Mapping The Interior Quotes

It’s of some interest that the lively arts of the millenial U.S.A. treat anhedonia and internal emptiness as hip and cool. It’s maybe the vestiges of the Romantic glorification of Weltschmerz, which means world-weariness or hip ennui. Maybe it’s the fact that most of the arts here are produced by world-weary and sophisticated older people and then consumed by younger people who not only consume art but study it for clues on how to be cool, hip - and keep in mind that, for kids and younger people, to be hip and cool is the same as to be admired and accepted and included and so Unalone. Forget so-called peer-pressure. It’s more like peer-hunger. No? We enter a spiritual puberty where we snap to the fact that the great transcendent horror is loneliness, excluded encagement in the self. Once we’ve hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then it’s stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naivete. Sentiment equals naïveté on this continent... ...Hal, who’s empty but not dumb, theorizes privately that what passes for hip cynical transcendence of sentiment is really some kind of fear of being really human, since to be really human (at least as he conceptualizes it) is probably to be unavoidably sentimental and naive and goo-prone and generally pathetic, is to be in some basic interior way forever infantile, some sort of not-quite-right-looking infant dragging itself anaclitically around the map, with big wet eyes and froggy-soft skin, huge skull, gooey drool. One of the really American things about Hal, probably, is the way he despises what it is he’s really lonely for: this hideous internal self, incontinent of sentiment and need, that pules and writhes just under the hip empty mask, anhedonia.

The sky lay over the city like a map showing the strata of things and the big full moon toppled over in a furrow like the abandoned wheel of a gun carriage on a sunset field of battle and the shadows walked like cats and I looked into the white and ghostly interior of things and thought of you and I looked on their structural outsides and thought of you and was lonesome.

I'm all right," I told her. This is a lie, when you're twelve. And all the other years, too.

You never tell your mom anything that might worry her. Moms have enough to worry about already.

The cities of the interior are vast and do not lie on any map.

Indians, we don’t have guardian angels—if we did, they’d have been whispering to us pretty hard when some certain ships bobbed up on the horizon—but we do have helpers. I think usually it’s supposed to be an animal.

In this he was like most Midwesterners. Directions are very important to them. They have an innate need to be oriented, even in their anecdotes. Any story related by a Midwesterner will wander off at some point into a thicket of interior monologue along the lines of "We were staying at a hotel that was eight blocks northeast of the state capital building. Come to think of it, it was northwest. And I think it was probably more like nine blocks. And this woman without any clothes on, naked as the day she was born except for a coonskin cap, came running at us from the southwest... or was it the southeast?" If there are two Midwesterns present and they both witnessed the incident, you can just about write off the anecdote because they will spend the rest of the afternoon arguing points of the compass and will never get back to the original story. You can always tell a Midwestern couple in Europe because they will be standing on a traffic island in the middle of a busy intersection looking at a windblown map and arguing over which way is west. European cities, with their wandering streets and undisciplined alleys, drive Midwesterners practically insane.

Opening night is in a week. Already announced to the papers, already sent out in the newsletter in fancy, glossy, full-color glory. Which means I have two days, max, to finish the framing—easily a week’s worth of work—and then four days for drilling the star maps I’ve already marked on the plywood, painting, wiring, installing, and finessing.Leaving me only one day—the day of the evening gala—to clean and get the actual exhibits set up. It’s impossible. I will make it happen or die trying. I don’t realize I’ve said that last part aloud until I notice Michelle’s horrified face.

Being a lifetime wife and mother has afforded me the luxury of having multiple and even simultaneous careers: I've been a chauffeur. A chef. An interior decorator. A landscape architect, as well as a gardener. I've been a painter. A furniture restorer. A personal shopper. A veterinarian's assistant and sometimes the veterinarian. I've been an accountant, a banker and on occasion, a broker. I've been a beautician. A map. A psychic. Santa Claus. The Tooth Fairy. The T.V. Guide. A movie reviewer. An angel. God. A nurse and a nursemaid. A psychiatrist and psychologist. Evangelist. For a long time I have felt like I inadvertently got my master's in How To Take Care of Everybody Except Yourself and then a Ph.D. in How to Pretend Like You Don't Mind. But I do mind.

This is what it's like to kill your father. This is what it’s like to kill everything your father could have been, if only the world hadn’t found him, done its thing to him.

mythology is an interior road map of experience, drawn by people who have traveled it.

