Martin Heidegger Quotes

Tell me how you read and I'll tell you who you are.

If I take death into my life, acknowledge it, and face it squarely, I will free myself from the anxiety of death and the pettiness of life - and only then will I be free to become myself.

Making itself intelligible is suicide for philosophy.

Anyone can achieve their fullest potential, who we are might be predetermined, but the path we follow is always of our own choosing. We should never allow our fears or the expectations of others to set the frontiers of our destiny. Your destiny can't be changed but, it can be challenged. Every man is born as many men and dies as a single one.

Everyone is the other and no one is himself.

Man acts as though he were the shaper and master of language, while in fact language remains the master of man.

The most thought-provoking thing in our thought-provoking time is that we are still not thinking.

Every man is born as many men and dies as a single one.

Why are there beings at all, instead of Nothing?

Longing is the agony of the nearness of the distant.

Thinking only begins at the point where we have come to know that Reason, glorified for centuries, is the most obstinate adversary of thinking.

he who thinks great thoughts often makes great errors

The possible ranks higher than the actual.

truth is that which makes a people certain, clear, and strong.

To think is to confine yourself to a single thought that one day stands still like a star in the world's sky.

What was Aristotle’s life?’ Well, the answer lay in a single sentence: ‘He was born, he thought, he died.’ And all the rest is pure anecdote.

Thus "phenomenology" means αποφαινεσθαι τα φαινομενα -- to let that which shows itself be seen from itself in the very way in which it shows itself from itself.

To be a poet in a destitute time means: to attend, singing, to the trace of the fugitive gods. This is why the poet in the time of the world's night utters the holy.

The small are always dependent on the great; they are "small" precisely because they think they are independent. The great thinker is one who can hear what is greatest in the work of other "greats" and who can transform it in an original manner.

only he who already understands can listen

The human being is not the lord of beings, but the shepherd of Being.

Temporality temporalizes as a future which makes present in the process of having been.

Man dies constantly until the moment of his demise.

Why is love beyond all measure of other human possibilities so rich and such a sweet burden for the one who has been struck by it? Because we change ourselves into that which we love, and yet remain ourselves. Then we would like to thank the beloved, but find nothing that would do it adequately. We can only be thankful to ourselves. Love transforms gratitude into faithfulness to ourselves and into an unconditional faith in the Other. Thus love steadily expands its most intimate secret. Closeness here is existence in the greatest distance from the other- the distance that allows nothing to dissolve - but rather presents the “thou” in the transparent, but “incomprehensible” revelation of the “just there”. That the presence of the other breaks into our own life - this is what no feeling can fully encompass. Human fate gives itself to human fate, and it is the task of pure love to keep this self-surrender as vital as on the first day.

The poets are in the vanguard of a changed conception of Being.

We are too late for the gods and too early for Being.

The nothing nothings.

Why are there beings at all instead of nothing? That is the question. Presumably it is not arbitrary question, "Why are there beings at all instead of nothing"- this is obviously the first of all questions. Of course it is not the first question in the chronological sense [...] And yet, we are each touched once, maybe even every now and then, by the concealed power of this question, without properly grasping what is happening to us. In great despair, for example, when all weight tends to dwindle away from things and the sense of things grows dark, the question looms.

Mere anxiety is the source of everything

What seems natural to us is probably just something familiar in a long tradition that has forgotten the unfamiliar source from which it arose. And yet this unfamiliar source once struck man as strange and caused him to think and to wonder.

Das Nichts nichtet

Freedom is only to be found where there is burden to be shouldered. In creative achievements this burden always represents an imperative and a need that weighs heavily upon man’s mood, so that he comes to be in a mood of melancholy. All creative action resides in a mood of melancholy, whether we are clearly aware of the fact or not, whether we speak at length about it or not. All creative action resides in a mood of melancholy, but this is not to say that everyone in a melancholy mood is creative.

