Map Of The Otherlands Quotes

Assassins are a monstrous breed. Either they attack when you are at your worst, or they are having a go at you on your birthday. I have never known a more dishonourable profession.

The problem is not the packing, I admit; I simply dislike travelling. Why people wish to wander to and fro when they could simply remain at home is something I will never understand. Everything is the way I like it here.

There is nothing trivial about good coffee.

Rose asked me why I was not more surprised by your feat. He does not understand you as I do, Em, but as you seem to consider him a friend now, I told him the truth: in order to be surprised, I could not have known already that you are capable of anything.

Can’t you sense what enchantments are stored in the stones?” I demanded. “No!” I threw my hands up in frustration. “Then why do you keep on breaking them?” “Because you told me to, you lunatic!

Em, I must confess—I am in awe of you. I believe I am also a little frightened.

Dear Emily,” he said as I sat down, not troubling to lift his head from his hand but smiling at me slantwise. “You look as if you’ve come from a wrestling match with one of your books. May I ask who won?

Don’t bother,” I said drily. “I don’t expect you to comprehend a guilty conscience. You’re going to strain something.

Like me, he appeared relieved by the interruption—both of us, it seemed, would rather confront a supernatural intruder than fumble our way out of an emotional exchange.

I knew you were the real threat. Mortals always are, aren’t they? If you read the stories. The arrogant faerie prince who can make gold from straw is always undone by the humble miller’s daughter, not some powerful rival of his own stature.

I’m afraid I have not gotten over my resentment of him for saving me from the snow king’s court in Ljosland earlier this year, and have made a solemn vow to myself that I shall be the one to rescue him from whatever faerie trouble we next find ourselves in. Yes, I realize this is illogical, given that it requires Wendell to end up in some dire circumstance, which would ideally best be avoided, but there it is. I’m quite determined.

I drew my cardigan more tightly about me—it was the chill of the air, I told myself, not Rose’s words. “I appreciate your advice, Farris. Genuinely. But I know Wendell.” “Emily.” He pointed up at the beech tree boughs, which waved to and fro, scattering more leaves about us. “Do you know the wind?” And with that gloomy koan, he left me.

Where the bloody hell did you hide my things, you imp?” he demanded. Ariadne gave him a weary but victorious grin. “Your cloak is in the closet inside Dr. Rose’s spare one, which I turned inside out. You looked right past it. As for the boots, one is in the flower box outside and the other is in plain view in my bedroom, which you hate to look at because of the mess.” “Good Lord,” Wendell muttered. “You have your aunt’s devious mind.

The foot would not fit in my briefcase, so I wrapped it in cloth and wrestled it into an old knapsack I sometimes carry with me on expeditions.

That was a to-do, I thought, grateful that the moment was over. Yet I found myself returning to the memory throughout the day, as a person might absently touch a favoured piece of jewelry

Would you prefer to wait?” In answer, he kissed me—much more slowly than the kiss I had given him, and more skillfully too, I’m afraid. Afterwards he didn’t lean back as I expected, but trailed his lips down my neck, sending a shiver skittering through me. “You can begin by removing your clothes,” I said. “If you would like to. To clarify, this is a suggestion, not a demand.” “Oh, Em,” he said, laughing softly against my neck. I had my hands in his hair, which was now quite mussed, something that made me absurdly happy. “I’m sorry,” I said, self-conscious now. “Perhaps I shouldn’t talk.” “Whyever not?” He drew back, examining me with a perplexed smile. “I like the way you talk. And everything else about you, in fact. Is that not clear by now?” I felt laughter bubble up inside me, but I hid it behind a mock-serious expression. “I’m not sure.” His smile changed, and he trailed his hand down the side of my neck. “Let me show you.

Other women snore, or talk in their sleep. I don't recall ever being woken up by the sound of vigorous pencil scratching." "You could always ask one of those other women to marry you," I said. "Though it may not be easy to find one who is quite so tolerant of faerie assassins and strange quests as I am.

And if you are going to be an old hen about it and waste your time clucking over every scrap of clutter, you should know in advance that I won't be assisting." "Old hen!" he exclaimed. "Well, of course you won't help. You'll spend the evening in your preferred manner, hunched over in some dark corner like a troll.

We have a few items to discuss before we turn to that,” I said. I wrote St. Liesl on the board—not for any particular reason, but because, in truth, he was right about me: I enjoyed writing things on blackboards

Pillows made of stones, Bed of old kings’ bones, Quilt of moss and earth, Deep beneath the turf, Sleeps the faerie child, Dreaming of the wild, Hidden and unknown. —From “Now the Faeries Sleep,” a nursery rhyme originating in Kent, c. 1700.

But the reality is that one would have to be an utter idiot to marry one of the Folk. There are perhaps a handful of stories in which such a union ends well and a mountain of them in which it ends in madness or an untimely and unpleasant death. I am also, of course, constantly aware of the ridiculousness of my being the object of a marriage offering by a faerie monarch.

Yes, I wanted to remain here in Faerie, with Wendell. Yes, I knew it went against reason and common sense--- ordinarily two of my strengths. My arguments with Rose had been nonsense all along, because the truth was that I agreed with him. Of course it wasn't a sane decision to befriend a monarch of the Folk, let alone marry one, particularly if he reigned over the Silva Lupi. Nor did I think Wendell was different from other Folk, particularly--- kinder, less enigmatic, or somehow more human. I simply didn't care. I loved him, and I suspected that I would grow to love this beautiful, horrifying place if given the chance. I wanted the chance. I wanted Faerie, its every secret and its every door. If there was danger in my decision--- and I knew there was--- then so be it. I would accept danger, if it meant I could have this.

During its timeless hours of movement and inspection, as it floated on the number-winds and learned from their shape and force, it had become aware of something else, something so far from the conceptual map of the environment it had originally been given as to briefly constitute a new danger to the Nemesis program's logical integrity.

