Manuscript In A Bottle Quotes

When he was seventy-four years old the Cretan novelist Nikos Kazantzakis began a book. He called it Report to Greco... Kazantzakis thought of himself as a soldier reporting to his commanding officer on a mortal mission—his life. ... Well, there is only one Report to Greco, but no true book... was ever anything else than a report. ... A true book is a report upon the mystery of existence... it speaks of the world, of our life in the world. Everything we have in the books on which our libraries are founded—Euclid's figures, Leonardo's notes, Newton's explanations, Cervantes' myth, Sappho's broken songs, the vast surge of Homer—everything is a report of one kind or another and the sum of all of them together is our little knowledge of our world and of ourselves. Call a book Das Kapital or The Voyage of the Beagle or Theory of Relativity or Alice in Wonderland or Moby-Dick, it is still what Kazantzakis called his book—it is still a "report" upon the "mystery of things." But if this is what a book is... then a library is an extraordinary thing. ... The existence of a library is, in itself, an assertion. ... It asserts that... all these different and dissimilar reports, these bits and pieces of experience, manuscripts in bottles, messages from long before, from deep within, from miles beyond, belonged together and might, if understood together, spell out the meaning which the mystery implies. ... The library, almost alone of the great monuments of civilization, stands taller now than it ever did before. The city... decays. The nation loses its grandeur... The university is not always certain what it is. But the library remains: a silent and enduring affirmation that the great Reports still speak, and not alone but somehow all together...

In the early nineteenth century, a young man in London aspired to be a writer. But everything seemed to be against him. He had never been able to attend school more than four years. His father had been flung in jail because he couldn’t pay his debts, and this young man often knew the pangs of hunger. Finally, he got a job pasting labels on bottles of blacking in a rat-infested warehouse, and he slept at night in a dismal attic room with two other boys—guttersnipes from the slums of London. He had so little confidence in his ability to write that he sneaked out and mailed his first manuscript in the dead of night so nobody would laugh at him. Story after story was refused. Finally the great day came when one was accepted. True, he wasn’t paid a shilling for it, but one editor had praised him. One editor had given him recognition. He was so thrilled that he wandered aimlessly around the streets with tears rolling down his cheeks. The praise, the recognition that he received through getting one story in print, changed his whole life, for if it hadn’t been for that encouragement, he might have spent his entire life working in rat-infested factories. You may have heard of that boy. His name was Charles Dickens.

But such was his state of mind that two bottles were not enough to extinguish his thoughts; so he remained, too drunk to fetch any more wine, not drunk enough to forget, seated in front of his two empty bottles, with his elbows on a rickety table, watching all the specters that Hoffman scattered across manuscripts moist with punch, dancing like a cloud of fantastic black dust in the shadows thrown by his long-wicked candle.

One day Señorita Cimiento was writing near the window. Her ink was thick; she poured water into it and made it so thin that it was impossible to use. Moved by feelings of courtesy, my father filled a bottle with ink and sent it to her. His maid came back with thanks and a cardboard box containing twelve sticks of sealing-wax, all of different colours. On them had been impressed ornaments and devices in a most accomplished way. So my father found out how Señorita Cimiento spent her time; and her work, analogous to his, was, as it were, its complement. The quality of the manufacture of the waxes was even higher than that of his ink. Full of approbation, he folded down an envelope, wrote an address on it with his fine ink and sealed it with his new wax, which took the impression perfectly. He put the envelope on the table and did not tire of contemplating it.