Maple Leaf Quotes

A withered maple leaf has left its branch and is falling to the ground; its movements resemble those of a butterfly in flight. Isn't it strange? The saddest and deadest of things is yet so like the gayest and most vital of creatures?

Living things don't all require light in the same degree. Some of us make our own light: a silver leaf like a path no one can use, a shallow lake of silver in the darkness under the great maples. But you know this already. You and the others who think you live for truth and, by extension, love all that is cold.

I asked her, dreamily, if we had met, and when she told me that we had not, I gave her a little finger wave, the type a leprechaun might offer a pixie who was floating by on a maple leaf. "Well, hi there," I whispered.

I moved forward in the trace of their footsteps as in a waking dream where the scent of a newly blown poppy is no longer a perfume but a blossoming: where the deep red of a maple leaf in autumn is no longer a colour but a grace; where a country is no longer a place but a lullaby.

The maple leaf in 1965 was chosen to symbolize our land Its points are five; like the fingers of a hand

a dry maple leaf has come off and is falling to the earth; its movement is exactly like a butterfly's flight. Isn't it strange? Gloom and decay—like brightness and life.

Our memories and the events of our lives are untidy things. We wish that we could file them away and shut the door, or we wish the opposite - that they would stay with us forever. You want to banish the remembrance of a tight hold on your ankle, a rope under a bed, the amber-colored medicine bottles of your father, the door your mother slams after a night of too much wine and jealousy. You want to keep close to you always that first sweet kiss, a maple leaf, that growing sense of yourself; you want to hold the sight of your dying father on that last boat trip, the calm you remember as your mother held you. Her voice.

Ars Poetica A poem should be palpable and mute As a globed fruit, Dumb As old medallions to the thumb, Silent as the sleeve-worn stone Of casement ledges where the moss has grown— A poem should be wordless As the flight of birds. A poem should be motionless in time As the moon climbs, Leaving, as the moon releases Twig by twig the night-entangled trees, Leaving, as the moon behind the winter leaves, Memory by memory the mind— A poem should be motionless in time As the moon climbs. A poem should be equal to: Not true. For all the history of grief An empty doorway and a maple leaf. For love The leaning grasses and two lights above the sea— A poem should not mean But be.

Everything dies eventually. We all know that. People, cities, whole civilizations. Nothing lasts. So if existence was just binary, dead or alive, here or not here, what would be the fucking point in anything?" She looks up at some falling leaves and puts out her hand to catch one, a flaming red maple. "My mom used to say that's why we have memory. And the opposite of memory - hope. So things that are gone can still matter. So we can build off our pasts and make futures." She twirls the leaf in front of her face, back and forth. "Mom said life only makes any sense if we can see time how God does. Past, present and future all at once." I allow myself to look at Julie. She sees my tears and tries to wipe one away. "So what's the future?" I ask, not flinching as her fingers brush my eye. "I can see the past and the present, but what's the future?" "Well . . . ," she says with a broken laugh. "I guess that's the tricky part. The past is made out of facts . . . I guess the future is just hope." "Or fear." "No." She shakes her head firmly and sticks the leaf in my hair. "Hope.

...all winter the acorns and red Maple leaf moldered in silence - in the same way grief is gnawing at me - slowly, imperceptibly... consuming...

If you ever go to any event ever, for any reason, they will give you a tote bag. Medical conference? Tote bag. Wedding? Tote bag. Syrian refugee arriving in Canada? Maple leaf tote bag. My orthodontist gave me a tote bag. And a t-shirt. Which I put in the tote bag.

A Colder breeze lifted a dead leaf to the roof and sent it scuttling merrily on its way to catch in my hair. It crackled dry and brittle when Chris plucked it out and held it, just staring down at a dead maple leaf as if his very life depended on reading its secret for knowing how to blow in the wind. No arms, no legs, no wings... bit it could fly when dead.

Flags snap in the breeze above us, banners with a lavender stalk in front of a golden maple leaf on a green background.