I simply dislike travelling. Why people wish to wander to and fro when they could simply remain at home is something I will never understand. Everything is the way I like it here.

One of the guiding principles of dryadology,” I said, “is this: do not cross the sort of Folk who make collections of human body parts.

Wendell half sat, half crouched in a hollow in the mountainside, one hand over his eyes, showing no interest whatsoever in our impossible surroundings, and I realized what was happening: somehow the poison had curdled the magic inside him, and any use of enchantment pained him. I knelt at his side and wrapped my arms around his shoulders. “Is there anything I can do?” “Yes,” he murmured. “Say that you’ll marry me.” “God.” So he was well enough to tease me, at least—that was some relief. “Perhaps I will refuse you here and now. Disappointment in love may provide a welcome distraction from the poison.” “Only you, Em, would refer to heartbreak as a distraction. I think I would have a more sympathetic response if I asked to marry a bookcase.

What other symptoms do you have?” “None.” He stopped and thought. “I am a little tired much of the time.” “And you didn’t think to tell me you were still suffering from the poison,” I scolded. Wasn’t it just like him, to make a to-do about getting enough sugar in his coffee, but not a thing like this. “I didn’t want to worry you,” he said. “You failed miserably.” “Miserably?” He looked so delighted that I pushed him over.

I brushed the hair from his face. It is very soft--- ludicrously so, in fact, more like rabbit down or dandelion seed than human hair--- and I found I could not stop stroking it. He murmured something, and the crease between his eyes faded.

I realized that part of me had been waiting for Wendell to make a miraculous recovery. To rescue us all, as well as himself, just when we needed him most. It would fit the pattern of innumerable stories. But perhaps Wendell wasn't part of his kingdom's story anymore. Or he was, but merely as a footnote, a trial for his stepmother to overcome as she rose from powerful to unstoppable-- to irrevocably weave herself into the fabric of her world, as the king of Ljosland had. And if he was a footnote, what did that make me? I leaned close, breathing in the smell of his hair--- the salt of sweat; smoke from the fire; and the distant smell of green leaves that never left him. "My answer is yes," I whispered in his ear.

When I finally found her, I do not think it was through any skill of mine, but rather because the creature decided that she would not mind being found. During what was at least my third search of a sunny chamber I had begun to think of as the dressing room, due to the presence of several large, empty wardrobes that looked like the hollowed trunks of old trees, my gaze happened to snag on the wardrobe closest to the window. Again, I had searched this wardrobe several times. Yet now, perched atop it with one black paw dangling lazily over the side, there was a cat.

Bloody winter Folk,” Wendell said, brushing ceramic shards from his cloak. “Winter Folk?” I repeated. “Guardians of the seasons—or anyway, that is how they see themselves,” he said sourly. “Really I think they just want a romantic excuse to go about blasting people with frost and zephyrs and such.

"Lost is kingdom with many paths, but they all end at the same place. Do you know where?" I bit back a sigh, because now that the novelty was wearing off, the stranger was beginning to grate on me. "I imagine you mean Faerie. The kingdom of the lost, it is called in some of the oldest tales. Rather poetic, isn't it? But most likely it simply refers to the habit the Folk have of leading careless mortals astray." He blinked at me, this strange apparition of a man, and for a moment he looked almost sane. "You just might do it," he murmured after a pause. "A silly child with her hair all in tangles.

Establishing contact with the common fae of this region may lead us to your door." He looked dubious. "You were lucky with Poe. Your luck will run out if you aren't careful." "I'd wager it ran out long ago, as I'm presently traipsing round the world on an errand for an indolent monarch," I replied acidly

No, Emily--- it was you I worried about. From the first rumors I heard of you, of your cleverness, your high regard for my silly son, I knew you were the real threat. Mortals always are, aren't they? If you read the stories. The arrogant faerie prince who can make gold from straw is always undone by the humble miller's daughter, not some powerful rival of his own stature." My stomach grew queasy. I had never felt so out of my depth when conversing with one of the Folk, not even the snow king of Ljosland. Wendell had been right, but it was no comfort to know that his stepmother had been afraid of me. I am used to being underestimated by the Folk--- nothing could be more dangerous than the opposite.

Perhaps you can burrow down into the turf and make from the moss a quilt, as the rhyme goes, but I cannot."* *Pillows made of stones, Bed of old kings' bones, Quilt of moss and earth, Deep beneath the turf, Sleeps the faerie child, Dreaming of the wild, Hidden and unknown. --- From "Now the Faeries Sleep," a nursery rhyme originating in Kent, c. 1700.

The lake was unexceptional, lovely and green-blue, but the forest was a peculiar thing. Among the needles carpeting the floor were clusters of mushrooms and strange white flowers, lantern-shaped, their cupped petals like small orbs. The trees themselves were taller and healthier than such flora had cause to be a high altitude--- indeed, they were quite fat, as if overfed.

Toss me one of your pencils!" "Have you gone mad?" I cried even as I removed the pencil from my cloak pocket and threw it at his head. It began to transform before it even reached him, elongating and flashing through the shadows--- a sword. I regretted aiming for his head then, but Wendell caught it with the grace of a trained swordsman, which of course he was. Watching Wendell with a sword is like watching a bird leap from a branch--- there is something thoughtless about it, innate. One has the sense that he is less himself without a sword, that wielding it returns him to the element most natural to him. He drove the sword into the nearest sheerie, and before it had fallen he had spun round to slash at the one behind him, slicing it open like overripe fruit. The other three fell just as easily.

I picked up his hands and examined them, then gripped his chin in a carefully businesslike way and looked into his eyes. I saw nothing peculiar--- no additional peculiarity, that is; his eyes have always been too green, a blackened green like leaves layered until no light can get through. I don't like to hold his gaze for long; not because I find it intimidating, but because a part of me worries that if I do, I will never wish to look away.

