Masterpiece Short Quotes

Well, it doesn't look good. Makes me look like one of those unloved latchkey children they make after-school specials about." "Don't sell yourself short. You're more Masterpiece Theatre.

My sole consolation when I went upstairs for the night was that Mamma would come in and kiss me after I was in bed. But this good night lasted for so short a time, she went down again so soon, that the moment in which I heard her climb the stairs, and then caught the sound of her garden dress of blue muslin, from which hung little tassels of plaited straw, rustling along the double-doored corridor, was for me a moment of the utmost pain; for it heralded the moment which was to follow it, when she would have left me and gone downstairs again.

He didn’t complete me with a part of himself; he just put me back together with all my own pieces. I shattered and he crawled around on the floor handing me my confidence, my hope, my dreams, my voice, my future. He mended me then kissed my scars and looked at me like I was nothing short of a timeless masterpiece.

View your life as a form of art, and dare to turn it into an existential masterpiece.

I’m going home to an old country farmhouse, once green, rather faded now, set among leafless apple orchards. There is a brook below and a December fir wood beyond, where I’ve heard harps swept by the fingers of rain and wind. There is a pond nearby that will be gray and brooding now. There will be two oldish ladies in the house, one tall and thin, one short and fat; and there will be two twins, one a perfect model, the other what Mrs. Lynde calls a ‘holy terror.’ There will be a little room upstairs over the porch, where old dreams hang thick, and a big, fat, glorious feather bed which will almost seem the height of luxury after a boardinghouse mattress. How do you like my picture, Phil?" "It seems a very dull one," said Phil, with a grimace. "Oh, but I’ve left out the transforming thing," said Anne softly. "There’ll be love there, Phil—faithful, tender love, such as I’ll never find anywhere else in the world—love that’s waiting for me. That makes my picture a masterpiece, doesn’t it, even if the colors are not very brilliant?" Phil silently got up, tossed her box of chocolates away, went up to Anne, and put her arms about her. "Anne, I wish I was like you," she said soberly.

He was prepared to die for it, as one of Baudelaire's dandies might have been prepared to kill himself in order to preserve himself in the condition of a work of art, for he wanted to make this experience a masterpiece of experience which absolutely transcended the everyday. And this would annihilate the effects of the cruel drug, boredom, to which he was addicted although, perhaps, the element of boredom which is implicit in an affair so isolated from the real world was its principle appeal for him.

He had been always about to paint a masterpiece, but had never yet begun it.

The article I actually write is a masterpiece. It takes talent to convince people that war is a beautiful experience. Come one, come all to exotic Viet Nam, the jewel of Southeast Asia, meet interesting, stimulating people of an ancient culture...and kill them. Be the first kid on your block to get a confirmed kill.

Nature scarcely seems capable of giving us any but quite short illnesses. But medicine has developed the art of prolonging them.

Spinoza wrote the last indisputable Latin masterpiece, and one in which the refined conceptions of medieval philosophy are finally turned against themselves and destroyed entirely. He chose a single word from that language for his device: caute – ‘be cautious’ – inscribed beneath a rose, the symbol of secrecy. For, having chosen to write in a language that was so widely intelligible, he was compelled to hide what he had written.

Among the many queer things about the American economy is this: A writer can get more money for a bungling speech at a bankrupt college than he can get for a short-story masterpiece. What’s more, he can sell the speech over and over again, and no one complains.

Some literary recommendations: James Salter’s erotic masterpiece, A Sport and a Pastime; Anais Nin’s collections of short stories Delta of Venus and Little Birds; the erotic novels Emanuelle by Emanuelle Arsan and Story of O by Pauline Réage; Harold Brodkey’s sexual saga “Innocence”—perhaps the greatest depiction of a session of cunnilingus ever penned; novels by Jerzy Kosinski such as Passion Play and Cockpit; Henry Miller’s Under the Roofs of Paris and Quiet Days in Clichy; My Secret Life by Anonymous and The Pure and the Impure by Colette; Nancy Friday’s anthology of fantasies, Secret Garden (filled with the correspondence of real people’s fantasies); stories from The Mammoth Book of Erotica or one of the many erotic anthologies edited by Susie Bright. For those with a taste for poetry, try Les Fleurs du Mal (Flowers of Evil) by Charles Baudelaire or Flesh Unlimited by Guillaume Apollinaire. And for those who like comic books (kinky ones, that is), try the extra-hot works of writer/illustrator Eric Stanton, who specializes in female-domination fantasies.

God made you as you are on purpose. He gave you your looks, your height, your skin color, your nose, your personality. Nothing about you is by accident. You didn’t get overlooked. You didn’t get left out. God calls you His masterpiece. Instead of going around feeling down on yourself, unattractive, too tall, too short, not enough of this, or too much of that, dare to get up in the morning and say, “I am a masterpiece. I am created in the image of Almighty God.

Herman Melville (August 1, 1819 – September 28, 1891) was an American novelist, short story writer, essayist, and poet. His earliest novels were bestsellers, but his popularity declined later in his life. By the time of his death he had virtually been forgotten, but his longest novel, Moby-Dick — largely considered a failure during his lifetime, and responsible for Melville's drop in popularity — was rediscovered in the 20th century as a literary masterpiece. Source: Wikipedia

Respect yourself enough to stop accepting disrespect. If you let people treat you like a doormat, they’ll keep wiping their feet on you. Know your worth & set high standards for yourself. It's time to say, "I’m not here for your nonsense!” Remember, self-respect is a non-negotiable. If someone can’t step up to treat you right, show them the door. Life’s too short to settle for anything less than you deserve. You’re not a doormat—you’re a damn masterpiece, so don’t let anyone treat you otherwise!

as Pushkin says: “‘Dearer to us the falsehood that exalts Than hosts of baser truths.

his first masterpiece, Boule de Suif,

Now who art thou, that on the bench wouldst sit In judgment at a thousand miles away, With the short vision of a single span?

