Masculinity Quotes

We've searched our database for all the quotes and captions related to Masculinity. Here they are! All 100 of them:

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Leo: Rainbows. Very macho. Annabeth: Butch is our best equestrian, he gets along great with the pegasi. Leo: Rainbows, ponies... Butch: I'm gonna toss you off this chariot.
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Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
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I guess you're coming as my date now." Simon shoved the phone into his pocket. "I'm secure enough in my masculinity to accept that," said Jordan. "We better get you something nice to wear, though," he called as Simon headed back into his room. "I want you to look pretty.
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Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
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Dudes," He said, "Do not follow other dudes to the bathroom." Isabelle sighed. "Latent homosexual panic will do you in every time
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Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
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I detest the masculine point of view. I am bored by his heroism, virtue, and honour. I think the best these men can do is not talk about themselves anymore.
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Virginia Woolf (The Pargiters)
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I mean, I feel secure in my masculinity, too. Being secure in your masculinity isn't the same as being straight.
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Becky Albertalli (Simon vs. the Homo Sapiens Agenda (Simonverse, #1))
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Masculinity is a hard, small cage, and we put boys inside this cage.
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Chimamanda Ngozi Adichie (We Should All Be Feminists)
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Dude, I don’t want to talk about Lacey’s prom shoes. And I’ll tell you why: I have this thing that makes me really uninterested in prom shoes. It’s called a penis.
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John Green (Paper Towns)
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I’m confident enough in my masculinity and sexuality that I can say that Ryan Gosling is just dreamy in this movie.
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J. Lynn (Wait for You (Wait for You, #1))
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Boys who spent their weekends making banana nut muffins did not, as a rule, excel in the art of hand-to-hand combat.
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David Sedaris (Dress Your Family in Corduroy and Denim)
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He always thought of the sea as 'la mar' which is what people call her in Spanish when they love her. Sometimes those who love her say bad things of her but they are always said as though she were a woman. Some of the younger fishermen, those who used buoys as floats for their lines and had motorboats, bought when the shark livers had brought much money, spoke of her as 'el mar' which is masculine.They spoke of her as a contestant or a place or even an enemy. But the old man always thought of her as feminine and as something that gave or withheld great favours, and if she did wild or wicked things it was because she could not help them. The moon affects her as it does a woman, he thought.
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Ernest Hemingway (The Old Man and the Sea)
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A warm arm enfolds me like a shield around my shoulder and turns me toward the side of the stage. β€œStay with me,” says a familiar masculine whisper from above my head. Even over the yelling of the mob and the roaring of the waves, something unfurls in my chest at the sound of that voice.
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Susan Ee (World After (Penryn & the End of Days, #2))
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Manliness consists not in bluff, bravado or loneliness. It consists in daring to do the right thing and facing consequences whether it is in matters social, political or other. It consists in deeds not words.
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Mahatma Gandhi
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The Black female is assaulted in her tender years by all those common forces of nature at the same time that she is caught in the tripartite crossfire of masculine prejudice, white illogical hate and Black lack of power. The fact that the adult American Negro female emerges a formidable character is often met with amazement, distaste and even belligerence. It is seldom accepted as an inevitable outcome of the struggle won by survivors and deserves respect if not enthusiastic acceptance.
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Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
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Femininity is depicted as weakness, the sapping of strength, yet masculinity is so fragile that apparently even the slightest brush with the feminine destroys it.
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Gwen Sharp
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Turns out he does run," Nick drawled. "Given an incentive. And he wouldn't be so out of breath if he hadn't kept shrieking." "That was not a shriek," Jamie said with dignity. "It was a husky masculine cry of terror.
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Sarah Rees Brennan (The Demon's Covenant)
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Don’t be ashamed for liking them. The backlash against the PSL is a perfect example of how toxic masculinity permeates even the most mundane things in life. If masses of women like something, our society automatically begins to mock them. Just like romance novels. If women like them, they must be a joke, right?
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Lyssa Kay Adams (The Bromance Book Club (Bromance Book Club, #1))
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He wasn't handsome. That was too calm a word. He was intensely masculine. He was sexual. He attracted.
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Karen Marie Moning
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I had a romance novel inside me, but I paid three sailors to beat it out of me with steel pipes.
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Patton Oswalt
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What's the trick to remembering that a sandwich is masculine? What qualities does it share with anyone in possession of a penis? I'll tell myself that a sandwich is masculine because if left alone for a week or two, it will eventually grow a beard.
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David Sedaris (Me Talk Pretty One Day)
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Gay men are guardians of the masculine impulse. To have anonymous sex in a dark alleyway is to pay homage to the dream of male freedom. The unknown stranger is a wandering pagan god. The altar, as in pre-history, is anywhere you kneel.
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Camille Paglia
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if the very idea of standing up for myself frightens you so damn much then i guess the power you thought you held over ome wasn't that impressive in the first place. -fragile masculinity
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Amanda Lovelace (The Witch Doesn't Burn in This One (Women Are Some Kind of Magic, #2))
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A woman simply is, but a man must become. Masculinity is risky and elusive. It is achieved by a revolt from woman, and it is confirmed only by other men.
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Camille Paglia
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And no one knew better than I did what it meant to make your own head masculine so that it would be accepted by the culture of men; I had done it, I was doing it.
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Elena Ferrante (Those Who Leave and Those Who Stay)
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There is no wholly masculine man, no purely feminine woman.
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Margaret Fuller
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There’s an organic grocery store just off the highway exit. I can’t remember the last time I went shopping for food.” A smile glittered in his eyes. β€œI might have gone overboard.” I walked into the kitchen, with gleaming stainless-steel appliances, black granite countertops, and walnut cabinetry. Very masculine, very sleek. I went for the fridge first. Water bottles, spinach and arugula, mushrooms, gingerroot, Gorgonzola and feta cheeses, natural peanut butter, and milk on one side. Hot dogs, cold cuts, Coke, chocolate pudding cups, and canned whipped cream on the other. I tried to picture Patch pushing a shopping cart down the aisle, tossing in food as it pleased him. It was all I could do to keep a straight face.