The tea in my mug was blue-black, and floating across the surface were tiny lily pads, each cradling a perfect white flower. Shadows flitted across the surface of the water, as if above it was a canopy of dark trees admitting only the thinnest of sunbeams. Wendell swore. He reached for the cup, but I was already cradling it. "Are they blooming?" I said. Indeed, as I watched, another flower opened, petals waving in a wind that did not belong to the calm Cambridge weather.

Naturally, Wendell's apartments are absurdly comfortable, and somehow there is the atmosphere of a forest about them, though I know this makes little sense. The ceilings are very high, rather like the canopy of an ancient grove--- I suspect he has enchanted them somehow--- and always there is the sound of rustling leaves, though this abruptly ceases if you listen too closely. I would have expected a lot of luxurious frippery from faerie royalty, but his furnishings are simple--- a scattering of sofas, impossible soft; a huge oak table; three magnificent inglenook fireplaces; and a great deal of empty floor through which an impossible little breeze is always stirring, smelling of moss. For decoration there is the mirror from Hrafnsvik with the forest reflected inside it and a few silver baubles, sculptures and vases and the like, which catch the light in unexpected ways, but that's it. And, of course, the place is so clean one feels one may sully it by breathing too hard.

As soon as I opened my eyes, my vision was obscured by a large quantity of black fur, a cold, wet nose, and an enormous tongue. I was not offended at all--- quite the contrary--- and let Shadow lick my cheeks before burying my face in his neck. "Poor dear," I murmured. "There, there--- you needn't worry about me leaving you again!" He has been like this each morning since my return, but I can scarcely object. I missed him as much as he missed me, and have vowed never again to venture anywhere he cannot follow.

It will be dark in an hour or two,” he said. “We should turn back.” I raised my eyebrows. “Don’t tell me you’re frightened of these mysterious nocturnal Folk.” “Terrified. You shouldn’t take the danger so lightly, Em—there are Folk in this world so vicious the mortal mind cannot fathom it, so ghastly you would spend a lifetime yearning to forget a single glimpse of their countenance.” “You just want to put your feet up by the fire and drink chocolate.” “Well, you try fighting off some nasty beast with ankles this sore. Besides, Shadow is on my side.

My dear Orga is here on my lap, sleeping blissfully after I spoilt her with the best cuts of meat from the café and a great deal of cream. Rose made several withering remarks about the devilish nature of faerie cats, as well as my indulgence of her, which he seemed to think a bit maudlin, and yet I saw that old hypocrite sneak her several morsels from his dinner plate when he thought I wasn't looking. Like Shadow, she has adopted a glamour here, and presently looks every bit the part of an ordinary mortal cat, apart from her eyes, which flask like gold coins.

The door had six knobs on its inner side: the uppermost, which matched the outer one, a square of frost-furred crystal, and five beneath it, placed in an uneven row. The first two were of some sort of dark stone, one icy and the other matte and slippery-smooth. The fourth had the look of a tiny aquarium, a cylinder of turquoise sea shafted with sunlight. The bottom two were made of wood. The first was pale, carved with an intricate floral pattern. I could not tell if the second was similarly decorated, for it was largely covered in a wet moss woven with constellations of tiny white flowers.

How on earth will you sneak in?" "I will not sneak. I will simply walk." The collar of my cloak had begun to itch against my neck like sandpaper. I ignored it. Ariadne looked as if she thought she'd misheard me. "What?" "I've done it before," I said. "Once at a goblin court in Shetland. Last year I walked into a winter fair in Ljosland and made off with two captives. You cannot hope to evade the notice of the courtly fae in their realm; the only option is deception. Pretense." "And--- who will you pretend to be?" Ariadne said slowly. "Someone who will not surprise the Folk," I replied. "Myself.

I spotted Poe immediately. He was raking the leaves around his tree home, a lovely aspen. The whiteness of its bark seemed brighter than the other trees, the knotholes darker; the moss creeping up the south side was luxurious with fat purple flowers, and the leaves were a riot of green in every shade with veins of pure gold. It was, in short, the prettiest tree in the Kyrrðarskogur, which was Wendell's doing, but Poe was clearly taking his responsibilities as the owner of such a fine specimen seriously. He had built a trellis against the tree, up which climbed a vine of wild roses, and he had made little furrows in the ground to irrigate the tree's roots.

The term “faerie door” is often a source of confusion for newcomers to dryadology. Only a small percentage of faerie doors are visible to the human eye as doors (and even those are wont to disappear at the whim of the Folk). They are, by and large, invisible gateways between our world and theirs. It takes a well-trained eye to spot a faerie door; the best clue is what dryadologists usually call an incongruity. The most common example is an unnaturally round ring of mushrooms, but often the clues are less obvious: a sudden patch of wildflowers; the only bare stone in a creek where all others are covered in moss; a particularly evil-looking grove; and so forth.

Wait," I said. He tilted his head in exasperation, clearly anticipating some sort of lecture. He went completely still when I strode up to him and kissed him. For one strange moment, I felt like laughing, because it was so clear that I had shocked him. I soon forgot about that, though, as well as everything else. I had not kissed him since Ljosland, and that barely counted; the first time, I had been so nervous that I barely touched him, while the second he had been in his other, oiche sidhe form. Perhaps it was the leaves rustling invisibly or the breeze that plucked at my hair, but I had the sense that I had left the mortal realm somehow, and that when I opened my eyes, I would find myself in some enchanted grove surrounded by faerie lights. This impression was so strong that I pulled away, dizzy.

It was impossible not to stare at each of them, not only because my encounters with the courtly fae are so rare I could count them on one hand, but because they were more lovely and more disturbing than any faerie I had set eyes on before. The Ljosland Folk had seemed shaped from the harsh landscape of their home, a pattern that seemed to extend to the courtly fae of this realm. The memory blurs, much as I try to pin it like a butterfly in a display case. The best I can do is record the impressions I've retained: a woman with her hair a cascade of wild roses; a man with tiny leaves dotting his face, like freckles. Several faeries with their skin faintly patterned with whorls, like tree rings, or in the variegated shades of bark. Another woman who flashed silver-blue in the sun, as if she were not made of flesh and blood but a collection of ripples.