One more nice thing about short stories is that you can create a story out of the smallest details -an idea that springs up in your mind, a word, an image, whatever. In most cases it's like jazz improvisation, with the story taking me where it wants to. And another good point is that with short stories you don't have to worry about failing. If the idea doesn't work out the way you hoped it would, you just shrug your shoulders and tell yourself that they can't all be winners. Even with masters of the genre like F. Scott Fitzgerald and Raymond Carver -even Anton Chekhov- not every short story is a masterpiece. I find this a great comfort. You can learn from your mistakes (in other words, those you can't call complete success) and use that in the next story you write.

Good follow-up is just as important as the meeting itself. The great master of follow-up was Alfred Sloan, the most effective business executive I have ever known. Sloan, who headed General Motors from the 1920s until the 1950s, spent most of his six working days a week in meetings—three days a week in formal committee meetings with a set membership, the other three days in ad hoc meetings with individual GM executives or with a small group of executives. At the beginning of a formal meeting, Sloan announced the meeting’s purpose. He then listened. He never took notes and he rarely spoke except to clarify a confusing point. At the end he summed up, thanked the participants, and left. Then he immediately wrote a short memo addressed to one attendee of the meeting. In that note, he summarized the discussion and its conclusions and spelled out any work assignment decided upon in the meeting (including a decision to hold another meeting on the subject or to study an issue). He specified the deadline and the executive who was to be accountable for the assignment. He sent a copy of the memo to everyone who’d been present at the meeting. It was through these memos—each a small masterpiece—that Sloan made himself into an outstandingly effective executive.

I would fall asleep again, and thereafter would reawaken for short snatches only, just long enough to hear the regular creaking of the wainscot, or to open my eyes to stare at the shifting kaleidoscope of the darkness, to savour, in a momentary glimmer of consciousness, the sleep which lay heavy upon the furniture, the room, that whole of which I formed no more than a small part and whose insensibility I should very soon return to share.

Does not every eternal masterpiece derive from the experience of disgrace, humiliation, wounded pride? The thoughtless mob may wildly applaud a work of art - to me it reveals the devastated mind of its creator. In all the great symphonies of tones, colours and ideas I see a gleam of the marvellous colour trumpet red, a faint reflection of the vision that for a short while raised the Master above the bewildering maze of his tormenting guilt.

Haven't I told you scores of times, that you're always beginners, and the greatest satisfaction was not in being at the top, but in getting there, in the enjoyment you get out of scaling the heights? That's something you don't understand, and can't understand until you've gone through it yourself. You're still at the state of unlimited illusions, when a good, strong pair of legs makes the hardest road look short, and you've such a mighty appetite for glory that the tiniest crumb of success tastes delightfully sweet. You're prepared for a feast, you're going to satisfy your ambition at last, you feel it's within reach and you don't care if you give the skin off your back to get it! And then, the heights are scaled, the summits reached, and you've got to stay there. That's when the torture begins; you've drunk your excitement to the dregs and found it all too short and even rather bitter, and you wonder whether it was really worth the struggle. From that point there is no more unknown to explore, no new sensations to experience. Pride has had its brief portion of celebrity; you know that your best has been given and you're surprised it hasn't brought a keener sense of satisfaction. From that moment the horizon starts to empty of all hopes that once attracted you towards it. There's nothing to look forward to but death. But in spite of that you cling on, you don't want to feel you're played out, you persist in trying to produce something, like old men persist in trying to make love, with painful, humiliating results. ... If only we could have the courage to hang ourselves in front of our last masterpiece!

The telephone was not yet at that date as commonly in use as it is today. And yet habit requires so short a time to divest of their mystery the sacred forces with which we are in contact, that, not having had my call at once, my immediate thought was that it was all very long and very inconvenient, and I almost decided to lodge a complaint.

Whether it means producing a piece of art, writing a short story, or simply bringing beauty into our home or into the lives of others, consider for a moment that we each have the capacity to be creative. The masterpiece, then, is not something we create to hang on our wall but something in ourselves as we fulfill our God-given potential, utilizing the talents He gave us.

The time therefore that any man doth live, is but a little, and the place where he liveth, is but a very little corner of the earth, and the greatest fame that can remain of a man after his death, even that is but little, and that too, such as it is whilst it is, is by the succession of silly mortal men preserved, who likewise shall shortly die, and even whiles they live know not what in very deed they themselves are: and much less can know one, who long before is dead and gone.

If humanity continues its suicidal ways to change the global climate, eliminate ecosystems, and exhaust Earth's natural resources, our species will very soon find itself forced into making a choice, this time engaging the conscious part of our brain. It is as follows: shall we be existential conservatives, keeping our genetically-based human nature while tapering off the activities inimical to ourselves and the rest of the biosphere? Or shall we use our new technology to accomodate the changes important solely to our own species, while letting the rest of life slip away? We have only a short time to decide.

And what books should we so read? The principle which has never failed to confer superiority on a man's thinking activity is the well-worn precept: DO NOT READ GOOD BOOKS—life is too short for that—ONLY READ THE BEST. This simple recipe is as infallible as good air and good food are in physical hygiene. Yet, it is a fact that nineteen out of twenty modern people quake away from it. "Masterpieces again," they groan, "The Aeneid, the Divina Commedia, Paradise Lost, we have heard that before: much rather be ordinary than bored." The notion that masterpieces are boresome school books interpreted by dull teachers, or examination stuff, is a marvellous product of education. Ignorance is assuredly less deadly, for it can create no such inferiority complex as the schoolboy's notion of his lack of kinship with the best literature. But this phantasm can easily be exorcised if we modify the above principle to: ONLY READ WHAT GIVES YOU THE GREATEST PLEASURE.