It’s of some interest that the lively arts of the millennial U.S.A. treat anhedonia and internal emptiness as hip and cool. It’s maybe the vestiges of the Romantic glorification of Weltschmerz, which means world-weariness or hip ennui. Maybe it’s the fact that most of the arts here are produced by world-weary and sophisticated older people and then consumed by younger people who not only consume art but study it for clues on how to be cool, hip — and keep in mind that, for kids and younger people, to be hip and cool is the same as to be admired and accepted and included and so Unalone. Forget so-called peer-pressure. It’s more like peer-hunger. No? We enter a spiritual puberty where we snap to the fact that the great transcendent horror is loneliness, excluded encagement in the self. Once we’ve hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then it’s stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naïveté. Sentiment equals naïveté on this continent (at least since the Reconfiguration). One of the things sophisticated viewers have always liked about J. O. Incandenza’s The American Century as Seen Through a Brick is its unsubtle thesis that naïveté is the last true terrible sin in the theology of millennial America. And since sin is the sort of thing that can be talked about only figuratively, it’s natural that Himself’s dark little cartridge was mostly about a myth, viz. that queerly persistent U.S. myth that cynicism and naïveté are mutually exclusive. Hal, who’s empty but not dumb, theorizes privately that what passes for hip cynical transcendence of sentiment is really some kind of fear of being really human, since to be really human (at least as he conceptualizes it) is probably to be unavoidably sentimental and naïve and goo-prone and generally pathetic, is to be in some basic interior way forever infantile, some sort of not-quite-right-looking infant dragging itself anaclitically around the map, with big wet eyes and froggy-soft skin, huge skull, gooey drool. One of the really American things about Hal, probably, is the way he despises what it is he’s really lonely for: this hideous internal self, incontinent of sentiment and need, that pules and writhes just under the hip empty mask, anhedonia. 281 281 - This had been one of Hal’s deepest and most pregnant abstractions, one he’d come up with once while getting secretly high in the Pump Room. That we’re all lonely for something we don’t know we’re lonely for. How else to explain the curious feeling that he goes around feeling like he misses somebody he’s never even met? Without the universalizing abstraction, the feeling would make no sense.

Because it is located so far south, and the coastal plain quickly rises into high land, South Africa is one of the very few African countries that do not suffer from the curse of malaria, as mosquitoes find it difficult to breed there. This allowed the European colonialists to push into its interior much further and faster than in the malaria-riddled tropics, settle, and begin small-scale industrial activity which grew into what is now southern Africa’s biggest economy.

Hal, who’s empty but not dumb, theorizes privately that what passes for hip cynical transcendence of sentiment is really some kind of fear of being really human, since to be really human (at least as he conceptualizes it) is probably to be unavoidably sentimental and naïve and goo-prone and generally pathetic, is to be in some basic interior way forever infantile, some sort of not-quite-right-looking infant dragging itself anaclitically around the map, with big wet eyes and froggy-soft skin, huge skull, gooey drool. One of the really American things about Hal, probably, is the way he despises what it is he’s really lonely for: this hideous internal self, incontinent of sentiment and need, that pules and writhes just under the hip empty mask, anhedonia.

There are many who predict that China is the next challenger to the United States, not Russia. I don’t agree with that view for three reasons. First, when you look at a map of China closely, you see that it is really a very isolated country physically. With Siberia in the north, the Himalayas and jungles to the south, and most of China’s population in the eastern part of the country, the Chinese aren’t going to easily expand. Second, China has not been a major naval power for centuries, and building a navy requires a long time not only to build ships but to create well-trained and experienced sailors. Third, there is a deeper reason for not worrying about China. China is inherently unstable. Whenever it opens its borders to the outside world, the coastal region becomes prosperous, but the vast majority of Chinese in the interior remain impoverished.

