Married But Lonely Quotes

We've searched our database for all the quotes and captions related to Married But Lonely. Here they are! All 100 of them:

The older lady harrumphed. "I warned you, daughter. This scoundrel Hades is no good. You could've married the god of doctors or the god of lawyers, but noooo. You had to eat the pomegranate." "Mother-" "And get stuck in the Underworld!" "Mother, please-" "And here it is August, and do you come home like you're supposed to? Do you ever think about your poor lonely mother?" "DEMETER!" Hades shouted. "That is enough. You are a guest in my house." "Oh, a house is it?" she said. "You call this dump a house? Make my daughter live in this dark, damp-" "I told you," Hades said, grinding his teeth, "there's a war in the world above. You and Persephone are better off here with me." "Excuse me," I broke in. "But if you're going to kill me, could you just get on with it?
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
And I knew in my bones that Emily Dickinson wouldn't have written even one poem if she'd had two howling babies, a husband bent on jamming another one into her, a house to run, a garden to tend, three cows to milk, twenty chickens to feed, and four hired hands to cook for. I knew then why they didn't marry. Emily and Jane and Louisa. I knew and it scared me. I also knew what being lonely was and I didn't want to be lonely my whole life. I didn't want to give up on my words. I didn't want to choose one over the other. Mark Twain didn't have to. Charles Dickens didn't.
Jennifer Donnelly (A Northern Light)
He thought of the number of girls and women she had seen marry, how many homes with children in them she had seen grow up around her, how she had contentedly pursued her own lone quite path-for him. ~ Stephen speaking of Rachael
Charles Dickens (Hard Times)
That's impossible," I replied. Diane Monroe and Ryan Bauer had been together for four years. They were supposed to get married, have 2.4 kids, and have a 50 percent chance of living happily ever after.
Elizabeth Eulberg (The Lonely Hearts Club (The Lonely Hearts Club, #1))
When I was younger, I think what I wanted was to travel the world, to lead a glamorous life, to be celebrated for my work, to marry a great intellectual, to reject everything I had been raised with, to cut myself off from the narrow world. I feel very embarrassed by all that now, but I was lonely and unhappy, and I didn’t understand that these feelings were ordinary, that there was nothing singular about my loneliness, my unhappiness.
Sally Rooney (Beautiful World, Where Are You)
I sit down on the bed, cradling her little head against my shoulder, inhaling her sweet baby scent. Someday she'll get older, and the world will start having its way with her. She'll throw temper tantrums, she'll need speech therapy, she'll grow breasts and have pimples, she'll fight with her parents, she'll worry about her weight, she'll put out, she'll have her heart broken, she'll be happy, she'll be lonely, she'll be complicated, she'll be confused, she'll be depressed, she'll fall in love and get married, and she'll have a baby of her own. But right now she is pure and undiminished and beautiful.
Jonathan Tropper (This is Where I Leave You)
I married my love in the springtime, but by summer he'd locked me away. He'd murdered me dead by the autumn, & by winter I was naught but decay. It's cold where I am and so lonely, but in loneliness I will remain. Unloved, unavenged, & forgotten, until I am whole once again.
Emily Carroll (Through the Woods)
I'd rather be single, happy, and lonely sometimes than married, lonely, and happy sometimes.
Mark Mathias (You Are Loved . . . an email memoir)
I may be, tied up, but at least, I am HIS. I may be hurting, But I am HIS, I may be reluctant, but I am HIS, I may be lonely, but I am HIS, I may be frustrated, but I am HIS, That’s why I am praising Him, because I’m glad He tied me up. He stopped me from doing the things I would have done, that would’ve messed up myself. When I look at how my friends got loosed, I thank Him for tying me up. When I look at how the neighborhood boys are locked up in jail, I thank Him for tying me up. I am not happy about it then, but I’m glad about it now. When I think about the person I almost married, When I think about the job I almost got, When I think about the people who wouldn’t let me join their clique, When I think about the people who stops talking to me, I thank Him for tying me up. I thank Him for the rope that got me tied up.
T.D. Jakes
I believe every...man remembers the girl he thinks he should have married. She reappears to him in his lonely moments, or he sees her in the face of a young girl in the park, buying a snowball under an oak tree by the baseball diamond. But she belongs to back there, to somebody else, and that thought sometimes rends your heart in a way that you never share with anyone else.
James Lee Burke (Black Cherry Blues (Dave Robicheaux, #3))
I was told The average girl begins to plan her wedding at the age of 7 She picks the colors and the cake first By the age of 10 She knows time, And location By 17 She’s already chosen a gown 2 bridesmaids And a maid of honor By 23 She’s waiting for a man Who wont break out in hives when he hears the word “commitment” Someone who doesn’t smell like a Band-Aid drenched in lonely Someone who isn’t a temporary solution to the empty side of the bed Someone Who’ll hold her hand like it’s the only one they’ve ever seen To be honest I don’t know what kind of tux I’ll be wearing I have no clue what want my wedding will look like But I imagine The women who pins my last to hers Will butterfly down the aisle Like a 5 foot promise I imagine Her smile Will be so large that you’ll see it on google maps And know exactly where our wedding is being held The woman that I plan to marry Will have champagne in her walk And I will get drunk on her footsteps When the pastor asks If I take this woman to be my wife I will say yes before he finishes the sentence I’ll apologize later for being impolite But I will also explain him That our first kiss happened 6 years ago And I’ve been practicing my “Yes” For past 2, 165 days When people ask me about my wedding I never really know what to say But when they ask me about my future wife I always tell them Her eyes are the only Christmas lights that deserve to be seen all year long I say She thinks too much Misses her father Loves to laugh And she’s terrible at lying Because her face never figured out how to do it correctl I tell them If my alarm clock sounded like her voice My snooze button would collect dust I tell them If she came in a bottle I would drink her until my vision is blurry and my friends take away my keys If she was a book I would memorize her table of contents I would read her cover-to-cover Hoping to find typos Just so we can both have a few things to work on Because aren’t we all unfinished? Don’t we all need a little editing? Aren’t we all waiting to be proofread by someone? Aren’t we all praying they will tell us that we make sense She don’t always make sense But her imperfections are the things I love about her the most I don’t know when I will be married I don’t know where I will be married But I do know this Whenever I’m asked about my future wife I always say …She’s a lot like you
Rudy Francisco
God spreads the heavens above us like great wings And gives a little round of deeds and days, And then come the wrecked angels and set snares, And bait them with light hopes and heavy dreams, Until the heart is puffed with pride and goes Half shuddering and half joyous from God's peace; And it was some wrecked angel, blind with tears, Who flattered Edane's heart with merry words. Come, faeries, take me out of this dull house! Let me have all the freedom I have lost; Work when I will and idle when I will! Faeries, come take me out of this dull world, For I would ride with you upon the wind, Run on the top of the dishevelled tide, And dance upon the mountains like a flame. I would take the world And break it into pieces in my hands To see you smile watching it crumble away. Once a fly dancing in a beam of the sun, Or the light wind blowing out of the dawn, Could fill your heart with dreams none other knew, But now the indissoluble sacrament Has mixed your heart that was most proud and cold With my warm heart for ever; the sun and moon Must fade and heaven be rolled up like a scroll But your white spirit still walk by my spirit. When winter sleep is abroad my hair grows thin, My feet unsteady. When the leaves awaken My mother carries me in her golden arms; I'll soon put on my womanhood and marry The spirits of wood and water, but who can tell When I was born for the first time? The wind blows out of the gates of the day, The wind blows over the lonely of heart, And the lonely of heart is withered away; While the faeries dance in a place apart, Shaking their milk-white feet in a ring, Tossing their milk-white arms in the air; For they hear the wind laugh and murmur and sing Of a land where even the old are fair, And even the wise are merry of tongue; But I heard a reed of Coolaney say-- When the wind has laughed and murmured and sung, The lonely of heart is withered away.
W.B. Yeats (The Land of Heart's Desire)
THE BAGPIPE WHO DIDN'T SAY NO It was nine o'clock at midnight at a quarter after three When a turtle met a bagpipe on the shoreside by the sea, And the turtle said, "My dearie, May I sit with you? I'm weary." And the bagpipe didn't say no. Said the turtle to the bagpipe, "I have walked this lonely shore, I have talked to waves and pebbles--but I've never loved before. Will you marry me today, dear? Is it 'No' you're going to say dear?" But the bagpipe didn't say no. Said the turtle to his darling, "Please excuse me if I stare, But you have the plaidest skin, dear, And you have the strangest hair. If I begged you pretty please, love, Could I give you just one squeeze, love?" And the bagpipe didn't say no. Said the turtle to the bagpipe, "Ah, you love me. Then confess! Let me whisper in your dainty ear and hold you to my chest." And he cuddled her and teased her And so lovingly he squeezed her. And the bagpipe said, "Aaooga." Said the turtle to the bagpipe, "Did you honk or bray or neigh? For 'Aaooga' when your kissed is such a heartless thing to say. Is it that I have offended? Is it that our love is ended?" And the bagpipe didn't say no. Said the turtle to the bagpipe, "Shall i leave you, darling wife? Shall i waddle off to Woedom? Shall i crawl out of your life? Shall I move, depart and go, dear-- Oh, I beg you tell me 'No' dear!" But the bagpipe didn't say no. So the turtle crept off crying and he ne'er came back no more, And he left the bagpipe lying on that smooth and sandy shore. And some night when tide is low there, Just walk up and say, "Hello, there," And politely ask the bagpipe if this story's really so. I assure you, darling children, the bagpipe won't say "No.