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Becca Fitzpatrick (Silence (Hush, Hush, #3))
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Charisma is the numinous aura around a narcissistic personality. It flows outward from a simplicity or unity of being and a composure and controlled vitality. There is gracious accommodation, yet commanding impersonality. Charisma is the radiance produced by the interaction of male and female elements in a gifted personality. The charismatic woman has a masculine force and severity. The charismatic man has an entrancing female beauty. Both are hot and cold, glowing with presexual self love.
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Camille Paglia
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The Pentacle - The ancients envisioned their world in two halves - masculine and feminine. Their gods and goddesses worked to keep a balance of power. Yin and Yang. When male and female were balanced, there was harmony in the world. When they were unbalanced there was chaos.
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Dan Brown (The da Vinci Code (Robert Langdon, #2))
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I've tried to get the angel to watch MTV so I can learn the vocabulary of your music, but even with the gift of tongues, I'm having trouble learning to speak hip-hop. Why is it that one can busta rhyme or busta move anywhere but you must busta cap in someone's ass? Is "ho" always feminine, and "muthafucka" always masculine, while "bitch" can be either? How many peeps in a posse, how much booty before baby got back, do you have to be all that to get all up in that, and do I need to be dope and phat to be da bomb or can I just be "stupid"? I'll not be singing over any dead mothers until I understand.
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Christopher Moore (Lamb: The Gospel According to Biff, Christ’s Childhood Pal)
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The key to such power is ambiguity. In a society where the roles everyone plays are obvious, the refusal to conform to any standard will excite interest. Be both masculine and feminine, impudent and charming, subtle and outrageous. Let other people worry about being socially acceptable; those types are a dime a dozen, and you are after a power greater than they can imagine.
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Robert Greene (The Art of Seduction)
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The hardest part has been learning how to take myself seriously when the entire world is constantly telling me that femininity is always inferior to masculinity
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Julia Serano (Whipping Girl: A Transsexual Woman on Sexism and the Scapegoating of Femininity)
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Wise men are not pacifists; they are merely less likely to jump up and retaliate against their antagonizers. They know that needless antagonizers are virtually already insecure enough.
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Criss Jami (Killosophy)
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Words are beautiful but restricted. They're very masculine, with a compact frame. But voice is over the dark, the place where there's nothing to hang on: it comes from a part of yourself that simply knows, expresses itself, and is.
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Jeff Buckley
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Boys say they don't mind how you get your hair done. But then they leave you for someone with really great standard girl hair and the next thing you know you're alone with a masculine crop crying into your granola.
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Alexa Chung (It)
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Daemon was sprawled on his back, one arm stretched across the space beside him and the other rested across his bare stomach. Sheets were twisted around his narrow hips. His face was almost angelic in sleep, chiselled lines softened and lips relaxed. Thick lashes fanned the top of his cheeks. He looked so much younger at rest but, in a weird way, he was even more out of my league. His kind of masculine beauty was otherworldly and intimidating. Something that existed in between the pages of the books I read. Sometimes I had a hard time convincing myself he was real.
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Jennifer L. Armentrout (Opal (Lux, #3))
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It is a naive sort of feminism that insists that women prove their ability to do all the things that men do. This is a distortion and a travesty. Men have never sought to prove that they can do all the things women do. Why subject women to purely masculine criteria? Women can and ought to be judged by the criteria of femininity, for it is in their femininity that they participate in the human race. And femininity has its limitations. So has masculinity. That is what we’ve been talking about. To do this is not to do that. To be this is not to be that. To be a woman is not to be a man. To be married is not to be single - which may mean not to have a career. To marry this man is not to marry all the others. A choice is a limitation.
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Elisabeth Elliot (Let Me Be a Woman)
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I’m sorry,” I say, β€œyour ponytail is very masculine. I feel like I’m going to grow a beard just looking at it” β€œMouthy
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Laura Thalassa (Rhapsodic (The Bargainer, #1))
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What we needed to raise in others was this instinct. The ability to recognize, in an instant, right from wrong. The clarity of mind to face it rather than ignore it. I learned that before they had chased Brock, they had checked on me. Masculinity is often defined by physicality, but that initial kneeling is as powerful as the leg sweep, the tackling. Masculinity is found in the vulnerability, the crying.
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Chanel Miller (Know My Name)
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He wasn't just masculine and sexual, he was carnal in a set-your-teeth-on-edge kind of way; he was almost frightning.
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Karen Marie Moning (Darkfever (Fever, #1))
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She was so delicate that, while we sat beneath the linden branches, a leaf would fall and drift down and touch her skin, and it would leave a bruise. So as we sat in the afternoon hour, beneath that fragrant linden bower, I had to chase all of the leafs that fell away.
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Roman Payne
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A man who finds his masculinity threatened by a powerful woman is no man at all," he says. "You want someone who lifts you up, not tries to bring you down.
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Tricia Levenseller (Warrior of the Wild)
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Masculinity cannot exist without femininity. On its own, masculinity has no meaning, because it is but one half of a set of power relations. Masculinity pertains to male dominance as femininity pertains to female subordination.
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Sheila Jeffreys (Unpacking Queer Politics: A Lesbian Feminist Perspective)
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And if all womankind banded together and took the male path, the world would turn into one huge brothel.
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M. Agueev (Novel with Cocaine (European Classics))
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I realize three things: one, I want a tantric massage, but I don’t want to be nude; two, I want the union of masculine and feminine powers, and I’ve got a hooker with whom I don’t want to have sex; three, I’m confused and don’t know what I want.
