March Babies Quotes

We've searched our database for all the quotes and captions related to March Babies. Here they are! All 118 of them:

I knew it! I knew you'd hate my body!" She slammed her hands on her hips, marched over to the bed, and glared down at him. "Well, for your information, mister, all those cute little sex kittens in your past might have had perfect bodies, but they don't know a lepton from a proton,and if you think that I'm going to stand here and let you judge me by the size of my hips and because my belly's not flat, then you're in for a rude awakening." She jabbed her finger at him. "This is the way a grown woman looks, buster! This body was designed by God to be functional, not to be stared at by some hormonally imbalanced jock who can only get aroused by women who still own Barbie dolls" "Damn. Now I've got to gag you." With one swift motion, he pulled her down on the bed, rolled on top of her, and covered her lips with his own.
Susan Elizabeth Phillips (Nobody's Baby But Mine (Chicago Stars, #3))
No one is spared. The sick, the elderly, children, babies, and pregnant women - all marched to their death.
Anne Frank (The Diary of a Young Girl)
To encapsulate the notion of Mardi Gras as nothing more than a big drunk is to take the simple and stupid way out, and I, for one, am getting tired of staying stuck on simple and stupid. Mardi Gras is not a parade. Mardi Gras is not girls flashing on French Quarter balconies. Mardi Gras is not an alcoholic binge. Mardi Gras is bars and restaurants changing out all the CD's in their jukeboxes to Professor Longhair and the Neville Brothers, and it is annual front-porch crawfish boils hours before the parades so your stomach and attitude reach a state of grace, and it is returning to the same street corner, year after year, and standing next to the same people, year after year--people whose names you may or may not even know but you've watched their kids grow up in this public tableau and when they're not there, you wonder: Where are those guys this year? It is dressing your dog in a stupid costume and cheering when the marching bands go crazy and clapping and saluting the military bands when they crisply snap to. Now that part, more than ever. It's mad piano professors converging on our city from all over the world and banging the 88's until dawn and laughing at the hairy-shouldered men in dresses too tight and stalking the Indians under Claiborne overpass and thrilling the years you find them and lamenting the years you don't and promising yourself you will next year. It's wearing frightful color combination in public and rolling your eyes at the guy in your office who--like clockwork, year after year--denies that he got the baby in the king cake and now someone else has to pony up the ten bucks for the next one. Mardi Gras is the love of life. It is the harmonic convergence of our food, our music, our creativity, our eccentricity, our neighborhoods, and our joy of living. All at once.
Chris Rose (1 Dead in Attic: Post-Katrina Stories)
But you can't start. Only a baby can start. You and me - why, we're all that's been. The anger of a moment, the thousand pictures, that's us. This land, this red land, is us; and the flood years and the dust years and the drought years are us. We can't start again. The bitterness we sold to the junk man - he got it all right, but we have it still. And when the owner men told us to go, that's us; and when the tractor hit the house, that's us until we're dead. To California or any place - every one a drum major leading a parade of hurts, marching with our bitterness. And some day - the armies of bitterness will all be going the same way. And they'll all walk together, and there'll be a dead terror from it.
John Steinbeck (The Grapes of Wrath)
The cave floor rumbled. A large stone emerged from the dirt-a smooth, oval rock exactly the same size and weight as a baby god... She wrapped the stone in swaddling clothes and gave the real baby Zeus to the nymphs to take care of... She marched right up to King Cannibal and shouted, "This is the best baby yet! A fine little boy named, uh, Rocky!
Rick Riordan (Percy Jackson's Greek Gods)
Politicians compete for the highest offices. Business tycoons scramble for a bigger and bigger piece of the pie. Armies march and scientists study and philosophers philosophise and preachers preach and labourers sweat. But in that silent baby, lying in that humble manger, there pulses more potential power and wisdom and grace and aliveness than all the rest of us can imagine.
Brian D. McLaren
They're waiting for you to say all these grand statements, you know? You march across the room and you're supposed to say 'DEATH HAS TWELVE WINGS LIKE THE ANGEL OF HELL!' but people aren't built that way. You can only say 'Hey, uh, baby, why don't ya' make me a cup of coffee?
Charles Bukowski
Open the door, baby girl. Your message came through loud and clear.
Meghan March (Dirty Girl (Dirty Girl Duet, #1))
Inside, Howl was still sitting on the stool. He sat in an attitude of utter despair. And he was covered all over in thick green slime. There were horrendous, dramatic, violent quantities of green slime – oodles of it. It covered Howl completely. It draped his head and shoulders in sticky dollops, heaping on his knees and hands, trickling in glops down his legs and dripping off the stool in sticky strands. It was in oozing ponds and crawling pools over most of the floor. Long fingers of it had crept into the hearth. It smelled vile. “Save me!” Calcifer cried in a hoarse whisper. He was down to two desperately flickering small flames. “This stuff is going to put me out!” Sophie held up her skirt and marched as near Howl as she could get – which was not very near. “Stop it!” she said. “Stop it at once! You are behaving just like a baby!
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
She never thought she would ever be in a position where she didn’t know who her baby daddy was. Might as well move into the redneck trailer park in the woods. Oh wait, they’d firebombed it.
Meghan March (Flash Bang (Flash Bang #1))
Baby you scared the hell out of me tonight .I could've lost you. Right now is not a good time to ask me to let you out of my sight. I can't do it. I need you next to me so I know you're safe.
Meghan March (Beneath This Ink (Beneath, #2))
I must be getting back to my rooms,” Silence said and stood. Mick frowned with displeasure. “Why?” “Because of Mary Darling.” He shrugged. “One o’ the maids is watchin’ her.” “But if Mary wakes she’ll want me.” “Why?” he asked again, biting into a sweetmeat. This discussion wasn’t to his fancy, but sparring with her was. “Because,” she said slowly, looking at him as if he were lack-witted, “she’s only a baby and she loves me.” “Babies,” Mick pronounced, “are a great trouble.” She shook her head, not bothering to reply this time, and started marching to the door.
Elizabeth Hoyt (Scandalous Desires (Maiden Lane, #3))
The whole "lets find Bigfoot" thing seems a little ill-planned to me, personally. Granted, my perspective is different than that of non-wizards, but marching out into the woods looking for a very large and very powerful creature by blasting out what you're pretty sure are territorial challenges to fight (or else mating calls) seems... somewhat unwise. I mean, if there's no Bigfoot, no problem. But what if you're standing there, screaming "Bring it on!" and find a Bigfoot? Worse yet, what if he finds you? Even worse, what if you were screaming "Do me, baby!" and he finds you then? Is it me? Am I carzy? Or does the whole thing just seem like a recipe for trouble?
Jim Butcher (Working for Bigfoot (The Dresden Files #11.4))
And while I eat this sweet cunt, I’m going to play with that tight little asshole, stretch it out so you’re ready to take me. I will have every part of you, baby. Mouth, pussy, ass. Might fuck these gorgeous tits and make you swallow my cum again.
Meghan March (Dirty Girl (Dirty Girl Duet, #1))
This is overdue. Quite a bit, I'm afraid. I apologize. We moved to Topeka when I was very small, and Mother accidentally packed it up with the linens. I have traveled a long way to return it, and I know the fine must be large, but I have no money. As it is a book of fairy tales, I thought payment of a first-born child would be acceptable. I always loved the library. I'm sure she'll be happy there.
Ellen Klages (Uncanny Magazine Issue 3: March/April 2015)
Avoiding my eyes he said a rumor had started that I didn’t make it, that I died in the lake, so he drove out to where it happened and sure enough someone had hung a twist of flowers on the torn fence. Carnations and baby’s breath. There was a white plastic cross and a laminated photo saying, “Virgil Wander RIP.” While he poked around, a little scorched-haired lady arrived in a Chevy pickup and marched to the brink with a rosary. When Tom revealed I was alive she wrapped it around her fist in annoyance and sped off dragging a veil of smoke.
Leif Enger (Virgil Wander)
My birth certificate says: Female Negro Mother: Mary Anne Irby, 22, Negro Father: Jack Austin Woodson, 25, Negro In Birmingham, Alabama, Martin Luther King Jr. is planning a march on Washington, where John F. Kennedy is president. In Harlem, Malcolm X is standing on a soapbox talking about a revolution. Outside the window of University Hospital, snow is slowly falling. So much already covers this vast Ohio ground. In Montgomery, only seven years have passed since Rosa Parks refused to give up her seat on a city bus. I am born brown-skinned, black-haired and wide-eyed. I am born Negro here and Colored there and somewhere else, the Freedom Singers have linked arms, their protests rising into song: Deep in my heart, I do believe that we shall overcome someday. and somewhere else, James Baldwin is writing about injustice, each novel, each essay, changing the world. I do not yet know who I’ll be what I’ll say how I’ll say it . . . Not even three years have passed since a brown girl named Ruby Bridges walked into an all-white school. Armed guards surrounded her while hundreds of white people spat and called her names. She was six years old. I do not know if I’ll be strong like Ruby. I do not know what the world will look like when I am finally able to walk, speak, write . . . Another Buckeye! the nurse says to my mother. Already, I am being named for this place. Ohio. The Buckeye State. My fingers curl into fists, automatically This is the way, my mother said, of every baby’s hand. I do not know if these hands will become Malcolm’s—raised and fisted or Martin’s—open and asking or James’s—curled around a pen. I do not know if these hands will be Rosa’s or Ruby’s gently gloved and fiercely folded calmly in a lap, on a desk, around a book, ready to change the world . . .
Jacqueline Woodson (Brown Girl Dreaming)
Summer turns and marches away, fed up with being handled like a child. Like she’s a glass doll that might break at any minute. She hasn’t been a child since the day she was whipped into muteness. Anxiety might strangle her sometimes, but she’s not some baby needing to be coddled.
Laura Kreitzer (Burning Falls (Summer Chronicles, #3))
The hills below crouched on all fours under the weight of the rainforest where liana grew and soldier ants marched in formation. Straight ahead they marched, shamelessly single-minded, for soldier ants have no time for dreaming. Almost all of them are women and there is so much to do - the work is literally endless. So many to be born and fed, then found and buried. There is no time for dreaming. The life of their world requires organization so tight and sacrifice so complete there is little need for males and they are seldom produced. When they are needed, it is deliberately done by the queen who surmises, by some four-million-year-old magic she is heiress to, that it is time. So she urges a sperm from the private womb where they were placed when she had her one, first and last copulation. Once in life, this little Amazon trembled in the air waiting for a male to mount her. And when he did, when he joined a cloud of others one evening just before a summer storm, joined colonies from all over the world gathered fro the marriage flight, he knew at last what his wings were for. Frenzied, he flied into the humming cloud to fight gravity and time in order to do, just once, the single thing he was born for. Then he drops dead, having emptied his sperm into his lady-love. Sperm which she keeps in a special place to use at her own discretion when there is need for another dark and singing cloud of ant folk mating in the air. Once the lady has collected the sperm, she too falls to the ground, but unless she breaks her back or neck or is eaten by one of a thousand things, she staggers to her legs and looks for a stone to rub on, cracking and shedding the wings she will never need again. Then she begins her journey searching for a suitable place to build her kingdom. She crawls into the hollow of a tree, examines its walls and corners. She seals herself off from all society and eats her own wing muscles until she bears her eggs. When the first larvae appear, there is nothing to feed them, so she gives them their unhatched sisters until they are old enough and strong enough to hunt and bring their prey back to the kingdom. That is all. Bearing, hunting, eating, fighting, burying. No time for dreaming, although sometimes, late in life, somewhere between the thirtieth and fortieth generation she might get wind of a summer storm one day. The scent of it will invade her palace and she will recall the rush of wind on her belly - the stretch of fresh wings, the blinding anticipation and herself, there, airborne, suspended, open, trusting, frightened, determined, vulnerable - girlish, even, for and entire second and then another and another. She may lift her head then, and point her wands toward the place where the summer storm is entering her palace and in the weariness that ruling queens alone know, she may wonder whether his death was sudden. Or did he languish? And if so, if there was a bit of time left, did he think how mean the world was, or did he fill that space of time thinking of her? But soldier ants do not have time for dreaming. They are women and have much to do. Still it would be hard. So very hard to forget the man who fucked like a star.
Toni Morrison (Tar baby)
One night he sits up. In cots around him are a few dozen sick or wounded. A warm September wind pours across the countryside and sets the walls of the tent rippling. Werner’s head swivels lightly on his neck. The wind is strong and gusting stronger, and the corners of the tent strain against their guy ropes, and where the flaps at the two ends come up, he can see trees buck and sway. Everything rustles. Werner zips his old notebook and the little house into his duffel and the man beside him murmurs questions to himself and the rest of the ruined company sleeps. Even Werner’s thirst has faded. He feels only the raw, impassive surge of the moonlight as it strikes the tent above him and scatters. Out there, through the open flaps of the tent, clouds hurtle above treetops. Toward Germany, toward home. Silver and blue, blue and silver. Sheets of paper tumble down the rows of cots, and in Werner’s chest comes a quickening. He sees Frau Elena kneel beside the coal stove and bank up the fire. Children in their beds. Baby Jutta sleeps in her cradle. His father lights a lamp, steps into an elevator, and disappears. The voice of Volkheimer: What you could be. Werner’s body seems to have gone weightless under his blanket, and beyond the flapping tent doors, the trees dance and the clouds keep up their huge billowing march, and he swings first one leg and then the other off the edge of the bed. “Ernst,” says the man beside him. “Ernst.” But there is no Ernst; the men in the cots do not reply; the American soldier at the door of the tent sleeps. Werner walks past him into the grass. The wind moves through his undershirt. He is a kite, a balloon. Once, he and Jutta built a little sailboat from scraps of wood and carried it to the river. Jutta painted the vessel in ecstatic purples and greens, and she set it on the water with great formality. But the boat sagged as soon as the current got hold of it. It floated downstream, out of reach, and the flat black water swallowed it. Jutta blinked at Werner with wet eyes, pulling at the battered loops of yarn in her sweater. “It’s all right,” he told her. “Things hardly ever work on the first try. We’ll make another, a better one.” Did they? He hopes they did. He seems to remember a little boat—a more seaworthy one—gliding down a river. It sailed around a bend and left them behind. Didn’t it? The moonlight shines and billows; the broken clouds scud above the trees. Leaves fly everywhere. But the moonlight stays unmoved by the wind, passing through clouds, through air, in what seems to Werner like impossibly slow, imperturbable rays. They hang across the buckling grass. Why doesn’t the wind move the light? Across the field, an American watches a boy leave the sick tent and move against the background of the trees. He sits up. He raises his hand. “Stop,” he calls. “Halt,” he calls. But Werner has crossed the edge of the field, where he steps on a trigger land mine set there by his own army three months before, and disappears in a fountain of earth.
Anthony Doerr (All the Light We Cannot See)
January? The month is dumb. It is fraudulent. It does not cleanse itself. The hens lay blood-stained eggs. Do not lend your bread to anyone lest it nevermore rise. Do not eat lentils or your hair will fall out. Do not rely on February except when your cat has kittens, throbbing into the snow. Do not use knives and forks unless there is a thaw, like the yawn of a baby. The sun in this month begets a headache like an angel slapping you in the face. Earthquakes mean March. The dragon will move, and the earth will open like a wound. There will be great rain or snow so save some coal for your uncle. The sun of this month cures all. Therefore, old women say: Let the sun of March shine on my daughter, but let the sun of February shine on my daughter-in-law. However, if you go to a party dressed as the anti-Christ you will be frozen to death by morning. During the rainstorms of April the oyster rises from the sea and opens its shell — rain enters it — when it sinks the raindrops become the pearl. So take a picnic, open your body, and give birth to pearls. June and July? These are the months we call Boiling Water. There is sweat on the cat but the grape marries herself to the sun. Hesitate in August. Be shy. Let your toes tremble in their sandals. However, pick the grape and eat with confidence. The grape is the blood of God. Watch out when holding a knife or you will behead St. John the Baptist. Touch the Cross in September, knock on it three times and say aloud the name of the Lord. Put seven bowls of salt on the roof overnight and the next morning the damp one will foretell the month of rain. Do not faint in September or you will wake up in a dead city. If someone dies in October do not sweep the house for three days or the rest of you will go. Also do not step on a boy's head for the devil will enter your ears like music. November? Shave, whether you have hair or not. Hair is not good, nothing is allowed to grow, all is allowed to die. Because nothing grows you may be tempted to count the stars but beware, in November counting the stars gives you boils. Beware of tall people, they will go mad. Don't harm the turtle dove because he is a great shoe that has swallowed Christ's blood. December? On December fourth water spurts out of the mouse. Put herbs in its eyes and boil corn and put the corn away for the night so that the Lord may trample on it and bring you luck. For many days the Lord has been shut up in the oven. After that He is boiled, but He never dies, never dies.
