Mary Jane Quotes

Mary wished to say something very sensible, but knew not how.

Mary-Lynnette: "You have not read 'Pride and Prejudice'." Ash: "Why not?" Mary-Lynnette: "Because Jane Austen was a human." Ash: "How do you know?" Mary-Lynnette: "Well Jane Austen was a woman, and you're a chauvinist pig." Ash: "Yes, well, that I can't argue.

All my life I thought that the story was over when the hero and heroine were safely engaged -- after all, what's good enough for Jane Austen ought to be good enough for anyone. But it's a lie. The story is about to begin, and every day will be a new piece of the plot.

So when he asked about getting high, I didn't think, I agreed. We smoked some good California green. Took three tries to put me in the place he said I should be.

Jane," I said quietly. She opened her eyes, she had been far away in prayer. "Yes, Mary? Forgive me, I was praying." "If you go on flirting with the king with those sickly little smiles, one of us Boleyns is going to scratch your eyes out.

I wish you'd stay away from us. Go somewhere safe. When it's over, maybe things could be different..." I let loose with an incredulous laugh. "Ugh, seriously? That's, like, the kind of crap that Spider-Man tells Mary Jane when he's trying to break it off with her. Do you know how embarrassing it is to be talked to like I'm some superhero's girlfriend?

... I hadn't understood that people you loved could do things you didn't love. And, still, you could keep loving them.

When a woman steps out of line and contravenes the feminine norm, whether on social media on on the Victorian street, there is a tacit understanding that somone must put her back in her place. Labelling the victims as 'just prostitutes' permits writing about Polly, Annie, Elizabeth, Kate and Mary Jane even today to continue to disparage, sexualize and dehumanize them; to continue to reinforce values of madonna/whore.

You are Spider-Man!” she exclaimed. Simon glanced down from his perch halfway up the pillar. “That makes you Mary Jane. She has red hair,

Mary Jane. Listen. Please," Eloise said, sobbing. "You remember our freshman year, and I had that brown-and-yellow dress I bought in Boise, and Miriam Ball told me nobody wore those kind of dresses in New York, and I cried all night?" Eloise shook Mary Jane's arm. "I was a nice girl," she pleaded, "wasn't I?

What on earth did you say to Isola? She stopped in on her way to pick up Pride and Prejudice and to berate me for never telling her about Elizabeth Bennet and Mr. Darcy. Why hadn't she known there were better love stories around? Stories not riddled with ill-adjusted men, anguish, death and graveyards!

I'd like to think I'm Elizabeth, but deep down I think I'm the one whose name no one can remember. Not Lydia the slut or Mary the nerd or Jane the beauty or Elizabeth the opinionated. I'm the second-youngest. The forgotten one. - Francesca Spinelli

If any young men come for Mary or Kitty, send them in, for I am quite as leisure.

Part of being alive is figuring out the balance between what you want, what you need, and what you have with what you don't want, don't need and don't have.

He was quiet for a moment. “So, in this analogy, you’re Mary Jane?” “You got that right, Tiger.

Drinking Shirley Temple with my Mary Janes on, let's say that every possibility waits

That loss of virtue in a female is irretrievable-- that one false step involves her in endless ruin-- that her reputation is no less brittle than it is beautiful-- and that she cannot be too much guarded in her behavior towards the undeserving of the opposite sex." ~Mary Bennett, P&P

Good-bye,” said Michael to the Bird Woman. “Feed the Birds,” she replied, smiling. “Good-bye,” said Jane. “Tuppence a Bag!” said the Bird Woman and waved her hand.

Finally, he knew the kind of loving that made two one and understood Jane was his world. His ocean, his country, his sun, his rain, his very heart.

Pride," observed Mary, who piqued herself upon the solidity of her reflections, "is a very common failing, I believe. By all that I have ever read, I am convinced that it it very common indeed; that human nature is particularly prone to it, and that there are very few of us who do not cherish a feeling of self-complacency on the score of some quality or the other, real or imaginary. Vanity and pride are different things, though the words are often used synonymously. A person may be proud without being vain. pride relates more to our opinion of ourselves, vanity to what we would have other think of us.