I have been to the Alpine countries of Austria and Ardamia before, but never to this corner of the range, and while the journey to St. Liesl, which perches high above sea level, was not a comfortable one, it took my breath away. The path wound up a mountainside still dotted with the last of the summer flowers, snowbells and cheery buttercups. Mountains cluttered every horizon, many crowned in an eternal snow. Below us was the town of Leoburg with its railroad, its neat stone-and-timber buildings, its sharp and commanding steeple, but the higher we went, the more all this was dwarfed by the wildness surrounding it, the railroad a thin line of stitches connecting us to the world we knew. And then we rounded a bend in the path, and we could no longer see the town at all. I understand now why the folklore of the Alps is so rich--- the many folds and crevices in the mountainsides could hide any number of faerie doors opening onto dozens of stories.

Though I could guess which doorknob was for Wendell's kingdom, I could not resist trying the loveliest first: the tiny turquoise sea. Hardly daring to breathe, I turned the doorknob, and the door swung open with a gentle sigh. Salt wind spilled into the faerie's house. Before me stretched a dry, rocky coastline punctuated by groves of yellowish trees. The turquoise sea was endless and far too bright, broken only by an ellipsis of rugged islands. Just beyond the door was a spindly olive tree and a cairn of white pebbles. Largely to see if I could, I reached through and took one--- the sun beat down upon my arm, a most curious sensation, while the rest of me felt only the cozier warmth of the faerie's alpine home. I closed the door. "Greece," I murmured. "I think. It looks to be situated either in the mortal world or a place of overlap, like Poe's door. I had no idea the nexus led there--- they have no stories of tree fauns in Greece. Perhaps they do not use it much?

I had a weapon with me, but--- I lost it." For the briefest of moments, she looked confused. I cannot say for certain--- my memory of these moments is poor, and also, I have never been skilled at reading others. But I am, of course, an expert in the ways of the Folk. And whatever else she might be, the woman before me was inarguably Folk. "What was it?" she said. "A horn," I replied. "The horn of a faun." She did not move, though something in her face relaxed. "That would have been a fearsome weapon indeed, for one brave enough to wield it. Pity." I nodded. "Fortunately, I had made a little powder from the tip, which I had in my pocket before you came in." It was not my imagination--- the queen was visibly tired, exhausted even. It had come on quickly. She seemed to make an effort to focus on me. And then I saw the moment she understood. Her hand clenched around the fine tablecloth. "You---" "Yes," I said. "I put it in the wine. At least, I'm fairly certain I did--- you'll have to excuse me, but Faerie does not agree with my memory. Of course, I did not know you would come here to taunt me--- but I thought it a possibility. I suppose you were right: the capacity for forethought is an advantage we mortals have over the Folk.

We stood upon a hill, green and studded with pale stones. Below us was forest, bluebells undulating among the trees, a tide of purple dissolving into shadow. There was a lake-- no, two lakes, the second a mere line of glitter in the distance. At our back, behind the nexus and extending to the northern horizon, were mountains of indigo and layered shadow, some darkened to black by the moody sky overhead, some greyed and smudged by shafts of sunlight. Must I even say it? It was beautiful--- of course it was. The forest in particular, which glinted here and there with silver as the wind rode the branches, as if someone had clambered into the canopy to hang baubles. And yet I had the sense that I was not seeing the entirety of it, that the shadows were thicker here, more obscuring, than those in the mortal realm, and many of the details were clouded by a dreamlike haze. Even now, as I write these words--- I am still in Wendell's kingdom!--- I find the memory of that view trying to slip from my mind like a bird darting through the boughs, so that I catch only the flickering edge of it. Perhaps there is some enchantment embedded in the place, or perhaps it is simply too much for my mortal eyes to take in. Where the Trees Have Eyes.

Wendell marched down a winding path in the mountainside--- he must have conjured it himself--- to engage the elder horsemen in a square of meadow tucked between two crags. I don't know if it was some inane faerie custom or simply the custom of the horsemen, but the one who appeared to be their leader--- judging by the size of his horse and the number of scars he bore--- stepped forward as if to challenge Wendell to single combat. Wendell, still with that calm detachment, somehow cut out the beast's heart in two sharp movements and hurled it at the rider in a stomach-churning spray of blood, knocking him from his saddle. At that point, the remaining horsemen decided to abandon honor and charge him together, but their horses were, wisely, terrified of Wendell by this point, and shied away when he neared, some throwing their riders off, which Wendell dispatched in various appalling ways, sometimes appearing to forget about his sword entirely. Rose stood there the whole time, aghast, but I was familiar with Wendell's murderous moods and turned away after the third or fourth death, drawing Ariadne with me to the fireside. I was still shaking with fury. So he would risk killing himself rather than pausing to think our way out of things, would he?

