Maple Leaf Love Quotes

Living things don't all require light in the same degree. Some of us make our own light: a silver leaf like a path no one can use, a shallow lake of silver in the darkness under the great maples. But you know this already. You and the others who think you live for truth and, by extension, love all that is cold.

Ars Poetica A poem should be palpable and mute As a globed fruit, Dumb As old medallions to the thumb, Silent as the sleeve-worn stone Of casement ledges where the moss has grown— A poem should be wordless As the flight of birds. A poem should be motionless in time As the moon climbs, Leaving, as the moon releases Twig by twig the night-entangled trees, Leaving, as the moon behind the winter leaves, Memory by memory the mind— A poem should be motionless in time As the moon climbs. A poem should be equal to: Not true. For all the history of grief An empty doorway and a maple leaf. For love The leaning grasses and two lights above the sea— A poem should not mean But be.

I've believed in the Toronto Maple Leafs my entire life. The least you could do is believe in yourself.

Night thinks it’s crying again and I keep listening to a song about autumn where an apple tastes like longing and every leaf in the maple tree tries to explain loss through a series of colors—hectic orange, indifferent red, a kind of gold that speaks directly to god or moonbeams and in the dark as I drive down wet roadways watching for deer, the only thing I can see clearly are the yellow leaves christening my windshield and I think how we are taught not to love too many, too much, the night, the darkness, and I think I am crying but it is only rain. — Kelli Russell Agodon, “Night thinks it’s crying again,” Southern Indiana Review (Spring 2021)

She could move in with an affable, very old LeafWing named Maple, who spoke the old language, or she could find her own tree hollow to live in, or she could explore the new continent first, then come back here to build a home. And there would be dragonets, if she wanted them. Clearsight felt a sudden, dizzying rush of love for dragons who weren’t even eggs yet: little Jewel, and whip-smart Tortoiseshell, and cuddly Orange (who names their dragonet Orange? Sunstreak, apparently. They might have to have some conversations about that plan), and Commodore, the king of giggles. She would always miss the dragonets she should have had with Darkstalker, but she would love the ones that were coming with all her heart. And nothing bad would ever ever happen to them. They would all live the longest, happiest lives, because she would be here, tracking their paths, keeping them safe. She would get it right this time. “Your rootplace,” Sunstreak said, gently interrupting her thoughts. “Where?” She pointed back out to sea. “Pyrrhia.” She waved her claws at the continent around them. “This? Where?” she asked. He smiled again. “Pantala,” he said slowly and clearly, and with evident pride. “Pantala,” she echoed back. The lost continent is real, and it has a name. And it’s my home now. Pantala, here I am. TUI T.

Cause I'm a sunflower I'm not pretty, but fun I'm a maple leaf Beautiful only when I fall I'm a tangled prickly vine I never crawl when I can run.. I'm not your sweet cure I hurt more than I heal Cause when I love Hearts get burned

I’d always had mixed feelings about maples. While others pointed them out as happy harbingers of the cozy season to come, they had always seemed to me to be reckless—the first small flames of fall, each dropping leaf a burning ember that spread the fire until every tree was bare and dead and the November snows came like ash. I’d learned not to share this opinion with others, as it was universally judged as incomprehensible. Everyone loved fall.

I’d always had mixed feelings about maples. While others pointed them out as happy harbingers of the cozy season to come, they had always seemed to me to be reckless—the first small flames of fall, each dropping leaf a burning ember that spread the fire until every tree was bare and dead and the November snows came like ash. I’d learned not to share this opinion with others, as it was universally judged as incomprehensible. Everyone loved fall.

I don’t like the city for many reasons. My… experience… was the universe’s way of letting me know this is where I should be.” “Seems a cosmic sticky note would have done the job easier: ‘Rick, stay with trees. Love, The Universe.’ Right?

I fetched a pair of metal tweezers from my pack and carefully plucked a leaf from the frost. It was lovely, segmented like a maple and white as the trunk and boughs, though it also had a coating of short white hairs, like some sort of beast. I placed the leaf within a small metal box I habitually use to collect such samples, many of which have found their place in the Museum of Dryadology and Ethnofolklore at Cambridge.

Ma Ma explained everything to me—how she had learned from her new friend who lived on Long Island that Canada was looking for educated immigrants; how that friend had introduced her to a lawyer, and how Ma Ma had worked with that lawyer for many months to get us permission to move to Canada; how we would not just have visas but full green cards once we got there, except it was not called a green card, but a “maple leaf card”; how I would be able to go to any college I wanted and she could work at a real job; how there was free healthcare; and how Ba Ba had refused to leave, how he was scared, how he loved America too much, maybe more than he loved us. It was a lot and I didn’t understand it all, not all at once. All I took from it was that Ma Ma had been working on this for a while, without telling me.

