Mansion Home Quotes

We've searched our database for all the quotes and captions related to Mansion Home. Here they are! All 60 of them:

Home is a choice.
Victoria Schwab (Gallant)
We'll build our own home." The promise curled around her heart, a vivid ray of sunlight. "In Manhattan?" "Of course." A slow, slow smile. "What kind of mansion would you like?" Damn, but the archangel was playing with her again. The sunshine grew, filled her veins. "Actually, I kind of like yours." She slid her arms around his neck. "Can I have it? Oh, and can I have Jeeves, too? I've always wanted a butler." "Yes." She blinked. "Just like that?" "It's only a place." "We'll make it more," she promised, her mouth to his. "We'll make it ours.
Nalini Singh (Archangel's Kiss (Guild Hunter, #2))
I will not dishonor my soul with hatred, but offer myself humbly as a guardian of nature, as a healer of misery, as a messenger of wonder, as an architect of peace. I will honor all life —wherever and in whatever form it may dwell—on Earth my home, and in the mansions of the stars.
Diane Ackerman (I Praise My Destroyer: Poems)
Furthermore--though it was quite irrelevant now--he had no idea his killer, Kazuo Kiriyama, had, in his mansion that was much larger than Toshinori's home in Shiroiwa-cho, mastered the violin at a level far superior to Toshinori's a long time ago--and then tossed his violin into the trash.
Koushun Takami (Battle Royale)
I have lived at Gallant all my life. But home is meant to be a choice. I did not choose this house. I am tired of being bound to it.
Victoria Schwab (Gallant)
An afternoon drive from Los Angeles will take you up into the high mountains, where eagles circle above the forests and the cold blue lakes, or out over the Mojave Desert, with its weird vegetation and immense vistas. Not very far away are Death Valley, and Yosemite, and Sequoia Forest with its giant trees which were growing long before the Parthenon was built; they are the oldest living things in the world. One should visit such places often, and be conscious, in the midst of the city, of their surrounding presence. For this is the real nature of California and the secret of its fascination; this untamed, undomesticated, aloof, prehistoric landscape which relentlessly reminds the traveller of his human condition and the circumstances of his tenure upon the earth. "You are perfectly welcome," it tells him, "during your short visit. Everything is at your disposal. Only, I must warn you, if things go wrong, don't blame me. I accept no responsibility. I am not part of your neurosis. Don't cry to me for safety. There is no home here. There is no security in your mansions or your fortresses, your family vaults or your banks or your double beds. Understand this fact, and you will be free. Accept it, and you will be happy.
Christopher Isherwood (Exhumations)
As Jack began to climb the stairs, Fiona looked up at her new home. Five stories of stately mansion rose above her head. Heavy molding around the large windows and doors bespoke a quality and craftsmanship that was obvious even in the dim night. “Good God! It’s massive!” Jack paused with his foot on the last step. “I do wish you’d keep those comments until we are in bed, love. I would appreciate them all the more there.
Karen Hawkins (How to Abduct a Highland Lord (MacLean Curse, #1))
Home. I come from a place that’s as sweet as the freshest berry, as sour as curdled milk, where we dream of owning mansions and leaving the hood, where we couldn’t imagine having been raised anywhere else.
Elizabeth Acevedo (With the Fire on High)
A man of God would never burn or harm a temple of any kind - regardless of religion. A true man of God would see every temple or divine mansion built to glorify the Creator - as an extension of the temple closest to his home, regardless of its shape, size, or color. A man who truly recognizes and knows God can see God in all things.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Things you can buy with half a million dollars: a car that looks more like a space creature than a car. A designer platinum purse to carry a small dog. A small dog. A performance by your favorite musical artist for your birthday. A diamond-encrusted bottle of Dominican rum. A mansion. A yacht. A hundred acres of land. Houses, but not homes. All four years of college or beautician school & certificate. Five hundred flights to the Dominican Republic. A half million Dollar Store chess sets, with their accompanying boxes. A hundred thousand copies of Shakespeare's The Tempest. Apparently a father.
Elizabeth Acevedo (Clap When You Land)
The homes are so far apart," Snow says. Now that we're off the motorway, we can hear each other speak again. "It seems a bit greedy, doesn't it? Just to take up as much space as you can?" "They're not that far apart," I say. "Not to you; you grew up in a mansion." "I grew up at the top of a tower," I say. "With you.
Rainbow Rowell (Wayward Son (Simon Snow, #2))
When hip-hop was born she had no commercial home, and was an invention of beautiful creativity. Born from a beautiful struggle, today she is mostly a 'ratchet' bitch spitting nonsense from her pimp's mansion.
T.F. Hodge (From Within I Rise: Spiritual Triumph over Death and Conscious Encounters With the Divine Presence)
School Prayer' In the name of daybreak And the eyelids of morning And the wayfaring moon And the night when it departs, I swear I will not dishonor My soul with hatred, But offer myself humbly As a guardian of nature, As a healer of misery, As a messenger of wonder, As an architect of peace. In the name of the sun and its mirrors . . . And the uttermost night . . . And the crowning seasons Of the firefly and the apple, I will honor all life ---wherever and in whatever form It may dwell---on Earth my home, and in the mansions of the stars.