Shel Silverstein
She liked the idea of being ruined. She was curious to see what would happen to her if no man would marry her. It seemed like the most likely way to have an adventure.
Heather O'Neill (The Lonely Hearts Hotel)
People don’t get married for the right reasons anymore, not that they ever did. In the past it was for status or money, and now it’s only to be sure you won’t be lonely and miserable—two things nearly every married person still feels anyway
Anna Todd (After We Collided (After, #2))
While bachelors are lonely people, I'm convinced that married men are lonely people with dependents.
Kurt Vonnegut Jr. (Look at the Birdie: Unpublished Short Fiction)
How easily such a thing can become a mania, how the most normal and sensible of women once this passion to be thin is upon them, can lose completely their sense of balance and proportion and spend years dealing with this madness.
Kathryn Hurn (HELL HEAVEN & IN-BETWEEN: One Woman's Journey to Finding Love)
Life, after all, was a secret with the self. The more one gave out, the less there remained for the center--that center which she coveted for herself and recognized instantly in others. Fruits had it, the very heart of, say, a cherry, where the true worth and flavor lay. Some of course were flawed or hollow in there. Many, in fact.
Edna O'Brien (The Country Girls Trilogy 'the Country Girls', ' the Lonely Girl', 'Girls in Their Married Bliss)
And I think, "I'm so fucking lonely". I go home and cry for a while. I am almost 32. That's not old especially in New York. But the fact is it has been years since I even liked someone. So how likely is it I'll meet someone I love enough to marry? I'm tired of not knowing who I'll be with, or if I'll be with anyone.
Gillian Flynn (Gone Girl)
These women lived their lives happily. They had been taught, probably by loving parents, not to exceed the boundaries of their happiness regardless of what they were doing. But therefore they could never know real joy. Which is better? Who can say? Everyone lives the way she knows best. What I mean by 'their happiness' is living a life untouched as much as possible by the knowledge that we are really, all of us, alone. That's not a bad thing. Dressed in their aprons, their smiling faces like flowers, learning to cook, absorbed in their little troubles and perplexities, they fall in love and marry. I think that's great. I wouldn't mind that kind of life. Me, when I'm utterly exhausted by it all, my skin breaks out, on those lonely evenings when I call my friends again and again and nobody's home, then I despise my own life - my birth, my upbringing, everything. I feel only regret for the whole thing.
Banana Yoshimoto (Kitchen)
Later, when we've found this mysterious ship of Hector's and are safely away, when I have time to rest and worry and a quiet corner to hide in, I will coldly remember that being a queen means being strategic. And I will imagine sending off the man I love to marry my sister. I'll rehearse it in my head, maybe. Get used to the feeling.
Rae Carson (The Crown of Embers (Fire and Thorns, #2))
When she was little, someone gave her some weird book called The Wife Store. It was about a very lonely man who decided that he wanted to get married. So he went to the wife store, where endless women lined enormous shelves. He picked himself a wife and bought her. She was bagged up and put in a cart. He took her home. After that, the two of them went to the children store to buy a few kids. Petey read this book over and over. Not because she liked it, but because she kept waiting for the story to change, kept waiting for the day she'd turn the page and a woman would get to the husband store. She kept waiting for justice. But, of course, the story never changed. She never got justice. If Petey were keeping one of her lists of the things she hated, she wold have to add: the fact that there was no justice. But The Wife Store was still on her shelf at home, if only to remind her that there were assholes in the world who would write such things, believe such things.
Laura Ruby (Bone Gap)
We are afraid of dying alone, but no one really knows lonely better than a married woman sitting next to her silent husband.
Lyz Lenz (This American Ex-Wife: How I Ended My Marriage and Started My Life)
There are people who cannot say good-bye They are born this way/this is how they die They are the keepers of promises/what moves them does not wear out Their loyalty will tear apart your clocks These are the people who can hear the music in songs They are the Vow carriers The grandmothers who always leave the porchlight on No one is lost to the one who sees These are the women widowed by men they never married These are the girls who wait even when you don't come These are the mothers of orphans/They can turn a fake into an original They will hear the prayer in your self-contempt As distance is measured/people do not end It is one of those stories that cannot be written down except across a lifetime of open doors There is a holding on beyond the letting go There is a reunion in everybody's chest This is how we come to make a family from strangers This is how we light candles These are people who will remember you when you meet them These are the people you can always call at night They are humans turned angels by your asking With each separation they go to seed again. These are the men who carried you on their shoulders This is the one your are lonely for the one who begins and ends your hunger This is the man who said "Always" There is something that does not wear out It is the third part of any two people who join It opens and closes There are people who are alone who are not apart This is why we listen to the madman when he speaks People change but they do not stop This is how we learn "Forever" There are people you can count on/They are the keepers of promises They are candles lit from each other They can teach us eternity We can get what we can give/This is the instruction There are people who do not say goodbye As distance is measured You are one of them
Merrit Malloy (The People Who Didn't Say Goodbye)
Jesus fucking Christ, don’t have a kid or get married because you’re worried about being alone,’ she said, rubbing my back. I sat upright in my chair and she held me by my shoulders. ‘Be alone, Jen. You know how to be alone without being lonely. Do you know how rare that is? Do you know how much I wish I could do that? It’s a wonderful thing you’ve got going on there.’ Avi came into the kitchen and put the kettle
Dolly Alderton (Good Material)
Today Tibe said he loves me, that he wants to marry me. I do not believe him. Why would he want such a thing? I am no one of consequence. No great beauty or intellect, no strength or power to aid his reign. I bring nothing to him but worry and weight. He needs someone strong at his side, a person who laughs at the gossips and overcomes her own doubts. Tibe is as weak as I am, a lonely boy without a path of his own. I will only make things worse. I will only bring him pain. How can I do that?
Victoria Aveyard (Queen Song (Red Queen, #0.1))
Once upon a time, there lived a boy and a girl. The boy was eighteen and the girl sixteen. He was not unusually handsome, and she was not especially beautiful. They were just an ordinary lonely boy and an ordinary lonely girl, like all the others. But they believed with their whole hearts that somewhere in the world there lived the 100% perfect boy and the 100% perfect girl for them. Yes, they believed in a miracle. And that miracle actually happened. One day the two came upon each other on the corner of a street. “This is amazing,” he said. “I’ve been looking for you all my life. You may not believe this, but you’re the 100% perfect girl for me.” “And you,” she said to him, “are the 100% perfect boy for me, exactly as I’d pictured you in every detail. It’s like a dream.” They sat on a park bench, held hands, and told each other their stories hour after hour. They were not lonely anymore. They had found and been found by their 100% perfect other. What a wonderful thing it is to find and be found by your 100% perfect other. It’s a miracle, a cosmic miracle. As they sat and talked, however, a tiny, tiny sliver of doubt took root in their hearts: Was it really all right for one’s dreams to come true so easily? And so, when there came a momentary lull in their conversation, the boy said to the girl, “Let’s test ourselves - just once. If we really are each other’s 100% perfect lovers, then sometime, somewhere, we will meet again without fail. And when that happens, and we know that we are the 100% perfect ones, we’ll marry then and there. What do you think?” “Yes,” she said, “that is exactly what we should do.” And so they parted, she to the east, and he to the west. The test they had agreed upon, however, was utterly unnecessary. They should never have undertaken it, because they really and truly were each other’s 100% perfect lovers, and it was a miracle that they had ever met. But it was impossible for them to know this, young as they were. The cold, indifferent waves of fate proceeded to toss them unmercifully. One winter, both the boy and the girl came down with the season’s terrible inluenza, and after drifting for weeks between life and death they lost all memory of their earlier years. When they awoke, their heads were as empty as the young D. H. Lawrence’s piggy bank. They were two bright, determined young people, however, and through their unremitting efforts they were able to acquire once again the knowledge and feeling that qualified them to return as full-fledged members of society. Heaven be praised, they became truly upstanding citizens who knew how to transfer from one subway line to another, who were fully capable of sending a special-delivery letter at the post office. Indeed, they even experienced love again, sometimes as much as 75% or even 85% love. Time passed with shocking swiftness, and soon the boy was thirty-two, the girl thirty. One beautiful April morning, in search of a cup of coffee to start the day, the boy was walking from west to east, while the girl, intending to send a special-delivery letter, was walking from east to west, but along the same narrow street in the Harajuku neighborhood of Tokyo. They passed each other in the very center of the street. The faintest gleam of their lost memories glimmered for the briefest moment in their hearts. Each felt a rumbling in their chest. And they knew: She is the 100% perfect girl for me. He is the 100% perfect boy for me. But the glow of their memories was far too weak, and their thoughts no longer had the clarity of fouteen years earlier. Without a word, they passed each other, disappearing into the crowd. Forever. A sad story, don’t you think?
Haruki Murakami (The Elephant Vanishes)
Given all the stress and pressure, some people would fake it. They’d want to join the club, so they’d get together with another lonely person and stage a fake soul mate encounter. They’d marry, hide their relationship problems, and struggle to present a happy face to their friends and family.