Anne Sexton
have to wait. We can get married in a few weeks.
Cathy Gillen Thacker (Harlequin American Romance March 2014 Bundle: An Anthology)
March 1. DEAR BABY: I like the way you turn in half circles on the mattress, like a senile clock.
Karen Russell (Orange World and Other Stories)
It's not just in the air. Spring is in the light. There's a different light in March and April. It's in the grass, leaves and flowers. It's in the birdsong and baaa of baby lambs. Mostly though, spring blooms in my heart
Toni Sorenson
The Loneliness of the Military Historian Confess: it's my profession that alarms you. This is why few people ask me to dinner, though Lord knows I don't go out of my way to be scary. I wear dresses of sensible cut and unalarming shades of beige, I smell of lavender and go to the hairdresser's: no prophetess mane of mine, complete with snakes, will frighten the youngsters. If I roll my eyes and mutter, if I clutch at my heart and scream in horror like a third-rate actress chewing up a mad scene, I do it in private and nobody sees but the bathroom mirror. In general I might agree with you: women should not contemplate war, should not weigh tactics impartially, or evade the word enemy, or view both sides and denounce nothing. Women should march for peace, or hand out white feathers to arouse bravery, spit themselves on bayonets to protect their babies, whose skulls will be split anyway, or,having been raped repeatedly, hang themselves with their own hair. There are the functions that inspire general comfort. That, and the knitting of socks for the troops and a sort of moral cheerleading. Also: mourning the dead. Sons,lovers and so forth. All the killed children. Instead of this, I tell what I hope will pass as truth. A blunt thing, not lovely. The truth is seldom welcome, especially at dinner, though I am good at what I do. My trade is courage and atrocities. I look at them and do not condemn. I write things down the way they happened, as near as can be remembered. I don't ask why, because it is mostly the same. Wars happen because the ones who start them think they can win. In my dreams there is glamour. The Vikings leave their fields each year for a few months of killing and plunder, much as the boys go hunting. In real life they were farmers. The come back loaded with splendour. The Arabs ride against Crusaders with scimitars that could sever silk in the air. A swift cut to the horse's neck and a hunk of armour crashes down like a tower. Fire against metal. A poet might say: romance against banality. When awake, I know better. Despite the propaganda, there are no monsters, or none that could be finally buried. Finish one off, and circumstances and the radio create another. Believe me: whole armies have prayed fervently to God all night and meant it, and been slaughtered anyway. Brutality wins frequently, and large outcomes have turned on the invention of a mechanical device, viz. radar. True, valour sometimes counts for something, as at Thermopylae. Sometimes being right - though ultimate virtue, by agreed tradition, is decided by the winner. Sometimes men throw themselves on grenades and burst like paper bags of guts to save their comrades. I can admire that. But rats and cholera have won many wars. Those, and potatoes, or the absence of them. It's no use pinning all those medals across the chests of the dead. Impressive, but I know too much. Grand exploits merely depress me. In the interests of research I have walked on many battlefields that once were liquid with pulped men's bodies and spangled with exploded shells and splayed bone. All of them have been green again by the time I got there. Each has inspired a few good quotes in its day. Sad marble angels brood like hens over the grassy nests where nothing hatches. (The angels could just as well be described as vulgar or pitiless, depending on camera angle.) The word glory figures a lot on gateways. Of course I pick a flower or two from each, and press it in the hotel Bible for a souvenir. I'm just as human as you. But it's no use asking me for a final statement. As I say, I deal in tactics. Also statistics: for every year of peace there have been four hundred years of war.
Margaret Atwood (Morning In The Burned House)
Have you forgotten me? by Nancy B. Brewer The bricks I laid or the stitches I sewed. I was the one that made the quilt; a drop of blood still shows from my needle prick. Your wedding day in lace and satin, in a dress once worn by me. I loaned your newborn baby my christening gown, a hint of lavender still preserved. Do you know our cause, the battles we won and the battles we lost? When our soldiers marched home did you shout hooray! Or shed a tear for the fallen sons. What of the fields we plowed, the cotton, the tobacco and the okra, too. There was always room at my table for one more, Fried chicken, apple pie, biscuits and sweet ice tea. A time or two you may have heard our stories politely told. Some of us are famous, recorded on the pages of history. Still, most of us left this world without glory or acknowledgment. We were the first to walk the streets you now call home, Perhaps you have visited my grave and flowers left, but did you hear me cry out to you? Listen, my child, to the voices of your ancestors. Take pride in our accomplishments; find your strength in our suffering. For WE are not just voices in the wind, WE are a living part of YOU!
Nancy B. Brewer (Beyond Sandy Ridge)
R.O.TC. kept me away from sports while the other guys practiced every day. They made the school teams, won their letters and got the girls. My days were spent mostly marching around in the sun. All you ever saw were the backs of some guy's ears and his buttocks. I quickly became disenchanted with military proceedings. The others shined their shoes brightly and seemed to go through maneuvers with relish. I couldn't see any sense in it. They were just getting shaped up in order to get their balls blown off later. On the other hand, I couldn't see myself crouched down in a football helmet, shoulder pads laced on, decked out in Blue and White, #69, trying to move out some brute with tacos on his breath so that the son of the district attorney could slant off left tackle for six yards. The problem was you had to keep choosing between on evil or another, and no matter what you chose, they sliced a little bit more off you, until there was nothing left. At the age of 25, most people were finished. A whole god-damned nation of assholes driving automobiles, eating, having babies, doing everything in the worst way possible, like voting for the presidential candidate who reminded them most of themselves.
Charles Bukowski (Ham on Rye)
The bus stops right in front of our house and takes me day to day, week to week, and month to month of the same girls saying the same things. But at the end of March, as I stand on the stage, accepting my award for receiving 100 percent in every class for the whole month, I catch a glimpse of myself in the certificate's shiny gold stamp and finger my baby hair back away from my face. I know I'm not going to get stuck on the bus with those girls. I'm going to travel places too far for them to see, miles and miles outside of being black, past the snap of their fingers with the complementary 'Baby, boom,' 'Baby, pop,' or 'Baby, please,' past anything they say about me until I can feel them so far behind that I can look back and see stupid little girls, still occasionally talking their smack, pushing me on.
Liara Tamani (Calling My Name)
THOSE BORN UNDER Pacific Northwest skies are like daffodils: they can achieve beauty only after a long, cold sulk in the rain. Henry, our mother, and I were Pacific Northwest babies. At the first patter of raindrops on the roof, a comfortable melancholy settled over the house. The three of us spent dark, wet days wrapped in old quilts, sitting and sighing at the watery sky. Viviane, with her acute gift for smell, could close her eyes and know the season just by the smell of the rain. Summer rain smelled like newly clipped grass, like mouths stained red with berry juice — blueberries, raspberries, blackberries. It smelled like late nights spent pointing constellations out from their starry guises, freshly washed laundry drying outside on the line, like barbecues and stolen kisses in a 1932 Ford Coupe. The first of the many autumn rains smelled smoky, like a doused campsite fire, as if the ground itself had been aflame during those hot summer months. It smelled like burnt piles of collected leaves, the cough of a newly revived chimney, roasted chestnuts, the scent of a man’s hands after hours spent in a woodshop. Fall rain was not Viviane’s favorite. Rain in the winter smelled simply like ice, the cold air burning the tips of ears, cheeks, and eyelashes. Winter rain was for hiding in quilts and blankets, for tying woolen scarves around noses and mouths — the moisture of rasping breaths stinging chapped lips. The first bout of warm spring rain caused normally respectable women to pull off their stockings and run through muddy puddles alongside their children. Viviane was convinced it was due to the way the rain smelled: like the earth, tulip bulbs, and dahlia roots. It smelled like the mud along a riverbed, like if she opened her mouth wide enough, she could taste the minerals in the air. Viviane could feel the heat of the rain against her fingers when she pressed her hand to the ground after a storm. But in 1959, the year Henry and I turned fifteen, those warm spring rains never arrived. March came and went without a single drop falling from the sky. The air that month smelled dry and flat. Viviane would wake up in the morning unsure of where she was or what she should be doing. Did the wash need to be hung on the line? Was there firewood to be brought in from the woodshed and stacked on the back porch? Even nature seemed confused. When the rains didn’t appear, the daffodil bulbs dried to dust in their beds of mulch and soil. The trees remained leafless, and the squirrels, without acorns to feed on and with nests to build, ran in confused circles below the bare limbs. The only person who seemed unfazed by the disappearance of the rain was my grandmother. Emilienne was not a Pacific Northwest baby nor a daffodil. Emilienne was more like a petunia. She needed the water but could do without the puddles and wet feet. She didn’t have any desire to ponder the gray skies. She found all the rain to be a bit of an inconvenience, to be honest.
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
There's one big difference between the poor and the rich,' Kite says, taking a drag from his cigarette. We are in a pub, at lunch-time. John Kite is always, unless stated otherwise, smoking a fag, in a pub, at lunch-time. 'The rich aren't evil, as so many of my brothers would tell you. I've known rich people -- I have played on their yachts -- and they are not unkind, or malign, and they do not hate the poor, as many would tell you. And they are not stupid -- or at least, not any more than the poor are. Much as I find amusing the idea of a ruling class of honking toffs, unable to put their socks on without Nanny helping them, it is not true. They build banks, and broker deals, and formulate policy, all with perfect competency. 'No -- the big difference between the rich and the poor is that the rich are blithe. They believe nothing can ever really be so bad, They are born with the lovely, velvety coating of blitheness -- like lanugo, on a baby -- and it is never rubbed off by a bill that can't be paid; a child that can't be educated; a home that must be left for a hostel, when the rent becomes too much. 'Their lives are the same for generations. There is no social upheaval that will really affect them. If you're comfortably middle-class, what's the worst a government policy could do? Ever? Tax you at 90 per cent and leave your bins, unemptied, on the pavement. But you and everyone you know will continue to drink wine -- but maybe cheaper -- go on holiday -- but somewhere nearer -- and pay off your mortgage -- although maybe later. 'Consider, now, then, the poor. What's the worst a government policy can do to them? It can cancel their operation, with no recourse to private care. It can run down their school -- with no escape route to a prep. It can have you out of your house and into a B&B by the end of the year. When the middle-classes get passionate about politics, they're arguing about their treats -- their tax breaks and their investments. When the poor get passionate about politics, they're fighting for their lives. 'Politics will always mean more to the poor. Always. That's why we strike and march, and despair when our young say they won't vote. That's why the poor are seen as more vital, and animalistic. No classical music for us -- no walking around National Trust properties, or buying reclaimed flooring. We don't have nostalgia. We don't do yesterday. We can't bear it. We don't want to be reminded of our past, because it was awful; dying in mines, and slums, without literacy, or the vote. Without dignity. It was all so desperate, then. That's why the present and the future is for the poor -- that's the place in time for us: surviving now, hoping for better, later. We live now -- for our instant, hot, fast treats, to prep us up: sugar, a cigarette, a new fast song on the radio. 'You must never, never forget, when you talk to someone poor, that it takes ten times the effort to get anywhere from a bad postcode, It's a miracle when someone from a bad postcode gets anywhere, son. A miracle they do anything at all.
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
I walk out to that fearsome world ever more determined and ready for the next challenge and say: “Hit with your best shot, baby!” I may stumble, I may fall, but I will land high on these heels of mine and I would still be standing higher above all trouble, above all the ones who try to bring me down. I will march on towards my dreams and chase them to the extremes of earth.
Fatima Mohammed (Higher Heels, Bigger Dreams)
FATHER FORGETS W. Livingston Larned Listen, son: I am saying this as you lie asleep, one little paw crumpled under your cheek and the blond curls stickily wet on your damp forehead. I have stolen into your room alone. Just a few minutes ago, as I sat reading my paper in the library, a stifling wave of remorse swept over me. Guiltily I came to your bedside. There are the things I was thinking, son: I had been cross to you. I scolded you as you were dressing for school because you gave your face merely a dab with a towel. I took you to task for not cleaning your shoes. I called out angrily when you threw some of your things on the floor. At breakfast I found fault, too. You spilled things. You gulped down your food. You put your elbows on the table. You spread butter too thick on your bread. And as you started off to play and I made for my train, you turned and waved a hand and called, “Goodbye, Daddy!” and I frowned, and said in reply, “Hold your shoulders back!” Then it began all over again in the late afternoon. As I came up the road I spied you, down on your knees, playing marbles. There were holes in your stockings. I humiliated you before your boyfriends by marching you ahead of me to the house. Stockings were expensive—and if you had to buy them you would be more careful! Imagine that, son, from a father! Do you remember, later, when I was reading in the library, how you came in timidly, with a sort of hurt look in your eyes? When I glanced up over my paper, impatient at the interruption, you hesitated at the door. “What is it you want?” I snapped. You said nothing, but ran across in one tempestuous plunge, and threw your arms around my neck and kissed me, and your small arms tightened with an affection that God had set blooming in your heart and which even neglect could not wither. And then you were gone, pattering up the stairs. Well, son, it was shortly afterwards that my paper slipped from my hands and a terrible sickening fear came over me. What has habit been doing to me? The habit of finding fault, of reprimanding—this was my reward to you for being a boy. It was not that I did not love you; it was that I expected too much of youth. I was measuring you by the yardstick of my own years. And there was so much that was good and fine and true in your character. The little heart of you was as big as the dawn itself over the wide hills. This was shown by your spontaneous impulse to rush in and kiss me good night. Nothing else matters tonight, son. I have come to your bedside in the darkness, and I have knelt there, ashamed! It is a feeble atonement; I know you would not understand these things if I told them to you during your waking hours. But tomorrow I will be a real daddy! I will chum with you, and suffer when you suffer, and laugh when you laugh. I will bite my tongue when impatient words come. I will keep saying as if it were a ritual: “He is nothing but a boy—a little boy!” I am afraid I have visualized you as a man. Yet as I see you now, son, crumpled and weary in your cot, I see that you are still a baby. Yesterday you were in your mother’s arms, your head on her shoulder. I have asked too much, too much.
Dale Carnegie (How To Win Friends and Influence People)
Alongside the viciousness of much of German politics in the Weimar years was an incongruous innocence: few people could imagine the worst possibilities. A civilized nation could not possibly vote for Hitler, some had thought. When he became chancellor nonetheless, millions expected his time in office to be short and ineffectual. Germany was a notoriously law-abiding as well as cultured land. How could a German government systematically brutalize its own people? German Jews were highly assimilated and patriotic. Many refused to leave their homeland, even as things got worse and worse. "I am German and am waiting for the Germans to come back; they have gone to ground somewhere," Victor Klemperer wrote in his diary--he was the son of a rabbi and a veteran of the First World War who chose to stay, and miraculously survived. Few Germans in 1933 could imagine Treblinka or Auschwitz, the mass shootings of Babi Yar or the death marches of the last months of the Second World War. It is hard to blame them for not foreseeing the unthinkable. Yet their innocence failed them, and they were catastrophically wrong about their future. We who come later have one advantage over them: we have their example before us.