We turned off the path then, following a line of red, cup-shaped wildflowers that I had not seen before. And then abruptly, we came to a door-- an actual door, because the Folk are maddeningly inconsistent, even when it comes to their inconsistencies--- tucked into a little hollow. It was only about two feet tall and painted to look like the mountainside, a scene of grey-brown scree with a few splashes of green, so realistic that it was like a reflection on still water. The only thing that gave it away was the doorknob, which looked like nothing that I can put into human terms; the best I can do is compare it to a billow of fog trapped in a shard of ice. "It has the look of a brownie house," Wendell said. "But perhaps I should make sure." He shoved the door open and vanished into the shadows within--- I cannot relate how he accomplished this; it seemed for a moment as if the door grew to fit him, but I was unable to get a handle on the mechanics as not one second later he was racing out again and the door had shrunk to its old proportions. Several porcelain cups and saucers followed in his wake, about the right size for a doll, and one made contact, smashing against his shoulder. Behind the hail of pottery came a little faerie who barely came up to my knee, wrapped so tightly in what looked like a bathrobe made of snow that I could see only its enormous black eyes. Upon its head it wore a white sleeping cap. It was brandishing a frying pan and shouting something--- I think--- but its voice was so small that I could only pick out the odd word. It was some dialect of Faie that I could not understand, but as the largest difference between High Faie and the faerie dialects lies in the profanities, the sentiment was clear. "Good Lord!" Rose said, leaping out of range of the onslaught. "I don't--- what on--- would you stop?" Wendell cried, shielding himself with his arm. "Yes, all right, I should have knocked, but is this really necessary?" The faerie kept on shrieking, and then it launched the frying pan at Wendell's head--- he ducked--- and slammed its door. Rose and I stared at each other. Ariadne looked blankly from Wendell to the door, clutching her scarf with both hands. "Bloody Winter Folk," Wendell said, brushing ceramic shards from his cloak. "Winter Folk?" I repeated. "Guardians of the seasons--- or anyway, that is how they see themselves," he said sourly. "Really I think they just want a romantic excuse to go about blasting people with frost and zephyrs and such. It seems I woke him earlier than he desired." I had never heard of such a categorization, but as I was somewhat numb with surprise, I filed the information away rather than questioning him further. I fear that working with one of the Folk is slowly turning my mind into an attic of half-forgotten scholarly treasures.

Throw the offerings!" Agnes and her husband had returned--- I could just make them out, clambering unsteadily down the hillside with their lanterns raised. In an act of ill-advised and entirely undeserved kindness, they had gathered up a handful of villagers to ride to the rescue of the idiot scholars who had tangled with the most fearsome of the local Folk, despite their warnings. A strangled sound escaped me, something between a sob and laugh. "Get back!" Eichorn shouted at the villagers. Rose was clambering to his feet, wheezing, for the fauns had released him to snatch at the "offerings" tossed their way by the villagers. I would have expected bloody hunks of meat, but instead, ludicrously, they seemed to be throwing vegetables--- carrots and onions, predominantly. How did it happen? The scene is a blur of noise and movement, to my memory. I believe I was laughing at the time--- yes, laughing. The image of those nightmarish beasts appeased by a hail of carrots was too much for my frayed composure, and for a moment it seemed this would become another story I told at conferences or to rouse a laugh from my students. For the Folk are terrible indeed, monsters or tyrants or both, but are they not also ridiculous? Whether they be violent beasts distracted by vegetables, or creatures powerful enough to spin straw into gold, which they will happily exchange for a simple necklace, or a great king overthrown by his own cloak, there is a thread of the absurd weaving through all faerie stories, to which the Folk themselves are utterly oblivious.

The fox melted back into the shadows of the cave, but not before I sensed something terribly amiss about it, which jarred at my awareness like a toothache. "Emily," Rose murmured. I turned. Several more of the little vulpine Folk, perched upon a log on the bank--- for naturally they were Folk, like the one I'd observed briefly by the cottage; I felt irritated at myself for not realizing it before. Even at close range, they looked a great deal like foxes in all but their faces, which reminded me of a human infant, all overlarge eyes and small rosebud mouths. They might have been small children wearing costumes, but for the unnerving glint of very small, but very sharp teeth, and the wet, all-black of their eyes. They darted in and out of the meadow grass, which was riddled with foxholes, so quick it was difficult to ascertain their number, except that it was great.

He smiled. "This is all going into your book, isn't it?" "I was not even thinking about my book," I said defensively--- I was only half lying. With my encyclopaedia complete, I have, as Wendell knows, turned my attention to another large project--- creating a mapbook of all the known faerie realms, as well as their doors. Such a book will be a patchwork thing, unavoidably so--- faerie realms are often attached to specific geographical locations in the mortal world, though only a few have been explored in a meaningful way--- but I wish to use it to argue Danielle de Grey's point: that the realms are more interconnected than previous scholarship has suggested. Finding evidence of the nexus would be the linchpin of the entire project.

Shadow?" I said. He understood me, of course--- he always does. I do not entirely comprehend the bond between us, as Shadow is the only grim I know of to take a human master, but the beast immediately shed his glamour, growing to a size closer to a bear than anything else, his huge paws tipped in jagged claws.

I had several sketches drafted for my mapbook--- my intention for the first edition was to focus on the best known faerie kingdoms of Western Europe, scouring the literature for references to their doors. Some doors have been documented; more have not, or exist as rumors. While it's true that many faerie kingdoms are tied to specific mortal regions, others are more nebulous, and a tale may place one at the edge of a village a hundred miles from the setting of a later iteration of the same story. I am aware that mine is no easy task, given that faerie doors can and do move, and what I will accomplish is likely to be a mere snapshot of Faerie during this particular era. Even so, it will be a monumental achievement for scholarship, something for others to build upon--- particularly if I can produce evidence of such disputed doors as the nexus.

The mountains I saw through the break in the fog were familiar, and yet something was off about them. They seemed too dark, somehow, and the nearest was riddled with hollows where tiny lights glimmered. The fog shifted again, and I was gazing at a luxuriant rose garden. The flowers were fat and healthy, but the garden itself was overgrown and had the air of abandonment, the rosebushes almost swallowing their trellises, some of which had collapsed. A little wind blew back the heads of the nearest roses, and I felt as if they were turning to gaze at me.