…….one horizon always hides another and it goes on like that into infinity, to the unspeakable beauty of renewal, to intangible rapture. As for me, it is true all the way to the possibility of this book, to the moment when my words glide across the curve of your lips, to the sheets of white paper that put up with my trail, or rather the trail of those who have walked before me, for me. I moved forward in the trace of their footsteps as in a waking dream where the scent of a newly blown poppy is no longer a perfume but a blossoming: where the deep red of a maple leaf in autumn is no longer a colour but a grace; where a country is no longer a place but a lullaby.

I've believed in the Toronto Maple Leafs my entire life. The least you could do is believe in yourself.

Vespers In your extended absence, you permit me use of earth, anticipating some return on investment. I must report failure in my assignment, principally regarding the tomato plants. I think I should not be encouraged to grow tomatoes. Or, if I am, you should withhold the heavy rains, the cold nights that come so often here, while other regions get twelve weeks of summer. All this belongs to you: on the other hand, I planted the seeds, I watched the first shoots like wings tearing the soil, and it was my heart broken by the blight, the black spot so quickly multiplying in the rows. I doubt you have a heart, in our understanding of that term. You who do not discriminate between the dead and the living, who are, in consequence, immune to foreshadowing, you may not know how much terror we bear, the spotted leaf, the red leaves of the maple falling even in August, in early darkness: I am responsible for these vines.

Also fun fact for you Americans: in Canada, the practice of Thanksgiving is celebrated with the slaying of a sacred moose. Once killed, the moose is slathered in maple syrup, apologized to excessively, then roasted over a bed of Maple Leafs ™ until crispy on the outside and succulent on the inside. The meat is then dispersed by carrier goose and beaver to all of our country’s people, and our dashing Prime Minister does a naked pagan dance around the flayed carcass, shouting “Hoser!” until his throat’s raw. We’re very serious about Thanksgiving in Canada, Eh?

And then there was the sad sign that a young woman working at a Tim Hortons in Lethbridge, Alberta, taped to the drive-through window in 2007. It read, “No Drunk Natives.” Accusations of racism erupted, Tim Hortons assured everyone that their coffee shops were not centres for bigotry, but what was most interesting was the public response. For as many people who called in to radio shows or wrote letters to the Lethbridge Herald to voice their outrage over the sign, there were almost as many who expressed their support for the sentiment. The young woman who posted the sign said it had just been a joke. Now, I’ll be the first to say that drunks are a problem. But I lived in Lethbridge for ten years, and I can tell you with as much neutrality as I can muster that there were many more White drunks stumbling out of the bars on Friday and Saturday nights than there were Native drunks. It’s just that in North America, White drunks tend to be invisible, whereas people of colour who drink to excess are not. Actually, White drunks are not just invisible, they can also be amusing. Remember how much fun it was to watch Dean Martin, Red Skelton, W. C. Fields, John Wayne, John Barrymore, Ernie Kovacs, James Stewart, and Marilyn Monroe play drunks on the screen and sometimes in real life? Or Jodie Marsh, Paris Hilton, Cheryl Tweedy, Britney Spears, and the late Anna Nicole Smith, just to mention a few from my daughter’s generation. And let’s not forget some of our politicians and persons of power who control the fates of nations: Winston Churchill, John A. Macdonald, Boris Yeltsin, George Bush, Daniel Patrick Moynihan. Hard drinkers, every one. The somewhat uncomfortable point I’m making is that we don’t seem to mind our White drunks. They’re no big deal so long as they’re not driving. But if they are driving drunk, as have Canada’s coffee king Tim Horton, the ex-premier of Alberta Ralph Klein, actors Kiefer Sutherland and Mel Gibson, Super Bowl star Lawyer Milloy, or the Toronto Maple Leafs’ Mark Bell, we just hope that they don’t hurt themselves. Or others. More to the point, they get to make their mistakes as individuals and not as representatives of an entire race.

