Marcel The Shell Quotes

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But do you know what I’m most grateful for? Love. That has marked me more than anything else. I was incredibly lucky to have Roser. She’ll always be the love of my life. Thanks to her I have Marcel. Being a father has also been essential for me; it’s allowed me to keep faith in what’s best in the human condition.
Isabel Allende (A Long Petal of the Sea)
To meet in Paris a fisher-girl from Balbec or a peasant-girl from Méséglise would have been like receiving the present of a shell which I had never seen upon the beach, or of a fern which I had never found among the woods, would have stripped from the pleasure which she was about to give me all those other pleasures in the thick of which my imagination had enwrapped her.
Marcel Proust (In Search of Lost Time [volumes 1 to 7])
Since seeing such things in the water-colours of Elstir, I enjoyed noticing them in reality, glimpses of poetry as they seemed: knives lying askew in halted gestures; the bell-tent of a used napkin, within which the sun has secreted its yellow velvet; the half-emptied glass showing better the noble widening of its lines, the undrunk wine darkening it, but glinting with lights, inside the translucent glaze seemingly made from condensed daylight; volumes displaced, and liquids transmuted, by angles of illumination; the deterioration of the plums, green to blue, blue to gold, in the fruit dish already half plundered; the wandering of the old-fashioned chairs, which twice a day take their places again about the cloth draping the table as though it is an altar for the celebration of the sanctity of appetite, with a few drops of lustral water left in oyster-shells like little stone fonts; I tried to find beauty where I had never thought it might be found, in the most ordinary things, in the profound life of ‘still life’.
Marcel Proust (In the Shadow of Young Girls in Flower)
I would stop by the table, where the kitchen-maid had shelled them, to inspect the platoons of peas, drawn up in ranks and numbered, like little green marbles, ready for a game; but what most enraptured me were the asparagus, tinged with ultramarine and pink which shaded off from their heads finely stippled in mauve and azure, through a series of imperceptible gradations to their white feet—still stained a little by the soil of their garden-bed—with an iridescence that was not of this world. I felt that these celestial hues indicated the presence of exquisite creatures who had been pleased to assume vegetable form and who, through the disguise of their firm, comestible flesh, allowed me to discern in this radiance of earliest dawn, these hinted rainbows, these blue evening shades, that precious quality which I should recognise again when, all night long after a dinner at which I had partaken of them, they played (lyrical and coarse in their jesting like one of Shakespeare's fairies) at transforming my chamber pot into a vase of aromatic perfume.
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
Life is strewn with these miracles, for which people who are in love can always hope. It is possible that this one had been artificially brought about by my mother who, seeing that for some time past I had lost all interest in life, may have suggested to Gilberte to write to me, just as, when I was little and went first to the sea-side, so as to give me some pleasure in bathing, which I detested because it took away my breath, she used secretly to hand to the man who was to ‘dip’ me marvellous boxes made of shells, and branches of coral, which I believed that I myself had discovered lying at the bottom of the sea. However, with every occurrence which, in our life and among its contrasted situations, bears any relation to love, it is best to make no attempt to understand it, since in so far as these are inexorable, as they are unlooked-for, they appear to be governed by magic rather than by rational laws. When a multi-millionaire—who for all his millions is quite a charming person—sent packing by a poor and unattractive woman with whom he has been living, calls to his aid, in his desperation, all the resources of wealth, and brings every worldly influence to bear without succeeding in making her take him back, it is wiser for him, in the face of the implacable obstinacy of his mistress, to suppose that Fate intends to crush him, and to make him die of an affection of the heart, than to seek any logical explanation. These obstacles, against which lovers have to contend, and which their imagination, over-excited by suffering, seeks in vain to analyse, are contained, as often as not, in some peculiar characteristic of the woman whom they cannot bring back to themselves, in her stupidity, in the influence acquired over her, the fears suggested to her by people whom the lover does not know, in the kind of pleasures which, at the moment, she is demanding of life, pleasures which neither her lover nor her lover’s wealth can procure for her. In any event, the lover is scarcely in a position to discover the nature of these obstacles, which her woman’y cunning hides from him and his own judgment, falsified by love, prevents him from estimating exactly. They may be compared with those tumours which the doctor succeeds in reducing, but without having traced them to their source. Like them these obstacles remain mysterious but are temporary. Only they last, as a rule, longer than love itself. And as that is not a disinterested passion, the lover who is no longer in love does not seek to know why the woman, neither rich nor virtuous, with whom he was in love refused obstinately for years to let him continue to keep her. Now the same mystery which often veils from our eyes the reason for a catastrophe, when love is in question, envelops just as frequently the suddenness of certain happy solutions, such as had come to me with Gilberte’s letter. Happy, or at least seemingly happy, for there are few solutions that can really be happy when we are dealing with a sentiment of such a kind that every satisfaction which we can bring to it does no more, as a rule, than dislodge some pain. And yet sometimes a respite is granted us, and we have for a little while the illusion that we are healed.