It's of some interest that the lively arts of the millenial U.S.A. treat anhedonia and internal emptiness as hip and cool. It's maybe the vestiges of the Romantic glorification of Weltschmerz, which means world-weariness or hip ennui. Maybe it's the fact that most of the arts here are produced by world-weary and sophisticated older people and then consumed by younger people who not only consume art but study it for clues on how to be cool, hip -- and keep in mind that, for kids and younger people, to be hip and cool is the same to be admired and accepted and included and so Unalone. Forget so-called peer pressure. It's more like peer-hunger. No? We enter a spiritual puberty where we snap to the fact that the great tanscendent horror is loneliness, excluded encagement in the self. Once we've hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the sahpe of whatever it wears. And then it's stuck there, the weary cynicism that save us from gooey sentiment and unsophisticated naïveté. Sentiment equals naïveté on this continent (at least since the Reconfiguration). One of the things sophisticated viewers have always liked about J. O. Incandenza's The American Century as Seen Through a Brick is its unsubtle thesis that naïveté is the last true terrible sin in the theology of millennial America. And since sin is the sort of thing that can be talked about only figuratively, it's natural that Himself's dark little cartridge was mostly about a myth, viz. that queerly persistent U.S. myth that cynicism and naïveté are mutually exclusive. Hal, who's empty but not dumb, theorizes privately that what passes for hip cynical transcendence of sentiment is really some kind of fear of being really human, since to be really human (at least as he conceptualizes it) is probably to be unavoidably sentimental and naïve and goo-prone and generally pathetic, is to be in some basic interior way forever infantile, some sort of not-quite-right-looking infant dragging itself anaclitically around the map, with big wet eyes and froggy-soft skin, huge skull, gooey drool. One of the really American things about Hal, probably, is thie way he despises what it is he's really lonely for: this hideous internal self, incontinent of sentiment and need, that pules and writhes just under the hip empty mask, anhedonia.

The successive waves of hypergrowth—concentrated on the coastal zones where the world can see them—make China’s rise seem inevitable. The reality is China has borrowed from its interior regions and its demography in order to achieve what, historically speaking, is a very short-term boost. Never let anyone tell you the Chinese are good at the long game. In 3,500 years of Chinese history, the longest stint one of their empires has gone without massive territorial losses is seventy years. That’s. Right. Now. In a geopolitical era created by an outside force that the Chinese cannot shape.

When the Europeans penetrated the African interior, armed with the agreed-upon map, they discovered that many of the borders drawn in Berlin hardly did justice to the geographic, economic and ethnic reality of Africa. However, to avoid renewed clashes, the invaders stuck to their agreements, and these imaginary lines became the actual borders of European colonies. During the second half of the twentieth century, as the European empires disintegrated and the colonies gained their independence, the new countries accepted the colonial borders, fearing that the alternative would be endless wars and conflicts. Many of the difficulties faced by present-day African countries stem from the fact that their borders make little sense. When the written fantasies of European bureaucracies encountered the African reality, reality was forced to surrender.

I say, it sounds like some dangerous psychotic killer wrote this, and this buttoned-down schizophrenic could probably go over the edge at any moment in the working day and stalk from office to office with an Armalite AR-180 carbine gas-operated semiautomatic. My boss just looks at me. The guy, I say, is probably at home every night with a little rattail file, filing a cross into the tip of every one of his rounds. This way, when he shows up to work one morning and pumps a round into his nagging, ineffectual, petty, whining, butt-sucking, candy-ass boss, that one round will split along the filed grooves and spread open the way a dumdum bullet flowers inside you to blow a bushel load of your stinking guts out through your spine. Picture your gut chakra opening in a slow-motion explosion of sausage-casing small intestine. My boss takes the paper out from under my nose. Go ahead, I say, read some more. No really, I say, it sounds fascinating. The work of a totally diseased mind. And I smile. The little butthole-looking edges of the hole in my cheek are the same blue-black as a dog’s gums. The skin stretched tight across the swelling around my eyes feels varnished. My boss just looks at me. Let me help you, I say. I say, the fourth rule of fight club is one fight at a time. My boss looks at the rules and then looks at me. I say, the fifth rule is no shoes, no shirts in the fight. My boss looks at the rules and looks at me. Maybe, I say, this totally diseased fuck would use an Eagle Apache carbine because an Apache takes a thirty-shot mag and only weighs nine pounds. The Armalite only takes a five-round magazine. With thirty shots, our totally fucked hero could go the length of mahogany row and take out every vice-president with a cartridge left over for each director. Tyler’s words coming out of my mouth. I used to be such a nice person. I just look at my boss. My boss has blue, blue, pale cornflower blue eyes. The J and R 68 semiautomatic carbine also takes a thirty-shot mag, and it only weighs seven pounds. My boss just looks at me. It’s scary, I say. This is probably somebody he’s known for years. Probably this guy knows all about him, where he lives, and where his wife works and his kids go to school. This is exhausting, and all of a sudden very, very boring. And why does Tyler need ten copies of the fight club rules? What I don’t have to say is I know about the leather interiors that cause birth defects. I know about the counterfeit brake linings that looked good enough to pass the purchasing agent, but fail after two thousand miles. I know about the air-conditioning rheostat that gets so hot it sets fire to the maps in your glove compartment. I know how many people burn alive because of fuel-injector flashback. I’ve seen people’s legs cut off at the knee when turbochargers start exploding and send their vanes through the firewall and into the passenger compartment. I’ve been out in the field and seen the burned-up cars and seen the reports where CAUSE OF FAILURE is recorded as "unknown.” No, I say, the paper’s not mine. I take the paper between two fingers and jerk it out of his hand. The edge must slice his thumb because his hand flies to his mouth, and he’s sucking hard, eyes wide open. I crumble the paper into a ball and toss it into the trash can next to my desk. Maybe, I say, you shouldn’t be bringing me every little piece of trash you pick up.