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Merlin Franco (Saint Richard Parker)
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..the hope I have for women: that we can start to see ourselves-and encourage men to see us-as more than just the sum of our sexual parts: not as virgins or whores, as mothers or girlfriends, or as existing only in relation to men, but as people with independent desires, hopes and abilities. But I know that this can't happen as long as American culture continues to inundate us with gender-role messages that place everyone-men and women-in an unnatural hierarchical order that's impossible to maintain without strife. For women to move forward, and for men to break free, we need to overcome the masculinity status quo-together.
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Jessica Valenti (The Purity Myth: How America's Obsession with Virginity is Hurting Young Women)
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We do a great disservice to boys in how we raise them. We stifle the humanity of boys. We define masculinity in a very narrow way. Masculinity is a hard, small cage, and we put boys inside this cage.
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Chimamanda Ngozi Adichie (We Should All Be Feminists)
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There is a time in a boy’s life when the sweetness is pounded out of him; and tenderness, and the ability to show what he feels, is gone.
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Norah Vincent
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There is a resemblance between men and women, not a contrast. When a man begins to recognize his feeling, the two unite. When men accept the sensitive side of themselves, they come alive.
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AnaΓ―s Nin (In Favor of the Sensitive Man and Other Essays)
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What do you think?" he asked, his voice deep and commanding. I eyed him. "Impressive, but too much." He leaned toward me, the blue eyes smoky with a promise I was shure he could fulfill. I tried not to think of the bedroom. "Too much?" "Yes. I like the menace. It's very masculine, but he looks like he would screw everything in sight and call me 'wench
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Ilona Andrews (Magic Bites (Kate Daniels, #1))
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When women's sexuality is imagined to be passive or "dirty," it also means that men's sexuality is automatically positioned as aggressive and right-no matter what form it takes. And when one of the conditions of masculinity, a concept that is already so fragile in men's minds, is that men dissociate from women and prove their manliness through aggression, we're encouraging a culture of violence and sexuality that's detrimental to both men and women.
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Jessica Valenti (The Purity Myth: How America's Obsession with Virginity is Hurting Young Women)
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If art is not to be life-enhancing, what is it to be? Half the world is feminine--why is there resentment at a female-oriented art? Nobody asks The Tale of Genji to be masculine! Women certainly learn a lot from books oriented toward a masculine world. Why is not the reverse also true? Or are men really so afraid of women's creativity (because they are not themselves at the center of creation, cannot bear children) that a woman writer of genius evokes murderous rage, must be brushed aside with a sneer as 'irrelevant'?
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May Sarton (Journal of a Solitude)
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One of the most pusillanimous things we of the female sex have done throughout the centuries is to have allowed the male sex to assume that mankind is masculine. It is not. It takes both male and female to make the image of God. The proper understanding of mankind is that it is only a poor, broken thing if either male or female is excluded.
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Madeleine L'Engle (The Irrational Season (Crosswicks Journals, #3))
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Simon turned to Jordan, who was lying down across the futon, his head propped against one of the woven throw pillows. "How much of that did you hear?" "Enough to gather that we're going to a party tonight," said Jordan. "I heard about the Ironworks event. I'm not in the Garroway pack, so I wasn't invited." "I guess you're coming as my date now." Simon shoved the phone back into his pocket. "I'm secure enough in my masculinity to accept that," said Jordan. "We'd better get you something nice to wear, though," he called as Simon headed back into his room. "I want you to look pretty.
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Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
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When I am walking down the street, men lean out of their car windows and shout vulgar things at me about my body, how they see it, and how it upsets them that I am not catering to their gaze and their preferences and desires. I try not to take these men seriously because what they are really saying is, β€œI am not attracted to you. I do not want to fuck you, and this confuses my understanding of my masculinity, entitlement, and place in this world.” It is not my job to please them with my body.
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Roxane Gay (Hunger: A Memoir of (My) Body)
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The look of experience suited him, especially because somewhere deep in those eyes, there still lurked a dangerous invitation to play. He had a quality of masculine confidence that was a thousand times more potent than mere handsomeness. Perfect goodlooks could leave you cold, but this kind of sexy charisma went straight to your knees. -Haven Travis
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Lisa Kleypas (Blue-Eyed Devil (Travises, #2))
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The Notebook? You own The Notebook?" Cam stared at me blankly. "What's wrong with that?" "Oh, nothing is wrong with that. It's just such a...uh, chick flick." "I'm confident enough in my masculinity and sexuality that I can say that Ryan Gosling is just dreamy in this movie." My jaw hit the floor. The blank expression slipped away and he started laughing. "I'm joking. I don't own The Notebook. Never watched it. Didn't bring any romance movies.
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J. Lynn (Wait for You (Wait for You, #1))
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Their feelings were suppressed so carefully in everyday life, forced into smaller and smaller spaces, until seemingly minor events took on insane and frightening significance. It was permissible to touch each other and cry during football matches.
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Sally Rooney (Normal People)
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DESTINY (Determined Effort So Tanacious It Negates Yuck)
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Frank Chase Jr.
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..., It'd taken her several seconds to react to the sight of them together. She'd been almost hypnotized by the scene as Lothaire drank. Chase's masculine face had been tense, his gray eyes focused on the ground. Lothaire's face had been starkly beautiful, his pale blond hair brushing Chase's shoulder. Light and dark. One terrible, one tragic. And Lothaire had been... hard. "Oh, gods!" She cried as she ran back along the trail. Hot poker for my eyes! Hot poker!
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Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
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She sniffed loudly. "I'm not crying. My eyes are watering. You smell awful." "What? I never smell awful. I smell like sandalwood and masculine allure." He lifted his head to smell himself, and gagged. "Never mind." "Perhaps you might consider not setting yourself on fire next time, Master," Silas said, pointedly.