He turns the conversation to that banal subject, fascinating to non-writers, of why writers write. Ego enhancement, sure. What else? Psychological imbalance? Neurosis? Trauma? And if trauma, how far can trauma go before it stops being stimulating and becomes destructive? Academic pressures to publish, do those mean anything? Not much, we agree. How about the reforming impulse, a passion for social justice? Are writers reporters, prophets, crazies, entertainers, preachers, judges, what? Who appoints them as mouthpieces? If they appoint themselves, as they clearly do, how valid is the commission? If Time alone makes masterpieces, as Anatole France thought, then great writing is just trial and error tested by time, and if it’s that, then above all it has to be free, it has to flow from the gift, not from outside pressures. The gift is its own justification, and there is no way of telling for sure, short of the appeal to posterity, whether it’s really worth something or whether it’s only the ephemeral expression of a fad or tendency, the articulation of a stereotype.

Mir Dimad (d. 1631) and his pupil Mulla Sadra (d. 1640) founded a school of mystical philosophy at Isfahan, which Majlisi did his best to suppress. They continued the tradition of Suhrawardi, linking philosophy and spirituality, and training their disciples in mystical disciplines which enabled them to acquire a sense of the alam al-mithal and the spiritual world. Both insisted that a philosopher must be as rational and scientific as Aristotle, but that he must also cultivate the imaginative, intuitive approach to truth. Both were utterly opposed to the new intolerance of some of the ulama, which they regarded as a perversion of religion. Truth could not be imposed by force and intellectual conformism was incompatible with true faith. Mulla Sadra also saw political reform as inseparable from spirituality. In his masterpiece Al-Afsan al-Arbaah (The Fourfold Journey), he described the mystical training that a leader must undergo before he could start to transform the mundane world. He must first divest himself of ego, and receive divine illumination and mystical apprehension of God. It was a path that could bring him to the same kind of spiritual insight as the Shii imams, though not, of course, on the same level as they.

to tease out the fictitious nature of this amiability was to have been what they called well brought up; to believe that amiability to be real was to lack breeding. I received, as it happens, a short time after this, a lesson that finally taught me, with the most perfect exactitude, the extent and limits of certain forms of aristocratic amiability. It was at a matinée given by the Duchesse de Montmorency23 for the Queen of England; a sort of small cortège had formed to go to the buffet, at the head of which walked the sovereign with, on her arm, the Duc de Guermantes. This was the moment of my own arrival. With his free hand, the Duc made, from a good forty meters away, innumerable gestures of summons and of friendship, which seemed to be saying that I could approach without fear, that I would not be eaten alive in place of the sandwiches. But, I, who was beginning to become word perfect in the language of the courts, instead of moving even a single step closer, gave a deep bow from my forty meters of distance, but without smiling, as I would have done faced with someone I hardly knew, then continued on my way in the opposite direction. I might have written a masterpiece, and the Guermantes would have done me less honor than for this bow. It did not go unobserved by the eyes either of the Duc, even though he had to respond to more than five hundred people that day, or of the Duchesse, who, having met my mother, recounted it to her, and, while being careful not to say that I had been in the wrong, that I should have gone up, told her that her husband had marveled at my bow, that it would have been impossible to make it any more expressive

Life is pretty short yet magnanimous if we know just how to live right. It isn't that easy, it takes a lot of our soul, sometimes too many broken pieces to finally come together in binding a masterpiece that smiles like a solitary star forever gazing around at the music of an eternal cosmos. The most brutal yet beautiful truth about Life is that It is marked, marked with Time where every moment takes us closer to death, it doesn't have to sound or feel bad or scary because death is the most inevitable truth in this mortal world. While the knowledge of death jolts our mind with the uncertainty of Life, clutches us in the emotion of fear to think of pain or the loss of bonds, when we acknowledge that as a part of our souls' journey and take every moment as our precious gift, a blessing to experience this Life with its beautiful garden of emotions blossoming with wonderful smiles that we can paint on others, then we make our Life magnanimous, then we make even the very face of death as that of an angel coming to take us to a different voyage, soaked in a lot of memories and experiences beautifully binding our soul. I have realised that when we live each day as if it's the last day of our life, we become more loving and gentle to everyone around and especially to our own selves. We forgive and love more openly, we grace and embrace every opportunity we get to be kind, to stay in touch with everything that truly matters. I have realised that when we rise every morning with gratitude knowing that the breath of air still passes through our body, just in the mere understanding that we have one more day to experience Life once again, we stay more compassionate towards everything and everyone around and invest more of our selves into everything and everyone that truly connect and resonate with our soul. I have realised that when we consciously try to be good and kind, no matter however bad or suffocating a situation is we always end up taking everything at its best holding on to the firm grip of goodness, accepting everything as a part of our souls' lesson or just a turn of Time or Fate and that shapes into our strength and roots our core with the truest understanding of Life, the simple act of going on and letting go. Letting go of anything and everything that chains our Soul while going on with a Heart open to Love and a Soul ready to absorb all that falls along the pathway of this adventure called Life. I have realised that when we are kind and do anything good for another person, that gives us the most special happiness, something so pure that even our hearts don't know how deep that joy permeates inside our soul. I have realised that at the end of the day we do good not because of others but because of our own selves, for if tomorrow death comes to grace me I hope to smile and say I have Lived, loved unconditionally and embraced forgiveness, kindness and goodness and all the other colours of Love with every breath I caught, I have lived a Life magnanimous. So each time someone's unkind towards you, hold back and smile, and try to give your warmth to that person. Because Kindness is not a declaration of who deserves it, it's a statement of who you are. So each time some pieces of your heart lay scattered, hold them up and embrace everyone of them with Love. Because Love is not a magic potion that is spilled from a hollow space, it's a breath of eternity that flows through the tunnel of your soul. So each time Life puts up a question of your Happiness, answer back with a Smile of Peace. Because Happiness is not what you look for in others, it's what you create in every passing moment, with the power of Life, that is pretty short when we see how counted it stands in days but actually turns out absolutely incredibly magnanimous when loved and lived in moments.

