Masterpiece Short Quotes

Well, it doesn't look good. Makes me look like one of those unloved latchkey children they make after-school specials about." "Don't sell yourself short. You're more Masterpiece Theatre.

My sole consolation when I went upstairs for the night was that Mamma would come in and kiss me after I was in bed. But this good night lasted for so short a time, she went down again so soon, that the moment in which I heard her climb the stairs, and then caught the sound of her garden dress of blue muslin, from which hung little tassels of plaited straw, rustling along the double-doored corridor, was for me a moment of the utmost pain; for it heralded the moment which was to follow it, when she would have left me and gone downstairs again.

He didn’t complete me with a part of himself; he just put me back together with all my own pieces. I shattered and he crawled around on the floor handing me my confidence, my hope, my dreams, my voice, my future. He mended me then kissed my scars and looked at me like I was nothing short of a timeless masterpiece.

View your life as a form of art, and dare to turn it into an existential masterpiece.

He was prepared to die for it, as one of Baudelaire's dandies might have been prepared to kill himself in order to preserve himself in the condition of a work of art, for he wanted to make this experience a masterpiece of experience which absolutely transcended the everyday. And this would annihilate the effects of the cruel drug, boredom, to which he was addicted although, perhaps, the element of boredom which is implicit in an affair so isolated from the real world was its principle appeal for him.

He had been always about to paint a masterpiece, but had never yet begun it.

I’m going home to an old country farmhouse, once green, rather faded now, set among leafless apple orchards. There is a brook below and a December fir wood beyond, where I’ve heard harps swept by the fingers of rain and wind. There is a pond nearby that will be gray and brooding now. There will be two oldish ladies in the house, one tall and thin, one short and fat; and there will be two twins, one a perfect model, the other what Mrs. Lynde calls a ‘holy terror.’ There will be a little room upstairs over the porch, where old dreams hang thick, and a big, fat, glorious feather bed which will almost seem the height of luxury after a boardinghouse mattress. How do you like my picture, Phil?" "It seems a very dull one," said Phil, with a grimace. "Oh, but I’ve left out the transforming thing," said Anne softly. "There’ll be love there, Phil—faithful, tender love, such as I’ll never find anywhere else in the world—love that’s waiting for me. That makes my picture a masterpiece, doesn’t it, even if the colors are not very brilliant?" Phil silently got up, tossed her box of chocolates away, went up to Anne, and put her arms about her. "Anne, I wish I was like you," she said soberly.

The article I actually write is a masterpiece. It takes talent to convince people that war is a beautiful experience. Come one, come all to exotic Viet Nam, the jewel of Southeast Asia, meet interesting, stimulating people of an ancient culture...and kill them. Be the first kid on your block to get a confirmed kill.

Nature scarcely seems capable of giving us any but quite short illnesses. But medicine has developed the art of prolonging them.

Spinoza wrote the last indisputable Latin masterpiece, and one in which the refined conceptions of medieval philosophy are finally turned against themselves and destroyed entirely. He chose a single word from that language for his device: caute – ‘be cautious’ – inscribed beneath a rose, the symbol of secrecy. For, having chosen to write in a language that was so widely intelligible, he was compelled to hide what he had written.

Among the many queer things about the American economy is this: A writer can get more money for a bungling speech at a bankrupt college than he can get for a short-story masterpiece. What’s more, he can sell the speech over and over again, and no one complains.

Some literary recommendations: James Salter’s erotic masterpiece, A Sport and a Pastime; Anais Nin’s collections of short stories Delta of Venus and Little Birds; the erotic novels Emanuelle by Emanuelle Arsan and Story of O by Pauline Réage; Harold Brodkey’s sexual saga “Innocence”—perhaps the greatest depiction of a session of cunnilingus ever penned; novels by Jerzy Kosinski such as Passion Play and Cockpit; Henry Miller’s Under the Roofs of Paris and Quiet Days in Clichy; My Secret Life by Anonymous and The Pure and the Impure by Colette; Nancy Friday’s anthology of fantasies, Secret Garden (filled with the correspondence of real people’s fantasies); stories from The Mammoth Book of Erotica or one of the many erotic anthologies edited by Susie Bright. For those with a taste for poetry, try Les Fleurs du Mal (Flowers of Evil) by Charles Baudelaire or Flesh Unlimited by Guillaume Apollinaire. And for those who like comic books (kinky ones, that is), try the extra-hot works of writer/illustrator Eric Stanton, who specializes in female-domination fantasies.

God made you as you are on purpose. He gave you your looks, your height, your skin color, your nose, your personality. Nothing about you is by accident. You didn’t get overlooked. You didn’t get left out. God calls you His masterpiece. Instead of going around feeling down on yourself, unattractive, too tall, too short, not enough of this, or too much of that, dare to get up in the morning and say, “I am a masterpiece. I am created in the image of Almighty God.

Herman Melville (August 1, 1819 – September 28, 1891) was an American novelist, short story writer, essayist, and poet. His earliest novels were bestsellers, but his popularity declined later in his life. By the time of his death he had virtually been forgotten, but his longest novel, Moby-Dick — largely considered a failure during his lifetime, and responsible for Melville's drop in popularity — was rediscovered in the 20th century as a literary masterpiece. Source: Wikipedia

his first masterpiece, Boule de Suif,

as Pushkin says: “‘Dearer to us the falsehood that exalts Than hosts of baser truths.

Now who art thou, that on the bench wouldst sit In judgment at a thousand miles away, With the short vision of a single span?

One more nice thing about short stories is that you can create a story out of the smallest details -an idea that springs up in your mind, a word, an image, whatever. In most cases it's like jazz improvisation, with the story taking me where it wants to. And another good point is that with short stories you don't have to worry about failing. If the idea doesn't work out the way you hoped it would, you just shrug your shoulders and tell yourself that they can't all be winners. Even with masters of the genre like F. Scott Fitzgerald and Raymond Carver -even Anton Chekhov- not every short story is a masterpiece. I find this a great comfort. You can learn from your mistakes (in other words, those you can't call complete success) and use that in the next story you write.