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Margaret Rogerson (Sorcery of Thorns (Sorcery of Thorns, #1))
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Thou shalt not lie with mankind, as with womankind: it is abomination.' (Leviticus 18:22). That means simply that it is foul to do to other men what men habitually, proudly, manfully do to women: use them as inanimate, empty, concave things; fuck them into submission; subordinate them through sex.
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Andrea Dworkin (Right-Wing Women)
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Every man who is any kind of artist has a great deal of female in him. I act and give of myself as a man, but I register and receive with the soul of a woman. The only really good artists are feminine. I can't admit the existence of an artist whose dominant personality is masculine.
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Orson Welles (My Lunches with Orson)
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When culture is based on a dominator model, not only will it be violent, but it will frame all relationships as power struggles.
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bell hooks (The Will to Change: Men, Masculinity, and Love)
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I looked the word up in the dictionary, it said: Feminist: a person who believes in the social, political, and economic equality of the sexes. My great-grandmother, from stories I’ve heard, was a feminist. She ran away from the house of the man she did not want to marry and married the man of her choice. She refused, protested, spoke up when she felt she was being deprived of land and access because she was female. She did not know that word feminist. But it doesn’t mean she wasn’t one. More of us should reclaim that word. The best feminist I know is my brother Kene, who is also a kind, good-looking, and very masculine young man. My own definition is a feminist is a man or a woman who says, yes, there’s a problem with gender as it is today and we must fix it, we must do better. All of us, women and men, must do better.
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Chimamanda Ngozi Adichie (We Should All Be Feminists)
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The Chinese considered the moon to be yin, feminine and full of negative energy, as opposed to the sun that was yang and exemplified masculinity. I liked the moon, with its soft silver beams. It was at once elusive and filled with trickery, so that lost objects that had rolled into the crevices of a room were rarely found, and books read in its light seemed to contain all sorts of fanciful stories that were never there the next morning.
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Yangsze Choo (The Ghost Bride)
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We need to highlight the role women play in perpetuating and sustaining patriarchal culture so that we will recognize patriarchy as a system women and men support equally, even if men receive more rewards from that system. Dismantling and changing patriarchal culture is work that men and women must do together.
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bell hooks (The Will to Change: Men, Masculinity, and Love)
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To indoctrinate boys into the rules of patriarchy, we force them to feel pain and to deny their feelings.
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bell hooks (The Will to Change: Men, Masculinity, and Love)
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Sweeney: I can just see all you tough young soldiers cuddling together. Richard: Not cuddling, huddling. There's a difference.
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Linda Howard (Now You See Her)
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The stronger a man is, the more gentle he can afford to be
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Elbert Hubbard
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Radical feminist theorists do not seek to make gender a bit more flexible, but to eliminate it. They are gender abolitionists, and understand gender to provide the framework and rationale for male dominance. In the radical feminist approach, masculinity is the behaviour of the male ruling class and femininity is the behaviour of the subordinate class of women. Thus gender can have no place in the egalitarian future that feminism aims to create.
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Sheila Jeffreys (Gender Hurts: A Feminist Analysis of the Politics of Transgenderism)
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Every night in my dreams, a man appeared from the darkest recesses of my mind, as if he'd been waiting for me to fall asleep. His mouth, full, masculine, would sear my flesh. His tongue, like flames across my skin, would send tiny sparks quaking through my body. Then he would dip south, and the heavens would open and a chorus singing hallelujah would ring out in perfect harmony.
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Darynda Jones (First Grave on the Right (Charley Davidson, #1))
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Stop looking for the path of least resistance and start running down the path of greatest glory to God and good to others, because that's what Jesus, the Real Man, did.
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Mark Driscoll (Real Marriage: The Truth About Sex, Friendship, & Life Together)
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Most gay men are as sexist in their thinking as are heterosexuals. Their patriarchal thinking leads them to construct paradigms of desirable sexual behaviour that is similar to that of patriarchal straight men.
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bell hooks (The Will to Change: Men, Masculinity, and Love)
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You think I am very cute, you think me sexy, as well. I can read your thoughts, remember.” I hoisted myself up and slid across his body. You are conceited, arrogant, and domineering, everything I dislike in a man. And you are independent, stubborn, and heedless, everything I dislike in a women. I slid my hands under his back and kissed his dampened lips. So why is it that I love you so much? He smiled a smug, masculine little smile and captured my legs with his. Because I love you, and to be loved by a Dark One is enough for any woman. I pinched him in a particularly vulnerable spot and allowed him to kiss me with all the sexy arrogance he had.
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Katie MacAlister (Sex and the Single Vampire (Dark Ones #2))
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I asked her if she believed you could ever truly understand another culture. I told her the longer I stayed, the more asinine the attempt seemed, and that what I’d become more interested in is how we believed we could be objective in any way at all, we who each came in with our own personal definitions of kindness, strength, masculinity, femininity, God, civilisation, right and wrong.
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Lily King (Euphoria)
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And since a novel has this correspondence to real life, its values are to some extent those of real life. But it is obvious that the values of women differ very often from the values which have been made by the other sex; naturally this is so. Yet is it the masculine values that prevail. Speaking crudely, football and sport are "important"; the worship of fashion, the buying of clothes "trivial." And these values are inevitably transferred from life to fiction. This is an important book, the critic assumes, because it deals with war. This is an insignificant book because it deals with the feelings of women in a drawing-room.
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Virginia Woolf (A Room of One’s Own)
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I'm not out to disturb anybody's faith. I happen to be happy and comfortable with a belief system that has a dual deity and operates on a lunar schedule. It suits my needs. If you happen to be happy and comfortable with a belief system that features a single masculine deity and operates on a solar schedule, fine. I don't give a fat damn. What matters is what you do, not who's name you do it in.
