β
Tell me, what is it you plan to do
with your one wild and precious life?
β
β
Mary Oliver
β
Someone I loved once gave me a box full of darkness. It took me years to understand that this too, was a gift.
β
β
Mary Oliver
β
Instructions for living a life.
Pay attention.
Be astonished.
Tell about it.
β
β
Mary Oliver
β
to live in this world
you must be able
to do three things
to love what is mortal;
to hold it
against your bones knowing
your own life depends on it;
and, when the time comes to let it go,
to let it go
β
β
Mary Oliver (New and Selected Poems, Volume One)
β
Listen--are you breathing just a little, and calling it a life?
β
β
Mary Oliver
β
You must not ever stop being whimsical. And you must not, ever, give anyone else the responsibility for your life.
β
β
Mary Oliver (Wild Geese)
β
I believe in kindness. Also in mischief. Also in singing, especially when singing is not necessarily prescribed.
β
β
Mary Oliver
β
You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting β
over and over announcing your place
in the family of things.
β
β
Mary Oliver
β
Keep some room in your heart for the unimaginable.
β
β
Mary Oliver
β
I want to think again of dangerous and noble things.
I want to be light and frolicsome.
I want to be improbable beautiful and afraid of nothing,
as though I had wings.
β
β
Mary Oliver (Owls and Other Fantasies: Poems and Essays)
β
The most regretful people on earth are those who felt the call to creative work, who felt their own creative power restive and uprising, and gave to it neither power nor time.
β
β
Mary Oliver
β
Hello, sun in my face. Hello you who made the morning and spread it over the fields...Watch, now, how I start the day in happiness, in kindness.
β
β
Mary Oliver
β
I tell you this
to break your heart,
by which I mean only
that it break open and never close again
to the rest of the world.
β
β
Mary Oliver (New and Selected Poems, Vol. 2)
β
Sometimes I need
only to stand
wherever I am
to be blessed.
β
β
Mary Oliver (Evidence: Poems)
β
The Uses Of Sorrow
(In my sleep I dreamed this poem)
Someone I loved once gave me
a box full of darkness.
It took me years to understand
that this, too, was a gift.
β
β
Mary Oliver (Thirst)
β
Still, what I want in my life
is to be willing
to be dazzledβ
to cast aside the weight of facts
and maybe even
to float a little
above this difficult world.
β
β
Mary Oliver
β
Tell me,
what is it you plan to do
with your one
wild and precious life?
β
β
Mary Oliver
β
You can have the other words-chance, luck, coincidence, serendipity. I'll take grace. I don't know what it is exactly, but I'll take it.
β
β
Mary Oliver
β
When it's over, I want to say: all my life
I was a bride married to amazement.
I was the bridegroom, taking the world into my arms.
When it is over, I don't want to wonder
if I have made of my life something particular, and real.
I don't want to find myself sighing and frightened,
or full of argument.
I don't want to end up simply having visited this world.
β
β
Mary Oliver
β
To pay attention, this is our endless and proper work.
β
β
Mary Oliver
β
Snow was falling,
so much like stars
filling the dark trees
that one could easily imagine
its reason for being was nothing more
than prettiness.
β
β
Mary Oliver
β
it is a serious thing // just to be alive / on this fresh morning / in this broken world.
β
β
Mary Oliver (Red Bird)
β
Love yourself. Then forget it.
Then, love the world.
β
β
Mary Oliver (Evidence: Poems)
β
Poetry is a life-cherishing force. For poems are not words, after all, but fires for the cold, ropes let down to the lost, something as necessary as bread in the pockets of the hungry.
β
β
Mary Oliver (A Poetry Handbook)
β
I Go Down To The Shore
I go down to the shore in the morning
and depending on the hour the waves
are rolling in or moving out,
and I say, oh, I am miserable,
what shallβ
what should I do? And the sea says
in its lovely voice:
Excuse me, I have work to do.
β
β
Mary Oliver (A Thousand Mornings: Poems)
β
Ten times a day something happens to me like this - some strengthening throb of amazement - some good sweet empathic ping and swell. This is the first, the wildest and the wisest thing I know: that the soul exists and is built entirely out of attentiveness.
β
β
Mary Oliver
β
I don't want to end up simply having visited this world.
β
β
Mary Oliver
β
I read the way a person might swim, to save his or her life. I wrote that way too.
β
β
Mary Oliver (Wild Geese)
β
Tell me, what else should I have done?
