Masterpiece Art Quotes

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Religion is the masterpiece of the art of animal training, for it trains people as to how they shall think.
Arthur Schopenhauer
My garden is my most beautiful masterpiece
Claude Monet
Be true to yourself. Make each day your masterpiece. Help others. Drink deeply from good books. Make friendship a fine art. Build a shelter against a rainy day. Pray for guidance and give thanks for your blessings every day.
John Wooden
You can’t, if you can’t feel it, if it never Rises from the soul, and sways The heart of every single hearer, With deepest power, in simple ways. You’ll sit forever, gluing things together, Cooking up a stew from other’s scraps, Blowing on a miserable fire, Made from your heap of dying ash. Let apes and children praise your art, If their admiration’s to your taste, But you’ll never speak from heart to heart, Unless it rises up from your heart’s space.
Johann Wolfgang von Goethe (Faust, First Part)
Make your lives a masterpiece, you only get one canvas.
E.A. Bucchianeri (Brushstrokes of a Gadfly, (Gadfly Saga, #1))
YOU ARE AN ARTIST OF THE SPIRIT Find yourself and express yourself in your own particular way. Express your love openly. Life is nothing but a dream, and if you create your life with love, your dream becomes a masterpiece of art.
Miguel Ruiz
The artist cannot look to others to validate his efforts or his calling. If you don't believe me, ask Van Gogh, who produced masterpiece after masterpiece and never found a buyer in his whole life.
Steven Pressfield (The War of Art: Winning the Inner Creative Battle)
Our mind is the canvas on which the artists lay their colour; their pigments are our emotions; their chiaroscuro the light of joy, the shadow of sadness. The masterpiece is of ourselves, as we are of the masterpiece.
Kakuzō Okakura (The Book of Tea)
Rowena Clark and I had met on the first day of our mixed media class. I’d sat down at her table and said, “Mind if I join you? Figure the best way to learn about art is to sit with a masterpiece.” Maybe I was in love, but I was still Adrian Ivashkov. Rowena had fixed me with a flat look. “Let’s get one thing straight. I can see through crap a mile away, and I like girls, not guys, so if you can’t handle me telling you what’s what, then you’d better take your one-liners and hair gel somewhere else. I don’t go to this school to put up with pretty boys like you. I’m here to face dubious employment options with a painting degree and then go get a Guinness after class.” I’d scooted my chair closer to the table. “You and I are going to get along just fine.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
Anybody can look at a pretty girl and see a pretty girl. An artist can look at a pretty girl and see the old woman she will become. A better artist can look at an old woman and see the pretty girl that she used to be. But a great artist--a master--and that is what Auguste Rodin was--can look at an old woman, portray her exactly as she is . . . and force the viewer to see the pretty girl she used to be . . . and more than that, he can make anyone with the sensitivity of an armadillo, or even you, see that this lovely young girl is still alive, not old and ugly at all, but simply prisoned inside her ruined body.
Robert A. Heinlein (Stranger in a Strange Land)
Art begins with resistance—at the point where resistance is overcome. No human masterpiece has ever been created without great labor.
André Gide
Not all are called to be artists in the specific sense of the term. Yet, as Genesis has it, all men and women are entrusted with the task of crafting their own life: in a certain sense, they are to make of it a work of art, a masterpiece.
Pope John Paul II
We must get beyond passions, like a great work of art. In such miraculous harmony. We should learn to love each other so much to live outside of time... detached.
Federico Fellini (La Dolce Vita: Federico Fellini's Masterpiece)
Every day is a masterpiece, even if it crushes you.
Simon Van Booy (The Illusion of Separateness)
Watch a French housewife as she makes her way slowly along the loaded stalls… searching for the peak of ripeness and flavor… What you are seeing is a true artist at work, patiently assembling all the materials of her craft, just as the painter squeezes oil colors onto his palette ready to create a masterpiece.
Keith Floyd
You are the Poem I dreamed of writing, the Masterpiece I longed to paint. You are the shining Star I reached for in my ever hopeful quest for life fulfilled. Yes, I am Blessed.
Oksana Rus
He found himself weeping. Not for the future or for the emperor. These were the tears of a man who saw before himself a masterpiece. True art was more than beauty; it was more than technique. It was not just imitation. It was boldness, it was contrast, it was subtlety.
Brandon Sanderson (The Emperor's Soul)
I've become like one of those people I hate, the sort who go to the museum and, instead of looking at the magnificent Brueghel, take a picture of it, reducing it from art to proof. It's not "Look what Brueghel did, painted this masterpiece" but "Look what I did, went to Rotterdam and stood in front of a Brueghel painting!
David Sedaris (Let's Explore Diabetes with Owls)
The public for which masterpieces are intended is not on this earth.
Thornton Wilder (The Bridge of San Luis Rey)
We are, not metaphorically but in very truth, a Divine work of art, something that God is making, and therefore something with which He will not be satisfied until it has a certain character. Here again we come up against what I have called the “intolerable compliment.” Over a sketch made idly to amuse a child, an artist may not take much trouble: he may be content to let it go even though it is not exactly as he meant it to be. But over the great picture of his life—the work which he loves, though in a different fashion, as intensely as a man loves a woman or a mother a child—he will take endless trouble—and would doubtless, thereby give endless trouble to the picture if it were sentient. One can imagine a sentient picture, after being rubbed and scraped and re-commenced for the tenth time, wishing that it were only a thumb-nail sketch whose making was over in a minute. In the same way, it is natural for us to wish that God had designed for us a less glorious and less arduous destiny; but then we are wishing not for more love but for less.
C.S. Lewis (The Problem of Pain)
Simplicity is the ultimate sophistication. When once you have tasted flight, you will forever walk the earth with your eyes turned skyward, for there you have been, and there you will always long to return. Learning never exhausts the mind. Art is never finished, only abandoned. Painting is poetry that is seen rather than felt, and poetry is painting that is felt rather than seen. The human foot is a masterpiece of engineering and a work of art. It had long since come to my attention that people of accomplishment rarely sat back and let things happen to them. They went out and happened to things. I have been impressed with the urgency of doing. Knowing is not enough; we must apply. Being willing is not enough; we must do. As a well-spent day brings happy sleep, so a life well spent brings happy death. Water is the driving force of all nature.
Leonardo da Vinci
A great friendship was like a great work of art, he thought. It took time and attention, and a spark of something that was impossible to describe. It was a happy, lucky accident, finding some kindred part of yourself in a total stranger.
Elise Broach (Masterpiece)
Where there is a true art and genuine virtuosity the artist can paint an incomparable masterpiece without leaving even a trace of his identity.
Orhan Pamuk (My Name Is Red)
The guillotine is the masterpiece of the plastic arts Its click Creates perpetual motion ("The Head")
Blaise Cendrars (Dix-neuf poèmes élastiques de Blaise Cendrars: Edition critique et commentée)
Life is nothing but a dream, and if we are artists, then we can create our life with Love, and our dream becomes a masterpiece of art.
Miguel Ruiz (The Mastery of Love: A Practical Guide to the Art of Relationship --Toltec Wisdom Book)
I covet him. His hot body over mine, sweaty and smelling like grass after the rain. I want to live that moment of Eros again and again and again. Never having enough of him, the masculine image of me, a piece of art, unique masterpiece of God, that is calmly sleeping beside me.
Tatjana Ostojic (Moments of Eros: Poetry as the Language of Desire)
Like creating a masterpiece, quitting is an art: you have to decide what to keep within the frame and what to keep out.
Richie Norton
Today, Creator of the Universe, we ask that you open our heart and openour eyes so we can enjoy all of your creations and live in eternal lovewith you. Help us to see you in everything we perceive with our eyes,with our ears, with our heart, with all our senses. Let us perceivewith eyes of love so that we find you wherever we go and see you ineverything you create. Let us see you in every cell of our body, inevery emotion of our mind, in every dream, in every flower, in everyperson we meet. You cannot hide from us because you are everywhere, andwe are one with you. Let us be aware of this truth. Let us be aware ofour power to create a dream of heaven where everything is possible.Help us to use our imagination to guide the dream of our life, themagic of our creation, so we can live without fear, without anger,without jealousy, without envy. Give us a light to follow, and lettoday be the day that our search for love and happiness is over. Todaylet something extraordinary happen that will change our life forever:Let everything we do and say be an expression of the beauty in ourheart, always based on love. Help us to be the way you are, to love the way you love, to share the way you share, to create a masterpiece ofbeauty and love, the same way that all of your creations aremasterpieces of beauty and love. Beginning today and gradually overtime, help us to increase the power of our love so that we may create amasterpiece of art - our own life. Today, Creator, we give you all ofour gratitude and love because you have given us Life. Amen.
Miguel Ruiz (The Mastery of Love: A Practical Guide to the Art of Relationship --Toltec Wisdom Book)
Outward beauty is the frame for the masterpiece of your soul.
Shannon L. Alder
If you want to create a masterpiece, you must always avoid beautiful lies.
Jerzy Grotowski
When I create a masterpiece I feel alive! When my creation is revered I feel immortal.
Euphoria Godsent
In time, all great masterpieces turn into shameless creatures who laugh at their creators.
Erol Ozan
Even though artists of all kinds claim to put their hearts and souls into their works, it will only confuse you, for example, if you try to discern a painter by his paintings. His masterpiece may be the master because of its iridescence; it may display a hundred different perspectives through his single face.
Criss Jami (Diotima, Battery, Electric Personality)
My work is the art I paint on the canvas of my life. Hopefully I'm creating a masterpiece.
L.R.W. Lee
She preferred the quiet solitary atmosphere, to create in her own world of paint and colour, the thrill of anticipating how her works would turn out as she eyed the blank sheets of paper or canvas before starting her next masterpiece. How satisfying it was to mess around in paint gear, without having to worry about spills, starch or frills, that was the life!
E.A. Bucchianeri (Brushstrokes of a Gadfly, (Gadfly Saga, #1))
The Pope asked Michelangelo: ‘Tell me the secret of your genius. How have you created the statue of David, the masterpiece of all masterpieces?’ Michelangelo’s answer: ‘It’s simple. I removed everything that is not David.
Rolf Dobelli (The Art of Thinking Clearly: Better Thinking, Better Decisions)
Just think of me as a canvas and you as the paint, and try and imagine that we are creating a masterpiece that’s so beautiful, that no other piece of art could rival its beauty.” - Clint
Angela Richardson (All the Pieces (Pieces of Lies, #3))
What is your idea of you? Who is it that you have decided to become? If your greatest work of art is the life you live, and ultimately life is a creative act, what life will you choose to leave behind as your masterpiece?
Erwin Raphael McManus (The Artisan Soul: Crafting Your Life into a Work of Art)
He was an awkward mixture of strong moral impulse and restless aesthetic curiosity, and yet he would have made a most ineffective reformer and a very indifferent artist. It seemed to him that the glow of happiness must be found either in action, of some immensely solid kind, on behalf of an idea, or in producing a masterpiece in one of the arts.
Henry James (Roderick Hudson)
to every age its art; to art its freedom.
Anne-Marie O'Connor (The Lady in Gold: The Extraordinary Tale of Gustav Klimt's Masterpiece, Portrait of Adele Bloch-Bauer)
All the masters have those weak points that are called masterpieces; and besides, they do them as crowd pleasers -- to prove that they have the know-how.
Paul Gauguin (The Writings of a Savage)
The noblest calling in the world is motherhood. True motherhood is the most beautiful of all arts, the greatest of all professions. She who can paint a masterpiece, or who can write a book that will influence millions, deserve the plaudits and admiration of mankind; but she who rears successfully a family of healthy, beautiful sons and daughters whose immortal souls will exert influence throughout the ages long after paintings shall have faded, and books and statues shall have decayed or been destroyed, deserves the highest honor that man can give, and the choicest blessings of God.
David O. McKay
We grew tired together, creating our own kind of art. We became the masterpieces of the loneliest souls. The colors in both of our eyes bled out, knowing that sometimes the most beautiful pieces of art were created from the darkest of souls.