Marcel Proust (In the Shadow of Young Girls in Flower)
The sound of the sea you hear in Proust, as if the whole book were a shell held to your ear, is the sound of the amniotic fluid, reminding you, across all your barriers of self-protection, that the first thing you ever heard was voices in the water.
Clive James (Gate of Lilacs: A Verse Commentary on Proust)
Jenn-a Jenn-a Tal-ya!’ you’re a p*ssy! I walked in and she was dying! Her face blue, and her skin cold, her eyes wide open, saying help me, she was on the bed ass naked, saying he got me, with a knife in it. She was followed by someone for saying what she said or something that she did, it caught up with her, yet she’ll make it like she always does. Her note was left on the other window on the other side, saying- I want it all to stop, I never wanted to do anything to anyone. Along with these lyrics that she copied off her cell phone, which she looked up: ‘But I'm on the outside… I'm looking in, I can see through you, see your true colors. Because inside you're ugly; you're ugly like me. I can see through you, see to the real you. ‘And it's- you that I will never feel or have,’ and that was all spelled wrong even though she copied it all.
Marcel Ray Duriez (Nevaeh They Call Out)
Breath!’ A voice, wild with anxiety, ordered, and I felt a cruel stab of pain where I recognized the voice because it wasn't Marcel’s. I could not obey. The waterfall pouring from my mouth didn't stop long enough for me to catch a breath. The black, icy water filled my chest, burning. The rock smacked into my back again, right between my shoulder blades, and another volley of water choked its way out of my lungs. ‘Breathe, Bell! C'mon!’ Marcel begged. Black spots bloomed across my vision, getting wider and wider, blocking out the light. The rock struck me again. The rock wasn't cold like the water; it was hot on my skin. I realized it was Marcel’s hand, trying to beat the water from my lungs. The iron bar that had dragged me from the sea was also… warm… My head whirled; the black spots covered everything… Was I dying again, then? I didn't like it. This wasn't as good as the last time. It was only dark now, nothing worth looking at here. The sound of the crashing waves faded into the black and became a quiet, even whoosh that sounded like it was coming from the inside of my ears… ‘Bell?’ Marcel asked, his voice still tense, but not as wild as before. ‘Bells, honey, can you hear me?’ The contents of my head swished and rolled sickeningly like they'd joined the rough water… ‘How long has she been unconscious?’ someone else asked. The voice that was not Marcel’s shocked me, jarred me into a more focused awareness. I realized that I was still. There was no tug of the current on me-the heaving was inside my head. The surface under me was flat and motionless. It felt grainy against my bear arms. ‘I don't know,’ Marcel reported, still frantic. His voice was very close. Hands-so warm they had to be his- I brushed wet hair from my cheeks. ‘A few minutes? It didn't take long to tow her to the beach.’ The quiet whooshing inside my ears was not the waves-it was the air moving in and out of my lungs again. Each breath burned-the passageways were as raw as if I'd scrubbed them out with steel wool. But I was breathing. And I was freezing. A thousand sharp, icy beads were striking my face and arms, making the cold worse. ‘She's breathing. She'll come around. We should get her out of the cold, though. I don't like the color she's turning…’ I recognized Sam's voice this time. ‘You think it's okay to move her?’ ‘She didn't hurt her back or anything when she fell?’ ‘I don't know.’ They hesitated.
Marcel Ray Duriez (Nevaeh Hard to Let Go)