Masks Funny Quotes

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Don't cross me Scooby-Doo. I'm not an old man in a mask waiting to be thwarted by you meddling kids.
Sherrilyn Kenyon (Infinity (Chronicles of Nick, #1))
The ones who constantly make us laugh are the hardest of friends to know - for comedians are the caricatures among us.
Criss Jami (Killosophy)
It's a funny thing, how it works... The moment we stop trying so hard to be someone, we become ourselves--only what was there all along, waiting and peeking out from behind all the masks we wore. And when this happens, we discover that Who We Really Are is much greater than anything we might have pretended or even hoped to be.
Jacob Nordby
Funny, isn’t it? We middle-class people secretly want that the poor should remain poor, as poverty is a necessary condition for an easy supply of servants. Yet out in the open, we pretend that the penury of the masses concerns us deeply. We hide who we are and wear masks. All of us.
Abhaidev (The Influencer: Speed Must Have a Limit)
Look, if I were straight, you'd be grandparents before your time. You should be relieved that I'm gay. Aren't you grateful?
Hayden Thorne (Mimi Attacks (Masks, #5))
I think you need to give me a pet name—a term of endearment." His face was its typical impassive mask, but I could tell that I’d surprised him. Finally, he said, “Like…babe?” “No—that feels awkward and wrong and has undertones of pedophilia. I’m thinking of something more age appropriate, yet affectionate.
Penny Reid (Neanderthal Marries Human (Knitting in the City, #1.5))
I know what you mean. I usually take it out on my older sister. You can lease her for a weekend or something if you need a psychological punching bag. I'll even give you a discount.
Hayden Thorne (Mimi Attacks (Masks, #5))
Who wears masks?’ ‘Bank robbers?’ ‘No.’ ‘Really ugly people?’ ‘No.’ ‘Halloween? People wear masks at Halloween.’ ‘Yes! They do!’ He flung his arms wide in delight. ‘So that’s important?’ ‘Not even a little bit. But it’s true.
Neil Gaiman (Doctor Who: Nothing O'Clock)
I hated meatloaf. It was like something that Satan pooped out after an eternity of constipation. So I told Mom because I was honest that way. I sat back, squared my shoulders, and met her eyes, all confident-like. "Mom, meatloaf's like something that Satan pooped out after an eternity of constipation. It should be outlawed, frankly, and serving it for dinner is like child abuse and should carry with it some pretty stiff penalties.
Hayden Thorne (Curse of Arachnaman (Masks #4))
There’s all this pressure in our society to be beautiful, to be strong, to be sexy. So we spend our time and money on trying to become these things. We put on the high heels, the suits, the makeup, the mask. Then, we feel more awkward than confident, so we drink away our anxieties. That doesn’t make us look any sexier – it just makes us stop caring about how we look. Everyone is beautiful. Everyone is sexy. Everyone is strong. It’s lunacy. We’re all running around trying to become something that we already are. You know what’s really sexy? A person who’s 100% comfortable with themselves. And you know what’s really funny? It is just as time consuming and difficult to learn to accept yourself as it is to pretend to be someone else. The only difference is – with self acceptance, one day, it’s not hard anymore. One day, you feel like your sexiest, strongest self just rolling out of bed in the morning. You’re either going to spend the little time you have in your life on trying to know yourself or trying to hide yourself. The choice is yours. You can’t do both. And you know what’s really amazing about choosing self-love? You’ll be setting an example for all the people around you and all the kids of the coming generation. You’ll be part of a revolution to take back the precious moments of our lives out of the hands of shame-inducing advertisers and back into the hands and hearts of real people like you, like me, like all of us. I know you’ve dreamt about changing the world. So this is your chance. Learn to love yourself, accept yourself, and unleash your strongest, sexiest self. It’s in there. You just have to believe it.
Vironika Tugaleva
I'm sure the other kids wouldn't mind not being lectured by another toddler over the virtues of sharing and the mental benefits of toy blocks.
Hayden Thorne (Mimi Attacks (Masks, #5))
I find it funny that a smile can hide so many lies, that a mask of our creation can hide so many emotions, how carrying the pain and burdens of other can hurt you.
S.B. Rodgers
I winced. I just said "creamed." I felt so deprived and miserably virginal.
Hayden Thorne (Dr. Morbid's Castle of Blood (Masks, #6))
There are many masks people wear on the outside to hide the hurt they are feeling on the inside.
Michael Jr. (Funny How Life Works)
Most laughs—hell, most people—were fake. They woke up every morning and put on a mask according to what they wanted that day and who they wanted the world to see. They smiled at people they hated, laughed at jokes that weren’t funny, and kissed the asses of those they secretly hoped to dethrone.
Ana Huang (Twisted Love (Twisted, #1))
I arrived next to them right as she laughed at something he said. It rang through the air like silver bells, and the tic in my jaw pulsed harder. He didn’t deserve her laugh. “Something funny?” I asked, masking my ire with an expression of cool indifference. Surprise and wariness flared in Ava’s eyes at the sight of me. Good. She should be wary. She should be fucking home, safe and sound, instead of dancing with a manwhore like Colton and letting him put his hands all over her. “I was just telling her a joke.” Colton chuckled but shot me a warning look that said, Why are you cockblocking, man? He was lucky if all I did was cockblock. I was tempted to break every bone in his hand for touching her like that. “You mind? We’re in the middle of a dance.” “Actually, it’s my turn.” I maneuvered myself between them and pulled him off her with a little more force than necessary. Colton flinched. “You have to leave the gala early. Business calls.
Ana Huang (Twisted Love (Twisted, #1))
All serious poker players try to minimize their tells, obviously. There are a couple ways to go about this. One is the robotic approch: where your face becomes a mask and your voice a monotone, at least while the hand is being played. . . . The other is the manic method, where you affect a whole bunch of tics, twitches, and expressions, and mix them up with a river of insane babble. The idea is to overwhelm your opponents with clues, so they can't sort out what's going on. This approach can be effective, but for normal people it's hard to pull off. (If you've spent part of your life in an institution, this method may come naturally.)