CHALLENGES TO YOUNG POETS Invent a new language anyone can understand. Climb the Statue of Liberty. Reach for the unattainable. Kiss the mirror and write what you see and hear. Dance with wolves and count the stars, including the unseen. Be naïve, innocent, non-cynical, as if you had just landed on earth (as indeed you have, as indeed we all have), astonished by what you have fallen upon. Write living newspaper. Be a reporter from outer space, filing dispatches to some supreme managing editor who believes in full disclosure and has a low tolerance level for hot air. Write and endless poem about your life on earth or elsewhere. Read between the lines of human discourse. Avoid the provincial, go for the universal. Think subjectively, write objectively. Think long thoughts in short sentences. Don't attend poetry workshops, but if you do, don't go the learn "how to" but to learn "what" (What's important to write about). Don't bow down to critics who have not themselves written great masterpieces. Resist much, obey less. Secretly liberate any being you see in a cage. Write short poems in the voice of birds. Make your lyrics truly lyrical. Birdsong is not made by machines. Give your poem wings to fly to the treetops. The much-quoted dictum from William Carlos Williams, "No ideas but in things," is OK for prose, but it lays a dead hand on lyricism, since "things" are dead. Don't contemplate your navel in poetry and think the rest of the world is going to think it's important. Remember everything, forget nothing. Work on a frontier, if you can find one. Go to sea, or work near water, and paddle your own boat. Associate with thinking poets. They're hard to find. Cultivate dissidence and critical thinking. "First thought, best thought" may not make for the greatest poetry. First thought may be worst thought. What's on your mind? What do you have in mind? Open your mouth and stop mumbling. Don't be so open minded that your brains fall out. Questions everything and everyone. Be subversive, constantly questioning reality and status quo. Be a poet, not a huckster. Don't cater, don't pander, especially not to possible audiences, readers, editors, or publishers. Come out of your closet. It's dark there. Raise the blinds, throw open your shuttered windows, raise the roof, unscrew the locks from the doors, but don't throw away the screws. Be committed to something outside yourself. Be militant about it. Or ecstatic. To be a poet at sixteen is to be sixteen, to be a poet at 40 is to be a poet. Be both. Wake up and pee, the world's on fire. Have a nice day.

To maximize pleasure and to minimize pain - in that order - were characteristic Enlightenment concerns. This generally more receptive attitude toward good feeling and pleasure would have significant long-term consequences. It is a critical difference separating Enlightenment views on happiness from those of the ancients. There is another, however, of equal importance: that of ambition and scale. Although the philosophers of the principal classical schools sought valiantly to minimize the role of chance as a determinant of human happiness, they were never in a position to abolish it entirely. Neither, for that matter, were the philosophers of the eighteenth century, who, like men and women at all times, were forced to grapple with apparently random upheavals and terrible reversals of forture. The Lisbon earthquake of 1755 is an awful case in point. Striking on All Saints' Day while the majority of Lisbon's inhabitants were attending mass, the earthquake was followed by a tidal wave and terrible fires that destroyed much of the city and took the lives of tens of thousands of men and women. 'Quel triste jeu de hasard que le jeu de la vie humaine,' Voltaire was moved to reflect shortly thereafter: 'What a sad game of chance is this game of human life.' He was not alone in reexamining his more sanguine assumptions of earlier in the century, doubting the natural harmony of the universe and the possibilities of 'paradise on earth'; the catastrophe provoked widespread reflection on the apparent 'fatality of evil' and the random occurrence of senseless suffering. It was shortly thereafter that Voltaire produced his dark masterpiece, Candide, which mocks the pretension that this is the best of all possible worlds. And yet, in many ways, the incredulity expressed by educated Europeans in the earthquake's aftermath is a more interesting index of received assumptions, for it demonstrates the degree to which such random disasters were becoming, if not less common, at least less expected. Their power to shock was magnified accordingly, but only because the predictability and security of daily existence were increasing, along with the ability to control the consequences of unforeseen disaster. When the Enlightened Marquis of Pombal, the First Minister of Portugal, set about rebuilding Lisbon after the earthquake, he paid great attention to modern principles of architecture and central planning to help ensure that if such a calamity were to strike again, the effects would be less severe. To this day, the rebuilt Lisbon of Pombal stands as an embodiment of Enlightened ideas. Thus, although eighteenth-century minds did not - and could not - succeed in mastering the random occurrences of the universe, they could - and did - conceive of exerting much greater control over nature and human affairs. Encouraged by the examples of Newtonian physics, they dreamed of understanding not only the laws of the physical universe but the moral and human laws as well, hoping one day to lay out with precision what the Italian scholar Giambattista Vico described as a 'new science' of society and man. It was in the eighteenth century, accordingly, that the human and social sciences were born, and so it is hardly surprising that observers turned their attention to studying happiness in similar terms. Whereas classical sages had aimed to cultivate a rarified ethical elite - attempting to bring happiness to a select circle of disciples, or at most to the active citizens of the polis - Enlightenment visionaries dreamed of bringing happiness to entire societies and even to humanity as a whole.

we cling to our last pleasures as the tree clings to its last leaves.

You were right, old hoss; you were right,” the man mumbled to the old-timer of Sulfur Creek.

The trouble with him was that he was without imagination. He was quick and alert in the things of life, but only in the things, and not in the significances.

hour or two before, standing face to face with death, he had experienced a sensation similar to that which drowning men are said to feel—a kind of clarifying of the moral faculty, in which the veil of the flesh, with its obscuring passions and prejudices, is pushed aside for a moment, and all the acts of one’s life stand out, in the clear light of truth, in their correct proportions and relations—a state of mind in which one sees himself as God may be supposed to see him.

There would be no one to live for her during those coming years; she would live for herself. There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature. A kind intention or a cruel intention made the act seem no less a crime as she looked upon it in that brief moment of illumination.

There would be no one to live for her during those coming years; she would live for herself. There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature. A kind intention or a cruel intention made the act seem no less a crime as she looked upon it in that brief moment of illumination. And yet she had loved him—sometimes.

he was not affected when he heard that Mary Kelly, who used to go to do the laundry at the Big House, had married; he was only interested when he heard she had gone to America. No, he had not met her there, America is a big place.

