Mark Waugh Quotes

My theme is memory, that winged host that soared about me one grey morning of war-time. These memories, which are my life—for we possess nothing certainly except the past—were always with me. Like the pigeons of St. Mark’s, they were everywhere, under my feet, singly, in pairs, in little honey-voiced congregations, nodding, strutting, winking, rolling the tender feathers of their necks, perching sometimes, if I stood still, on my shoulder or pecking a broken biscuit from between my lips; until, suddenly, the noon gun boomed and in a moment, with a flutter and sweep of wings, the pavement was bare and the whole sky above dark with a tumult of fowl. Thus it was that morning.

It is easy, retrospectively, to endow one's youth with a false precocity or a false innocence; to tamper with the dates marking one's stature on the edge of the door.

My theme is memory, that winged host that soared about me one grey morning of war-time. These memories, which are my life--for we possess nothing certainly except the past--were always with me. Like the pigeons of St. Mark's, theywere everywhere, under my feet, singly, in pairs, in little honey-voiced congregations, nodding, strutting, winking, rolling the tender feathers of their necks, perching sometimes, if I stood still, on my shoulder or pecking a broken biscuit from between my lips; until, suddenly, the noon gun boomed and in a moment, with a flutter and sweep of wings, the pavement was bare and the whole sky above dark with a tumult of fowl. Thus it was that morning. These memories are the memorials and pledges of the vital hours of a lifetime. These hours of afflatus in the human spirit, the springs of art, are, in their mystery, akin to the epochs of history, when a race which for centuries has lived content, unknown, behind its own frontiers, digging, eating, sleeping, begetting, doing what was requisite for survival and nothing else, will, for a generation or two, stupefy the world; commit all manner of crimes, perhaps; follow the wildest chimeras, go down in the end in agony, but leave behind a record of new heights scaled and new rewards won for all mankind; the vision fades, the soul sickens, and the routine of survival starts again. The human soul enjoys these rare, classic periods, but, apart from them, we are seldom single or unique; we keep company in this world with a hoard of abstractions and reflections and counterfeits of ourselves -- the sensual man, the economic man, the man of reason, the beast, the machine and the sleep-walker, and heaven knows what besides, all in our own image, indistinguishable from ourselves to the outward eye. We get borne along, out of sight in the press, unresisting, till we get the chance to drop behind unnoticed, or to dodge down a side street, pause, breathe freely and take our bearings, or to push ahead, out-distance our shadows, lead them a dance, so that when at length they catch up with us, they look at one another askance, knowing we have a secret we shall never share.

Guy left the office unashamed. He felt shaken, as though he had seen a road accident in which he was not concerned. His fingers shook but it was nerves not conscience which troubled him; he was familiar with shame; this trembling, hopeless sense of disaster was something of quite another order; something that would pass and leave no mark.

It is easy, retrospectively, to endow one’s youth with a false precocity or a false innocence; to tamper with the dates marking one’s stature on the edge of the door.

What J. S. Bach gained from his Lutheranism to inform his music, what Jonathan Edwards took from the Reformed tradition to orient his philosophy, what A. H. Francke learned from German Pietism to inspire the University of Halle’s research into Sanskrit and Asian literatures, what Jacob van Ruisdael gained from his seventeenth-century Dutch Calvinism to shape his painting, what Thomas Chalmers took from Scottish Presbyterianism to inspire his books on astronomy and political economy, what Abraham Kuyper gained from pietistic Dutch Calvinism to back his educational, political, and communications labors of the late nineteenth century, what T. S. Eliot took from high-church Anglicanism as a basis for his cultural criticism, what Evelyn Waugh found for his novels in twentieth-century Catholicism, what Luci Shaw, Shirley Nelson, Harold Fickett, and Evangeline Paterson found to encourage creative writing from other forms of Christianity after they left dispensationalism behind — precious few fundamentalists or their evangelical successors have ever found in the theological insights of twentieth-century dispensationalism, Holiness, or Pentecostalism. As

Mark Waugh, the most fluent and aesthetically pleasing batsman of his generation but also one of the most frustrating to watch. Often, when he appeared to be a class above the rest and to have the bowling at his mercy, he would play a lazy shot to what appeared, more often than not, an innocuous delivery. And just like that his innings would be over. To make matters worse, he didn’t seem to care; he would nonchalantly wander off the field. No shaking of the head or staring back at the pitch to apportion blame. His fans had to learn to accept 30s and 40s instead of centuries and 150s. His concentration, some would say his interest, never seemed to be there in the Test arena. Despite playing some match-winning Test innings, Waugh was never quite able to shake the ‘lackadaisical’ tag.