Dan Harrington (Harrington on Hold 'em: Expert Strategy for No-Limit Tournaments, Volume I: Strategic Play)
Generous, thoughtful, endlessly curious, painfully empathetic, funny, vast. Not nice. Nice was the mask Wyn Connor led with.
Emily Henry (Happy Place)
You could be in the ghost-face mask from Scream and this would still happen,” I say.
Emily Henry (Funny Story)
The hint of playfulness in his voice doesn’t mask the serious undertone of his words. “And tonight, I’ll make you dream harder than you’ve ever dreamt before, sweetheart.
Camilla Isley (This Is Not a Holiday Romance (Funny Feelings, #1))
You could be in the ghost-face mask from scream and this would still happen
Emily Henry (Funny Story)
I find it funny that a smile can hide so many lies, that a mask of our creation can hide some many emotions, how carrying the pain and burdens of other can hurt you.
S.B. Rodgers
Her face turned a bright red under her half mask. “What?! You think you’re funny, huh? You think I brought this awesome army to your front lawn to mess around, huh?!
Steve the Noob (Diary of Steve the Noob 26 (An Unofficial Minecraft Book) (Diary of Steve the Noob Collection))
Buffoons may have serious faces behind their mask!
Nelson Jack
These people know the reality and laugh at it. Such laughter has little concern with what is funny. It is often bitter and sometimes a little mad, for it is the laugh under the mask of tragedy, and also the laughter that masks tears. They are the same. It is the laughter of people who value love and friendship and plenty, who have lived with terror and death and hate." - , Return to Laughter (1954)
Elenore Smith Bowen (Return to Laughter: An Anthropological Novel (The Natural History Library))
Not a trace of emotion on her face. Not a flicker of a change in expression. Did she not care, or was she wearing an exceptional mask? Funny, just how easily those masks came to people. Costumes were nothing in the grand scheme of things. Cloth or kevlar, spider silk or steel. It was the false faces we wore, the layers of defenses, the lies we told ourselves, that formed the real barriers between us and the hostile world around us.
Wildbow (Worm (Parahumans, #1))
Never mind gas masks and fallout shelters in the event of biological warfare. Many New Yorkers move from place to place equipped with the essentials of vermin assault weaponry: mouse traps, roach spray, and sticky tapes. In some neighborhoods, it’s a must.
Isabel Lopez (Isabel's Hand-Me-Down Dreams)
Cut your head off,” whispered Never, eyes all scary-wide. “Pull your guts out and cook ’em,” growled Jolly Yon. “Skin your face off and wear it as a mask,” rumbled Brack. “Use your cock for a spoon,” said Wonderful. They all thought about that for a moment.
Joe Abercrombie (The Fool Jobs)
Tildy warned us the Winter King could identify a person by scent,” Summer said. “Since he thinks you’re Autumn, Tildy said the wedding night should take place here, in Autumn’s bedroom, where her scent is already absorbed into everything.” “She added the flowers and incense to help mask your own scent,” Spring added, “and deliberately arranged the candles so he won’t be able to get a good look at your face so long as you keep to the bed.” “Where’s Autumn?” she asked. “Here.” Khamsin turned. Her sister emerged from the connecting wardrobe room wrapped in a forest green satin robe. Her long auburn hair spilled around her shoulders in ringlets. “Scenting up your nightclothes.” Autumn grimaced. “I know I’m clean. I bathed this morning, but there’s still something wrong about rolling on sheets and rubbing myself on clothes all day. It just seems so . . . so . . . dirty.” Despite everything, Khamsin laughed. For some reason, Autumn’s complaint struck her as funny. “You rolled on the sheets?” “Tildavera suggested it.
C.L. Wilson (The Winter King (Weathermages of Mystral, #1))
Mzatal gave a decisive nod. “I will manage this. It cannot continue to interfere with his work. Too much is at stake.” I raised an eyebrow. “How do you intend to manage it?” “I will tell him the truth and outline the consequences.” I was surprised Mzatal didn’t shrivel away from the look I gave him. “Dude. Seriously? You expect him to stop crushing on me because you forbid it?” Mzatal frowned, contemplative. “Perhaps not ideal given the entanglement of human emotions, though there is no time for it to drag on,” he said, as if he actually knew what he was talking about. “If he knows you have no interest and sees how his distractions have affected his work, he will subside enough for now.” My withering look became glacial. “Boss, you’re completely awesome in many ways, but you are so off-base with this it’s not even funny.” I rolled my eyes. “I’ve already ramped ‘No Interest’ up to eleven on the dial and, at this point, he doesn’t care if his work suffers.” I took a big gulp of coffee, then ran my fingers through my tangled hair. “Let me deal with it. Normally I’m not into direct confrontation with this sort of shit, but there’s isn’t enough time for it to fizzle out on its own.” Mzatal regarded me with that damned unreadable mask which he’d slipped on as I was talking. Great. Lords weren’t much on being told they were wrong, but it had to be said.
Diana Rowland (Touch of the Demon (Kara Gillian, #5))
Her face suddenly changed, going from a flat mask to big eyes and pouty lips. When she spoke again, her voice was in a higher register. “And that’s all we are. Pretty girls without a thought in our heads.” The facade melted, replaced by steel. “That’s the funny thing about those in power. They underestimate everyone beneath them, even knowing their secrets are heard by someone.