Each leaf on the maples and lindens was sharply outlined, as if chiselled from black stone. Taken as a whole, however, the great mass of trees seemed like a flat black pattern against the bright sky. The world’s beauty had surpassed itself. It was one of those moments when everyone stops to gaze in wonder—not only the idler with time on his hands but also the shift worker on his way home and the traveller half-dead on his feet. At times like this we cease to have distinct perceptions of light, space, silence, rustlings, warmth, sweet smells, the swaying of long grass or leaves—all the millions of ingredients that make up the world’s beauty. What we perceive then is true beauty, and it tells us only one thing: that life is a blessing.

This somewhat uncomfortable point I’m making is that we don’t seem to mind our White drunks. They’re no big deal so long as they’re not driving. But if they are driving drunk, as have Canada’s coffee king Tim Horton, the X premier of Alberta Ralph Klein, actors Kiefer Sutherland and Mel Gibson, Super Bowl star lawyer Milloy, or the Toronto Maple Leafs Mark Bell, we just hope that they don’t hurt themselves. Or others. More to the point, they get to make their mistakes as individuals and not as representatives of an entire race.

PROSCIUTTO- AND SAGE-WRAPPED DATES (Serves 6)   INGREDIENTS 24 fresh sage leaves 12 dates, halved, pits removed 1 pack prosciutto, each slice sliced lengthways down the middle 2 Tablespoons maple syrup   Preheat oven to 350 degrees. Place a sage leaf on each date half, wrap with prosciutto, place flat side down on a baking sheet. Bake 10 minutes. Brush with maple syrup and serve.

A kind of northing is what I wish to accomplish, a single-minded trek towards that place where any shutter left open to the zenith at night will record the wheeling of all the sky’s stars as a pattern of perfect, concentric circles. I seek a reduction, a shedding, a sloughing off. At the seashore you often see a shell, or fragment of a shell, that sharp sands and surf have thinned to a wisp. There is no way you can tell what kind of shell it had been, what creature it had housed; it could have been a whelk or a scallop, a cowrie, limpet, or conch. The animal is long since dissolved, and its blood spread and thinned in the general sea. All you hold in your hand is a cool shred of shell, an inch long, pared so thin that it passes a faint pink light. It is an essence, a smooth condensation of the air, a curve. I long for the North where unimpeded winds would hone me to such a pure slip of bone. But I’ll not go northing this year. I’ll stalk that floating pole and frigid air by waiting here. I wait on bridges; I wait, struck, on forest paths and meadow’s fringes, hilltops and banksides, day in and day out, and I receive a southing as a gift. The North washes down the mountains like a waterfall, like a tidal wave, and pours across the valley; it comes to me. It sweetens the persimmons and numbs the last of the crickets and hornets; it fans the flames of the forest maples, bows the meadow’s seeded grasses and pokes it chilling fingers under the leaf litter, thrusting the springtails and the earthworms deeper into the earth. The sun heaves to the south by day, and at night wild Orion emerges looming like the Specter over Dead Man Mountain. Something is already here, and more is coming.

My nutmeg-caraway shortbread had too many conflicting spices, he would say. And of course, it had nothing to do with leaves. The lemon-raspberry cake decorated with lemon leaves was too tart, and the toffee cupcakes with leaf-shaped maple candy were cloying.

TAKING LEAVE Of the unhindered motion in the million swirled and twisted grooves of the juniper driftwood lying in the sand; taking leave of each sapphire and amber thread and each iridescent bead of the swallowtail's wing and of the quick and clever needle of the seamstress in the dark cocoon that accomplished the stitching. Goodbye to the long pale hairs of the swaying grassflowers, so like, in grace and color and bearing, the nodding antennae of the green valley grasshopper clinging to its blade; and to the staircase shell of the butter-colored wendletrap and to the branches of the sourwood making their own staircase with each step upward they take and to the spiraling of the cobweb weaver twirling as it descends on its silk out of the shadows of the pitch pine. Taking leave of the sea of spring, that grey-green swell slowly rising, spreading, its heavy wisteria-scented surf filled with darting, gliding, whistling fish, a current of cries, an undertow of moans and buzzes, so pervasive and penetrating and alluring that the lungs adapt to the density. Determined not to slight the knotted rockweed or the beach plum or the white, blue-tipped petals of the five spot; determined not to overlook the pursed orange mouth of each maple leaf just appearing or the entire chorus of those open leaves in full summer forte. My whole life, a parting from the brazen coyote thistle and the reticent, tooth-ridged toad crab and the proud, preposterous sage grouse. And you mustn't believe that the cessation which occurs here now is more than illusory; the ritual of this leave-taking continues beyond these lines, in a whisper beside the window, below my breath by the river, without noise through the clearing at midnight, even in the dark, even in sleep, continues, out-of-notice, private, incessant.