Brittainy C. Cherry (Art & Soul)
He was prepared to die for it, as one of Baudelaire's dandies might have been prepared to kill himself in order to preserve himself in the condition of a work of art, for he wanted to make this experience a masterpiece of experience which absolutely transcended the everyday. And this would annihilate the effects of the cruel drug, boredom, to which he was addicted although, perhaps, the element of boredom which is implicit in an affair so isolated from the real world was its principle appeal for him.
Angela Carter (Burning Your Boats: The Collected Short Stories)
You can be a good painter if you study Cézanne's vision. Whoever dares to copy Van Gogh falls inevitably into the hell of imitators. For this painter didn't care about masterpieces, or even good paintings... but about what is beyond all painting, all art.
Zbigniew Herbert (The Collected Prose, 1948-1998)
Her life is lived through the masterpiece of art, that she cannot draw.
Nikki Rowe (Once a Girl, Now a Woman)
To cherish perfection is to commit creative suicide, and every true artist knows that a masterpiece is an accident that should be burned.
Barry Hughart (The Story of the Stone (The Chronicles of Master Li and Number Ten Ox, #2))
Love was a museum where we took down the art that was there before us and played masterpiece with all the empty space.
Trista Mateer (Honeybee)
In this course I have tried to reveal the mechanism of those wonderful toys — literary masterpieces. I have tried to make of you good readers who read books not for the infantile purpose of identifying oneself with the characters, and not for the adolescent purpose of learning to live, and not for the academic purpose of indulging in generalizations. I have tried to teach you to read books for the sake of their form, their visions, their art. I have tried to teach you to feel a shiver of artistic satisfaction, to share not the emotions of the people in the book but the emotions of its author — the joys and difficulties of creation. We did not talk around books, about books; we went to the center of this or that masterpiece, to the live heart of the matter.
Vladimir Nabokov (Lectures on Literature)
Some of the greatest masterpieces of art are created against the odds of reality. from the book: stuff i think about
Sondra Faye
Communication is an art and a meaningful conversation is a masterpiece.
Jasz Gill
Don't keep your Muse locked up in the closet. Set them free to dance across the page and what they create will be a masterpiece.
Michelle C. Hillstrom
It's not worth staying up all night just to paint masterpieces.
Marty Rubin
I was a masterpiece; a painting in itself. He was changing me, molding me, and making me into something brand new. I was a blank canvas when I came to him, ready to absorb all the paint he would slather on me. He kept going, adding layer upon layer, sometimes even shedding them just so I could turn out beautiful. And he was done now, ready to let me leave and display me on a wall for people to see.
Evelyn Deshane
For Schwartz this formed the paradox at the heart of baseball, or football, or any other sport. You loved it because you considered it an art: an apparently pointless affair, undertaken by people with special aptitude, which sidestepped attempts to paraphrase its value yet somehow seemed to communicate something true or even crucial about The Human Condition. The Human Condition being, basically, that we're alive and have access to beauty, can even erratically create it, but will someday be dead and will not. Baseball was an art, but to excel at it you had to become a machine. It didn't matter how beautifully you performed SOMETIMES, what you did on your best day, how many spectacular plays you made. You weren't a painter or a writer--you didn't work in private and discard your mistakes, and it wasn't just your masterpieces that counted.
Chad Harbach (The Art of Fielding)
daughters-in-law, notice the beauty of the rug that your mother-in-law spent a lifetime weaving. Remember that her pattern is mostly firmly established-no need to suggest improvements. Be kinder than necessary, being mindful that the piece of art it took her a lifetime to weave-her masterpiece-she gave to you to keep you warm at night.
Glennon Doyle Melton (Carry On, Warrior: The Power of Embracing Your Messy, Beautiful Life)
On the great canvas of time We all create our own masterpiece. Choreographing our steps across minutes and hours Dancing over the days Painting pictures over months and Writing our stories on the years. Singing our songs that echo across eons. We are all a thread in the talent tapestry. A snapshot in the cosmic, collective collage.
Michele Jennae
How to be listed as a dream in the mind of a young girl is an art, going out is a masterpiece.
Søren Kierkegaard
If chaos is a masterpiece, Then you should see my heart. If battle scars are beautiful, Then I'm a work of art.
Kyra Jackson
Your life is your art. When you make tough choices in favor of your Soul, you’re making a masterpiece out of your existence.
Danielle LaPorte (The Desire Map: A Guide to Creating Goals with Soul)
... she wore a masterpiece smile with smudges of paint and graphite across her cheek, and her eyes were a Jackson Pollock painting.
Ellie Lieberman (Solving for X)
How can a man who, for a significant phase of his formation, shared his master’s opposition to rhetoric have in maturity composed a masterpiece of the formal study of rhetoric? This
Aristotle (The Art of Rhetoric)
The object of art is not to make salable pictures. It is to save yourself. The fools who write articles about me think that one morning I suddenly decided to write and began to produce masterpieces. There is no special trick about writing or painting either. I wrote constantly for 15 years before I produced anything with any solidity to it.... The thing of course, is to make yourself alive. Most people remain all of their lives in a stupor. The point of being an artist is that you may live.... You won't arrive. It is an endless search.
Sherwood Anderson
The effect of studying masterpieces is to make me admire and do otherwise. So it must be on every original artist to some degree, on me to a marked degree. (from notes on 'Heraclitean Fire')
Gerard Manley Hopkins (The Poems of Gerard Manley Hopkins)
You are the most important project in your life. Spend time, work carefully, and act with positive intent as you work to create your best self. This life is your masterpiece. You are a masterpiece.
Avina Celeste
she’s a perfect mess, with a young heart, and an old soul. a beautiful disaster, a masterpiece of words. chaos within tragedy. art in the shades of poetry, a flawless masterpiece, so perfectly damn good.
Ventum
(…) jest naiwnością mniemanie, jakoby zachwyt nasz wobec dzieła sztuki z nas samych pochodził: że zachwyt ten w sporej mierze nie rodzi się z ludzi, ale między ludźmi, i jest to tak jakbyśmy wzajemnie zmuszali się do zachwytu (choć nikt „osobiście” nie jest zachwycony). / It is naive to believe that the admiration for a masterpiece is spontaneous. The admiration, to a great extent, is not born within people but between people, as if we forced each other to admire (while no one is “personally” enraptured). (Dziennik, 1956, XX, Wtorek I)
Witold Gombrowicz (Dziennik 1953-1956)
Art provides us with clues about how to live our lives more fully...about how creating, collecting, and even just appreciating art can make daily living a masterpiece.
Michael Kimmelman (The Accidental Masterpiece: On the Art of Life and Vice Versa)
Symphonies begin with one note; fires with one flame; gardens with one flower; and masterpieces with one stroke.
Matshona Dhliwayo
An artist who works with his hands, his head and his heart at the same time creates a masterpiece.
Amit Kalantri (Wealth of Words)
View your life as a form of art, and dare to turn it into an existential masterpiece.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
Never look back. The past is done. The future is a blank canvas. Work on creating a masterpiece. Only you have the power to make your painting beautiful.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Tell me about how no one looks at you like art so you have learnt to treat yourself like a masterpiece.
Darshana Suresh (Howling at the Moon)
Be true to yourself, help others, make each day your masterpiece, make friendship a fine art, drink deeply from good books - especially the Bible, build a shelter against a rainy day, give thanks for your blessings and pray for guidance every day.
John Wooden
(The Mona Lisa), that really is the ugliest portrait I’ve seen, the only thing that supposedly makes it famous is the mystery behind it,” Katherine admitted as she remembered her trips to the Louvre and how she shook her head at the poor tourists crowding around to see a jaundiced, eyebrow-less lady that reminded her of tight-lipped Washington on the dollar bill. Surely, they could have chosen a better portrait of the First President for their currency?
E.A. Bucchianeri (Brushstrokes of a Gadfly, (Gadfly Saga, #1))
The allotted function of art is not, as is often assumed, to put across ideas, to propagate thoughts, to serve as example. The aim of art is to prepare a person for death, to plough and harrow his soul, rendering it capable of turning to good. Touched by a masterpiece, a person begins to hear in himself that same call of truth which prompted the artist to his creative act. When a link is established between the work and its beholder, the latter experiences a sublime, purging trauma. Within that aura which unites masterpieces and audience, the best sides of our souls are made known, and we long for them to be freed. In those moments we recognize and discover ourselves, the unfathomable depths of our own potential, and the furthest reaches of our emotions.
Andrei Tarkovsky (Sculpting in Time)
Nothing is more hallowing than the union of kindred spirits in art. At the moment of meeting, the art lover transcends himself. At once he is and is not. He catches a glimpse of Infinity, but words cannot voice his delight, for the eye has no tongue. Freed from the fetters of matter, his spirit moves in the rhythm of things. It is thus that art becomes akin to religion and ennobles mankind. It is this which makes a masterpiece something sacred. In the old days the veneration in which the Japanese held the work of the great artist was intense. The tea-masters guarded their treasures with religious secrecy, and it was often necessary to open a whole series of boxes, one within another, before reaching the shrine itself--the silken wrapping within whose soft folds lay the holy of holies. Rarely was the object exposed to view, and then only to the initiated.
Kakuzō Okakura (The Book of Tea)
We are all so afraid of uncertainty that we want a guarantee before we even try. We want evidence that if we take a risk we will "get the girl" Its a numbers game. To play any game, you have to start. To win, you need to keep going. If you want to make your dreams come true, get ready for the long game. Life is not a one and done sort of deal. You've got to work for what you want. Picasso created nearly 100 masterpieces in his lifetime. But what most people don't know is that he created a total of more then 50,000 works of art. .. Thats two pieces of art a day. Success is a numbers game. You are not going to win if you keep telling yourself to wait. The more often that you choose courage, the more likely you'll succeed.
Mel Robbins (The 5 Second Rule: Transform Your Life, Work, and Confidence with Everyday Courage)
Curiously enough, one cannot read a book: one can only reread it. A good reader, a major reader, an active and creative reader is a rereader. And I shall tell you why. When we read a book for the first time the very process of laboriously moving our eyes from left to right, line after line, page after page, this complicated physical work upon the book, the very process of learning in terms of space and time what the book is about, this stands between us and artistic appreciation. When we look at a painting we do not have to move our eyes in a special way even if, as in a book, the picture contains elements of depth and development. The element of time does not really enter in a first contact with a painting. In reading a book, we must have time to acquaint ourselves with it. We have no physical organ (as we have the eye in regard to a painting) that takes in the whole picture and then can enjoy its details. But at a second, or third, or fourth reading we do, in a sense, behave towards a book as we do towards a painting. However, let us not confuse the physical eye, that monstrous masterpiece of evolution, with the mind, an even more monstrous achievement. A book, no matter what it is—a work of fiction or a work of science (the boundary line between the two is not as clear as is generally believed)—a book of fiction appeals first of all to the mind. The mind, the brain, the top of the tingling spine, is, or should be, the only instrument used upon a book.
Vladimir Nabokov (Lectures on Literature)
Did the great Creator first draw her in a masterpiece,   (9) And then touch life into his art? Or did he make her in his mind alone, Drawing on beauty’s every part? No—considering her singular perfection And her maker’s true omnipotence, I suppose her some quite unique creation In femininity’s treasure house.
Kālidāsa (The Recognition of Sakuntala)
Her collections matured, categorized methodically by order, genus, and species; by age according to bone wear; by size in millimeters of feahers; or by the fragile hues of greens. The science and art entwined in each other's strengths; the colors, the light, the species, the life; weaving a masterpiece of knowledge and beauty that filled every corner of her shack. Her world, She grew with them--the trunk of the vine--alone, but holding all the wonders together.
Delia Owens (Where the Crawdads Sing)
In a world led with a herd mentality, it takes immense courage, resolve and sacrifice to maintain the purity of your form. You have to be at peace with being misunderstood. You have to be at peace with walking alone. You have to be at peace with being judged. In the end just remember, "If the world is an array of art, You are the Masterpiece
Henna Sohail
Fine art refers to an accomplished or advanced skill being used to testify and reveal the knowledge, ability, and wisdom of the creator. There is no art more exquisite than the work of the Master Artist Himself. Even those who choose to deny Him credit for His own creation are often engaged as an admirer of His work. Refusing to acknowledge the Source will never minimize His glory or extinguish the truth. With God’s loving guidance our life can be a great masterpiece filled with beauty, adventure, hope and purpose.