In every detail Adriance’s taste was so manifest that the room seemed to exhale his personality.

It was not the first time that his duty had been to comfort, as best he could, one of the broken things his brother’s imperious speed had cast aside and forgotten. He made no attempt to analyze the situation or to state it in exact terms; but he felt Katharine Gaylord’s need for him, and he accepted it as a commission from his brother to help this woman to die. Day by day he felt her demands on him grow more imperious, her need for him grow more acute and positive; and day by day he felt that in his peculiar relation to her his own individuality played a smaller and smaller part. His power to minister to her comfort, he saw, lay solely in his link with his brother’s life. He understood all that his physical resemblance meant to her. He knew that she sat by him always watching for some common trick of gesture, some familiar play of expression, some illusion of light and shadow, in which he should seem wholly Adriance. He knew that she lived upon this and that her disease fed upon it; that it sent shudders of remembrance through her and that in the exhaustion which followed this turmoil of her dying senses, she slept deep and sweet and dreamed of youth and art and days in a certain old Florentine garden, and not of bitterness and death.

Everett knelt beside her, saying, brokenly: “I stayed because I wanted to be with you, that’s all. I have never cared about other women since I met you in New York when I was a lad. You are a part of my destiny, and I could not leave you if I would.” She put her hands on his shoulders and shook her head. “No, no; don’t tell me that. I have seen enough of tragedy, God knows. Don’t show me any more just as the curtain is going down. No, no, it was only a boy’s fancy, and your divine pity and my utter pitiableness have recalled it for a moment. One does not love the dying, dear friend. If some fancy of that sort had been left over from boyhood, this would rid you of it, and that were well. Now go, and you will come again tomorrow, as long as there are tomorrows, will you not?” She took his hand with a smile that lifted the mask from her soul, that was both courage and despair, and full of infinite loyalty and tenderness, as she said softly: Forever and forever, farewell, Cassius; If we do meet again, why, we shall smile; If not, why then, this parting was well made. The courage in her eyes was like the clear light of a star to him as he went out.

hobnailed and fustianed peasantry.

he saw everything that was before his eyes, but apparently only had a dim understanding of it (among physiologists this condition, when the subject sees but does not understand, is called psychical blindness).

The level rainstorm smote walls, slopes, and hedges like the clothyard shafts of Senlac and Crecy. Such sheep and outdoor animals as had no shelter stood with their buttocks to the winds; while the tails of little birds trying to roost on some scraggy thorn were blown inside-out like umbrellas.

said a person not in the story to the Professor of Ontography, soon after they had sat down next to each other at a feast in the hospitable hall of St James’s College.

It was, as you might suppose, a person of antiquarian pursuits who said this, but, since he merely appears in this prologue, there is no need to give his entitlements.

Here again over-excitement asserted itself in another form—that of making pictures. Experto crede, pictures do come to the closed eyes of one trying to sleep, and are often so little to his taste that he must open his eyes and disperse them.

The Colonel, who remembered a not very dissimilar occurrence in India, was of the opinion that if Parkins had closed with it it could really have done very little, and that its one power was that of frightening. The whole thing, he said, served to confirm his opinion of the Church of Rome.

He, most likely, attached no great importance to what he had said to me, he had a reputation for mystifying, and was noted for his power of taking people in at masquerades, which was greatly augmented by the almost unconscious falsity in which his whole nature was steeped...

I returned to my own room, took out of the writing-table an English knife I had recently bought, felt its sharp edge, and knitting my brows with an air of cold and concentrated determination, thrust it into my pocket, as though doing such deeds was nothing out of the way for me, and not the first time. My

And this order of things is evidently necessary; evidently the happy man only feels at ease because the unhappy bear their burdens in silence, and without that silence happiness would be impossible. It’s a case of general hypnotism. There ought to be behind the door of every happy, contented man some one standing with a hammer continually reminding him with a tap that there are unhappy people; that however happy he may be, life will show him her laws sooner or later, trouble will come for him

reflected how many satisfied, happy people there really are! What a suffocating force it is! You look at life: the insolence and idleness of the strong, the ignorance and brutishness of the weak, incredible poverty all about us, overcrowding, degeneration, drunkenness, hypocrisy, lying... Yet all is calm and stillness in the houses and in the streets; of the fifty thousand living in a town, there is not one who would cry out, who would give vent to his indignation aloud. We see the people going to market for provisions, eating by day, sleeping by night, talking their silly nonsense, getting married, growing old, serenely escorting their dead to the cemetery; but we do not see and we do not hear those who suffer, and what is terrible in life goes on somewhere behind the scenes...

Dan an’ his father they didn’t hitch,—but he never held up his head ag’in after Dan had dared him an’ gone off.” The guest did not notice this hint of family sorrows in his eager interest in something else.

Pavel Konstantinovitch,” he said in an imploring voice, “don’t be calm and contented, don’t let yourself be put to sleep! While you are young, strong, confident, be not weary in well-doing! There is no happiness, and there ought not to be; but if there is a meaning and an object in life, that meaning and object is not our happiness, but something greater and more rational. Do good!

For two or three weeks this notion of father’s invaded our house. We did not talk much, but in our daily lives tried earnestly to make smiles take the place of glum looks. Mother smiled at the boarders and I, catching the infection, smiled at our cat.

He came twice a week to see Louisa Ellis, and every time, sitting there in her delicately sweet room, he felt as if surrounded by a hedge of lace. He was afraid to stir lest he should put a clumsy foot or hand through the fairy web, and he had always the consciousness that Louisa was watching fearfully lest he should.

men of Fish were beyond all religion—the barest and most savage tenets of even Christianity could gain no foothold on that barren rock—so there was no altar, no priest, no sacrifice; only each night at seven the silent concourse by the shanty depot, a congregation who lifted up a prayer of dim, anaemic wonder.