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Mercedes Lackey (Burning Water (Diana Tregarde, #1))
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I don't care," Kami informed him. "All you are to me are sex objects that I choose to imagine bashing together at random. Oh, there you go again, look at that, nothing but Lynburn skin as far as the mind's eye can see. Masculine groans fill the air, husky and-" "Stop it," Ash said in a faint voice. "That isn't fair." Behind them, Jared was laughing. Kami glanced back at him and caught his eye: for once, it made her smile, as if amusement could still travel back and forth like a spark between them. "Ash is right, this is totally unfair," Jared told her. "If you insist on this-" "Oh, I do," Kami assured him. "Then I insist on hooking up with Rusty instead of Ash. It's the least you can do." "Ugh," Ash protested. "You guys, stop." "She's making a point," Jared said blandly. "I recognize her right to do that. But considering the alternative, I want Rusty." Ash gave this some thought. "Okay, I'll have Rusty too." The sound of the door opening behind them made them all look up the stairs to where Rusty stood, with one eyebrow raised. "Don't fight, boys," he remarked mildly. "There's plenty of Rusty to go around.
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Sarah Rees Brennan (Untold (The Lynburn Legacy, #2))
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Every woman has known the torment of getting up to speak. Her heart racing, at times entirely lost for words, ground and language slipping away - that's how daring a feat, how great a transgression it is for a woman to speak - even just open her mouth - in public. A double distress, for even if she transgresses, her words fall almost always upon the deaf male ear, which hears in language only that which speaks in the masculine.
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Hélène Cixous (The Laugh of the Medusa)
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To create loving men, we must love males. Loving maleness is different from praising and rewarding males for living up to sexist-defined notions of male identity. Caring about men because of what they do for us is not the same as loving males for simply being. When we love maleness, we extend our love whether males are performing or not. Performance is different from simply being. In patriarchal culture males are not allowed simply to be who they are and to glory in their unique identity. Their value is always determined by what they do. In an anti-patriarchal culture males do not have to prove their value and worth. They know from birth that simply being gives them value, the right to be cherished and loved.
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bell hooks (The Will to Change: Men, Masculinity, and Love)
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Learning to wear a mask (that word already embedded in the term β€œmasculinity”) is the first lesson in patriarchal masculinity that a boy learns. He learns that his core feelings cannot be expressed if they do not conform to the acceptable behaviors sexism defines as male. Asked to give up the true self in order to realize the patriarchal ideal, boys learn self-betrayal early and are rewarded for these acts of soul murder.
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bell hooks (The Will to Change: Men, Masculinity, and Love)
β€œ
There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self.
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E.M. Forster (A Room With a View)
β€œ
The growing number of gated communities in our nation is but one example of the obsession with safety. With guards at the gate, individuals still have bars and elaborate internal security systems. Americans spend more than thirty billion dollars a year on security. When I have stayed with friends in these communities and inquired as to whether all the security is in response to an actual danger I am told β€œnot really," that it is the fear of threat rather than a real threat that is the catalyst for an obsession with safety that borders on madness. Culturally we bear witness to this madness every day. We can all tell endless stories of how it makes itself known in everyday life. For example, an adult white male answers the door when a young Asian male rings the bell. We live in a culture where without responding to any gesture of aggression or hostility on the part of the stranger, who is simply lost and trying to find the correct address, the white male shoots him, believing he is protecting his life and his property. This is an everyday example of madness. The person who is really the threat here is the home owner who has been so well socialized by the thinking of white supremacy, of capitalism, of patriarchy that he can no longer respond rationally. White supremacy has taught him that all people of color are threats irrespective of their behavior. Capitalism has taught him that, at all costs, his property can and must be protected. Patriarchy has taught him that his masculinity has to be proved by the willingness to conquer fear through aggression; that it would be unmanly to ask questions before taking action. Mass media then brings us the news of this in a newspeak manner that sounds almost jocular and celebratory, as though no tragedy has happened, as though the sacrifice of a young life was necessary to uphold property values and white patriarchal honor. Viewers are encouraged feel sympathy for the white male home owner who made a mistake. The fact that this mistake led to the violent death of an innocent young man does not register; the narrative is worded in a manner that encourages viewers to identify with the one who made the mistake by doing what we are led to feel we might all do to β€œprotect our property at all costs from any sense of perceived threat. " This is what the worship of death looks like.
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bell hooks (All About Love: New Visions)
β€œ
This fear of maleness that they inspire estranges men from every female in their lives to greater or lesser degrees, and men feel the loss. Ultimately, one of the emotional costs of allegiance to patriarchy is to be seen as unworthy of trust. If women and girls in patriarchal culture are taught to see every male, including the males with whom we are intimate, as potential rapists and murderers, then we cannot offer them our trust, and without trust there is no love.
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bell hooks (The Will to Change: Men, Masculinity, and Love)
β€œ
I’m good at science because I’m not good at listening. I have been told that I am intelligent, and I have been told that I am simple-minded. I have been told that I am trying to do too much, and I have been told that what I have done amounts to very little. I have been told that I can’t do what I want to do because I am a woman, and I have been told that I have only been allowed to do what I have done because I am a woman. I have been told that I can have eternal life, and I have been told that I will burn myself out into an early death. I have been admonished for being too feminine and I have been distrusted for being too masculine. I have been warned that I am far too sensitive and I have been accused of being heartlessly callous. But I was told all of these things by people who can’t understand the present or see the future any better than I can. Such recurrent pronouncements have forced me to accept that because I am a female scientist, nobody knows what the hell I am, and it has given me the delicious freedom to make it up as I go along. I don’t take advice from my colleagues, and I try not to give it. When I am pressed, I resort to these two sentences: You shouldn’t take this job too seriously. Except for when you should.
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Hope Jahren (Lab Girl)
β€œ
A lot is being said today about the influence that the myths and images of women have on all of us who are products of culture. I think it has been a peculiar confusion to the girl or woman who tries to write because she is peculiarly susceptible to language. She goes to poetry or fiction looking for her way of being in the world, since she too has been putting words and images together; she is looking eagerly for guides, maps, possibilities; and over and over in the β€˜words’ masculine persuasive force’ of literature she comes up against something that negates everything she is about: she meets the image of Woman in books written by men.