Good follow-up is just as important as the meeting itself. The great master of follow-up was Alfred Sloan, the most effective business executive I have ever known. Sloan, who headed General Motors from the 1920s until the 1950s, spent most of his six working days a week in meetings—three days a week in formal committee meetings with a set membership, the other three days in ad hoc meetings with individual GM executives or with a small group of executives. At the beginning of a formal meeting, Sloan announced the meeting’s purpose. He then listened. He never took notes and he rarely spoke except to clarify a confusing point. At the end he summed up, thanked the participants, and left. Then he immediately wrote a short memo addressed to one attendee of the meeting. In that note, he summarized the discussion and its conclusions and spelled out any work assignment decided upon in the meeting (including a decision to hold another meeting on the subject or to study an issue). He specified the deadline and the executive who was to be accountable for the assignment. He sent a copy of the memo to everyone who’d been present at the meeting. It was through these memos—each a small masterpiece—that Sloan made himself into an outstandingly effective executive.

I would fall asleep again, and thereafter would reawaken for short snatches only, just long enough to hear the regular creaking of the wainscot, or to open my eyes to stare at the shifting kaleidoscope of the darkness, to savour, in a momentary glimmer of consciousness, the sleep which lay heavy upon the furniture, the room, that whole of which I formed no more than a small part and whose insensibility I should very soon return to share.

Respect yourself enough to stop accepting disrespect. If you let people treat you like a doormat, they’ll keep wiping their feet on you. Know your worth & set high standards for yourself. It's time to say, "I’m not here for your nonsense!” Remember, self-respect is a non-negotiable. If someone can’t step up to treat you right, show them the door. Life’s too short to settle for anything less than you deserve. You’re not a doormat—you’re a damn masterpiece, so don’t let anyone treat you otherwise!

The telephone was not yet at that date as commonly in use as it is today. And yet habit requires so short a time to divest of their mystery the sacred forces with which we are in contact, that, not having had my call at once, my immediate thought was that it was all very long and very inconvenient, and I almost decided to lodge a complaint.

Whether it means producing a piece of art, writing a short story, or simply bringing beauty into our home or into the lives of others, consider for a moment that we each have the capacity to be creative. The masterpiece, then, is not something we create to hang on our wall but something in ourselves as we fulfill our God-given potential, utilizing the talents He gave us.

Haven't I told you scores of times, that you're always beginners, and the greatest satisfaction was not in being at the top, but in getting there, in the enjoyment you get out of scaling the heights? That's something you don't understand, and can't understand until you've gone through it yourself. You're still at the state of unlimited illusions, when a good, strong pair of legs makes the hardest road look short, and you've such a mighty appetite for glory that the tiniest crumb of success tastes delightfully sweet. You're prepared for a feast, you're going to satisfy your ambition at last, you feel it's within reach and you don't care if you give the skin off your back to get it! And then, the heights are scaled, the summits reached, and you've got to stay there. That's when the torture begins; you've drunk your excitement to the dregs and found it all too short and even rather bitter, and you wonder whether it was really worth the struggle. From that point there is no more unknown to explore, no new sensations to experience. Pride has had its brief portion of celebrity; you know that your best has been given and you're surprised it hasn't brought a keener sense of satisfaction. From that moment the horizon starts to empty of all hopes that once attracted you towards it. There's nothing to look forward to but death. But in spite of that you cling on, you don't want to feel you're played out, you persist in trying to produce something, like old men persist in trying to make love, with painful, humiliating results. ... If only we could have the courage to hang ourselves in front of our last masterpiece!

Does not every eternal masterpiece derive from the experience of disgrace, humiliation, wounded pride? The thoughtless mob may wildly applaud a work of art - to me it reveals the devastated mind of its creator. In all the great symphonies of tones, colours and ideas I see a gleam of the marvellous colour trumpet red, a faint reflection of the vision that for a short while raised the Master above the bewildering maze of his tormenting guilt.

The time therefore that any man doth live, is but a little, and the place where he liveth, is but a very little corner of the earth, and the greatest fame that can remain of a man after his death, even that is but little, and that too, such as it is whilst it is, is by the succession of silly mortal men preserved, who likewise shall shortly die, and even whiles they live know not what in very deed they themselves are: and much less can know one, who long before is dead and gone.

If humanity continues its suicidal ways to change the global climate, eliminate ecosystems, and exhaust Earth's natural resources, our species will very soon find itself forced into making a choice, this time engaging the conscious part of our brain. It is as follows: shall we be existential conservatives, keeping our genetically-based human nature while tapering off the activities inimical to ourselves and the rest of the biosphere? Or shall we use our new technology to accomodate the changes important solely to our own species, while letting the rest of life slip away? We have only a short time to decide.

And what books should we so read? The principle which has never failed to confer superiority on a man's thinking activity is the well-worn precept: DO NOT READ GOOD BOOKS—life is too short for that—ONLY READ THE BEST. This simple recipe is as infallible as good air and good food are in physical hygiene. Yet, it is a fact that nineteen out of twenty modern people quake away from it. "Masterpieces again," they groan, "The Aeneid, the Divina Commedia, Paradise Lost, we have heard that before: much rather be ordinary than bored." The notion that masterpieces are boresome school books interpreted by dull teachers, or examination stuff, is a marvellous product of education. Ignorance is assuredly less deadly, for it can create no such inferiority complex as the schoolboy's notion of his lack of kinship with the best literature. But this phantasm can easily be exorcised if we modify the above principle to: ONLY READ WHAT GIVES YOU THE GREATEST PLEASURE.

He turns the conversation to that banal subject, fascinating to non-writers, of why writers write. Ego enhancement, sure. What else? Psychological imbalance? Neurosis? Trauma? And if trauma, how far can trauma go before it stops being stimulating and becomes destructive? Academic pressures to publish, do those mean anything? Not much, we agree. How about the reforming impulse, a passion for social justice? Are writers reporters, prophets, crazies, entertainers, preachers, judges, what? Who appoints them as mouthpieces? If they appoint themselves, as they clearly do, how valid is the commission? If Time alone makes masterpieces, as Anatole France thought, then great writing is just trial and error tested by time, and if it’s that, then above all it has to be free, it has to flow from the gift, not from outside pressures. The gift is its own justification, and there is no way of telling for sure, short of the appeal to posterity, whether it’s really worth something or whether it’s only the ephemeral expression of a fad or tendency, the articulation of a stereotype.