T.J. Klune (Somewhere Beyond the Sea (Cerulean Chronicles, #2))
99 Problems is almost a deliberate provocation to simpleminded listeners. If that sounds crazy, you have to understand: Being misunderstood is almost a badge of honor in rap. Growing up as a black kid from the projects, you can spend your whole life being misunderstood, followed around department stores, looked at funny, accused of crimes you didn't commit, accused of motivations you don't have, dehumanized -- until you realize, one day, it's not about you. It's the perceptions people had long before you even walked onto the scene. The joke's on them because they're really just fighting phantoms of their own creation. Once you realize that, things get interesting. It's like when we were kids. You'd start bopping hard and throwing the ice grill when you step into Macy's and laugh to yourself when security guards got nervous and started shadowing you. You might have a knot of cash in your pocket, but you boost something anyway, just for the sport of it. Fuck 'em. Sometimes the mask is to hide and sometimes it's to play at being something you're not so you can watch the reactions of people who believe the mask is real. Because that's when they reveal themselves. So many people can't see that every great rapper is a not just a documentarian, but a trickster -- that every great rapper has a little bit of Chuck and a little bit of Flav in them -- but that's not our problem, it's their failure: the failure, or unwillingness, to treat rap like art, instead of acting like it's a bunch of niggas reading out of their diaries. Art elevates and refines and transforms experience. And sometimes it just fucks with you for the fun of it.
Jay-Z
Control: February 15 Sometimes, the gray days scare us. Those are the days when the old feelings come rushing back. We may feel needy, scared, ashamed, unable to care for ourselves. When this happens, it’s hard to trust ourselves, others, the goodness of life, and the good intentions of our Higher Power. Problems seem overwhelming. The past seems senseless; the future, bleak. We feel certain the things we want in life will never happen. In those moments, we may become convinced that things and people outside of ourselves hold the key to our happiness. That’s when we may try to control people and situations to mask our pain. When these “codependent crazies” strike, others often begin to react negatively to our controlling. When we’re in a frenzied state, searching for happiness outside ourselves and looking to others to provide our peace and stability, remember this: Even if we could control things and people, even if we got what we wanted, we would still be ourselves. Our emotional state would still be in turmoil. People and things don’t stop our pain or heal us. In recovery, we learn that this is our job, and we can do it by using our resources: ourselves, our Higher Power, our support systems, and our recovery program. Often, after we’ve become peaceful, trusting, and accepting, what we want comes to us—with ease and naturalness. The sun begins to shine again. Isn’t it funny, and isn’t it true, how all change really does begin with us? I can let go of things and people and my need to control today. I can deal with my feelings. I can get peaceful. I can get calm. I can get back on track and find the true key to happiness—myself. I will remember that a gray day is just that—one gray day.
Melody Beattie (The Language of Letting Go: Daily Meditations on Codependency (Hazelden Meditation Series))
read as to eat. I was greatly taken with this new way of talking and derived considerable pleasure from speaking it to the waiter. I asked him for a luster of water freshly drawn from the house tap and presented au nature in a cylinder of glass, and when he came around with the bread rolls I entreated him to present me a tonged rondelle of blanched wheat, oven baked and masked in a poppy-seed coating. I was just getting warmed up to this and about to ask for a fanned lap coverlet, freshly laundered and scented with a delicate hint of Lemon Daz, to replace the one that had slipped from my lap and now lay recumbent on the horizontal walking surface subjacent to my feet, when he handed me a card that said “Sweets Menu” and I realized that we were back in the no-nonsense world of English. It’s a funny thing about English diners. They’ll let you dazzle them with piddly duxelles of this and fussy little noisettes of that, but don’t mess with their puddings,
Bill Bryson (Notes from a Small Island)
It’s a mistake to believe social media is all about hearts and thumbs, flames and eggplants. If everyone were only trying to be liked then it’d be kinder, and way more boring. But discourse is loneliness disguised as war. What people there really want is to be perceived on their own terms, which is so, so funny. Because if the grand promise of the internet was to be whoever you want, in reality it will make of you whatever it wants, and beneath every mask is another mask mistaken for a face.
Tony Tulathimutte (Rejection)
tell me off or worse—beat me? What can I say? I stare momentarily out of the window. The car is heading back across the bridge. We are both shrouded in darkness, masking our thoughts and feelings, but we don’t need the night for that. “Why, Anastasia?” Christian presses me for an answer. I shrug, trapped. I don’t want to lose him. In spite of all his demands, his need to control, his scary vices, I have never felt as alive as I do now. It’s a thrill to be sitting here beside him. He’s so unpredictable, sexy, smart, and funny. But his moods…oh—and he wants to hurt me. He says he’ll think about my reservations, but it still scares me. I close my eyes. What can I say? Deep down I would just like more, more affection, more playful Christian, more…love. He squeezes my hand. “Talk to me, Anastasia. I don’t want to lose you. This last week…” We’re coming near to the end of the bridge, and the road is once more bathed in the neon light of the street lamps so his face is intermittently in the light and the dark. And it’s such a
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Dorian might have found it funny—so typically Celaena to make such a flamboyant return—had he not been utterly petrified. She had drawn a line in the sand. Worse than that, she’d defeated one of the king’s deadliest generals. No one had done that and lived. Ever. Somewhere in Wendlyn, his friend was changing the world. She was fulfilling the promise she’d made him. She had not forgotten him, or any of them still here. And perhaps when they figured out a way to destroy that tower and free magic from his father’s yoke, she would know her friends had not forgotten her, either. That he had not forgotten her. So Dorian let his father rage. He sat in on those meetings and shut down his revulsion and horror when his father sent a third minister to the butchering block. For Sorscha, for the promise of keeping her safe, of someday, perhaps, not having to hide what and who he was, he kept on his well-worn mask, offered banal suggestions about what to do regarding Aelin, and pretended. One last time. When Celaena got back, when she returned as she’d sworn she would … Then they would set about changing the world together.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
I’m not saying anyone thought I was stupid,” he says. “But that’s how it felt. Like I was the one who didn’t have anything going for him except that I’m nice.” “Nice?” I can’t help but scoff. Generous, thoughtful, endlessly curious, painfully empathetic, funny, vast. Not nice. Nice was the mask Wyn Connor led with. “I wanted to be special, Harriet,” he says. “And since I wasn’t, I settled for trying to make everyone love me. I know how ridiculous that sounds, but it’s true. I spent my whole life chasing things and people who could make me feel like I mattered.
