Masks With Gym Quotes

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The gym exposes deficiencies in our bodies’ strength and stamina—and appearance. You can wear all kinds of daytime clothes that hide or minimize aspects of your body that you would like to be less visible to the eye. But in the gym, you cannot hide them. There you and your coach (and unfortunately everyone around you) can see where you bulge where you shouldn’t. It’s an incentive to get to work. And so this metaphor tells us that when life is going along just fine, the flaws in our character can be masked and hidden from others and from ourselves. But when troubles and difficulties hit, we are suddenly in “God’s gymnasium”—we are exposed. Our inner anxieties, our hair-trigger temper, our unrealistic regard of our own talents, our tendency to lie or shade the truth, our lack of self-discipline—all of these things come out.
Timothy J. Keller (Walking with God through Pain and Suffering)
So Miss Curdy said I had to be punished. She gave me a choice of punishments. One: I could come into the gym after school every day and inflate all the basketballs — by mouth — until my head exploded. Or two: I could coach the first-grade soccer team. I chose number two. The wrong choice.
R.L. Stine (The Haunted Mask II (Goosebumps, #36))
And Desormie dragged the back of his hand back and forth across his mouth twice. And Brodsky coughed fakely to mask his laughter. And there was no more paste in the mouth-corners of Desormie. And Brodsky would not have to stare at paste while they talked in his office. That was nice of me. I went to the gym.
Adam Levin
Spiderman and Superman were closeted bodybuilders: they wore bodysuits that decently covered their flesh and masks that disguised their identity; their lives were rigidly divided between body-less bourgeois respectability and muscular super-hero fantasy; they led a 'double-life' that no one knew about and were never to be seen at the gym.
Mark Simpson (Male Impersonators: Men Performing Masculinity)
I had Trevor Mitchell’s clothes in my arms. His sweater, V-neck, undershirt, khakis, socks, loafers, and underwear. I had his power. His mask. I had his whole life. What was a girl to do? This girl ran. I ran so hard, like I had never run before. Like I had been training every day in gym class. If Mr. Harris could have seen me then, he surely would have put me on the track team.
Ellen Schreiber (Vampire Kisses (Vampire Kisses, #1))
Daddy looks past me at my boyfriend. “So . . . Plain-Ass Chris.” Seven snorts. DeVante snickers. Momma goes, “Maverick!” as I say, “Daddy!” “At least it’s not white boy,” Chris says. “Exactly,” Daddy says. “It’s a step up. You gotta earn my tolerance in increments if you gon’ date my daughter.” “Lord.” Momma rolls her eyes. “Chris, baby, you’ve been out here all night?” The way she says it, I can’t help but laugh. She’s basically asking him, “You do realize you’re in the hood, right?” “Yes, ma’am,” Chris says. “All night.” Daddy grunts. “Maybe you do got some balls then.” My mouth drops, and Momma says, “Maverick Carter!” Seven and DeVante crack up. But Chris? Chris says, “Yes, sir, I’d like to think I do.” “Daaaaamn,” says Seven. He reaches to give Chris dap, but Daddy cuts him a hard eye and he pulls his hand back. “A’ight, Plain-Ass Chris,” Daddy says. “Boxing gym, next Saturday, you and me.” Chris lifts his oxygen mask so fast. “I’m sorry, I shouldn’t have said—” “Calm down, I’m not gon’ fight you,” Daddy says. “We gon’ train. Get to know each other. You been seeing my daughter for a minute now. I gotta know you, and you can learn a lot about a man at a boxing gym.” “Oh . . .” Chris’s shoulders relax. “Okay.” He puts the oxygen mask back on. Daddy grins. It’s a little too mischievous for my liking. He’s gonna kill my poor boyfriend.