Mir Dimad (d. 1631) and his pupil Mulla Sadra (d. 1640) founded a school of mystical philosophy at Isfahan, which Majlisi did his best to suppress. They continued the tradition of Suhrawardi, linking philosophy and spirituality, and training their disciples in mystical disciplines which enabled them to acquire a sense of the alam al-mithal and the spiritual world. Both insisted that a philosopher must be as rational and scientific as Aristotle, but that he must also cultivate the imaginative, intuitive approach to truth. Both were utterly opposed to the new intolerance of some of the ulama, which they regarded as a perversion of religion. Truth could not be imposed by force and intellectual conformism was incompatible with true faith. Mulla Sadra also saw political reform as inseparable from spirituality. In his masterpiece Al-Afsan al-Arbaah (The Fourfold Journey), he described the mystical training that a leader must undergo before he could start to transform the mundane world. He must first divest himself of ego, and receive divine illumination and mystical apprehension of God. It was a path that could bring him to the same kind of spiritual insight as the Shii imams, though not, of course, on the same level as they.

to tease out the fictitious nature of this amiability was to have been what they called well brought up; to believe that amiability to be real was to lack breeding. I received, as it happens, a short time after this, a lesson that finally taught me, with the most perfect exactitude, the extent and limits of certain forms of aristocratic amiability. It was at a matinée given by the Duchesse de Montmorency23 for the Queen of England; a sort of small cortège had formed to go to the buffet, at the head of which walked the sovereign with, on her arm, the Duc de Guermantes. This was the moment of my own arrival. With his free hand, the Duc made, from a good forty meters away, innumerable gestures of summons and of friendship, which seemed to be saying that I could approach without fear, that I would not be eaten alive in place of the sandwiches. But, I, who was beginning to become word perfect in the language of the courts, instead of moving even a single step closer, gave a deep bow from my forty meters of distance, but without smiling, as I would have done faced with someone I hardly knew, then continued on my way in the opposite direction. I might have written a masterpiece, and the Guermantes would have done me less honor than for this bow. It did not go unobserved by the eyes either of the Duc, even though he had to respond to more than five hundred people that day, or of the Duchesse, who, having met my mother, recounted it to her, and, while being careful not to say that I had been in the wrong, that I should have gone up, told her that her husband had marveled at my bow, that it would have been impossible to make it any more expressive

Life is pretty short yet magnanimous if we know just how to live right. It isn't that easy, it takes a lot of our soul, sometimes too many broken pieces to finally come together in binding a masterpiece that smiles like a solitary star forever gazing around at the music of an eternal cosmos. The most brutal yet beautiful truth about Life is that It is marked, marked with Time where every moment takes us closer to death, it doesn't have to sound or feel bad or scary because death is the most inevitable truth in this mortal world. While the knowledge of death jolts our mind with the uncertainty of Life, clutches us in the emotion of fear to think of pain or the loss of bonds, when we acknowledge that as a part of our souls' journey and take every moment as our precious gift, a blessing to experience this Life with its beautiful garden of emotions blossoming with wonderful smiles that we can paint on others, then we make our Life magnanimous, then we make even the very face of death as that of an angel coming to take us to a different voyage, soaked in a lot of memories and experiences beautifully binding our soul. I have realised that when we live each day as if it's the last day of our life, we become more loving and gentle to everyone around and especially to our own selves. We forgive and love more openly, we grace and embrace every opportunity we get to be kind, to stay in touch with everything that truly matters. I have realised that when we rise every morning with gratitude knowing that the breath of air still passes through our body, just in the mere understanding that we have one more day to experience Life once again, we stay more compassionate towards everything and everyone around and invest more of our selves into everything and everyone that truly connect and resonate with our soul. I have realised that when we consciously try to be good and kind, no matter however bad or suffocating a situation is we always end up taking everything at its best holding on to the firm grip of goodness, accepting everything as a part of our souls' lesson or just a turn of Time or Fate and that shapes into our strength and roots our core with the truest understanding of Life, the simple act of going on and letting go. Letting go of anything and everything that chains our Soul while going on with a Heart open to Love and a Soul ready to absorb all that falls along the pathway of this adventure called Life. I have realised that when we are kind and do anything good for another person, that gives us the most special happiness, something so pure that even our hearts don't know how deep that joy permeates inside our soul. I have realised that at the end of the day we do good not because of others but because of our own selves, for if tomorrow death comes to grace me I hope to smile and say I have Lived, loved unconditionally and embraced forgiveness, kindness and goodness and all the other colours of Love with every breath I caught, I have lived a Life magnanimous. So each time someone's unkind towards you, hold back and smile, and try to give your warmth to that person. Because Kindness is not a declaration of who deserves it, it's a statement of who you are. So each time some pieces of your heart lay scattered, hold them up and embrace everyone of them with Love. Because Love is not a magic potion that is spilled from a hollow space, it's a breath of eternity that flows through the tunnel of your soul. So each time Life puts up a question of your Happiness, answer back with a Smile of Peace. Because Happiness is not what you look for in others, it's what you create in every passing moment, with the power of Life, that is pretty short when we see how counted it stands in days but actually turns out absolutely incredibly magnanimous when loved and lived in moments.

CHALLENGES TO YOUNG POETS Invent a new language anyone can understand. Climb the Statue of Liberty. Reach for the unattainable. Kiss the mirror and write what you see and hear. Dance with wolves and count the stars, including the unseen. Be naïve, innocent, non-cynical, as if you had just landed on earth (as indeed you have, as indeed we all have), astonished by what you have fallen upon. Write living newspaper. Be a reporter from outer space, filing dispatches to some supreme managing editor who believes in full disclosure and has a low tolerance level for hot air. Write and endless poem about your life on earth or elsewhere. Read between the lines of human discourse. Avoid the provincial, go for the universal. Think subjectively, write objectively. Think long thoughts in short sentences. Don't attend poetry workshops, but if you do, don't go the learn "how to" but to learn "what" (What's important to write about). Don't bow down to critics who have not themselves written great masterpieces. Resist much, obey less. Secretly liberate any being you see in a cage. Write short poems in the voice of birds. Make your lyrics truly lyrical. Birdsong is not made by machines. Give your poem wings to fly to the treetops. The much-quoted dictum from William Carlos Williams, "No ideas but in things," is OK for prose, but it lays a dead hand on lyricism, since "things" are dead. Don't contemplate your navel in poetry and think the rest of the world is going to think it's important. Remember everything, forget nothing. Work on a frontier, if you can find one. Go to sea, or work near water, and paddle your own boat. Associate with thinking poets. They're hard to find. Cultivate dissidence and critical thinking. "First thought, best thought" may not make for the greatest poetry. First thought may be worst thought. What's on your mind? What do you have in mind? Open your mouth and stop mumbling. Don't be so open minded that your brains fall out. Questions everything and everyone. Be subversive, constantly questioning reality and status quo. Be a poet, not a huckster. Don't cater, don't pander, especially not to possible audiences, readers, editors, or publishers. Come out of your closet. It's dark there. Raise the blinds, throw open your shuttered windows, raise the roof, unscrew the locks from the doors, but don't throw away the screws. Be committed to something outside yourself. Be militant about it. Or ecstatic. To be a poet at sixteen is to be sixteen, to be a poet at 40 is to be a poet. Be both. Wake up and pee, the world's on fire. Have a nice day.