THE OLD GROWTH, THE MAPLES, turned first. They rusted one leaf at a time, where ocean breezes bruised them, late in August. Paulo, the tree warden, once told Journeyman that the first trees to change reveal a map of damage. The earliest turning were those once sickened or lightning-struck. So Journeyman saw the season as a theater of succumbing. The wind’s bite called each tree to solidarity with the weakest. Only the evergreens were refuseniks. Primordial trees, dinosaur trees—in their gummy hearts, they were deader than the trees that turned.

I still experience this chill today when a song or chant touches some place inside my body that my mind cannot name... Harmony, like the chill, reveals itself. We need a body in which it can be revealed. Harmony is seen, heard, and felt with the body. It resides in the body and it is only through the body that we experience harmony. Thus, harmony may be seen as an expression of the body, of nature. It expresses itself without our doing. We have nothing to do with the fragrance of harmony... Given this, we need not insist that discussions of race, sexuality, and gender adversely affect the appearance of harmony or cause it to disappear. The notion that acknowledging lived experience is misaligned with spirituality is something we've made up in our minds, and not the natural reality of things. We must study the self in order to discover harmony in our own lives. We must listen to the earth right under our feet no matter what. We must constantly be attuned to the unfolding of life as it presents the multitude of variations in which harmony manifests in nature as oneness... If we carry awareness of the body as our inheritance of nature, as tender as a maple leaf or a small hummingbird, then the experience of complete tenderness can rise and swell within our ever-evolving relative reality.

From the pleasure podium of Ali Qapu, beyond the enhanced enclosure, the city spread itself towards the horizon. Ugly buildings are prohibited in Esfahan. They go to Tehran or stay in Mashhad. Planters vie with planners to outnumber buildings with trees. Attracting nightingales, blackbirds and orioles is considered as important as attracting people. Maples line the canals, reaching towards each other with branches linked. Beneath them, people meander, stroll and promenade. The Safavids' high standards generated a kind of architectural pole-vaulting competition in which beauty is the bar, and ever since the Persians have been imbuing the most mundane objects with design. Turquoise tiles ennoble even power stations. In the meadow in the middle of Naghshe Jahan, as lovers strolled or rode in horse-drawn traps, I lay on my back picking four-leafed clovers and looking at the sky. There was an intimacy about its grandeur, like having someone famous in your family. The life of centuries past was more alive here than anywhere else, its physical dimensions unchanged. Even the brutal mountains, folded in light and shadows beyond the square, stood back in awe of it. At three o'clock, the tiled domes soaked up the sunshine, transforming its invisible colours to their own hue, and the gushing fountains ventilated the breeze and passed it on to grateful Esfahanis. But above all was the soaring sky, captured by this snare of arches.(p378)

Sshhhhh from rain, pitpitpit from hemlock, bloink from maple, and lastly popp of falling alder water. Alder drops make a slow music. It takes time for fine rain to traverse the scabrous rough surface of an alder leaf. The drops aren't as big as maple drops, not enough to splash, but the popp ripples the surface and sends out concentric rings. I close my eyes and listen to the voices of the rain. The reflecting surface of the pool is textured with their signatures, each one different in pace and resonance. Every drip it seems is changed by its relationship with life, whether it encounters moss or maple or fir bark or my hair. And we think of it as simply rain, as if it were one thing, as if we understood it. I think that moss knows rain better than we do, and so do maples. Maybe there is no such thing as rain; there are only raindrops, each with its own story.