Oh. Oh my,” Dear Roberta began to gasp. “A murder. Oh dear. I think I shall faint.” She fluttered her hand before her face. “Not now, Roberta, there’s a dear,” interjected Mary Jane. “Why bother swooning when there are no young men about to see you do it?

I think we did it right those couple of months, don't you? Great food, great music, and great fun. Don't ever let anyone tell you that fun isn't important because, damn, Mary Jane, if there's one thing I've learned in my strange life, it's that fun counts.

In the Cone family, there was no such thing as containment. Feelings were splattered around the household with the intensity of a spraying fire house. I was terrified of what I might witness or hear tonight. But along with that terror, my fondness for the Cones only grew. To feel something was to feel alive. And to feel alive was starting to feel like love.

Fear, I suddenly realized, was an emotion that ran through my home with the constant, buzzing current of a plugged-in appliance.

And I also wanted to tell her how much I loved cooking for the Cones. How cooking for people you love feels less like a chore and more like a way of saying I love you.

Landscapes we must owe something to the eye of the beholder.

It had never before occurred to me that sometimes dishes weren’t just dishes, that things could represent ideas in more powerful ways than the ideas themselves.

Unhappy as the event must be for Lydia, we may draw from it this useful lesson: that loss of virtue in a female is irretrievable; that one false step involves her in endless ruin; that her reputation is no less brittle than it is beautiful; and that she cannot be too much guarded in her behaviour towards the undeserving of the other sex.

Peter Parker: I mean, what I do sometimes requires violence, but I'm not a violent man, I'm really not. But I just-- Mary Jane: You wanted to deck her. Peter: Twice. And I hate feeling that way. Why is it that people feel the need to take whatever little authority they have and shove it down your throat? And the smaller the authority, the bigger the shove. Aunt May: It offends you, doesn't it? Peter: Yeah, it does. Aunt May: Why? Peter: I -- What do you mean, why? Aunt May: Why does it offend you? Peter: Shouldn't it? Aunt May: If a lion broke out of its cage at the zoo, and bit you, it would hurt, sure, and you'd be upset, of course. But would you be offended? Peter: No, of course not. Aunt May: Why? Peter: Because that's the nature of a lion. Aunt May: Some people by nature are kind and charitable. You could say that some people, including at least one person at this table, are by their nature heroes. Ben always reminded me that we each contain all the nobler and meaner aspects of humanity, but some get a bigger dose than others of one thing or another. Some are petty, and mean, and uncharitable. That's their nature. You can hope for better, even try to lead them to be and you may even succeed. But when they behave badly, it's right to be upset by it, or hurt by it, but you can be no more offended by it than you can when a lion bites you.

Pot itself has nothing to do with pots and pans, but comes from the Mexican-Spanish word potiguaya, which means marijuana leaves. And marijuana is a Mexification of 'Mary Jane' for reasons that everybody is much too stoned to remember.

A clever girl may pass through the phase of foolish miss on the way to sensible woman.

Mary Jane eventually sent Joseph a very clear message that she valued her friendship with ‘gay women’ more than she did her relationship with him.

He pinned me in place with a direct look, his dark brown eyes smoldering. “You’re Mary Jane,” he said finally. “And you have all these Flash Thompsons and Harry Osborns hovering around you, trying to make a move. Because...you’re basically amazing.

Mary Jane she set at the head of the table, with Susan alongside of her, and said how bad the biscuits was, and how mean the preserves was, and how ornery and tough the fried chickens was—and all that kind of rot, the way women always do for to force out compliments; and the people all knowed everything was tiptop, and said so—said 'How do you get biscuits to brown so nice?' and 'Where, for the land's sake, did you get these amaz'n pickles?' and all that kind of humbug talky-talk, just the way people always does at a supper, you know.