Benjamin Carter Hett (The Death of Democracy: Hitler's Rise To Power)
The hipster contingent has taken over a lot of the commercial streets, and now you can't go two blocks without running into some up-its-own-ass artisanal shop with a name that's just two random nouns thrown together with an ampersand. Satchel & Dove. Twig & Petal. Those are the places where you find out there's such a thing as boutique tarragon mayonnaise and that a baby onesie can legitimately cost sixty dollars. (p.169)
Una LaMarche (Like No Other)
my heart. So I fancied that your boy might fill the empty place if he tried now." "No, Mother, it is better as it is, and I'm glad Amy has learned to love him. But you are right in one thing. I am lonely, and perhaps if Teddy had tried again, I might have said 'Yes', not because I love him any more, but because I care more to be loved than when he went away." "I'm glad of that, Jo, for it shows that you are getting on. There are plenty to love you, so try to be satisfied with Father and Mother, sisters and brothers, friends and babies, till the best lover of all comes to give you your reward." "Mothers are the best lovers in the world, but I don't mind whispering to Marmee that I'd like to try all kinds. It's very curious, but the more I try to satisfy myself with all sorts of natural affections, the more I seem to want. I'd no idea hearts could take in so many. Mine is so elastic, it never seems full now, and I used to be quite contented with my family. I don't understand it." "I do," and Mrs. March smiled her wise smile, as Jo turned back the leaves to read what Amy said of Laurie. "It is so beautiful to be loved as Laurie loves me. He isn't sentimental, doesn't say much about it, but I see and feel it in all he says and does, and it makes me so happy and so humble that I don't seem to be the same girl I
Louisa May Alcott (Little Women (Illustrated))
In the campaign of 1876, Robert G. Ingersoll came to Madison to speak. I had heard of him for years; when I was a boy on the farm a relative of ours had testified in a case in which Ingersoll had appeared as an attorney and he had told the glowing stories of the plea that Ingersoll had made. Then, in the spring of 1876, Ingersoll delivered the Memorial Day address at Indianapolis. It was widely published shortly after it was delivered and it startled and enthralled the whole country. I remember that it was printed on a poster as large as a door and hung in the post-office at Madison. I can scarcely convey now, or even understand, the emotional effect the reading of it produced upon me. Oblivious of my surroundings, I read it with tears streaming down my face. It began, I remember: "The past rises before me like a dream. Again we are in the great struggle for national life.We hear the sounds of preparation--the music of boisterous drums--the silver voices of heroic bugles. We see the pale cheeks of women and the flushed faces of men; and in those assemblages we see all the dead whose dust we have covered with flowers..." I was fairly entranced. he pictured the recruiting of the troops, the husbands and fathers with their families on the last evening, the lover under the trees and the stars; then the beat of drums, the waving flags, the marching away; the wife at the turn of the lane holds her baby aloft in her arms--a wave of the hand and he has gone; then you see him again in the heat of the charge. It was wonderful how it seized upon my youthful imagination. When he came to Madison I crowded myself into the assembly chamber to hear him: I would not have missed it for every worldly thing I possessed. And he did not disappoint me. A large handsome man of perfect build, with a face as round as a child's and a compelling smile--all the arts of the old-time oratory were his in high degree. He was witty, he was droll, he was eloquent: he was as full of sentiment as an old violin. Often, while speaking, he would pause, break into a smile, and the audience, in anticipation of what was to come, would follow him in irresistible peals of laughter. I cannot remember much that he said, but the impression he made upon me was indelible. After that I got Ingersoll's books and never afterward lost an opportunity to hear him speak. He was the greatest orater, I think, that I have ever heard; and the greatest of his lectures, I have always thought, was the one on Shakespeare. Ingersoll had a tremendous influence upon me, as indeed he had upon many young men of that time. It was not that he changed my beliefs, but that he liberated my mind. Freedom was what he preached: he wanted the shackles off everywhere. He wanted men to think boldly about all things: he demanded intellectual and moral courage. He wanted men to follow wherever truth might lead them. He was a rare, bold, heroic figure.
Robert Marion La Follette (La Follette's Autobiography: A Personal Narrative of Political Experiences)
When Jasmine woke that morning she'd been dreaming of breakfast. Not cornflakes or melba toast, skim milk and a sorry slice of apple. No, Jasmine was elbow deep in creamy oatmeal slathered with brown sugar and hot cream. Next, a plate of eggs Sardou: poached eggs nestled sweetly in the baby-smooth bottoms of artichokes and napped with a blushing spiced hollandaise sauce. Jasmine stared up at the ceiling, her mouth a swamp of saliva as she mentally mopped the rest of the hollandaise sauce with a crust of crusty French bread before taking a sip of nutty chicory coffee and reaching for a freshly fried beignet so covered with powdered sugar it made her sneeze.
Nina Killham (How to Cook a Tart)
Ravensbrück was built for 3000 prisoners. At its height it held 35,000, 30,000 of whom were killed here. From the beginning, the SS did not want women with children in the camp; but as more and more territory was overrun, the camp swelled. After the Warsaw Ghetto uprising in 1943, there were hundreds of pregnant women deported here. Some are forced to abort; as numbers grow, women give birth and the babies are taken to a ‘hospital’ where they are slowly starved to death. The crematorium worked nonstop. Ash piles were dumped into the nearby lake as the Russians closed in. When the camp was overrun by the Red Army, 2000 women and 2000 men, mostly too infirm to be death-marched out of the camp, are found. Here
Matthew A. Rozell (A Train Near Magdeburg―The Holocaust, the survivors, and the American soldiers who saved them)
In the elaborate con that is American electoral politics, the Republican voter has long been the easiest mark in the game, the biggest dope in the room. Everyone inside the Beltway knows this. The Republican voters themselves are the only ones who never saw it. Elections are about a lot of things, but at the highest level, they’re about money. The people who sponsor election campaigns, who pay the hundreds of millions of dollars to fund the candidates’ charter jets and TV ads and 25-piece marching bands, those people have concrete needs. They want tax breaks, federal contracts, regulatory relief, cheap financing, free security for shipping lanes, antitrust waivers and dozens of other things. They mostly don’t care about abortion or gay marriage or school vouchers or any of the social issues the rest of us spend our time arguing about. It’s about money for them, and as far as that goes, the CEO class has had a brilliantly winning electoral strategy for a generation. They donate heavily to both parties, essentially hiring two different sets of politicians to market their needs to the population. The Republicans give them everything that they want, while the Democrats only give them mostly everything. They get everything from the Republicans because you don’t have to make a single concession to a Republican voter. All you have to do to secure a Republican vote is show lots of pictures of gay people kissing or black kids with their pants pulled down or Mexican babies at an emergency room. Then you push forward some dingbat like Michele Bachmann or Sarah Palin to reassure everyone that the Republican Party knows who the real Americans are. Call it the “Rove 1-2.” That’s literally all it’s taken to secure decades of Republican votes, a few patriotic words and a little over-the-pants rubbing. Policywise, a typical Republican voter never even asks a politician to go to second base. While we always got free trade agreements and wars and bailouts and mass deregulation of industry and lots of other stuff the donors definitely wanted, we didn’t get Roe v. Wade overturned or prayer in schools or balanced budgets or censorship of movies and video games or any of a dozen other things Republican voters said they wanted.
Matt Taibbi (Insane Clown President: Dispatches from the 2016 Circus)
Shockers take six months of training and still occasionally kill their users. Why did you implant them in the first place?” “Because you kidnapped me.” “That’s the stupidest thing I’ve ever heard.” “Mr. Rogan.” My voice frosted over. “What I put into my body is my business.” Okay, that didn’t sound right. I gave up and marched out the doors into the sunlight. That was so dumb. Sure, try your magic sex touch on me, what could happen? My whole body was still keyed up, wrapped up in want and anticipation. I had completely embarrassed myself. If I could fall through the floor, I would. “Nevada,” he said behind me. His voice rolled over me, tinted with command and enticing, promising things I really wanted. You’re a professional. Act like one. I gathered all of my will and made myself sound calm. “Yes?” He caught up with me. “We need to talk about this.” “There is nothing to discuss,” I told him. “My body had an involuntary response to your magic.” I nodded at the poster for Crash and Burn II on the wall of the mall, with Leif Magnusson flexing with two guns while wrapped in flames. “If Leif showed up in the middle of this parking lot, my body would have an involuntary response to his presence as well. It doesn’t mean I would act on it.” Mad Rogan gave Leif a dismissive glance and turned back to me. “They say admitting that you have a problem is the first step toward recovery.” He was changing his tactics. Not going to work. “You know what my problem is? My problem is a homicidal pyrokinetic Prime whom I have to bring back to his narcissistic family.” We crossed the road to the long parking lot. Grassy dividers punctuated by small trees sectioned the lot into lanes, and Mad Rogan had parked toward the end of the lane, by the exit ramp. “One school of thought says the best way to handle an issue like this is exposure therapy,” Mad Rogan said. “For example, if you’re terrified of snakes, repeated handling of them will cure it.” Aha. “I’m not handling your snake.” He grinned. “Baby, you couldn’t handle my snake.” It finally sank in. Mad Rogan, the Huracan, had just made a pass at me. After he casually almost strangled a woman in public. I texted to Bern, “Need pickup at Galeria IV.” Getting into Rogan’s car was out of the question.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
The tulips are too excitable, it is winter here. Look how white everything is, how quiet, how snowed-in. I am learning peacefulness, lying by myself quietly As the light lies on these white walls, this bed, these hands. I am nobody; I have nothing to do with explosions. I have given my name and my day-clothes up to the nurses And my history to the anesthetist and my body to surgeons. They have propped my head between the pillow and the sheet-cuff Like an eye between two white lids that will not shut. Stupid pupil, it has to take everything in. The nurses pass and pass, they are no trouble, They pass the way gulls pass inland in their white caps, Doing things with their hands, one just the same as another, So it is impossible to tell how many there are. My body is a pebble to them, they tend it as water Tends to the pebbles it must run over, smoothing them gently. They bring me numbness in their bright needles, they bring me sleep. Now I have lost myself I am sick of baggage—— My patent leather overnight case like a black pillbox, My husband and child smiling out of the family photo; Their smiles catch onto my skin, little smiling hooks. I have let things slip, a thirty-year-old cargo boat stubbornly hanging on to my name and address. They have swabbed me clear of my loving associations. Scared and bare on the green plastic-pillowed trolley I watched my teaset, my bureaus of linen, my books Sink out of sight, and the water went over my head. I am a nun now, I have never been so pure. I didn’t want any flowers, I only wanted To lie with my hands turned up and be utterly empty. How free it is, you have no idea how free—— The peacefulness is so big it dazes you, And it asks nothing, a name tag, a few trinkets. It is what the dead close on, finally; I imagine them Shutting their mouths on it, like a Communion tablet. The tulips are too red in the first place, they hurt me. Even through the gift paper I could hear them breathe Lightly, through their white swaddlings, like an awful baby. Their redness talks to my wound, it corresponds. They are subtle : they seem to float, though they weigh me down, Upsetting me with their sudden tongues and their color, A dozen red lead sinkers round my neck. Nobody watched me before, now I am watched. The tulips turn to me, and the window behind me Where once a day the light slowly widens and slowly thins, And I see myself, flat, ridiculous, a cut-paper shadow Between the eye of the sun and the eyes of the tulips, And I have no face, I have wanted to efface myself. The vivid tulips eat my oxygen. Before they came the air was calm enough, Coming and going, breath by breath, without any fuss. Then the tulips filled it up like a loud noise. Now the air snags and eddies round them the way a river Snags and eddies round a sunken rust-red engine. They concentrate my attention, that was happy Playing and resting without committing itself. The walls, also, seem to be warming themselves. The tulips should be behind bars like dangerous animals; They are opening like the mouth of some great African cat, And I am aware of my heart: it opens and closes Its bowl of red blooms out of sheer love of me. The water I taste is warm and salt, like the sea, And comes from a country far away as health. --"Tulips", written 18 March 1961
Sylvia Plath (Ariel)
As we march toward the reality that, by 2050, no one racial or ethnic group will hold a proportional majority in this country, racial suicide paranoia abounds. And for the white racist legislators in the red states, nothing is more threatening than a majority-brown country; it strips them of their historic power. The prospect of being outnumbered is what enabled the Tea Party's mutiny of Congress in 2010 after the election of Barack Obama, America's first black president, allowing it to cripple the Republican establishment; render the first major-party female presidential candidate powerless; and enable the rise of the racist, nationalistic, and misogynistic Donald Trump The white people who are still in charge believe that if their women don't start having lots of babies they- the white patriarchs - are going to become obsolete.
Willie Parker
But the fire dodges him and races up into the house. From there it sweeps across an Oriental rug, marches out to the back porch, leaps nimbly up onto a laundry line, and tightrope-walks across to the house behind. It climbs in the window and pauses, as if shocked by its good fortune: because everything in this house is just made to burn, too— the damask sofa with its long fringe, the mahogany end tables and chintz lampshades. The heat pulls down wallpaper in sheets; and this is happening not only in this apartment but in ten or fifteen others, then twenty or twentyfive, each house setting fire to its neighbor until entire blocks are burning. The smell of things burning that aren’t meant to burn wafts across the city: shoe polish, rat poison, toothpaste, piano strings, hernia trusses, baby cribs, Indian clubs. And hair and skin. By this time, hair and skin. On the quay, Lefty and Desdemona stand up along with everyone else, with people too stunned to react, or still half asleep, or sick with typhus and cholera, or exhausted beyond caring.
Jeffrey Eugenides (Middlesex)
Mr. Dussel has told us much about the outside world we’ve missed for so long. He had sad news. Countless friends and acquaintances have been taken off to a dreadful fate. Night after night, green and gray military vehicles cruise the streets. They knock on every door, asking whether any Jews live there. If so, the whole family is immediately taken away. If not, they proceed to the next house. It’s impossible to escape their clutches unless you go into hiding. They often go around with lists, knocking only on those doors where they know there’s a big haul to be made. They frequently offer a bounty, so much per head. It’s like the slave hunts of the olden days. I don’t mean to make light of this; it’s much too tragic for that. In the evenings when it’s dark, I often see long lines of good, innocent people, accompanied by crying children, walking on and on, ordered about by a handful of men who bully and beat them until they nearly drop. No one is spared. The sick, the elderly, children, babies and pregnant women—all are marched to their death.
Anne Frank (The Diary of a Young Girl)
He saw a boy around Hannah’s age coming down the street dribbling a basketball. He looked over at Hannah to tell her that he thought she knew this kid, but she had already seen him and her face was flushed. He had the white-toothed glow of an athlete and a rich kid. He said to Toby’s daughter, “Hey, Hannah.” Hannah smiled and said, “Hey.” And the boy dribbled on. “Who was that?” Toby asked. Hannah turned to him, angry. Her eyes were wet. “Why can’t we take cabs like regular people?” “What is it? What happened?” “I just don’t know why we have to do this walking to the park all the time like we’re babies. I don’t want to go to the park. I want to go home.” “What is the matter with you? We always go to the park.” She sounded a great big aspirated grunt of frustration and continued walking ahead of them, her arms stiff and fisted and her legs marching. Toby jogged and caught up with Solly, who had stayed obediently until Toby got to him. “Why’s she so angry?” Solly asked as he remounted his scooter. “I don’t know, kid.” More and more, Toby never knew. — HANNAH WAS INVITED to a sleepover that night.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
In the nineteen sixties and early seventies students wore buttons and headbands demanding equal rights for women, blacks, Native Americans and all oppressed minorities, an end to the war in Vietnam, the salvation of the rain forests and the planet in general. [...] College students boycotted class, taught in, rioted everywhere, dodged the draft, fled to Canada or Scandinavia. High school students came to school fresh from images of war on television news, men blown to bits in rice paddies, helicopters hovering, tentative soldiers of the Viet Cong blasted out of their tunnels, their hands behind their heads, lucky for the moment they weren’t blasted back in again, images of anger back home, marches, demonstrations, hell no we won’t go, sit-ins, teachins, students falling before the guns of the National Guard, blacks recoiling from Bull Connor’s dogs, burn baby burn, black is beautiful, trust no one over thirty, I have a dream and, at the end of it all, your President is not a crook. [...]Mechanics and plumbers had to fight while college students shook indignant fists, fornicated in the fields of Woodstock and sat in.