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Adrienne Rich (On Lies, Secrets, and Silence. Selected Prose 1966-1978)
β€œ
Men come to sex hoping that it will provide them with all of the emotional satisfaction that would have come from love. Most men think that sex will provide them with a sense of being alive, connected, that sex will offer closeness, intimacy, pleasure. And more often than not sex simply does not deliver the goods. This fact does not lead men to cease obsessing about sex; it intensifies their lust and their longing.
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bell hooks (The Will to Change: Men, Masculinity, and Love)
β€œ
As soon as a Western man comes into contact with the East -- he's already confused. The West has sort of an international rape mentality towards the East. ...Basically, 'Her mouth says no, but her eyes say yes.' The West thinks of itself as masculine -- big guns, big industry, big money -- so the East is feminine -- weak, delicate, poor...but good at art, and full of inscrutable wisdom -- the feminine mystique. Her mouth says no, but her eyes say yes. The West believes the East, deep down, wants to be dominated -- because a woman can't think for herself. ...You expect Oriental countries to submit to your guns, and you expect Oriental women to be submissive to your men.
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David Henry Hwang (M. Butterfly)
β€œ
In the case of our fair maiden, we have overlooked two very crucial aspects to that myth. On the one hand, none of us ever really believed the sorcerer was real. We thought we could have the maiden without a fight. Honestly, most of us guys thought our biggest battle was asking her out. And second, we have not understood the tower and its relationship to her wound; the damsel is in distress. If masculinity has come under assault, femininity has been brutalized. Eve is the crown of creation, remember? She embodies the exquisite beauty and the exotic mystery of God in a way that nothing else in all creation even comes close to. And so she is the special target of the Evil One; he turns his most vicious malice against her. If he can destroy her or keep her captive, he can ruin the story.
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John Eldredge (Wild at Heart: Discovering the Secret of a Man's Soul)
β€œ
Women must find their own answer. That’s the important thing. I’m no longer interested in books about women written by men. Even if I could believe in their objectivity, I just can’t find their opinions relevant. Now I will only believe what a woman has to say about women, because even if it’s not entirely true, it’s her struggle and she’s on the way to the answer. Many of you seek masculine approval. Even though you have inside you your way of talking and writing, you have mountains of it inside you, and even though it is enough to begin expressing yourselves so long as it is with your vocabulary, your abstractions, and your own conceptualization, I think you are still afraid of the master: men. Of their judgment. As long as you have this fear, you will not progress. I think the future belongs to women. Men have been completely dethroned. Their rhetoric is stale, used up. We must move on the rhetoric of women, one that is anchored in the organism, in the body.
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Marguerite Duras
β€œ
Austerity means to eliminate the comforts and cushions in your life that you have learned to snuggle into and lose wakefulness. Take away anything that dulls your edge. No newspapers or magazines. No TV. No candy, cookies, or sweets. No sex. No cuddling. No reading of anything at all while you eat or sit on the toilet. Reduce working time to a necessary minimum. No movies. No conversation that isn't about truth, love, or the divine. If you take on these disciplines for a few weeks, as well as any other disciplines that may particularly cut through your unique habits of dullness, then your life will be stripped of routine distraction. All that will be left is the edge you have been avoiding by means of your daily routine. You will have to face the basic discomfort and dissatisfaction that is the hidden texture of your life. You will be alive with the challenge of living your truth, rather than hiding form it. Unadorned suffering is the bedmate of masculine growth. Only by staying intimate with your personal suffering can you feel through it to its source. By putting all your attention into work, TV, sex, and reading, your suffering remains unpenetrated, and the source remains hidden. Your life becomes structured entirely by your favorite means of sidestepping the suffering you rarely allow yourself to feel. And when you do touch the surface of your suffering, perhaps in the form of boredom, you quickly pick up a magazine or the remote control. Instead, feel your suffering, rest with it, embrace it, make love with it. Feel your suffering so deeply and thoroughly that you penetrate it, and realize its fearful foundation. Almost everything you do, you do because you are afraid to die. And yet dying is exactly what you are doing, from the moment you are born. Two hours of absorption in a good Super Bowl telecast may distract you temporarily, but the fact remains. You were born as a sacrifice. And you can either participate in the sacrifice, dissolving in the giving of your gift, or you can resist it, which is your suffering. By eliminating the safety net of comforts in your life, you have the opportunity to free fall in this moment between birth and death, right through the hole of your fear, into the unthreatenable openness which is the source of your gifts. The superior man lives as this spontaneous sacrifice of love.
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David Deida (The Way of the Superior Man: A Spiritual Guide to Mastering the Challenges of Women, Work, and Sexual Desire)
β€œ
I looked after that Dudley family for too long, over six years. His daddy would take him to the garage and whip him with a rubber hose-pipe trying to beat the girl out a that boy until I couldn't stand it no more.... I wish to God I'd told John Green Dudley he ain't going to hell. That he ain't no sideshow freak cause he like boys. I wish to God I'd filled his ears with good things like I'm trying to do with Mae Mobley. Instead, I just sat in the kitchen, waiting to put the salve on them hose-pipe welts.
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Kathryn Stockett (The Help)
β€œ
He is never going to be here, I thought. He is never coming back. Was I okay with it? No. But missing him every day for the rest of my life was still easier than the fight Sebastian had: to stuff himself inside a box every morning and tuck that box inside his heart and pray that his heart kept beating around the obstacle. Every day I could go to class as exactly the person I am, and meet new people, and come outside later for some fresh air and Frisbee. Every day I would be grateful that no one who matters to me questions whether I am too masculine, too feminine, too open, too closed. Every day I would be grateful for what I have, and that I can be who I am without judgment. So every day I would fight for Sebastian, and people in the same boat, who don’t have what I do, who struggle to find themselves in a world that tells them white and straight and narrow gets first pick in the schoolyard game of life. My chest was congested with regret, and relief, and resolve. Give me more of those, I thought to whoever was listeningβ€”whether it was God, or Oz, or the three sisters of Fate. Give me those moments where I think he’s coming back. I can take the hurt. The reminder that he’s not coming backβ€”and whyβ€”will keep me fighting.