Anxious to bring both the year and New Year’s Day into line with the West, Peter decreed in December 1699 that the next new year would begin on January 1 and that the coming year would be numbered 1700. In his decree, the Tsar stated frankly that the change was made in order to conform to Western practice.* But to blunt the argument of those who said that God could not have made the earth in the depth of winter, Peter invited them “to view the map of the globe, and, in a pleasant temper, gave them to understand that Russia was not all the world and that what was winter with them was, at the same time, always summer in those places beyond the equator.” To celebrate the change and impress the new day on the Muscovites, Peter ordered special New Year’s services held in all the churches on January 1. Further, he instructed that festive evergreen branches be used to decorate the doorposts in interiors of houses, and he commanded that all citizens of Moscow should “display their happiness by loudly congratulating

I quickly learned that the congressional delegation from Alaska was deeply committed to the oil industry and other commercial interests, and senatorial courtesy prevented other members from disputing with Senators Ted Stevens (Republican) and Mike Gravel (Democrat) over a matter involving their home state. Former Idaho governor Cecil Andrus, my secretary of interior, and I began to study the history of the controversy and maps of the disputed areas, and I flew over some of them a few times. Environmental groups and most indigenous natives were my allies, but professional hunters, loggers, fishers, and the Chambers of Commerce were aligned with the oil companies. All the odds were against us until Cecil discovered an ancient law, the Antiquities Act of 1906, which permitted a president to set aside an area for “the protection of objects of historic and scientific interest,” such as Indian burial grounds, artifacts, or perhaps an ancient church building or the site of a famous battle. We decided to use this authority to set aside for preservation large areas of Alaska as national monuments, and eventually we had included more than 56 million acres (larger than the state of Minnesota). This gave me the bargaining chip I needed, and I was able to prevail in the subsequent debates. My efforts were extremely unpopular in Alaska, and I had to have extra security on my visits. I remember that there was a state fair where people threw baseballs at two targets to plunge a clown into a tank of water. My face was on one target and Iran’s Ayatollah Khomeini’s on the other, and few people threw at the Ayatollah’s.

