat said. “It wasn’t all that bad. I remember that part easily.
Anonymous
If this mat were any less comfortable, it would come with a heart-to-heart talk with your parents about puberty,
Jason Letts (The Powerless Series: Complete 5-Book Set)
February 24 The Delight of Sacrifice I will very gladly spend and be spent for you. 2 Corinthians 12:15 When the Spirit of God has shed abroad the love of God in our hearts, we begin deliberately to identify ourselves with Jesus Christ’s interests in other people, and Jesus Christ is interested in every kind of man there is. We have no right in Christian work to be guided by our affinities; this is one of the biggest tests of our relationship to Jesus Christ. The delight of sacrifice is that I lay down my life for my Friend, not fling it away, but deliberately lay my life out for Him and His interests in other people, not for a cause. Paul spent himself for one purpose only—that he might win men to Jesus Christ. Paul attracted to Jesus all the time, never to himself. “I am made all things to all men, that I might by all means save some.” When a man says he must develop a holy life alone with God, he is of no more use to his fellow men: he puts himself on a pedestal, away from the common run of men. Paul became a sacramental personality; wherever he went, Jesus Christ helped Himself to his life. Many of us are after our own ends, and Jesus Christ cannot help Himself to our lives. If we are abandoned to Jesus, we have no ends of our own to serve. Paul said he knew how to be a “door-mat” without resenting it, because the mainspring of his life was devotion to Jesus. We are apt to be devoted not to Jesus Christ but to the things which emancipate us spiritually. That was not Paul’s motive: “I could wish that myself were accursed from Christ for my brethren”—wild, extravagant—is it? When a man is in love it is not an exaggeration to talk in that way, and Paul is in love with Jesus Christ.
Oswald Chambers (My Utmost for His Highest)
His face was serious and polite. The mat dangling by his left ear looked ridiculous. He was talking to her. “I was—” The fairy had to stop, as the absurdity of speaking to a person and having them speak back nearly overwhelmed her. If she thought about it for too long, she would start laughing or crying or both.
T. Kingfisher (Thornhedge)
It's just, I don't know, painful and embarrassing all at the same time. This is my son we're talk ing about, and I can't help but feel I've let him down. If I'd been a better father, he wouldn't have drifted into something so dangerous." No one knew what to say for a second. Uncharacteristically, it was Eric Stone who broke the silence. So versed in technical mat ters, it was easy to overlook his human side. "Max, I grew up in an abusive home. My father was a drunk who beat my mother and me every night he had enough money for a bottle of vodka. It was about the worst situation you could imagine and yet I turned out okay. Your home life is only a part of who you be come. You being a larger part of your son's life might have changed things or it might not have. There's no way of knowing, and if you can't know for certain there's no need for useless spec ulation. Kyle is who he is because he chose to be that way. You weren't around for your daughter either, and she's a successful accountant." "Lawyer," Max said absently. "And she did it all on her own." "If you don't feel you can take responsibility for her success, then you have no right to take responsibility for Kyle's failings." Max let the statement hang, before finally asking, "How old are you?" Stone seemed embarrassed by the question. "Twenty-seven." "Son, you are wise beyond your years. Thank you.
Clive Cussler (Plague Ship (Oregon Files, #5))
Why aren’t you talking to me?” Curran took a step from the mats. “I’m following your orders to the letter. I was told to address all queries to your chief of security. But if you wish to speak to me directly, I’ll be happy to oblige.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
Doña Teresa rose, and while she talked she deftly rolled up the mat on which she had slept and stood it on end in the corner of the room. You see it didn’t take any time at all to dress, because they always slept with their clothes on. But Doña Teresa was very particular about one thing. She made them all wash their faces and hands the very first thing every single morning! For a wash-basin there was a part of a log, hollowed out like a trough. Beside the hollow log there was a large red olla, with a gourd in it. Pancho had dipped water from the olla into the trough and was already splashing about, while Doña Teresa rolled the Twins off on to the floor and placed their mats in the corner with the others. “Come, my pigeons,” she said to them, “it is time to be stirring. We are very lazy [p 10 ] to lie in bed after cockcrow on San Ramon’s 7 Day!” “Oh, Little Mother,” cried Tita, picking herself up, “is it really the fiesta of San Ramon? And may I take the little white hen to be blessed, all myself?” “You may take the little white hen if you can catch her,” Doña Teresa answered. “Indeed, we must take all the animals, or at the very least one of each kind to stand for all the others. The turkey must be caught, and the goat must be brought from the field so I can milk her. Tonto [that was what they called the donkey] is waiting in the shed to be made ready, not to speak of the cat and dog! Bless my soul, how many things there are to be done!