Randall Munroe (What If?: Serious Scientific Answers to Absurd Hypothetical Questions)
By marrying her, Tony Takitani brought the lonely period of his life to an end. When he awoke in the morning, the first thing he did was look for her. When he found her sleeping next to him, he felt relief. When she wasn't there, he felt anxious and searched the house for her. There was something odd for him about not feeling lonely. The very fact that he had ceased to be lonely caused him to fear the possibility of becoming lonely again.
Haruki Murakami (Tony Takitani)
I kept thinking of an old Robert Mitchum cowboy movie where he goes back to see the farmhouse where he was born and finds the house falling apart and an old man living in it by himself. "Lonely place," Robert Mitchum says. The old man says, "Nothing wrong with a lonely place as long as it's private. That's why I never married. Marriage is lonely, but it ain't private." That was always my most intense fear about getting married: When everything sucked and I was by myself, I thought, Well, at least I don't have another miserable person to worry about. I figured if you gave up your private place and it still turns out to be lonely, you're just screwed.
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
He probably knew that any man she took up with now would only pay in pain for what had happened between her and Eugene; the brutal logic of wronged lovers taking their revenge on innocents and outsiders.
Edna O'Brien (The Country Girls Trilogy & Epilogue [The Country Girls, The Lonely Girl, Girls in their married bliss].)
I have been a widower for nigh fifty years, but I am never alone. We had eight good years together, and they’ve lasted me the entire eighty. It’s like that, you see, when you can marry where your heart lies.
Grace Burrowes (Gabriel: Lord of Regrets (Lonely Lords, #5))
FatherMichael: OK we should get on with this; I don’t want to be late for my 2 o’clock. First I have to ask, is there anyone in here who thinks there is any reason why these two should not be married? LonelyLady: Yes. SureOne: I could give more than one reason. Buttercup: Hell yes. SoOverHim: DON’T DO IT! FatherMichael: Well I’m afraid this has put me in a very tricky predicament. Divorced_1: Father we are in a divorced chat room, of course they all object to marriage. Can we get on with it?
Cecelia Ahern (Love, Rosie)
Independence can be depressing at times because it can feel disconnected and lonely, but independence can also be exhilarating because we start to realize what we’re capable of and develop our own sense of autonomy.
Marshall Segal (Not Yet Married: The Pursuit of Joy in Singleness and Dating)
The men came to mind as mostly idle between nights of running wild or time in the pen, cooking moon and gathering around the spout, with ears chewed, fingers chopped, arms shot away, and no apologies grunted ever. The women came to mind bigger, closer, with their lonely eyes and homely yellow teeth, mouths clamped against smiles, working in the hot fields from can to can't, hands tattered rough as dry cobs, lips cracked all winter, a white dress for marrying, a black dress for burying, and Ree nodded yup. Yup.
Daniel Woodrell (Winter's Bone)
Is there some lesson on how to be friends? I think what it means is that central to living A life that is good is a life that's forgiving. We're creatures of contact, regardless of whether to kiss or to wound, we still must come together. Like in Annie Hall, we endure twists and torsions For food we don't like, and in such tiny portions! But, like hating a food but still asking for more It beats staying dry but so lonely on shore. So we make ourselves open, while knowing full well It's essentially saying, 'Please, come pierce my shell.
David Rakoff (Love, Dishonor, Marry, Die, Cherish, Perish)
It just wasn’t supposed to end like this.” She looks at me with red-rimmed eyes and yellow skin. Colors should be a good thing, but now, they’re marks, omens of bad tidings. “I was supposed to grow up, go to college, get a job,” she continues in that gut-clenching croak. “Meet my dream guy, marry, have k-kids. You were going to live next door and we would grow old in the same nursing home. Chuck oatmeal at each other and watch soap operas all day in our rocking chairs. That was my daydream. My perfect life. I don’t want to keep asking myself why until the end, but … ” A lone tear trails down her sunken cheek. This time I don’t reach out to wipe the water away; I let it go. Down, down, until it drips off the side of her jaw. This is humanity. This is life and death in one room.
Kelsey Sutton (Some Quiet Place (The Other Plane, #1))
While other girls are going to dances and the theatres and courting and marrying for love,” Katherine said mournfully, “I have to remain here and watch painful death approach. I am so lonely.”5
Kate Moore (The Radium Girls: The Dark Story of America's Shining Women)
Loneliness is treated like the ultimate taboo; at the same time, it’s regarded as a trifle. That to be a thirty-seven-year-old who has spent a decade without someone to hold her hand at the doctor’s office is akin to being a thirteen-year-old sighing over a boy band. Again, I know—‘single’ is not a synonym for ‘lonely.’ I know there are many lonely married people, as well as lots of single people who have a rich network of deep social connections—friends, sisters, daughters, nephews, etc.—whose lives are as far from Heller’s unhappy narrator as can be. But for many of us, living alone in a society that is so rigorously constructed around couples and nuclear families is hard on the soul.
Sara Eckel (It's Not You: 27 (Wrong) Reasons You're Single)
..."Wouldn't you rather be off with some fellow who can take you to meet his parents, give you a ring someday?" "No." Mab seemed to love being married, and clearly Osla wanted to be, but Beth didn't feel that tug. She'd just got out of a household that felt like a prison; the thought of starting things up with a man who might trap her in another household someday made her want to scratch and howl.
Kate Quinn (The Rose Code)
Someday she'll get older, and the world will start having its way with her. She'll throw temper tantrums, she'll need therapy, she'll grow breasts and have pimples, she'll fight with her parents, she'll worry about her weight, she'll put out, she'll have her heart broken, she'll be happy, she'll be lonely, she'll be complicated, she'll be confused, she'll be depressed, she'll fall in love and get married, and she'll have a baby of her own. But right now, she is pure and undiminished and beautiful.
Jonathan Tropper (This is Where I Leave You)
FatherMichael: OK we should get on with this; I don’t want to be late for my 2 o’clock. First I have to ask, is there anyone in here who thinks there is any reason why these two should not be married? LonelyLady: Yes. SureOne: I could give more than one reason. Buttercup: Hell yes. SoOverHim: DON’T DO IT!
Cecelia Ahern (Love, Rosie)
But I must say, it's a lonely business fucking someone you no longer love. Especially a husband. Tough, funny, vulgar, cynical, it was a classic Ava Gardner line. It rolled off the tongue. I didn't want to lose it. The problem was I couldn't reconcile it with something she had told me earlier--that she was "even more in love with all three of my husbands the day I left them than the day we married." -author Peter Evans
Peter Evans (Ava Gardner: The Secret Conversations)
I'm not lonely." "I didn't think I was either." I shrug so my cloak falls closed in front of me. "Do you want me to marry Mr. Doyle because you think I need a man to protect me? Or complete me? I'll pass on that, thank you very much." "No," he says. "I just wish you had someone cheering for you all the time, because you deserve it.
Mackenzi Lee (The Lady's Guide to Petticoats and Piracy (Montague Siblings, #2))
Don’t stay married to your job too long,” she says. “One of these days you’re going to wake up and you might be lonely, and you’ve squandered the best years of your life away for the one thing that can never love you back.
Winter Renshaw (Heartless (Amato Brothers, #1))
If we were all looking for something 'easy come and easy go', then all of our lives would be easy. The problem is that we look for something real, don't we? And it is this longing for what is real, that makes finding the right person to be the most difficult task in the world. You can marry someone and promise the rest of your life to the person, only to find out later that this person makes you feel lonely. If we had no innate longing for true love and for true partnership, then none of us would have any problems! Therefore, the most frightening question to ponder upon, is, 'what if true love does not exist; what if the real stuff isn't real at all?' In such a case, life would be meaningless. I suppose I would rather believe in love relentlessly, than live in this world meaninglessly.
C. JoyBell C.
But what was so great about marriage? I had been married and married. It had its good points, but it also had its bad. The virtues of marriage were mostly negative virtues. Being unmarried in a man's world was such a hassle that anything had to be better. Marriage was better. But not much. Damned clever, I thought, how men had made life so intolerable for single women that most would gladly embrace even bad marriages instead. Almost anything had to be an improvement on hustling for your own keep at some low-paid job and fighting off unattractive men in your spare time while desperately trying to ferret out the attractive ones. Though I've no doubt that being single is just as lonely for a man, it doesn't have the added extra wallop of being downright dangerous, and it doesn't automatically imply poverty and the unquestioned status of a social pariah. Would most women get married if they knew what it meant? I think of young women following their husbands wherever their husbands follow their jobs. I think of them suddenly finding themselves miles away from friends and family, I think of them living in places where they can't work, where they can't speak the language. I think of them making babies out of their loneliness and boredom and not knowing why. I think of their men always harried and exhausted from being on the make. I think of them seeing each other less after marriage than before. I think of them falling into bed too exhausted to screw. I think of them farther apart in the first year of marriage than they ever imagined two people could be when they were courting. And then I think of the fantasies starting. He is eyeing the fourteen-year-old postnymphets in bikinis. She covets the TV repairman. The baby gets sick and she makes it with the pediatrician. He is fucking his masochistic little secretary who reads Cosmopolitan and things herself a swinger. Not: when did it all go wrong? But: when was it ever right? ....... I know some good marriages. Second marriages mostly. Marriages where both people have outgrown the bullshit of me-Tarzan, you-Jane and are just trying to get through their days by helping each other, being good to each other, doing the chores as they come up and not worrying too much about who does what. Some men reach that delightfully relaxed state of affairs about age forty or after a couple of divorces. Maybe marriages are best in middle age. When all the nonsense falls away and you realize you have to love one another because you're going to die anyway.