Frank McCourt ('Tis)
I played a few rough versions of songs while Chad sat by, looking lost. Mia came in wearing black leather pants and a tight sweater. As I strummed the Gibson, she made her way over to the piano. She smiled and threw her hand up, waving to Chad. He smiled back and then I watched him study her as she passed. Then his dipshit, googly eyes dropped to her ass while she moved the piano bench out. When he looked back at me, I glared at him and began strumming a dreary and much louder tune. His body sank into his chair and he dropped his head down to stare at his fidgeting hands. Mia began playing a sullen little melody in an attempt to accompany the monotonous song I was forming, and then she stopped abruptly and turned toward me. I continued playing. “Is this going to be a ballad?” she asked. Without taking my eyes off of dipshit, I said, “No, baby, this is what’s called a funeral march.” Chad threw his arms up and said, “I get it. I get it. I’m sorry.” “Sorry for what?” Mia asked. “Nothing!” Chad and I both shouted. “Let’s move on,” I said, arching one eyebrow at him. Chad kept his eyes trained on either the ground or me through the rest of the session
Renee Carlino (Sweet Little Thing (Sweet Thing, #1.5))
I landed on my side, my hip taking the brunt of the fall. It burned and stung from the hit, but I ignored it and struggled to sit up quickly. There really was no point in hurrying so no one would see. Everyone already saw A pair of jean-clad legs appeared before me, and my suitcase and all my other stuff was dropped nearby. "Whatcha doing down there?" Romeo drawled, his hands on his hips as he stared down at me with dancing blue eyes. "Making a snow angel," I quipped. I glanced down at my hands, which were covered with wet snow and bits of salt (to keep the pavement from getting icy). Clearly, ice wasn't required for me to fall. A small group of girls just "happened by", and by that I mean they'd been staring at Romeo with puppy dog eyes and giving me the stink eye. When I fell, they took it as an opportunity to descend like buzzards stalking the dead. Their leader was the girl who approached me the very first day I'd worn Romeo's hoodie around campus and told me he'd get bored. As they stalked closer, looking like clones from the movie Mean Girls, I caught the calculating look in her eyes. This wasn't going to be good. I pushed up off the ground so I wouldn't feel so vulnerable, but the new snow was slick and my hand slid right out from under me and I fell back again. Romeo was there immediately, the teasing light in his eyes gone as he slid his hand around my back and started to pull me up. "Careful, babe." he said gently. The girls were behind him so I knew he hadn't seen them approach. They stopped as one unit, and I braced myself for whatever their leader was about to say. She was wearing painted-on skinny jeans (I mean, really, how did she sit down and still breathe?) and some designer coat with a monogrammed scarf draped fashionably around her neck. Her boots were high-heeled, made of suede and laced up the back with contrasting ribbon. "Wow," she said, opening her perfectly painted pink lips. "I saw that from way over there. That sure looked like it hurt." She said it fairly amicably, but anyone who could see the twist to her mouth as she said it would know better. Romeo paused in lifting me to my feet. I felt his eyes on me. Then his lips thinned as he turned and looked over his shoulder. "Ladies," he said like he was greeting a group of welcomed friends. Annoyance prickled my stomach like tiny needles stabbing me. It's not that I wanted him to be rude, but did he have to sound so welcoming? "Romeo," Cruella DeBarbie (I don't know her real name, but this one fit) purred. "Haven't you grown bored of this clumsy mule yet?" Unable to stop myself, I gasped and jumped up to my feet. If she wanted to call me a mule, I'd show her just how much of an ass I could be. Romeo brought his arm out and stopped me from marching past. I collided into him, and if his fingers hadn't knowingly grabbed hold to steady me, I'd have fallen again. "Actually," Romeo said, his voice calm, "I am pretty bored." Three smirks were sent my way. What a bunch of idiots. "The view from where I'm standing sure leaves a lot to be desired." One by one, their eyes rounded when they realized the view he referenced was them. Without another word, he pivoted around and looked down at me, his gaze going soft. "No need to make snow angels, baby," he said loud enough for the slack-jawed buzzards to hear. "You already look like one standing here with all that snow in your hair." Before I could say a word, he picked me up and fastened his mouth to mine. My legs wound around his waist without thought, and I kissed him back as gentle snow fell against our faces.
Cambria Hebert (#Hater (Hashtag, #2))
The speaker standing on an upturned barrel at the intersection of 135th Street and Seventh Avenue was shouting monotonously: “BLACK POWER! BLACK POWER! Is you is? Or is you ain’t? We gonna march this night! March! March! March! Oh, when the saints — yeah, baby! We gonna march this night!” Spit flew from his looselipped mouth. His flabby jowls flopped up and down. His rough brown skin was greasy with sweat. His dull red eyes looked tired. “Mistah Charley been scared of BLACK POWER since the day one. That’s why Noah shuffled us off to Africa the time of the flood. And all this time we been laughing to keep from whaling.” He mopped his sweating face with a red bandanna handkerchief. He belched and swallowed. His eyes looked vacant. His mouth hung open as though searching for words. “Can’t keep this up,” he said under his breath. No one heard him. No one noticed his behavior. No one cared. He swallowed loudly and screamed. “TONIGHT’S THE NIGHT! We launch our whale boats. Iss the night of the great white whale. You dig me, baby?” He was a big man and flabby all over like his jowls. Night had fallen but the black night air was as hot as the bright day air, only there was less of it. His white short-sleeved shirt was sopping wet. A ring of sweat had formed about the waist of his black alpaca pants as though the top of his potbelly had begun to melt. “You want a good house? You got to whale! You want a good car? You got to whale! You want a good job? You got to whale! You dig me?” His conked hair was dripping sweat. For a big flabby middle-aged man who would have looked more at home in a stud poker game, he was unbelievably hysterical. He waved his arms like an erratic windmill. He cut a dance step. He shuffled like a prizefighter. He shadowed with clenched fists. He shouted. Spit flew. “Whale! Whale! WHALE, WHITEY! WE GOT THE POWER! WE IS BLACK! WE IS PURE!” A crowd of Harlem citizens dressed in holiday garb had assembled to listen. They crowded across the sidewalks, into the street, blocking traffic. They were clad in the chaotic colors of a South American jungle. They could have been flowers growing on the banks of the Amazon, wild orchids of all colors. Except for their voices. “What’s he talking ’bout?” a high-yellow chick with bright red hair wearing a bright green dress that came down just below her buttocks asked the tall slim black man with smooth carved features and etched hair. “Hush yo’ mouth an’ lissen,” he replied harshly, giving her a furious look from the corners of muddy, almond-shaped eyes. “He tellin’ us what black power mean!
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
Thank-You Notes Under the vigilant eye of my mother I had to demonstrate my best penmanship By thanking Uncle Gerry for the toy soldiers– Little red members of the Coldstream Guards– And thanking Aunt Helen for the pistol and holster, But now I am writing other notes Alone at a small cherry desk with a breeze coming in an open window, thanking everyone I happen to see on my long walk to the post office today and anyone who ever gave me directions or placed a hand on my shoulder, or cut my hair or fixed my car. And while I am at it, thanks to everyone who happened to die on the same day that I was born. Thank you for stepping aside to make room for me, for giving up you seat, getting out of the way, to be blunt. I waited until midnight on that day in March before I appeared, all slimy and squinting, in order to leave time for enough of the living to drive off a bridge or collapse in a hallway so that I could enter without causing a stir. So I am writing now to thank everyone who drifted off that day like smoke from a row of blown-out candles– for giving up your only flame. One day, I will follow your example and step politely out of the path of an oncoming infant, but not right now with the subtropical sun warming this page and the wind stirring the fronds of the palmettos, and me about to begin another note on my very best stationary to the ones who are making room today for the daily host of babies, descending like bees with their wings and stingers, ready to get busy with all their earthly joys and tasks.
Billy Collins (Horoscopes for the Dead)
March 12 Dear Stargirl, Hey, you're a big girl now. Stop being such a baby. You think you're the only one who's ever lost a boyfriend? Boyfriends are a dime a dozen. You want to talk loss, look at all the loss around you. How about the man in the red and yellow plaid scarf? He lost Grace. BELOVED WIFE. I'll bet they were married over 50 years. You barely had 50 days with Leo. And you have the gall to be sad in the same world as that man. Betty Lou. She's lost the confidence to leave her house. Look at you. Have you ever stopped to appreciate the simple ability to open your front door and step outside? And Alvina the floor sweeper-she hates herself, and it seems she's got plenty of company. All she's losing is her childhood, her future, a worldful of people who will never be her friends. How would you like to trade places with her? Oh yes, lets not forget the footshuffling guy at the stone piles. Moss-green pom-pom. What did he say to you? "Are you looking for me?" It seems like he hasn't lost much, has he? Only...HIMSELF! Now look at you, sniveling like a baby over some immature kid in Arizona who didn't know what a prize he had, who tried to remake you into somebody else, who turned his back to you and left you to the wolves, who hijacked your heart and didn't even ask you to the Ocotillo Ball. What don't you understand about the message? Hel-loooo? Anybody home in there? You have your whole life ahead of you, and all your doing is looking back. Grow up, girl. There are some things they don't teach you in homeschool. Your Birth Certificate Self, Susan Caraway
Jerry Spinelli
The translucent, golden punch tastes velvety, voluptuous and not off-puttingly milky. Under its influence, I stage a party for my heroines in my imagination, and in my flat. It's less like the glowering encounter I imagined between Cathy Earnshaw and Flora Poste, and more like the riotous bash in Breakfast at Tiffany's. Not everyone is going to like milk punch. So there are also dirty martinis, and bagels and baklava, and my mother's masafan, Iraqi marzipan. The Little Mermaid is in the bath, with her tail still on, singing because she never did give up her soaring voice. Anne Shirley and Jo March are having a furious argument about plot versus character, gesticulating with ink-stained hands. Scarlett is in the living room, her skirts taking up half the space, trying to show Lizzy how to bat her eyelashes. Lizzy is laughing her head off ut Scarlett has acquired a sense of humour, and doesn't mind a bit. Melanie is talking book with Esther Greenwood, who has brought her baby and also the proofs of her first poetry collection. Franny and Zooey have rolled back the rug and are doing a soft shoe shuffle in rhinestone hats. Lucy Honeychurch is hammering out some Beethoven (in this scenario I have a piano. A ground piano. Well, why not?) Marjorie Morningstar is gossiping about directors with Pauline and Posy Fossil. They've come straight from the shows they're in, till in stage make-up and full of stories. Petrova, in a leather aviator jacket, goggles pushed back, a chic scarf knotted around her neck, is telling the thrilling story of her latest flight and how she fixed an engine fault in mid-air. Mira, in her paint-stained jeans and poncho, is listening, fascinated, asking a thousand questions. Mildred has been persuaded to drink a tiny glass of sherry, then another tiny glass, then another and now she and Lolly are doing a wild, strange dance in the hallway, stamping their feet, their hair flying wild and electric. Lolly's cakes, in the shape of patriarchs she hates, are going down a treat. The Dolls from the Valley are telling Flora some truly scandalous and unrepeatable stories, and she is firmly advising them to get rid of their men and find worthier paramours. Celie is modelling trousers of her own design and taking orders from the Lace women; Judy is giving her a ten-point plan on how to expand her business to an international market. She is quite drunk but nevertheless the plan seems quite coherent, even if it is punctuated by her bellowing 'More leopard print, more leopard print!' Cathy looks tumultuous and on the edge of violent weeping and just as I think she's going to storm out or trash my flat, Jane arrives, late, with an unexpected guest. Cathy turns in anticipation: is it Heathcliff? Once I would have joined her but now I'm glad it isn't him. It's a better surprise. It's Emily's hawk. Hero or Nero. Jane's found him at last, and has him on her arm, perched on her glove; small for a bird of prey, he is dashing and patrician looking, brown and white, observing the room with dark, flinty eyes. When Cathy sees him, she looks at Jane and smiles. And in the kitchen is a heroine I probably should have had when I was four and sitting on my parents' carpet, wishing it would fly. In the kitchen is Scheherazade.
Samantha Ellis
He saw a boy around Hannah’s age coming down the street dribbling a basketball. He looked over at Hannah to tell her that he thought she knew this kid, but she had already seen him and her face was flushed. He had the white-toothed glow of an athlete and a rich kid. He said to Toby’s daughter, “Hey, Hannah.” Hannah smiled and said, “Hey.” And the boy dribbled on. “Who was that?” Toby asked. Hannah turned to him, angry. Her eyes were wet. “Why can’t we take cabs like regular people?” “What is it? What happened?” “I just don’t know why we have to do this walking to the park all the time like we’re babies. I don’t want to go to the park. I want to go home.” “What is the matter with you? We always go to the park.” She sounded a great big aspirated grunt of frustration and continued walking ahead of them, her arms stiff and fisted and her legs marching. Toby jogged and caught up with Solly, who had stayed obediently until Toby got to him. “Why’s she so angry?” Solly asked as he remounted his scooter. “I don’t know, kid.” More and more, Toby never knew. — HANNAH WAS INVITED to a sleepover that night. Sleepovers, as far as Toby could tell, consisted of the girls in her class getting together and forming alliances and lobbing microaggressions at each other in an all-night cold war, and they did this voluntarily. It had begun when Hannah was in fourth grade, or maybe before that, wherein the alpha girls set to work on a reliable and unyielding establishment of a food chain system—jockeying for position, submitting to a higher position. Licking your wounds when you learn you are not the absolute top; rejoicing to know you are not the absolute bottom.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
Listen, son: I am saying this as you lie asleep, one little paw crumpled under your cheek and the blond curls stickily wet on your damp forehead. I have stolen into your room alone. Just a few minutes ago, as I sat reading my paper in the library, a stifling wave of remorse swept over me. Guiltily I came to your bedside. There are the things I was thinking, son: I had been cross to you. I scolded you as you were dressing for school because you gave your face merely a dab with a towel. I took you to task for not cleaning your shoes. I called out angrily when you threw some of your things on the floor. At breakfast I found fault, too. You spilled things. You gulped down your food. You put your elbows on the table. You spread butter too thick on your bread. And as you started off to play and I made for my train, you turned and waved a hand and called, ‘Goodbye, Daddy!’ and I frowned, and said in reply, ‘Hold your shoulders back!’ Then it began all over again in the late afternoon. As I came up the road I spied you, down on your knees, playing marbles. There were holes in your stockings. I humiliated you before your boyfriends by marching you ahead of me to the house. Stockings were expensive – and if you had to buy them you would be more careful! Imagine that, son, from a father! Do you remember, later, when I was reading in the library, how you came in timidly, with a sort of hurt look in your eyes? When I glanced up over my paper, impatient at the interruption, you hesitated at the door. ‘What is it you want?’ I snapped. You said nothing, but ran across in one tempestuous plunge, and threw your arms around my neck and kissed me, and your small arms tightened with an affection that God had set blooming in your heart and which even neglect could not wither. And then you were gone, pattering up the stairs. Well, son, it was shortly afterwards that my paper slipped from my hands and a terrible sickening fear came over me. What has habit been doing to me? The habit of finding fault, of reprimanding – this was my reward to you for being a boy. It was not that I did not love you; it was that I expected too much of youth. I was measuring you by the yardstick of my own years. And there was so much that was good and fine and true in your character. The little heart of you was as big as the dawn itself over the wide hills. This was shown by your spontaneous impulse to rush in and kiss me good night. Nothing else matters tonight, son. I have come to your bedside in the darkness, and I have knelt there, ashamed! It is a feeble atonement; I know you would not understand these things if I told them to you during your waking hours. But tomorrow I will be a real daddy! I will chum with you, and suffer when you suffer, and laugh when you laugh. I will bite my tongue when impatient words come. I will keep saying as if it were a ritual: ‘He is nothing but a boy – a little boy!’ I am afraid I have visualized you as a man. Yet as I see you now, son, crumpled and weary in your cot, I see that you are still a baby. Yesterday you were in your mother’s arms, your head on her shoulder. I have asked too much, too much. Instead of condemning people, let’s try to understand them. Let’s try to figure out why they do what they do. That’s a lot more profitable and intriguing than criticism; and it breeds sympathy, tolerance and kindness. ‘To know all is to forgive all.