She could move in with an affable, very old LeafWing named Maple, who spoke the old language, or she could find her own tree hollow to live in, or she could explore the new continent first, then come back here to build a home. And there would be dragonets, if she wanted them. Clearsight felt a sudden, dizzying rush of love for dragons who weren’t even eggs yet: little Jewel, and whip-smart Tortoiseshell, and cuddly Orange (who names their dragonet Orange? Sunstreak, apparently. They might have to have some conversations about that plan), and Commodore, the king of giggles. She would always miss the dragonets she should have had with Darkstalker, but she would love the ones that were coming with all her heart. And nothing bad would ever ever happen to them. They would all live the longest, happiest lives, because she would be here, tracking their paths, keeping them safe. She would get it right this time. “Your rootplace,” Sunstreak said, gently interrupting her thoughts. “Where?” She pointed back out to sea. “Pyrrhia.” She waved her claws at the continent around them. “This? Where?” she asked. He smiled again. “Pantala,” he said slowly and clearly, and with evident pride. “Pantala,” she echoed back. The lost continent is real, and it has a name. And it’s my home now. Pantala, here I am. TUI T.

I’m looking to see if it was produced by one of the Canadian mines. Some of the larger mines mark their diamonds with minuscule polar bear or maple leaf marks.” “I didn’t realize there were diamond mines in Canada,” I said. “The first mine was discovered in 1998. Canada now produces one third of the diamonds in the world.

I don’t like the city for many reasons. My… experience… was the universe’s way of letting me know this is where I should be.” “Seems a cosmic sticky note would have done the job easier: ‘Rick, stay with trees. Love, The Universe.’ Right?

pointed

American accent. Broad shoulders, at least fifty years old. He was wearing generic sunglasses and a cap that read NASHVILLE PREDATORS. His lips were thin, sharp like a palm leaf. Lucie stood up; the man took up position behind her. The cop looked around for pedestrians, witnesses, but no luck. Alone and unarmed, she was helpless. They walked about a hundred yards without encountering a soul. A Datsun 240Z was waiting under the maples. “You drive.” He pushed her roughly into the car. Lucie’s throat was knotted and she was finding it hard to stay calm. The faces of her twins swam before her eyes. Not like this, she kept thinking. Not like this… The man took a seat next to her. Like a pro, he quickly patted her pockets, thighs, and hips. He took out her wallet, removed her police ID—which he looked at carefully—then turned off her cell phone. Lucie spoke in a slightly shaky voice: “No need—it isn’t working.” “Drive.” “What is it you want? I—” “Drive, I said.” She started the car. They headed out of Montreal due north, via the Charles de Gaulle Bridge. And left the lights of the city far behind.

Aubade" “My love, I fear the silence of your hands.” —Mahmoud Darwish Overnight, my heart, the forest has grown cold and every leaf shivers with the sure knowledge of its fall, shivers yellow and maple-red and mauve, Summer remembered in vermillion dying. When I walk the river now it bears merely the lightest press of feet, my body swaying to keep balance in the whetted breeze. I had to leave you on the absent shore, a warm bloom nesting in the reeds, an unfixed, iridescent eye. How we part only the morning knows, and what we said already dew. Tomorrow after tomorrow we will find the tongue to remember our silences, or borrow words from the night’s vocabulary of sighs. Grief will teach you new names and I will answer, hollow, in drumbeats and echoes, in footsteps and softly closed doors, never looking at you, never back. I place these words now in the vault of sleep before it comes. Before the burial and the blood. Alvin Pang, When the Barbarians Arrive. (Arc Publications 2012)