Traci Lea LaRussa
I will admit that we as young rebels always wanted fundamentalists to understand our take on their religion, but rarely, if ever, the other way around. The fundamentalists are the real artists. If you saw only a masterpiece of an original painting and someone threw a splash of red across it saying that their version is better, you would be offended too.
Criss Jami (Killosophy)
When God holds the Crayons you can expect a masterpiece.
Toni Sorenson
Self-preservation is an art and I a masterpiece.
Sonya Vatomsky (Salt Is For Curing)
Politics is the only art whose artists regularly disown their masterpieces.
Raheel Farooq
Works from the soul transcend works from the mind.
Matshona Dhliwayo
The human foot is a masterpiece of engineering and a work of art.” —Leonardo da Vinci
Katy Bowman (Alignment Matters: The First Five Years of Katy Says)
The world to him no longer seemed a math equation but rather a complex piece of art, a masterpiece of things not easily understood.
K. Martin Beckner (A Million Doorways)
A brushstroke from an inexperienced hand becomes an impressive and expensive work of art after being done thousands of times over. Truly, masterpiece is in the mastery.
Erwin D. Maramat
The art of loving is not how many you touch, it is the heart of one that shows a masterpiece of your deepest design.~Bluenscottish
Bluenscottish
All types and levels of art are beautiful, because art is beautiful, creativity is gorgeous and the artist itself is a masterpiece already.
Kelly Palmen
When they gaze in confusion at the broken, odd shaped, colorful shards of glass that we are, let them know that we too belong here, here in this gallery. Masterpieces, we are not here by accident but have been carefully assembled and put together and are held together in this ceramic panel - our bodies of clay - by good intentions. We too are works of art.
Ayokunle Falomo (thread, this wordweaver must!)
Nothing is more hallowing than the union of kindred spirits in art. At the moment of meeting, the art lover transcends himself. At once he is and is not. He catches a glimpse of Infinity... Freed from the fetters of matter, his spirit moves in the rhythm of things. It is thus that art becomes akin to religion and ennobles mankind. It is this which makes a masterpiece something sacred.
Kakuzō Okakura (The Book of Tea)
It was the quartets of Beethoven (numbers 12,13,14, and 15) which over fifty years, created and expanded the the audience of listeners to the quartets of Beethoven, thus achieving, as all masterpieces do, progress if not in the quality of artists, at least in the company of minds, which is largely composed these days of what was missing when the work appeared: people capable of liking it.
Marcel Proust (In the Shadow of Young Girls in Flower)
Nothing is a masterpiece - a real masterpiece - till it's about two hundred years old. A picture is like a tree or a church, you've got to let it grow into a masterpiece. Same with a poem or a new religion. They begin as a lot of funny words. Nobody knows whether they're all nonsense or a gift from heaven. And the only people who think anything of 'em are a lot of cranks or crackpots, or poor devils who don't know enough to know anything. Look at Christianity. Just a lot of floating seeds to start with, all sorts of seeds. It was a long time before one of them grew into a tree big enough to kill the rest and keep the rain off. And it's only when the tree has been cut into planks and built into a house and the house has got pretty old and about fifty generations of ordinary lumpheads who don't know a work of art from a public convenience, have been knocking nails in the kitchen beams to hang hams on, and screwing hooks in the walls for whips and guns and photographs and calendars and measuring the children on the window frames and chopping out a new cupboard under the stairs to keep the cheese and murdering their wives in the back room and burying them under the cellar flags, that it begins even to feel like a religion. And when the whole place is full of dry rot and ghosts and old bones and the shelves are breaking down with old wormy books that no one could read if they tried, and the attic floors are bulging through the servants' ceilings with old trunks and top-boots and gasoliers and dressmaker's dummies and ball frocks and dolls-houses and pony saddles and blunderbusses and parrot cages and uniforms and love letters and jugs without handles and bridal pots decorated with forget-me-nots and a piece out at the bottom, that it grows into a real old faith, a masterpiece which people can really get something out of, each for himself. And then, of course, everybody keeps on saying that it ought to be pulled down at once, because it's an insanitary nuisance.
Joyce Cary (The Horse's Mouth)
However," he continued, "this canvas is preferable to the paintings of that varlet Rubens, with his mountains of Flemish flesh sprinkled with vermilion, his waves of red hair and his medley of colors.
Honoré de Balzac (The Unknown Masterpiece)
But the true nature which we repress continues nevertheless to abide within us. Thus it is that at times, if we read the latest masterpiece of a man of genius, we are delighted to find in it all those of our own reflexions which we have despised, joys and sorrows which we have repressed, a whole world of feelings we have scorned, and whose value the book in which we discover them afresh suddenly teaches us.
Marcel Proust (The Captive & The Fugitive (In Search of Lost Time, #5-6))
It’s not lost on me that I’m so busy recording life, I don’t have time to really live it. I’ve become like one of those people I hate, the sort who go to the museum and, instead of looking at the magnificent Brueghel, take a picture of it, reducing it from art to proof. It’s not “Look what Brueghel did, painted this masterpiece” but “Look what I did, went to Rotterdam and stood in front of a Brueghel painting!
David Sedaris (Let's Explore Diabetes with Owls)
With a true masterpiece, there are no words required. Discourse is rendered redundant. That's why the work of a master transcends all notions of education, of class. It rises above the onlooker's understanding of what is considered good or bad, or right or wrong in the world of art. With the artist who has achieved mastery, skill, experience and knowledge are transparent, leaving only the message for all to see.
Jacqueline Winspear (Messenger of Truth (Maisie Dobbs, #4))
(Speaking of art): In leaving something unsaid the beholder is given a chance to complete the idea and thus a great masterpiece irresistably rivets your attention until you seem to become actually a part of it.
Kakuzō Okakura (The Book of Tea)
[Raphael's] great superiority is due to the instinctive sense which, in him, seems to desire to shatter form. Form is, in his figures, what it is in ourselves, an interpreter for the communication of ideas and sensations, an exhaustless source of poetic inspiration. Every figure is a world in itself, a portrait of which the original appeared in a sublime vision, in a flood of light, pointed to by an inward voice, laid bare by a divine finger which showed what the sources of expression had been in the whole past life of the subject.
Honoré de Balzac (The Unknown Masterpiece)
Our life is our masterpiece, it's up to us on how we paint our story. It's up to us how we see the substances we have. At the end of the day, all our accumulated stuff will be presented as our greatest piece of work.
Nathaniel E. Quimada
He found himself weeping. Not for the future or for the emperor. These were the tears of a man who saw before himself a masterpiece. True art was more than beauty; it was more than technique. It was not just imitation. It was boldness, it was contrast, it was subtlety. In this book, Gaotona found a rare work to rival that of the greatest painters, sculptors, and poets of any era. It was the greatest work of art he had ever witnessed. Gaotona
Brandon Sanderson (The Emperor's Soul)
You have wavered uncertainly between two systems, between drawing and coloring, between the painstaking phlegm, the stiff precision, of the old German masters, and the dazzling ardor, the happy fertility, of the Italian painters.
Honoré de Balzac (The Unknown Masterpiece)
God plants the talent and it grows, sustained by a spirit-given strength to endure, even in the midst of darkness. It thrives in the valleys of life and ignores the peaks. It blooms like a flower when cradled by the warmth of the sun. It remains in a hidden stairwell in a concentration camp. It grows, fed in secret, in the heart of every artist.
Kristy Cambron (The Butterfly and the Violin (Hidden Masterpiece, #1))
A visionary company is like a great work of art. Think of Michelangelo’s scenes from Genesis on the ceiling of the Sistine Chapel or his statue of David. Think of a great and enduring novel like Huckleberry Finn or Crime and Punishment. Think of Beethoven’s Ninth Symphony or Shakespeare’s Henry V. Think of a beautifully designed building, like the masterpieces of Frank Lloyd Wright or Ludwig Mies van der Rohe. You can’t point to any one single item that makes the whole thing work; it’s the entire work—all the pieces working together to create an overall effect—that leads to enduring greatness.
John C. Maxwell (How Successful People Think: Change Your Thinking, Change Your Life)
The present work is, then, the masterpiece of one particular literary genre that flourished in the fourth century BC in Greece, that of the rhetorical manual, and it is a remarkable fact that it should have fallen to Aristotle to write it. It
Aristotle (The Art of Rhetoric)
These Taoists' ideas have greatly influenced all our theories of action, even to those of fencing and wrestling. Jiu-jitsu, the Japanese art of self-defence, owes its name to a passage in the Tao-teking. In jiu-jitsu one seeks to draw out and exhaust the enemy's strength by non-resistance, vacuum, while conserving one's own strength for victory in the final struggle. In art the importance of the same principle is illustrated by the value of suggestion. In leaving something unsaid the beholder is given a chance to complete the idea and thus a great masterpiece irresistibly rivets your attention until you seem to become actually a part of it. A vacuum is there for you to enter and fill up the full measure of your aesthetic emotion.
Kakuzō Okakura (The Book of Tea)
Every piece of art starts as an empty canvas, a lump of clay, or a mixture of fabrics and colors. It's all raw, stripped-down, and anything but a delight to the eyes. Much like life, isn't it? You start off with not much to show for yourself. You only have the basic raw materials: breath in your lungs and a body that moves. It may seem like very little, but it's just like an artist's raw materials. The material you need to make art is only the beginning. It is what is inside of you that will create the art. It is what is inside of you that will make the raw materials into something spectacular. You have an idea in your mind. You have a desire in your heart. You have a dream in your soul. You're an artist, and I have a feeling the masterpiece is coming,
Mick Mooney (God's Grammar)
Some people try to color inside of the lines, when they are really meant to color outside of the lines and create masterpieces. Don't try to fit in, when you are meant to stand out and be different. You are a true work of art, don't ever try to change that.
Jeanette Coron
We artists are often counted as awkward by people who know nothing of how it feels to have another spirit live within you - the muse... Even some artists don't understand us, the mused ones, as our muses have faces and clearly appear to us, while all they have is the inspiration and not the muse. But ancient people knew of them... They said muses were goddesses and ruled upon the arts... It is true. When a muse forms into your mind and splits your spirit in two, you are already seized by it, controlled by it, and so you are bound to serve it and create masterpieces... It is not just we who create muses. They create us too. They form us into who we are.
Tamuna Tsertsvadze (Zodiac Circle)
Eyes have not seen nor ears heard, neither hath it entered into the hearts of men, the things which God hath prepared for those who love the law.” When a sculptor looks at a formless piece of marble he sees, buried within its formless mass, his finished piece of art. The sculptor, instead of making his masterpiece, merely reveals it by removing that part of the marble which hides his conception. The same applies to you.
Neville Goddard (Your Faith is Your Fortune)
Haven't I told you scores of times, that you're always beginners, and the greatest satisfaction was not in being at the top, but in getting there, in the enjoyment you get out of scaling the heights? That's something you don't understand, and can't understand until you've gone through it yourself. You're still at the state of unlimited illusions, when a good, strong pair of legs makes the hardest road look short, and you've such a mighty appetite for glory that the tiniest crumb of success tastes delightfully sweet. You're prepared for a feast, you're going to satisfy your ambition at last, you feel it's within reach and you don't care if you give the skin off your back to get it! And then, the heights are scaled, the summits reached, and you've got to stay there. That's when the torture begins; you've drunk your excitement to the dregs and found it all too short and even rather bitter, and you wonder whether it was really worth the struggle. From that point there is no more unknown to explore, no new sensations to experience. Pride has had its brief portion of celebrity; you know that your best has been given and you're surprised it hasn't brought a keener sense of satisfaction. From that moment the horizon starts to empty of all hopes that once attracted you towards it. There's nothing to look forward to but death. But in spite of that you cling on, you don't want to feel you're played out, you persist in trying to produce something, like old men persist in trying to make love, with painful, humiliating results. ... If only we could have the courage to hang ourselves in front of our last masterpiece!