The lovely young lady in the mirror was not a stranger, nor was she Lady Overlooked. Once again, Brierly had found some essential core of her model and designed the whole dress around it. Brierly had gathered Nissa’s brown hair in a loose pile on top of her head, with a curl spilling over here and there. The comb secured a single rose just verging on full bloom. Nissa still looked short and sturdy but—endearingly so. A friendly elf. Youthful, but not childish. The dress flattered and concealed the correct curves. Not even Aunt Perturbance would mistake her for fifteen tonight. Nissa blushed–ith pleasure at her appearance, yes–but mainly that her childhood heroine would think so highly of her as to craft such a masterpiece. That she would know her so well as to reflect the true Nissa, but love her so well as to reflect the best possible Nissa.

I was unable to leave immediately for another reason: this was that the lavishness (unknown to the Courvoisiers) for which the Guermantes, whether opulent or practically ruined, were famous when they entertained their friends, was not only lavishness in material terms but also, as I had often experienced with Robert de Saint-Loup, a lavishness of charming words, courteous gestures, a whole gamut of verbal elegance nourished by real intensity of feeling. But as this last, in the idleness of fashionable existence, finds no outlet, it poured forth at times, seeking some channel of expression in a kind of fleeting effusiveness, which was all the more anxiously solicitous, and which might, on the part of Mme de Guermantes, have been mistaken for affection. She did in fact feel it at the moment she let it overflow, for she discovered then, in the company of the friend, man or woman, she was with at the time, a sense of intoxication, in no way sensual, similar to that which music induces in certain people; she would find herself picking a flower from her bodice, or a medallion, and giving it to someone with whom she would have liked to prolong the evening, yet with the melancholy feeling that to prolong it would have led to nothing but idle chatter, which would have absorbed nothing of the nervous pleasure, the fleeting emotion of the experience, and which would have been reminiscent in this respect of the impression of lassitude and regret that follow the first warm days of spring. And as far as the friend was concerned, it was important that he was not too taken in by the promises, more thrilling than any he had ever heard, proffered by these women, who, because they are particularly susceptible to the sweetness of a moment, turn it, with a delicacy, a nobility not granted to ordinary creatures, into a masterpiece of endearment and kindness, and no longer have anything of themselves left to give in the moment that follows. Their affection does not outlive the moment of elation that dictated it; and the subtlety of mind which had led them at that point to intuit all the things that you wished to hear, and to say them to you, will enable them, a few days later, to pinpoint your foibles and use them to entertain another of their guests with whom they will in turn be enjoying one of these moments musicaux which are so short-lived.

bezique

Sending works to magazines was entirely out of the question. Though I had been class poet in college and won the usual prizes, I was now convinced that nothing I was writing was good enough to send anywhere. I viewed editors of quarterlies as godlike creatures who would not even deign to read anything short of masterpieces. And I believed this despite the fact that I subscribed to quarterlies and religiously read the work in them. The work was often not good, I had to admit, but still, I was sure my own must be much much worse.

As the Supreme Governor of the Church of England, the monarch is the defender of the faith—the official religion of the country, established by law and respected by sentiment. Yet when the Queen travels to Scotland, she becomes a member of the Church of Scotland, which governs itself and tolerates no supervision by the state. She doesn’t abandon the Anglican faith when she crosses the border, but rather doubles up, although no Anglican bishop ever comes to preach at Balmoral. Elizabeth II has always embraced what former Archbishop of Canterbury George Carey called the “sacramental manner in which she views her own office.” She regards her faith as a duty, “not in the sense of a burden, but of glad service” to her subjects. Her faith is also part of the rhythm of her daily life. “She has a comfortable relationship with God,” said Carey. “She’s got a capacity because of her faith to take anything the world throws at her. Her faith comes from a theology of life that everything is ordered.” She worships unfailingly each Sunday, whether in a tiny chapel in the Laurentian mountains of Quebec or a wooden hut on Essequibo in Guyana after a two-hour boat ride. But “she doesn’t parade her faith,” said Canon John Andrew, who saw her frequently during the 1960s when he worked for Archbishop of Canterbury Michael Ramsey. On holidays she attends services at the parish church in Sandringham, and at Crathie outside the Balmoral gates. Her habit is to take Communion three or four times a year—at Christmas, Easter, Whitsunday, and the occasional special service—“an old-fashioned way of being an Anglican, something she was brought up to do,” said John Andrew. She enjoys plain, traditional hymns and short, straightforward sermons. George Carey regards her as “middle of the road. She treasures Anglicanism. She loves the 1662 Book of Common Prayer, which is always used at Sandringham. She would disapprove of modern services, but wouldn’t make that view known. The Bible she prefers is the old King James version. She has a great love of the English language and enjoys the beauty of words. The scriptures are soaked into her.” The Queen has called the King James Bible “a masterpiece of English prose.

we cling to our last pleasures as the tree clings to its last leaves.

For two or three weeks this notion of father’s invaded our house. We did not talk much, but in our daily lives tried earnestly to make smiles take the place of glum looks. Mother smiled at the boarders and I, catching the infection, smiled at our cat.

Clothe? I don’t clothe ‘em. I look after their insides. No one can’t say as my child’en look starved. If parson’s folk want to see ‘em clothed they must do it theirselves.

The maples had adorned themselves with garnet, the tall oaks wore burnished oranges and deep bronze, and the birches gleamed with yellow as warm as amber. Brightly hued leaves danced all around the fox, swirling to finally join a carpet of bold colors all woven together in a masterpiece only nature could work.