Doesn't everything die at last, and too soon?
Tell me, what is it you plan to do
With your one wild and precious life?
β
β
Mary Oliver
β
The Journey
One day you finally knew
what you had to do, and began,
though the voices around you
kept shouting
their bad advice --
though the whole house
began to tremble
and you felt the old tug
at your ankles.
"Mend my life!"
each voice cried.
But you didn't stop.
You knew what you had to do,
though the wind pried
with its stiff fingers
at the very foundations,
though their melancholy
was terrible.
It was already late
enough, and a wild night,
and the road full of fallen
branches and stones.
But little by little,
as you left their voices behind,
the stars began to burn
through the sheets of clouds,
and there was a new voice
which you slowly
recognized as your own,
that kept you company
as you strode deeper and deeper
into the world,
determined to do
the only thing you could do --
determined to save
the only life you could save.
β
β
Mary Oliver
β
How I go to the wood
Ordinarily, I go to the woods alone, with not a single
friend, for they are all smilers and talkers and therefore
unsuitable.
I donβt really want to be witnessed talking to the catbirds
or hugging the old black oak tree. I have my way of
praying, as you no doubt have yours.
Besides, when I am alone I can become invisible. I can sit
on the top of a dune as motionless as an uprise of weeds,
until the foxes run by unconcerned. I can hear the almost
unhearable sound of the roses singing.
If you have ever gone to the woods with me, I must love
you very much.
β
β
Mary Oliver (Swan: Poems and Prose Poems)
β
It is better for the heart to break, than not to break.
β
β
Mary Oliver
β
maybe death
isn't darkness, after all,
but so much light
wrapping itself around us--
β
β
Mary Oliver (Owls and Other Fantasies: Poems and Essays)
β
there was a new voice
which you slowly
recognized as your own,
that kept you company
as you strode deeper and deeper
into the world,
determined to do
the only thing you could do --
determined to save
the only life you could save.
β
β
Mary Oliver
β
He is exactly the poem I wanted to write.
β
β
Mary Oliver
β
So every day
I was surrounded by the beautiful crying forth
of the ideas of God,
one of which was you.
β
β
Mary Oliver
β
When it's over, I want to say: all my life I was a bride married to amazement.
--from WHEN DEATH COMES
β
β
Mary Oliver (New and Selected Poems, Volume One)
β
Said the river: imagine everything you can imagine, then keep on going.
β
β
Mary Oliver
β
the stars began to burn
through the sheets of clouds,
and there was a new voice
which you slowly
recognized as your own
β
β
Mary Oliver
β
I held my breath as we do sometimes to stop time when something wonderful has touched us...
β
β
Mary Oliver (New and Selected Poems, Vol. 2)
β
You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves.
β
β
Mary Oliver (Wild Geese)
β
Praying
It doesnβt have to be
the blue iris, it could be
weeds in a vacant lot, or a few
small stones; just
pay attention, then patch
a few words together and donβt try
to make them elaborate, this isnβt
a contest but the doorway
into thanks, and a silence in which
another voice may speak.
β
β
Mary Oliver (Thirst)
β
But I also say this: that light is an invitation to happiness, and that happiness, when it's done right, is a kind of holiness, palpable and redemptive.
β
β
Mary Oliver
β
A dog comes to you and lives with you in your own house, but you do not therefore own her, as you do not own the rain, or the trees, or the laws which pertain to them
β
β
Mary Oliver
β
If you suddenly and unexpectedly feel joy, donβt hesitate. Give in to it. There are plenty of lives and whole towns destroyed or about to be. We are not wise, and not very often kind. And much can never be redeemed. Still life has some possibility left. Perhaps this is its way of fighting back, that sometimes something happened better than all the riches or power in the world. It could be anything, but very likely you notice it in the instant when love begins. Anyway, thatβs often the case. Anyway, whatever it is, donβt be afraid of its plenty. Joy is not made to be a crumb. (Don't Hesitate)
β
β
Mary Oliver (Swan: Poems and Prose Poems)
β
Every day I see or hear something that more or less kills me with delight, that leaves me like a needle in the haystack of light.
β
β
Mary Oliver
β
I stood willingly and gladly in the characters of everything - other people, trees, clouds. And this is what I learned, that the world's otherness is antidote to confusion - that standing within this otherness - the beauty and the mystery of the world, out in the fields or deep inside books - can re-dignify the worst-stung heart.