HOW TO USE THIS BOOK WHAT TO DO FIRST 1. Find the MAP. It will be there. No Tour of Fantasyland is complete without one. It will be found in the front part of your brochure, quite near the page that says For Mom and Dad for having me and for Jeannie (or Jack or Debra or Donnie or …) for putting up with me so supportively and for my nine children for not interrupting me and for my Publisher for not discouraging me and for my Writers’ Circle for listening to me and for Barbie and Greta and Albert Einstein and Aunty May and so on. Ignore this, even if you are wondering if Albert Einstein is Albert Einstein or in fact the dog. This will be followed by a short piece of prose that says When the night of the wolf waxes strong in the morning, the wise man is wary of a false dawn. Ka’a Orto’o, Gnomic Utterances Ignore this too (or, if really puzzled, look up GNOMIC UTTERANCES in the Toughpick section). Find the Map. 2. Examine the Map. It will show most of a continent (and sometimes part of another) with a large number of BAYS, OFFSHORE ISLANDS, an INLAND SEA or so and a sprinkle of TOWNS. There will be scribbly snakes that are probably RIVERS, and names made of CAPITAL LETTERS in curved lines that are not quite upside down. By bending your neck sideways you will be able to see that they say things like “Ca’ea Purt’wydyn” and “Om Ce’falos.” These may be names of COUNTRIES, but since most of the Map is bare it is hard to tell. These empty inland parts will be sporadically peppered with little molehills, invitingly labeled “Megamort Hills,” “Death Mountains, ”Hurt Range” and such, with a whole line of molehills near the top called “Great Northern Barrier.” Above this will be various warnings of danger. The rest of the Map’s space will be sparingly devoted to little tiny feathers called “Wretched Wood” and “Forest of Doom,” except for one space that appears to be growing minute hairs. This will be tersely labeled “Marshes.” This is mostly it. No, wait. If you are lucky, the Map will carry an arrow or compass-heading somewhere in the bit labeled “Outer Ocean” and this will show you which way up to hold it. But you will look in vain for INNS, reststops, or VILLAGES, or even ROADS. No – wait another minute – on closer examination, you will find the empty interior crossed by a few bird tracks. If you peer at these you will see they are (somewhere) labeled “Old Trade Road – Disused” and “Imperial Way – Mostly Long Gone.” Some of these routes appear to lead (or have lead) to small edifices enticingly titled “Ruin,” “Tower of Sorcery,” or “Dark Citadel,” but there is no scale of miles and no way of telling how long you might take on the way to see these places. In short, the Map is useless, but you are advised to keep consulting it, because it is the only one you will get. And, be warned. If you take this Tour, you are going to have to visit every single place on this Map, whether it is marked or not. This is a Rule. 3. Find your STARTING POINT. Let us say it is the town of Gna’ash. You will find it down in one corner on the coast, as far away from anywhere as possible. 4. Having found Gna’ash, you must at once set about finding an INN, Tour COMPANIONS, a meal of STEW, a CHAMBER for the night, and then the necessary TAVERN BRAWL. (If you look all these things up in the Toughpick section, you will know what you are in for.) The following morning, you must locate the MARKET and attempt to acquire CLOTHING (which absolutely must include a CLOAK), a SADDLE ROLL, WAYBREAD, WATERBOTTLES, a DAGGER, a SWORD, a HORSE, and a MERCHANT to take you along in his CARAVAN. You must resign yourself to being cheated over most prices and you are advised to consult a local MAGICIAN about your Sword. 5. You set off. Now you are on your own. You should turn to the Toughpick section of this brochure and select your Tour on a pick-and-mix basis, remembering only that you will have to take in all of it.

The modern educational system provides numerous other examples of reality bowing down to written records. When measuring the width of my desk, the yardstick I am using matters little. My desk remains the same width regardless of whether I say it is 200 centimetres or 78.74 inches. However, when bureaucracies measure people, the yardsticks they choose make all the difference. When schools began assessing people according to precise marks, the lives of millions of students and teachers changed dramatically. Marks are a relatively new invention. Hunter-gatherers were never marked for their achievements, and even thousands of years after the Agricultural Revolution, few educational establishments used precise marks. A medieval apprentice cobbler did not receive at the end of the year a piece of paper saying he has got an A on shoelaces but a C minus on buckles. An undergraduate in Shakespeare’s day left Oxford with one of only two possible results – with a degree, or without one. Nobody thought of giving one student a final mark of 74 and another student 88.6 Credit 1.24 24. A European map of Africa from the mid-nineteenth century. The Europeans knew very little about the African interior, which did not prevent them from dividing the continent and drawing its borders. Only the mass educational systems of the industrial age began using precise marks on a regular basis. Since both factories and government ministries became accustomed to thinking in the language of numbers, schools followed suit. They started to gauge the worth of each student according to his or her average mark, whereas the worth of each teacher and principal was judged according to the school’s overall average. Once bureaucrats adopted this yardstick, reality was transformed. Originally, schools were supposed to focus on enlightening and educating students, and marks were merely a means of measuring success. But naturally enough, schools soon began focusing on getting high marks. As every child, teacher and inspector knows, the skills required to get high marks in an exam are not the same as a true understanding of literature, biology or mathematics. Every child, teacher and inspector also knows that when forced to choose between the two, most schools will go for the marks.