If you are working on a short story for a small online press, don't try to write a serious, world-changing, add-this-to-the-literary-canon masterpiece. Do your best work, but keep it all in perspective. Save the stress for when it is really called for, like facing a two-week deadline to rewrite a novel for a major house.

In their important masterpiece entitled When the Earth Nearly Died, Allan and Delair write: In Europe immense herds of diverse animals utterly vanished off the face of the earth for no obvious biological reason Coincident with this dreadful slaughter upon the land was the deposition of myriads of contemporary marine shells, and the stranding at great elevations of marine mammals, porpoises, walruses and seals In Siberia, the picture is everywhere one of appalling disorder, carnage and wholesale destruction, with countless animals and plants frozen in positions of death ever since the day they perished. As a result, their remains are amazingly fresh-looking and are frequently indistinguishable from those of animals and plants that have died mere weeks ago The magnitude of the biological extinctions achieved by the Deluge almost transcends the imagination. It annihilated literally billions of biological units of both sexes and every age indiscriminately. Only incredibly powerful flood waters operating world-wide could have achieved such results, and only a flood produced by the means previously suggested could have operated globally They comment on the preposterous Ice Age theories of their predecessors. Although these theories hold little water, they are accepted by supposedly intelligent people. ...it is astonishing that such an unscientific explanation ever came to be formulated, yet in a short time both it and the concept of immense thick ice-sheets descending from a hypothetical northern mountain system, to cover all of northern and eastern North America and western and northern Eurasia, was enthusiastically embraced...as virtually established fact The evidence is perfectly unambiguous. Along with the removal of an “Ice Age” like that which has been hitherto commonly envisaged, the evidence suggests that there is something seriously amiss with the last phases of standard geological chronology Evidence thus converges from numerous directions to support the conclusion that, on the testimony of radio-carbon and other dating techniques, immense physical and climatic changes occurred on earth some 11,000 years or so ago – when an Ice Age that probably never existed came to an end, and an apparently uniformitarian regime was abruptly terminated The gigantic worldwide tectonic disturbances of the ‘late Pleistocene’ times occurred almost simultaneously on a nearly unimaginable scale – precisely what could be expected from a powerful external influence but not from the ‘Ice Age’ conditions conventionally believed to have existed then They note the change in the magnetic fields that occurred during the cataclysmic period of Earth’s recent history: Significantly, a drop in the strength of the earth’s magnetic field appears to have occurred sometime between 13,750 and 12,350 years ago...attended by various other important changes, including earthquakes, vulcanism, water table fluctuations and large scale climatic variations. Of these, severe earthquakes in particular may even induce axial wobble, and polarity reversals

And this,' Astrid says, gesturing at a wiry gentleman wearing eyeglasses and a houndstooth suit in need of pressing, standing a little distance away from the rest of the group, looking slightly uncomfortable, 'is Dexter Palmer, and he's a—what?' 'I,' says Dexter Palmer. 'Um.' 'He's a novelist,' Astrid brays, and Harold looks at Dexter, at his right arm rubbing his threadbare left elbow. Harold sees the oaken trunk in the corner of Dexter's filthy downtown loft with an enormous padlock on it, sees the tens of thousands of pages of handwritten manuscript that fill it. He sees the stub of the tallow candle on Dexter's rickety wooden desk, purchased for a dollar-fifty at a rummage sale. He sees the short leg of the desk propped up with a seven-hundred page study of phrenology, printed during the age of miracles. He sees Dexter's eyes going bad by candlelight, a whole diopter lost with each late night. 'Zounds, I am working on my masterpiece,' Dexter Palmer yells hoarsely, disturbing the neighbors. He slings a cup half-full of tepid chamomile tea at the wall, where it shatters. 'Dexter's writing a novel,' Astrid says brightly. After a few minutes of introductory cross-talk, the group of five splits into separate conversations: Harold talks with his sister and Charmaine, while Marlon ends up with Dexter. To Harold, Marlon looks cornered—Harold can't hear what Dexter's saying, but whatever he's talking about, he's clearly going on about it at length and in fine detail. Maybe Marlon is getting to hear all about the novel. Every once in a while Marlon will look at Harold and theatrically roll his eyes and sigh, but Dexter, who's frantically gesticulating, wrapped up in whatever he's chattering about, doesn't notice.

Characteristics: An ancient breed of northern Chinese origin, this all-purpose dog of China was used for hunting, herding, pulling and protection of the home. While primarily a companion today, his working origin must always be remembered when assessing true Chow type. The general outline of a fully-coated Chow. A powerful, sturdy, squarely built, upstanding dog of Arctic type, medium in size with strong muscular development and heavy bone. The body is compact, short coupled, broad and deep, the tail set high and carried closely to the back, the whole supported by four straight, strong, sound legs. Viewed from the side, the hind legs have little apparent angulation and the hock joint and metatarsals are directly beneath the hip joint. It is this structure which produces the characteristic short, stilted gait unique to the breed. The large head with broad, flat skull and short, broad and deep muzzle is proudly carried and accentuated by a ruff. Elegance and substance must be combined into a well balanced whole, never so massive as to outweigh his ability to be active, alert and agile. Clothed in a smooth or an offstanding rough double coat, the Chow is a masterpiece of beauty, dignity and naturalness, unique in his blue-black tongue, scowling expression and stilted gait.

withal vain-glorious, proud and inconstant. He whose arms are very short in respect to the stature of his body, is thereby signified to be a man of high and gallant spirit, of a graceful temper, bold and warlike. He whose arms are full of bones, sinews and flesh, is a great desirer of novelties and beauties, and one that is very credulous and apt to believe anything. He whose arms are very hairy, whether they be lean or fat, is for the most part a luxurious person, weak in body and mind, very suspicious and malicious withal. He whose arms have no hair on them at all, is of a weak judgment, very angry, vain, wanton, credulous, easily deceived himself, yet a great deceiver of others, no fighter, and very apt to betray his dearest friends. CHAPTER IV Of Palmistry, showing the various Judgments drawn from the Hand. Being engaged in this fourth part to show what judgment may be drawn, according to physiognomy, from the several parts of the body, and coming in order to speak of the hands, it has put me under the necessity of saying something about palmistry, which is a judgment made of the conditions, inclinations, and fortunes of men and women, from the various lines and characters nature has imprinted in their hands, which are almost as serious as the hands that have them. The reader should remember that one of the lines of the hand, and which indeed is reckoned the principal, is called the line of life; this line encloses the thumb, separating it from the hollow of the hand. The next to it, which is called the natural line, takes its