Emily Henry (Happy Place)
Doubts, then. “I’m not--” “No,” he growled. “You don’t get to say that. You don't get to say you're not anything.” Of course he knew. Those residual fears that I couldn’t ever be rid of, a holdover from when I didn’t think I’d amount to much. Maybe I could see now that I meant something to someone. Or someones. Maybe I could see it in their eyes when they looked at me. But that didn’t mean I didn't feel like I was still a kid playing dress-up. Or a sheep in wolves’ clothing. It was a mask, this thing I was, and I wore it well. Funny thing was, I almost believed it. “Ox,” Joe said, sounding frustrated. “How can you not see it?
T.J. Klune (Wolfsong (Green Creek, #1))
I'm curious,' he said casually. The amber in his green eyes was glowing. Perhaps not all traces of that beast-warrior were gone. 'Are you ever going to use that knife you stole from my table?' I stiffened. 'How did you know?' Beneath the mask, I could have sworn his brows were raised. 'I was trained to notice those things. But I could smell the fear on you, more than anything.' I grumbled. 'I thought no one noticed.' He gave me a crooked smile, more genuine than all the faked smiles and flattery he'd given me before. 'Regardless of the Treaty, if you were to stand a chance at escaping my kind, you'll need to think more creatively than stealing dinner knives. But with your affinity for eavesdropping, maybe you'll someday learn something valuable.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
But it's funny how even after all these years you find yourself wondering just how well you know anyone. Hell, we've all been tight since we we're kids - been through a lot together - but we still have secrets, don't we? All of us. None of us are ever exactly, precisely what we claim to be, are we? We're one way with some people, another way with other people, maybe another way still when we're all alone. That's what it boils down to fellas. At night, when you're lying there in bed looking at the ceiling, remembering the day, thinking back through things you did and what lies ahead, when it's just you and whatever god you pray to in the dark ...that's when all the masks are peeled away and it's just you. Just you..., and whoever...or whatever you are.
Greg F. Gifune (The Bleeding Season)
Once we realised it was just Jodi’s mum wearing hair rollers and a moisturising face mask everyone stopped screaming, except for Maisie. That’s when Jodi’s mum said, “Oh darling, I’m so sorry. I must look a fright!” But Maisie wouldn’t stop screaming or believe that it was Jodi’s mum even when she rubbed the face mask off. That’s when Jodi said, “Er, Mum, what did you put in that face mask? Your face looks a bit weird.” And it DID look weird. It was red and bumpy and her eyelids were starting to get all bulgy. Then Jodi’s mum said, “Just what the lady on the TV said to put in. It’s a vegetable facemask. Why? Does it smell funny?” And I said that it DID smell a bit but that wasn’t the reason Maisie was screaming. But Jodi’s mum didn’t understand what was going on until Jodi took her over to the mirror. And that’s when we couldn’t hear Maisie screaming any more because Jodi’s mum screamed louder than I have probably ever heard anyone scream
Pamela Butchart (Attack of the Demon Dinner Ladies (Izzy and Friends Book 4))
I’m the living dead. I feel no connection to any other human. I have no friends and I don’t really care much about my family any longer. I feel no love for them. I can feel no joy. I’m incapable of feeling physical pleasure. There’s nothing to ever look forward to as a result. I don’t miss anyone or anything. I eat because I feel hunger pangs, but no food tastes like anything I like. I wear a mask when I’m with other people but it’s been slipping lately. I can’t find the energy to hide the heavy weight of survival and its effect on me. I’m exhausted all the time from the effort of just making it through the day. This depression has made a mockery of my memory. It’s in tatters. I have no good memories to sustain me. My past is gone. My present is horrid. My future looks like more of the same. In a way, I’m a man without time. Certainly, there’s no meaning in my life. What meaning can there be without even a millisecond of joy? Ah, scratch that. Let’s even put aside joy and shoot for lower. How about a moment of being content? Nope. Not a chance. I see other people, normal people, who can enjoy themselves. I hear people laughing at something on TV. It makes me cock my head and wonder what that’s like. I’m sure at sometime in my past, I had to have had a wonderful belly laugh. I must have laughed so hard once or twice that my face hurt. Those memories are gone though. Now, the whole concept of “funny” is dead. I stopped going to movies a long time ago. Sitting in a theater crowded with people, every one of them having a better time than you, is incredibly damaging. I wasn’t able to focus for that long anyway. Probably for the best. Sometimes I fear the thought of being normal again. I think I wouldn’t know how to act. How would I handle being able to feel? Gosh it would be nice to feel again. Anything but this terrible, suffocating pain. The sorrow and the misery is so visceral, I find myself clenching my jaw. It physically hurts me. Then I realize that it’s silly to worry about that. You see, in spite of all the meds, the ketamine infusions and other treatments, I’m not getting better. I’m getting worse. I was diagnosed 7 years ago but I’m sure I was suffering for longer. Of course, I can’t remember that, but depression is something that crept up on me. It’s silent and oppressive. I don’t even remember what made me think about going to see someone. But I did and it was a pretty clear diagnosis. So, now what? I keep waking up every morning unfortunately. I don’t fear death any more. That’s for sure. I’ve made some money for the couple of decades I’ve been working and put it away in retirement accounts. I think about how if I was dead that others I once cared for would get that money. Maybe it could at least help them. I don’t know that I’ll ever need it. Even if I don’t end it myself, depression takes a toll on the body. My life expectancy is estimated to be 14 years lower as a result according to the NIH. It won’t be fast enough though. I’m just an empty biological machine that doesn’t know that my soul is gone. My humanity is no more
Ahmed Abdelazeem
I was a little scared of her. Even when she said she’d been harming herself there was still a little bit of Claire in her, some of the humor and charm, as though depression was something she could slip out of when she needed to engage with the world. When she needed to protect me from seeing it. But now she was clearly gone. I wondered if it really had to do with David or Trent or any of the men, or if the two just coincided. This seemed so much greater than men. “You’re going to be okay,” I said. But I wasn’t convincing. “I’m gutted. I really just don’t see the point of going on living,” she said. “It just seems so insane. Like, why would you?” “I don’t know,” I said, because truthfully I didn’t. “I’m probably not the best person to talk you out of suicide.” I was trying to make her laugh but she didn’t. Suicide was one of those things that, having been suicidal, in retrospect, I felt like I could talk about without being judgmental. But at the same time, there was no rational reason I could give her to live. Could I say that I was glad I lived? The thing was, I hadn’t really known I was suicidal until I woke up with the doughnuts. Also, even if things were better now, were they ever permanently better? Who was I to put that pressure on her to stay alive? But what kind of person didn’t try to talk their friend out of killing herself? I didn’t want to tell her that she had to live for her children. I knew she felt bad enough about them already. I could have told her what an amazing and fun and funny personality she was, but I knew that right now it all felt to her like just a performance. Her charming personality was only more heaviness—another mask she was going to have to pick up again to prove she hadn’t lost it in the depression. The only reason to put it on again was out of fear that she might never get it back. Otherwise, there was no real reason to have to put on a heavy costume every day. It was too tiring.