Dale Carnegie (How to Win Friends and Influence People)
A new wife is not a matter. She is my family. Their Graces have had thirty years to spend holidays with us, and this my first—” Westhaven sighed, took a sip of punch, and glanced over at Val. “It doesn’t get easier the longer you’re married. You still fret, more in fact, once the babies start coming.” Val’s head cocked, as if he’d just recalled his brother was also his friend. “Well, as to that…” Val smiled at his punch. Baby Brother sported a devastating smile when he wanted to, but this expression was… St. Just lifted his mug. “Congratulations, then. How’s Ellen faring?” “She’s in fine spirits, in glowing good health, and I’m a wreck. I think she sent me off to Peterborough with something like relief in her eye.” Westhaven was staring morosely at his grog. “Anna isn’t subtle about it anymore. She tells me to get on my horse and not come back until I’ve worked the fidgets out of us both. She’s quite glad to see me when I return, though. Quite glad.” For Westhaven, that was the equivalent of singing a bawdy song in the common. St. Just propped his mug on his stomach. “Emmie says I’m an old campaigner, and I get twitchy if I’m confined to headquarters too long. Winnie says I need to go on scouting patrol. The reunions are nice, though. You’re right about that.” Val took a considering sip of his drink then speared St. Just with a look. “I wouldn’t know about those reunions, but I intend to find out soon. Dev, you are the only one of us experienced at managing a marching army, and I’m not in any fit condition to be making decisions, or I’d be on my way back to Oxfordshire right now.” “Wouldn’t advise that,” Westhaven said, still looking glum. “Your wife will welcome you sweetly into her home and her bed, but you’ll know you didn’t quite follow orders—our wives are in sympathy with Her Grace—and they have their ways of expressing their…” Both brothers chimed in, “Disappointment.
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
Inside McClintic Sphere was swinging his ass off. His skin was hard, as if it were part of the skull: every vein and whisker on that head stood out sharp and clear under the green baby spot: you could see the twin lines running down from either side of his lower lip, etched in by the force of his embouchure, looking like extensions of his mustache. He blew a hand-carved ivory alto saxophone with a 4 ½ reed and the sound was like nothing any of them had heard before. The usual divisions prevailed: collegians did not dig, and left after an average of 1 ½ sets. Personnel from other groups, either with a night off or taking a long break from somewhere crosstown or uptown, listened hard, trying to dig. 'I am still thinking,’ they would say if you asked. People at the bar all looked as if they did dig in the sense of understand, approve of, empathize with: but this was probably only because people who prefer to stand at the bar have, universally, an inscrutable look… …The group on the stand had no piano: it was bass, drums, McClintic and a boy he had found in the Ozarks who blew a natural horn in F. The drummer was a group man who avoided pyrotechnics, which may have irritated the college crowd. The bass was small and evil-looking and his eyes were yellow with pinpoints in the center. He talked to his instrument. It was taller than he was and didn’t seem to be listening. Horn and alto together favored sixths and minor fourths and when this happened it was like a knife fight or tug of war: the sound was consonant but as if cross-purposes were in the air. The solos of McClintic Sphere were something else. There were people around, mostly those who wrote for Downbeat magazine or the liners of LP records, who seemed to feel he played disregarding chord changes completely. They talked a great deal about soul and the anti-intellectual and the rising rhythms of African nationalism. It was a new conception, they said, and some of them said: Bird Lives. Since the soul of Charlie Parker had dissolved away into a hostile March wind nearly a year before, a great deal of nonsense had been spoken and written about him. Much more was to come, some is still being written today. He was the greatest alto on the postwar scene and when he left it some curious negative will–a reluctance and refusal to believe in the final, cold fact–possessed the lunatic fringe to scrawl in every subway station, on sidewalks, in pissoirs, the denial: Bird Lives. So that among the people in the V-Note that night were, at a conservative estimate, a dreamy 10 per cent who had not got the word, and saw in McClintic Sphere a kind of reincarnation.
Thomas Pynchon (Inherent Vice)
Dr. Johnson meant the sort of patriotism that requires loud displays and marching about armed on the village green, not the sort of patriotism you, Felix, and Dunkeld showed in Spain.
Grace Burrowes (Lady Violet Holds a Baby (The Lady Violet Mysteries, #5))
But you can’t start. Only a baby can start. You and me—why, we’re all that’s been. The anger of a moment, the thousand pictures, that’s us. This land, this red land, is us; and the flood years and the dust years and the drought years are us. We can’t start again. The bitterness we sold to the junk man—he got it all right, but we have it still. And when the owner men told us to go, that’s us; and when the tractor hit the house, that’s us until we’re dead. To California or any place—every one a drum major leading a parade of hurts, marching with our bitterness. And some day— the armies of bitterness will all be going the same way. And they’ll all walk together, and there’ll be a dead terror from it. The tenant men scuffed home to the farms through the red dust.
John Steinbeck (The Grapes of Wrath)
Funeral March of a Marionette.
Mark Cain (Bringing Up Baby in Hell, or What's the Matter? (Circles in Hell Book 10))
When Derek Sivers first built his business CDbaby.com, he set up a standard confirmation email to let customers know their order had been shipped. After a few months, Derek felt that this email wasn’t aligned with his mission—to make people smile. So he sat down and wrote a better one. Your CD has been gently taken from our CD Baby shelves with sterilized contamination-free gloves and placed on a satin pillow. A team of 50 employees inspected your CD and polished it to make sure it was in the best possible condition before mailing. Our packing specialist from Japan lit a candle and a hush fell over the crowd as he put your CD into the finest gold-lined box that money can buy. We all had a wonderful celebration afterwards and the whole party marched down the street to the post office where the entire town of Portland waved “Bon Voyage!” to your package, on its way to you, in our private CD Baby jet on this day, Friday, June 6th. I hope you had a wonderful time shopping at CD Baby. We sure did. Your picture is on our wall as “Customer of the Year.” We’re all exhausted but can’t wait for you to come back to CDBABY.COM!! —Derek Sivers, Anything You Want The result wasn’t just delighted customers. That one email brought thousands of new customers to CD Baby. The people who got it couldn’t help sharing it with their friends. Try Googling “private CD Baby jet”; you’ll find over 900,000 search results to date. Derek’s email has been cited by business blogs the world over as an example of how to authentically put your words to work for your business.
Bernadette Jiwa (The Fortune Cookie Principle: The 20 Keys to a Great Brand Story and Why Your Business Needs One)
He remembers that Lydia is pregnant, with a baby boy, as she constantly tells him, and this baby boy will grow up and go to the wars that are now in the making. One war leads to another, let us do some calculations, the baby comes into the world in March of next year, if the average age when youths go to war is twenty-three or twenty-four, what war will we have in nineteen sixty-one, and where, and why, and over what wasteland.
José Saramago (The Year of the Death of Ricardo Reis)
Every book was “better than Rosemary’s Baby,” “more terrifying than The Exorcist,” and “in the tradition of The Other!” Read in the right order, the titles painted a grim portrait of Satan marching from free-spirited young demon to middle-aged ennui: Satan’s Holiday, Satan’s Gal, Satan’s Seed, Satan’s Child, Satan’s Bride, Satan Sublets, The Sorrows of Satan, Satan’s Mistress, Satan: His Psychotherapy and His Cure.
Grady Hendrix (Paperbacks from Hell: The Twisted History of '70s and '80s Horror Fiction)
Maybe we can start again, in the new rich land—in California, where the fruit grows. We’ll start over. But you can’t start. Only a baby can start. You and me—why, we’re all that’s been. The anger of a moment, the thousand pictures, that’s us. This land, this red land, is us; and the flood years and the dust years and the drought years are us. We can’t start again. The bitterness we sold to the junk man—he got it all right, but we have it still. And when the owner men told us to go, that’s us; and when the tractor hit the house, that’s us until we’re dead. To California or any place—every one a drum major leading a parade of hurts, marching with our bitterness. And some day—the armies of bitterness will all be going the same way. And they’ll all walk together, and there’ll be a dead terror from it.
John Steinbeck (Grapes of wrath)
You think you done somethin' cuz you used to march? I marched. I marched with your father and with my li'l baby all the way up from Alabama. All the way to Harlem. My son was gon' see a better world than what I saw, what my parents saw. I was gon' be a famous singer. Robert wasn't gon' have to work in a mine for some white man. That was a march too, Carson.
Yaa Gyasi (Homegoing)
Technically, I think I am.” “What?” “Married.” She pauses, mug in midair. “You heartless slut. Making illegitimate lizard-babies with March and leading him on. He’s going to be devastated.
Ann Aguirre (Grimspace (Sirantha Jax, #1))
Twenty, thirty years from now, he thought, all sorts of people will claim pivotal, controlling, defining positions in the rights movement. A few would be justifies. Most would be frauds. What could not be gainsaid, but would remain invisible in the newspapers and the books he bought for his students, were the ordinary folk. The janitor who turned off the switch so the police couldn't see; the grandmother who kept all the babies so the mothers could march; ...; the old who gathered up the broken bodies of the young; the young who spread their arms wide to protect the old from batons they could not possibly survive....Yes, twenty, thirty years from now, those people will be dead or forgotten, their small stories part of no grand record or even its footnotes, although they were the ones who formed the spine on which the televised ones stood.
Tony Morrison
Our grandmothers didn't agonize over such existential questions as to whether marriage was ultimately "right" for them as women or if having a baby would "compromise" them as individuals. Yet we do. We approach these aspects of life warily and self-consciously: A new bride adjusts her veil in the mirror and frets that she is selling out to some false idea of femininity; a new wife is horrified to find herself slipping into the habit of cooking dinner and doing the laundry; a new mother, who has spent years climbing the corporate ladder, is thrown into an identity crisis when she's stuck at home day after day, in a sweatsuit, at the mercy of a crying infant. It is because of feminism's success that we now call these parts of our lives into question, that we don't thoughtlessly march down the aisle, take up our mops, and suppress our ambitions. But feminism, for all its efforts, hasn't been able to banish fundamental female desires from us, either - and we simply cannot be happy if we ignore them.
Danielle Crittenden (WHAT OUR MOTHERS DIDN'T TELL US: Why Happiness Eludes the Modern Woman)
Praise the miracle body The odd and undeniable mechanics of hand Hundred boned foot, perfect stretch of tendon Praise the veins that river these wrists Praise the prolapsed valve in a heart Praise the scars marking a gallbladder absent Praise the rasp and rattle of functioning lungs Praise the pre-arthritic ache of elbows and ankles Praise the lifeline sectioning a palm Praise the photographic pads of fingertips Praise the vulnerable dip at the base of a throat Praise the muscles surfacing on an abdomen Praise these arms that carry babies, and anthologies Praise the leg hairs that sprout and are shaved Praise the ass that refuses to shrink or be hidden Praise the cunt that bleeds and accepts, bleeds and accepts Praise the prominent ridge of nose Praise the strange convexity of rib cage Praise the single hair that insists on growing from a right areola Praise the dent where the mole was clipped from the back of a neck Praise these inner thighs brushing Praise these eyelashes that sometimes turn inward Praise these hips preparing to spread into a grandmother’s skirt Praise the beauty of the freckle on the first knuckle of a left little finger We’re gone in a blizzard of seconds Love the body human while we’re here A gift of minutes on an evolving planet A country in flux, give thanks For bone, and dirt, and the million things that will kill us someday Motion and the pursuit of happiness, no garauntees, give thanks For chaos theory, ecology, common sense that says we are web A planet in balance or out That butterfly in Tokyo setting off thunder storms in Iowa Tell me you don’t matter to a universe that conspired to give you such a tongue Such rhythm or rhythmless hips Such opposable thumbs Give thanks, or go home a waste of spark Speak, or let the maker take back your throat March, or let the creator rescind your feet Dream, or let your god destroy your good and fertile mind This is your warning This your birthright Do not let this universe regret you
Marty McConnell
Trained Obstetrician and Gynaecologist in Dubai Dr Elsa de Menezes Fernandes is a UK trained Obstetrician and Gynaecologist. She completed her basic training in Goa, India, graduating from Goa University in 1993. After Residency, she moved to the UK, where she worked as a Senior House Officer in London at the Homerton, Southend General, Royal London and St. Bartholomew’s Hospitals in Obstetrics and Gynaecology. She completed five years of Registrar and Senior Registrar training in Obstetrics and Gynaecology in London at The Whittington, University College, Hammersmith, Ealing and Lister Hospitals and Gynaecological Oncology at the Hammersmith and The Royal Marsden Hospitals. During her post-graduate training in London she completed Membership from the Royal College of Obstetricians and Gynaecologists. In 2008 Dr Elsa moved to Dubai where she worked as a Consultant Obstetrician and Gynaecologist at Mediclinic City Hospital until establishing her own clinic in Dubai Healthcare City in March 2015. She has over 20 years specialist experience. Dr Elsa has focused her clinical work on maternal medicine and successfully achieved the RCOG Maternal Medicine Special Skills Module. She has acquired a vast amount of experience working with high risk obstetric patients and has worked jointly with other specialists to treat patients who have complex medical problems during pregnancy. During her training she gained experience in Gynaecological Oncology from her time working at St Bartholomew’s, Hammersmith and The Royal Marsden Hospitals in London. Dr Elsa is experienced in both open and laparoscopic surgery and has considerable clinical and operative experience in performing abdominal and vaginal hysterectomies and myomectomies. She is also proficient in the technique of hysteroscopy, both diagnostic and operative for resection of fibroids and the endometrium. The birth of your baby, whether it is your first or a happy addition to your family, is always a very personal experience and Dr Elsa has built a reputation on providing an experience that is positive and warmly remembered. She supports women’s choices surrounding birth and defines her role in the management of labour and delivery as the clinician who endeavours to achieve safe motherhood. She is a great supporter of vaginal delivery. Dr Elsa’s work has been published in medical journals and she is a member of the British Maternal and Fetal Medicine Society. She was awarded CCT (on the Specialist Register) in the UK. Dr Elsa strives to continue her professional development and has participated in a wide variety of courses in specialist areas, including renal diseases in pregnancy and medical complications in pregnancy.
Drelsa
I like Laurie for a girl, but I can’t think of any good boys’ names.” “I want to name it Beth,” spoke up Gabbie. “Laurie and Beth are both very pretty names,” said Mary Anne. She glanced at Jamie. He was scowling. “You know what I wanted to name my baby? I wanted to name her Stupid-head.” “Stupid-head!” cried Gabbie. She looked crushed. “Nah-nah and a boo-boo. That is so, so mean.” “It is not,” said Jamie. “I’m going home.” Gabbie marched out of the room. “I’m going to take a nap,” she called crossly to Mary Anne.
Ann M. Martin (Kristy and the Snobs (The Baby-Sitters Club, #11))
Although she never went to the synagogue...Grandma [Lausch], all the same, burned a candle on the anniversary of Mr. Lausch's death, threw a lump of dough on the coals when she was baking, a kind of offering, had incantations over baby teeth and stunts against the evil eye. It was kitchen religion and had nothing to do with the G-d of the Creation who turned back the waters and exploded Gomorrah, but it was on the side of religion at that.
Saul Bellow
If you don’t leave now, I’ll call the
Cathy Gillen Thacker (Harlequin American Romance March 2014 Bundle: An Anthology)
terribly, but Maeve and Annie’s friendship
Cathy Gillen Thacker (Harlequin American Romance March 2014 Bundle: An Anthology)
do
Cathy Gillen Thacker (Harlequin American Romance March 2014 Bundle: An Anthology)
everyone to know about our baby.