Experiencing Christ’s Love For I am persuaded that neither death nor life, nor angels nor principalities nor powers, nor things present nor things to come, nor height nor depth, nor any other created thing, shall be able to separate us from the love of God which is in Christ Jesus our Lord. Romans 8:38-39 NKJV How much does Christ love us? More than we, as mere mortals, can comprehend. His love is perfect and steadfast. Even though we are fallible and wayward, the Good Shepherd cares for us still. Even though we have fallen far short of the Father’s commandments, Christ loves us with a power and depth that are beyond our understanding. The sacrifice that Jesus made upon the cross was made for each of us, and His love endures to the edge of eternity and beyond. Christ is the ultimate Savior of mankind and the personal Savior of those who believe in Him. As His servants, we should place Him at the very center of our lives. And, every day that God gives us breath, we should share Christ’s love and His message with a world that needs both. Christ’s love changes everything. When you accept His gift of grace, you are transformed, not only for today, but also for all eternity. If you haven’t already done so, accept Jesus Christ as your Savior. He’s waiting patiently for you to invite Him into your heart. Please don’t make Him wait a single minute longer. It is when we come to the Lord in our nothingness, our powerlessness and our helplessness that He then enables us to love in a way which, without Him, would be absolutely impossible. Elisabeth Elliot The love of Christ is a fierce thing. It can take the picture you have of yourself and burn it in the fire of His loving eyes, replacing it with a true masterpiece. Sheila Walsh Live your lives in love, the same sort of love which Christ gives us, and which He perfectly expressed when He gave Himself as a sacrifice to God. Corrie ten Boom Blessed assurance, Jesus is mine! O what a foretaste of glory divine! Fanny Crosby Christ is with us, and the warmth is contagious. Joni Eareckson Tada To a world that was spiritually dry and populated with parched lives scorched by sin, Jesus was the Living Water who would quench the thirsty soul, saving it from “bondage” and filling it with satisfaction and joy and

It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way—in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.

I am not thinking in the manner of Peter Pan,” said the other. “With all reverence for the author of that masterpiece I should say he had a wonderful and tender insight into the child mind and knew nothing whatever about boys. To make only one criticism on that particular work, can you imagine a lot of British boys, or boys of any country that one knows of, who would stay contentedly playing children’s games in an underground cave when there were wolves and pirates and Red Indians to be had for the asking on the other side of the trap door?

God may have created man before woman, but there is always a rough draft before the masterpiece.

Shortly before noon, as we gained the divide above our noon camp of the day before, there about two miles distant we saw our missing horses, feeding over an alkali flat on which grew wild sorrel and other species of sour plants.

That's right, fellows," roared Lovell from his commanding position, as he jingled a handful of gold coins, "turn to and help wait on these thirsty Texans; and remember that nothing's too rich for our blood to-day. This outfit has made one of the longest cattle drives on record, and the best is none too good for them. So set out your best, for they can't cut much hole in the profits in the short time we have to stay. The train leaves in twenty minutes, and see that every rascal is provided with an extra bottle for the journey. And drop down this way when you get time, as I want a couple of boxes of your best cigars to smoke on the way. Montana has treated us well, and we want to leave some of our coin with you.

Now, I stood beside him ticking through the past few months of success and failure. Toni Cade Bambara and Ishiguro, yes, all of Murakami, yes, Philip Roth, James Baldwin and Colson Whitehead (Get out. Read these a hundred times). Yaa Gyasi, yes, Rachel Kushner, yes, and W. G. Sebald, but no more mysteries because he complains that he becomes compulsive. A month ago, I gave him Denis Johnson’s Angels, which he liked well enough. He tried Tree of Smoke and excoriated Johnson for enervating him with the evidence of hard research, although, he said, he could see where in fact the book was pretty good. I had then pressed Train Dreams into his hands. He came back and faced me, teeth gritted. ‘What else you got by this guy?’ Which told me he’d been extremely moved. This lasted a week. He has now finished all of Johnson. We are in trouble. If I sell him a book he dislikes, my favorite customer will return with an injured air, his voice cheated and tattered. What shall it be? I pull The Beginning of Spring, by Penelope Fitzgerald, off the shelf. He grumpily buys it. Much later that day, just before the store closes, Dissatisfaction returns. The Beginning of Spring is a short book, after all. He shuts his hands violently on a copy of Fitzgerald’s masterpiece, The Blue Flower, and bears it away.

You are God‘s work of art, one of a kind and exceptional. You need to know and remember that at all times.

There are a hundred thousand species of love, separately invented, each more ingenious than the last, and every one of them keeps making things. OLIVIA VANDERGRIFF SNOW IS THIGH-HIGH and the going slow. She plunges through drifts like a pack animal, Olivia Vandergriff, back to the boardinghouse on the edge of campus. Her last session ever of Linear Regression and Time Series Models has finally ended. The carillon on the quad peals five, but this close to the solstice, blackness closes around Olivia like midnight. Breath crusts her upper lip. She sucks it back in, and ice crystals coat her pharynx. The cold drives a metal filament up her nose. She could die out here, for real, five blocks from home. The novelty thrills her. December of senior year. The semester so close to over. She might stumble now, fall face-first, and still roll across the finish line. What’s left? A short-answer exam on survival analysis. Final paper in Intermediate Macroeconomics. Hundred and ten slide IDs in Masterpieces of World Art, her blow-off elective. Ten

The theory of second systems was formulated by an IBM executive named Frederick Brooks, whose career supervising large-scale software teams taught him that designers of computer systems tend to build into their second projects all the pet features that tight finances or short deadlines forced them to leave out of their first. The result is an overgrown, inefficient monstrosity that rarely works as expected. As he put it in his pithy masterpiece, The Mythical Man-Month: “The second is the most dangerous system a man ever designs.

Damon is right. He is a riddle I can’t solve, and I’ve had so few of those. He’s a warm, breathing puzzle with wooden parts and hidden clasps. I still remember the boy he was, so fierce and alone. What would I want with a puny kid? He said that to me so I wouldn’t be afraid of him. It worked. It worked too well, because even knowing what he’s become, what he’s capable of, I’m not afraid when he’s near me. My body feels electric, my breath comes short, but not from fear.