Erica Jong (Fear of Flying)
That’s why I never married. Marriage is lonely, but it ain’t private.” That was always my most intense fear about getting married: When everything sucked and I was by myself, I thought, Well, at least I don’t have another miserable person to worry about. I figured if you give up your private place and it still turns out to be lonely, you’re just screwed. So I felt safer not even thinking about it.
Rob Sheffield (Love is a Mix Tape)
The older lady harrumphed. “I warned you, daughter. This scoundrel Hades is no good. You could’ve married the god of doctors or the god of lawyers, but noooo. You had to eat the pomegranate.” “Mother—” “And get stuck in the Underworld!” “Mother, please—” “And here it is August, and do you come home like you’re supposed to? Do you ever think about your poor lonely mother?” “DEMETER!” Hades shouted.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
She thought too that women didn't know what to do with themselves these days which could turn them into harridans. Hardly a female friend she knew wasn't miserable. Either mind dumb with children, or in the married condition married to an earnest toiler, or lonely unmarried in their successful career.
J.P. Donleavy (The Lady Who Liked Clean Restrooms: The Chronicle of One of the Strangest Stories Ever to Be Rumoured About Around New York)
The convent was a gray stone building with hundreds of small square curtainless windows, like so many eyes spying out on the wet sinful town.
Edna O'Brien (The Country Girls Trilogy)
Waiting for something to happen in the deathly, unhappy silence.
Edna O'Brien (The Country Girls Trilogy)
Even married people get lonely.
Nancy J. Parra (Wyoming Wedding (Morgan Brothers Romance Book 4))
I mean that most people, whether or not they're married, are lonely inside. They have no one to talk to about their thoughts and emotions. That's what I miss the most.
Anne Frank
But Nora knew all too well that it was possible for two lonely people to meet, believe they’d fallen in love, and marry, only to discover—years later—that their loneliness remained.
Ellery Adams (The Secret, Book, & Scone Society (Secret, Book, & Scone Society, #1))
A town for men like him, who would never be accepted as white but refused to be treated like Negroes. A third place. His mother, rest her soul, had hated his lightness; when he was a boy, she’d shoved him under the sun, begging him to darken. Maybe that’s what made him first dream of the town. Lightness, like anything inherited at great cost, was a lonely gift. He’d married a mulatto even lighter than himself. She was pregnant then with their first child, and he imagined his children’s children’s children, lighter still, like a cup of coffee steadily diluted with cream. A more perfect Negro. Each generation lighter than the one before.
Brit Bennett (The Vanishing Half)
He married and made a home. He went endlessly from house to house and spoke the mission and the truth. The hopeless suffering of his people made in him a madness, a wild and evil feeling of destruction. At times he drank strong liquor and beat his head against the floor. In his heart there was a savage violence, and once he grasped the poker from the hearth and struck down his wife. She took Hamilton, Karl Marx, William, and Portia with her to her father's home. He wrestled in his spirit and fought down the evil blackness. But Daisy did not come back. And eight years later when she died his sons were not children anymore and they did not return to him. He was left an old man in an empty house.
Carson McCullers (The Heart Is a Lonely Hunter)
As for Katherine Schaub, nobody even saw her anymore: she stayed at home and refused to go out. “While other girls are going to dances and the theatres and courting and marrying for love,” Katherine said mournfully, “I have to remain here and watch painful death approach. I am so lonely.”5 She left the house only to attend church. While Katherine had not been especially religious before, she now pronounced, “You don’t know what a consolation I obtain from going to mass.
Kate Moore (The Radium Girls: The Dark Story of America's Shining Women)
Oh, God, who does not exist, you hate women, otherwise you’d have made them different. And Jesus, who snubbed your mother, you hate them more. Roaming around all that time with a bunch of men, fishing; and Sermons on the Mount. Abandoning women.
Edna O'Brien (The Country Girls: Three Novels and an Epilogue: (The Country Girl; The Lonely Girl; Girls in Their Married Bliss; Epilogue) (FSG Classics))
I have a father and mother, four sisters, and three brothers, but I have not had a family since puberty. I had to live among them secretly, like one who conceals leprosy. It was not their fault that I was made into a thespian. I had to dance with girls at festal, I had to flirt with girls in the playground of the school and when taking the evening passeggiata in the piazza. I had to answer my grandmother when she asked me what kind of girl would I like to marry and whether I wanted sons or daughters. I had to listen with delight to my friends describing the intricacies of the female pudenda, I had to learn to relate fabulous histories of what I had done with girls. I learned to be more lonely than it ought to be possible to feel.
Louis de Bernières (Captain Corelli's Mandolin filmscript)
FatherMichael has entered the room Wildflower: Ah don’t tell me you’re through a divorce yourself Father? SureOne: Don’t be silly Wildflower, have a bit of respect! He’s here for the ceremony. Wildflower: I know that. I was just trying to lighten the atmosphere. FatherMichael: So have the loving couple arrived yet? SureOne: No but it’s customary for the bride to be late. FatherMichael: Well is the groom here? SingleSam has entered the room Wildflower: Here he is now. Hello there SingleSam. I think this is the first time ever that both the bride and groom will have to change their names. SingleSam: Hello all. Buttercup: Where’s the bride? LonelyLady: Probably fixing her makeup. Wildflower: Oh don’t be silly. No one can even see her. LonelyLady: SingleSam can see her. SureOne: She’s not doing her makeup; she’s supposed to keep the groom waiting. SingleSam: No she’s right here on the laptop beside me. She’s just having problems with her password logging in. SureOne: Doomed from the start. Divorced_1 has entered the room Wildflower: Wahoo! Here comes the bride, all dressed in . . . SingleSam: Black. Wildflower: How charming. Buttercup: She’s right to wear black. Divorced_1: What’s wrong with misery guts today? LonelyLady: She found a letter from Alex that was written 12 years ago proclaiming his love for her and she doesn’t know what to do. Divorced_1: Here’s a word of advice. Get over it, he’s married. Now let’s focus the attention on me for a change. SoOverHim has entered the room FatherMichael: OK let’s begin. We are gathered here online today to witness the marriage of SingleSam (soon to be “Sam”) and Divorced_1 (soon to be “Married_1”). SoOverHim: WHAT?? WHAT THE HELL IS GOING ON HERE? THIS IS A MARRIAGE CEREMONY IN A DIVORCED PEOPLE CHAT ROOM?? Wildflower: Uh-oh, looks like we got ourselves a gate crasher here. Excuse me can we see your wedding invite please? Divorced_1: Ha ha. SoOverHim: YOU THINK THIS IS FUNNY? YOU PEOPLE MAKE ME SICK, COMING IN HERE AND TRYING TO UPSET OTHERS WHO ARE GENUINELY TROUBLED. Buttercup: Oh we are genuinely troubled alright. And could you please STOP SHOUTING. LonelyLady: You see SoOverHim, this is where SingleSam and Divorced_1 met for the first time. SoOverHim: OH I HAVE SEEN IT ALL NOW! Buttercup: Sshh! SoOverHim: Sorry. Mind if I stick around? Divorced_1: Sure grab a pew; just don’t trip over my train. Wildflower: Ha ha. FatherMichael: OK we should get on with this; I don’t want to be late for my 2 o’clock. First I have to ask, is there anyone in here who thinks there is any reason why these two should not be married? LonelyLady: Yes. SureOne: I could give more than one reason. Buttercup: Hell yes. SoOverHim: DON’T DO IT! FatherMichael: Well I’m afraid this has put me in a very tricky predicament. Divorced_1: Father we are in a divorced chat room, of course they all object to marriage. Can we get on with it? FatherMichael: Certainly. Do you Sam take Penelope to be your lawful wedded wife? SingleSam: I do. FatherMichael: Do you Penelope take Sam to be your lawful wedded husband? Divorced_1: I do (yeah, yeah my name is Penelope). FatherMichael: You have already e-mailed your vows to me so by the online power vested in me, I now pronounce you husband and wife. You may kiss the bride. Now if the witnesses could click on the icon to the right of the screen they will find a form to type their names, addresses, and phone numbers. Once that’s filled in just e-mail it off to me. I’ll be off now. Congratulations again. FatherMichael has left the room Wildflower: Congrats Sam and Penelope! Divorced_1: Thanks girls for being here. SoOverHim: Freaks. SoOverHim has left the room
Cecelia Ahern (Love, Rosie)
My energies knew no bounds and I became more and more interested in civic causes, the first of which was The Tailwaggers. It was an organization that cared for abandoned and lost dogs. Its English progenitor had been started by the Duke of Windsor—now married to the lady at King’s Bench. A lifelong dog lover, I became president of the group and during my tenure of office we trained dogs for the blind. The work became infinitely satisfying and accomplished a twofold purpose. In order to raise money,
Bette Davis (The Lonely Life: An Autobiography)
Sweetheart," West murmured kindly, "listen to me. There's no need to worry. You'll either meet someone new, or you'll reconsider someone you didn't appreciate at first. Some men are an acquired taste. Like oysters, or Gorgonzola cheese." She let out a shuddering sigh. "Cousin West, if I haven't married by the time I'm twenty-five... and you're still a bachelor... would you be my oyster?" West looked at her blankly. "Let's agree to marry each other someday," she continued, "if no one else wants us. I would be a good wife. All I've ever dreamed of is having my own little family, and a happy home where everyone feels safe and welcome. You know I never nag or slam doors or sulk in corners. I just need someone to take care of. I want to matter to someone. Before you refuse-" "Lady Cassandra Ravenel," West interrupted, "that is the most idiotic idea anyone's come up with since Napoleon decided to invade Russia." Her gaze turned reproachful. "Why?" "Among a dizzying array of reasons, you're too young for me." "You're no older than Lord St. Vincent, and he just married my twin." "I'm older than him on the inside, by decades. My soul is a raisin. Take my word for it, you don't want to be my wife." "It would be better than being lonely." "What rubbish. 'Alone' and 'lonely' are entirely different things." West reached out to smooth back a dangling golden curl that had stuck against a drying tear track on her cheek. "Now, go bathe your face in cool water, and-" "I'll be your oyster," Tom broke in.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
--, carp, bleak, bream.' They did not sound like the names of fish at all, but like a litany of moods that any woman might feel any Monday morning after she'd hung out her washing and caught a glimpse of a ravishing man going somewhere alone in a motorcar.
