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The way I see it, being dead is not terribly far off from being on a cruise ship. Most of your time is spent lying on your back. The brain has shut down. The flesh begins to soften. Nothing much new happens, and nothing is expected of you.
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Mary Roach (Stiff: The Curious Lives of Human Cadavers)
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We are biology. We are reminded of this at the beginning and the end, at birth and at death. In between we do what we can to forget.
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Mary Roach (Stiff: The Curious Lives of Human Cadavers)
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Life contains these things: leakage and wickage and discharge, pus and snot and slime and gleet. We are biology. We are reminded of this at the beginning and the end, at birth and at death. In between we do what we can to forget.
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Mary Roach (Stiff: The Curious Lives of Human Cadavers)
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You are a person and then you cease to be a person, and a cadaver takes your place.
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Mary Roach (Stiff: The Curious Lives of Human Cadavers)
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It is the mind that speaks a woman's heart, not the vaginal walls.
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Mary Roach (Bonk: The Curious Coupling of Science and Sex)
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The human head is of the same approximate size and weight as a roaster chicken. I have never before had occasion to make the comparison, for never before today have I seen a head in a roasting pan.
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Mary Roach (Stiff: The Curious Lives of Human Cadavers)
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Death. It doesn't have to be boring.
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Mary Roach (Stiff: The Curious Lives of Human Cadavers)
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Hormones are nature's three bottles of beer.
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Mary Roach (Bonk: The Curious Coupling of Science and Sex)
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All good research-whether for science or for a book-is a form of obsession.
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Mary Roach
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Who says we need the walls back up? You're roaches, we're Raid. We'll get rid of you eventually.
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Karen Marie Moning (Shadowfever (Fever, #5))
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Many people will find this book disrespectful. There is nothing amusing about being dead, they will say. Ah, but there is.
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Mary Roach (Stiff: The Curious Lives of Human Cadavers)
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Yes, the money could be better spent on Earth. But would it? Since when has money saved by government redlining been spent on education and cancer research? It is always squandered. Let's squander some on Mars. Let's go out and play.
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Mary Roach (Packing for Mars: The Curious Science of Life in the Void)
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It's the reason we say "pork" and "beef" instead of "pig" and "cow." Dissection and surgical instruction, like meat-eating, require a carefully maintained set of illusions and denial.
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Mary Roach (Stiff: The Curious Lives of Human Cadavers)
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In my experience, the most staunchly held views are based on ignorance or accepted dogma, not carefully considered accumulations of facts. The more you expose the intricacies and realtities of the situation, the less clear-cut things become.
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Mary Roach (Spook: Science Tackles the Afterlife)
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The paper does not provide the exact number of penises eaten by ducks, but the author says there have been enough over the years to prompt the coining of a popular saying: 'I better get home or the ducks will have something to eat.
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Mary Roach (Bonk: The Curious Coupling of Science and Sex)
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Here is the secret to surviving one of these [airplane] crashes: Be male. In a 1970 Civil Aeromedical institute study of three crashes involving emergency evacuations, the most prominent factor influencing survival was gender (followed closely by proximity to exit). Adult males were by far the most likely to get out alive. Why? Presumably because they pushed everyone else out of the way.
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Mary Roach (Stiff: The Curious Lives of Human Cadavers)
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Sharing a room with a cadaver is only mildly different from being in a room alone.
They are the same sort of company as people across from you on subways or in airport lounges, there but not there. Your eyes keep going back to them, for lack of anything more interesting to look at, and then you feel bad for staring.
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Mary Roach (Stiff: The Curious Lives of Human Cadavers)
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The point is that no matter what you choose to do with your body when you die, it won't, ultimately, be very appealing. If you are inclined to donate yourself to science, you should not let images of dissection or dismemberment put you off. They are no more or less gruesome, in my opinion, than ordinary decay or the sewing shut of your jaws via your nostrils for a funeral viewing.
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Mary Roach (Stiff: The Curious Lives of Human Cadavers)
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One young woman's tribute describes unwrapping her cadaver's hands and being brought up short by the realization that the nails were painted pink. "The pictures in the anatomy atlas did not show nail polish", she wrote. "Did you choose the color? Did you think that I would see it? I wanted to tell you about the inside of your hands. I want you to know you are always there when I see patients. When I palpate an abdomen, yours are the organs I imagine. When I listen to a heart, I recall holding your heart.
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Mary Roach (Stiff: The Curious Lives of Human Cadavers)
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To the rocket scientist, you are a problem. You are the most irritating piece of machinery he or she will ever have to deal with. You and your fluctuating metabolism, your puny memory, your frame that comes in a million different configurations. You are unpredictable. You're inconstant. You take weeks to fix. The engineer must worry about the water and oxygen and food you'll need in space, about how much extra fuel it will take to launch your shrimp cocktail and irradiated beef tacos. A solar cell or a thruster nozzle is stable and undemanding. It does not excrete or panic or fall in love with the mission commander. It has no ego. Its structural elements don't start to break down without gravity, and it works just fine without sleep.
To me, you are the best thing to happen to rocket science. The human being is the machine that makes the whole endeavor so endlessly intriguing.
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Mary Roach (Packing for Mars: The Curious Science of Life in the Void)