Religions have held back the development of consciousness in civilizations throughout history. Thus, over time, humanity has been condemned to follow the rules of a game that has only benefited governmental, financial, political and religious systems. However, the new generations are breaking with this gap, freeing themselves from the chains and shackles inherited from their ancestors. In short, they are waking up and opening their eyes to take the reins of the new millennium. It will not be an easy task, as the ancient group still submits to non-human governments that decide the future of our civilization. No one can predict what will happen. But believe me when I say that this is only the beginning and that, without suffering, there will be no reward... ever!" From the book The Devil's Writer (A Novel for God).

And this order of things is evidently necessary; evidently the happy man only feels at ease because the unhappy bear their burdens in silence, and without that silence happiness would be impossible. It’s a case of general hypnotism. There ought to be behind the door of every happy, contented man some one standing with a hammer continually reminding him with a tap that there are unhappy people; that however happy he may be, life will show him her laws sooner or later, trouble will come for him

Dan an’ his father they didn’t hitch,—but he never held up his head ag’in after Dan had dared him an’ gone off.” The guest did not notice this hint of family sorrows in his eager interest in something else.

reflected how many satisfied, happy people there really are! What a suffocating force it is! You look at life: the insolence and idleness of the strong, the ignorance and brutishness of the weak, incredible poverty all about us, overcrowding, degeneration, drunkenness, hypocrisy, lying... Yet all is calm and stillness in the houses and in the streets; of the fifty thousand living in a town, there is not one who would cry out, who would give vent to his indignation aloud. We see the people going to market for provisions, eating by day, sleeping by night, talking their silly nonsense, getting married, growing old, serenely escorting their dead to the cemetery; but we do not see and we do not hear those who suffer, and what is terrible in life goes on somewhere behind the scenes...

Pavel Konstantinovitch,” he said in an imploring voice, “don’t be calm and contented, don’t let yourself be put to sleep! While you are young, strong, confident, be not weary in well-doing! There is no happiness, and there ought not to be; but if there is a meaning and an object in life, that meaning and object is not our happiness, but something greater and more rational. Do good!

hour or two before, standing face to face with death, he had experienced a sensation similar to that which drowning men are said to feel—a kind of clarifying of the moral faculty, in which the veil of the flesh, with its obscuring passions and prejudices, is pushed aside for a moment, and all the acts of one’s life stand out, in the clear light of truth, in their correct proportions and relations—a state of mind in which one sees himself as God may be supposed to see him.

The trouble with him was that he was without imagination. He was quick and alert in the things of life, but only in the things, and not in the significances.

Across the top was printing in gold letters: All intentional lies, in adv., editorial, news, or any other column... Scarlet All malicious matter... Crimson All careless or ignorant mistakes... Pink All for direct self-interest of owner... Dark green All mere bait—to sell the paper... Bright green All advertising, primary or secondary... Brown All sensational and salacious matter... Yellow All hired hypocrisy... Purple Good fun, instruction and entertainment... Blue True and necessary news and honest editorials... Ordinary print You never saw such a crazy quilt of a paper.

There was such a change in all kinds of business, following the mere printing of truth in the newspapers. It began to appear as if we had lived in a sort of delirium—not really knowing the facts about anything. As soon as we really knew the facts, we began to behave very differently, of course. What really brought all

She was a wild-looking, almost unearthly creature, with wild-flowing, black, uncombed hair, small in stature, with small hands and bright black eyes; but people said that she was very strong, and the children around declared that she worked day and night and knew nothing of fatigue. As to her age there were many doubts. Some said she was ten, and others five-and-twenty, but the reader may be allowed to know that at this time she had in truth passed her twentieth birthday.

Hold by the hook, Barry,” she cried, pushing the stick of it before him, while she seized the collar of his coat in her hands. Had he been her brother, her lover, her father she could not have clung to him with more of the energy of despair.

She remembered her threat to him before they had gone down on the rocks together, and her evil wish. Those words had been very wicked; but since that she had risked her life to save his. They might say what they pleased of her, and do what they pleased. She knew what she knew. Then the father raised his son’s head

Mally!” he said, “Mally!” It could have wanted nothing further to any of those present to teach them that, according to Barry’s own view of the case, Mally had not been his enemy; and, in truth, Mally herself wanted no further triumph. That word had vindicated her, and she withdrew back to the hut.

As we was leaving, Mother said to him: “Never mind Charley’s nonsense, Frank. He is just mad because you beat him all hollow pitching horseshoes and playing cards.” She said that to make up for my slip, but at the same time she certainly riled me. I tried to keep ahold of myself, but as soon as we was out of the house she had to open up the subject and begun to scold me for the break I had made. Well, I wasn’t in no mood to be scolded. So I said: “I guess he is such a wonderful pitcher and card player that you wished you had married him.” “Well,” she said, “at least he ain’t a baby to give up pitching because his thumb has got a few scratches.” “And how about you,” I said, “making a fool of yourself on the roque court and then pretending your back is lame and you can’t play no more!” “Yes,” she said, “but when you hurt your thumb I didn’t laugh at you, and why did you laugh at me when I sprained my back?” “Who could help from laughing!” I said. “Well,” she said, “Frank Hartsell didn’t laugh.” “Well,” I said, “why didn’t you marry him?” “Well,” said Mother, “I almost wished I had!” “And I wished so, too!” I said. “I’ll remember that!” said Mother, and that’s the last word she said to me for two days.

But in truth the man knew that she had saved his boy’s life, and that he had injured her instead of thanking her. He was now taking her to his heart, and as words were wanting to him, he was showing his love after this silent fashion. He held her by the hand as though she were a child,

I’ll come and get the weed, Mally; but it shall all be for you,” said Barry.

If the world were as bad as her grandfather said, it would be so bad that she would not care to live longer in it. But be that as it might, there was no doubt as to what she must do now.

every intimacy, which at first so agreeably diversifies life and appears a light and charming adventure, inevitably grows into a regular problem of extreme intricacy, and in the long run the situation becomes unbearable.

He always seemed to women different from what he was, and they loved in him not himself, but the man created by their imagination, whom they had been eagerly seeking all their lives; and afterwards, when they noticed their mistake, they loved him all the same. And not one of them had been happy with him. Time passed, he had made their acquaintance, got on with them, parted, but he had never once loved; it was anything you like, but not love.