I continue my search for the place of origin of the bonsaied white pine. The forest’s plants evoke in me a feeling that reality has slipped. All is familiar wind in Japanese oaks and maples sounds as it does in the Americas: coarse grained and deep voiced in oaks, sandy and light in the thin-leaved maples. Yet when I attend to a visual detail- the contour of a leaf, the runnels in bark, the hue of a fruit, I am unmoored by strangeness. My mind is foundering in the geographic manifestation of plant evolution’s deep history. The plants of east Asia, seemingly so far from eastern North America, are in fact close kin to the plants of the mountain slopes of Appalachia, closer kin by far than the plants of the northwestern US, or of Florida, or the arid lands of the Southwest. On Miyajima, I walk with sumac, maple, ash, juniper, fir, oak, persimmon, and rhododendron. A few Asian specialties spice this thoroughly Appalachian community, curiosities like Japanese cedar, snake vines, and umbrella pines. The cedars intermingle their soft, extended sighs with the more familiar sounds of oak and maple.

Right here is my favorite sanctuary in Tokyo," said Ryuu. "It's called Momijidani. It means 'autumn leaf valley.'" We'd reached an artificial ravine with a waterfall tumbling down from a high rock formation about three stories tall, surrounded by a variety of rocks, and maple trees with red autumn leaves. A stream ran below the waterfall, with a picturesque bridge path over it. The effect was spectacular, like being deep in a valley surrounded by mountains- serene, private, magical- but with Tokyo Tower looming over it, a reminder of the bustling city just beyond.

Aubade" “My love, I fear the silence of your hands.” —Mahmoud Darwish Overnight, my heart, the forest has grown cold and every leaf shivers with the sure knowledge of its fall, shivers yellow and maple-red and mauve, Summer remembered in vermillion dying. When I walk the river now it bears merely the lightest press of feet, my body swaying to keep balance in the whetted breeze. I had to leave you on the absent shore, a warm bloom nesting in the reeds, an unfixed, iridescent eye. How we part only the morning knows, and what we said already dew. Tomorrow after tomorrow we will find the tongue to remember our silences, or borrow words from the night’s vocabulary of sighs. Grief will teach you new names and I will answer, hollow, in drumbeats and echoes, in footsteps and softly closed doors, never looking at you, never back. I place these words now in the vault of sleep before it comes. Before the burial and the blood.

The residence sat toward the back of the property, which sloped up across a masterfully landscaped yard shaded with maple and spruce trees, dotted with stone sculptures—fountains, birdbaths, angels—and not a leaf to be seen on the pockets of lush green grass. An engine turned over near the house. Letty stepped off the drive and crawled into a thicket of mountain laurel as a boxy Mercedes G-Class rolled past. Through the branches and tinted glass, she glimpsed Chase at the wheel, a young boy in a booster in the backseat. The car ride over had only intensified her nausea, and as the diesel engine faded away, she put her finger down her throat and retched in the leaves. She felt instantly better. Weaker. Less drunk. But better.

Night thinks it’s crying again and I keep listening to a song about autumn where an apple tastes like longing and every leaf in the maple tree tries to explain loss through a series of colors—hectic orange, indifferent red, a kind of gold that speaks directly to god or moonbeams and in the dark as I drive down wet roadways watching for deer, the only thing I can see clearly are the yellow leaves christening my windshield and I think how we are taught not to love too many, too much, the night, the darkness, and I think I am crying but it is only rain. — Kelli Russell Agodon, “Night thinks it’s crying again,” Southern Indiana Review (Spring 2021)

But today, again, I want to learn the character of the trees, even though I know that the names- at least, the names given to them by humans- are not names the trees themselves use. They speak with bark and branch and leaf, with alterations in shade and sunlight, with the patterns of growth rings and with the activity of birds and animals, with movement inside stillness. Even if these aren’t their true names, it is good to speak the designations, even just in my mind, as I watch them and honor them: these apple and cherry orchards of farm and pasture, these maples at the edge of the road and in the woods, the white pines and fir and spruce in the forest, willows by the pond, these birches and beeches, these oaks.

A veiled hush had fallen over the world. All the young breezes that had been whispering and rustling so importantly along the Dawlish Road had folded their wings and become motionless and soundless. Not a leaf stirred, not a shadow flickered. The maple leaves at the bend of the road turned wrong side out until the trees looked as if they were turning pale from fear. A huge cool shadow seemed to engulf them like a green wave... the cloud had reached them. Then the rain, with a rush and sweep of wind. The shower pattered sharply down on the leaves, danced along the smoking red road and pelted the roof of the old forge right merrily.