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Christina Lauren (Autoboyography)
β€œ
Every moment of your life is either a test or a celebration. The same is true about every moment with your woman, only doubly so. Not only is her simple existence a test for you, but one of her deepest pleasures in intimacy is testing you, and then feeling you are not moved off course by her challenge. The most erotic moment for a woman is feeling that you are Shiva, the divine masculine: unperturbable, totally loving, fully present, and all-pervading. She cannot move you, because you already are what you are, with or without her. She cannot scare you away, because you already penetrate her in fearless love, pervading her heart and body. She cannot distract you, because your one-pointed commitment to truth will not bend to her wiles. Feeling this hugeness of love and freedom in you, she can trust you, utterly, and surrender her testing in celebration of love. Until she wants to feel you as Shiva again. And then the testing will begin anew. In fact, it is precisely when you are most Shiva-like that she will most test you.
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David Deida
β€œ
Men do oppress women. People are hurt by rigid sexist role patterns. These two realities coexist. Male oppression of women cannot be excused by the recognition that there are ways men are hurt by rigid sexist roles. Feminist activists should acknowledge that hurt, and work to change itβ€”it exists. It does not erase or lessen male responsibility for supporting and perpetuating their power under patriarchy to exploit and oppress women in a manner far more grievous than the serious psychological stress and emotional pain caused by male conformity to rigid sexist role patterns.
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bell hooks (The Will to Change: Men, Masculinity, and Love)
β€œ
Once upon a time black male β€œcool” was defined by the ways in which black men confronted hardships of life without allowing their spirits to be ravaged. They took the pain of it and used it alchemically to turn the pain into gold. That burning process required high heat. Black male cool was defined by the ability to withstand the heat and remain centered. It was defined by black male willingness to confront reality, to face the truth, and bear it not by adopting a false pose of cool while feeding on fantasy; not by black male denial or by assuming a β€œpoor me” victim identity. It was defined by individual black males daring to self-define rather than be defined by others.
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bell hooks (We Real Cool: Black Men and Masculinity)
β€œ
This is the man who thinks too much, who stands back from his life and never lives it. He is caught in a web of pros and cons about his decisions and lost in a labyrinth of reflective meanderings from which he cannot extricate himself. He is afraid to live, to β€˜leap into battle.’ He can only sit on his rock and think. The years pass. He wonders where the time has gone. And he ends by regretting a life of sterility. He is a voyeur, an armchair adventurer. In the world of academia, he is a hairsplitter. In the fear of making the wrong decision, he makes none. In his fear of living, he also cannot participate in the joy and pleasure that other people experience in their lived lives. If he is withholding from others, and not sharing what he knows, he eventually feels isolated and lonely. To the extent that he has hurt others with his knowledge and technologyβ€”in whatever field and in whatever wayβ€”by cutting himself off from living relatedness with other human beings, he has cut off his own soul.” Refering the the dark magician energy.
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Robert L. Moore (King, Warrior, Magician, Lover: Rediscovering the Archetypes of the Mature Masculine)
β€œ
The most common theory points to the fact that men are stronger than women and that they have used their greater physical power to force women into submission. A more subtle version of this claim argues that their strength allows men to monopolize tasks that demand hard manual labor, such as plowing and harvesting. This gives them control of food production, which in turn translates into political clout. There are two problems with this emphasis on muscle power. First, the statement that men are stronger is true only on average and only with regard to certain types of strength. Women are generally more resistant to hunger, disease, and fatigue than men. There are also many women who can run faster and lift heavier weights than many men. Furthermore, and most problematically for this theory, women have, throughout history, mainly been excluded from jobs that required little physical effort, such as the priesthood, law, and politics, while engaging in hard manual labor in the fields....and in the household. If social power were divided in direct relation to physical strength or stamina, women should have got far more of it. Even more importantly, there simply is no direct relation between physical strength and social power among humans. People in their sixties usually exercise power over people in their twenties, even though twenty-somethings are much stronger than their elders. ...Boxing matches were not used to select Egyptian pharaohs or Catholic popes. In forager societies, political dominance generally resides with the person possessing the best social skills rather than the most developed musculature. In fact, human history shows that there is often an inverse relation between physical prowess and social power. In most societies, it’s the lower classes who do the manual labor. Another theory explains that masculine dominance results not from strength but from aggression. Millions of years of evolution have made men far more violent than women. Women can match men as far as hatred, greed, and abuse are concern, but when push comes to shove…men are more willing to engage in raw physical violence. This is why, throughout history, warfare has been a masculine prerogative. In times of war, men’s control of the armed forces has made them the masters of civilian society too. They then use their control of civilian society to fight more and more wars. …Recent studies of the hormonal and cognitive systems of men and women strengthen the assumption that men indeed have more aggressive and violent tendencies and are…on average, better suited to serve as common soldiers. Yet, granted that the common soldiers are all men, does it follow that the ones managing the war and enjoying its fruits must also be men? That makes no sense. It’s like assuming that because all the slaves cultivating cotton fields are all Black, plantation owners will be Black as well. Just as an all-Black workforce might be controlled by an all-White management, why couldn’t an all-male soldiery be controlled by an all-female government?