Cathy Gillen Thacker (Harlequin American Romance March 2014 Bundle: An Anthology)
welled
Cathy Gillen Thacker (Harlequin American Romance March 2014 Bundle: An Anthology)
Satyarthi, l’ex ingegnere che libera i bambini schiavi L’indiano da 30 anni in prima linea contro il lavoro minorile: lavorerò con Malala Kailash Satyarthi, 60 anni, è il primo indiano a vincere il premio Nobel per la Pace Maria Grazia Coggiola | 693 parole Fino a ieri mattina, Kailash Satyarthi, era un volto pressoché sconosciuto in India, uno dei tantissimi volontari seguaci del Mahatma Gandhi che in silenzio e con ostinazione si prendono a cuore le cause che in un Paese di un miliardo e 200 milioni di persone sembrano perse in partenza. Poi la notizia del Premio Nobel per la Pace, condiviso con la pachistana Malala, ha improvvisamente catapultato questo schivo ex ingegnere di 60 anni alla ribalta mondiale e con lui anche la sua organizzazione, Bachpan Bachao Andolan (Movimento per salvare i bambini), che da tre decenni si batte contro lo sfruttamento del lavoro minorile. «D’ora in poi le voci di milioni di bambini non potranno più essere ignorate» ha detto ai primi giornalisti che si sono precipitati nel suo ufficio a Kalkaji, un caotico quartiere di New Delhi vicino a uno dei più vecchi templi induisti della metropoli. Nato nello stato del Madhya Pradesh, nel centro dell’India, ha lasciato a 26 anni una promettente carriera dopo una laurea in ingegneria per dedicarsi a tempo pieno ai diritti dell’infanzia: «È sempre stata la mia passione e a questo ho dedicato la mia vita». L’impegno di Satyarthi iniziò con incursioni in fabbriche e laboratori dove intere famiglie erano costrette a lavorare per rimborsare un prestito che avevano contratto. Incapaci di rimborsare la somma ricevuta, spesso venivano vendute e rivendute, bambini compresi. La sua associazione è nata nel 1980, conta oltre 700 organizzazioni non governative affiliate e finora ha «liberato» oltre 80 mila baby schiavi in centinaia di laboratori e fabbriche. Sembrano tanti, ma è in realtà una goccia in India dove sono svariati milioni i bambini sotto i 14 anni impiegati in diverse attività, come la produzione di «bidi», le piccole sigarette fatte a mano, lavori edili, ricami e soprattutto come domestici low-cost per la ricca borghesia delle metropoli. Appesi muri del suo ufficio ci sono i manifesti delle sue crociate. La più famosa è stata quella della «Global March» nel 1998 quando portò a Ginevra mille bambini lavoratori di tutto il mondo. È stato un punto di svolta, oltre che un successo internazionale, perché l’anno successivo le Nazioni Unite hanno approvato una convenzione contro le forme estreme di impiego minorile e da allora l’esercito dei baby schiavi si è costantemente ridotto. Un’altra battaglia è stata quella ottenere dalle multinazionali l’impegno a garantire che i loro prodotti, come i tappeti, non siano fabbricati con manodopera minorile dei Paesi poveri. Durante i Mondiali di calcio del 2006 in Germania, Satyarthi organizzò una campagna per denunciare l’uso dei bimbi di 6 anni nella cucitura di palloni e nel 2011 pubblicò uno studio in cui si rivelava che in India scompaiono 11 bambini ogni ora, vittime del traffico di esseri umani. Vestito con il tradizionale completo di casacca e pantaloni «khadi» (filati e tessuti a mano come faceva il Mahatma) e fradicio di sudore per il condizionatore rotto, Satyarthi ha ricordato anche i legami con l’Italia. «Ho lavorato tanto con Mani Tese - ha detto - e conosco molti italiani». Tra un’intervista e l’altra, in serata, ha poi sentito per telefono Malala da Birmingham. «La conosco - ha spiegato - perché ci eravamo visti l’ultima volta in Olanda durante una cerimonia. La inviterò a lavorare con me». Curiosamente, il prestigioso riconoscimento non fui mai assegnato all’apostolo della non violenza. «Sono nato dopo la morte del Mahatma Gandhi - ha ricordato l’attivista - e se il premio fosse stato assegnato a lui sarei stato più contento. Ma anche ora lo sono perché appartiene a tutti i bambini di questo Paese». Malala, festa tra i banchi d
Anonymous
After all, she’d been doing pretty well before Nic’s babies came. She had to believe she would claw her way back to mental health. She could do it. She simply needed more time.
Emily March (Hummingbird Lake (Eternity Springs, #2))
after we get hitched. About time Blake and Maggie took over this here house,
Cathy Gillen Thacker (Harlequin American Romance March 2014 Bundle: An Anthology)
upper body to hold them steady.
Cathy Gillen Thacker (Harlequin American Romance March 2014 Bundle: An Anthology)
Leaving the Connecticut River March 8, 1704 Temperature 40 degrees By the time Mercy had sorted this out, her three brothers were gone. She panicked. “Sam!” she screamed. “John! Benny!” She ran from group to group, darting behind sledges, racing among the dogs, circling the fires. “Sam! John!” What was the matter with her? How could she have stayed separate from them? Why had she not kicked Tannhahorens in the shins, as Ruth would have, and marched with her brothers no matter what he said? Ruth was right, he was nothing but an Indian! O Father! she thought. O Mother! I let you down again. I didn’t protect Tommy. I didn’t save Marah or Stepmama or the baby. And now the boys are gone. On her second screaming circle of the camp, Tannhahorens caught her. “Boys go,” he said. “But are they all right? I didn’t say good-bye! You never let me talk to them at all! I don’t even know their masters’ names!” A new and even more horrifying thought struck Mercy. It tore the wind from her lungs and her voice broke. “Will my brothers and I go to the same place? Will I see them again?” Poor Father, come home to find his entire family ripped away in a night. Father would comfort himself that Mercy was taking care of the boys--and he would be wrong. Tannhahorens had fewer English words than Mercy had Mohawk. He could not understand this outpouring. He steered her back to his possessions. “Raquette,” he said. Mercy jumped in front of him, blocking his path. He was hung with weapons in preparation for departure: knives, tomahawk, hatchet, gun, two bows, quiver of arrows. But something new hanging from Tannhahorens’ chest gave her pause. A Catholic cross. Although in her whole life, Mercy had seen only one spoon and a belt buckle made of silver, she knew this cross to be silver. She wrenched her eyes from its beauty. It would be a sin to find a cross beautiful. Religion must be heart and soul, not scraps of metal. Tannhahorens pushed her along in front of him. “Raquette,” he said irritably. “Raquette?” she begged. “Is that your town? Is that Sam’s master’s name? Are the boys together? Is Same going to be able to watch out for John and Benny?” This time, ragged trousers and a torn stained coat blocked Tannhahorens’s way The Indian looked harshly at the Englishman in front of him, and Mercy wished she had learned words like please. But Tannhahorens walked on and left them together. “Oh, Uncle Nathaniel!” she said, and they wrapped their arms around each other. He held her tightly. He had to clear his throat several times to find his voice. “Your brothers are not together,” he said, “but they seemed all right. They were not afraid. Benny’s Indian has a sled and he will ride as he did yesterday. John’s with five other English, all adults. They will watch for him. And Sam is with the Kellogg girls. He’ll be busy taking care of Joanna and Rebecca.” Her three brothers, going in three directions in the hands of strangers. “They took my Will and my Mary in the last band,” said her uncle. “I have some hope. The Indians treat my children tenderly. When nobody else had a morsel to eat, their masters fed them.” Sam. John. Benny. Will. Little Mary. Gone.
Caroline B. Cooney (The Ransom of Mercy Carter)
Cade?" He twisted in his saddle and looked at her questioningly. "What did you mean when you said we were married?" "You accepted my horse, didn't you?" He nodded at the huge gray she rode even now. "You invited me into your house and brought me a dowry of two mustangs. My father approved. That is all that is necessary." His satisfied tone raised her anger. "You know that isn't all that is necessary!" Cade shrugged and walked his mount through a particularly narrow strip between trees. "We can go to town and sign the alcalde's book, if you like. There are no priests. I would take you to San Antonio and a church, but your rebels are probably already there trying to blow holes in the city with their cannon. What more would you have me do?" "You could have at least asked me," Lily answered spitefully. He was too close to truth for comfort. Marriages were a haphazard thing in this country. She would have preferred San Antonio, but after taking Goliad, the rebels were undoubtedly marching to the next city. She didn't want a church that much. But she would have liked to have been asked and to have had her father and son present. She didn't feel in the least married. "If I'm married, what is my name? Mrs. Cade?" He tilted his head as if to consider the notion. "Probably not. It might be easiest if you call yourself Senora de Suela. That's my grandfather's name." "Do you have an Indian name?" "Just my birth name. I did not stay with the tribe long enough to give myself an adult name. My father is Lipan and does not have a family name." "What is your birth name?" They had reached the grassy plain, and Cade could turn and watch her now. Lily supposed the flicker in his eyes could be called amusement. She had never seen him laugh, and rarely did he smile, but she was beginning to understand some of his expressions. Or lack of them. "My father called me something that translates roughly as 'Mighty Quiver.' I never asked him what he was thinking about at the time. My mother called me Luis Philippe, after her father. Do you prefer either of those?" A grin quirked Lily's mouth. Mighty Quiver. She could just imagine a screaming baby boy being called that. She suspected his father had a sense of humor even if Cade did not. He was definitely not a Luis Philippe. She shook her head in reply. "Where does Cade come from?" "The Spanish word for music, cadenza. They thought they insulted me, but they were unaware of the other poor names I had to choose from." Lily didn't want to ask who "they" were or why they would wish to insult him for his love of music. She knew absolutely nothing about this man. "Cade suits you," she answered decisively. "And de Suela?" He lifted his eyebrows questioningly. "Or shall I give myself an adult name now? No one will know the difference." Lily considered this briefly, then shook her head. "I think that is your decision." "De Suela is an old and respected name. I will stay with it, then." Lily de Suela. Considering the state of current affairs, a Mexican name wasn't any better than an Indian one, but she wasn't even certain that either belonged to her. Lily supposed if a child came of their night together, she would be glad of a name for it, but she couldn't reconcile herself to the position of wife just yet. She was just now learning to be herself again. She
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
I’ll do my best, Nic. It won’t be good enough, but it’ll be the best I can do. For you and for the baby. Babies. He shuddered. Twins. I’ll be there to help. I’ll be there to support you. I’ll be your friend. Then, if the right guy comes along someday, a man who can love you like you deserve, I’ll shake his hand and step aside. Maybe
Emily March (Angel's Rest (Eternity Springs, #1))
I’m fine. How are you, Nic? How are the babies?” “Why aren’t you in town?” she asked with an edge in her voice. “Why are you holed up at Eagle’s Way?” “I miss you.” “Answer my question.” “I just did. I miss you, Nic. Town is lonely without you. It’s crowded with tourists, too, and for some reason that only makes me miss you more.” After a long pause, she said, “Your sister-in-law told Celeste that you almost killed yourself last fall. There’s some concern you’ve, um, relapsed. Everyone is very worried about you.” “Everyone?” He waited a long pause, but when she failed to respond, he added, “No one needs to worry. I’m not depressed and I’m certainly not suicidal. I don’t want you to be concerned about my mental health. Except for missing you, I’m fine, I promise. In fact, Celeste came by a little while ago. You can talk to her. She’ll back me up. Now, since I have you on the phone, can I ask how you’re doing? How the babies are doing? I think about you every day and—” “Stop it, Gabe,” she interrupted. “I’m not ready for this. The only reason I called was because I can’t say no to Lori.” “Then I guess that attending childbirth classes with you is out of the question?” “Doing what?” “I assume you’re signed up for childbirth classes and I was hoping you’d let me go with you. Otherwise I’m going to go to the classes at the hospital over in Gunnison.” “Wait. Hold on. I don’t get it.” “I want to be part of their lives, Nicole. I’m not going to push you, but I want you to know that I’m committed. I will be there for them, and for you, to whatever extent you’ll allow. I know you have good reason not to believe me, so I’m not going to ask that of you. I’ll let my actions prove my words.” He held his breath waiting for her response. For a long moment she said nothing. When she finally did speak, she broke his heart. “You hurt me, Gabe.” “I know.” He swallowed hard, and in that moment he truly despised himself. “I’m so, so sorry.” He
Emily March (Angel's Rest (Eternity Springs, #1))
Nic walked to the end of the hallway and opened the door that led to the unfinished attic. She flipped on the light switch and gasped aloud. The attic wasn’t merely finished. It had been transformed. He’d chosen a mountain wildlife theme for the nursery that suited the space to a T, and he’d included two sets of everything—two cribs, two dressers, two changing tables, and even two full-size rocking chairs. Both rockers sported cushions that had been embroidered with two words: Mama Bear on one, Papa Bear on the other. “Oh, Gabe,” she said with a sigh. She sat in the Mama Bear rocker, rubbed her belly, and that’s when she saw the mural on the wall. Papa Bear, Mama Bear, two Baby Bears, and a crooked-tailed boxer sprawled at their feet. Papa Bear held a T-square. Mama Bear had a stethoscope draped around her neck. In the sky to the right, a happy-faced sun shined down upon them. In the sky to the left, two silhouettes with angel wings sat perched at the apex of a rainbow. Gabe
Emily March (Angel's Rest (Eternity Springs, #1))
Why did you do this?” “Is it okay? Do you like it?” “I asked first.” “Okay.” He shoved his hands in his back pockets and paced the length of the room. “I won’t try to make any more excuses for my behavior, Nic. You have every right to hate me for leaving you that day. I know I can’t make up for the hurt I caused you, but I wanted to do more than just apologize. Words are important, but they’re not everything. Like the saying goes, actions speak louder. I looked for a way to prove to you that I won’t let you and the babies down again.” “So you sent the cradles.” “Yes.” “You went to childbirth classes by yourself.” “I did.” Her gaze broke away from his and he watched her as she studied the walls. “You’re an excellent artist.” “Architects learn how to draw. I considered asking Sage to paint the murals, but …” He shrugged. “I wanted to do them.” “Why?” Gabe’s heart began to pound. It was one thing to admit it to himself or to Celeste, but something else entirely to say it to Nic. To commit to Nic. Last chance, Callahan. If you have any doubts at all, you need to keep your lips zipped. He waited a beat, searched within himself, then smiled. “Why?” he repeated. “Because it was a labor of love.” He walked over to her, went down on one knee, took her hand, and kissed it. “I’m not afraid to love those babies anymore. I love them. I want to be there when they’re born. I want to help you raise them. I want to be their dad.” Tears swam in her eyes and she swallowed hard. Gabe went down on both knees and claimed both her hands. Held them tight. “I said this before, but my timing stank, so maybe you’ll get the message better now. Nic, I’m not afraid to love you anymore, either. I love you. I am in love with you. Please, give me another chance. Give us another chance. I won’t let you down again. You have my word. My oath.” He kissed one hand and then the other. “Nic, you have my heart. Please, be my home.” A
Emily March (Angel's Rest (Eternity Springs, #1))
Don’t be afraid, sweetheart. Just believe. Believe in love.” She smiled crookedly. “If you have fireworks set to go off, I’m going to think something’s really fishy.” He took a risk. “I think we have to wait at least four weeks after the babies are born for the fireworks. At least, that’s what they said in my childbirth class.” She gave a little smile that broke his heart but at the same time gave him hope, so he persisted. “When I came to Eternity Springs, I’d lost my ability to believe in anything but pain. This place healed me. You healed me. Your love healed me.” Her lips pouted, and with a touch of petulance in her voice she replied, “I never told you I loved you.” Not gonna make it easy for me, are you? But he had won. He could see it in her eyes, the subtle softening of her body. He kissed her hands, gently nipped her skin, and said, “Then tell me now.” She wrinkled her nose and kept her mouth stubbornly silent. “I love you, Nicole,” he repeated. “You are my heart, my soul, my world. You and Eternity Springs have taught me an invaluable lesson. Even if tragedy strikes my life again and God takes you away from me, as horrible as that would be, I know that I’d survive it. Love can hurt, but if you’ll let it, love also can heal. It truly is a miraculous medicine. You believe that, too, don’t you?” When she nodded, her eyes now swimming in tears, he said, “That’s why I know that eventually you’ll forgive me. Love heals. Now, my love, you say it. Tell me you love me.” She reached out, grasped the silver medal that hung around his neck, and rubbed her thumb over the angel’s wings. Then she released the medal and tenderly touched his cheek. “I do love you, John Gabriel Callahan. I forgive you. Just don’t do anything so stupid again, okay?