β
β
Mary Oliver
β
In the beginning I was so young and such a stranger to myself I hardly existed. I had to go out into the world and see it and hear it and react to it, before I knew at all who I was, what I was, what I wanted to be.
β
β
Mary Oliver (Upstream: Selected Essays)
β
And that is just the point... how the world, moist and beautiful, calls to each of us to make a new and serious response. That's the big question, the one the world throws at you every morning. "Here you are, alive. Would you like to make a comment?
β
β
Mary Oliver
β
I believe in kindness. Also in mischief.
β
β
Mary Oliver
β
Let me keep my distance, always, from those
who think they have the answers.
Let me keep company always with those who say
"Look!" and laugh in astonishment,
and bow their heads.
β
β
Mary Oliver (Evidence: Poems)
β
And now I understand something so frightening &wonderful-
how the mind clings to the road it knows,
rushing through crossroads, sticking
like lint to the familiar.
β
β
Mary Oliver (Blue Pastures)
β
Do you love this world?
Do you cherish your humble and silky life?
Do you adore the green grass, with its terror beneath?
β
β
Mary Oliver
β
So come to the pond,
or the river of your imagination,
or the harbor of your longing,
and put your lips to the world.
And live
your life.
β
β
Mary Oliver (Red Bird)
β
Also I wanted to be able to love
And we all know how that one goes, don't we?
Slowly
β
β
Mary Oliver (New and Selected Poems, Volume One)
β
I know many lives worth living.
β
β
Mary Oliver
β
Attention is the beginning of devotion.
β
β
Mary Oliver (Upstream: Selected Essays)
β
The Poet With His Face In His Hands
You want to cry aloud for your
mistakes. But to tell the truth the world
doesnβt need anymore of that sound.
So if youβre going to do it and canβt
stop yourself, if your pretty mouth canβt
hold it in, at least go by yourself across
the forty fields and the forty dark inclines
of rocks and water to the place where
the falls are flinging out their white sheets
like crazy, and there is a cave behind all that
jubilation and water fun and you can
stand there, under it, and roar all you
want and nothing will be disturbed; you can
drip with despair all afternoon and still,
on a green branch, its wings just lightly touched
by the passing foil of the water, the thrush,
puffing out its spotted breast, will sing
of the perfect, stone-hard beauty of everything.
β
β
Mary Oliver (New and Selected Poems, Vol. 2)
β
I wanted the past to go away, I wanted
to leave it, like another country; I wanted
my life to close, and open
like a hinge, like a wing, like the part of the song
where it falls
down over the rocks: an explosion, a discovery;
I wanted
to hurry into the work of my life; I wanted to know,
whoever I was, I was
alive
for a little while.
β
β
Mary Oliver (Dream Work)
β
And to tell the truth I don't want to let go of the wrists of idleness, I don't want to sell my life for money, I don't even want to come in out of the rain.
β
β
Mary Oliver (Blue Iris: Poems and Essays)
β
What misery to be afraid of death.
What wretchedness, to believe only in what can be proven.
β
β
Mary Oliver
β
Emerson, I am trying to live, as you said we must, the examined life. But there are days I wish there was less in my head to examine, not to speak of the busy heart.
β
β
Mary Oliver (Red Bird)
β
The Old Poets Of China
Wherever I am, the world comes after me.
It offers me its busyness. It does not believe
that I do not want it. Now I understand
why the old poets of China went so far and high
into the mountains, then crept into the pale mist.
β
β
Mary Oliver (Why I Wake Early)
β
Love, love, love, says Percy.
And hurry as fast as you can
along the shining beach, or the rubble, or the dust.
Then, go to sleep.
Give up your body heat, your beating heart.
Then, trust.
β
β
Mary Oliver
β
In this universe we are given two gifts: the ability to love, and the ability to ask questions. Which are, at the same time, the fires that warm us and the fires that scorch us.
β
β
Mary Oliver (Upstream: Selected Essays)
β
You may not agree, you may not care, but
if you are holding this book you should know that of all the sights I love in this world β and there are plenty β very near the top of the list is this one: dogs without leashes.
β
β
Mary Oliver (Dog Songs: Poems)
β
Why I Wake Early
Hello, sun in my face.