Angie Thomas (The Hate U Give (The Hate U Give, #1))
toe. He was even wearing a ski mask with strange meshlike coverings over the eyes. We didn’t get a lot of ninjas in Half-Moon Hollow. And I’m pretty sure Jed would have responded. So I wasn’t quite sure how to react here. Was this some sort of test from Jane to determine whether I would survive a parking-lot attack? Couldn’t I just roll around in a gym with a practice dummy or something? The figure cocked his head to the side, staring at me like some predatory creature considering his best approach. I dropped my bag and kicked out of my sandals. I could do this. Sure, I had no fighting experience, but I had superstrength and speed on my side. Then again maybe this guy did, too. He could be a ninja chupacabra for all I knew. But
Molly Harper (The Single Undead Moms Club (Half-Moon Hollow, #4))
The date rape drug he’d intended to give me has knocked him out so hard he’s barely even flinched, despite being dragged to the top of a twelve-storey building, stripped naked and bound to a post. His head lolls towards his chest. I stand back to admire him, taking in his slumped frame as he wilts against the pressure of his rope bindings. He looks Christ-like, vulnerable. His skin is grey in the murky moonlight. His body is incredible. Hardly surprising, since he seems to spend half his life at the gym. His stomach is taut, rippled with abs. His pecs are straight from a swimwear ad, his broad shoulders and ripped arms are built like a boxer’s. His biceps are strong, lined with veins that will soon cease to pump blood. He has the kind of arms that could pin you down so tightly you wouldn’t be able to move a muscle. His hands are large – the least attractive part of him: dry, thick, stubby. They’re the type of hands that could grip your wrists and stifle screams. Hands that could have killed me tonight. Hands that would have hurt me. Hands that would have held me in place while he raped me. I let my eyes wander down to his cock, which would probably have been pounding away inside me around now if things had gone his way. I could tell pretty early into our date that he was a predator. Perhaps it takes one to know one, but I could see it in his dark eyes and sly glances, the hungry way he took in my body, the type of questions he asked, his eagerness to buy me drinks. He probably didn’t think I had it in me to notice. Of course he didn’t. He just saw my shiny, sweeping hair, my lashes, my clothes, my smile. He saw what everybody else sees: my mask.
Zoe Rosi (Pretty Evil)
You do not know me, Perry.”“No, I guess not.”“Perhaps by the end of the evening you will.”I looked at her. What was that supposed to mean? Ever since her comment about blood, I realized I’d been thinking about Sissy Spacek in Carrie, the high school loser in her homemade prom dress, drenched in pig blood, unleashing a firestorm of psychokinetic destruction on the high school gym ... The distress must have shown on my face, because for the first time ever, Gobi actually laughed. Her eyes sparkled, a bright and glinting green behind her glasses, and for an instant the light transformed her entire face—the bland, expressionless mask slipped away to reveal an actual girl underneath: feminine, uninhibited, spontaneous, and alive. It occurred to me that I might have been missing something this whole time.
Joe Schreiber (Au Revoir, Crazy European Chick (Perry & Gobi, #1))
You should try the lavender spray. Very relaxing. If you open the second drawer, she’s got eye masks.” “What the hell are you doing in the women’s bathroom?” Theo had to ask. His friend looked incongruous sitting there in his gym clothes amidst the frilly feminine décor. “I’m chilling while I wait for my appointment with Kai. And I’m in here because it’s nice and I like it, and if you have a problem with it go to the men’s room. Also, I am not hanging out here to find a girlfriend. I was told not to do that anymore. Now I only come for the granola bars and the fine, fine scent of lavender.
Lexi Blake (Submission is Not Enough (Masters and Mercenaries #12))
Then social mores had intervened. A distinct scene from junior high flushes vividly back. Girls sitting out of rotation volleyball in gym class stared at me all gap-mouthed when—of a rainy spring day—I spouted e. e. cummings. Through open green gym doors, sheets of rain erased the parking lot we normally stood staring at as if it were a refrigerator about to manifest food. The poem started: in Just-: spring when the world is mud- luscious… As I went on, Kitty Stanley sat cross-legged in black gym shorts and white blouse, peeling fuchsia polish off her thumbnail with a watchmaker’s precision. She was a mouth breather, Kitty, whose blond bouffant hairdo featured above her bangs a yarn bow the color of a kumquat. That it? Beverly said. Her black-lined gaze looked like an old-timey bandit mask. Indeed, I said. (This was my assholish T. S. Eliot stage circa ninth grade, when I peppered my speech with words I thought sounded British like indeed.) Is that a word, muddy delicious? Kitty said. Mud-luscious, I said. Not no real word, Beverly said, leaning back on both hands, legs crossed. I studied a volleyball arcing white across the gym ceiling and willed it to smash into Beverly’s freakishly round head. It’s squashing together luscious and lush and delicious, and all of it applied to spring mud. It’s poetic license, I said. I think it’s real smart how you learn every word so they come out any time you please, Kitty said. Beverly snorted. I get mud all over Bobby’s truck flaps, and believe you me, delicious don’t figure in. As insults go, it was weak, but Beverly’s facial expression—like she was smelling something—told me to put poetry right back where I’d drug it out from.
Mary Karr (Lit)