Show me." He looks at her, his eyes darker than the air. "If you draw me a map I think I'll understand better." "Do you have paper?" She looks over the empty sweep of the car's interior. "I don't have anything to write with." He holds up his hands, side to side as if they were hinged. "That's okay. You can just use my hands." She smiles, a little confused. He leans forward and the streetlight gives him yellow-brown cat eyes. A car rolling down the street toward them fills the interior with light, then an aftermath of prickling black waves. "All right." She takes his hands, runs her finger along one edge. "Is this what you mean? Like, if the ocean was here on the side and these knuckles are mountains and here on the back it's Santa Monica, Beverly Hills, West L.A., West Hollywood, and X marks the spot." She traces her fingertips over the backs of his hands, her other hand pressing into the soft pads of his palm. "This is where we are- X." "Right now? In this car?" He leans back; his eyes are black marble, dark lamps. She holds his gaze a moment, hears a rush of pulse in her ears like ocean surf. Her breath goes high and tight and shallow; she hopes he can't see her clearly in the car- her translucent skin so vulnerable to the slightest emotion. He turns her hands over, palms up, and says, "Now you." He draws one finger down one side of her palm and says, "This is the Tigris River Valley. In this section there's the desert, and in this point it's plains. The Euphrates runs along there. This is Baghdad here. And here is Tahrir Square." He touches the center of her palm. "At the foot of the Jumhurriya Bridge. The center of everything. All the main streets run out from this spot. In this direction and that direction, there are wide busy sidewalks and apartments piled up on top of shops, men in business suits, women with strollers, street vendors selling kabobs, eggs, fruit drinks. There's the man with his cart who sold me rolls sprinkled with thyme and sesame every morning and then saluted me like a soldier. And there's this one street...." He holds her palm cradled in one hand and traces his finger up along the inside of her arm to the inner crease of her elbow, then up to her shoulder. Everywhere he touches her it feels like it must be glowing, as if he were drawing warm butter all over her skin. "It just goes and goes, all the way from Baghdad to Paris." He circles her shoulder. "And here"- he touches the inner crease of her elbow-"is the home of the Nile crocodile with the beautiful speaking voice. And here"- his fingers return to her shoulder, dip along their clavicle-"is the dangerous singing forest." "The dangerous singing forest?" she whispers. He frowns and looks thoughtful. "Or is that in Madagascar?" His hand slips behind her neck and he inches toward her on the seat. "There's a savanna. Chameleons like emeralds and limes and saffron and rubies. Red cinnamon trees filled with lemurs." "I've always wanted to see Madagascar," she murmurs: his breath is on her face. Their foreheads touch. His hand rises to her face and she can feel that he's trembling and she realizes that she's trembling too. "I'll take you," he whispers.

Nervous systems gradually enabled a process of multidimensional mapping of the world around them, a world that begins in the organism’s interior, so that minds—and feelings within those minds—would be possible. The mapping was based on varied sensory abilities, which eventually came to include smell, taste, touch, hearing, and vision. As will become clear in chapters 4 through 9, the making of minds—and of feelings in particular—is grounded on interactions of the nervous system and its organism. Nervous systems make minds not by themselves but in cooperation with the rest of their own organisms. This is a departure from the traditional view of brains as the sole source of minds.

Image making of any sort, from simple to complex, is the result of the neural devices that assemble maps and that later allow maps to interact so that combined images generate ever more complex sets and come to represent the universes external to the nervous system, inside and outside the organism. The distribution of maps and corresponding images is not even. The images related to the interior world are first integrated in brain-stem nuclei, although they are re-represented and expanded in a few key regions of the cerebral cortex such as the insular cortices and the cingulate cortices. The images related to the exterior world are integrated mostly in the cerebral cortex, although the superior colliculi have an integrative role as well.

Writing in response to reading is a way of taking stock of my interior world and mapping the development of my ideas for myself...” — @SeemaReza

Well-being is generated not from the outside but from the inside. We organize our circumstances into stories, stories we pick up along the way and carry within us. Stories that declare, I’m lacking. Why me? stories. I’m alone, stories. What will I amount to? stories. Stories about who we should be. Or think we are. They are interior maps whose familiar roads we travel. Over and over.

The objective is to map the interior of the Territory and document information regarding the native tribes in order to be prepared for any future serious disturbances between the United States government and the natives of the Territory. The reconnaissance will also attempt to ascertain whether and how a military force would be sustained in this region if necessary, including information about climate, severity of winter, and means of communication and types of weapons in possession of the natives. Information should be gathered and documented thoroughly along the reconnaissance in the event that the expedition must be abandoned.

When we speak radically of the dark divine, the invitation is for each and every one of us to transcend race and gender, to move beyond categories into the interior spaces of our psyches and encounter there the ground of our being, the place of mystery, creativity, and possibility, for it is there that we can construct the mind that can resist, that can revision, that can create the maps that when followed will liberate us.

At its zenith in the summer of 2016, Pokémon Go was a surveillance capitalist’s dream come true, fusing scale, scope, and actuation; yielding continuous sources of behavioral surplus; and providing fresh data to elaborate the mapping of interior, exterior, public, and private spaces.