The maples had adorned themselves with garnet, the tall oaks wore burnished oranges and deep bronze, and the birches gleamed with yellow as warm as amber. Brightly hued leaves danced all around the fox, swirling to finally join a carpet of bold colors all woven together in a masterpiece only nature could work.

There are a hundred thousand species of love, separately invented, each more ingenious than the last, and every one of them keeps making things. OLIVIA VANDERGRIFF SNOW IS THIGH-HIGH and the going slow. She plunges through drifts like a pack animal, Olivia Vandergriff, back to the boardinghouse on the edge of campus. Her last session ever of Linear Regression and Time Series Models has finally ended. The carillon on the quad peals five, but this close to the solstice, blackness closes around Olivia like midnight. Breath crusts her upper lip. She sucks it back in, and ice crystals coat her pharynx. The cold drives a metal filament up her nose. She could die out here, for real, five blocks from home. The novelty thrills her. December of senior year. The semester so close to over. She might stumble now, fall face-first, and still roll across the finish line. What’s left? A short-answer exam on survival analysis. Final paper in Intermediate Macroeconomics. Hundred and ten slide IDs in Masterpieces of World Art, her blow-off elective. Ten

Damon is right. He is a riddle I can’t solve, and I’ve had so few of those. He’s a warm, breathing puzzle with wooden parts and hidden clasps. I still remember the boy he was, so fierce and alone. What would I want with a puny kid? He said that to me so I wouldn’t be afraid of him. It worked. It worked too well, because even knowing what he’s become, what he’s capable of, I’m not afraid when he’s near me. My body feels electric, my breath comes short, but not from fear.

Now, I stood beside him ticking through the past few months of success and failure. Toni Cade Bambara and Ishiguro, yes, all of Murakami, yes, Philip Roth, James Baldwin and Colson Whitehead (Get out. Read these a hundred times). Yaa Gyasi, yes, Rachel Kushner, yes, and W. G. Sebald, but no more mysteries because he complains that he becomes compulsive. A month ago, I gave him Denis Johnson’s Angels, which he liked well enough. He tried Tree of Smoke and excoriated Johnson for enervating him with the evidence of hard research, although, he said, he could see where in fact the book was pretty good. I had then pressed Train Dreams into his hands. He came back and faced me, teeth gritted. ‘What else you got by this guy?’ Which told me he’d been extremely moved. This lasted a week. He has now finished all of Johnson. We are in trouble. If I sell him a book he dislikes, my favorite customer will return with an injured air, his voice cheated and tattered. What shall it be? I pull The Beginning of Spring, by Penelope Fitzgerald, off the shelf. He grumpily buys it. Much later that day, just before the store closes, Dissatisfaction returns. The Beginning of Spring is a short book, after all. He shuts his hands violently on a copy of Fitzgerald’s masterpiece, The Blue Flower, and bears it away.

The theory of second systems was formulated by an IBM executive named Frederick Brooks, whose career supervising large-scale software teams taught him that designers of computer systems tend to build into their second projects all the pet features that tight finances or short deadlines forced them to leave out of their first. The result is an overgrown, inefficient monstrosity that rarely works as expected. As he put it in his pithy masterpiece, The Mythical Man-Month: “The second is the most dangerous system a man ever designs.

Religions have held back the development of consciousness in civilizations throughout history. Thus, over time, humanity has been condemned to follow the rules of a game that has only benefited governmental, financial, political and religious systems. However, the new generations are breaking with this gap, freeing themselves from the chains and shackles inherited from their ancestors. In short, they are waking up and opening their eyes to take the reins of the new millennium. It will not be an easy task, as the ancient group still submits to non-human governments that decide the future of our civilization. No one can predict what will happen. But believe me when I say that this is only the beginning and that, without suffering, there will be no reward... ever!" From the book The Devil's Writer (A Novel for God).

God may have created man before woman, but there is always a rough draft before the masterpiece.

Amid the seeming confusion of our mysterious world individuals are so nicely adjusted to a system, and systems to one another and to a whole, that by stepping aside for a moment a man exposes himself to a fearful risk of losing his place for ever. Like Wakefield, he may become, as it were, the outcast of the universe.

For the last two days the crew had had plenty of hard work, and the night before they had very little sleep. I felt painfully that I—a stranger—was doing something unusual when I directed him to let all hands turn in without setting an anchor watch. I proposed to keep on deck myself till one o’clock or thereabouts. I would get the second mate to relieve me at that hour. “He will turn out the cook and the steward at four,” I concluded, “and then give you a call.

He was intellectual, but not actively so; his mind occupied itself in long and lazy musings that tended to no purpose or had not vigor to attain it; his thoughts were seldom so energetic as to seize hold of words. Imagination, in the proper meaning of the term, made no part of Wakefield’s gifts. With a cold but not depraved nor wandering heart, and a mind never feverish with riotous thoughts nor perplexed with originality, who could have anticipated that our friend would entitle himself to a foremost place among the doers of eccentric deeds?

Only as I passed the door of the forecastle, I heard a deep, quiet, trustful sigh of some sleeper inside. And suddenly I rejoiced in the great security of the sea as compared with the unrest of the land, in my choice of that untempted life presenting no disquieting problems, invested with an elementary moral beauty by the absolute straightforwardness of its appeal and by the singleness of its purpose.

He made no motion to get out of the water, either. It was inconceivable that he should not attempt to come on board, and strangely troubling to suspect that perhaps he did not want to. And my first words were prompted by just that troubled incertitude. “What’s the matter?” I asked in my ordinary tone, speaking down to the face upturned exactly under mine. “Cramp,” it answered, no louder.

It was, in the night, as though I had been faced by my own reflection in the depths of a sombre and immense mirror.

I wonder they didn’t fling me overboard after getting the carcass of their precious shipmate out of my fingers. They had rather a job to separate us, I’ve been told. A sufficiently fierce story to make an old judge and a respectable jury sit up a bit.