Émile Zola (The Masterpiece)
The Bible says, “We are God’s workmanship, created in Christ Jesus to do good works.”1 Our English word poem comes from the Greek word translated “workmanship.” You are God’s handcrafted work of art. You are not an assembly-line product, mass produced without thought. You are a custom-designed, one-of-a-kind, original masterpiece.
Rick Warren (The Purpose Driven Life: What on Earth Am I Here For?)
Take more selfies. Not because you need validation or likes or comments. but because you are here on this earth. Alive and holy and true. And yes, your beauty deserves to be seen and known, most especially by you. You are worthy of being the subject of your own art. It is okay to capture the process of your own becoming. To be your own kind and gentle and fierce witness. To learn the truth of your eyes and your skin and your bones. To choose to show what wants to be shown, to name what wishes to be named, to claim ownership of the story that is told about you by being the one to tell it. Dear girl. YOU are the greatest art you will ever create. The masterpiece. The magnum opus. You’re it. However you want to be. Look at yourself now, miracle that you are, look at yourself and soak in the wonder, until you no longer want to look away.
Jeanette LeBlanc
Some day you will be able to step back and see the entire work of art. In that moment you will understand how truly remarkable and beautiful your life was. You will realize that every brush stroke had a purpose. When you finally see the masterpiece in its entirety you will understand that there was no other way it could have ever been painted.
Alex Alexander (Flight of Icarus (Icarus Risen, #1))
But it is not “in spite of” my unworthiness that God longs for my soul. Rather it is precisely because of my misery that he wants to make me a masterpiece of his love, mercy, and glorification. The more unsuitable the material is, the greater the fame and prowess of the artist, who succeeds despite everything in making a work of art out of it.
A. Carthusian (Life in God's Presence - A Simple Approach to Prayer)
...Michelangelo transformed both the practice of art and our conception of the artist's role in society.
Miles J. Unger (Michelangelo: A Life in Six Masterpieces)
Right here, right in front of his smoke-tinted eyes, masterpieces were being created and sold at a pittance to these rich beggars masquerading as art aficionados.
Neil D'Silva (Maya's New Husband)
Pearls. Take, like an oyster, your irritations, your pain. Use these to create your masterpiece.
Jessica de la Davies
My identity rests solely on my two most precious masterpieces; my daughters.
Efrat Cybulkiewicz
What is art, after all, if not simply giving out what you have inside you? Didn't it all boil down to sticking a female in front of you and painting her as you feel she is?
Émile Zola (The Masterpiece)
On the levels of politics and theology, beauty is perfectly compatible with nonsense and tyranny. Which is very fortunate; for if beauty were incompatible with non­sense and tyranny, there would be precious little art in the world. The masterpieces of painting, sculpture and architecture were produced as religious or political propaganda, for the greater glory of a god, a govern­ment or a priesthood. But most kings and priests have been despotic and all religions have been riddled with superstition. Genius has been the servant of tyranny and art has advertised the merits of the local cult. Time, as it passes, separates the good art from the bad meta­physics. Can we learn to make this separation, not after the event, but while it is actually taking place? That is the question.
Aldous Huxley (Brave New World Revisited)
One thing I’ve learned about art is that, it’s not perfect. It doesn’t have to be a flawless masterpiece. I’m not perfect, we’re not perfect… but right here, right now… is perfect. It’s a masterpiece.
Jac Prescott
Jo told me once that she was an old woman everywhere but in her studio. “There I’m only myself,” she’d said. Standing in the middle of masterpieces that only Jo had ever seen and touched, I knew what she meant.
Laura Anderson Kurk (Perfect Glass)
Life is not a one and done sort of deal. You've got to work for what you want. Picasso created nearly 100 masterpieces in his lifetime. But what most people don't know is that he created a total of more then 50,000 works of art. .. Thats two pieces of art a day. Success is a numbers game. You are not going to win if you keep telling yourself to wait. The more often that you choose courage, the more likely you'll succeed.
Mel Robbins (The 5 Second Rule: Transform Your Life, Work, and Confidence with Everyday Courage)
Never look back. The past is done. The future is a blank canvas. Work on creating a masterpiece. Only you have the power to make your painting beautiful. Do not waste time chasing after success or comparing yourself to others. Every flower blooms at a different pace. Excel at doing what your passion is and only focus on perfecting it. Eventually people will see what you are great at doing, and if you are truly great, success will come chasing after you. Those who chase after success are flowers with bulbs that fade out early. Those who have success chasing after them, become eternal flowers. But remember, you were born an original work of art. Stay original always. Originals cost more than imitations. Just take a look at the the coolest people in history. History does not remember the forgettable. It honors the unique minority the majority cannot forget.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
He was conscious—and the thought brought a gleam of pleasure into his brown agate eyes—that it was through certain words of his, musical words said with musical utterance, that Dorian Gray's soul had turned to this white girl and bowed in worship before her. To a large extent the lad was his own creation. He had made him premature. That was something. Ordinary people waited till life disclosed to them its secrets, but to the few, to the elect, the mysteries of life were revealed before the veil was drawn away. Sometimes this was the effect of art, and chiefly of the art of literature, which dealt immediately with the passions and the intellect. But now and then a complex personality took the place and assumed the office of art, was indeed, in its way, a real work of art, life having its elaborate masterpieces, just as poetry has, or sculpture, or painting.
Oscar Wilde (The Picture of Dorian Gray)
It is fatal to suppose the great writer was too wise or too profound for us ever to understand him; to think of art so is not to praise but to murder it, for the next step after that tribute will be neglect of the masterpiece.
John Erskine
Cultivating an intimate relationship with your inner life is the greatest gift you can give yourself and everyone else on the planet. Within you all the power and substance of life resides. In the stillness at the center of your being is the fountain of pure genius, the source of every masterpiece, the answer to every question, the solution to every problem, and the fulfillment of every dream. But you must daily practice the art of making inner contact in order to actualize this truth.
Derek Rydall (Emergence: The End of Self Improvement)
Baseball was an art, but to excel at it you had to become a machine. It didn't matter how beautifully you performed _sometimes_, what you did on your best day, how many spectacular plays you made. You weren't a painter or a writer--you didn't work in private and discard your mistakes, and it wasn't just your masterpieces that counted. What mattered, as for any machine, was repeatability. Moments of inspiration were nothing compared to elimination of error. The scouts cared little for Henry's superhuman grace; insofar as they cared they were suckered-in aesthetes and shitty scouts. Can you perform on demand, like a car, a furnace, a gun? Can you make that throw one hundred times out of a hundred? If it can't be a hundred, it had better be ninety-nine.
Chad Harbach (The Art of Fielding)
That’s what our life is like: little bits and broken pieces…Picture your life as a mixed media collage. Whatever you add to the collage from this point forward is up to you. You can keep moving those broken parts around. You can add similar pieces…But God might have something more for you. God’s plans for you are so much bigger than what you can ever imagine for yourself. He can use you in so many ways if you let him. You can grow in him and share in the masterpiece he wants to make of your life’s collage.
Mary Potter Kenyon (Called to Be Creative: A Guide to Reigniting Your Creativity)
Whom were these two seeking to please? Not the audiences of Lima. They had long since been satisfied. We come from a world where we have known incredible standards of [82] excellence, and we dimly remember beauties which we have not seized again; and we go back to that world. Uncle Pio and Camila Perichole were tormenting themselves in an effort to establish in Peru the standards of the theatres in some Heaven whither Calderon had preceded them. The public for which masterpieces are intended is not on this earth.
Thornton Wilder (The Bridge of San Luis Rey)
This pointing-hand gesture—with its index finger and thumb extended upward—is a well-known symbol of the Ancient Mysteries, and it appears all over the world in ancient art. This same gesture appears in three of Leonardo da Vinci’s most famous encoded masterpieces—The Last Supper, Adoration of the Magi, and Saint John the Baptist. It’s a symbol of man’s mystical connection to God.” As above, so below. The madman’s bizarre choice of words was starting to feel more relevant now. “I’ve never seen it before,” Sato said. Then watch ESPN, Langdon thought, always amused to see professional athletes point skyward in gratitude to God after a touchdown or home run. He wondered how many knew they were continuing a pre-Christian mystical tradition of acknowledging the mystical power above, which, for one brief moment, had transformed them into a god capable of miraculous feats.
Dan Brown (The Lost Symbol (Robert Langdon, #3))
Popular authors do not and apparently cannot appreciate the fact that true art is obtainable only by rejecting normality and conventionality in toto, and approaching a theme purged utterly of any usual or preconceived point of view. Wild and “different” as they may consider their quasi-weird products, it remains a fact that the bizarrerie is on the surface alone; and that basically they reiterate the same old conventional values and motives and perspectives. Good and evil, teleological illusion, sugary sentiment, anthropocentric psychology—the usual superficial stock in trade, and all shot through with the eternal and inescapable commonplace…. Who ever wrote a story from the point of view that man is a blemish on the cosmos, who ought to be eradicated? As an example—a young man I know lately told me that he means to write a story about a scientist who wishes to dominate the earth, and who to accomplish his ends trains and overdevelops germs … and leads armies of them in the manner of the Egyptian plagues. I told him that although this theme has promise, it is made utterly commonplace by assigning the scientist a normal motive. There is nothing outré about wanting to conquer the earth; Alexander, Napoleon, and Wilhelm II wanted to do that. Instead, I told my friend, he should conceive a man with a morbid, frantic, shuddering hatred of the life-principle itself, who wishes to extirpate from the planet every trace of biological organism, animal and vegetable alike, including himself. That would be tolerably original. But after all, originality lies with the author. One can’t write a weird story of real power without perfect psychological detachment from the human scene, and a magic prism of imagination which suffuses theme and style alike with that grotesquerie and disquieting distortion characteristic of morbid vision. Only a cynic can create horror—for behind every masterpiece of the sort must reside a driving demonic force that despises the human race and its illusions, and longs to pull them to pieces and mock them.
H.P. Lovecraft
I’m not in the advice business. However, people have been sending increasing amounts of books / videos / manuscripts / poems / photographs / artworks / long raving emails describing plans for certain masterpieces. Mostly this is a pleasure, but I would like to take the opportunity to offer one piece of advice to young artists and writers. Be disciplined. Be hard on yourself. Remember that you are competing with some of the greatest minds in history. If you are a painter, for example, you are entering into a race where Michelangelo and Picasso already have leads. Ask yourself if you have done everything you can, everything in your power, to compete with those guys. It’s not a matter of painting like them or of conceiving of art like them. You can do your own thing. It’s a matter of pushing yourself, the way they pushed themselves, to do in art what no one else could do. Why accept anything less of yourself? Wittgenstein: “What you have achieved cannot mean more to others than it does to you. Whatever it has cost you, that’s what they’ll pay.
Supervert
Like it!” I exclaimed. “It is lovely — wonderful! It is worthy to rank with the finest Italian masterpieces.” “Oh, no!” remonstrated Zara; “no, indeed! When the great Italian sculptors lived and worked — ah! one may say with the Scriptures, ‘There were giants in those days.’ Giants — veritable ones; and we modernists are the pigmies. We can only see Art now through the eyes of others who came before us. We cannot create anything new. We look at painting through Raphael; sculpture through Angelo; poetry through Shakespeare; philosophy through Plato. It is all done for us; we are copyists. The world is getting old — how glorious to have lived when it was young! But nowadays the very children are blase.
Marie Corelli (Delphi Collected Works of Marie Corelli (Illustrated) (Delphi Series Eight Book 22))
Whether it means producing a piece of art, writing a short story, or simply bringing beauty into our home or into the lives of others, consider for a moment that we each have the capacity to be creative. The masterpiece, then, is not something we create to hang on our wall but something in ourselves as we fulfill our God-given potential, utilizing the talents He gave us.