Junior Junior Junior." Every fourth person on our reservation, that's their name, like the same stupid person is trying life after life until he gets it right at last.

Every time she opens the book, she hopes to turn to a new page, a new god, a little tiny thing. She likes the minor gods the best, because they are easier to master, to learn everything about. She can search out and soak up all of the other things that other people had written or said about this minor god, and in that way become an authority on such a god. And when she becomes an authority someday, an expert in her own right, she thinks that maybe she might be able to make her own entry in the book. To create a tiny god from scratch. She has not named it yet. Perhaps the god of bus rides. The god of sponge baths, or maps, or minimum wage. The god of immigrants.

fumed hotter than the fast-rising oven-temperature of the car interior.

She had the changing quality of dream. She obeyed her own oscillations. What came into being between them was not a marriage but an interplay where nothing was ever fixed. No planetary tensions, chartered and mapped and measured. Her movements were of absolute abandon, yieldingness and then at the smallest sign of lethargy or neglect, complete withdrawal and he had to begin his courtship anew. every day she could be won again lost again. and the reason for her flights and departures, her breaks from him, were obscure and mysterious to him.

The sole book now in Dorothy’s possession is a copy of Hamilton’s Mythology. A book she has loved since childhood, when she spied the tattered paperback in a bin in her local library, passed over by all the other kids for its ruined state. It says on the back, published in the U.S.A. She has learned to read this foreign language from this book, this book of myths. She loves each of the little chapters, how they are short, and self-contained, but also all fit together in a larger universe of gods and goddesses, spirits, lower and higher, deities of all types and their seconds, their assistants, their rivalries and hierarchies, their relative powers and weaknesses. Their petty squabbles and sordid doings and secret crushes. Every time she opens the book, she hopes to turn to a new page, a new god, a little tiny thing. She likes the minor gods the best, because they are easier to master, to learn everything about. She can search out and soak up all of the other things that other people had written or said about this minor god, and in that way become an authority on such a god. And when she becomes an authority someday, an expert in her own right, she thinks that maybe she might be able to make her own entry in the book. To create a tiny god from scratch. She has not named it yet. Perhaps the god of bus rides. The god of sponge baths, or maps, or minimum wage. The god of immigrants.

If men knew how often women are filled with white-hot rage when we cry, they would be staggered, I remember someone saying the other day, through the groaning static of my house's ancient intercom system. We self-objectify and lose the ability to even recognize the physiological changes that indicate anger. Mainly, though, we get sick. And oh, how true that is: We sicken, we are consumed, laughing wild amidst severest woe. We flourish with illnesses that have no cure and a thousand different names. Hysteria, the lung, wandering womb syndrome. Our own immune systems turn against us, fight us as if we ourselves were diseases, infestations. We wither, we swell, miscarry, grow phantom pregnancies, ingest our babies and turn them to stone. Our wounds fester, turn inside-out. Our equipment rusts and degenerates from over-use or lack of use or potential for use alike, decays within us, sliming blackly over the rest of our pulsing, stuttering interiors. Things get lost inside us: penises, forceps, scalpels. No maps to the interior. And every once in a while, we simply flush our systems without adequate warning, drooling blood in clots from inconvenient areas, dropping squalling flesh-lumps everywhere—in trash-cans, in bathrooms, shoved under beds and swaddled in bloodied plastic, buried shallowly, immured behind walls that bulge with black mould-stains, pumping out flies.

Out of all the palace's awe-inspiring interiors, the Round Library had always been Jasmine's favorite. A marble floor painted with a lotus-flower motif gave way to three tiers of balconies lined with books, stretching up to an arched ceiling where a bronze chandelier flooded the circular space with candlelight. Bound books had still been a novelty when the sultan was young, but in the intervening years, he'd amassed a collection of nearly three thousand titles from across the East. This was where Jasmine had come to fill in the gaps in her knowledge while her nonroyal peers were sent off to school. It was thanks to the books in this room that she'd learned to read and write in Greek and Latin along with Persian and Arabic, that she could look at an astrolabe and point out the different planets in the universe. It was where she'd fallen in love with studying maps and imagining other lands, far from here

Feelings are neither positive nor negative; they simply are elemental forces in our life energy with their own vibrations and functions. They are essential to our health and well-being. Essentially, fear protects, anger defends, sadness releases, joy uplifts, compassion unites. Fear is close to the surface of our self, anger is rather deeper, sadness and joy are progressively more interior, and compassion emanates from our profound center. Each is a level and a vibration of energy that needs to flow freely for us to be really engaged in the present.