Edna O'Brien (The Country Girls Trilogy & Epilogue [The Country Girls, The Lonely Girl, Girls in their married bliss].)
It was after midnight by a mile when I slid off the bar stool at O’Malley’s and began to walk home. O’Malley’s is an old Irish pub and though I wasn’t Irish, nor did I drink like a lot of other newspaper reporters I knew, I stopped by for a Coke nearly every evening. I liked listening to other reporters — and cops, who also frequented O’Malley’s — shoot the breeze and relate old stories that hadn’t been completely true the first time they’d been told. O’Malley’s was just somewhere to go which made every guy sipping a beer or doing shots feel a little less alone in a city like Los Angeles. Some of them still had wives, but you could tell they were lonely. Otherwise, they wouldn’t have been hanging around a bar at that hour; they’d have been finding solace in soft flesh and perfume. Maybe their wives would have been finding some solace too, and more of them would have stayed married. Most of those guys, cops and reporters alike, were working on their second or third marriage. I didn’t think they were working hard enough, but maybe that was because I didn’t have anyone to go home to.
Bobby Underwood (City of Angels)
Amy once told Joy that she had no idea how lonely it felt to be single. Joy had wanted to tell her that you could still be lonely when you were married, that there had been times when she had woken up day after day crushed with loneliness, and still made breakfast for four children.
Liane Moriarty (Apples Never Fall)
Give Me Back My Fingerprints Give me back my fingerprints My fingertips are raw If I don't get my fingerprints I'll have to call the law I touched you once too often I don't know who I am My fingerprints were missing When I wiped away the jam I called my fingerprints all night But they don't seem to care The last time that I saw them They were leafing through your hair I thought I'd leave this morning So I emptied out your drawer A hundred thousand fingerprints Floated to the floor You hardly stooped to pick them up You don't count what you lose You don't even seem to know Whose fingerprints are whose When I had to say goodbye You weren't there to find You took my fingerprints away So I would love your mind I don't pretend to understand Just what you mean by that But next time I'll inquire Before I scratch your back I wonder if my fingerprints Get lonely in the crowd There are no others like them And that should make them proud But now you want to marry me And take me down the aisle And throw confetti fingerprints You know that's not my style Sure I'd like to marry But I won't face the dawn With any girl who knew me When my fingerprints were on
Leonard Cohen
Here we all are,” said Herb Thompson, taking his cigar out and looking at it reflectively. “And life is sure funny.” “Eh?” said Mr. Stoddard. “Nothing, except here we are, living our lives, and some place else on earth a billion other people live their lives.” “That’s a rather obvious statement.” “Life,” he put his cigar back in his lips, “is a lonely thing. Even with married people. Sometimes when you’re in a person’s arms you feel a million miles away from them.” “I like that,” said his wife. “I didn’t mean it that way,” he explained, not with haste; because he felt no guilt, he took his time. “I mean we all believe what we believe and live our own little lives while other people live entirely different ones. I mean, we sit here in this room while a thousand people are dying. Some of cancer, some of pneumonia, some of tuberculosis. I imagine someone in the United States is dying right now in a wrecked car.
Ray Bradbury (Bradbury Stories: 100 of His Most Celebrated Tales)
My father scowled, warning that going to graduate school was a crazy idea for a woman. “If you’d been admitted,” he warned, “you’d never get married—you’ll turn into one of those lonely women who carry a briefcase and go to the movies alone! No, do something that really makes sense: take typing and become a secretary, or teach in an elementary school.
Elaine Pagels (Why Religion?: A Personal Story)
Useless to say that I hadn't thought of him when I was doing it. Useless to say that I always thought your acquaintanceship with one person had nothing to do with another. Or to say all the things that went on in my head, the longings, for songs, cigarettes, dark bars, telegrams, cacti, combs in your hair, the circus, nights out, life. He wouldn't understand.
Edna O'Brien (The Country Girls Trilogy & Epilogue [The Country Girls, The Lonely Girl, Girls in their married bliss].)
--her hand grazed the center of my back, testing to see if I was awake; the tentative gesture of someone in a foreign stranger's room, in the middle of the night...at an inflection point that could conceivably determine whether two people might someday get married or never see each other again, both of us lonely and longing for shelter. I pretended to be asleep.
Teddy Wayne (Apartment)
When I was younger, I think what I wanted was the travel the world, to lead a glamorous life, to be celebrated for my work, to marry a great intellectual, to reject everything I had been raised with, to cut myself off from the narrow world. I feel very embarrassed by all that now, but I was lonely and unhappy, and I didn't understand that these feelings were ordinary, that there was nothing singular about my loneliness, my unhappiness. Maybe if I had understood that, as I think I do now, at least a little bit, I would never have written those books, I would never have become this person. I don't know. I know that I couldn't write them again, or feel the way I felt about myself at that time. It was important to me then to prove that I was a special person. And in my attempt to prove it, I made it true. Only afterwards, when I had received the money and acclaim which I believed I deserved, did I understand that it was not possible for anyone to deserve these things, and by then it was too late. I had already become the person I had once longed to be, and now energetically despised.
Sally Rooney (Beautiful World, Where Are You)
But now I’m seeing that no one pays any attention to anyone else, and so many people behind these desks and phones and offices are lonely. They don’t like themselves even though they’ve done everything they’re supposed to do. They work hard, get good jobs, get married, have families, but the years still weigh them down as they try to keep up with their own expectations.
Dimitri Nasrallah (Hotline)
I think—I think,” she began hesitantly, “that I’ve always been lonely where women were concerned. It isn’t just my working that makes Atlanta ladies dislike me. They just don’t like me anyway. No woman ever really liked me, except Mother. Even my sisters. I don’t know why, but even before the war, even before I married Charlie, ladies didn’t seem to approve of anything I did—
Margaret Mitchell (Gone with the Wind)
The good and the bad of him alternated in my thoughts, as I remembered first his scowling expression and his unyielding nature and then his tenderness - he brought me toast to bed once and put lanolin on a welt of mine, and got three pillows so that I could be propped up to read. For a while I welcomed the fact that one day I would be old and dried, and no man would torment my heart.
Edna O'Brien (The Country Girls Trilogy & Epilogue [The Country Girls, The Lonely Girl, Girls in their married bliss].)
If you are married to a person who has (or might have) ADHD, you might feel ignored and lonely in your relationship. Your spouse never seems to follow up on what he agrees to do—so much so that you may feel as if you really have another child in your home instead of an adult. You feel you’re forced to remind him all the time to do things. You nag, and you’ve started to dislike the person you’ve become. The two of you either fight often or have virtually nothing to say to each other that either of you finds meaningful. You are frustrated that your spouse seems to be able to focus intently on things that interest him, but never on you. Perhaps worst of all, you feel intense stress from not knowing whether you can rely on him and feeling saddled with almost all of the responsibilities of the household, while your spouse gets to “have all the fun.
Melissa Orlov (The ADHD Effect on Marriage: Understand and Rebuild Your Relationship in Six Steps)
Finding yourself single when you’re used to being married can feel like slipping through the threads of the fabric of life. When there were two of you connected, you were big enough to stay suspended, but now you will fall through and plummet off the planet, alone. The risk is greatest when you are surrounded by intact couples and families. If you are among other single people and you feel yourself start to slip, there is always the possibility of grabbing on to another lone human.
Ariel Levy (The Rules Do Not Apply)
A lonely cloud drifted in front of the sun, casting long shadows beside him, and he clenched the reins in his fists. They’d enjoy a few weeks of stolen moments, clandestine meetings. After that, they’d say good-bye, and he’d pretend she wasn’t the best thing to ever happen to him. He’d make sure she and her family never wanted for anything, if her stubborn pride would let him. And in time, she’d meet a kind man, get married, have children, and forget him. But never, ever, would Owen forget her.