Lucy Fitch Perkins (The Mexican Twins)
A plate of food appeared, dumped unceremoniously onto the place mat. Even the House hated her. Nesta scowled at the red-stoned room. 'Wine.' None appeared. She lifted the glass before her. 'Wine.' Nothing. She tapped her nails on the table's smooth surface. 'Were you told to not give me wine?' Talking to a house: a new low. But as if in answer, the glass filled with water. Nesta snarled toward the open archway at her back. 'Funny.' ... Nesta stood and aimed for the doorway. 'Keep your wine. I'll get my own.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
The truth is, what I wanted just then was the fantasy version of Hawaii. Rather than schlepping the few miles back to South Beretania Street for a no-frills dinner with the grandparents in front of the evening news, rather than watching Barack sit up late helping Maya figure out her tuition payment plan or talking with his mother about her perpetually-behind-schedule doctoral dissertation about the economics of blacksmithing in rural Indonesia, I would have loved to have sat, just the two of us, unhitched from all obligations in the velvet evening air on the patio of a nearby restaurant, drinking mai tais as the sky over the Pacific went from pink to purple to black. I would have loved, finally, to have tripped off a little giddily to some top-floor honeymoon suite in a hotel. That was how I’d dreamed about Hawaii, back in my office in Chicago as I’d submitted my request to take these precious vacation days off from work. That was what I was trying not to pout about as Barack rolled up the rattan mat and we began the long walk
Michelle Obama (The Light We Carry: Overcoming in Uncertain Times)
All I needed from there was enough of an audience to be able to talk up the yoga products I was planning to sell. We started sharing content on the page to get our followers to like and share that content. We spent $10 per day on advertising to build the following. And we engaged with our followers in the comments. After about thirty days, we had around 3,000 people who liked our page. But we did one more thing that was the most important piece of it all: We documented our product release on the I Love Yoga Facebook page. We didn’t brag about the product or try to sell it; we simply talked about our product by showing the prototype process, explaining the difference in our product, and sharing every change we made to it based on feedback from people like them. We showed them that we’d added a thicker strap to our yoga mat simply because that was what they said they wanted. We showed them that we listened to them, that we wanted to hear what they had to say, and that we wanted to serve their needs.
Ryan Daniel Moran (12 Months to $1 Million: How to Pick a Winning Product, Build a Real Business, and Become a Seven-Figure Entrepreneur)
sexual partners, she was either lying, or she’d had it for over a year. But Oliver’s chart didn’t show any symptoms and he hadn’t been prescribed.  Jamie mulled it over in her head then acted on a hunch, pulling open the top right-hand drawer. Inside was a wholesale box of condoms. She stared at it for a second. At least they were using protection. She wondered how many Mary gave out a week. Maybe there had been a third person in their relationship. A scorned ex-boyfriend who didn’t like Oliver? He obviously didn’t know about the rash — or hadn’t noticed. Grace was keeping it from him. Had he found out, confronted Grace’s other boyfriend? Or maybe the other way around. Surprised by the guy? Taken? Tied up and threatened? She had a feeling that the person hadn’t meant to kill him. If you’re going to kill someone, you don’t take their shoes and then dump them in a river. He’d either fallen in accidentally, or he’d jumped. Either way, if there wasn’t an ex — or not ex boyfriend — he was going to be someone Jamie wanted to speak to.  She held Grace’s picture up, looking past the matted hair and sunken eyes. She was young, pretty. She’d have a lot of attention out there on the streets.  Jamie closed the drawer and looked at the file again, searching for a name. She wanted to speak to the doctor. The signature just looked like a wavy line. She’d ask Mary. The chair squeaked as she pushed back from the desk and stood up, keeping the files in hand. Her watch told her it was nearly nine-thirty. Her stomach told her it was time for breakfast. Back in the main room, some of the people had cleared out, venturing back into the city. Looking for some way to get by.  Roper was still talking to Mary, who appeared to be in the middle of a speech about how these people needed more help than anyone was prepared to give, and that Oliver wouldn’t been the last. Jamie stepped around her, piqued. ‘Why do you say that?’ ‘Oh,’ she said, seeing Jamie. ‘Because people don’t want to help them and they let them hurt themselves and each other without paying them any mind.’ She narrowed her eyes. ‘Each other? Did someone have a problem with Oliver?’ ‘What?’ Mary looked sheepish all of a sudden, as if she’d dropped someone in something. ‘No, no — nothing like that. Not as far as I know, anyway,’ she added quickly. ‘Look, I just want you to find who did this — but for you to know that things are different with them. They don’t act the same — don’t believe in the same things, you know?’ She kept her voice low now. Jamie nodded. She’d worked the streets long enough to know what Mary meant. She’d seen more than she could have ever imagined. Seen people do crazy things. Things that people with something to lose would never think to do.  ‘Mrs Cartwright,’ she said after a second. ‘Grace Melver. She was friends with Oliver?’ ‘Grace?’ Mary’s eyes lit up a little and then tilted down in sadness. ‘What a sweet girl. She’ll be devastated. She’s been back every day to check whether Oliver has turned up. She’s been going out of her mind. Poor girl.’ ‘What was the nature of their relationship?’ Roper held his phone a little higher so the microphone could pick them up more easily. Mary thought for a second, aware of the recording. She chose her words carefully. ‘They were together, I suppose. As much as two people in their situation could be. They looked out for each other. Loved each other.’ ‘Did Grace have any other boyfriends?’ ‘No, no. She was sweet. She loved Oliver.’ ‘She was a heroin user, right?’ Mary looked like her face was about to droop and slip right off her head. ‘Horrible stuff. Though they
Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
Councils" We must sit down and reason together. We must sit down. Men standing want to hold forth. They rain down upon faces lifted. We must sit down on the floor on the earth on stones and mats and blankets. There must be no front to the speaking no platform, no rostrum, no stage or table. We will not crane to see who is speaking. Perhaps we should sit in the dark. In the dark we could utter our feelings. In the dark we could propose and describe and suggest. In the dark we could not see who speaks and only the words would say what they say. Thus saying what we feel and what we want, what we fear for ourselves and each other into the dark, perhaps we could begin to begin to listen. Perhaps we should talk in groups small enough for everyone to speak. Perhaps we should start by speaking softly. The women must learn to dare to speak. The men must bother to listen. The women must learn to say, I think this is so. The men must learn to stop dancing solos on the ceiling. After each speaks, she or he will repeat a ritual phrase: It is not I who speaks but the wind. Wind blows through me. Long after me, is the wind.
Marge Piercy
It didn’t take long to find some willing partners. We set down the specifications, and Sean talked to all the manufacturers who said they could fulfill our requests. We narrowed it down to two quality options, and then we choose the one with the best price and the best communication. Sean ordered the prototype, had it embossed with our brand logo—Zen Active—and in no time at all, we unrolled our first yoga mat on the floor in Sean’s house. That was our yoga mat. It was our product, with our specifications, with our logo, in Sean’s house, ready for sale. And all it took was one website and a lot of groundwork asking questions. Now, I’m not saying we got the product totally right on our first try. We made some mistakes, and we made adjustments to improve the product over time, but the basics of taking an idea and making it a ready-for-market product really is this simple. All you have to do is find the suppliers, do the research, make the tweaks, and find the best offer out there. Find
Ryan Daniel Moran (12 Months to $1 Million: How to Pick a Winning Product, Build a Real Business, and Become a Seven-Figure Entrepreneur)
Page 3: My family is part of the Philippines’ tiny but entrepreneurial, economically powerful Chinese minority. Just 1 percent of the population, Chinese Filipinos control as much as 60 percent of the private economy, including the country’s four major airlines and almost all of the country’s banks, hotels, shopping malls, and major conglomerates. ... Since my aunt’s murder, one childhood memory keeps haunting me. I was eight, staying at my family’s splendid hacienda-style house in Manila. It was before dawn, still dark. Wide awake, I decided to get a drink from the kitchen. I must have gone down an extra flight of stairs, because I literally stumbled onto six male bodies. I had found the male servants’ quarters. My family’s houseboys, gardeners, and chauffeurs—I sometimes imagine that Nilo Abique [the chauffeur that murdered her aunt] was among those men—were sleeping on mats on a dirt floor. The place stank of sweat and urine. I was horrified. Later that day I mentioned the incident to my Aunt Leona, who laughed affectionately and explained that the servants—there were perhaps twenty living on the premises, all ethnic Filipinos—were fortunate to be working for our family. If not for their positions, they would be living among rats and open sewers without even a roof over their heads. A Filipino maid then walked in; I remember that she had a bowl of food for my aunt’s Pekingese. My aunt took the bowl but kept talking as if the maid were not there. The Filipinos, she continued—in Chinese, but plainly not caring whether the maid understood or not—were lazy and unintelligent and didn’t really want to do much else. If they didn’t like working for us, they were free to leave any time. After all, my aunt said, they were employees, not slaves.
Amy Chua (World on Fire: How Exporting Free Market Democracy Breeds Ethnic Hatred and Global Instability)