In 1512, in handwritten notes on an enigmatic map that he had prepared showing the newly discovered Americas, the Turkish Admiral Piri Reis offered an intriguing answer to all these questions -- at any rate for the particular case of Christopher Colombus, the most recent and most renowned of the ancient Atlantic dreamers. Piri's note, one of many on the same map, is written over the interior of Brazil: 'Apparently a Genoese infidel, by the name of Columbus was the one who discovered these parts. This is how it happened: a book came into the hands of this Colombus from which he found out that the Western Sea [i.e. the Atlantic] has an end, in other words that there is a coast and islands on its western side with many kinds of ores and gems. Having read this book through, he recounted all these things to the Genoese elders and said, 'Come, give me two ships, and I shall go and find these places.' They said, 'Foolish man, is there an end to the Western Sea? It is filled with the mists of darkness.

This is, in general, what iconicity in language is: a metaphorical image-mapping in which the structure of the mean- ing is understood in terms of the structure of the form of the language presenting that meaning. Such mappings are possible because of the existence of image- schemas, such as schemas characterizing bounded spaces (with interiors and exte- riors), paths, motions along those paths, forces, parts and wholes, centers and pe- ripheries, and so on. When we speak of the “form of language,” we are under- standing that form in terms of such image-schemas. Thus, for example, one aspect of sentence structure is given in terms of parts and wholes, that is, the parts of speech and the higher-level constituents containing them. Other aspects of a sen- tence’s structure are given in terms of balance, proximity, subordination, sequence, and so on. The schematic images that allow us to understand such syntactic no- tions are also used in conceptual structure. It is for this reason that image- schematic correspondences between form and meaning are possible. The mech- anism that relates them is the same mapping mechanism used in metaphor.

...though the jokers around the table be sneaking Whoopee Cushions into the Siege Perilous, under the very descending arse of the grailseeker, and though the grails themselves come in plastic these years, a dime a dozen, penny a gross, still he, at times self-conned as any Christian, praises and prophecies that era of innocence he just missed living in, one of the last pockets of Pre-Christian Oneness left on the planet: "Tibet is a special case. Tibet was deliberately set aside by the Empire as free and neutral territory, a Switzerland for the spirit where there is no extradition, and Alp-Himalayas to draw the soul upward, and danger rare enough to tolerate...Switzerland and Tibet are linked along one of the true meridians of the Earth...true as the Chinese have drawn meridians of the body...We will have to learn such new maps of Earth: and as travel in the Interior becomes more common, as the maps grow another dimension, so must we....

Essentially, fear protects, anger defends, sadness releases, joy uplifts, compassion unites. Fear is close to the surface of our self, anger is rather deeper, sadness and joy are progressively more interior, and compassion emanates from our profound center. Each is a level and a vibration of energy that needs to flow freely for us to be really engaged in the present.

HarperCollinsChildren’sBooks First published in the USA in 2018 by Harper, an imprint of HarperCollinsPublishers First published in Australia in 2018 by HarperCollinsChildren’sBooks a division of HarperCollinsPublishers Australia Pty Limited ABN 36 009 913 517 harpercollins.com.au Copyright © Working Partners Limited 2018 Series created by Working Partners Limited Map art © Virginia Allyn 2018 Interior art © Owen Richardson 2018 The right of Erin Hunter to be identified as the author of this work has been asserted by her in accordance with the Copyright Amendment (Moral Rights) Act 2000. This work is copyright. Apart from any use as permitted under the Copyright Act 1968, no part may be reproduced, copied, scanned, stored in a retrieval system, recorded, or transmitted, in any form or by any means, without the prior written permission of the publisher. HarperCollinsPublishers Level 13, 201 Elizabeth Street, Sydney, NSW 2000, Australia Unit D1, 63 Apollo Drive, Rosedale, Auckland 0632, New Zealand A 53, Sector 57, Noida, UP, India 1 London Bridge Street, London SE1 9GF, United Kingdom 2 Bloor Street East, 20th floor, Toronto, Ontario M4W 1A8, Canada 195 Broadway, New York, NY 10007, USA ISBN 978 1 4607 5628 7 (paperback) ISBN 978 1 4607 1026 5 (ebook) Cover design by Alison Klapthor Cover art by Owen Richardson Logo by David Coulson