She is sending assassins after you because she thinks we are engaged, and thus her mad faerie logic tells her that I will devote my life to seeking revenge against her if she murders you." "That's generally how these things go. You know the stories." Of course I did. Deirde and the River Lord; The Princess of Shell Halls.* *Deirde was an Irish queen who sent her army into Faerie to avenge the death of her faerie husband at the hands of his brothers. The Princess of Shell Halls is likely of French origin, a variant of La princesse et le trône de sel. "Sel," meaning salt, was likely mistranslated as "shell," but the framework of the story is the same: a faerie princess of an undersea kingdom dedicates her life to avenging the death of her betrothed, the prince of an island realm. This despite the fact that leaving the sea condemns her to a slow death, to which she eventually succumbs only after murdering the last of the conspirators in her fiancé's murder.

Shadow had just finished ripping apart another of the fauns which had strayed too close, in his bloodthirsty estimation, to me. He was so large now that he would intimidate a warhorse, his fur long and rippling like seaweed in dark undersea currents, and forming a mane about his head.

I gazed at the horn, the long, corkscrew curve of it, the tip so sharp it was not actually visible to my mortal eyes, except as the narrowest of shadows. It filled me with the strangest desire to touch it, as if it were a spindle and I the hapless witch-touched maiden.

If this is a shortcut," I said, "then we will be bypassing a great deal of Where the Trees Have Eyes." "Hum!" Snowbell said. "I suppose so. The Weeping Mines, for one--- terrible waterfalls where the high ones harvest their silver. The Gap of Wick, which a nasty boggart has claimed for his own. Also the darkest part of the forest, the lands of the hag-headed deer, which they call the Poetry. And many other perils besides." He said it in his usual bragging tones, assuming that I would be nothing but grateful. And I was, I suppose, but another part of me wept at the thought of finding my way to the Silva Lupi, a place of scholarly legend, so magnificently fascinating and terrible, and then hurrying through like a busy shopper at a market.

I looked at Shadow. He was worrying one of the pig bones, too distracted by his delight to sense anything amiss. But he caught wind of my unease and went rigid, his jaw still clamped round the bone, drool dangling. Abruptly, he charged--- not behind us, but at a small red fox regarding us from one of the caves. "Leave it," I told Shadow, but he kept barking--- the thunderous, unearthly bark he reserves for the most dire situations, rough and rasping like the rattle of death, which brought the chill of the earth below into one's bones.

Wendell looked at the faerie stone in his hand, shrugged, and smashed it against the floor. Out burst a flock of parrots. The birds shrieked and squawked, and the sheerie were momentarily distracted--- not afraid, they lunged at them like cats. Each parrot seemed to be carrying a tropical flower in its beak. Wendell hurled another stone. When it smashed, glittering banners unfurled upon the museum walls, covered in the faerie script. The ceiling was suddenly painted in frescoes of Folk lounging in forest pools, surrounded by green foliage. Vases of unfamiliar flowers appeared on every surface next to bottles of wine in ice buckets, and the air filled with the muffled sound of violins, as if drifting in from the next room.

I thought I saw something,” was all I could say, because something about that fragment of memory made me wish to recoil from it. “Oh, dear. Some dark omen?” he said, uncomfortably close to the mark. He pressed my hand between his and drew it against his chest. “Ignore it, Em. I’ve always refused to be governed by omens; I find them far too dull.” “You can’t expire before I decide whether or not to marry you.” I had meant it as a continuation of our jests, but it came out sounding wrong, flat. I felt as if I might faint. “I won’t,” he assured me earnestly. “It’s not too bad.” “Not too bad!” I cried. He winced. “Yes, this is an inconvenience—but I feel much better than I did. It’s clearly the sort of poison meant to confuse my magic, but these”—he glanced about the compartment—“effects should fade soon enough.” “That’s remarkably unspecific.” “I’m sorry. I have never been poisoned before, so I find the symptoms difficult to predict.

I doubt I need to say it, but I was in no mood for a fight just then; while the poison might have left my body, I still felt its aftereffects, a bone-deep weariness, and desired only a cup of coffee and a good hearty breakfast, not another swordfight with some bloody bogles. And why is it that my enemies always come at me when I am tired and hungry? Why cannot I deal with my stepmother’s hirelings on a full stomach, having had a good night’s rest in some comfortable bed? (Present lodgings excepted—the lumps in these mattresses, my God!) Assassins are a monstrous breed. Either they attack when you are at your worst, or they are having a go at you on your birthday. I have never known a more dishonourable profession.

I thought I saw something,” was all I could say, because something about that fragment of memory made me wish to recoil from it. “Oh, dear. Some dark omen?” he said, uncomfortably close to the mark. He pressed my hand between his and drew it against his chest. “Ignore it, Em. I’ve always refused to be governed by omens; I find them far too full.” “You can’t expire before I decide whether or not to marry you.” I had meant it as a continuation of our jests, but it came out sounding wrong, flat. I felt as if I might faint. “I won’t,” he assured me earnestly. “It’s not too bad.” “Not too bad!” I cried. He winced. “Yes, this is an inconvenience—but I feel much better than I did. It’s clearly the sort of poison meant to confuse my magic, but these”—he glanced about the compartment—“effects should fade soon enough.” “That’s remarkably unspecific.” “I’m sorry. I have never been poisoned before, so I find the symptoms difficult to predict.

I admit; I simply dislike traveling. Why people wish to wander to and fro when they could simply remain at home is something I will never understand. Everything is the way I like it here. ~ Wendell Bambleby

The path is eternal,” he said. “But you mustn’t sleep—I made that mistake. Turn left at the ghosts with ash in their hair, then left at the evergreen wood, and straight through the vale where my brother will die. If you lose your way, you will lose only yourself, but if you lose the path, you will lose everything you never knew you had.

That was when the second party of sheerie made their entrance, smashing through the museum doors in a hail of splintered wood. I wondered if they were unaware of how human doors operated, or if they simply enjoyed a dramatic entrance. I say second party, though I can only assume they were different sheerie; the creatures did not look alike, but they were so peculiar to my mortal eyes that I struggled to compare them.