Mary Potter Kenyon (Called to Be Creative: A Guide to Reigniting Your Creativity)
The mind state caused by ambiguity is called uncertainty, and it’s an emotional amplifier. It makes anxiety more agonizing, and pleasure especially enjoyable. The delight of crossword puzzles, for example, comes from pondering and resolving ambiguous clues. Detective stories, among the most successful literary genres of all time, concoct their suspense by sustaining uncertainty about hints and culprits. Mind-bending modern art, the multiplicities of poetry, Lewis Carroll’s riddles, Márquez’s magical realism, Kafka’s existential satire—ambiguity saturates our art forms and masterpieces, suggesting its deeply emotional nature. Goethe once said that “what we agree with leaves us inactive, but contradiction makes us productive.” So it is with ambiguity.
Jamie Holmes (Nonsense: The Power of Not Knowing)
You are a masterpiece. A painting. A poem. A song. A statue. A work of art. Think of yourself that way. Embrace yourself that way. Honor yourself that way. In doing so you are honoring Him who made you. But you don't feel like a masterpiece/ Thats ok because I'm not talking about your emotions. I'm talking about you. Those feelings are real, but in a sense, they are irrelevant because they don't change the facts. You are a masterpiece whether you feel like one or not. You may feel like a failure, but God says you are his workmanship, created n Christ Jesus for good works. Thats the reality you need to focus on when your feelings tell you something else. God will raise your feelings up to your destiny, don't lower your destiny down to your feelings.
Tony Evens
In order to understand how engineers endeavor to insure against such structural, mechanical, and systems failures, and thereby also to understand how mistakes can be made and accidents with far-reaching consequences can occur, it is necessary to understand, at least partly, the nature of engineering design. It is the process of design, in which diverse parts of the 'given-world' of the scientist and the 'made-world' of the engineer are reformed and assembled into something the likes of which Nature had not dreamed, that divorces engineering from science and marries it to art. While the practice of engineering may involve as much technical experience as the poet brings to the blank page, the painter to the empty canvas, or the composer to the silent keyboard, the understanding and appreciation of the process and products of engineering are no less accessible than a poem, a painting, or a piece of music. Indeed, just as we all have experienced the rudiments of artistic creativity in the childhood masterpieces our parents were so proud of, so we have all experienced the essence of structual engineering in our learning to balance first our bodies and later our blocks in ever more ambitious positions. We have learned to endure the most boring of cocktail parties without the social accident of either our bodies or our glasses succumbing to the force of gravity, having long ago learned to crawl, sit up, and toddle among our tottering towers of blocks. If we could remember those early efforts of ours to raise ourselves up among the towers of legs of our parents and their friends, then we can begin to appreciate the task and the achievements of engineers, whether they be called builders in Babylon or scientists in Los Alamos. For all of their efforts are to one end: to make something stand that has not stood before, to reassemble Nature into something new, and above all to obviate failure in the effort.
Henry Petroski
He examined the shiny symmetrical snowflakes melting on his warm paws. As a child, he had always wanted to have a collection of these masterpieces of jewelry. These unique creations of art, however, would never stay for long. Would the other treasures of this world also perish without a trace, or is there a keeper who records brilliant but never-accomplished ideas and dear memories from childhood?
D. Vernet (The Witch's Stolen Mirror: Ino and Oliko’s Adventures)
They should own who can administer, not they who hoard and conceal; not they who, the greater proprietors they are, are only the greater beggars, but they whose work carves out work for more, opens a path for all. For he is the rich man in whom the people are rich, and he is the poor man in whom the people are poor; and how to give all access to the masterpieces of art and nature is the problem of civilization.
Ralph Waldo Emerson (The Conduct of Life)
Every country has its grand canvas, Sasha—the so-called masterpiece that hangs in a hallowed hall and sums up the national identity for generations to come. For the French it is Delacroix’s Liberty Leading the People; for the Dutch, Rembrandt’s Night Watch; for the Americans, Washington Crossing the Delaware; and for we Russians? It is a pair of twins: Nikolai Ge’s Peter the Great Interrogating Alexei and Ilya Repin’s Ivan the Terrible and His Son. For decades, these two paintings have been revered by our public, praised by our critics, and sketched by our diligent students of the arts. And yet, what do they depict? In one, our most enlightened Tsar studies his oldest son with suspicion, on the verge of condemning him to death; while in the other, unflinching Ivan cradles the body of his eldest, having already exacted the supreme measure with a swing of the scepter to the head.
Amor Towles (A Gentleman in Moscow)
Two blind men waited at the end of an era, contemplating beauty. They sat atop the world’s highest cliff, overlooking the land and seeing nothing.’ ‘Huh?’ She looked to him. ‘“Can beauty be taken from a man?” the first asked the second. ‘“It was taken from me,” the second replied. “For I cannot remember it.” This man was blinded in a childhood accident. “I pray to the God Beyond each night to restore my sight, so that I may find beauty again.” ‘“Is beauty something one must see, then?” the first asked. ‘“Of course. That is its nature. How can you appreciate a work of art without seeing it?” ‘“I can hear a work of music,” the first said. ‘“Very well, you can hear some kinds of beauty – but you cannot know full beauty without sight. You can know only a small portion of beauty.” ‘“A sculpture,” the first said. “Can I not feel its curves and slopes, the touch of the chisel that transformed common rock into uncommon wonder?” ‘“I suppose,” said the second, “that you can know the beauty of a sculpture.” ‘“And what of the beauty of food? Is it not a work of art when a chef crafts a masterpiece to delight the tastes?” ‘“I suppose,” said the second, “that you can know the beauty of a chef’s art.” ‘“And what of the beauty of a woman,” the first said. “Can I not know her beauty in the softness of her caress, the kindness of her voice, the keenness of her mind as she reads philosophy to me? Can I not know this beauty? Can I not know most kinds of beauty, even without my eyes?” ‘“Very well,” said the second. “But what if your ears were removed, your hearing taken away? Your tongue taken out, your mouth forced shut, your sense of smell destroyed? What if your skin were burned so that you could no longer feel? What if all that remained to you was pain? You could not know beauty then. It can be taken from a man.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
The tea-master, Kobori-Enshiu, himself a daimyo, has left to us these memorable words: "Approach a great painting as thou wouldst approach a great prince." In order to understand a masterpiece, you must lay yourself low before it and await with bated breath its least utterance. An eminent Sung critic once made a charming confession. Said he: "In my young days I praised the master whose pictures I liked, but as my judgement matured I praised myself for liking what the masters had chosen to have me like.
Kakuzō Okakura (The Book of Tea)
Whom were these two seeking to please? Not the audiences of Lima. They had long since been satisfied. We come from a world where we have known incredible standards of excellence, and we dimly remember beauties which we have not seized again; and we go back to that world. Uncle Pio and Camila Perichole were tormenting themselves in an effort to establish in Peru the standards of the theatres in some Heaven whither Calderon had preceded them. The public for which masterpieces are intended is not on this earth.
Thornton Wilder (The Bridge of San Luis Rey)
A spiritual character can work through agencies or directly on the spirit. He infuses thoughts makes suggestions and does it so deftly that we do not know their paternity. He tempted Eve to take the forbidden fruit. He put it into David’s mind to number Israel, thereby provoking the wrath of God. He influenced Ananias and Sapphira to lie to God. Peter’s yielding to presumption was at his instance. Judas’ betrayal was from the same baneful source. The temptation of Christ was a typical and masterpiece of his business in seeking to seduce our Lord from God, showing his power to array agencies and pleas, and to back these by all forms of sanctity and persuasiveness. He is blasphemous, arrogant and presumptuous. He slanders God to men and infuses into men hard thoughts of God. He intensifies their enmity and inflames their prejudice against Him. He leads them to deny His existence and to traduce His character, thereby destroying the foundations of faith and all true worship. He does all he can by insinuation and charges to blacken saintly character and lower God’s estimate of the good. He is the vilest of calumniators, the most malignant and artful of slanderers.
E.M. Bounds (Satan: His Personality, Power and Overthrow)
The greatest masters have only made single statues, groups are always inferior; that is why Carpeaux, big though he was, is less so than Rodin, for he never knew how to make single statues. He did not know how to find his rhythm in the arrangement of the shapes of one body, but obtained it by the disposition of several. The great sculptors are there to prove it. Think of the masterpieces which we like most, all standing or seated, and one at a time, and they are not in the least monotonous. The connoisseur loves one spicy cake, but the glutton requires at least six to stimulate his pleasure.
H.S. Ede (Savage Messiah)
The paradox of being a professional artist. How we spend our lives trying to express ourselves well, but we have nothing to tell. We want creativity to be a system of cause and effect. Results. Marketable product. We want dedication and discipline to equal recognition and reward. We get on our art school treadmill, our graduate program for a master's in fine arts, and practice, practice, practice. With all our excellent skills, we have nothing special to document. .... Nothing pisses us off more than when some strung-out drug addict, a lazy bum, or a slobbering pervert creates a masterpiece. As if by accident. Some idiot who's not afraid to say what they really love.
Chuck Palahniuk (Diary)
All of the stimuli of awe and wonder, whose capacity is invested in the human mind, have been appropriated by religious faiths across centuries, in masterpieces of literature, the visual arts, music, and architecture. Three thousand years of Yahweh have wrought an aesthetic power in these creative arts second to none. There is nothing in my own experience more moving than the Roman Catholic Lucernarium, when the lumen Christi (light of Christ) is spread by Paschal candlelight into a darkened cathedral; or the choral hymns to the standing faithful and approaching procession during an evangelical Protestant altar call. These benefits require submission to God, or his Son the Redeemer, or both, or to His final chosen spokesman Muhammad. This is too easy. It is necessary only to submit, to bow down, to repeat the sacred oaths. Yet let us ask frankly, to whom is such obeisance really directed? Is it to an entity that may have no meaning within reach of the human mind—or may not even exist? Yes, perhaps it really is to God. But perhaps it is to no more than a tribe united by a creation myth. If the latter, religious faith is better interpreted as an unseen trap unavoidable during the biological history of our species. And if this is correct, surely there exist ways to find spiritual fulfillment without surrender and enslavement. Humankind deserves better.
Edward O. Wilson (The Social Conquest of Earth)
Artists frequently hide the steps that lead to their masterpieces. They want their work and their career to be shrouded in the mystery that it all came out at once. It’s called hiding the brushstrokes, and those who do it are doing a disservice to people who admire their work and seek to emulate them. If you don’t get to see the notes, the rewrites, and the steps, it’s easy to look at a finished product and be under the illusion that it just came pouring out of someone’s head like that. People who are young, or still struggling, can get easily discouraged, because they can’t do it like they thought it was done. An artwork is a finished product, and it should be, but I always swore to myself that I would not hide my brushstrokes.
Matthew Weiner
We were in Julie’s room one night, my eldest daughter and I, maybe a decade ago now. I wanted to show her how the canvas painting she had carefully labored over for her little sister's Christmas gift was framed and hung on the wall. I said, gazing at her masterpiece with no small amount of motherly pride, “Now it looks like a real work of art”. Bella looked at me quizzically, wondering yet again how her mother could possibly understand so little about the world. “Mama, every time you make something, or draw something, or paint something, it is already real art. There is no such thing as art that is not real” And so I said that she was right, and didn’t it look nice, and once again, daughter became guru and mother became willing student. Which is, I sometimes think, the way it was meant to be. ~~~~~ art is always real. all of it. even the stuff you don’t understand. even the stuff you don’t like. even the stuff that you made that you would be embarrassed to show your best friend that photo that you took when you first got your DSLR, when you captured her spirit perfectly but the focus landed on her shoulder? still art. the painting you did last year the first time you picked up a brush, the one your mentor critiqued to death? it’s art. the story you are holding in your heart and so desperately want to tell the world? definitely art. the scarf you knit for your son with the funky messed up rows? art. art. art. the poem scrawled on your dry cleaning receipt at the red light. the dress you want to sew. the song you want to sing. the clay you’ve not yet molded. everything you have made or will one day make or imagine making in your wildest dreams. it’s all real, every last bit. because there is no such thing as art that is not real.