I shared my office on 57th Street with Dr Jacob Ecstein, young (thirty-three), dynamic (two books published), intelligent (he and I usually agreed), personable (everyone liked him), unattractive (no one loved him), anal (he plays the stock market compulsively), oral (he smokes heavily), non-genital (doesn’t seem to notice women), and Jewish (he knows two Yiddish slang words). Our mutual secretary was a Miss Reingold. Mary Jane Reingold, old (thirty-six), undynamic (she worked for us), unintelligent (she prefers Ecstein to me), personable (everyone felt sorry for her), unattractive (tall, skinny, glasses, no one loved her), anal (obsessively neat), oral (always eating), genital (trying hard), and non-Jewish (finds use of two Yiddish slang words very intellectual). Miss Reingold greeted me efficiently.

Everything’s gonna go to shit eventually, Sam.” She reaches out and plucks a loose thread off the front of my sweater. “I wish you’d stay away from us. Go somewhere safe. When it’s over, maybe things could be different . . .” I let loose with an incredulous laugh. “Ugh, seriously? That’s, like, the kind of crap that Spider-Man tells Mary Jane when he’s trying to break it off with her. Do you know how embarrassing it is to be talked to like I’m some superhero’s girlfriend?” Six laughs too, shaking her head. “I’m sorry. I didn’t mean it that way. I’m just realizing what a hypocrite I’m being. This is exactly the opposite of the advice I gave to John about Sarah.” “Maybe you’re right and things are going to get bad,” I say. “But that doesn’t mean you should cut yourself off. Being all about the war all the time? That can’t be good. Maybe you should spend like ninety-five percent of your time as Six and, uh, five percent with me, being Maren.” I didn’t plan that little speech; Six’s old human name just pops out. Her mouth opens a bit, but she doesn’t say anything at first, the name catching her off guard. “Maren,” she whispers. “I’m not sure I even remember how to be her.

You must be very old!” said Jane,

I saw your intelligence, and I was intrigued. I saw your humor, and I was charmed. I saw your soul, and it was beautiful. I'm in love with you, Mary Bennet.

Each of us could be under a cloud of suspicion for the rest of our lives." "A black spot," Dour Elinor intoned. "A blemish upon our maiden purity." "Oh, no, surely not," disgraceful Mary Jane replied. "Not for such a trifling thing as neglecting to mention the death of a headmistress and her nasty brother. No one could really be upset over that. It takes much more fun to leave a blemish upon one's maiden purity.

She closed her eyes, not really hearing the rest of what he murmured against her ear. All she knew was that it echoed everything that was in her heart. He was a surprise. Love was a surprise. And a surprise love between friends was the best kind of all.

I am so lonely without you, Aedan," Jane said simply. "You truly want me?" "More than anything. I'm only half without you." "Then you are my woman." His words were finality, a bond he would not permit broken. She had given herself to his keeping. He would never let her go. "And you'll never leave me?" she pressed. "I'll stay with you for all of ever, lass." Jane's eyes flared, and she looked at him strangely. "And then yet another day?" she asked breathlessly. "Oh, aye.

Far be it from me, my dear sister, to depreciate such pleasures. They would doubtless be congenial with the generality of female minds. But I confess they would have no charms for me. I should infinitely prefer a book. - Mary

A very old-fashioned idea, to my mind,” Jane and Michael heard the stern voice say. “Very old-fashioned. Quite out of date, as you might say.

Feelings were splattered around the household with the intensity of a spraying fire hose.

To feel something was to feel alive. And to feel alive was starting to feel like love.

But foolish moments like this seemed worth the thrill and unexpected intimacy of being in on things with the adults.

Jane smiled sadly. “You know we came from stardust—so it’s entirely expected that we would return to the stars when we die.

From the seed of the siver apple came the wardrobe. Through the wardrobe came four children. To these children came a special magic. With that magic came seven unforgettable stories.

The Dolphins were after it in a second, two dark striving shapes rippling through the water. Jane and Michael could hardly breathe. Which would win the prize? Or would the prize escape?