The fourth was the most ridiculous of all; an entire hot air balloon burst forth, made from gaudy silks in a dozen different colours. It drifted a few feet off the floor, bouncing gently off the display cases.

I knew I was being unkind, as his need for cleanliness is, I think, more compulsion than preference, but I was too irritated to care.

She was also of mortal blood.

Such a paper would no doubt secure me an invitation to any conference I desired, though I will note that, as we fled the assassins surging out of the clouds, I was not worried about conferences, or at least they were not at the forefront of my thoughts.

My answer is yes,” I whispered in his ear.

You’re as clumsy as blind bears and yet still you go charging about as if you aren’t the most fragile creatures in the world. Watch your feet.

We must go this way,” I told the cloak.

I find I enjoy sitting by the window before dawn, Shadow dozing at my feet, to watch the stars fade and colour spill across the valley, the ghostly snowcaps shedding their moonlit radiance. The cottage is particularly comfortable at this hour, with the tick-tick of the clock and rustle of the flames a counterpoint to the wilderness beyond the windows.

How on earth did it get there?' Rose cried, gesticulating at the thing wildly. 'How on earth―' 'As with much of folklore, the how is less important than the why,' I explained.

He laughed, revealing very white teeth. 'Directions? You think me capable of giving directions, you silly girl? I am lost, long lost, thought I may yet find my way out again.' He held up his ribbons. 'But you—you are so deep in the wilderness you do not even know it surrounds you.

Did you enchant my pencil?” I demanded. “I enchanted all of your pencils,” he said without opening his eyes. “You always have at least one upon your person. I knew they would come in handy.” He added, as I continued to stare at him, “Well, I can’t carry a bloody sword around with me everywhere,” misunderstanding entirely. “Why didn’t you enchant your own pencils?” I groused. “I would have, but I can never remember where I put them.

I believe my shock must have shown on my face, for he laughed. “I’m not likely to forget about my failings with you at my side, Em.” “That’s good. You won’t notice them otherwise, and will get yourself into all sorts of trouble because of it.” I expected him to laugh, but instead his green eyes grew serious, and he took my hand. “Never be afraid to tell me.

I knelt at his side and wrapped my arm around his shoulders. “Is there anything I can do?” “Yes,” he murmured. “Say that you’ll marry me.” “God.” So he was well enough to tease me, at least—that was some relief. “Perhaps I will refuse you here and now. Disappointment in love may provide a welcome distraction from the poison.” “Only you, Em, would refer to heartbreak as a distraction. I think I would receive a more sympathetic response if I asked to marry a bookcase.

Evelyn Dadd documents her observations of blacksmithing in a troll village in the Kainuu region of Finland in the most recent (1909) edition of her undergraduate textbook, ”Introduction to Dryadology: Theory, Methods, and Practice”.

The soft chiming of the grandfather clock alerted me that I was late for breakfast with Wendell. I know from experience that if I miss our breakfast appointments he will bring the meal to me himself, in such a quantity that the entire department will smell of eggs, and then for the rest of the day I shall have to suffer Professor Thornthwaite sniping at me about his delicate stomach.

This is about my encyclopaedia, isn't it?" His face hardened. "I don't like what you're implying, Emily." I gave a disbelieving laugh. "I don't like being accused of professional misconduct." His reaction had bolstered my suspicions. I'd heard rumors that Rose was working on his own encyclopaedia of the Folk--- a project that had reportedly occupied much of his career. He'd said nothing to me about it before or after my book came out, but there had been a distinct cooling of our already cool relations. "I don't wish to imply anything untoward," I said. "So I will simply say it: you resent me. You spent years on your own encyclopaedia, obsessing over minor details as you always do, and you were too blinded by your own arrogance to think that someone else might beat you to the punch. Ruining my reputation will be to your benefit, won't it? I've often noticed, sir, that for all we scholars shake our heads at the amorality of the Folk, on many occasions we demonstrate that we lack the high ground.

The walls of the compartment were covered in flowering ivy. The floor had turned into some sort of stone, damp and mossy, and one of the walls seemed to have vanished entirely, offering a view of a lantern-lit path that bent towards several shadowy dwellings, turreted and roofed in green turf. Wendell lay asleep in his bed like a forest king in his leafy bower, oblivious, covered in blankets apart from a foot that stuck out.

We seemed to have emerged upon a snowy curve of mountainside below a glacier--- I believe we were in Faerie, for there were two little stone houses tucked in amongst the jagged icicles at the glacier's edge, with smoke curling from their chimneys. One had an apple tree in its yard, the apples coated in a rind of ice. The icicles themselves were like a forest of glittering trees, through which the fox faerie was darting, deeper into the glacier. "Hurry up!" the faerie called. I hurried, against my better judgment I might add, but then that is almost always the case when interacting with the Folk; stumbling into an impossible forest of icicles is not the most ill-advised thing I have done in my career. The forest made little plinking sounds and reflected our darting shapes strangely. In the distance, there was music.

I've had enough of things being complicated between us," I replied. "I will never stop being terrified of the prospect of marrying you. How could I? It would make me queen of a land of nightmares. But I would like to settle this side of things, at least." "This side of--?" I kissed him matter-of-factly. He drew back, and at last he seemed to understand the significance of my interest in spending the night in a tent, as well as my joke about the wine. "You know," he said, beginning to smile, "the cottage would be rather more comfortable." "The cottage is too crowded for my liking," I replied. "And I don't wish to give Rose another reason to scowl forebodingly at me. Would you prefer to wait?” In answer, he kissed me--- much more slowly than the kiss I had given him, and more skillfully too, I'm afraid. Afterwards he didn't lean back as I'd expected, but trailed his lips down my neck, sending a shiver skittering through me. "You can begin by removing your clothes," I said. "If you would like to. To clarify, this is a suggestion, not a demand." "Oh, Em," he said, laughing softly against my neck. I had my hands in his hair, which was now quite mussed, something that made me absurdly happy. "I'm sorry," I said, self-conscious now. "Perhaps I shouldn't talk." "Whoever not?" He drew back, examining me with a perplexed smile. "I like the way you talk. And everything else about you, in fact. Is that not clear by now?" I felt laughter bubble up inside me, but I hid it behind a mock-serious impression. "I'm not sure." His smile changed, and he trailed his hand down the side of my neck. "Let me show you.