Jeanette LeBlanc
The Louvre’s much restored three wings or pavilions, the Sully, Denon, and Richelieu, were once the galleries where courtiers enjoyed royal hospitality and entertainments (and The Princesse de Clèves her secret surges of immoral passion). On a quiet un-crowded evening visit to the Louvre, it’s easy to imagine the masked and dancing couples in these pavilions, the rustle of silk, the whisperings of lovers, the royal entourage. The Louvre’s art collection was the result of François I’s enterprising enthusiasm for Italian art. He imported masterpieces by Uccello, Titian, Giorgione, and, most notably, Leonardo da Vinci himself, whose Mona Lisa—La Joconde in French—was and remains the most valued painting in the royal collection. Montaigne does not mention the paintings or the Italian sculptor Benvenuto Cellini whom François also imported to help transform gloomy Paris into a city of bright and saucy opulence.
Susan Cahill (The Streets of Paris: A Guide to the City of Light Following in the Footsteps of Famous Parisians Throughout History)
The enemy of my soul didn't want me painting that day. To create meant that I would look a little bit like my Creator. To overcome the terrifying angst of the blank canvas meant I would forever have more compassion for other artists. You better believe as I placed the first blue and gray strokes onto the white emptiness before me, the "not good enough" statement was pulsing through my head in almost deafening tones... This parlaying lie is one of his favorite tactics to keep you disillusioned by disappointments. Walls go up, emotions run high, we get guarded, defensive, demotivated, and paralyzed by the endless ways we feel doomed to fail. This is when we quit. This is when we settle for the ease of facebook.... This is when we get a job to simply make money instead of pursuing our calling to make a difference. This is when we put the paintbrush down and don't even try. So there I was. Standing before my painted blue boat, making a choice of which voice to listen to. I'm convinced God was smiling. Pleased. Asking me to find delight in what is right. Wanting me to have compassion for myself by focusing on that part of my painting that expressed something beautiful. To just be eager to give that beauty to whoever dared to look at my boat. To create to love others. Not to beg them for validation. But the enemy was perverting all that. Perfection mocked my boat. The bow was too high, the details too elementary, the reflection on the water too abrupt, and the back of the boat too off-center. Disappointment demanded I hyper-focused on what didn't look quite right. It was my choice which narrative to hold on to: "Not good enough" or "Find delight in what is right." Each perspective swirled, begging me to declare it as truth. I was struggling to make peace with my painting creation, because I was struggling to make make peace with myself as God's creation. Anytime we feel not good enough we deny the powerful truth that we are a glorious work of God in progress. We are imperfect because we are unfinished. So, as unfinished creations, of course everything we attempt will have imperfections. Everything we accomplish will have imperfections. And that's when it hit me: I expect a perfection in me and in others that not even God Himself expects. If God is patient with the process, why can't I be? How many times have I let imperfections cause me to be too hard on myself and too harsh with others? I force myself to send a picture of my boat to at least 20 friends. I was determined to not not be held back by the enemy's accusations that my artwork wasn't good enough to be considered "real art". This wasn't for validation but rather confirmation that I could see the imperfections in my painting but not deem it worthless. I could see the imperfections in me and not deem myself worthless. It was an act of self-compassion. I now knew to stand before each painting with nothing but love, amazement, and delight. I refused to demand anything more from the artist. I just wanted to show up for every single piece she was so brave to put on display.. Might I just be courageous enough to stand before her work and require myself to find everything about it I love? Release my clenched fist and pouty disappointments, and trade my "live up" mentality for a "show up" one? It is so much more freeing to simply show up and be a finder of the good. Break from the secret disappointments. Let my brain venture down the tiny little opening of love.. And I realized what makes paintings so delightful. It's there imperfections. That's what makes it art. It's been touched by a human. It's been created by someone whose hands sweat and who can't possibly transfer divine perfection from what her eyes see to what her fingertips can create. It will be flawed.
Lysa TerKeurst (It's Not Supposed to Be This Way: Finding Unexpected Strength When Disappointments Leave You Shattered)
Brunelleschi’s successor as a theorist of linear perspective was another of the towering Renaissance polymaths, Leon Battista Alberti (1404 –1472), who refined many of Brunelleschi’s experiments and extended his discoveries about perspective. An artist, architect, engineer, and writer, Alberti was like Leonardo in many ways: both were illegitimate sons of prosperous fathers, athletic and good-looking, never-married, and fascinated by everything from math to art. One difference is that Alberti’s illegitimacy did not prevent him from being given a classical education. His father helped him get a dispensation from the Church laws barring illegitimate children from taking holy orders or holding ecclesiastical offices, and he studied law at Bologna, was ordained as a priest, and became a writer for the pope. During his early thirties, Alberti wrote his masterpiece analyzing painting and perspective, On Painting, the Italian edition of which was dedicated to Brunelleschi. Alberti had an engineer’s instinct for collaboration and, like Leonardo, was “a lover of friendship” and “open-hearted,” according to the scholar Anthony Grafton. He also honed the skills of courtiership. Interested in every art and technology, he would grill people from all walks of life, from cobblers to university scholars, to learn their secrets. In other words, he was much like Leonardo, except in one respect: Leonardo was not strongly motivated by the goal of furthering human knowledge by openly disseminating and publishing his findings; Alberti, on the other hand, was dedicated to sharing his work, gathering a community of intellectual colleagues who could build on each other’s discoveries, and promoting open discussion and publication as a way to advance the accumulation of learning. A maestro of collaborative practices, he believed, according to Grafton, in “discourse in the public sphere.” When Leonardo was a teenager in Florence, Alberti was in his sixties and spending much of his time in Rome, so it is unlikely they spent time together. Alberti was a major influence nonetheless.
Walter Isaacson (Leonardo da Vinci)
To that end, we are ALL worshippers. "Human beings by their very nature are worshipers. Worship is not something we do; it defines who we are. You cannot divide human beings into those who worship and those who don't. Everybody worships; it's just a matter of what, or whom, we serve." (Paul David Tripp). Our jobs, relationship, reputations, and treasure- these are just a few things that compete for our worship. We were made for one worship and one satisfaction, but our taste buds are skewed until our appetites are formed in and for Him. The question isn't whether we will use our everyday moments to worship because we will- in the midst of ordinary places, people, sights, sounds, joys, and pains. How we direct our eyes, minds, hearts, and hands in the everyday will determine whom we ultimately worship, and what we ultimately become. We were made to behold Him and be transformed in Him. The art of everyday worship is the journey from canvas to masterpiece. We all have an invitation to be transformed, one everyday moment at a time.
Ruth Chou Simons (Beholding and Becoming: The Art of Everyday Worship)
Oh just kiss me Baethan!” I shouted, frustrated. This was taking too long. He laughed lightly. “Not yet.” I rolled my eyes. “Brat.” “Nay love,” he responded softly. His eyes met mine as he brushed his knuckles along my cheek. “Nothing is ever rushed with you. Every moment, every touch, every kiss…is an art form. Like a painter working on his masterpiece, I must be patient and precise with each and every stroke.” Oh my. “Bae, I want to feel your lips upon mine.” “You will,” he answered, “but this, this right here, is how a real kiss begins.” His hands brushed along my arms and upward, moving slowly as they skimmed passed my chest as light as a feather. Rising higher, his fingers brushed along my neck and tilted my head back, his thumbs anchored on either side of the bottom of my chin. “Close your eyes,” he whispered and I realized he was lowering his head, pausing just an inch from my lips. They parted, my breath accelerated as I awaited the tender touch of moist warmth that would follow. My eyes closed and I breathed, several seconds passing us by as if hours, until his mouth closed over mine. His lips parted as his tongue gently pushed through, briefly, and then he pulled away slightly as his teeth nibbled my bottom lip. He held my face in his hands, and pressed multiple light kisses all over my mouth until I moaned.
Nikki Landis (The Awakening (Fight for Light #6))
...it is because man's condition is ambiguous that he seeks, through failure and outrageousness, to save his existence. Thus, to say that action has to be lived in its truth, that is, in the consciousness of the antinomies which it involves, does not mean that one has to renounce it. In Plutarch Lied Pierrefeu rightly says that in war there is no victory which can not be regarded as unsuccessful, for the objective which one aims at is the total annihilation of the enemy and this result is never attained; yet there are wars which are won and wars which are lost. So is it with any activity; failure and success are two aspects of reality which at the start are not perceptible. That is what makes criticism so easy and art so difficult: the critic is always in a good position to show the limits that every artist gives himself in choosing himself; painting is not given completely either in Giotto or Titian or Cezanne; it is sought through the centuries and is never finished; a painting in which all pictorial problems are resolved is really inconceivable; painting itself is this movement toward its own reality; it is not the vain displacement of a millstone turning in the void; it concretizes itself on each canvas as an absolute existence. Art and science do not establish themselves despite failure but through it; which does not prevent there being truths and errors, masterpieces and lemons, depending upon whether the discovery or the painting has or has not known how to win the adherence of human consciousnesses; this amounts to saying that failure, always ineluctable, is in certain cases spared and in others not.
Simone de Beauvoir (The Ethics of Ambiguity)
Fine art galleries are the excellent setups for exhibiting art, generally aesthetic art such as paints, sculptures, and digital photography. Basically, art galleries showcase a range of art designs featuring contemporary and traditional fine art, glass fine art, art prints, and animation fine art. Fine art galleries are dedicated to the advertising of arising artists. These galleries supply a system for them to present their jobs together with the works of across the country and internationally popular artists. The UNITED STATE has a wealth of famous art galleries. Lots of villages in the U.S. show off an art gallery. The High Museum of Fine art, Alleged Gallery, Henry Art Gallery, National Gallery of Art Gallery, Washington Gallery of Modern Art, Agora Gallery, Rosalux Gallery, National Portrait Gallery, The Alaska House Gallery, and Anchorage Gallery of History and Art are some of the renowned fine art galleries in the United States. Today, there are on the internet fine art galleries showing initial artwork. Several famous fine art galleries show regional pieces of art such as African fine art, American art, Indian fine art, and European art, in addition to individual fine art, modern-day and modern fine art, and digital photography. These galleries collect, show, and keep the masterpieces for the coming generations. Many famous art galleries try to entertain and educate their local, nationwide, and international audiences. Some renowned fine art galleries focus on specific areas such as pictures. A great variety of well-known fine art galleries are had and run by government. The majority of famous fine art galleries supply an opportunity for site visitors to buy outstanding art work. Additionally, they organize many art-related tasks such as songs shows and verse readings for kids and grownups. Art galleries organize seminars and workshops conducted by prominent artists. Committed to quality in both art and solution, most well-known fine art galleries provide you a rich, exceptional experience. If you wish to read additional information, please visit this site
Famous Art Galleries
I think we all collectively have gone a little crazy. We worry about the wrong things. I have an acquaintance, Christy, whose twelve–year–old son managed to get into a very violent PG–13 movie. I don’t know how many machine–gunnings, explosions, and killings this boy wound up witnessing. As I recall, the boy had nightmares for a week afterward. That disturbed his mother—but not as much as if her son had stumbled into a different kind of movie. “At least there wasn’t any sex,” she said with dead–serious concern. “No,” I said, “probably not a single bare breast.” I didn’t add that most societies do not regard the adult female breast as being primarily an object of sexual desire. After all, it’s just a big gland that makes milk in order to feed hungry babies. “You know what I’m talking about,” she snapped. “I mean graphic sex.” We were sitting in a café drinking tea. She cut off the volume of her speech at the end of her sentence, whispering and exaggerating the consonants of S–E–X as if she needed me to read her lips—as if giving voice to this word might disturb our neighbors and brand her as a deviant. “I don’t think children should see that kind of thing,” she added. “What should children see?” I asked her. I am not arguing that we should let our children buy tickets to raunchy movies. I never let my daughters bring home steamy videos or surf the Internet for porn. But something is wrong when sex becomes a dirty word that we don’t even want our children to hear. Why must we regard almost anything sexual as tantamount to obscene? I think many of us are like Christy. We wouldn’t want our children—even our very sexual teenagers—to see certain kinds of movies, even if they happened to be erotic masterpieces, true works of art. It wouldn’t matter if a movie gave us a wonderful scene of a wife and a husband very lovingly making love with the conscious intention of engendering new life. It wouldn’t matter that sex is life, and therefore must be regarded as sacred as anything could possibly be. It wouldn’t even matter that not one of us could have come into the world but for the sexual union of our fathers and our mothers. If a movie portrayed a man and woman in the ecstatic dance of love—actually showed naked bellies and breasts, burning lips and adoring eyes and the glistening, impassioned organs of sex—most people I know would rather their children watch the vile action movie. They would rather their “innocent” sons and daughters behold the images of bloody, blasted bodies, torture, murder, and death.