He who never says anything cannot keep silent at any given moment.

And so man, as existing transcendence abounding in and surpassing toward possibilities, is a creature of distance. Only through the primordial distances he establishes toward all being in his transcendence does a true nearness to things flourish in him.

When the farthest corner of the globe has been conquered technologically and can be exploited economically; when any incident you like, in any place you like, at any time you like, becomes accessible as fast as you like; when you can simultaneously "experience" an assassination attempt against a king in France and a symphony concert in Tokyo; when time is nothing but speed, instantaneity, and simultaneity, and time as history has vanished from all Being of all peoples; when a boxer counts as the great man of a people; when the tallies of millions at mass meetings are a triumph; then, yes then, there still looms like a specter over all this uproar the question: what for? — where to? — and what then?

I know that everything essential and great originated from the fact that the human being had a homeland and was rooted in tradition.

But what is great can only begin great.

You should make your choices as though you were choosing on behalf of the whole of humanity,

Language is the house of Being.

Time is not a thing, thus nothing which is, and yet it remains constant in its passing away without being something temporal like the beings in time.

Even in expecting, one leaps away from the possible and gets a footing in the real. It is for its reality that what is expected is expected. By the very nature of expecting, the possible is drawn into the real, arising from it and returning to it.

Die Sprache ist das Haus des Seins.

Every questioning is a seeking. Every seeking takes its direction beforehand from what is sought. Questioning is a knowing search for beings in their thatness and whatness.

Anxiety is there. It is only sleeping. Its breath quivers perpetually through Dasein, only slightly in those who are jittery, imperceptibly in the 'Oh, yes' and the 'Oh, no' of men of affairs; but most readily in the reserved, and most assuredly in those who are basically daring. But those daring ones sustained by that on which they expend themselves—in order thus to preserve the ultimate grandeur of existence.

In the midst of beings as a whole an open place occurs. There is a clearing, a lighting... Only this clearing grants and guarantees to us humans a passage to those beings that we ourselves are not, and access to the being that we ourselves are.

Everyone is the other, and no one is himself. The they, which supplies the answer to the who of everyday Da-sein, is the nobody to whom every Da-sein has always already surrendered itself, in its being-among-one-another.

As the ego cogito, subjectivity is the consciousness that represents something, relates this representation back to itself, and so gathers with itself.

Understanding of being is itself a determination of being of Da-sein.

Cities have often been compared to language: you can read a city, it’s said, as you read a book. But the metaphor can be inverted. The journeys we make during the reading of a book trace out, in some way, the private spaces we inhabit. There are texts that will always be our dead-end streets; fragments that will be bridges; words that will be like the scaffolding that protects fragile constructions. T.S. Eliot: a plant growing in the debris of a ruined building; Salvador Novo: a tree-lined street transformed into an expressway; Tomas Segovia: a boulevard, a breath of air; Roberto Bolano: a rooftop terrace; Isabel Allende: a (magically real) shopping mall; Gilles Deleuze: a summit; and Jacques Derrida: a pothole. Robert Walser: a chink in the wall, for looking through to the other side; Charles Baudelaire: a waiting room; Hannah Arendt: a tower, an Archimedean point; Martin Heidegger: a cul-de-sac; Walter Benjamin: a one-way street walked down against the flow.

In the work of art the truth of an entity has set itself to work. ‘To set’ means here: to bring to a stand. Some particular entity, a pair of peasant shoes, comes in the work to stand in the light of its being. The being of the being comes into the steadiness of its shining. The nature of art would then be this: the truth of being setting itself to work.

Being the rational animal, man must be capable of thinking if he really wants to. Still, it may be that man wants to think, but cannot.

I now wish that I had spent somewhat more of my life with verse. This is not because I fear having missed out on truths that are incapable of statement in prose. There are no such truths; there is nothing about death that Swinburne and Landor knew but Epicurus and Heidegger failed to grasp. Rather, it is because I would have lived more fully if I had been able to rattle off more old chestnuts — just as I would have if I had made more close friends.