Melissa Broder (The Pisces)
A splash of light snuck beneath the a dressing room door. He heard a groan. A shuffle. A bump. A heavy sigh. "Uh, too tight." He walked toward the back, stopping outside the dressing room. The door was cracked a fraction. He rested a shoulder against the wall, and glanced inside. Grace as Catwoman blew his mind. A feline fantasy. The three-way mirror tripled his pleasure. He viewed her from every angle. Hot, sleek, fierce. The lady could fight Batman in her skintight black leather catsuit and come out the winner. After a moment she scrunched her nose, slapped her palms against her thighs. Stuck out her tongue at her reflection in the mirrors. He saw what had her so frustrated. Sympathized with her disappointment. Her costume didn't fit. The front zipper hadn't fully cleared her cleavage, which was deep and visible. She wore no bra. She gave a little hop, and her breasts bounced. Full and plump. He felt a tug at his groin. Superhero lust. He cleared his throat and made his presence known. She caught his image in the corner of the glass, and reached for the fitting room chair, positioning it between them. Like that would keep him from her. He should've looked away, but couldn't. He sensed her embarrassment. Her panic. Flight? She had nowhere to go. He blocked the door. He wasn't leaving until they'd talked. "Archibald's going to love your costume," he initiated. She didn't find him funny. Her gaze narrowed behind the molded cat-eye mask with attached ears. Her fingers clenched in her elbow-length gloves. Inspired by the movie The Dark Knight, she'd added a whip and a gun holster. Her thigh-high stiletto boots were killer, adding five inches to her height. Her image would stick with him forever. She backed against the center mirror, and nervously fingered the open flaps over her breasts. A yank on the zipper broke the tab. The metal teeth parted, and the gap widened, revealing the round inner curves of her breasts. A hint of her nipples. Dusky pink. All the way down to the dent of her navel.
Kate Angell (The Cottage on Pumpkin and Vine)
He found the letter she’d written to a lover she imagined when she was pregnant and reading Margaret Atwood. There was no limit to the Atwood she read in bed. She said the letter wasn’t written to anyone that existed and if he’d read these books about pregnancy he would know it was common for lovers to appear and disappear during periods of prolonged bedrest. He wanted to know why she was laughing. What was funny? Was this her version of pop culture? And why did the pillowcase she embroidered for him suddenly look like a parody? She said it was normal to doubt your spouse when you found a suspicious letter but only if you were already prone to suspicious mindsets and revisionist thinking. A serious man wouldn’t take this seriously. A serious man would laugh at what wasn’t true. Sure--there was a racy letter which involved black leather halters but she hadn’t expected milk to leak from her breasts at Starbucks either.
Alina Stefanescu (Every Mask I Tried On: Short Stories)
The most important mystery of ancient Egypt was presided over by a priesthood. That mystery concerned the annual inundation of the Nile flood plain. It was this flooding which made Egyptian agriculture, and therefore civilisation, possible. It was the centre of their society in both practical and ritual terms for many centuries; it made ancient Egypt the most stable society the world has ever seen. The Egyptian calendar itself was calculated with reference to the river, and was divided into three seasons, all of them linked to the Nile and the agricultural cycle it determined: Akhet, or the inundation, Peret, the growing season, and Shemu, the harvest. The size of the flood determined the size of the harvest: too little water and there would be famine; too much and there would be catastrophe; just the right amount and the whole country would bloom and prosper. Every detail of Egyptian life was linked to the flood: even the tax system was based on the level of the water, since it was that level which determined how prosperous the farmers were going to be in the subsequent season. The priests performed complicated rituals to divine the nature of that year’s flood and the resulting harvest. The religious elite had at their disposal a rich, emotionally satisfying mythological system; a subtle, complicated language of symbols that drew on that mythology; and a position of unchallenged power at the centre of their extraordinarily stable society, one which remained in an essentially static condition for thousands of years. But the priests were cheating, because they had something else too: they had a nilometer. This was a secret device made to measure and predict the level of flood water. It consisted of a large, permanent measuring station sited on the river, with lines and markers designed to predict the level of the annual flood. The calibrations used the water level to forecast levels of harvest from Hunger up through Suffering through to Happiness, Security and Abundance, to, in a year with too much water, Disaster. Nilometers were a – perhaps the – priestly secret. They were situated in temples where only priests were allowed access; Herodotus, who wrote the first outsider’s account of Egyptian life the fifth century BC, was told of their existence, but wasn’t allowed to see one. As late as 1810, thousands of years after the nilometers had entered use, foreigners were still forbidden access to them. Added to the accurate records of flood patters dating back centuries, the nilometer was an essential tool for control of Egypt. It had to be kept secret by the ruling class and institutions, because it was a central component of their authority. The world is full of priesthoods. The nilometer offers a good paradigm for many kinds of expertise, many varieties of religious and professional mystery. Many of the words for deliberately obfuscating nonsense come from priestly ritual: mumbo jumbo from the Mandinka word maamajomboo, a masked shamanic ceremonial dancer; hocus pocus from hoc est corpus meum in the Latin Mass. On the one hand, the elaborate language and ritual, designed to bamboozle and mystify and intimidate and add value; on the other the calculations that the pros make in private. Practitioners of almost every métier, from plumbers to chefs to nurses to teachers to police, have a gap between the way they talk to each other and they way they talk to their customers or audience. Grayson Perry is very funny on this phenomenon at work in the art world, as he described it in an interview with Brian Eno. ‘As for the language of the art world – “International Art English” – I think obfuscation was part of its purpose, to protect what in fact was probably a fairly simple philosophical point, to keep some sort of mystery around it. There was a fear that if it was made understandable, it wouldn’t seem important.