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Yuval Noah Harari (Sapiens: A Brief History of Humankind)
β€œ
I do not like the killers, and the killing bravely and well crap. I do not like the bully boys, the Teddy Roosevelt’s, the Hemingways, the Ruarks. They are merely slightly more sophisticated versions of the New Jersey file clerks who swarm into the Adirondacks in the fall, in red cap, beard stubble and taut hero’s grin, talking out of the side of their mouths, exuding fumes of bourbon, come to slay the ferocious white-tailed deer. It is the search for balls. A man should have one chance to bring something down. He should have his shot at something, a shining running something, and see it come a-tumbling down, all mucus and steaming blood stench and gouted excrement, the eyes going dull during the final muscle spasms. And if he is, in all parts and purposes, a man, he will file that away as a part of his process of growth and life and eventual death. And if he is perpetually, hopelessly a boy, he will lust to go do it again, with a bigger beast.
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John D. MacDonald (A Deadly Shade of Gold (Travis McGee #5))
β€œ
Do not despise your inner world. That is the first and most general piece of advice I would offer… Our society is very outward-looking, very taken up with the latest new object, the latest piece of gossip, the latest opportunity for self-assertion and status. But we all begin our lives as helpless babies, dependent on others for comfort, food, and survival itself. And even though we develop a degree of mastery and independence, we always remain alarmingly weak and incomplete, dependent on others and on an uncertain world for whatever we are able to achieve. As we grow, we all develop a wide range of emotions responding to this predicament: fear that bad things will happen and that we will be powerless to ward them off; love for those who help and support us; grief when a loved one is lost; hope for good things in the future; anger when someone else damages something we care about. Our emotional life maps our incompleteness: A creature without any needs would never have reasons for fear, or grief, or hope, or anger. But for that very reason we are often ashamed of our emotions, and of the relations of need and dependency bound up with them. Perhaps males, in our society, are especially likely to be ashamed of being incomplete and dependent, because a dominant image of masculinity tells them that they should be self-sufficient and dominant. So people flee from their inner world of feeling, and from articulate mastery of their own emotional experiences. The current psychological literature on the life of boys in America indicates that a large proportion of boys are quite unable to talk about how they feel and how others feel β€” because they have learned to be ashamed of feelings and needs, and to push them underground. But that means that they don’t know how to deal with their own emotions, or to communicate them to others. When they are frightened, they don’t know how to say it, or even to become fully aware of it. Often they turn their own fear into aggression. Often, too, this lack of a rich inner life catapults them into depression in later life. We are all going to encounter illness, loss, and aging, and we’re not well prepared for these inevitable events by a culture that directs us to think of externals only, and to measure ourselves in terms of our possessions of externals. What is the remedy of these ills? A kind of self-love that does not shrink from the needy and incomplete parts of the self, but accepts those with interest and curiosity, and tries to develop a language with which to talk about needs and feelings. Storytelling plays a big role in the process of development. As we tell stories about the lives of others, we learn how to imagine what another creature might feel in response to various events. At the same time, we identify with the other creature and learn something about ourselves. As we grow older, we encounter more and more complex stories β€” in literature, film, visual art, music β€” that give us a richer and more subtle grasp of human emotions and of our own inner world. So my second piece of advice, closely related to the first, is: Read a lot of stories, listen to a lot of music, and think about what the stories you encounter mean for your own life and lives of those you love. In that way, you will not be alone with an empty self; you will have a newly rich life with yourself, and enhanced possibilities of real communication with others.
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Martha C. Nussbaum
β€œ
Excuse me while I throw this down, I’m old and cranky and tired of hearing the idiocy repeated by people who ought to know better. Real women do not have curves. Real women do not look like just one thing. Real women have curves, and not. They are tall, and not. They are brown-skinned, and olive-skinned, and not. They have small breasts, and big ones, and no breasts whatsoever. Real women start their lives as baby girls. And as baby boys. And as babies of indeterminate biological sex whose bodies terrify their doctors and families into making all kinds of very sudden decisions. Real women have big hands and small hands and long elegant fingers and short stubby fingers and manicures and broken nails with dirt under them. Real women have armpit hair and leg hair and pubic hair and facial hair and chest hair and sexy moustaches and full, luxuriant beards. Real women have none of these things, spontaneously or as the result of intentional change. Real women are bald as eggs, by chance and by choice and by chemo. Real women have hair so long they can sit on it. Real women wear wigs and weaves and extensions and kufi and do-rags and hairnets and hijab and headscarves and hats and yarmulkes and textured rubber swim caps with the plastic flowers on the sides. Real women wear high heels and skirts. Or not. Real women are feminine and smell good and they are masculine and smell good and they are androgynous and smell good, except when they don’t smell so good, but that can be changed if desired because real women change stuff when they want to. Real women have ovaries. Unless they don’t, and sometimes they don’t because they were born that way and sometimes they don’t because they had to have their ovaries removed. Real women have uteruses, unless they don’t, see above. Real women have vaginas and clitorises and XX sex chromosomes and high estrogen levels, they ovulate and menstruate and can get pregnant and have babies. Except sometimes not, for a rather spectacular array of reasons both spontaneous and induced. Real women are fat. And thin. And both, and neither, and otherwise. Doesn’t make them any less real. There is a phrase I wish I could engrave upon the hearts of every single person, everywhere in the world, and it is this sentence which comes from the genius lips of the grand and eloquent Mr. Glenn Marla: There is no wrong way to have a body. I’m going to say it again because it’s important: There is no wrong way to have a body. And if your moral compass points in any way, shape, or form to equality, you need to get this through your thick skull and stop with the β€œreal women are like such-and-so” crap. You are not the authority on what β€œreal” human beings are, and who qualifies as β€œreal” and on what basis. All human beings are real. Yes, I know you’re tired of feeling disenfranchised. It is a tiresome and loathsome thing to be and to feel. But the tit-for-tat disenfranchisement of others is not going to solve that problem. Solidarity has to start somewhere and it might as well be with you and me
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Hanne Blank