As soon as we are born, we are old enough to die.

Excessive brightness drove the poet into darkness. (essay : Hölderlin And The Essence Of Poetry, chapter from my copy of The origin of the work of art)

It is perfectly true, as philosophers say, that life must be understood backwards. But they forget the other proposition, that it must be lived forwards. And if one thinks over that proposition it becomes more and more evident that life can never really be understood in time because at no particular moment can I find the necessary resting-place from which to understand it. There

The senses do not enable us to cognize any entity in its Being; they merely serve to announce the ways in which 'external' Things within-the-world are useful or harmful for human creatures encumbered with bodies....they tell us nothing about entities in their Being.

Everywhere we remain unfree and chained to technology, whether we passionately affirm or deny it. But we are delivered over to it in the worst possible way when we regard it as something neutral; for this conception of it, to which today we particularly pay homage, makes us utterly blind to the essence of technology.

...Dasein itself--and this means also its Being-in-the-world--gets its ontological understanding of itself in the first instance from those entities which it itself is not but which it encounters 'within' its world, and from the Being which they possess.

When tradition thus becomes master, it does so in such a way that what it transmits is made so inaccessible, proximally and for the most part, that it rather becomes concealed. Tradition takes what has come down to us and delivers it over to self-evidence; it blocks our access to those primordial "sources" from which the categories and concepts handed down to us have been in part quite genuinely drawn. Indeed it makes us forget that they have had such an origin, and makes us suppose that the necessity of going back to these sources is something which we need not even understand.

But “nowhere” does not mean nothing; rather, region in general lies therein, and disclosedness of the world in general for essentially spatial being-in. Therefore, what is threatening cannot come closer from a definite direction within nearness, it is already “there” - and yet nowhere. It is so near that it is oppressive and takes one’s breath - and yet it is nowhere.

To make of "the truth" a goddess amounts to turning the mere notion of something, namely the concept of the essence of truth, into a "personality.

Nietzsche hat mich kaputt gemacht.

Nature has no history.

Nobody will deny that there is an interest in philosophy today. But—is there anything at all left today in which man does not take an interest, in the sense in which he understands "interest"?

ليس هناك من هو أكثر غرابة من الكائن الإنسانى، ليس هناك ما هو أكثر غرابة من الوجود الإنسانى، ليس هناك شىء يلوح هنا أكثر غرابة، فيما وراء الوجود الإنسانى

هناك علة ما فى طبيعة الأشياء تؤدى الى وجود شىء بدلا من لا شىء

All questions that do justice to the subject are themselves bridges to their own answering.

All the poems of the poet who has entered into his poethood are poems of homecoming.

Only a god can save us.

A resounding of the authentic word can arise only from silence

Nothing is everything that doesn't happen at this very moment.

Nothing religious is ever destroyed by logic; it is destroyed only by the god's withdrawal.

We never come to thoughts. They come to us.

Since time itself is not movement, it must somehow have to do with movement.Time is initially encountered in those entities which are changeable, change is in time. How is time exhibited in this way of encountering it, namely, as that within which things change? Does it here give itself as itself in what it is? Can an axplacation of time starts here guarantee that time will thereby provide as it were the fundamental phenomena that determine it in its own being?

Turning away from a flight from death, you see a horizon of opportunity that puts you in a state of anticipatory resoluteness with solicitous regard for others that makes your life seem like an adventure perfused with unshakeable joy.

Die Sprache ist das Haus des Seins. In ihrer Behausung wohnt der Mensch. Die Denkenden und Dichtenden sind die Wächter dieser Behausung. Ihr Wachen ist das Vollbringen der Offenbarkeit des Seins, insofern sie diese durch ihr Sagen zur Sprache bringen und in der Sprache aufbewahren.