John Lanchester (How to Speak Money: What the Money People Say — And What It Really Means)
The golden-haired High Fae's mask gleamed with the last rays of the afternoon sunshine. 'Before you ask again: the food is safe for you to eat.' He pointed to the chair at the other end of the table. No sign of his claws. When I didn't move, he sighed sharply. 'What do you want, then?' I said nothing. To eat, flee, save my family. Lucien drawled from his seat along the length of the table. 'I told you so, Tamlin.' He flicked a glance toward his friend. 'Your skills with females have definitely become rusty in recent decades.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
It’s always been my favorite holiday,” he tells me. “There’s a freedom to it—where everyone gets dressed up and pretends to be someone else and it’s not because you’re hiding or you’re deceiving, it’s because on that day we all seem to acknowledge that it’s good to put on a mask once in a while.
Elissa Sussman (Funny You Should Ask)
Maybe winging it with this spy stuff hadn't been such a good idea.
A.J. Sky (Firestorm (StormBreathers, #1))
My cheeks flush, remembering what he did to me with it back when he was the masked man who I wanted to stalk me for the rest of my life. Now he’s my husband. Funny how dreams come true in ways you never could have imagined. Too bad I want to punch him in the face now.
Shantel Tessier (The Sinner (L.O.R.D.S. #2))
An outsider might claim that this made sense, that Shauna was giving the sister and brother some space during this tender reunion. That outsider wouldn’t know Shauna from Cher. Shauna was wonderfully consistent. She was prickly, demanding, funny, bighearted, and loyal beyond all reason. She never put on masks or pretenses. If your thesaurus had an antonym section and you looked up the phrase “shrinking violet,” her lush image would stare back at you. Shauna lived life in your face. She wouldn’t take a step back if smacked across the mouth with a lead pipe. Something
Harlan Coben (Tell No One)
Bruh, when I saw shorty's face the next morning, I swore I woke up to the Scream mask. I ain't slept right since." The air filled with laughter. Cam fell over, unable to even breathe. Just hearing his good friend, Bryson, recount a funny story about a woman he met in Vegas last weekend, had him damn near in tears.
Taisha S. Ryan (HOOK'D)
(showing 1-2 of 2) sort by ↑ top up up 1 position down down ↓ bottom Remove this quote from your collectionSalvador Dalí “I don't do drugs. I am drugs.” ― Salvador Dalí tags: drugs 918 likes ↑ top up up 2 position down down ↓ bottom Remove this quote from your collection “But it's funny how even after all these years you find yourself wondering just how well you know anyone. Hell, we've all been tight since we we're kids - been through a lot together - but we still have secrets, don't we? All of us. None of us are ever exactly, precisely what we claim to be, are we? We're one way with some people, another way with other people, maybe another way still when we're all alone. That's what it boils down to fellas. At night, when you're lying there in bed looking at the ceiling, remembering the day, thinking back through things you did and what lies ahead, when it's just you and whatever god you pray to in the dark ...that's when all the masks are peeled away and it's just you. Just you..., and whoever...or whatever you are.
Greg F. Gifune (The Bleeding Season)
Is this man bothering you, sweetheart?” Nolan said, coming forward and placing a proprietary hand on her shoulder. Sarah half turned and jumped, clearly startled. “Nolan! I’m glad you’re here. Please, just take me home.” Her face was flushed dully red with misery as she reached for his arm and took hold of it. He looked down into her eyes, hoping she read the love in them. “Of course.” Then he looked back at Holt, making sure the man wasn’t going for a gun. He wasn’t, but if looks could kill, Nolan knew he would have been sprawled on the floor. Clearly conscious of his enthralled audience, Holt’s face screwed itself into a mask of scorn as he looked him up and down. “This is the fellow you left me for? This Yankee swell in a frock coat? How could you, Sarah? Your ma an’ pa must be rollin’ in their graves, knowin’ their daughter’s cozy with a Yankee.” “That’s enough,” Nolan snapped. “The lady’s leaving, and you’re not to bother her further.” Holt cocked his head and drawled, “I declare, he talks funny.” A few of the onlookers chuckled. Nolan clenched his fists, but Sarah’s hand tightened on his wrist. “Please, let’s just go.” They turned and started for the door, but Holt wasn’t done. “You’ll be sorry, Sarah! This whole town’s gonna be sorry you threw me over!
Laurie Kingery (The Doctor Takes a Wife (Brides of Simpson Creek, #2))
What's so funny?" "HAHAHA, nothing ... it's just, your mask is a diaper!" "Well," Yuan began. "Reality is scarier than fiction. Who has the time to create a well-rounded disposable mask just to see you once? I didn't take a designer class after all. Did you know I'm working around a budget?