David Zindell (Splendor)
But there were problems. After the movie came out I couldn’t go to a tournament without being surrounded by fans asking for autographs. Instead of focusing on chess positions, I was pulled into the image of myself as a celebrity. Since childhood I had treasured the sublime study of chess, the swim through ever-deepening layers of complexity. I could spend hours at a chessboard and stand up from the experience on fire with insight about chess, basketball, the ocean, psychology, love, art. The game was exhilarating and also spiritually calming. It centered me. Chess was my friend. Then, suddenly, the game became alien and disquieting. I recall one tournament in Las Vegas: I was a young International Master in a field of a thousand competitors including twenty-six strong Grandmasters from around the world. As an up-and-coming player, I had huge respect for the great sages around me. I had studied their masterpieces for hundreds of hours and was awed by the artistry of these men. Before first-round play began I was seated at my board, deep in thought about my opening preparation, when the public address system announced that the subject of Searching for Bobby Fischer was at the event. A tournament director placed a poster of the movie next to my table, and immediately a sea of fans surged around the ropes separating the top boards from the audience. As the games progressed, when I rose to clear my mind young girls gave me their phone numbers and asked me to autograph their stomachs or legs. This might sound like a dream for a seventeen-year-old boy, and I won’t deny enjoying the attention, but professionally it was a nightmare. My game began to unravel. I caught myself thinking about how I looked thinking instead of losing myself in thought. The Grandmasters, my elders, were ignored and scowled at me. Some of them treated me like a pariah. I had won eight national championships and had more fans, public support and recognition than I could dream of, but none of this was helping my search for excellence, let alone for happiness. At a young age I came to know that there is something profoundly hollow about the nature of fame. I had spent my life devoted to artistic growth and was used to the sweaty-palmed sense of contentment one gets after many hours of intense reflection. This peaceful feeling had nothing to do with external adulation, and I yearned for a return to that innocent, fertile time. I missed just being a student of the game, but there was no escaping the spotlight. I found myself dreading chess, miserable before leaving for tournaments. I played without inspiration and was invited to appear on television shows. I smiled.
Josh Waitzkin (The Art of Learning: A Journey in the Pursuit of Excellence)
The textbooks of history prepared for the public schools are marked by a rather naive parochialism and chauvinism. There is no need to dwell on such futilities. But it must be admitted that even for the most conscientious historian abstention from judgments of value may offer certain difficulties. As a man and as a citizen the historian takes sides in many feuds and controversies of his age. It is not easy to combine scientific aloofness in historical studies with partisanship in mundane interests. But that can and has been achieved by outstanding historians. The historian's world view may color his work. His representation of events may be interlarded with remarks that betray his feelings and wishes and divulge his party affiliation. However, the postulate of scientific history's abstention from value judgments is not infringed by occasional remarks expressing the preferences of the historian if the general purport of the study is not affected. If the writer, speaking of an inept commander of the forces of his own nation or party, says "unfortunately" the general was not equal to his task, he has not failed in his duty as a historian. The historian is free to lament the destruction of the masterpieces of Greek art provided his regret does not influence his report of the events that brought about this destruction. The problem of Wertfreíheit must also be clearly distinguished from that of the choice of theories resorted to for the interpretation of facts. In dealing with the data available, the historian needs ali the knowledge provided by the other disciplines, by logic, mathematics, praxeology, and the natural sciences. If what these disciplines teach is insufficient or if the historian chooses an erroneous theory out of several conflicting theories held by the specialists, his effort is misled and his performance is abortive. It may be that he chose an untenable theory because he was biased and this theory best suited his party spirit. But the acceptance of a faulty doctrine may often be merely the outcome of ignorance or of the fact that it enjoys greater popularity than more correct doctrines. The main source of dissent among historians is divergence in regard to the teachings of ali the other branches of knowledge upon which they base their presentation. To a historian of earlier days who believed in witchcraft, magic, and the devil's interference with human affairs, things hàd a different aspect than they have for an agnostic historian. The neomercantilist doctrines of the balance of payments and of the dollar shortage give an image of presentday world conditions very different from that provided by an examination of the situation from the point of view of modern subjectivist economics.
Ludwig von Mises (Theory and History: An Interpretation of Social and Economic Evolution)
It’s not enough to be the best. You also have to be seen by the most. A masterpiece painting hanging in the storage unit of the artist who painted it is not art—it’s irrelevant. It’s also a tragedy.
Jarod Kintz (A Zebra is the Piano of the Animal Kingdom)
I declare a war against my Parasite for the freedom to use my own mind and body, for the freedom to become the architect of my own life, to design the life of my dreams, and to create a masterpiece of art.
Miguel Ruiz (The Four Agreements Companion Book: Using The Four Agreements to Master the Dream of Your Life (A Toltec Wisdom Book))
Every great idea has a spark of inspiration. Divine…if the shoe fits. Every great spark of inspiration comes from a remarkably intense passion, love, or desire. It can be out of love for God, a family member, a lover, child, friend, or just out of a desire to be compassionate and help others. It can be an intense passion for music, art, physical comforts, or beauty. It can be from the desire to prove those who hurt, wrong, or doubt them wrong because they themselves are not yet capable of asking questions and chasing dreams which seem so far away. The paradox of any genius or creative virtuoso is that they see one plus one does not equal two and they do not consult the mathematicians to hear what they have to say about this. When the idea or project they desire to create is fueled from a combination of these previously mentioned factors and then ignited by a pure intention of their heart and soul it is more than the sum of its’ parts. It is no longer a song composed of a melody and words or a picture brushed with paint upon an easel. It is a masterpiece with an explanation which can only be hinted or pointed at. Just like the moon can only reflect the light passed on to it by the sun. Personally, a master watch maker is a person I look up to. They lovingly and thoughtfully put immense energy and concentration on putting seemingly small pieces into place that once put into place learn to work on their own in perfect synchronization and harmony. However, this working together of gears and pieces does not happen by itself; It happens because the master had a vision of what he wanted and put in the time, energy, love, and effort to make it happen. The designer didn’t have it materialize right in front of their face instantly. Rather, they had faith it would come together a piece at a time. It’s my mission to find as many of these Masters who don’t run away from their ability to love, be loved, and create. The more we present beauty to those around us, the quicker others will find light within themselves. The more assistance we give to those we know struggling with poverty both inside and externally, the quicker we change this world into what it’s meant to be.
Brad TruuHeart Schonor
As I stated earlier, I do not believe there is anything inherently wrong with even the most overused elements of epic fantasy. Magic swords, dragons, destined heroes -- even dark lords and ultimate evils can legitimately be used in literature of serious intent, not just mocked in satirical meta-fiction. To claim that they cannot would be much the same as claiming that nothing good can ever again be done with fiction involving detectives, or young lovers, or unhappy families. The value of a fictive element is not an inherent quality, but a contextual one, determined by its relationship to the other elements of the story it is embedded in. In other words, whether a scene in which a dragon is introduced is affecting, amusing, or agonizingly dull depends primarily on the choices made by the scene's author. I say "primarily" because dragons have appeared in thousands of stories over the centuries, and almost any reader may be presumed to have been exposed to at least one such. The reader's reaction will naturally be influenced by how they feel this new dragon compares to the dragons which they have been introduced to in the past. (Favorably, one would hope. A dragon must learn to make a good first impression if it is to do well in this life.) Such variables are out of the author's control, as are any unreasoning prejudices against dragons on the part of the reader. All that can be done is to make the dragon as vivid and well-suited for its purpose as is possible. If all the elements of fantasy and fiction in a work are fitted to their purposes and combine to create a moving story set in a convincing world, that work will presumably be a masterpiece.
Alec Austin
2006 Apprentice episode, Trump announced the debut of a new property: Trump SoHo. “When it’s completed in 2008,” Trump declared, “this brilliant $370 million work of art will be an awe-inspiring masterpiece.”14
Sarah Kendzior (Hiding in Plain Sight: The Invention of Donald Trump and the Erosion of America)
Imagine a Museum of Lost Art. It would contain more masterpieces than all of the world's museums combined.
Noah Charney (The Museum of Lost Art)
That we do not simply shrug and move on when we learn of a lost masterpiece is a testament to the love felt for art, the sense that it is greater than ourselves, whether we are driven to protect its cultural importance or its beauty. People have died trying to defend or recover art . . . There is madness to this, perhaps, but one that may have been present for as long as art has played a role in human lives - since our ancestors braving the dark of the deepest caves to paint images on cold stone walls.
Noah Charney (The Museum of Lost Art)
Ordinary people waited till life disclosed to them its secrets, but to the few, to the elect, the mysteries of life were revealed before the veil was drawn away. Sometimes this was the effect of art, and chiefly of the art of literature, which dealt immediately with the passions and the intellect. But now and then a complex personality took the place and assumed the office of art; was indeed, in its way, a real work of art, Life having its elaborate masterpieces, just as poetry has, or sculpture, or painting.
Oscar Wilde (The Picture of Dorian Gray)
Now who art thou, that on the bench wouldst sit In judgment at a thousand miles away, With the short vision of a single span?
Joseph Conrad (50 Masterpieces you have to read before you die Vol: 1 (Golden Deer Classics))
What is art, after all, if not simply giving out what you have inside you? Didn't it all boil down to sticking a female in front of you and painting her as you feel she is? - page35
Émile Zola (The Masterpiece)
When the least obvious beauties of Vinteuil’s sonata were revealed to me, already, borne by the force of habit beyond the reach of my sensibility, those that I had from the first distinguished and preferred in it were beginning to escape, to avoid me. Since I was able only in successive moments to enjoy all the pleasures that this sonata gave me, I never possessed it in its entirety: it was like life itself. But, less disappointing than life is, great works of art do not begin by giving us all their best. In Vinteuil’s sonata the beauties that one discovers at once are those also of which one most soon grows tired, and for the same reason, no doubt, namely that they are less different from what one already knows. But when those first apparitions have withdrawn, there is left for our enjoyment some passage which its composition, too new and strange to offer anything but confusion to our mind, had made indistinguishable and so preserved intact; and this, which we have been meeting every day and have not guessed it, which has thus been held in reserve for us, which by the sheer force of its beauty has become invisible and has remained unknown, this comes to us last of all. But this also must be the last that we shall relinquish. And we shall love it longer than the rest because we have taken longer to get to love it. The time, moreover, that a person requires—as I required in the matter of this sonata—to penetrate a work of any depth is merely an epitome, a symbol, one might say, of the years, the centuries even that must elapse before the public can begin to cherish a masterpiece that is really new. So that the man of genius, to shelter himself from the ignorant contempt of the world, may say to himself that, since one’s contemporaries are incapable of the necessary detachment, works written for posterity should be read by posterity alone, like certain pictures which one cannot appreciate when one stands too close to them.
Marcel Proust (In the Shadow of Young Girls in Flower)
This is a place where two worlds collided: Beautiful because of the struggle that happened to create it, holy because of the belief people had in it, a home, a masterpiece of art, a mixture of different cultures.
Elizabeth Acevedo (With the Fire on High)
Seven Things to Do.” It read as follows: 1. Be true to yourself. 2. Help others. 3. Make each day your masterpiece. 4. Drink deeply from good books, especially the Bible. 5. Make friendship a fine art. 6. Build a shelter against a rainy day. 7. Pray for guidance and count and give thanks for your blessings every day.