Anne Barton (When She Was Wicked (Honeycote, #1))
[W]e live in interwoven networks of terminally casual relationships. We live with the delusion that we know one another, but we really don’t. We call our easygoing, self-protective, and often theologically platitudinous conversations ‘fellowship,’ but they seldom ever reach the threshold of true fellowship. We know cold demographic details about one another (married or single, type of job, number of kids, general location of housing, etc.), but we know little about the struggle of faith that is waged every day behind well-maintained personal boundaries. One of the things that still shocks me in counselling, even after all these years, is how little I often know about people I have counted as true friends. I can’t tell you how many times, in talking with friends who have come to me for help, that I have been hit with details of difficulty and struggle far beyond anything I would have predicted. Privatism is not just practiced by the lonely unbeliever; it is rampant in the church as well.1
Vaughan Roberts (True Friendship)
who is actually delusional? Who is actually following Jesus: fundamentalist Christians rejecting gay men and lesbians’ right to marry, or atheist humanists treating men and women with love and dignity? Fact-based, enlightened atheists sometimes treat people like shit, and delusional fundamentalists sometimes miss a book event in order to help a lonely hotel maid. Labels don’t mean anything. Who cares about labels when someone is slapping you in the face? Who cares about labels when someone is saving you from drowning?
Frank Schaeffer (Why I am an Atheist Who Believes in God: How to give love, create beauty and find peace)
Not really. I’m tired and I’d like to go to bed.” “At last, we agree on something.” He moved toward her. “Oh, no, you don’t. I’m saving myself for my future husband.” “Thank you.” “It won’t be you,” she told him doggedly. “I’m not crazy enough to think that. You aren’t a marrying man, remember? You don’t want commitment.” “I don’t know what I want anymore,” he muttered. “Well, I do,” she said. “I want to go home.” “To a lonely apartment in Chicago?” “It won’t be lonely long,” she assured him. “I’m going to start my very own lonely hearts chapter.” “Over my dead body.” “Nobody would want to meet over your old dead body.
Diana Palmer (Woman Hater)
Two fears alternate in marriage, of loneliness and of bondage. The dread of loneliness being keener than the fear of bondage, we get married. For one person who fears being thus tied there are four who dread being set free. Yet the love of liberty is a noble passion and one to which most married people secretly aspire, -- in moments when they are not neurotically dependent -- but by then it is too late; the ox does not become a bull, not the hen a falcon. The fear of loneliness can be overcome, for it springs from weakness; human beings are intended to be free, and to be free is to be lonely, but the fear of bondage is the apprehension of a real danger, and so I find it all the more pathetic to watch young men and beautiful girls taking refuge in marriage from an imaginary danger, a sad loss to their friends ad a sore trial to each other. First love is the one most worth having, yet the best marriage is often the second, for we should marry only when the desire for freedom be spent; not till then does a man know whether he is the kind who can settle down. The most tragic breakings-up are of those couples who have married young and who have enjoyed seven years of happiness, after which the banked fires of passion and independence explode -- and without knowing why, for they still love each other, they set about accomplishing their common destruction.
Cyril Connolly (The Unquiet Grave: A Word Cycle by Palinurus)
When I was younger, I think what I wanted was to travel the world, to lead a glamorous life, to be celebrated for my work, to marry a great intellectual, to reject everything I had been raised with, to cut myself off from the narrow world. I feel very embarrassed by all that now, but I was lonely and unhappy, and I didn’t understand that these feelings were ordinary, that there was nothing singular about my loneliness, my unhappiness. Maybe if I had understood that, as I think I do now, at least a little bit, I would never have written those books, I would never have become this person. I don’t know. I know that I couldn’t write them again, or feel the way I felt about myself at that time.
Sally Rooney (Beautiful World, Where Are You)
it?” “Being both married and lonely is an uncomfortable combination,” said Sam. “Why were you lonely?” “I’d—I’d never met a woman who asked so little of me. She never needed to talk. She never burdened me with her problems. The only thing she ever wanted was sex. At first, it seemed perfect.” “Please don’t tell me she was also a good cook,” said Burns. “No. Horrible.” “That’s a relief. But still, she doesn’t sound like any woman—or man, for that matter—I’ve ever met. People need. All of them. There are no exceptions.” “I agree,” said Burroughs. “Most of her other needs were met by Owen.” “So, you’re saying that the primary relationship in Owen and Luna’s lives was not with their spouses but with each other.
Lisa Lutz (The Accomplice)
Ironically, even as Khomeini empowered some women, he also found ways of oppressing their entire gender. The regime replaced the shah’s secular law with an Islamic law, which allowed men to marry up to four wives, to divorce them whenever the husbands wished, and to retain custody of children. The law put the value of a woman’s life at half of that of a man’s life, and the value of her testimony at half that of a man’s testimony. Thus women in Iran became watchdogs and scapegoats, both the foot soldiers of the new regime and its victims. Newly empowered, they were also newly oppressed. Theirs was a paradoxical plight—and at the time, no one could have foreseen how it would one day make women a force of enormous change in Iran.
Nazila Fathi (The Lonely War)
For people already in the together-forever camp—the people who had bought houses together, gotten married, were trying for a baby, had already become parents—my life was a perfect encapsulation of everything they had traded in. I had freedom, I had variety, I had a healthy disregard for my own security. While they planned a babysitter and an evening of bottle-feeds two weeks in advance just so they could spend three hours out of the house eating a dinner they hadn’t cooked, I was rampaging up a dew-wet meadow with someone who might try to undo my bra with his teeth. It was only later, as I sat on their sofas, ashen-faced and nails-bitten, telling them how I’d faked an orgasm or risked an STI or how I’d cried in the night because I’d felt so lonely, that I would catch them looking over at their partner with something like relief.
Nell Frizzell (The Panic Years: Dates, Doubts, and the Mother of All Decisions)
No relationship, however deep and intimate, can ever fully take our loneliness from us. And as long as we go through life expecting this, we are doomed to constant disappointment. We also do constant violence to our friendships and love relationships because we will demand from our friends something that they cannot give us, namely, total fulfillment. For example, a goodly number of persons get married precisely because of loneliness. They see their marriage as a panacea for loneliness. After marriage, they discover that they are still lonely, sometimes as lonely as before. Immediately, there is the temptation to think that there is something seriously amiss in the marriage, to foist blame on the marriage partner or on the self, to become disenchanted and seek out new relationships, hoping of course to someday discover the rainbow of total fulfillment.
Ronald Rolheiser (The Restless Heart: Finding Our Spiritual Home in Times of Loneliness)
My father was a constable and died while performing his duty. My brother-in-law and partner died while performing his duty. I saw the effects those deaths had on my mother and sister, and I cannot, in good conscience, do that to a woman I . . .” Her spirits sank as he trailed off. “What a shame, Detective. I suppose that such a woman would then marry a factory worker, or other laborer, or a man in any one of a number of dangerous professions. Or perhaps a banker, who is accidently trampled in the street by a runaway carriage. Or a farmer who contracts consumption at the village autumn fete and succumbs to it weeks later.” She shook her head and pulled back. He released her, remaining silent, watching her. She shrugged, stuffing the pen and notebook into her reticule. “We are all going to die someday, and what a pity it would be to lose the possibility for happy opportunities because of fear.
Nancy Campbell Allen (The Matchmaker's Lonely Heart (Matchmakers, #1))
She was listening to a voice, a much loved voice, a voice of authority, which said: simplify your life, travel light, do not become involved with family problems, possessions, or the troubles of others, do not marry, marriage ends truthfulness, live with solitude, solitude is essential if real thinking is to take place. She thought, he will never forgive, me, he will despise me and cast me out, he warned me against the ambiguous Eros, the deceiver, the magician, the sophist, the maker of drugs and poisons. Of course I am in love, yes, this is love, and I am sick with it - but what follows? Do I really believe that I shall give over my life, the whole of my life, which is only just now really beginning to another person? Shall I cease forever to be the cat that walks by herself in the wild lone? What has happened to my soldierly completeness with which I was so content, my satisfaction and my pride?
Iris Murdoch (The Green Knight)
One night he said abruptly: Stephen won't marry—I don't want her to marry; it would only mean disaster.' And at this Anna broke out in angry protest. Why shouldn't Stephen marry? She wished her to marry. Was he mad? And what did he mean by disaster? No woman was ever complete without marriage—what on earth did he mean by disaster He frowned and refused to answer her question. Stephen, he said, must go up to Oxford. He had set his heart on a good education for the child, who might some day become a fine writer. Marriage wasn't the only career for a woman. Look at Puddle, for instance; she'd been at Oxford—a most admirable, well-balanced, sensible creature. Next year he was going to send Stephen to Oxford. Anna scoffed: 'Yes, indeed, he might well look at Puddle! She was what came of this higher education—a lonely, unfulfilled, middle-aged spinster. Anna didn't want that kind of life for her daughter.
Radclyffe Hall (The Well of Loneliness)
Through her sublimity?" "Through her noble, lonely life. Only--that's essential--it mustn't be lonely. It will be all right if she marries." "So we're to marry her?" "We're to marry her. It will be," Mrs. Assingham continued, "the great thing I can do." She made it out more and more. "It will make up." "Make up for what?" As she said nothing, however, his desire for lucidity renewed itself. "If everything's so all right what is there to make up for?" "Why, if I did do either of them, by any chance, a wrong. If I made a mistake." "You'll make up for it by making another?" And then as she again took her time: "I thought your whole point is just that you're sure." "One can never be ideally sure of anything. There are always possibilities." "Then, if we can but strike so wild, why keep meddling?" It made her again look at him. "Where would you have been, my dear, if I hadn't meddled with YOU?" "Ah, that wasn't meddling--I was your own. I was your own," said the Colonel, "from the moment I didn't object.