More than anything, I began to hate women writers. Frances Burney, Jane Austen, Elizabeth Browning, Mary Shelley, George Eliot, Virginia Woolf. Bronte, Bronte, and Bronte. I began to resent Emily, Anne, and Charlotte—my old friends—with a terrifying passion. They were not only talented; they were brave, a trait I admired more than anything but couldn't seem to possess. The world that raised these women hadn't allowed them to write, yet they had spun fiery novels in spite of all the odds. Meanwhile, I was failing with all the odds tipped in my favor. Here I was, living out Virginia Woolf's wildest feminist fantasy. I was in a room of my own. The world was no longer saying, "Write? What's the good of your writing?" but was instead saying "Write if you choose; it makes no difference to me.

if one scheme of happiness fails, human nature turns to another; if the first calculation is wrong, we make a second better: we find comfort somewhere—and those evil-minded observers, dearest Mary, who make much of a little, are more taken in and deceived than the parties themselves.

Depend upon it, you see but half. You see the evil, but you do not see the consolation. There will be little rubs and disappointments everywhere, and we are all apt to expect too much; but then, if one scheme of happiness fails, human nature turns to another; if the first calculation is wrong, we make a second better: we find comfort somewhere—and those evil–minded observers, dearest Mary, who make much of a little, are more taken in and deceived than the parties themselves.

All my life I thought that the story was over when the hero and heroine were safely engaged—after all, what’s good enough for Jane Austen ought to be good enough for anyone. But it’s a lie. The story is about to begin, and every day will be a new piece of the plot.

Pride,’ observed Mary, who piqued herself upon the solidity of her reflections, ‘is a very common failing, I believe. By all that I have ever read, I am convinced that it is very common indeed; that human nature is particularly prone to it, and that there are very few of us who do not cherish a feeling of self-complacency on the score of some quality or other, real or imaginary.

A few of the guests, who had the misfortune of being too near the windows, were seized and feasted on at once. When Elizabeth stood, she saw Mrs. Long struggle to free herself as two female dreadfuls bit into her head, cracking her skull like a walnut, and sending a shower of dark blood spouting as high as the chandeliers. As guests fled in every direction, Mr. Bennet's voice cut through the commotion. "Girls! Pentagram of Death!" Elizabeth immediately joined her four sisters, Jane, Mary, Catherine, and Lydia in the center of the dance floor. Each girl produced a dagger from her ankle and stood at the tip of an imaginary five-pointed star. From the center of the room, they began stepping outward in unison - each thrusting a razor-sharp dagger with one hand, the other hand modestly tucked into the small of her back.

Blessed with the love of a good man, I felt equal to anything - even the prospect of living out my days in the Antipodes.

Everything’s bad until it’s good. If this is what you really want, then you just have to hang in there until you get to the good times.

Mary had nice clothes, too, ones she had worked hard for over the summer,

I saw goats. A party can’t be all bad when you have goats,” Lucy said.

Why do people call it settling down when it’s a man and finding the right one when it’s a woman?

What had happened last night seemed so horrible. But after that cry, and then the laugh, I felt ridiculously happy.

Maybe a person’s standing in the community was an illusion. Like the witch in the Cone house. An imagined evil that created unnecessary rules.

Todo impulso del sentimiento debe estar dirigido por la razón, y a mi juicio, el esfuerzo debe ser proporcional a lo que se pretende" - Mary

Well, we're all addicts of some sort...part of being alive is figuring out the balance between what you want, what you need, and what you have with what you don't want, don't need, and don't have

As for Elizabeth Bennet, our chief reason for accepting her point of view as a reflection of her author's is the impression that she bears of sympathy between them--an impression of which almost every reader would be sensible, even if it had not the explicit confirmation of Jane Austen's letters. Yet, as she is presented to us in Pride and Prejudice, she is but a partial and sometimes perverse observer.

We'd learned about the Holocaust in school, just like we'd learned about the civil rights movement. What we'd never learned was that sometimes the people who kept those ideas alive were the people you lived with.