Man stares at what the explosion of the atom bomb could bring with it. He does not see that the atom bomb and its explosion are the mere final emission of what has long since taken place, has already happened.

let himself be drawn hither by the coercion of the phenomena themselves

The one: how it is (what it, Being, is) and also how not-Being (is) impossible. This is the pathway of grounded trust,

One expects philosophy to promote, and even to accelerate, the practical and technical business of culture by alleviating it, making it easier. {9}

To dwell is to garden.

..."Nature" is not to be understood as that which is just present-at-hand, nor as the power of Nature. The wood is a forest of timber, the mountain a quarry of rock; the river is water-power, the wind is wind 'in the sails'. As the 'environment' is discovered, the 'Nature' thus discovered is encountered too. If its kind of Being as ready-to-hand is disregarded, this 'Nature' itself can be discovered and defined simply in its pure presence-at-hand. But when this happens, the Nature which 'stirs and strives', which assails us and enthralls us as landscape, remains hidden. The botanist's plants are not the flowers of the hedgerow; the 'source' which the geographer establishes for a river is not the 'springhead in the dale'.

What could be more alien to the "they", lost in the manifold 'world' of its concern, than the Self which has been individualized down to itself in uncanniness and been thrown in the "nothing"?

Body', 'soul', and 'spirit' may designate phenomenal domains which can be detached as themes for definite investigations; within certain limits their ontological indefiniteness may not be important. When, however, we come to the question of man's Being, this is not something we can simply compute by adding together those kinds of Being which body, soul, and spirit respectively possess--kinds of being whose nature has not as yet been determined. And even if we should attempt such an ontological procedure, some idea of the Being of the whole must be presupposed.

The threat to man does not come in the first instance from the potentially lethal machines and apparatuses of technology. The actual threat has already afflicted man in its essence. The rule of enframing threatens humanity with the possibility that it could be denied to him to enter into a more original revealing and hence to experience the call of a more primal truth.

Philosophy, then, is not a doctrine, not some simplistic scheme for orienting oneself in the world, certainly not an instrument or achievement of human Dasein. Rather, it is this Dasein itself insofar as it comes to be, in freedom, from out of its own ground. Whoever, by stint of research, arrives at this self-understanding of philosophy is granted the basic experience of all philosophizing, namely that the more fully and originally research comes into its own, the more surely is it "nothing but" the transformation of the same few simple questions. But those who wish to transform must bear within themselves the power of a fidelity that knows how to preserve. And one cannot feel this power growing within unless one is up in wonder. And no one can be caught up in wonder without travelling to the outermost limits of the possible. But no one will ever become the friend of the possible without remaining open to dialogue with the powers that operate in the whole of human existence. But that is the comportment of the philosopher: to listen attentively to what is already sung forth, which can still be perceived in each essential happening of world. And in such comportment the philosopher enters the core of what is truly at stake in the task he has been given to do. Plato knew of that and spoke of it in his Seventh Letter: 'In no way can it be uttered, as can other things, which one can learn. Rather, from out of a full, co-existential dwelling with the thing itself - as when a spark, leaping from the fire, flares into light - so it happens, suddenly, in the soul, there to grow, alone with itself.

The avant-garde genealogy could be tracked through stories of bad-boy white artists who “got away with it,” beginning with Duchamp signing a urinal and calling it art. It’s about defying standards and initiating a precedent that ultimately liberates art from itself. The artist liberates the art object from the rules of mastery, then from content, then frees the art object from what Martin Heidegger calls its very thingliness, until it becomes enfolded into life itself. Stripped of the artwork, all we are left with is the artist’s activities. The problem is that history has to recognize the artist’s transgressions as “art,” which is then dependent on the artist’s access to power. A female artist rarely “gets away with it.” A black artist rarely “gets away with it.