Henry James (The Golden Bowl)
But over the years, of pain and distaste for what her mother had once called 'the horrible side of married life', of lonely days filled with aimless pursuits or downright boredom, of pregnancies, nurses, servants and the ordering of endless meals, it had come to seem as though she had given up of everything for not very much. She had journeyed towards this conclusion by stages hardly perceptible to herself, disguising discontent with some new activity which, as she was a perfectionist, would quickly absorb her. But when she had mastered the art, or the craft, or the technique involved in whatever it was, she realised that her boredom was intact and was simply waiting for her to stop playing with a loom, a musical instrument, a philosophy, a language, a charity or a sport and return to recognising the essential futility of her life. Then, bereft of distracton, she would relapse into a kind of despair as each pursuit betrayed her, failing to provide the raison d'être that had been her reason for taking it up in the first place.
Elizabeth Jane Howard
Let's dispense with the nonsense, Victoria. This isn't a question of suitability, yours or his. You're perfectly capable of accustoming yourself to new circumstances.... and marrying a man of good fortune, though untitled, is not exactly a lordship." Vivien rolled her eyes and sighed. "It is so like you to analyze a situation until you've made it ten times more complicated than it really is! Just as Father used to do." "Father was a wonderful man," Victoria said, stiffening. "Yes... a wonderful, virtuous, lonely martyr. After Mama left him, Father retreated into his shell and hid from the world. And you stayed with him and tried to atone for everything that had happened by becoming exactly like him. You've been living in this same damned cottage, poring over the same bloody books. It's morbid, I tell you." "You don't understand-" Victoria began hotly. "Don't I?" Vivien interrupted. "I understand your fears better than you do. It's always been safer for you to hide here alone than take the chance of loving someone and have them leave you. *That's* what your real worry is. Mama abandoned you, and now you expect the same of anyone else you might love.
Lisa Kleypas (Someone to Watch Over Me (Bow Street Runners, #1))
...the letters begin to cross vast spaces in slow sailing ships and everything becomes still more protracted and verbose, and there seems no end to the space and the leisure of those early nineteenth century days, and faiths are lost and the life of Hedley Vicars revives them; aunts catch cold but recover; cousins marry; there is the Irish famine and the Indian Mutiny, and both sisters remain, to their great, but silent grief, for in those days there were things that women hid like pearls in their breasts, without children to come after them. Louisa, dumped down in Ireland with Lord Waterford at the hunt all day, was often very lonely; but she stuck to her post, visited the poor, spoke words of comfort (‘I am sorry indeed to hear of Anthony Thompson's loss of mind, or rather of memory; if, however, he can understand sufficiently to trust solely in our Saviour, he has enough’) and sketched and sketched. Thousands of notebooks were filled with pen and ink drawings of an evening, and then the carpenter stretched sheets for her and she designed frescoes for schoolrooms, had live sheep into her bedroom, draped gamekeepers in blankets, painted Holy Families in abundance, until the great Watts exclaimed that here was Titian's peer and Raphael's master! At that Lady Waterford laughed (she had a generous, benignant sense of humour); and said that she was nothing but a sketcher; had scarcely had a lesson in her life—witness her angel's wings, scandalously unfinished. Moreover, there was her father's house for ever falling into the sea; she must shore it up; must entertain her friends; must fill her days with all sorts of charities, till her Lord came home from hunting, and then, at midnight often, she would sketch him with his knightly face half hidden in a bowl of soup, sitting with her notebook under a lamp beside him. Off he would ride again, stately as a crusader, to hunt the fox, and she would wave to him and think, each time, what if this should be the last? And so it was one morning. His horse stumbled. He was killed. She knew it before they told her, and never could Sir John Leslie forget, when he ran down-stairs the day they buried him, the beauty of the great lady standing by the window to see the hearse depart, nor, when he came back again, how the curtain, heavy, Mid-Victorian, plush perhaps, was all crushed together where she had grasped it in her agony.
Virginia Woolf
What if the church became the first place, instead of the last place, that people went looking for this kind of friendship? What if the church were filled with unmarried people but had no “single” people, because married and unmarried people were as family to one another—surrogate brothers and sisters and mothers and fathers and sons and daughters to the rest of the church? What if the church were the place where people discovered that being unmarried is not a prison sentence but an opportunity for grace and communion with Jesus and service to God’s Kingdom and mission? What if the church were the place where being unmarried was not only accepted, but seen as a high and noble calling as it was for Jesus and Paul? What if it is true that God sets the lonely in families? What if it is true that “there is no one who has left house or brothers or sisters or mother or father or children or lands, for [Jesus’] sake and for the gospel, who will not receive a hundredfold now in this time, houses and brothers and sisters and mothers and children and lands”? What if the church were the place where anyone in the world could find refuge and solace from the age-old malediction that to be alone is to be lonely?[28] This is exactly what God intends the church to be.
Scott Sauls (Jesus Outside the Lines: A Way Forward for Those Who Are Tired of Taking Sides)
We walk around inside that house like everything is okay, but it’s not, Quinn. We’ve been broken for years and I have no idea how to fix us. I find solutions. It’s what I do. It’s what I’m good at. But I have no idea how to solve me and you. Every day I come home, hoping things will be better. But you can’t even stand to be in the same room with me. You hate it when I touch you. You hate it when I talk to you. I pretend not to notice the things you don’t want me to notice because I don’t want you to hurt more than you already do.” He releases a rush of air. “I am not blaming you for what I did. It’s my fault. I did that. I fucked up. But I didn’t fuck up because I was attracted to her. I fucked up because I miss you. Every day, I miss you. When I’m at work, I miss you. When I’m home, I miss you. When you’re next to me in bed, I miss you. When I’m inside you, I miss you.” Graham presses his mouth to mine. I can taste his tears. Or maybe they’re my tears. He pulls back and presses his forehead to mine. “I miss you, Quinn. So much. You’re right here, but you aren’t. I don’t know where you went or when you left, but I have no idea how to bring you back. I am so alone. We live together. We eat together. We sleep together. But I have never felt more alone in my entire life.” Graham releases me and falls back against his seat. He rests his elbow against the window, covering his face as he tries to compose himself. He’s more broken than I’ve ever seen him in all the years I’ve known him. And I’m the one slowly tearing him down. I’m making him unrecognizable. I’ve strung him along by allowing him to believe there’s hope that I’ll eventually change. That I’ll miraculously turn back into the woman he fell in love with. But I can’t change. We are who our circumstances turn us into. “Graham.” I wipe at my face with my shirt. He’s quiet, but he eventually looks at me with his sad, heartbroken eyes. “I haven’t gone anywhere. I’ve been here this whole time. But you can’t see me because you’re still searching for someone I used to be. I’m sorry I’m no longer who I was back then. Maybe I’ll get better. Maybe I won’t. But a good husband loves his wife through the good and the bad times. A good husband stands at his wife’s side through sickness and health, Graham. A good husband- a husband who truly loves his wife - wouldn’t cheat on her and then blame his infidelity on the fact that he’s lonely.” Graham’s expression doesn’t change. He’s as still as a statue. The only thing that moves is his jaw as he works it back and forth. And then his eyes narrow and he tilts his head. “You don’t think I love you, Quinn?” “I know you used to. But I don’t think you love the person I’ve become.” Graham sits up straight. He leans forward, looking me hard in the eye. His words are clipped as he speaks. “I have loved you every single second of every day since the moment I laid eyes on you. I love you more now than I did the day I married you. I love you, Quinn. I fucking love you!” He opens his car door, gets out and then slams it shut with all his strength. The whole car shakes. He walks toward the house, but before he makes it to the front door, he spins around and points at me angrily. “I love you, Quinn!” He’s shouting the words. He’s angry. So angry. He walks toward his car and kicks at the front bumper with his bare foot. He kicks and he kicks and he kicks and then pauses to scream it at me again. “I love you!” He slams his fist against the top of his car, over and over, until he finally collapses against the hood, his head buried in his arms. He remains in this position for an entire minute, the only thing moving is the subtle shaking of his shoulders. I don’t move. I don’t even think I breathe. Graham finally pushes off the hood and uses his shirt to wipe at his eyes. He looks at me, completely defeated. “I love you,” he says quietly, shaking his head. “I always have. No matter how much you wish I didn’t.