In the same singing divinity student’s voice in which he had talked to her father, with the same blinking and twitching of his shoulders, he began thanking Vera for her hospitality, kindness, and friendliness. “I’ve written about you in every letter to my mother,” he said. “If everyone were like you and your dad, what a jolly place the world would be! You are such a splendid set of people! All such genuine, friendly people with no nonsense about you.

Had there been anything beautiful, poetical, or edifying or simply interesting in his relations with Anna Sergeyevna? And there was nothing for him but to talk vaguely of love, of woman, and no one guessed what it meant; only his wife twitched her black eyebrows, and said: “The part of a lady-killer does not suit you at all, Dimitri.” One evening, coming out of the doctors’ club with an official with whom he had been playing cards, he could not resist saying: “If only you knew what a fascinating woman I made the acquaintance of in Yalta!

You were right, old hoss; you were right,” the man mumbled to the old-timer of Sulfur Creek.

looked back, one saw the same dust and faces... Foremost of all marched four men with sabres—this was the vanguard. Next, behind, the crowd of singers, and behind them the trumpeters on horseback. The vanguard and the chorus of singers, like torch-bearers in a funeral procession, often forgot to keep the regulation distance and pushed a long way ahead... Ryabovitch was with the first cannon of the fifth battery.

A strange thing happened to me at those Von Rabbeks’,” he began, trying to put an indifferent and ironical tone into his voice. “You know I went into the billiard-room...” He began describing very minutely the incident of the kiss, and a moment later relapsed into silence... In the course of that moment he had told everything, and it surprised him dreadfully to find how short a time it took him to tell it. He had imagined that he could have

The level rainstorm smote walls, slopes, and hedges like the clothyard shafts of Senlac and Crecy. Such sheep and outdoor animals as had no shelter stood with their buttocks to the winds; while the tails of little birds trying to roost on some scraggy thorn were blown inside-out like umbrellas.

There would be no one to live for her during those coming years; she would live for herself. There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature. A kind intention or a cruel intention made the act seem no less a crime as she looked upon it in that brief moment of illumination. And yet she had loved him—sometimes.

he saw everything that was before his eyes, but apparently only had a dim understanding of it (among physiologists this condition, when the subject sees but does not understand, is called psychical blindness).

If one looked ahead, one saw dust and the backs of men’s heads; if one looked back, one saw the same dust and faces... Foremost of all marched four men with sabres—this was the vanguard. Next, behind, the crowd of singers, and behind them the trumpeters on horseback. The vanguard and the chorus of singers, like torch-bearers in a funeral procession, often forgot to keep the regulation distance and pushed a long way ahead... Ryabovitch was with the first cannon of the fifth battery.

There would be no one to live for her during those coming years; she would live for herself. There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature. A kind intention or a cruel intention made the act seem no less a crime as she looked upon it in that brief moment of illumination.

men of Fish were beyond all religion—the barest and most savage tenets of even Christianity could gain no foothold on that barren rock—so there was no altar, no priest, no sacrifice; only each night at seven the silent concourse by the shanty depot, a congregation who lifted up a prayer of dim, anaemic wonder.

I had felt utterly incapable of playing the part of ignorance properly, and therefore was afraid to try. It is also certain that he had brought some ready-made suspicions with him, and that he viewed my politeness as a strange and unnatural phenomenon. And yet how else could I have received him? Not heartily! That was impossible for psychological reasons, which I need not state here. My only object was to keep off his inquiries. Surlily? Yes, but surliness might have provoked a point-blank question. From its novelty to him and from its nature, punctilious courtesy was the manner best calculated to restrain the man. But there was the danger of his breaking through my defence bluntly. I could not, I think, have met him by a direct lie, also for psychological (not moral) reasons. If he had only known how afraid I was of his putting my feeling of identity with the other to the test! But, strangely enough—(I thought of it only afterwards)—I believe that he was not a little disconcerted by the reverse side of that weird situation, by something in me that reminded him of the man he was seeking—suggested a mysterious similitude to the young fellow he had distrusted and disliked from the first.

I had become so connected in thoughts and impressions with the secret sharer of my cabin that I felt as if I, personally, were being given to understand that I, too, was not the sort that would have done for the chief mate of a ship like the Sephora.

hobnailed and fustianed peasantry.

Five miles of irregular upland, during the long inimical seasons, with their sleets, snows, rains, and mists, afford withdrawing space enough to isolate a Timon or a Nebuchadnezzar; much less, in fair weather, to please that less repellent tribe, the poets, philosophers, artists, and others who “conceive and meditate of pleasant things.

When these images vanished altogether from the broad dark background which every man sees when he closes his eyes,

and after torrents of tears, she could pray, and then—think again her dream of happiness was ended for ever, and wish for death. The next morning, she opened her unwilling eyes to the light, and rose. It was day; and all must rise to live through the day, and she among the rest, though the sun shone not for her as before, and misery converted life into torture.

eke out a poor income of about thirty pounds a year by making water-colour drawings of flowers and fruit (they are the cheapest models in Venice),

the little maid threw two flowers growing on the same stem—an allegory of which I could make nothing, until it broke upon me that she meant to convey to me that he and she were brother and sister,

He spoke with bitterness, and, having said thus, relapsed for some minutes into silence. Presently he raised his head from his hands, and added, with an altered voice and manner, “I, sir, paused, investigated, believed, and was not ashamed to state my convictions to the world. I, too, was branded as a visionary, held up to ridicule by my contemporaries, and hooted from that field of science in which I had laboured with honour during all the best years of my life. These things happened just three-and-twenty years ago. Since then, I have lived as you see me living now, and the world has forgotten me, as I have forgotten the world. You have my history.” “It is a very sad one,” I murmured, scarcely knowing what to answer. “It is a very common one,” he replied. “I have only suffered for the truth, as many a better and wiser man has suffered before me.

said a person not in the story to the Professor of Ontography, soon after they had sat down next to each other at a feast in the hospitable hall of St James’s College.

It was, as you might suppose, a person of antiquarian pursuits who said this, but, since he merely appears in this prologue, there is no need to give his entitlements.

Here again over-excitement asserted itself in another form—that of making pictures. Experto crede, pictures do come to the closed eyes of one trying to sleep, and are often so little to his taste that he must open his eyes and disperse them.