حين تجد الناس يثرثرون فيما لايعرفون ويتكلمون عن كل شئ ولا شئ ، فاعلم انهم قد فقدوا العلاقة الحقيقة بالموضوع الذي ينصب عليه الكلام، واندفعوا في دوامة من القيل والقال بغير قرار ، عندئذ يتعذر على أي انسان التعمق في أي شئ ، ويوصد باب المعرفة الحقيقي والتساؤل الحقيقي ، ويختم هذا الفهم الفاسد بخاتم اللهاث وراء كل مثير ، والتلهف على كل جديد ، اي بالفضول الذي يسعى إلى أي كل كلام دون أن يستقر في أي مكان

All distances in time and space are shrinking. […] Yet the frantic abolition of all distances brings no nearness; for nearness does not consist in shortness of distance. What is least remote from us in point of distance, by virtue of its picture on film or its sound on radio, can remain far from us. What is incalculably far from us in point of distance can be near to us. […] Everything gets lumped together into uniform distanceless. […] What is it that unsettles and thus terrifies? It shows itself and hides itself in the way in which everything presences, namely, in the fact that despite all conquest of distances the nearness of things remains absent.

Sartre proposed that all situations be judged according to how they appeared in the eyes of those most oppressed, or those whose suffering was greatest. Martin Luther King Jr. was among the civil rights pioneers who took an interest. While working on his philosophy of non-violent resistance, he read Sartre, Heidegger and the German-American existentialist theologian Paul Tillich.

If knowing is to be possible as a way of determining the nature of the present-at-hand by observing it, then there must first be a deficiency in our having-to-do with the world concernfully. When concern holds back from any kind of producing, manipulating and the like, it puts itself into what is now the sole remaining mode of Being-in, the mode of just tarrying-alongside. In this kind of 'dwelling' as a holding-oneself-back from any manipulation or utilization, the perception of the present-at-hand is consummated.

This ground itself needs to be properly accounted for by that for which it accounts, that is, by the causation through the supremely original matter – and that is the cause as causa sui. This is the right name for the god of philosophy. Man can neither pray nor sacrifice to this god. Before the causa sui, man can neither fall to his knees in awe nor can he play music and dance before this god.

...then he comes to the brink of a precipitous fall; that is, he comes to the point where he himself will have to be taken as standing-reserve. Meanwhile man, precisely as the one so threatened, exalts himself to the posture of lord of the earth. In this way the impression comes to prevail that everything man encounters exists only insofar as it is his construct. This illusion gives rise in turn to one final delusion: It seems as though man everywhere and always encounters only himself... In truth, however, precisely nowhere does man today any longer encounter himself, i.e. his essence. Man stands so decisively in attendance on the challenging-forth of Enframing that he does not apprehend Enframing as a claim, that he fails to see himself as the one spoken to, and hence also fails in every way to hear in what respect he ek-sists, from out of his essence, in the realm of an exhortation or address, and thus can never encounter only himself.

I think with sadness of all the books I’ve read, all the places I’ve seen, all the knowledge I’ve amassed and that will be no more. All the music, all the paintings, all the culture, so many places: and suddenly nothing. They made no honey, those things, they can provide no one with any nourishment. At the most, if my books are still read, the reader will think: There wasn’t much she didn’t see! But that unique sum of things, the experience that I lived, with all its order and its randomness — the Opera of Peking, the arena of Huelva, the candomblé in Bahía, the dunes of El-Oued, Wabansia Avenue, the dawns in Provence, Tiryns, Castro talking to five hundred thousand Cubans, a sulphur sky over a sea of clouds, the purple holly, the white nights of Leningrad, the bells of the Liberation, an orange moon over the Piraeus, a red sun rising over the desert, Torcello, Rome, all the things I’ve talked about, others I have left unspoken — there is no place where it will all live again. At

Questions are not happenstance thoughts nor are questions common problems of today which one picks up from hearsay and booklearning and decks out with a gesture of profundity questions grow out of confrontation with the subject matter and the subject matter is there only where eyes are, it is in this manner that questions will be posed and all the more considering that questions that have today fallen out of fashion in the great industry of problems. One stands up for nothing more than the normal running of the industry. Philosophy interprets its corruption as the resurrection of metaphysics.