Emily March (Angel's Rest (Eternity Springs, #1))
Okay, then. That brings us back to the original question. Where do we go from here? Friends? Awkward acquaintances like we’ve been this past week? Do you want me to leave town and you’ll call me when the baby is born?” “No,” she said softly. “I don’t want you to leave town. We need to be friends. That’s what is best for the baby.” “Then this tension between us needs to end. That can’t be good for the baby, either.” Tears flooded her eyes yet again. “I’m not trying to be awkward and tense. I am trying not to cry. I want to cry all the time, and it’s making me crazy. It’s not like me. I’ve never been a needy, clingy, whiny female, but that’s what I’m becoming. I can’t stand it. I can’t help it. I don’t know how to fix it.” Gabe
Emily March (Angel's Rest (Eternity Springs, #1))
I know this was a scare for you today, but your wife and babies are doing just fine.” From the corner of his eye, Gabe saw Nic grimace. Why would she … His heart began to pound and his eyes flew open wide. “Excuse me? Did you just say …?” The doctor pursed her lips in dismay. Looking at Nic, she asked, “Did I speak out of turn?” “He just got here a few minutes ago.” Gabe cleared his throat. “Nic?” She tried to smile, but it was a sickly effort at best. “I had a sonogram today.” She held up the pictures. “Gabe, we’re having twins.” He exhaled as if she’d punched him in the gut and closed his eyes. Twins. He dropped his chin to his chest. Twins. He leaned over, propped his elbows on his knees, and cradled his head in his hands. Twins. His stomach rolled and his skin grew clammy. Without saying a word to the women, he rose and walked into the room’s bathroom, where he turned on the cold water, leaned over, and splashed his face for a full minute. Then he shut off the water, gave his head a shake, and looked up, staring at his reflection in the mirror. He was as white as the snow atop Sinner’s Prayer Pass. “Twins,” he murmured. “You’re not going to faint, are you, Mr. Callahan?” Dr. Marshall asked from the doorway. “We don’t want you to bang your head today, too.” “I’m fine,” he lied, grabbing a white hand towel off a towel bar and wiping his face. He replaced the towel, took a bracing breath, and exited the bathroom. Nic watched him with an anxious expression, her hands clasped and resting protectively over her stomach. Was she worried he’d be upset? Angry? Maybe he would get angry later—at fate, not at Nic—but right now he was too numb for that. Twins. Double the risk. Double the responsibility. Double the potential loss. Great. Just great. He
Emily March (Angel's Rest (Eternity Springs, #1))
No. I can’t, Nic. I’m sorry, but I can’t be part of this baby’s life. You deserve better and so does this child, but I can’t do it. Not again. I buried a child. I can’t do this again. I won’t do this again. I don’t want another child.” With
Emily March (Angel's Rest (Eternity Springs, #1))
Say yes, Nicole,” he urged. “Let me do this much for you, for the baby. Let me give him, give both of you, my name.” “Why do you care, Gabe? I don’t understand.” “I’m not sure I understand either, to be honest. What I do know is that as I stood on that mountaintop yesterday, I understood that this is the way it’s supposed to be. Maybe it’s because it’s the way I was raised. Maybe it’s because this is one thing I know I can do for this baby. If, in the end, I have to walk away, at least he’ll know I respected his life and his mother enough to do this.” Nic
Emily March (Angel's Rest (Eternity Springs, #1))
But then in March '92, the Rodney King verdict came down... And the city had lost its collective mind and was trying to burn itself to the ground. Ju had caught one woman climbing out of the shattered glass of a pharmacy, not like she was the only one, just the one Ju had caught... The woman stood there holding her loot, face devoid of expression. In her hands she held two packages of Pampers, a can of roach spray, and a Pepsi. 'They be climbing over the baby when he asleep,' the woman said by way of explanation. 'The cockroaches, I mean.' Ju took the Pampers and the roach killer. Then she cuffed the lady and out her in the van with the others. Because that was the job.
Sunil Yapa
Gareth strode straight up to Lucien, seized his shoulder and spun him roughly around on his heel. The pistol went flying from the dummy's wooden hand. "I beg your pardon," Lucien said, raising his brows at Gareth's open display of hostility. "Where is she?" The duke turned back to his target and calmly reloaded his pistol. "Probably halfway to Newbury by now, I should think," he said, mildly. "Do go away, dear boy. This is no sport for children like yourself, and I wouldn't want you to get hurt." The condescending remark cut deep. Gareth marched around to face his brother. They were of equal height, equal build, and almost of equal weight, and his blue eyes blazed into Lucien's black ones as he seized the duke's perfect white cravat and yanked him close. Lucien's eyes went cold, and he reached up and caught Gareth's wrist in an iron grip of his own. All civility vanished. "Don't push me," the duke warned, menacingly. "I've had all I can take of your childish pranks and degenerate friends." "You dare call me a child?" "Yes, and I will continue to do so as long as you continue to act like one. You are lazy, feckless, dissolute, useless. You are an embarrassment to this family — especially to me. When you grow up and learn the meaning of responsibility, Gareth, perhaps I shall treat you with the respect I did your brother." "How dare you talk to me of responsibility when you banish an innocent young woman to fend for herself, and she with a six-month-old baby who happens to be your niece!  You're a cold-hearted, callous, unfeeling bastard!" The duke pushed him away, lifting his chin as he repaired the damage to his cravat. "She was handsomely paid. She has more than enough money to get back to those godforsaken colonies from which she came, more than enough to see herself and her bastard babe in comfort for the rest of her life. She is no concern of yours." Bastard babe. Gareth pulled back and sent his fist crashing into Lucien's jaw with a force that nearly took his brother's head off. The duke staggered backward, his hand going to his bloodied mouth, but he did not fall. Lucien never fell. And in that moment Gareth had never hated him more. "I'm going to find her," Gareth vowed, as Lucien, coldly watching him, took out a handkerchief and dabbed at his mouth. "And when I do, I'm going to marry her, take care of her and that baby as Charles should have done — as it's our duty to do. Then I dare you to call me a child and her little baby a bastard!" He spun on his heel and marched back across the lawn. "Gareth!" He kept walking. "Gareth!" He swung up on Crusader and thundered away.   ~~~~
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
Leaning back until I was lying on the bed, I rolled us over and hovered over her body. She dragged her hands through my hair and giggled when I bent low and kissed her stomach over and over. “What does it feel like?” “Nothing,” she said on a laugh as her fingertips continued to trail across my head. “You haven’t really been sick, have you? I remember that day last week, but I can’t think of anything else.” I felt shitty for not noticing, if she had been. I should have picked up on this, shouldn’t I? “Not really. There’s been times here and there, but from the horror stories I’ve heard, I don’t have it bad at all.” I nodded and kissed her stomach again before reaching over to the nightstand. Grabbing the ultrasound picture, I laid it down on the bottom of her stomach and hopped off the bed, looking for my pants. After I found them, and took my phone out of the pocket, I walked back over to Rachel and opened up the camera app. “What are you doing?” “Letting everyone know about my present.” That soft smile was back, before her eyes went wide in horror. “No! I’m in my bra and underwear!” “Calm down, Sour Patch. I’m not about to let anyone see the rest of you. You’re mine, not theirs.” All that you could see in the picture was her torso and the ultrasound picture. As soon as she gave me the okay, I set up a text to go to Mason, Candice, Maddie, Eli, and all our parents. Above the picture I typed out: MY WEDDING PRESENT, and underneath, I did a twist on Rachel’s words from the envelope: BABY RYAN 1 AND BABY RYAN 2 WILL BE HERE IN MARCH. Once
Molly McAdams (Deceiving Lies (Forgiving Lies, #2))
The New England wilderness March 1, 1704 Temperature 10 degrees Somebody was tapping Mercy in the ribs. It couldn’t be Tommy, who pounced, or Sam, who jabbed. It wasn’t John, who kissed, or Benny, who snuggled. Whichever brother it was had wet the bed in the night, and wet Mercy with him, and so far it was still warm, but the moment she separated from that sleeping brother, it would be cold and awful. But the tapping would not stop, and Mercy woke to see a deerskin legging with a painted running deer. “Up,” said her Indian. The paint had partly peeled off his face, giving him a patchy smeared look. She remembered the day before backward: the marching, the carrying, the slipping, the snow. She thrust memory away, folding it closed. She would not think about the attack. Lord, please, she prayed. Let me see Sam and John and Tommy and Benny. Let Uncle Nathaniel and Aunt Mary and the cousins be here. Let it not be true abut Marah. Let Stepmama and the baby be safe and sound and walking fast enough. The Indian stooped to take her hand and pull her to her feet, giving a slight grunt as he did. For the first time she saw that he too had been hurt and that the paint on his side was his own dried blood, and Mercy knew then that she had experienced war, and that it was true about Marah. She did not take his hand, knowing what it had done. Rolling Daniel ahead of her, she was out of the snow hole and on her feet in a moment. There was some sort of assembly going on. The prisoners were stumbling toward Mr. Williams, who stood alone, his hands raised to the sky. How extraordinary, thought Mercy. They’re going to let us pray. She was glad, because a day without morning prayer was unthinkable, but it didn’t seem like something the Indians would permit. French Indians were Catholic, though, converted by priests from France itself. Mr. Williams often said that if you were Catholic, you hated God and were evil and stole little children from their beds. The warriors had gathered in clumps. Yesterday had been complete victory for the Indians, and yet there was no rejoicing among them. Her captor’s eyes were on a bundle in the snow. She had seen enough death in her life to know it. One of the Indian wounded had not survived the night. The posture of her Indian was human. It was grief.
Caroline B. Cooney (The Ransom of Mercy Carter)
The Connecticut River March 2, 1704 Temperature 10 degrees The Indians, it seemed, had paused here on their journey south from Canada to go hunting before the battle. Under the snow were stored the carcasses of twenty moose. Twenty! Eben had to count them himself before he could believe it, and even then, he could not believe it. Eben was no hunter. If he’d gotten one moose, it would have been pure luck. But for this war party to have killed twenty, dragged every huge carcass here so there would be feasting on the journey home--Eben was filled with respect as much as hunger. The Indians made several bonfires and built spits to cook entire haunches. They chopped the frozen moose meat, and Thorakwaneken and Tannhahorens sharpened dozens of thin sticks and shoved small cubes of moose meat onto these skewers. The women and children were each handed a stick to cook. The men were kept under watch, but at last their hands were freed and they too were allowed to eat. The prisoners were too hungry to wait for the meat to cook through and wolfed it down half raw. They ripped off strips for the littlest ones, who ate like baby birds: open mouths turned up, bolting one morsel, calling loudly for the next. When the captives had eaten until their stomachs ached, they dried stockings and moccasins and turned themselves in front of the flames, warming each side, while the Indians not on watch gathered around the largest bonfire, squatting to smoke their pipes and talk. The smell of their tobacco was rich and comforting. The wounded were put closest to the warmth, and hurt English found themselves sharing flames with hurt Mohawk and Abenaki and Huron. One of the Sheldon boys had frozen his toes. His Indian came over to look but shook his head. There was nothing to be done. Ebenezer Sheldon could limp to Canada or give up. “Guess I’ll limp,” said Ebenezer, grinning.
Caroline B. Cooney (The Ransom of Mercy Carter)
The Connecticut River March 2, 1704 Temperature 10 degrees “My theory,” said Eben, “is that being a captive is an honor for the strong and the uncomplaining.” Sarah and Mercy considered this. “Then why is Ruth alive? She complains all day long,” said Sarah. “But she isn’t sobbing,” Mercy pointed out, “and she isn’t actually complaining. She’s calling them names. She attacked her own Indian this afternoon, did you see? She was going to stab him with his own knife.” They giggled. It was scary to watch Ruth, and impossible not to. Instead of a blow to the head, though, Ruth was usually given food. It wasn’t a method anybody else wanted to try. “But Eliza doesn’t fit your theory, Eben,” said Mercy. “She hasn’t spoken since they killed Andrew. If you let go her arm, she stops walking. Yet they’re patient with her.” “I admit Eliza isn’t brave,” said Eben. “She’s in a stupor. Maybe they respect her for caring about her husband so deeply.” Mercy had never liked thinking about Eliza marrying an Indian. But what was her own future now? Would she, would Sarah, would Ruth, end up marrying an Indian? The image of Ruth Catlin agreeing to obey an Indian as her lawfully wedded husband made Mercy laugh. “And they let Sally Burt live,” Sarah went on, “and she’s about to give birth right on the trail. They’re letting her husband walk with her, and he’s the only one they let do that.” Sally’s courage was inspiring. Eight months pregnant, big as a horse, and she bounded along like a twelve-year-old boy. She had even taken part in the snowball fight. “I’m having this baby,” she had said when Mercy complimented her. “It’s my first baby, I know it’s going to be a boy, I know he’ll be strong and healthy, and I know I will be a good mother. That’s that.” In Mercy’s opinion, Sally Burt was holding her husband up and not the other way around. If she could be half as brave as Sally Burt, she would be satisfied.
Caroline B. Cooney (The Ransom of Mercy Carter)
St. Lawrence River May 1705 Temperature 48 degrees During the march, when Mercy was finding the Mohawk language such a challenge and a pleasure to learn, Ruth had said to Eben, “I know why the powwow’s magic is successful. The children arrive ready.” The ceremony took place at the edge of the St. Francis river, smaller than the St. Lawrence but still impressive. The spray of river against rock, of ice met smashing into shore, leaped up to meet the rain. Sacraments must occur in the presence of water, under the sky and in the arms of the wind. There was no Catholic priest. There were no French. Only the language of the people was spoken, and the powwow and the chief preceded each prayer and cry with the rocking refrain Listen, listen, listen. Joanna tugged at Mercy’s clothes. “Can you see yet?” she whispered. “Who is it? Is he from Deerfield?” They were leading the boy forward. Mercy blinked away her tears and looked hard. “I don’t recognize him,” she said finally. “He looks about fourteen. Light red hair. Freckles. He’s tall, but thin.” “Hungry thin?” worried Joanna. “No. I think he hasn’t got his growth yet. He looks to be in good health. He’s handsomely made. He is not looking in our direction. He’s holding himself very still. It isn’t natural for him, the way it is for the Indians. He has to work at it.” “He’s scared then, isn’t he?” said Joanna. “I will pray for him.” In Mercy’s mind, the Lord’s Prayer formed, and she had the odd experience of feeling the words doubly: “Our Father” in English, “Pater Noster” in Latin. But Joanna prayed in Mohawk. Mercy climbed up out of the prayers, saying only to the Lord that she trusted Him; that He must be present for John. Then she listened. This tribe spoke Abenaki, not Mohawk, and she could follow little of it. But often at Mass, when Father Meriel spoke Latin, she could follow none of it. It was no less meaningful for that. The magic of the powwow’s chants seeped through Mercy’s soul. When the prayers ended, the women of John’s family scrubbed him in sand so clean and pale that they must have put it through sieves to remove mud and shells and impurities. They scoured him until his skin was raw, pushing him under the rough water to rinse off his whiteness. He tried to grab a lungful of air before they dunked him, but more than once he rose sputtering and gasping. The watchers were smiling tenderly, as one smiles at a new baby or a newly married couple. At last his mother and aunts and sisters hauled him to shore, where they painted his face and put new clothing, embroidered and heavily fringed, on his body. As every piece touched his new Indian skin, the people cheered. They have forgiven him for being white, thought Mercy. But has he forgiven them for being red? The rain came down harder. Most people lowered their faces or pulled up their blankets and cloaks for protection, but Mercy lifted her face into the rain, so it pounded on her closed eyes and matched the pounding of her heart. O Ruth! she thought. O Mother. Father. God. I have forgiven.