Hello, you who made the morning
and spread it over the fields
and into the faces of the tulips
and the nodding morning glories,
and into the windows of, even, the
miserable and the crotchety β
best preacher that ever was,
dear star, that just happens
to be where you are in the universe
to keep us from ever-darkness,
to ease us with warm touching,
to hold us in the great hands of light β
good morning, good morning, good morning.
Watch, now, how I start the day
in happiness, in kindness.
β
β
Mary Oliver
β
And now you'll be telling stories
of my coming back
and they won't be false, and they won't be true
but they'll be real
β
β
Mary Oliver (A Thousand Mornings: Poems)
β
If you suddenly and unexpectedly feel joy, donβt hesitate. Give in to it.
β
β
Mary Oliver
β
It's not a competition, it's a doorway.
β
β
Mary Oliver
β
Things! Burn them, burn them! Make a beautiful fire! More room in your heart for love, for the trees! For the birds who own nothingβthe reason they can fly.
β
β
Mary Oliver (Felicity)
β
A dog can never tell you what she knows from the
smells of the world, but you know, watching her,
that you know
almost nothing.
β
β
Mary Oliver (Dog Songs: Poems)
β
There are things you canβt reach. But
You can reach out to them, and all day long.
The wind, the bird flying away. The idea of god.
And it can keep you busy as anything else, and happier.
I look; morning to night I am never done with looking.
Looking I mean not just standing around, but standing around
As though with your arms open.
β
β
Mary Oliver
β
And that I did not give to anyone the responsibility for my life. It is mine. I made it. And can do what I want to with it. Give it back, someday, without bitterness, to the wild and weedy dunes.
β
β
Mary Oliver (Upstream: Selected Essays)
β
Things take the time they take.
Don't worry.
How many roads did St. Augustine follow before he became St. Augustine?
β
β
Mary Oliver
β
We need beauty because it makes us ache to be worthy of it.
β
β
Mary Oliver
β
When
When itβs over, itβs over, and we donβt know
any of us, what happens then.
So I try not to miss anything.
I think, in my whole life, I have never missed
The full moon
or the slipper of its coming back.
Or, a kiss.
Well, yes, especially a kiss.
β
β
Mary Oliver (Swan: Poems and Prose Poems)
β
Because of the dog's joyfulness, our own is increased. It is no small gift. It is not the least reason why we should honor as well as love the dog of our own life, and the dog down the street, and all the dogs not yet born. What would the world be like without music or rivers or the green and tender grass? What would this world be like without dogs?
β
β
Mary Oliver (Dog Songs: Poems)
β
From the complications of loving you
I think there is no end or return.
No answer, no coming out of it.
Which is the only way to love, isnβt it?
This isnβt a play ground, this is
earth, our heaven, for a while.
Therefore I have given precedence
to all my sudden, sullen, dark moods
that hold you in the center of my world.
And I say to my body: grow thinner still.
And I say to my fingers, type me a pretty song.
And I say to my heart: rave on.
β
β
Mary Oliver (Thirst)
β
In Blackwater Woods
Look, the trees
are turning
their own bodies
into pillars
of light,
are giving off the rich
fragrance of cinnamon
and fulfillment,
the long tapers
of cattails
are bursting and floating away over
the blue shoulders
of the ponds,
and every pond,
no matter what its
name is, is
nameless now.
Every year
everything
I have ever learned
in my lifetime
leads back to this: the fires
and the black river of loss
whose other side
is salvation,
whose meaning
none of us will ever know.
To live in this world
you must be able
to do three things:
to love what is mortal;
to hold it
against your bones knowing
your own life depends on it;
and, when the time comes to let it go,
to let it go.
β
β
Mary Oliver (New and Selected Poems, Volume One)
β
And it is exceedingly short, his galloping life. Dogs die so soon. I have my stories of that grief, no doubt many of you do also. It is almost a failure of will, a failure of love, to let them grow oldβor so it feels. We would do anything to keep them with us, and to keep them young. The one gift we cannot give.
β
β
Mary Oliver (Dog Songs: Poems)
β
I Worried"
I worried a lot. Will the garden grow, will the rivers
flow in the right direction, will the earth turn
as it was taught, and if not how shall
I correct it?
Was I right, was I wrong, will I be forgiven,
can I do better?
Will I ever be able to sing, even the sparrows
can do it and I am, well,
hopeless.
Is my eyesight fading or am I just imagining it,
am I going to get rheumatism,
lockjaw, dementia?
Finally I saw that worrying had come to nothing.