To this man, who overcomes himself, Nietzsche gives a name which is easily misunderstood. He calls him 'the superman'. But Nietzsche does not mean a type who casts off 'humanity,' to make sheer caprice the law and titanic rage the rule. The superman is the man who first leads the essential nature of existing man over into its truth, and so assumes that truth. Existing man, by being thus determined and secured, in his essential nature, is to be rendered capable of becoming the future master of the earth — of wielding to high purpose the powers that will fall to future man in the nature of the technological transformation of the earth and of human activity. The essential figure of this man, the superman rightly understood, is not a product of an unbridled and degenerate imagination rushing headlong into the void.

Freedom, for him, lay at the heart of all human experience, and this set humans apart from all other kinds of object. Other things merely sit in place, waiting to be pushed or pulled around. Even non-human animals mostly follow the instincts and behaviours that characterise their species, Sartre believed. But as a human being, I have no predefined nature at all. I create that nature through what I choose to do. Of course I may be influenced by my biology, or by aspects of my culture and personal background, but none of this adds up to a complete blueprint for producing me. I am always one step ahead of myself, making myself up as I go along. Sartre

Dasein does not fill up a track or stretch ‘of life’ — one which is somehow present-at-hand — with the phases of its momentary actualities. It stretches itself along in such a way that its own being is constituted in advance as a stretching-along. The ‘between’ which relates to birth and death already lies in the being of Dasein … It is by no means the case that Dasein ‘is’ actual in a point of time, and that, apart from this, it is ‘surrounded’ by the non-actuality of its birth and death. Understood existentially, birth is not … something past in the sense of something no longer present-at-hand; and death is just as far from having the kind of being of something … not yet present-at-hand but coming along … Factical Dasein exists as born; and, as born, it is already dying, in the sense of being-towards-death. As long as Dasein factically exists, both the ‘ends’ and their ‘between’ *are*, and they are in the only way possible on the basis of Dasein’s being as *care* … As care, Dasein is the ‘between’.

In fabricating equipment—e.g., an ax—stone is used, and used up. It disappears into usefulness. The material is all the better and more suitable the less it resists perishing in the equipmental being of the equipment. By contrast the temple-work, in setting up a world, does not cause the material to disappear, but rather causes it to come forth for the very first time and to come into the Open of the work's world. The rock comes to bear and rest and so first becomes rock; metals come to glitter and shimmer, colors to glow, tones to sing, the word to speak. All this comes forth as the work sets itself back into the massiveness and heaviness of stone, into the firmness and pliancy of wood, into the hardness and luster of metal, into the lighting and darkening of color, into the clang of tone, and into the naming power of the word.

Dasein exists as an entity for which, in its Being, that Being is itself an issue. Essentially ahead of itself, it has projected itself upon its potentiality-for-Being before going on to any mere consideration of itself. In its projection it reveals itself as something which has been thrown. It has been thrownly abandoned to the ‘world’, and falls into it concernfully.(1) As care—that is, as existing in the unity of the projection which has been fallingly thrown—this entity has been disclosed as a “there”. As being with Others, it maintains itself in an average way of interpreting—a way which has been Articulated in discourse and expressed in language. Being-in-the-world has always expressed itself, and as Being alongside entities encountered within-the-world, it constantly expresses itself in addressing itself to the very object of its concern and discussing it. The concern of circumspective common sense is grounded in temporality—indeed in the mode of a making-present which retains and awaits. Such concern, as concernfully reckoning up, planning, preventing, or taking precautions, always says (whether audibly or not) that something is to happen ‘then’, that something else is to be attended to ‘beforehand’, that what has failed or eluded us ‘on that former occasion’ is something that we must ‘now’ make up for.(2)