Shadow initially seemed unaffected when I placed the thing around his neck. He has worn collars before, both the ordinary and faerie-made variety. But as we walked, his lumbering gait grew more graceful, and he paused frequently to sniff at things. "What does it do?" Rose enquired. "It's hobgoblin-made," I said. "They sometimes keep grims as guard dogs. The legend associated with it suggests that it will enhance Shadow's speed and senses.

Bran tells me that you wish to find the nexus not for science, but so you may put your faerie lover back on his throne. It is the height of stupidity to involve yourself in their politics. You will thank me one day." I stared at her in dumbfounded agitation. This was not how it was supposed to go. I had imagined Eichorn and de Grey full of gratitude for our assistance and eager to help in our search for the nexus. Not condescending, dismissive, and--- well, bloody rude. To my surprise, it was Rose who came to my defense. "Our reasons for seeking the nexus are beside the point. A promise was made, and we have the means to see it is kept." "Do you?" De Grey cast a cool look in Wendell's direction where he lay by the fire, little more than a lumpy collection of blankets and a tuft of gold hair. "This faerie king, as Bran has termed him, does not seem to be made of strong stuff." "He pulled you both out of Faerie, you ingrate," I snapped. "Not to mention out of time. If you do not help us, I will see to it that he throws you into a realm far more unpleasant than the one you have left behind, with a populace decidedly less well mannered than the fauns." A little silence followed this.

If you do not allow me to come, I shall write to my father." I gave a sharp breath of laughter. "You think he will sympathize with your desire to go charging into Faerie? I will rise in his esteem for refusing you--- though admittedly this is because his expectations of me are at ground level." "You don't understand," she said. "I shall write to him to say that you have given me little in the way of supervision, and allow me to wander the mountains at all hours, despite the danger. And then, after I have sent the letter off, I shall follow you into the nexus. And what will happen, do you think, if I do not catch up to you?" We gazed at each other in silence for a long moment. Ariadne looked pale, and several times she had the appearance of biting back an apology, but she did not apologize. Nor did she drop my gaze. "You wretched brat," I finally said. "I will tie you to your bed.

For now, to keep myself sane, let me focus instead on the bluebells carpeting the forest floor; the misty sunlight that broke through the clouds, blurring the edges of things and turning the world to watercolors. The occasional glint of silver from the treetops. These are indeed baubles--- I climbed up into one of the oaks to check--- but larger than the ones mortals place on Yuletide trees, globes of delicate silver, hollow and light as eggshells. Something about them put me in mind of faerie stones, and I hastily released the bauble to drift back into the trees, among which it hovered like a puff of mist, disdaining the notion of gravity.

Neither of us was hungry, but we managed to force down a little of Poe's bread, which was, as ever, delicious, buttery with a hint of chocolate, and very refreshing. Having finished the water we had brought with us, we were now forced to drink from creeks and streams. I was not happy about this, but there was no alternative.* *In some stories, drinking from faerie streams has the same effect upon mortals as faerie wine.

Our cook gave a short bow and retired to the servant’s quarters. “There,” Wendell said at length, once we’d eaten our way through a large percentage of the dishes, leaning his chair back as he sipped yet another cup of coffee. “Now that is the civilized way to begin retaking a kingdom.” “You would say it is the civilized way to begin any endeavor,” I said, amused. “Or a day of lazing about.” “One needs a great deal of time to laze about after one has been poisoned,” he said in a complaining tone. “Not all of us wish to go charging off to the library to terrorize librarians and scribble out three papers or more immediately after a traumatic experience.” I merely shook my head and took another piece of toast.

When he gave the floor a few desultory sweeps, the boards gleamed. Ariadne soon stopped scrubbing and gazed about, marvelling. Barely a quarter hour had elapsed before he collapsed in the armchair, looking peaky. Grudgingly, I made a pot of tea and brought him a cup along with one of the apricot buns left over from supper, for I couldn’t deny that he’d wrought a marvellous change upon the place and felt it only fair to show some appreciation, but also he kept swearing that he would never rise from the chair again if he was not granted some relief from the burden of his exhaustion. He gave me one of his loveliest smiles as he took the tea, green eyes glinting like dewed leaves when the sun strikes them, all quarrels forgotten. “Thank you, Em. You have saved me.” “Oh, shush,” I said, rendered a little breathless in spite of myself. “Just think,” he said, “if we marry, in all your life you will never have to worry about mice again.” I rolled my eyes. “You found mice, did you.” “In the back of the cupboard.” Ariadne let out a yelp and started away from the kitchen. I affected unconcern even as a shudder went through me. I’m embarrassed to admit that there is nothing in the world that disturbs me more than mice. I refilled Wendell’s tea, and he looked very smug. “You missed a few spiders,” I said, to offset the indulgence. “Just there.” “Spiders?” He sipped his tea. “I never interfere with spiders. I quite like them, in fact. They are tidy beasts who keep a place clean. Which is more than I can say about some people.

Wendell rummaged around a bit—I could not see exactly what he was doing—and pulled a handful of blankets from one of the folds. I couldn’t help laughing. “What else have you stored in here? A bottle of wine, perhaps?” “I’m afraid not,” he said cluelessly, preoccupied with folding the blankets into perfect rectangles. I supposed I shouldn’t have been surprised; I’ve never had a knack for flirtation. When he began sorting the blankets into separate pallets, I yanked the entire bundle away from him and strewed them upon the floor. “What on earth are you doing? The creases, Em, the creases—