I have been to Mont Saint-Michel, which I had not seen before. What a sight, when one arrives as I did, at Avranches toward the end of the day! The town stands on a hill, and I was taken into the public garden at the extremity of the town. I uttered a cry of astonishment. An extraordinarily large bay lay extended before me, as far as my eyes could reach, between two hills which were lost to sight in the mist; and in the middle of this immense yellow bay, under a clear, golden sky, a peculiar hill rose up, sombre and pointed in the midst of the sand. The sun had just disappeared, and under the still flaming sky the outline of that fantastic rock stood out, which bears on its summit a fantastic monument. At daybreak I went to it. The tide was low as it had been the night before, and I saw that wonderful abbey rise up before me as I approached it. After several hours’ walking, I reached the enormous mass of rocks which supports the little town, dominated by the great church. Having climbed the steep and narrow street, I entered the most wonderful Gothic building that has ever been built to God on earth, as large as a town, full of low rooms which seem buried beneath vaulted roofs, and lofty galleries supported by delicate columns. I entered this gigantic granite jewel which is as light as a bit of lace, covered with towers, with slender belfries to which spiral staircases ascend, and which raise their strange heads that bristle with chimeras, with devils, with fantastic animals, with monstrous flowers, and which are joined together by finely carved arches, to the blue sky by day, and to the black sky by night.

I have been to Mont Saint-Michel, which I had not seen before. What a sight, when one arrives as I did, at Avranches toward the end of the day! The town stands on a hill, and I was taken into the public garden at the extremity of the town. I uttered a cry of astonishment. An extraordinarily large bay lay extended before me, as far as my eyes could reach, between two hills which were lost to sight in the mist; and in the middle of this immense yellow bay, under a clear, golden sky, a peculiar hill rose up, sombre and pointed in the midst of the sand. The sun had just disappeared, and under the still flaming sky the outline of that fantastic rock stood out, which bears on its summit a fantastic monument. At daybreak I went to it. The tide was low as it had been the night before, and I saw that wonderful abbey rise up before me as I approached it. After several hours’ walking, I reached the enormous mass of rocks which supports the little town, dominated by the great church. Having climbed the steep and narrow street, I entered the most wonderful Gothic building that has ever been built to God on earth, as large as a town, full of low rooms which seem buried beneath vaulted roofs, and lofty galleries supported by delicate columns. I entered this gigantic granite jewel which is as light as a bit of lace, covered with towers, with slender belfries to which spiral staircases ascend, and which raise their strange heads that bristle with chimeras, with devils, with fantastic animals, with monstrous flowers, and which are joined together by finely carved arches, to the blue sky by day, and to the black sky by night. When I had reached the summit, I said to the monk who accompanied me: “Father, how happy you must be here!” And he replied: “It is very windy, Monsieur;

A play by Alexandre Dumas the Younger was being acted, and his active and powerful mind completed my cure. Certainly solitude is dangerous for active minds. We require men who can think and can talk, around us. When we are alone for a long time we people space with phantoms.

I ask myself whether I am mad. As I was walking just now in the sun by the riverside, doubts as to my own sanity arose in me; not vague doubts such as I have had hitherto, but precise and absolute doubts. I have seen mad people, and I have known some who have been quite intelligent, lucid, even clear-sighted in every concern of life, except on one point. They spoke clearly, readily, profoundly on everything, when suddenly their thoughts struck upon the breakers of their madness and broke to pieces there, and were dispersed and foundered in that furious and terrible sea, full of bounding waves, fogs and squalls, which is called madness.

and after torrents of tears, she could pray, and then—think again her dream of happiness was ended for ever, and wish for death. The next morning, she opened her unwilling eyes to the light, and rose. It was day; and all must rise to live through the day, and she among the rest, though the sun shone not for her as before, and misery converted life into torture.

eke out a poor income of about thirty pounds a year by making water-colour drawings of flowers and fruit (they are the cheapest models in Venice),

the little maid threw two flowers growing on the same stem—an allegory of which I could make nothing, until it broke upon me that she meant to convey to me that he and she were brother and sister,

making his first appearance before the public, he saw everything that was before his eyes, but apparently only had a dim understanding of it (among physiologists this condition, when the subject sees but does not understand, is called psychical blindness). After a little while, growing accustomed to his surroundings, Ryabovitch saw clearly and began to observe. As a shy man, unused to society, what struck him first was that in which he had always been deficient—namely, the extraordinary boldness of his new acquaintances.

the chocolates were all wrapped in those red and gold and green metallic colours which are almost better than chocolate itself; and the huge white wedding-cake in the window was somehow at once remote and satisfying, just as if the whole North Pole were good to eat. Such rainbow provocations could naturally collect the youth of the neighbourhood up to the ages of ten or twelve. But this corner was also attractive to youth at a later stage; and a young man, not less than twenty-four, was staring into the same shop window.

Have you ever noticed this—that people never answer what you say? They answer what you mean—or what they think you mean. Suppose one lady says to another in a country house, ‘Is anybody staying with you?’ the lady doesn’t answer ‘Yes; the butler, the three footmen, the parlourmaid, and so on,’ though the parlourmaid may be in the room, or the butler behind her chair. She says ‘There is nobody staying with us,’ meaning nobody of the sort you mean. But suppose a doctor inquiring into an epidemic asks, ‘Who is staying in the house?’ then the lady will remember the butler, the parlourmaid, and the rest. All language is used like that; you never get a question answered literally, even when you get it answered truly.

If the world were as bad as her grandfather said, it would be so bad that she would not care to live longer in it. But be that as it might, there was no doubt as to what she must do now.

Had there been anything beautiful, poetical, or edifying or simply interesting in his relations with Anna Sergeyevna? And there was nothing for him but to talk vaguely of love, of woman, and no one guessed what it meant; only his wife twitched her black eyebrows, and said: “The part of a lady-killer does not suit you at all, Dimitri.” One evening, coming out of the doctors’ club with an official with whom he had been playing cards, he could not resist saying: “If only you knew what a fascinating woman I made the acquaintance of in Yalta!