Caroline B. Cooney (The Ransom of Mercy Carter)
The two-year-olds were standing over a pile of dirty forks and spoons, laughing hysterically. "They're okay," Claudia said. "No thanks to you," Mary Anne commented under her breath. "If you're so concerned, why don't you teach Marnie and Ryan to play Parchessi?" Claudia said, marching out of the room. "They're already making a silverware sculpture!" Mary Anne retorted. (Boy, was Mary Anne furious. She never talks like that).
Ann M. Martin (Kristy's Worst Idea (The Baby-Sitters Club, #100))
토토분석 사이트 Swlook.com 가입코드 : win24 「〃Swlook.cℴm〃가입코드: win24〃」 단폴제제없는 메이저 사설놀이터 Swing 입니다. 신규가입 첫충 10% / 매일충전 5% Event 진행중 토토분석 사이트 로하이 토토분석 사이트 스타 롤 등등, 타 업체 대비 최고의 배당률 & 다양한 경기 지원! 다폴더보너스,스페셜보너스 등 다양한 이벤트를 통해 머니 지급! 까다로운 보안으로 여러분의 안전을 책임집니다.Someone had put a large hat near the babys box. And as the men slowly marched past, they dropped gifts into the hat. A gold tobacco box. A silver gun.
토토분석 사이트 Swlook.com 가입코드 : win24
By force-marching his exhausted men through the unknown, rain-swept wilderness of the German-infested Teutoburg Forest, this guy had just made a brain-explodingly boneheaded mistake so amazing in its incompetence that it makes the Roman consuls at Cannae look like a conjoined triplet made out of Napoleon Bonaparte, Alexander the Great, and that dude from Total Recall who had the baby coming out of his stomach. In terms of career moves, marching three legions into the Teutoberg was the Classical Age equivalent of coauthoring an academic paper with the Unabomber or asking Charles Manson to write you a letter of recommendation for law school. Unsurprisingly, this came back to bite him in the ass. We don’t know exactly how many Germans were hiding in the woods, watching the column of imperial invaders trudge past. The Germans didn’t bother to write anything down more detailed than “killed sum d00ds 2day lulz,” and the only Romans who managed to run screaming out of this forest alive were the ones who knew better than to sit there and try to count how many GWAR fans were currently trying to brutally dismember them with axes. Let’s just say it was probably a crapload, and that when these long-haired death metal freaks unleashed a bloodcurdling shout and started charging through the forest like a bunch of gigantic mutant Ewok-Wookies ambushing the Imperial Stormtroopers on the Forest Moon of Endor it wasn’t exactly the sort of hilarious laugh riot you might see in an animated GIF involving unicorns, rainbows, and cartoon kitties with Pop-Tarts where their bodies are supposed to be. Bellowing like madmen, these balls-out, frothing-at-the-mouth, beer-swilling sausage fiends went Leeroy Jenkins toward the enemy, blitzkrieging out of the woods from every side seemingly at the same time, their ferociousness magnified not only by their savage blood rage, but by the fact that some of the dudes had taken to painting their entire bodies black with mud to help them hide in the dark forest like how Schwarzenegger hid from the Predator’s infrared vision. It was so damned terrifying that it took every ounce of Roman discipline to not simply spontaneously combust into blood vapor on the spot.
Anonymous
well-tended lawn. The swings and slide
Cathy McDavid (Harlequin American Romance March 2015 Box Set: An Anthology)
And so the widow married the periodically demented Taussig. She needed money, and he was less trouble than a baby.
Joseph Roth (The Radetzky March (Von Trotta Family, #1))
As often as possible in 1978, Playboy exploited the twelve-year-old in the film, Pretty Baby, which was set in 1917. In March, Playboy printed an outcut showing Shields in bed with her naked mom (played by liberal Susan Sarandon),
Judith Reisman (Sexual Sabotage: How One Mad Scientist Unleashed a Plague of Corruption and Contagion on America)
Sweet Jane" Standing on the corner, suitcase in my hand Jack is in his corset, and Jane is in her vest, and, me I'm in a rock'n'roll band. Huh Ridin' in a Stutz-Bearcat, Jim Y'know, those were different times Oh, all the poet, they studied rules of verse And the ladies, they rolled their eyes Sweet Jane! Whoa! Sweet Jane, oh-oh-a! Sweet Jane I'll tell you something Jack, he is a banker And Jane, she is a clerk Both of them save their monies, ha And when, when they come home from work Ooh! Sittin' down by the fire, oh The radio does play The classical music there, Jim "The March of the Wooden Soldiers" All you protest kids You can hear Jack say, get ready, ah Sweet Jane! Come on baby! Sweet Jane! Oh-oh-a! Sweet Jane Some people, they like to go out dancing And other peoples, they have to work. Just watch me now And there's even some evil mothers Well they're gonna tell you that everything is just dirt Y'know that, women, never really faint And that villains always blink their eyes, woo And that, y'know, children are the only ones who blush And that, life is, just to die And, everyone who ever had a heart, oh That wouldn't turn around and break it And anyone who ever played a part, whoa And wouldn't turn around and hate it Sweet Jane! Whoa-oh-oh! Sweet Jane! Sweet Jane. Sweet Jane Sweet Jane. Sweet Jane
Velvet Underground
I think I arrived just in time,” Leo announced a second before he grabbed a swinging Jeoff. Leo plopped Arabella’s brother onto the couch. “Stay or I’ll sit on you.” A wise man— some of the time— Jeoff didn’t budge. “You were told,” Hayder taunted. “Don’t make me duct tape your mouth again.” Count on Leo to take the wind out of Hayder’s sail. Few people argued with the massive man. Nor did anyone ever tell him to leave, even if Hayder really wished both Leo and Jeoff would go so he could resume the interesting moment he’d shared with Arabella just before all hell broke loose. Alas, judging by Arabella’s guarded expression, that sensual moment was gone. He’d have to find another way to recapture it. But first he needed to convince Jeoff to let her stay, as well as get Leo to depart— without enforcing an omega-calming moment— and have Arabella lose the rounded shoulders as they fought over her. Poor baby. How overwhelming this must be for her. How upsetting. And partially his fault. Shit. Ignoring the others, Hayder dropped to his knees in front of her. “I’m sorry, baby. Don’t get upset. I promise to behave. After all, it’s normal your brother would want to protect you, and I shouldn’t have beaten the hell out of him for it.” “I think it was the other way around, cat,” Jeoff muttered. “Shhh!” Leo said in a loud whisper. “He’s apologizing. Don’t ruin it.” Arabella’s gaze briefly met Hayder’s. “It’s okay.” “No, it’s obviously not. I can see you’re disturbed. You know I didn’t mean for that to happen. I never meant to upset you.” “I’m not upset about the fight.” Her lips twitched into a small smile. “Boys will be boys, my mom used to say. I’m just sorry to cause all this trouble. Jeoff’s right. I shouldn’t be here.” “Ha. Told you so.” Jeoff crowed in triumph. “And I shouldn’t be with his pack either. With this danger hanging over me, I should flee the country and keep my problems away from all of you.” Leave? He meant to say no, but his lion spoke first. More like rawr-ed. And in reply? She sneezed. A few times as a matter of fact. “What’s wrong with you?” Jeoff asked his sister. “Stupid allergies,” she grumbled. Jeoff snickered. “You still suffering from those? That’s hilarious. And yet the cat thinks you’re true mates?” “She’s mine, and a little sneeze and spit won’t change that.” “Is he completely insane?” Jeoff muttered. “Utterly, but the doctors say he’s not a danger to himself or the pride. But I wouldn’t push him. And given these two are talking about the future, a future that isn’t ours to decide, we should leave them to work things out,” Leo politely suggested. “But—” Jeoff never got a chance to finish that thought because Leo had spoken. And when Leo spoke, he acted. “No buts. You. Come.” Leo grabbed a hold of Arabella’s brother, tossed him over a shoulder, and marched him out with a tossed, “Don’t you screw anything up with the girl. I’d hate to have to come back and teach you a lesson.
Eve Langlais (When a Beta Roars (A Lion's Pride, #2))
You better hold on, baby, and be quiet. Because I’m going to do everything I can to make you scream my name.” I
Meghan March (Dirty Pleasures (The Dirty Billionaire Trilogy, #2))
Jin rejoins us, and we march on. There are tears streaming down my face now, along with the sweat. They're from the physical pain. They're from all the pain. Sometime since we started across, every last shred of my inner fortification has burned away and i feel everything; all the memories, all of my pushed-down, blocked-out joys and sorrows and regrets lick up and down my insides, matching the searing of my muscles, the agony of a forest burned to the ground, the awfulness of the mother and baby raccoons. I weep and walk and climb and stumble, and my arms and shoulders and abs and back and legs and feet scream.
Danielle Younge-Ullman (Everything Beautiful Is Not Ruined)
Ericka had thought of them as her glory days when she had wanted to march on every capitol; kick down the doors of the most powerfully entrenched; when she had wanted to right every wrong, and stomp out villainy everywhere. Gene had called her the “Rebel with too many causes”. But that had been different. It was as if all that had just been a training period, mere preparation for the way she felt now. That had been student idealism. This was the pain of a grieving mom who couldn’t watch anyone else’s kid suffer. In her short time on the planet, their sweet daughter Madie, their little Bitsie, had taught them so much. About priorities. About courage. About how they could truly love and treasure another single human life, not just hold some general, pro-active fondness for all of humanity everywhere. In loving that tiny child; knowing all the while that they were losing her, Ericka and Gene had suffered immensely. But they had also grown. In tending to their frail, courageous little girl, Ericka had once again unleashed her inner need to help others; an essential part of her being, but now with renewed, and focused passion. Once, when Ericka had broken down and wept as she’d had to hand her baby off for more tests, it had been little Madie who had comforted Mommy. She’d told Ericka she was glad she could do this so they could find out what was wrong with her, and then maybe other little kids wouldn’t have to hurt this way ever again. One way or another, her mommy now would make that little life count for something. Ericka wanted to; she needed to cram all her pain into something she could change. Someone somewhere she could actually help, but not lose in the end. She had to find causes she could pour her almost fierce, hard-charging nature into, and actually save somebody this time. It didn’t have to be one particular disease; it could be hunger; it could be anything, but she had to get out there and do something. Before she had fought for causes. But now those causes would have little faces. - A taste of my new book, "The Soul Hides in Shadows
Edward Fahey
You’re not going to let go until you’ve come at least twice, and even then, not until I say. Yesterday was just a warm-up, baby girl. It’s time for you to understand exactly what I like.
Meghan March (Dirty Girl (Dirty Girl Duet, #1))
She sat down in front of her open pantry and breathed deeply. She reached forward and patted the large clear jar of dried flageolet beans. She pawed the ten-pound bag of basmati rice, sweet and fragrant. She kissed the chickpeas, haricot beans, dried wild mushrooms. Ah, yes, even the dried cèpes. Oh, she felt better. And look, her vinegars, balsamic, sherry, white and red wine, cider, raspberry. And the oils. So many oils. And so many marinated vegetables. She marinated them herself, picking the freshest, finest baby vegetables, adding extra-virgin olive oil, and enclosing them in beautiful jars. Ah, and look, she smiled. Walnut oil peeked from behind a linen bag of fresh walnuts. She could make a goat cheese salad at any moment. She took a deep, restorative breath. She fingered the labels of the canned smoked oysters, the mussels, the herring, and the boneless skinned sardines in olive oil. She could make a sardine pâté in seconds. And best of all were her vacuum-packed French-style crêpes, which she kept in case of emergencies. A flip of the wrist and she could sit down to a feast of crêpes oozing with fruit syrup and slathered in whipped cream.
Nina Killham (How to Cook a Tart)
With any other woman, I would worry about the possibility of her trying to trap me for my money or my fame. But not Greer. Fuck, but that doesn’t mean I wouldn’t try to trap her with a baby if that meant I could keep her. I would lie, cheat, and steal to call this woman my own.
Meghan March (Dirty Girl (Dirty Girl Duet, #1))
Christ on a cracker. Isn’t this rule number one in fucking as a Hollywood star? Wrap it up? What if you knocked me up? Aren’t you afraid I’ll smear you in the tabloids? ‘Cav Westman’s Baby Mama Love Child Scandal.
Meghan March (Dirty Girl (Dirty Girl Duet, #1))
The hiss of the zipper comes next. I keep my gaze on his face as his eyes dare me. To look or to stop him, I’m not sure which. “Apparently you’ve changed your requirements for wooing, baby girl.
Meghan March (Dirty Girl (Dirty Girl Duet, #1))
but the most important thing I took away from this class was not my credit, but a strong understanding of what has infected modern education: the curse of the postmodernist, deconstructionist professors making their long march through the institutions. And
Lauren Southern (Barbarians: How The Baby Boomers, Immigration, and Islam Screwed my Generation)
We'll start with a '95 Kistler-Dutton Ranch." She poured one for herself and tasted it. Ah, yes, she thought. Intense and lively with layers of pear, spice, vanilla, and nutmeg. And a hint of honey, if she wasn't mistaken. She smacked her lips. Her foray entered into, she was relaxing and beginning to enjoy herself. She grinned with glee as she wrapped herself into her oversize apron. "As I am a culinary orphan, I have chosen dishes from a wide range of influences. We're starting with classical French. In France, to begin, they often offer you what they call 'amuse bouches.' Amusements for the mouth. Here are yours." She set before him a platter filled with baby profiteroles, little puffs of pastry sliced in the middle and filled with a surprise. Troy reached out and brought one to his lips. His face flushed with pleasure as he bit into the creamy filling. "Yes," she said. "Finely chopped cooked lobster mixed with finely chopped cooked mushrooms sautéed in lobster butter. All bound with hot béchamel sauce.
Nina Killham (How to Cook a Tart)
I watch fireworks in July 2013. Two weeks later, George Zimmerman walks free, and Trayvon Martin is still dead. Marvin Gaye sings, 'If you wanna love, you got to save the babies,' and a black mother pulls her son close. I watch fireworks in July 2014. Later that month, the world turns to the Internet and sees Eric Garner choked to death by police officer Daniel Pantaleo. Marvin Gaye sings 'Trigger happy policing / Panic is spreading / God knows where we're heading,' and thousands of people march from New York to Washington. I will watch the fireworks in 2015 and black churches are burning in the south. I will watch the fireworks in 2015 and no one marched for Renisha McBride. I will watch the fireworks in 2015 and people I love can be legally married on Saturday, and then legally fired from their jobs on Monday. Marvin Gaye sings 'In the morning, I'll be all right, my friend,' and a group of black children watch the sky light up, seeing darkness turned inside out for the first time.
Hanif Abdurraqib (They Can't Kill Us Until They Kill Us)
The Birth of the Prince and the Pauper In the ancient city of London, on a certain autumn day in the second quarter of the sixteenth century, a boy was born to a poor family of the name of Canty, who did not want him. On the same day another English child was born to a rich family of the name of Tudor, who did want him. All England wanted him too. England had so longed for him, and hoped for him, and prayed God for him, that, now that he was really come, the people went nearly mad for joy. Mere acquaintances hugged and kissed each other and cried. Everybody took a holiday, and high and low, rich and poor, feasted and danced and sang, and got very mellow; and they kept this up for days and nights together. By day, London was a sight to see, with gay banners waving from every balcony and house-top, and splendid pageants marching along. By night, it was again a sight to see, with its great bonfires at every corner, and its troops of revelers making merry around them. There was no talk in all England but of the new baby, Edward Tudor, Prince of Wales, who lay lapped in silks and satins, unconscious of all this fuss, and not knowing that great lords and ladies were tending him and watching over him—and not caring, either. But there was no talk about the other baby, Tom Canty, lapped in his poor rags, except among the family of paupers whom he had just come to trouble with his presence.
Mark Twain (The Prince and the Pauper)