Aubade" “My love, I fear the silence of your hands.” —Mahmoud Darwish Overnight, my heart, the forest has grown cold and every leaf shivers with the sure knowledge of its fall, shivers yellow and maple-red and mauve, Summer remembered in vermillion dying. When I walk the river now it bears merely the lightest press of feet, my body swaying to keep balance in the whetted breeze. I had to leave you on the absent shore, a warm bloom nesting in the reeds, an unfixed, iridescent eye. How we part only the morning knows, and what we said already dew. Tomorrow after tomorrow we will find the tongue to remember our silences, or borrow words from the night’s vocabulary of sighs. Grief will teach you new names and I will answer, hollow, in drumbeats and echoes, in footsteps and softly closed doors, never looking at you, never back. I place these words now in the vault of sleep before it comes. Before the burial and the blood.

Aubade" “My love, I fear the silence of your hands.” —Mahmoud Darwish Overnight, my heart, the forest has grown cold and every leaf shivers with the sure knowledge of its fall, shivers yellow and maple-red and mauve, Summer remembered in vermillion dying. When I walk the river now it bears merely the lightest press of feet, my body swaying to keep balance in the whetted breeze. I had to leave you on the absent shore, a warm bloom nesting in the reeds, an unfixed, iridescent eye. How we part only the morning knows, and what we said already dew. Tomorrow after tomorrow we will find the tongue to remember our silences, or borrow words from the night’s vocabulary of sighs. Grief will teach you new names and I will answer, hollow, in drumbeats and echoes, in footsteps and softly closed doors, never looking at you, never back. I place these words now in the vault of sleep before it comes. Before the burial and the blood.

Aubade" “My love, I fear the silence of your hands.” —Mahmoud Darwish Overnight, my heart, the forest has grown cold and every leaf shivers with the sure knowledge of its fall, shivers yellow and maple-red and mauve, Summer remembered in vermillion dying. When I walk the river now it bears merely the lightest press of feet, my body swaying to keep balance in the whetted breeze. I had to leave you on the absent shore, a warm bloom nesting in the reeds, an unfixed, iridescent eye. How we part only the morning knows, and what we said already dew. Tomorrow after tomorrow we will find the tongue to remember our silences, or borrow words from the night’s vocabulary of sighs. Grief will teach you new names and I will answer, hollow, in drumbeats and echoes, in footsteps and softly closed doors, never looking at you, never back. I place these words now in the vault of sleep before it comes. Before the burial and the blood. Alvin Pang, When the Barbarians Arrive. (Arc Publications 2012)

White of snow or white of page is not" the white of your skin, for skin, except when truly albino, always has some other color sleeping within it—a hint of red maple leaf, a touch of the blue ice at the edge of a melting stream, a richness implied of its many layers, the deltas of cells and blood, that deep fecundity that lies within and makes the skin shed, not like a snake, but as a tree (one of those golden cottonwoods flaring just now at the edge of the river) that sheds its leaves each moment while an eternity of leaf remains. Oh, nothing seems to me as white as your skin, all your languid ease of being—one resting upon the other, the sliver of your shoulder against the black fabric—reminds me so of the lost realm of beauty that I am afraid of nothing, and only dazed (as I was that day at the aquarium when the beluga whales came swimming toward me—how white they were, slipping out of the darkness, radiant and buoyant as silence and snow, incandescent as white fire, gliding through the weight of water, and when they sang in that chamber as small as the chambers of the human heart, murky with exhaustion and captivity and the fragments of what they had consumed, I was almost in love with them; they seemed the lost children of the moon, carrying in their milky mammalian skins a hint of glacial ice and singing to each other of all the existences they had left behind, their fins like the wings of birds or angels, clicking and whistling like canaries of the sea: there was no darkness in their bodies, like clouds drifting through unkempt skies, they illuminated the room). So I did not think of you so much as I felt you drifting through my being, in some gesture that held me poised like a hummingbird above the scarlet blossoms of the trumpet vine, I kissed you above the heart, and by above I mean there, not that geometric center, the breastbone that so many use to divide the body in half and so mistake for the place where the heart lies, but the exact location, a little to the left, just on the crescent where the breast begins to rise; oh, I know all that drift of white implies, the vanished clothing, the disappearing room, that landscape of the skin and night that opens in imagination and in feeling upon a sea of snow, so that just one kiss above the heart is a kiss upon the heart, as if one could kiss the very pulse of being, light upon the head of that pin that pins us here, that tiny disk where angels were once believed to dance, and all that nakedness without could not have been except for all that burning deep within