John Wooden (Wooden: A Lifetime of Observations and Reflections On and Off the Court)
What in Hesronedon is ‘earth-bound’ pseizbergslunk f-i-c-t-i-o-n? Certain brilliant works of literature, and perhaps certain achievements in other art forms, may well be, by their very nature, perpetual ‘works-in-progress.’ I do not believe it is an opinion without some ‘Shakespearean’ measure of historical precedent; otherwise, what would reasonably be the necessity to republish revised versions of any number of ancient fictional and nonfictional texts with varying degrees of… modifications? To make those classical Pulvissemen masterpieces available to burgeoning generations of readers throughout the VO-RES-MAR-GUD? Obviously. However, there is another reason that I find enormously (enigmatically) [those fabulous ‘supra-terrestrial’ a-d-v-e-r-b-s!]… thought-provoking.” Emperor Baron Francis Cosmicus [The Dromernaut Odyssey Anno Domini 3193]
Charlie Cotayo (Dreams That Phantoms Hide (the Dromernaut Odyssey, #1))
We are each a work in progress—special and unique. By learning and living the “Art of First Impressions,” you can design a masterpiece of which you can be proud.
Susan C. Young (The Art of First Impressions for Positive Impact: 8 Ways to Shine Bright to Transform Relationship Results)
Life is really just a synchronistic dance of vibrant energies, emotions, and colours waiting for us to pick up our paintbrushes and finally claim the innate power that we were each born with, so that we may transform our current global tapestry into a masterpiece of magic, art and enchanting love.
Heather Anne Talpa (The Lighthouse: A Journey Through 365 Days of Self-Love)
Codes proved their value many times over in wartime. Far less obvious, though, is the way hidden messages found a place in another setting with universal significance. Here the intent was not to deceive an enemy but to intensify a sense of mystery, not to achieve military conquest but to produce greater appreciation. It is in art and in some of its most famous expressions that we readily realize an important truth: artistic geniuses often produced their greatest works when they incorporated concealed meanings in their masterpieces.
Benjamin Blech (The Sistine Secrets: Michelangelo's Forbidden Messages in the Heart of the Vatican)
Art—at least great art—by its very nature has varying levels, or layers, of meaning. In fact, a masterpiece comes to be considered a masterpiece because we know instinctively, even subconsciously, that there is much more to the work than meets the eye. We don’t love the Mona Lisa because she is beautiful (in fact, in today’s aesthetic, she would be considered plain by many), but because she is mysterious. That is the key to the world’s fascination with her for the last five centuries. We know that there is something else there beneath the surface, beneath that smile, and we can’t quite figure it out.
Benjamin Blech (The Sistine Secrets: Michelangelo's Forbidden Messages in the Heart of the Vatican)
For a pregnant woman to give birth, she's gotta feel the pain of pulling a watermelon out of her nostril. For an Artist to create a masterpiece, he's gotta feel the pain of pulling entire galaxies out of his ass.
Lucifer
In Art, a true masterpiece is a pochade. You did in within a few hours and it took you 40 years to get ready to do it.
Jean-Michel Rene Souche
Meow bimbo I give you the crown of Miss eternity, on it is written Miss past, present and future. Molecular genetic perfection, the highest masterpiece of the universe, enchanting entailing up to the bed, the highest beauty before marriage. You manipulate my penis like a lever to control the speed of love and arousal, you turn on the speed of light, and now you are above the speed of light, time stands still, and we have an eternity of pleasure that lasts with you like one happy moment. Cute, white kitty, I adore your sexy appearance in one word: meow, that is, wow, wow, auch, juicy bimbo babe, so hot, I am just in touch with delight, I am just knocked out of your beauty. Your charm and charisma as arousing spirits. You fall in love with yourself until the orgasm, and so on and on. I can not stop dreaming about you, it seems to me that I can never stop it, you are the goddess of my regular erotic dreams and super sexual fantasies, the queen of my subconscious, the sovereign of my consciousness, the queen of the unconscious, the mistress of my heart. Sometimes I die from an overdose of love and one and only your phrase: I love you, as a powerful deflebillator takes me back from the emptiness of loneliness. Wow) wow) easy girl, your appearance looks a little too much cool and sexy. Looking at you for a couple of minutes it seems that terabytes of porn and erotica and romantic films looked for a whole year, such an effect of love and excitement and horny in just a couple of minutes, that's how beautiful and exciting you are, hot the hottest blush on your skin, pale nipples like a pink marshmallow, yours moon skin color fascinates with its beauty - it is over powerful sexual magnetism. What you see in reality looking at you will not even dream about the best dream, in no dimension there is no such a beautiful girl like you, nothing can surpass your beauty. You are afraid of all competitors around the world, even aliens will envy and even goddesses. When I saw you for the first time, I realized that I always wanted someone like you. Only when you are not next to me, in my memories, I will feel you forever and the most depressing and sad melodies will voice it. Your blue eyes are like the many thousands of sun shine on the surface of the ocean in the light. It glows with a magic radiance of happiness, white skin, as if it still glows with a shine of superiority. Goddess, smeared with body oil, slippery, hot, sweet skin, your body glows with amazing beauty of temptation. This is an art museum, everywhere your picturesque portraits and drawings and painting and sculpture, as well as films and music dedicated to you, everywhere you are in my inner world, all I see in this museum is you, this is truly supreme art, my soul is ready to sing opera arias about love for you, in order to become your boyfriend, you need to take a ticket behind me, a huge queue, and even the scoreboard has alert coupons, your relevance does not know the end or the edge, that's how beautiful you are.
Musin Almat Zhumabekovich
Eventually, she held up the page, satisfied. It depicted Yalb and the porter in detail, with hints of the busy city behind. She’d gotten their eyes right. That was the most important. Each of the Ten Essences had an analogous part of the human body—blood for liquid, hair for wood, and so forth. The eyes were associated with crystal and glass. The windows into a person’s mind and spirit. She set the page aside. Some men collected trophies. Others collected weapons or shields. Many collected spheres. Shallan collected people. People, and interesting creatures. Perhaps it was because she’d spent so much of her youth in a virtual prison. She’d developed the habit of memorizing faces, then drawing them later, after her father had discovered her sketching the gardeners. His daughter? Drawing pictures of darkeyes? He’d been furious with her—one of the infrequent times he’d directed his infamous temper at his daughter. After that, she’d done drawings of people only when in private, instead using her open drawing times to sketch the insects, crustaceans, and plants of the manor gardens. Her father hadn’t minded this—zoology and botany were proper feminine pursuits—and had encouraged her to choose natural history as her Calling. She took out a third blank sheet. It seemed to beg her to fill it. A blank page was nothing but potential, pointless until it was used. Like a fully infused sphere cloistered inside a pouch, prevented from making its light useful. Fill me. The creationspren gathered around the page. They were still, as if curious, anticipatory. Shallan closed her eyes and imagined Jasnah Kholin, standing before the blocked door, the Soulcaster glowing on her hand. The hallway hushed, save for a child’s sniffles. Attendants holding their breath. An anxious king. A still reverence. Shallan opened her eyes and began to draw with vigor, intentionally losing herself. The less she was in the now and the more she was in the then, the better the sketch would be. The other two pictures had been warm-ups; this was the day’s masterpiece. With the paper bound onto the board—safehand holding that—her freehand flew across the page, occasionally switching to other pencils. Soft charcoal for deep, thick blackness, like Jasnah’s beautiful hair. Hard charcoal for light greys, like the powerful waves of light coming from the Soulcaster’s gems. For a few extended moments, Shallan was back in that hallway again, watching something that should not be: a heretic wielding one of the most sacred powers in all the world. The power of change itself, the power by which the Almighty had created Roshar. He had another name, allowed to pass only the lips of ardents. Elithanathile. He Who Transforms. Shallan could smell the musty hallway. She could hear the child whimpering. She could feel her own heart beating in anticipation. The boulder would soon change. Sucking away the Stormlight in Jasnah’s gemstone, it would give up its essence, becoming something new. Shallan’s breath caught in her throat. And then the memory faded, returning her to the quiet, dim alcove. The page now held a perfect rendition of the scene, worked in blacks and greys. The princess’s proud figure regarded the fallen stone, demanding that it give way before her will. It was her. Shallan knew, with the intuitive certainty of an artist, that this was one of the finest pieces she had ever done. In a very small way, she had captured Jasnah Kholin, something the devotaries had never managed. That gave her a euphoric thrill. Even if this woman rejected Shallan again, one fact would not change. Jasnah Kholin had joined Shallan’s collection.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
Picasso created nearly 100 masterpieces in his lifetime. But what most people don’t know is that he created a total of more than 50,000 works of art. Did you see the last number? 50,000. That’s two pieces of art a day. Success is a numbers game. And you’re not going to win it if you keep telling yourself to wait. The more often that you choose courage, the more likely you’ll succeed.
Mel Robbins (The 5 Second Rule: Transform Your Life, Work, and Confidence with Everyday Courage)
Cooking class? No. *This* is a culinary arts class. As in, this is about creativity, and heart, and science - an art form. And no artist begins a masterpiece without understanding their tools and their medium. Anyone can teach you how to cook; you can google that. If you want to learn how to make art, stay here" -Chef Ayden
Elizabeth Acevedo (With the Fire on High)
I have tried to teach you to read books for the sake of their form, their visions, their art. I have tried to teach you to feel a shiver of artistic satisfaction, to share not the emotions of the people in the book but the emotions of its author — the joys and difficulties of creation. We did not talk around books, about books; we went to the center of this or that masterpiece, to the live heart of the matter.
Vladimir Nabokov (Lectures on Literature)
It is quite conceivable that customs followed in foreign countries and not in Japan are, in fact, better suited to the Japanese. Adopting foreign customs would not be an act of imitation, but rather one of self discovery. Even in the arts, a field with the utmost respect for originality, the progression from imitation to discovery is a common occurrence, as we see in Goethe completing masterpieces of his own after having taken his cues from Shakespeare. Inspiration often has roots in an imitative spirit and bears fruit in an original discovery
James Dorsey (Literary Mischief)
What do Shakespeare, Dickens, Tolstoy, Picasso, Monet, Bach, Mozart, Wagner, Schubert, Brahms, and Dostoyevsky all have in common? They all produced far more than their contemporaries. Importantly, not every one of their creations was a masterpiece. Today, in fact, they are remembered for a mere fraction of their complete body of work. Creative geniuses simply do not generate masterpieces on a regular basis. Yet the quality that distinguishes them would be impossible without the quantity of attempts.
Ron Friedman (The Best Place to Work: The Art and Science of Creating an Extraordinary Workplace)
But when I accept the call of creative passion, I am a bold stroke of vermilion, a renegade hyperbole, or the wild fury of jazz violin. The world is a canvas to explore, a blank page to fill, and an arpeggio of waiting experiences. This moving masterpiece called “life” becomes intoxicating when it’s lived as if it were art.
Jill Badonsky
[...]O que está faltando? Um nada, mas um nada que é tudo. Vocês têm a aparência da vida mas não expressam o seu excesso transbordante, esse não sei o quê que talvez seja a alma e que flutua enevoadamente sobre o invólucro[...]
Honoré de Balzac (The Unknown Masterpiece)
Life is denied by lack of attention, whether it be to cleaning windows or trying to write a masterpiece. —Nadia Boulanger It’s
David Allen (Getting Things Done: The Art of Stress-Free Productivity)
He couldn’t help but admire the body. It was like a masterpiece, a beautiful work of art that was solely created for his pleasure.               What
Patrick Reuman (Sadistic)
Mind power is my art …… so bring the canvas of your mind closer and I will create a masterpiece.
Stephen Richards (Success is Only One Thought Away: Motivational and Inspirational Quotes from Mind Power Professional Stephen Richards)
Among the writers of science for the general public, some, like Carl Sagan, could compose beautiful, resonant prose that conveyed the wonder and majesty of the cosmos. Others, like Stephen Jay Gould, produced writings that were masterpieces of the essayist's art. But nobody could match Isaac Asimov in sheer expository skill. Asimov had the very rare, perhaps unique, ability to take the most difficult ideas of science and present them so clearly and engagingly that any interested person could read about them with pleasure and profit
Howard Margolis (It Started with Copernicus)
They were both poles apart One a ready masterpiece Another an unfinished art...
Shonali Dey
Then, the stunningly white cubes that make up the Getty Museum. It’s an architectural masterpiece funded by a venal billionaire’s trust, housing third-rate art. Pure L.A.: might makes right and packaging is all. Traffic
Jonathan Kellerman (Rage (Alex Delaware, #19))