And gave it up. And took my old body
and went out into the morning,
and sang.
β
β
Mary Oliver (Swan: Poems and Prose Poems)
β
Love Sorrow
Love sorrow. She is yours now, and you must
take care of what has been
given. Brush her hair, help her
into her little coat, hold her hand,
especially when crossing a street. For, think,
what if you should lose her? Then you would be
sorrow yourself; her drawn face, her sleeplessness
would be yours. Take care, touch
her forehead that she feel herself not so
utterly alone. And smile, that she does not
altogether forget the world before the lesson.
Have patience in abundance. And do not
ever lie or ever leave her even for a moment
by herself, which is to say, possibly, again,
abandoned. She is strange, mute, difficult,
sometimes unmanageable but, remember, she is a child.
And amazing things can happen. And you may see,
as the two of you go
walking together in the morning light, how
little by little she relaxes; she looks about her;
she begins to grow.
β
β
Mary Oliver (Red Bird)
β
I thought the earth remembered me,
she took me back so tenderly,
arranging her dark skirts, her pockets
full of lichens and seeds.
I slept as never before, a stone on the river bed,
nothing between me and the white fire of the stars
but my thoughts, and they floated light as moths
among the branches of the perfect trees.
All night I heard the small kingdoms
breathing around me, the insects,
and the birds who do their work in the darkness.
All night I rose and fell, as if in water,
grappling with a luminous doom. By morning
I had vanished at least a dozen times
into something better.
β
β
Mary Oliver
β
Still, what I want in my life
is to be willing
to be dazzledβ
to cast aside the weight of facts
and maybe even
to float a little
above this difficult world.
I want to believe I am looking
into the white fire of a great mystery.
I want to believe that the imperfections are nothingβ
that the light is everythingβthat it is more than the sum
of each flawed blossom rising and falling. And I do.
β
β
Mary Oliver (House of Light)
β
I want to write something
so simply
about love
or about pain
that even
as you are reading
you feel it
and as you read
you keep feeling it
and though it be my story
it will be common,
though it be singular
it will be known to you
so that by the end
you will thinkβ
no, you will realizeβ
that it was all the while
yourself arranging the words,
that it was all the time
words that you yourself,
out of your heart
had been saying.
β
β
Mary Oliver (Evidence: Poems)
β
That time
I thought I could not
go any closer to grief
without dying
I went closer,
and I did not die.
Surely God
had his hand in this,
as well as friends.
Still, I was bent,
and my laughter,
as the poet said,
was nowhere to be found.
Then said my friend Daniel,
(brave even among lions),
βItβs not the weight you carry
but how you carry it -
books, bricks, grief -
itβs all in the way
you embrace it, balance it, carry it
when you cannot, and would not,
put it down.β
So I went practicing.
Have you noticed?
Have you heard
the laughter
that comes, now and again,
out of my startled mouth?
How I linger
to admire, admire, admire
the things of this world
that are kind, and maybe
also troubled -
roses in the wind,
the sea geese on the steep waves,
a love
to which there is no reply?
β
β
Mary Oliver
β
On the beach, at dawn:
Four small stones clearly
Hugging each other.
How many kinds of love
Might there be in the world,
And how many formations might they make
And who am I ever
To imagine I could know
Such a marvelous business?
When the sun broke
It poured willingly its light
Over the stones
That did not move, not at all,
Just as, to its always generous term,
It shed its light on me,
My own body that loves,
Equally, to hug another body.
β
β
Mary Oliver (Swan: Poems and Prose Poems)
β
EVERY DOGβS STORY
I have a bed, my very own.
Itβs just my size.
And sometimes I like to sleep alone
with dreams inside my eyes.
But sometimes dreams are dark and wild and creepy
and I wake and am afraid, though I donβt know why.
But Iβm no longer sleepy
and too slowly the hours go by.
So I climb on the bed where the light of the moon
is shining on your face
and I know it will be morning soon.
Everybody needs a safe place.
β
β
Mary Oliver (Dog Songs: Poems)
β
Last Night the Rain Spoke to Me"
Last night
the rain
spoke to me
slowly, saying,
what joy
to come falling
out of the brisk cloud,
to be happy again
in a new way
on the earth!
Thatβs what it said
as it dropped,
smelling of iron,
and vanished
like a dream of the ocean
into the branches
and the grass below.
Then it was over.
The sky cleared.
I was standing
under a tree.