Maybe she should give up. Not by turning herself in, but by flying away. Travel back across the Atlantic. Become a Canadian. Live a tranquil life in the ’burbs of Toronto. Marry a bland businessman who drank Molson and followed the Maple Leafs.

I fetched a pair of metal tweezers from my pack and carefully plucked a leaf from the frost. It was lovely, segmented like a maple and white as the trunk and boughs, though it also had a coating of short white hairs, like some sort of beast. I placed the leaf within a small metal box I habitually use to collect such samples, many of which have found their place in the Museum of Dryadology and Ethnofolklore at Cambridge.

It was then that I saw Him. There was a third there with us, at the heart of the flame. He didn’t look like anything I knew. He looked like everything. His face changed each moment. He looked like a yellow-beaked hawk, and then a red maple leaf, then a mosquito. I knew that my face was in there, too, somewhere among the many. I did not want to see it. I understood that would be the final thing. As I draw my last breath He will show Himself, and the face He wears will be mine.

American English was different from the language she’d learned at Maple Leaf International in Dhaka, but she was lucky because George corrected her and kept her from making embarrassing mistakes.

Aubade" “My love, I fear the silence of your hands.” —Mahmoud Darwish Overnight, my heart, the forest has grown cold and every leaf shivers with the sure knowledge of its fall, shivers yellow and maple-red and mauve, Summer remembered in vermillion dying. When I walk the river now it bears merely the lightest press of feet, my body swaying to keep balance in the whetted breeze. I had to leave you on the absent shore, a warm bloom nesting in the reeds, an unfixed, iridescent eye. How we part only the morning knows, and what we said already dew. Tomorrow after tomorrow we will find the tongue to remember our silences, or borrow words from the night’s vocabulary of sighs. Grief will teach you new names and I will answer, hollow, in drumbeats and echoes, in footsteps and softly closed doors, never looking at you, never back. I place these words now in the vault of sleep before it comes. Before the burial and the blood.

White of snow or white of page is not" the white of your skin, for skin, except when truly albino, always has some other color sleeping within it—a hint of red maple leaf, a touch of the blue ice at the edge of a melting stream, a richness implied of its many layers, the deltas of cells and blood, that deep fecundity that lies within and makes the skin shed, not like a snake, but as a tree (one of those golden cottonwoods flaring just now at the edge of the river) that sheds its leaves each moment while an eternity of leaf remains. Oh, nothing seems to me as white as your skin, all your languid ease of being—one resting upon the other, the sliver of your shoulder against the black fabric—reminds me so of the lost realm of beauty that I am afraid of nothing, and only dazed (as I was that day at the aquarium when the beluga whales came swimming toward me—how white they were, slipping out of the darkness, radiant and buoyant as silence and snow, incandescent as white fire, gliding through the weight of water, and when they sang in that chamber as small as the chambers of the human heart, murky with exhaustion and captivity and the fragments of what they had consumed, I was almost in love with them; they seemed the lost children of the moon, carrying in their milky mammalian skins a hint of glacial ice and singing to each other of all the existences they had left behind, their fins like the wings of birds or angels, clicking and whistling like canaries of the sea: there was no darkness in their bodies, like clouds drifting through unkempt skies, they illuminated the room). So I did not think of you so much as I felt you drifting through my being, in some gesture that held me poised like a hummingbird above the scarlet blossoms of the trumpet vine, I kissed you above the heart, and by above I mean there, not that geometric center, the breastbone that so many use to divide the body in half and so mistake for the place where the heart lies, but the exact location, a little to the left, just on the crescent where the breast begins to rise; oh, I know all that drift of white implies, the vanished clothing, the disappearing room, that landscape of the skin and night that opens in imagination and in feeling upon a sea of snow, so that just one kiss above the heart is a kiss upon the heart, as if one could kiss the very pulse of being, light upon the head of that pin that pins us here, that tiny disk where angels were once believed to dance, and all that nakedness without could not have been except for all that burning deep within