Juan Zamora (Sensiti)
Halloween is just around the corner. Halloween is when Oliver first fell in love. “It’s always been my favorite holiday,” he tells me. “There’s a freedom to it—where everyone gets dressed up and pretends to be someone else and it’s not because you’re hiding or you’re deceiving, it’s because on that day we all seem to acknowledge that it’s good to put on a mask once in a while.
Elissa Sussman (Funny You Should Ask)
Mask Face, don't let the trees eat me.
Holly Alasti (A Dance of Restless Spirits)
We currently live in a world where people mask their pain with humor and express their hurts through jokes; a defense mechanism to avoid appearing weak or being pitied. When we finally find an opportunity to express what boils inside of us and spill out our miseries, we often start with "It's funny how." But there's nothing funny about it!
E. I. Wordsworth
For the ambulance ride, the nasal cannula had been replaced with an oxygen mask, and throughout this ride, the angels (now I sensed more than one) kept telling me funny stories. I don’t remember what was said, but I remember laughing out loud repeatedly under that mask. And I told them, “Y’all are a stitch. You crack me up.
Rosemary Thornton (Remembering The Light: How Dying Saved My Life)
I can actually follow the plot of TV programs now, and I no longer use books as masks—I read them like a normal person, just like you have read this. Which assumes you are normal; maybe you’re not. Maybe none of us are. Maybe none of us would want to be anyway. But, for the sake of argument, let’s call me normal now. I am better. I don’t know whether it’s for good, or if one day something might make me abnormal again. But that’s the funny thing about living. If you do it properly, you don’t know how the next sentence will begin.
Lily Bailey (Because We Are Bad: OCD and a Girl Lost in Thought)
the red bearded officer was leaning on the fence. He was smiling and shaking his head. A protester asked him what he found so funny, and why he wasn’t wearing a mask like the rest. He commented that he didn’t wear a mask because he was not part of the show and he didn’t need to. Someone asked him what he meant by that, and he laughed aloud. He said smugly, “You don’t even know why you’re here.
Liberty Justice (January 6: A Patriot's Story)
You always did remind me of one of the multi-aspect goddesses from Earth’s mythology. Bethany Anne raised a still-perfect eyebrow. Is that supposed to be a joke about my personality? No, TOM protested. It was a remark on the faces you have chosen to wear. The mother, which is your own, the witch, Baba Yaga, and this would be the crone. Bethany Anne hissed away the pain of dropping the mask. Pity. I would have laughed at the crazy lady joke. TOM sniffed. You sucked at being a vampire, is that funny enough for you? Try to give a human a compliment. Sheesh!
Michael Anderle (Enter Into Valhalla (The Kurtherian Endgame, #6))
The positive thing about being Masked Up is that it saves us from witnessing all the fake smiles that are aimed at us.
Mitta Xinindlu
People used to sacrifice to kelpies?” Feyre asked, nose crinkling with disgust and dread. “Yes,” Amren said, scowling. “The most ancient Fae and humans believed kelpies to be river and lake gods, though I always wondered if the sacrifices started as a way to prevent the kelpies from hunting them. Keep them fed and happy, control the deaths, and they wouldn’t crawl out of the water to snatch the children.” Her teeth flashed. “For this one to still be speaking that ancient dialect … He must have retreated to Oorid a long time ago.” “Or been raised by parents who spoke that dialect,” Azriel countered. “No,” Amren said. “The kelpies do not breed. They rape and torment, but they do not reproduce. They were made, legend says, by the hand of a cruel god—and deposited throughout the waters of this land. The kelpie you slew, girl, was perhaps one of the last.” Nesta gazed at the Mask again. Rhys said, “It flew to you. The Mask.” He must have seen it in her head. “I was trying to reach for my power,” Nesta murmured, and they all stilled—she’d never spoken of her power so explicitly. “This answered instead.” “Like calls to like,” Feyre repeated. “Your power and the Mask’s are similar enough that to reach for one was to reach for the other.” “So you admit your powers remain, then,” Amren said drily. Nesta met her stare. “You already knew that.” Cassian stepped in before things went south. “All right. Let Lady Death get some rest.” “That’s not funny,” Nesta hissed. Cassian winked, even as the others tensed. “I think it’s catchy.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
Comedy is about making pain funny. When stuff are funny, they don't make you bleed, it's a false mask abrevado.
Deyth Banger (Jokes From BJ 1,2 and 3 (Collection))
That means three of the greatest thieves in the world are currently sitting on this private jet,” I said. “We’re not talking to the registrar. We’re breaking in. It would be a waste of talent otherwise.
Jonathan Moeller (Cloak of Masks (Cloak Mage Book 8))
How many guns did you have Neil bring?” said Tyth, glancing at the clamshell cases. “When you’ve been in a situation that involved shooting, did you ever think to yourself ‘gosh, I’ve gone and brought too much ammunition?’” “No.” “There you go.
Jonathan Moeller (Cloak of Masks (Cloak Mage Book 8))
[...] and my face is sore from smiling so hard in an effort to appear friendly and nonthreatening.
Samantha Irby (Quietly Hostile: Essays)
In spring, when his allergy to pollen became unbearable, he would cover his face with a gas mask (the British government had distributed them throughout the population at the start of the war), sowing panic among those who saw him pass and imagined an attack was imminent.