The artist (I suppose) usually pays for the privilege by some sort of partial insomnia, by the possession of one faculty that will not be controlled nor put to sleep. In a poet this must often be the visual imagination, bringing before his eyes a succession of images which he never summoned, and of which some (it is only too likely) will be ugly or pitiful.

Hayırseverliğine hayramım," diye konuştu Mary, " Ama yine de bütün duygusal dürtüler mantıkla yönlendirilmelidir. Şahsen fikrimi sorarsan; insanın harcadığı her emek daima kendisinden talep edilenle doğru orantılı olmalıdır.

Hayırseverliğine hayranım," diye konuştu Mary, " Ama yine de bütün duygusal dürtüler mantıkla yönlendirilmelidir. Şahsen fikrimi sorarsan; insanın harcadığı her emek daima kendisinden talep edilenle doğru orantılı olmalıdır.

I think it's degrading of you, Flora,' cried Mrs Smiling at breakfast. 'Do you truly mean that you don't ever want to work at anything?' Her friend replied after some thought: 'Well, when I am fifty-three or so I would like to write a novel as good as "Persuasion", but with a modern setting, of course. For the next thirty years or so I shall be collecting material for it. If anyone asks me what I work at, I shall say "Collecting material." No one can object to that. Besides, I shall be.' Mrs Smiling drank some coffee in silent disapproval. 'If you ask me,' continued Flora, 'I think I have much in common with Miss Austen. She liked everything to be tidy and pleasant and comfortable around her, and so do I. You see Mary,' - and here Flora began to grow earnest and to wave one finger about - 'unless everything is tidy and pleasant and comfortable all about one, people cannot even begin to enjoy life. I cannot endure messes.

She’s saying it! She’s saying it!” cried Jane, holding tight to herself for fear she would break in two with delight. And she was saying it. The Bird Woman was there and she was saying it. “Feed the Birds, Tuppence a Bag! Feed the Birds, Tuppence a Bag! Feed the Birds, Feed the Birds, Tuppence a Bag, Tuppence a Bag!

Toda mi vida he pensado que la historia se terminaba cuando el héroe la heroína se casaban... después de todo, lo que es suficientemente bueno para Jane Austen debería ser lo suficientemente bueno para cualquiera. Pero eso es mentira. La historia está a punto de empezar, y cada día será una nueva pieza del argumento.

A vida toda achei que a história terminava quando o herói e a heroína ficavam noivos - afinal, o que é bom para Jane Austen tem de ser bom para todo mundo. Mas é mentira. A história está começando e todo dia vai ser um novo pedacinho da trama.

When many story-tellers occupy themselves with a social world which offers no great variety of lively action, their stories will probably resemble one another as to many of the major incidents, and if they draw on these limited resources like spend thrifts such resemblances will be inevitable--and therefore not significant.

He is blinded and nothing will open his eyes,nothing can,after having had truths so long before him in vain.--He will marry her and poor and miserable.God grant that her influence do not make him cease to be respectable!"---She looked over the letter again."So very fond of me!tis"nonsense all.She loves nobody but herself and her brother.Her friends leading her astray for years!She is quite as likely to have led them astray. They have all,perhaps, been corrupting one another;but if they are so much fonder of her than she is of them,she is the less likely to have been hurt except by their flattery.The only woman in the world,whom he could ever think of as a wife.....I firmly believe it.It is an attachment to govern his whole life. Accepted or refused,his heart is wedded to her for ever.The loss of Mary,I must consider as comprehending the loss of Crawford and Fanny.Edmund you do not know me.The families would never be connected,if you did not connected them. Oh!write,write.Finish it at once.Let there be an end of this suspense.Fix, commit,condemn yourself."-Fanny Price

There is a great difference between satisfaction and satiation.

I knew it was Peter playing. I fancied he was trying to tell me something - an absurd idea, but it persisted - 'I may not be able to spell, but just you listen to this.

When love and skill work together, expect a masterpiece.

Something was going to unravel and I felt like I was the person who was holding the loose string, about to pull and watch it all fall apart.

No one on this Earth would pay five cents to see my talents if I didn't look the way I do.