Ma Ma explained everything to me—how she had learned from her new friend who lived on Long Island that Canada was looking for educated immigrants; how that friend had introduced her to a lawyer, and how Ma Ma had worked with that lawyer for many months to get us permission to move to Canada; how we would not just have visas but full green cards once we got there, except it was not called a green card, but a “maple leaf card”; how I would be able to go to any college I wanted and she could work at a real job; how there was free healthcare; and how Ba Ba had refused to leave, how he was scared, how he loved America too much, maybe more than he loved us. It was a lot and I didn’t understand it all, not all at once. All I took from it was that Ma Ma had been working on this for a while, without telling me.

Time, much like the ever-changing seasons, dances through our lives, each moment a petal of a tulip, a sunflower, a maple leaf, or a mistletoe leaf.

The troutberry trees had already bloomed and gone; on the forest floor, delicate white petals of starflowers and goldthread and Carolina springbeauty sparkled when a stray beam of sunshine caught them. Wild onions were the only plant that had fully leafed out, brilliant bright green under maple and elm and birch and oak whose own leaves were still pregnant thoughts. All of nature was just waking up, fulling, becoming large and new.

When I reach to pick up the glass pieces, my heart sinks as the distinctive blue-black wave and red maple leaf designs of my irezumi tattoo sleeve show through the transparent wet fabric of my shirt. Despite the deafening silence, the hint of the ink that marks my past wails like a siren, warning all in my vicinity.

I’d always had mixed feelings about maples. While others pointed them out as happy harbingers of the cozy season to come, they had always seemed to me to be reckless—the first small flames of fall, each dropping leaf a burning ember that spread the fire until every tree was bare and dead and the November snows came like ash. I’d learned not to share this opinion with others, as it was universally judged as incomprehensible. Everyone loved fall.

I’d always had mixed feelings about maples. While others pointed them out as happy harbingers of the cozy season to come, they had always seemed to me to be reckless—the first small flames of fall, each dropping leaf a burning ember that spread the fire until every tree was bare and dead and the November snows came like ash. I’d learned not to share this opinion with others, as it was universally judged as incomprehensible. Everyone loved fall.

goalie Glenn Healy enjoyed a long career, and he also enjoyed playing the bagpipes. While playing for the Maple Leafs in 2000, Healy needed stitches after slicing himself while repairing an antique set of pipes.

Harry ran his thumb over the thin skin

Cause I'm a sunflower I'm not pretty, but fun I'm a maple leaf Beautiful only when I fall I'm a tangled prickly vine I never crawl when I can run.. I'm not your sweet cure I hurt more than I heal Cause when I love Hearts get burned

Last semester, when I asked my class, as I do each quarter, how many of them had ever spent a night sleeping in the wilderness the answer was zero, and I realized for the first time in my teaching life I might be standing in front of a room full of students for whom the words “elk” or “granite” or “bristlecone pine” conjured exactly nothing. I thought about the books that had shaped my sensibility as a young writer: Pilgrim at Tinker Creek, Silent Spring, A Sand County Almanac, Refuge, A River Runs Through It, In Patagonia and Desert Solitaire. Now, amid the most sweeping legislative attack on our environment in history, a colleague wondered aloud to me whether it was feasible, or even sane anymore, to teach books that celebrate nature unironically. This planet hadn’t even been mapped properly a couple of hundred years ago, and now none of it, above or below ground, remains unsullied by our need for extraction. As we hurtle toward the cliff, foot heavy on the throttle, to write a poem about the loveliness of a newly leafed out aspen grove or a hot August wind sweeping across prairie grass or the smell of the air after a three-day rain in the maple forest might be at best so unconscionably naïve, and at worst so much part of the problem, we might as well drive a Hummer and start voting Republican.

We’re playing the Toronto Maple Leafs and I’m a goddamn mess. I’m always a mess when I play Toronto. It’s psychological.