He always seemed to women different from what he was, and they loved in him not himself, but the man created by their imagination, whom they had been eagerly seeking all their lives; and afterwards, when they noticed their mistake, they loved him all the same. And not one of them had been happy with him. Time passed, he had made their acquaintance, got on with them, parted, but he had never once loved; it was anything you like, but not love.

In the same singing divinity student’s voice in which he had talked to her father, with the same blinking and twitching of his shoulders, he began thanking Vera for her hospitality, kindness, and friendliness. “I’ve written about you in every letter to my mother,” he said. “If everyone were like you and your dad, what a jolly place the world would be! You are such a splendid set of people! All such genuine, friendly people with no nonsense about you.

But in truth the man knew that she had saved his boy’s life, and that he had injured her instead of thanking her. He was now taking her to his heart, and as words were wanting to him, he was showing his love after this silent fashion. He held her by the hand as though she were a child,

I’ll come and get the weed, Mally; but it shall all be for you,” said Barry.

Across the top was printing in gold letters: All intentional lies, in adv., editorial, news, or any other column... Scarlet All malicious matter... Crimson All careless or ignorant mistakes... Pink All for direct self-interest of owner... Dark green All mere bait—to sell the paper... Bright green All advertising, primary or secondary... Brown All sensational and salacious matter... Yellow All hired hypocrisy... Purple Good fun, instruction and entertainment... Blue True and necessary news and honest editorials... Ordinary print You never saw such a crazy quilt of a paper.

There was such a change in all kinds of business, following the mere printing of truth in the newspapers. It began to appear as if we had lived in a sort of delirium—not really knowing the facts about anything. As soon as we really knew the facts, we began to behave very differently, of course. What really brought all

As we was leaving, Mother said to him: “Never mind Charley’s nonsense, Frank. He is just mad because you beat him all hollow pitching horseshoes and playing cards.” She said that to make up for my slip, but at the same time she certainly riled me. I tried to keep ahold of myself, but as soon as we was out of the house she had to open up the subject and begun to scold me for the break I had made. Well, I wasn’t in no mood to be scolded. So I said: “I guess he is such a wonderful pitcher and card player that you wished you had married him.” “Well,” she said, “at least he ain’t a baby to give up pitching because his thumb has got a few scratches.” “And how about you,” I said, “making a fool of yourself on the roque court and then pretending your back is lame and you can’t play no more!” “Yes,” she said, “but when you hurt your thumb I didn’t laugh at you, and why did you laugh at me when I sprained my back?” “Who could help from laughing!” I said. “Well,” she said, “Frank Hartsell didn’t laugh.” “Well,” I said, “why didn’t you marry him?” “Well,” said Mother, “I almost wished I had!” “And I wished so, too!” I said. “I’ll remember that!” said Mother, and that’s the last word she said to me for two days.

every intimacy, which at first so agreeably diversifies life and appears a light and charming adventure, inevitably grows into a regular problem of extreme intricacy, and in the long run the situation becomes unbearable.

She was a wild-looking, almost unearthly creature, with wild-flowing, black, uncombed hair, small in stature, with small hands and bright black eyes; but people said that she was very strong, and the children around declared that she worked day and night and knew nothing of fatigue. As to her age there were many doubts. Some said she was ten, and others five-and-twenty, but the reader may be allowed to know that at this time she had in truth passed her twentieth birthday.

When these images vanished altogether from the broad dark background which every man sees when he closes his eyes,

looked back, one saw the same dust and faces... Foremost of all marched four men with sabres—this was the vanguard. Next, behind, the crowd of singers, and behind them the trumpeters on horseback. The vanguard and the chorus of singers, like torch-bearers in a funeral procession, often forgot to keep the regulation distance and pushed a long way ahead... Ryabovitch was with the first cannon of the fifth battery.

If one looked ahead, one saw dust and the backs of men’s heads; if one looked back, one saw the same dust and faces... Foremost of all marched four men with sabres—this was the vanguard. Next, behind, the crowd of singers, and behind them the trumpeters on horseback. The vanguard and the chorus of singers, like torch-bearers in a funeral procession, often forgot to keep the regulation distance and pushed a long way ahead... Ryabovitch was with the first cannon of the fifth battery.

A strange thing happened to me at those Von Rabbeks’,” he began, trying to put an indifferent and ironical tone into his voice. “You know I went into the billiard-room...” He began describing very minutely the incident of the kiss, and a moment later relapsed into silence... In the course of that moment he had told everything, and it surprised him dreadfully to find how short a time it took him to tell it. He had imagined that he could have

Do you rememberin’ Assumption, Calixta?” he asked in a low voice broken by passion. Oh! she remembered; for in Assumption he had kissed her and kissed and kissed her; until his senses would well nigh fail, and to save her he would resort to a desperate flight. If she was not an immaculate dove in those days, she was still inviolate; a passionate creature whose very defenselessness had made her defense, against which his honor forbade him to prevail. Now well, now her lips seemed in a manner free to be tasted, as well as her round, white throat and her whiter breasts. They did not heed the crashing torrents, and the roar of the elements made her laugh as she lay in his arms. She was a revelation in that dim, mysterious chamber; as white as the couch she lay upon. Her firm, elastic flesh that was knowing for the first time its birthright, was like a creamy lily that the sun invites to contribute its breath and perfume to the undying life of the world. The generous abundance of her passion, without guile or trickery, was like a white flame which penetrated and found response in depths of his own sensuous nature that had never yet been reached. When he touched her breasts they gave themselves up in quivering ecstasy, inviting his lips. Her mouth was a fountain of delight. And when he possessed her, they seemed to swoon together at the very borderland of life’s mystery. He stayed cushioned upon her, breathless, dazed, enervated, with his heart beating like a hammer upon her. With one hand she clasped his head, her lips lightly touching his forehead. The other hand stroked with a soothing rhythm his muscular shoulders. The growl of the thunder was distant and passing away. The rain beat softly upon the shingles, inviting them to drowsiness and sleep. But they dared not yield.