I felt my mouth go dry, my throat constrict. What possible interpretation could Peter place on those words, other than that they were about him? - that the entire song was about him?

We would have met again some other time or in some other place,' he said. 'We would have been given other chances. Life recognizes the unpredictability of our movements in any given life. Somehow we would have met, Jane. We were determined that it would be so before we entered this life.

She sighed to cover her agitation. “You are insufferable.” “I prefer ‘inscrutable.’” He smiled, softening a little at her teasing tone, and because she had allowed the change of topic. “Inexplicable would be more accurate.” “Inconceivable!” She rested her hand on her ever-increasing stomach. “Not any longer.” He laughed and kissed her on the forehead. “I do not think that word means what you think it means.” “Humph!” But Jane was delighted that she had managed to make him laugh.

Peter was now standing very close - as if he wanted to comfort me - as if he knew how hurt I felt that Mrs Knowles had not asked me to play or to sing. And I did feel comforted. It was as if a tide of warmth was carrying me out of myself, inclining me to trust him and to conduct myself well.

At that moment a solitary violin struck up. But the music was not dance music; it was more like a song - a solemn, sweet song. (I know now that it was Beethoven's Romance in F.) I listened, and suddenly it was as if the fog that surrounded me had been penetrated, as if I were being spoken to.

Why,” said Jane, “there’s nothing in it!” “What do you mean—nothing?” demanded Mary Poppins, drawing herself up and looking as though she had been insulted. “Nothing in it, did you say?” And with that she took out from the empty bag a starched white apron and tied it round her waist. Next she unpacked a large cake of Sunlight Soap, a toothbrush, a packet of hairpins, a bottle of scent, a small folding armchair and a box of throat lozenges.

Elizabeth Bennet would no doubt be shocked by such indelicacy. But then, Elizabeth Bennet really should have boxed Mr. Darcy’s ear halfway through chapter three. Just as Emma Woodhouse should have shut the door in Mr. Knightley’s condescending face and Fanny should have slapped some sense into Edmund then gone off to London to get herself a decent education. Having now experienced various degrees of communion with a man, Charlotte was of the opinion that Jane Austen’s heroines were ninnies. Maybe from here on she ought to read Mary Wollstonecraft instead.

Before I could reply, he had picked me up, literally swept me off my feet, and kissed me. And afterwards, when I tried to speak, he silenced me in much the same manner. It was a shock (but not at all distasteful) to be so caught up. Later - when he at last set me down - he handled me more gently. He took of my glasses and told me that he loved me.

A toast," Smooth Kitty cried, feeling almost giddy, "to self-government. Saint Etheldreda's School for Young Ladies will be run by young ladies from this point forward. Hear, hear!" Great applause. "To independence!" added Pocked Louise. "No fussy old widows telling us when not to speak, and how to set the spoons when an Earl's niece comes to supper. And telling us to leave scientific experiment to the men." Teacup toasts in support of Louise. "To freedom!" chimed in Disgraceful Mary Jane. "No curfews and evil eyes and lectures on morals and propriety." Loud, if nervous, cheering. "To womankind," proclaimed Stout Alice. "Each of us girls free to be what she wishes to be, without glum and crotchety Placketts trying to make us into what we're not." Tremendous excitement. "To sisterhood," said Dear Roberta, "and standing by each other, no matter what.

If you ever get married again, don't tell your husband anything. Do you hear me?' 'Why?' said Mary Jane. 'Because I say so, that's why,' said Eloise. 'They wanna think you spent your whole life vomiting every time a boy came near you. I'm not kidding, either. Oh, you can tell them stuff. But never honestly. I mean never honestly. If you tell 'em you once knew a handsome boy, you gotta say in the same breath he was too handsome. And if you tell 'em you knew a witty boy, you gotta tell 'em he was kind of a smart aleck, though, or a wise guy. If you don't, they hit you over the head with the poor boy every time they get a chance.' Eloise paused to drink from her glass and to think. 'Oh,' she said, 'they'll listen very maturely and all that. They'll even look intelligent as hell. But don't let it fool you. Believe me. You'll go through hell if you ever give 'em any credit for intelligence. Take my word.