Colleen Hoover (All Your Perfects)
1. ‘ I hate people who collect things and classify things and give them names and then forget all about them. That’s what people are always doing in art.They call a painter an impressionist or a cubist or something and then they put him in a drawer and don’t see him as a living individual painter any more. But I can see they’re beautiful arranged.’ 2. ’ Do you know that every great thing in the history of art and every beautiful thing in life is actually what you call nasty or has been caused by feelings that you would call nasty? By passion, by love, by hatred, by truth. Do you know that?... Why do you keep on using these stupid words-nasty, nice, proper, right? Why are you so worried about what’s proper?...why do you take all the life out of life? Why do you kill all the beauty?’ 3. ‘ Because I can’t marry a man to whom I don’t feel I belong in all ways. My mind must be his, my heart must be his, my body must be his. Just as I must feel he belongs to me. ‘ 4.’ The only thing that really matters is feeling and living what you believe-so long as it’s something more than belief in your own comfort.’ 5. 'It’s weird. Uncanny. But there is a sort of relationship between us. I make fun of him, I attack him all the time, but he senses when I’m ‘soft’. When he can dig back and not make me angry. So we slip into teasing states that are almost friendly. It’s partly because I’m so lonely, it’s partly deliberate (I want make him relax, both for his own good and so that one dat he may make a mistake), so it’s part weakness, and part cunning, and part charity. But there’s a mysterious fourth part I can’t define. It can’t be friendship, I loathe him. Perhaps it’s just knowledge. Just knowing a lot about him. And knowing someone automatically makes you feel close to him. Even when you wish he was on another planet.’ 6.’ You must MAKE, always. You must act, if you believe something. Talking about acting is like boasting about pictures you’re going to paint. The most terrible form. If you feel something deeply, you’re not ashamed to show your feeling.’ 7. ‘ The women I’ve loved have always told me I’m selfish. It’s what makes them love me. And then be disgusted with me...But what they can’t stand is that I hate them when they don’t behave in their own way. ‘ 8. ‘ I love honesty and freedom and giving. I love making , I love doing, I love being to the full, I love everything which is not sitting and watching and copying and dead at heart. ‘ 9. ‘ I don’t know what love is...love is something that comes in different clothes, with a different way and different face, and perhaps it takes a long time for you to accept it, to be able to call it love.’ 10. ‘ All this business, it’s bound up with my bossy attitude to life. I’ve always known where I’m going, how I want things to happen. And they have happened as I have wanted, and I have taken it for granted that they have because I know where I’m going. But I have been lucky in all sorts of things. I’ve always tried to happen to life; but it’s time I let life happen to me. ‘ 11. ‘I said, what you love is your own love. It’s not love, it’s selfishness. It’s not me you think of, but what you feel about me.’ 12. ‘ The power of women! I’ve never felt so full of mysterious power. Men are a joke. We’re so weak physically, so helpless with things. Still, even today. But we’re stronger then they are. We can stand their cruelty. They can’t stand ours.
John Fowles
Awake ye muses nine, sing me a strain divine, Unwind the solemn twine, and tie my Valentine! Oh the Earth was made for lovers, for damsel, and hopeless swain, For sighing, and gentle whispering, and unity made of twain. All things do go a courting, in earth, or sea, or air, God hath made nothing single but thee in His world so fair! The bride, and then the bridegroom, the two, and then the one, Adam, and Eve, his consort, the moon, and then the sun; The life doth prove the precept, who obey shall happy be, Who will not serve the sovereign, be hanged on fatal tree. The high do seek the lowly, the great do seek the small, None cannot find who seeketh, on this terrestrial ball; The bee doth court the flower, the flower his suit receives, And they make merry wedding, whose guests are hundred leaves; The wind doth woo the branches, the branches they are won, And the father fond demandeth the maiden for his son. The storm doth walk the seashore humming a mournful tune, The wave with eye so pensive, looketh to see the moon, Their spirits meet together, they make their solemn vows, No more he singeth mournful, her sadness she doth lose. The worm doth woo the mortal, death claims a living bride, Night unto day is married, morn unto eventide; Earth is a merry damsel, and heaven a knight so true, And Earth is quite coquettish, and beseemeth in vain to sue. Now to the application, to the reading of the roll, To bringing thee to justice, and marshalling thy soul: Thou art a human solo, a being cold, and lone, Wilt have no kind companion, thou reap'st what thou hast sown. Hast never silent hours, and minutes all too long, And a deal of sad reflection, and wailing instead of song? There's Sarah, and Eliza, and Emeline so fair, And Harriet, and Susan, and she with curling hair! Thine eyes are sadly blinded, but yet thou mayest see Six true, and comely maidens sitting upon the tree; Approach that tree with caution, then up it boldly climb, And seize the one thou lovest, nor care for space, or time! Then bear her to the greenwood, and build for her a bower, And give her what she asketh, jewel, or bird, or flower — And bring the fife, and trumpet, and beat upon the drum — And bid the world Goodmorrow, and go to glory home!
Emily Dickinson (The Complete Poems from Emily Dickinson: (Annotated Edition))
If you aren't in love, Willow Vaughn, then my name isn't Miriam Brigham." Willow started out of her daydreaming and glanced up from the laundry tub. Miriam stood before her with her fists planted on her hips. "Now, Miriam, I-" "No sense denying it, young lady. You've got that dreamy dazed glow about you. Rider Sinclair isn't much better, the way he hangs around you,like a bee drawn to honey. He's always holding your hand or throwing his arm around you when he thinks I'm not looking." "Well,even if I were in love, it wouldn't change anything. I still don't want another man to look after, and I don't need one looking out for me either. I can take care of myself!" "Course, you can!" Miriam agreed, picking the last sheet out of the rinse water and wringing it out. "Most women can. Look at me, I run a boarding house and support myself just fine. But let me tell you something. That lonely bed of mine is mighty cold on winter nights, even here in the territory." Willow blushed and concentrated on her hands where they rested on the edge of the tub. "Willow," Miriam continued, "you've been managing your pa just fine since he got home. A husband isn't any more difficult to manage than a father, unless, of course, you're married to a no-good lout." Willow dried her hands on the wide white apron around her middle. "But, Miriam, if I don't marry, then I don't have to bother finagling a man to my way of doing things. Staying single makes a hell of a lot more sense!" "Watch the cursing, young lady." Miriam slung the sheet over the line and returned to help Willow with the wash tub. They each grapped a handle and carried it a few feet before setting it down to rest their arms a moment. "Willow, use your noggin, will you? Part of the fun of being a woman is wrapping some big, handsome hunk of a man around your little finger. You do have to use your good sense, though, and realize when you're wrong and he's right. Of course"-Miriam chuckled-"that won't be too often. "And you have to be careful not to hurt a man's feelings overly much. Men are funny creatures. They seldom let their emotions show because they think it isn't manly. But you can tell when they're upset.They start pouting like a little boy.I've always thought that was rather curious.
Charlotte McPherren (Song of the Willow)
Father will bury us with both hands. He boasts of me to his so-called friends, telling them I’m the next queen of this kingdom. I don’t think he’s ever paid so much attention to me before, and even now, it is minuscule, not for my own benefit. He pretends to love me now because of another, because of Tibe. Only when someone else sees worth in me does he condescend to do the same. Because of her father, she dreamed of a Queenstrial she did not win, of being cast aside and returned to the old estate. Once there, she was made to sleep in the family tomb, beside the still, bare body of her uncle. When the corpse twitched, hands reaching for her throat, she would wake, drenched in sweat, unable to sleep for the rest of the night. Julian and Sara think me weak, fragile, a porcelain doll who will shatter if touched, she wrote. Worst of all, I’m beginning to believe them. Am I really so frail? So useless? Surely I can be of some help somehow, if Julian would only ask? Are Jessamine’s lessons the best I can do? What am I becoming in this place? I doubt I even remember how to replace a lightbulb. I am not someone I recognize. Is this what growing up means? Because of Julian, she dreamed of being in a beautiful room. But every door was locked, every window shut, with nothing and no one to keep her company. Not even books. Nothing to upset her. And always, the room would become a birdcage with gilded bars. It would shrink and shrink until it cut her skin, waking her up. I am not the monster the gossips think me to be. I’ve done nothing, manipulated no one. I haven’t even attempted to use my ability in months, since Julian has no more time to teach me. But they don’t believe that. I see how they look at me, even the whispers of House Merandus. Even Elara. I have not heard her in my head since the banquet, when her sneers drove me to Tibe. Perhaps that taught her better than to meddle. Or maybe she is afraid of looking into my eyes and hearing my voice, as if I’m some kind of match for her razored whispers. I am not, of course. I am hopelessly undefended against people like her. Perhaps I should thank whoever started the rumor. It keeps predators like her from making me prey. Because of Elara, she dreamed of ice-blue eyes following her every move, watching as she donned a crown. People bowed under her gaze and sneered when she turned away, plotting against their newly made queen. They feared her and hated her in equal measure, each one a wolf waiting for her to be revealed as a lamb. She sang in the dream, a wordless song that did nothing but double their bloodlust. Sometimes they killed her, sometimes they ignored her, sometimes they put her in a cell. All three wrenched her from sleep. Today Tibe said he loves me, that he wants to marry me. I do not believe him. Why would he want such a thing? I am no one of consequence. No great beauty or intellect, no strength or power to aid his reign. I bring nothing to him but worry and weight. He needs someone strong at his side, a person who laughs at the gossips and overcomes her own doubts. Tibe is as weak as I am, a lonely boy without a path of his own. I will only make things worse. I will only bring him pain. How can I do that? Because of Tibe, she dreamed of leaving court for good. Like Julian wanted to do, to keep Sara from staying behind. The locations varied with the changing nights. She ran to Delphie or Harbor Bay or Piedmont or even the Lakelands, each one painted in shades of black and gray. Shadow cities to swallow her up and hide her from the prince and the crown he offered. But they frightened her too. And they were always empty, even of ghosts. In these dreams, she ended up alone. From these dreams, she woke quietly, in the morning, with dried tears and an aching heart.
Victoria Aveyard (Queen Song (Red Queen, #0.1))