The tree was a tree
with happy leaves,
and I was myself,
and there were stars in the sky
that were also themselves
at the moment,
at which moment
my right hand
was holding my left hand
which was holding the tree
which was filled with stars
and the soft rainβ
imagine! imagine!
the wild and wondrous journeys
still to be ours.
β
β
Mary Oliver (What Do We Know)
β
The poet dreams of the mountain
Sometimes I grow weary of the days, with all their fits and starts.
I want to climb some old gray mountains, slowly, taking
The rest of my lifetime to do it, resting often, sleeping
Under the pines or, above them, on the unclothed rocks.
I want to see how many stars are still in the sky
That we have smothered for years now, a century at least.
I want to look back at everything, forgiving it all,
And peaceful, knowing the last thing there is to know.
All that urgency! Not what the earth is about!
How silent the trees, their poetry being of themselves only.
I want to take slow steps, and think appropriate thoughts.
In ten thousand years, maybe, a piece of the mountain will fall.
β
β
Mary Oliver (Swan: Poems and Prose Poems)
β
Can You Imagine?
For example, what the trees do
not only in lightening storms
or the watery dark of a summer's night
or under the white nets of winter
but now, and now, and now - whenever
we're not looking. Surely you can't imagine
they don't dance, from the root up, wishing
to travel a little, not cramped so much as wanting
a better view, or more sun, or just as avidly
more shade - surely you can't imagine they just
stand there loving every
minute of it, the birds or the emptiness, the dark rings
of the years slowly and without a sound
thickening, and nothing different unless the wind,
and then only in its own mood, comes
to visit, surely you can't imagine
patience, and happiness, like that.
β
β
Mary Oliver
β
Sometimes the desire to be lost again, as long ago, comes over me like a vapor. With growth into adulthood, responsibilities claimed me, so many heavy coats. I didnβt choose them, I donβt fault them, but it took time to reject them. Now in the spring I kneel, I put my face into the packets of violets, the dampness, the freshness, the sense of ever-ness. Something is wrong, I know it, if I donβt keep my attention on eternity. May I be the tiniest nail in the house of the universe, tiny but useful. May I stay forever in the stream. May I look down upon the windflower and the bull thistle and the coreopsis with the greatest respect.
β
β
Mary Oliver (Upstream: Selected Essays)
β
The sweetness of dogs (fifteen)
What do you say, Percy? I am thinking
of sitting out on the sand to watch
the moon rise. Full tonight.
So we go
and the moon rises, so beautiful it
makes me shudder, makes me think about
time and space, makes me take
measure of myself: one iota
pondering heaven. Thus we sit,
I thinking how grateful I am for the moonβs
perfect beauty and also, oh! How rich
it is to love the world. Percy, meanwhile,
leans against me and gazes up into
my face. As though I were
his perfect moon.
β
β
Mary Oliver (Swan: Poems and Prose Poems)
β
I believe you did not have a happy life.
I believe you were cheated.
I believe your best friends were loneliness and misery.
I believe your busiest enemies were anger and depression.
I believe joy was a game you could never play without stumbling.
I believe comfort, though you craved it, was forever a stranger.
I believe music had to be melancholy or not at all.
I believe no trinket, no precious metal, shone so bright as your bitterness.
I believe you lay down at last in your coffin none the wiser and unassuaged.
Oh, cold and dreamless under the wild, amoral, reckless, peaceful flowers of the hillsides.
β
β
Mary Oliver
β
for how many years have you gone through the house
shutting the windows,
while the rain was still five miles away
and veering, o plum-colored clouds, to the north
away from you
and you did not even know enough
to be sorry,
you were glad
those silver sheets, with the occasional golden staple,
were sweeping on, elsewhere,
violent and electric and uncontrollable--
and will you find yourself finally wanting to forget
all enclosures, including
the enclosure of yourself, o lonely leaf, and will you
dash finally, frantically,
to the windows and haul them open and lean out
to the dark, silvered sky, to everything
that is beyond capture, shouting
i'm here, i'm here! now, now, now, now, now.
β
β
Mary Oliver
β
Landscape
Isn't it plain the sheets of moss, except that
they have no tongues, could lecture
all day if they wanted about
spiritual patience? Isn't it clear
the black oaks along the path are standing
as though they were the most fragile of flowers?
Every morning I walk like this around
the pond, thinking: if the doors of my heart
ever close, I am as good as dead.