I am sure Lady Russell would like him. He is just Lady Russell's sort. Give him a book, and he will read all day long.' 'Yes, that he will!' exclaimed Mary tauntingly. 'He will sit poring over his book, and not know when a person speaks to him, or when one drops ones' scissors, or anything that happens.

Rosie and Mary had taken only a 10 percentage of this privilege - they were three minutes late leaving their room and took the second bus that went past rather than the first just so they could feel themselves standing at a bus stop in Manhattan, New York, surrounded by people who were short, dark and voluble rather than tall, blond and silent. The fatal part was the bus they got on. They, of course stood, because they had been taught to do so, out of respect to everyone else in the whole world - they were from the Midwest and deference was their habit and their training. ......."Did you see that?" "What?" replied Mary "That woman." "God, she was rude," said Mary. And from that statement Rosalind knew that Mary would live the rest of her life in the Midwest, which she did.

...it is the smallest house in the Lane. And besides that, it is the only one that is rather dilapidated and needs a coat of paint. But Mr. Banks, who owns it, said to Mrs. Banks that she could have either a nice, clean, comfortable house or four children. But not both, for he couldn't afford it. And after Mrs. Banks had given the matter some consideration she came to the conclusion that she would rather have Jane...and Michael...and John and Barbara, who were Twins and came last. So it was settled...

Louisa seemed the principal arranger of the plan; and, as she went a little way with them, down the hill, still talking to Henrietta, Mary took the opportunity of looking scornfully around her, and saying to Captain Wentworth, ‘It is very unpleasant, having such connexions! But I assure you, I have never been in the house above twice in my life.’ She received no answer, other than an artificial, assenting smile, followed by a contemptuous glance, as he turned away, which Anne perfectly knew the meaning of.

Her sensations on the discovery made her perfectly speechless. She could not even thank him. She could only hang over little Charles, with most disordered feelings. His kindness in stepping forward to her relief – the manner— the silence in which it had passed – the little particulars of the circumstance – with the conviction soon forced on her by the noise he was studiously making with the child, that he meant to avoid hearing her thanks, and rather sought to testify that her conversation was the last of his wants, produced such a confusion of varying, but very painful agitation, as she could not recover from, till enabled by the entrance of Mary and the Miss Musgroves to make over her little patience to their cares, and leave the room. She could not stay. It might have been an opportunity of watching the loves and jealousies of the four; they were now all together, but she could stay for none of it. It was evident that Charles Hayter was not well inclined towards Captain Wentworth. She had a strong impression of his having said, in a vext tone of voice, after Captain Wentworth’s interference, ‘You ought to have minded me, Walter; I told you not to teaze your aunt;’ and could comprehend his regretting that Captain Wentworth should do what he ought to have done himself. But neither Charles Hayter’s feelings, nor any body’s feelings, could interest her, till she had a little better arranged her own. She was ashamed of herself, quite ashamed of being so nervous, so overcome by such a trifle; but so it was; and it required a long application of solitude and reflection to recover her.

L’orgueil,- observa Mary qui se piquait de psychologie - est, je crois, un sentiment très répandu. La nature nous y porte et bien peu parmi nous échappent à cette complaisance que l’on nourrit pour soi-même à cause de telles ou telles qualités souvent imaginaires. La vanité et l’orgueil sont choses différentes, bien qu’on emploie souvent ces deux mots l’un pour l’autre ; on peut être orgueilleux sans être vaniteux. L’orgueil se rapporte plus à l’opinion que nous avons de nous-mêmes, la vanité à celle que nous voudrions que les autres aient de nous.