Benjamín Labatut (When We Cease to Understand the World)
There's a lot we need to talk about, Poppy.' 'There is.' Namely the whole marriage nonsense. 'But talking doesn't require you to be shirtless.' 'Talking doesn't require any clothes at all.' That smoky grin of his returned. 'I can promise you that some of the most interesting conversations take place with no clothes to speak of.''' Heat blasted my cheeks. 'I'm sure you've had a ton of experience with those types of conversations.' 'Jealous?' Propping his elbow on the arm of the chair, he rested his chin in his palm. 'Hardly.' The grin increased, and even though I couldn't see the dimple beyond the fingers splayed across his jaw and cheek, I knew it had to be there. 'Then... distracted?' 'No,' I liked, and then lied some more. 'Not even remotely.' 'Ah, I understand. You're dazzled.' 'Dazzled?' A surprised laugh almost broke free. And there it was again, the slight widening of his eyes, the parting of his lips, and the absence of arrogance. It was like watching him slip off a mask, but I had no idea if what was revealed was just another mask, especially when the look disappeared as his features became unreadable again. I exhaled slowly. 'We don't need to talk about your over-inflated ego. That has been long since established.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
Seeing Cassian so flustered pushed away the shadows in her heart. Thoughts of the Mask became a distant rumble. 'Do you want to get in?' He sucked in a breath, but something like pain washed over his features. 'You're hurt.' ... 'Do I look injured to you?' He nodded toward the scabbed cuts all over her body, her face. 'Yes?
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Just don't go running after a beautiful white horse or a pretty-faced young man and you'll be fine.' 'And stay out of the water,' Azriel added solemnly. 'What if the Mask is in the water?' She gestured to the vast bog. They'd fly over it, they'd decided, and let her sense whatever lay here. 'Then Az and I will draw straws like the tough warriors we are and the loser goes in.' Azriel rolled his eyes, but chuckled. Cassian's grin at last glowed in his gaze as he opened his arms. 'Oorid's beauty awaits, my lady.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Is this the kind of Shadowhunter you want to be? The kind that toys with the forces of darkness because you think you can handle it? Have you never seen a movie? Read a comic book? That's always how it starts -- just a little temptation, just a little taste of evil, and then bam, your lightsaber turns red and you're breathing through a big black mask and slicing off your son's hand just to be mean. They looked at him blankly. Forget it. It was funny, Shadowhunters knew more than mundanes about almost everything. They knew more about demons, about weapons, about the currents of power and magic that shaped the world. But they didn't understand temptation. They didn't understand how easy it was to make one small, terrible choice after another until you'd slid down the slippery slope into the pit of hell. Dura lex -- the Law is hard. So hard that the Shadowhunters had to pretend it was possible to be perfect...Once Shadowhunters started to slide, they didn't stop.
Cassandra Clare (Tales from the Shadowhunter Academy)
The “F Word” My cousin’s name, Farbod, means “Greatness.” When he moved to America, all the kids called him “Farthead.” My brother Farshid (“He Who Enlightens”) became “Fartshit.” The name of my friend Neggar means “Beloved,” although it can be more accurately translated as “She Whose Name Almost Incites Riots.” Her brother Arash (“Giver”) initially couldn’t understand why every time he’d say his name, people would laugh and ask him if it itched. All of us immigrants knew that moving to America would be fraught with challenges, but none of us thought that our names would be such an obstacle. How could our parents have ever imagined that someday we would end up in a country where monosyllabic names reign supreme, a land where “William” is shortened to “Bill,” where “Susan” becomes “Sue,” and “Richard” somehow evolves into “Dick”? America is a great country, but nobody without a mask and a cape has a z in his name. And have Americans ever realized the great scope of the guttural sounds they’re missing? Okay, so it has to do with linguistic roots, but I do believe this would be a richer country if all Americans could do a little tongue aerobics and learn to pronounce “kh,” a sound more commonly associated in this culture
Firoozeh Dumas (Funny In Farsi: A Memoir Of Growing Up Iranian In America)
The fifth, in a rumpled plaid suit and plastic devil mask, plunked a ukulele. Even without the Satan-head mask, I realized Hawaii was a hell of a long way from Mexico, and I didn’t freeze, didn’t pause, just made a U-turn and cut back through the crowd. The last thing I saw was Ski Mask Guy’s neck twisting in my direction. I flew down the hall and then remembered that I was in the Commodore, and that the name of the Outfit-run hotel probably began with the third letter in the alphabet for a reason. I stepped around a corner and stared at a wall covered in flocked wallpaper. The pattern was end-to-end diamond shapes with small raised C’s in the middle. I pushed one, and then another, and another—I realized Ski Mask Guy would be rounding the corner any second—and pushed another, and one more, and then I thought screw it and took a fire extinguisher from the wall, listened for galumphing footsteps, and stepped out swinging. I nailed him at solar plexus level. He staggered backward groping at air, caught himself, and charged. I went low on the next shot, kneecapping him, and he squealed like a debutante. And then I was gone, down the hallway, pushing through the revolving door briefcase-first and sprinting for the Lincoln, yelling, “Al! Throw me the keys!” “Head’s up, Al!” he said, flipping them through the air. I snagged them, leaped in, and called out, “Thanks, Al!” “My pleasure! Watch your back, Al!” I roared from the curb, waved from the window, and hoped for more Als just like him
T.M. Goeglein (Cold Fury (Cold Fury, #1))
You said he carries a gun?" "Yeah, that's the bad news." Perry whispers, "What's the good news?" I pause. "I read recently that eggs aren't bad for you anymore. There's, like, new research." "That's not even remotely funny,"Perry says. "This is me not laughing, Vin." "It's hard to tell you with you in ski mask. You might have thought it was hilarious." "Trust me. Not laughing.
Edmond Manning (King Perry (The Lost and Founds, #1))
Do that shit again, and I’ma have to punish you,” the intruder said, holding Kaavia close to his chest. There was something familiar about the rise and fall of his chest that felt familiar, something that felt too close to home to be harmful. Kaavia instantly reached up, and removed the mask from the intruder's face. “Kyree!” Kaavia exclaimed, mad as hell at him for playing with her like he had. He chuckled. “You think this shit is funny huh?” “Next time you need to hear my voice quicker than you did. Gotta be quick on yo’ feet, bae. You shoulda been ran to get that glizzy.
Aja Cornish (Until My Last Breath: A Christmas Short Story (Holiday Series 3))