Every morning, so far, I'm alive. And now
the crows break off from the rest of the darkness
and burst up into the skyβas though
all night they had thought of what they would like
their lives to be, and imagined
their strong, thick wings.
β
β
Mary Oliver (Dream Work)
β
When Death Comes
When death comes
like the hungry bear in autumn;
when death comes and takes all the bright coins from his purse
to buy me, and snaps the purse shut;
when death comes
like the measle-pox
when death comes
like an iceberg between the shoulder blades,
I want to step through the door full of curiosity, wondering:
what is it going to be like, that cottage of darkness?
And therefore I look upon everything
as a brotherhood and a sisterhood,
and I look upon time as no more than an idea,
and I consider eternity as another possibility,
and I think of each life as a flower, as common
as a field daisy, and as singular,
and each name a comfortable music in the mouth,
tending, as all music does, toward silence,
and each body a lion of courage, and something
precious to the earth.
When it's over, I want to say all my life
I was a bride married to amazement.
I was the bridegroom, taking the world into my arms.
When it's over, I don't want to wonder
if I have made of my life something particular, and real.
I don't want to find myself sighing and frightened,
or full of argument.
I don't want to end up simply having visited this world
β
β
Mary Oliver (New and Selected Poems, Volume One)
β
eventually tides will be the only calendar you believe inβ¦
And someoneβs face, whom you love, will be as a star
Both intimate and ultimate,
And you will be heart-shaken and respectful.
And you will hear the air itself, like a beloved, whisper
Oh let me, for a while longer, enter the two
Beautiful bodies of your lungs...
Look, and look again.
This world is not just a little thrill for your eyes.
Itβs more than bones.
Itβs more than the delicate wrist with its personal pulse.
Itβs more than the beating of a single heart.
Itβs praising.
Itβs giving until the giving feels like receiving.
You have a life- just imagine that!
You have this day, and maybe another, and maybe
Still anotherβ¦
And I have become the child of the clouds, and of hope.
I have become the friend of the enemy, whoever that is.
I have become older and, cherishing what I have learned,
I have become younger.
And what do I risk to tell you this, which is all I know?
Love yourself. Then forget it. Then, love the world.
β
β
Mary Oliver (Evidence: Poems)
β
I want to talk about creating your life. Thereβs a quote I love, from the poet Mary Oliver, that goes:
Tell me, what is it you plan to do with your one wild and precious life?
I so clearly remember what it was like, being young and always in the grip of some big fat daydream. I wanted to be a writer always, but more than that, I wanted to have an extraordinary life. Iβm sure I dreamed it a million different ways, and that plenty of them were ridiculous, but I think the daydreams were training for writing, and I also think they spurred me to pursue my dreams for real.
Daydreaming, however awesome it is, is passive. It happens in your head. Learning to make dreams real is another matter, and I think it should be the work of your life. Everyoneβs life, whatever their dream (unless their dream is to be an axe murderer or something.)
It took me a while to finish a book. Too long. And you know, it doesnβt matter how good a writer you are unless you finish what you start! I think this is the hardest part for most people who want to write. I was in my mid-30s before I figured it out. The brain plays tricks. You can be convinced youβre following your dream, or that youβre going to start tomorrow, and years can pass like that. Years.
The thing is, there will be pressure to adjust your expectations, always shrinking them, shrinking, shrinking, until they fit in your pocket like a folded slip of paper, and you know what happens to folded slips of paper in your pocket. They go through the wash and get ruined. Donβt ever put your dream in your pocket. If you have to put it somewhere, get one of those holsters for your belt, like my dad has for his phone, so you can whip it out at any moment.
Hello there, dream.
Also, donβt be realistic. The word βrealisticβ is poison. Who decides?
And βbackup planβ is code for, βGive up on your dreams,β and everyone I know who put any energy into a backup plan is now living that backup plan instead of their dream. Put all your energy into your dream. Thatβs the only way it will ever become real.
The world at large has this attitude, βWhat makes you so special that you think you deserve an extraordinary life?β
Personally, I think the passion for an extraordinary life, and the courage to pursue it, is what makes us special. And I donβt even think of it as an βextraordinary lifeβ anymore so much as simple happiness. Itβs rarer than it should be, and I believe it comes from creating a life that fits you perfectly, not taking whatβs already there, but making your own from scratch.
You can let life happen to you, or you can happen to life. Itβs harder, but so much better.
β
β
Laini Taylor