The boy who wears his comic books like armor often sits alone. He is more comfortable with Iron Man and his own thoughts than he will ever be with a woman. Because of his nervous ticks, no matter how long they are together, she will never feel commonplace to him. She will always know she is special. The boy who wears his comic books like armor tries to tell her that he loves her every day. She does not understand. When he says, You remind me of Psylocke, he is not saying he actually thinks she is a scantily clad assassin. He is just saying, Damn girl, you must be psychic. How else could you always know the right thing to make me smile? You have to be a ninja. How else could you have stolen my heart so easily? He is saying, Dammmmmmmmnnnnnn girl, you absolutely have to be Psylocke! She is the only character I have ever read about who is as graceful and daring as you are. She does not understand. The boy who wears his comic books like armor is not a good lover. The way he barely touches her makes her feel unattractive. Like he is only doing this because she wants him to. This could not be further from the truth. He is simply treating her like the only thing that has ever been this important to him before: comic books. He removes her clothes like he would the slipcover from a brand new issue, as careful not to wrinkle her clothing as he is not to damage the plastic. One day, she will leave him because feeling special isn’t as important as feeling loved. He does love her. She can’t understand. He will spend the rest of his life wishing he were Peter Parker, knowing that if he had a mask to remove, then, just like Mary Jane, she would be with him forever. But he doesn’t have a mask to remove, just an awkward smile. He hopes that one day that’s enough.

I made tiny newspapers of ant events, stamp-sized papers at first, then a bit bigger, too big for ants, it distressed me, but I couldn’t fit the stories otherwise and I wanted real stories, not just lines of something that looked like writing. Anyway, imagine how small an ant paper would really be. Even a stamp would have looked like a basketball court. I imagine political upheavals, plots and coups d e’tat, and I reported on them. I think I may have been reading a biography of Mary Queen of Scots at the time…. Anyway, there was this short news day for the ants. I’d run out of political plots, or I was bored with them. So I got a glass of water and I created a flood. The ants scrambled for safety, swimming for their lives. I was kind of ashamed, but it made for good copy. I told myself I was bringing excitement into their usual humdrum. The next day, I dropped a rock on them. It was a meteorite from outer space. They gathered around it and ran up and over it; obviously they didn’t know what to do. It prompted three letters to the editor.

She had never been staying there before, without being struck by it, or without wishing that other Elliots could have her advantage in seeing how unknown, or unconsidered there, were the affairs which at Kellynch Hall were treated as of such general publicity and pervading interest; yet, with all this experience, she believed she must now submit to feel that another lesson, in the art of knowing our own nothingness beyond our own circle, was become necessary for her; for certainly, coming as she did, with a heart full of the subject which had been completely occupying both houses in Kellynch for many weeks, she had expected rather more curiosity and sympathy than she found in the separate but very similar remark of Mr and Mrs Musgrove: “So, Miss Anne, Sir Walter and your sister are gone; and what part of Bath do you think they will settle in?” and this, without much waiting for an answer; or in the young ladies’ addition of, “I hope we shall be in Bath in the winter; but remember, papa, if we do go, we must be in a good situation: none of your Queen Squares for us!” or in the anxious supplement from Mary, of—“Upon my word, I shall be pretty well off, when you are all gone away to be happy at Bath!

The only way to conquer Barbara Stanwyck was to kill her, if she didn’t kill you first. Lynn Bari wanted any husband that wasn’t hers. Jane Russell’s body promised paradise but her eyes said, “Oh, please!” Claire Trevor was semi-sweet in Westerns and super-sour in moderns. Ida Lupino treated men like used-up cigarette butts. Gloria Grahame was oversexed evil with an added fey touch—a different mouth for every role. Ann Sheridan and Joan Blondell slung stale hash to fresh customers. Ann Dvorak rattled everyone’s rafters, including her own. Adele Jergens was the ultimate gun moll, handy when the shooting started. Marie Windsor just wanted them dead. Lucille Ball, pre–Lucy, was smart of mouth and warm as nails. Mercedes McCambridge, the voice of Satan, used consonants like Cagney used bullets. Marilyn Maxwell seemed approachable enough, depending on her mood swings. And Jean Hagen stole the greatest movie musical ever made by being the ultimate bitch. These wonderwomen proved that a woman’s only place was not in the kitchen. We ain’t talkin’ Loretta Young here.