Diane Ackerman
She just wanted to get home to her family’s sprawling log mansion in Colorado.
Tim LaHaye (Thunder of Heaven (The End Series, #2))
In You we do not fear that there will be no home to return to if we wander off. While we are away, You preserve our mansion with a patience that stretches into eternity.
Augustine of Hippo (The Confessions of St. Augustine: Modern English Version)
Happiness in a simple home is better than misery in a costly mansion.
Matshona Dhliwayo
If we are ever going to dwell in the house of the Lord, I believe, we do so now. If any house is divinely made, it is this one here, this great whirling mansion of planets and stars.
Scott Russell Sanders (Staying Put: Making a Home in a Restless World (Concord Library))
They have opinions, but no facts; assumptions, but no proof; information, but no reason; arguments, but no evidence; beliefs, but no wisdom; counsel, but no guidance; pleasures, but no peace; luxuries, but no comfort; toys, but no amusement; laughter, but no peace; entertainment, but no bliss; and recreation, but no happiness. They also have charm, but no integrity; eloquence, but no logic; knowledge, but no sense; food, but no satisfaction; money, but no peace; property, but no contentment; entertainment, but no enjoyment; acquaintances, but no friends; creeds, but no conviction; religion, but no faith; pride, but no confidence; mansions, but no home; relationships, but no marriage; children, but no family; laws, but no justice; morals, but no compassion; passion, but no love; sleep, but no rest; days, but no nights; brains, but no heart; and courage, but no soul.
Matshona Dhliwayo
It's hard to live mansion style when you have a mobile home budget
Bryon Decker
I was faintly aware of the changing light. A shining, shimmering glow seemed to cover the scaffolding and the woods, the P&E barn, and the white tents that caught the fleeting bits of sun. All that was left of the mansion was stone and ash, but my home was there. Forever.
Ally Carter (A Gallagher Wedding (Gallagher Girls, #6.5))
Everyone plays for someone, and Kris didn't play for the big dogs like Sabbath and Zep, she didn't play for the ones who made it, for the wizards who figured out how to turn their music into cars and cash and mansions and an endless party where no one ever gets old. She played for the losers. She played for the bands who never met their rainmaker, the musicians who drank too much and made all the wrong decisions. The singers who got shipped off to state hospitals because they couldn't handle living in the shadow of Black Iron Mountain. She played for the ones who recorded the wrong songs at the right times, and the right songs when it was wrong. The ones who blew it all recording an album that didn't fit the market, the ones who got dropped by their own labels, the singers who moved back home to live in their mom's basements.
Grady Hendrix (We Sold Our Souls)
Most people do not mind having a house that is smaller and/or a car that is cheaper than their neighbours’, as long as they each earn and have more money than their neighbours, and, equally important, their neighbours know that.
Mokokoma Mokhonoana
I remember one time as a young child playing with friends. Fantasizing, we each sketched our ideal “dream home.” Everyone else drew intricate mansions, complete with elaborate swimming pools and multi-car garages. I sketched the floor plan of a small square house, with four identically-sized square rooms: a bedroom, a living room, a kitchen/dining room, and a bathroom/laundry room. A place to sleep, a place to be, a place to eat, and a place to.. uh.. excrete. It was everything I needed. Nothing more, nothing less. They thought I was weird. I thought their mansions were full of lots of bullshit.
Luigi Mangione
Pelimburg is a city of rain and mist and spray. It’s supposed to be my home, but a lifetime lived in my mother’s cage of a mansion means that I barely know it. I’ve only ever seen the city from the confines of a carriage; now I breathe deep, tasting how different the air is, how sweet the drops feel on my tongue. Up on the hillside, the rain seems bitter and darker.
Cat Hellisen (When the Sea Is Rising Red (Hobverse #1))
O Lord our God, under the shadow of Your wings let us hope in Your custody. Carry us when we are little. Bear us when our hair is white and we cry out in infirmity. When You grasp us, the grip is firm. When we try to sustain ourselves, the grasp is feeble. The only good we can know rests in You. When we turn from the good, You push us aside until we return. Oh, Lord, turn us, lest we be overturned. Be the good in us that is not corrupted. You are our incorruptible good. In You we do not fear that there will be no home to return to if we wander off. While we are away, You preserve our mansion with a patience that stretches into eternity.
Augustine of Hippo (The Confessions of St. Augustine: Modern English Version)
A tiny spark in the dry desert wood can grow to a blaze and run wild, burning bright orange and red. It devours the land and exhales thick black smoke that overtakes the sky, dimming the sun for miles, ash falling like snow. Habitats—brush and shrubs and trees—and homes—cabins and mansions and bungalows, ranches and vineyards and farms—go up in smoke and leave behind a scorched earth. But that land is young once again, ready to grow something new. Destruction. And renewal, rising from the ashes. The story of fire. •
Taylor Jenkins Reid (Malibu Rising)
Another historical peculiarity of the place was the fact that its large mansions, those relics of another time, had not been reconstructed to serve as nursing homes for that vast population of comatose and the dying who were kept alive, unconscionably, through trailblazing medical invention.
John Cheever (Oh What a Paradise It Seems)
But our tiny home is so much more than its four ramshackle walls and lopsided roof would have you believe. Inside, it’s big, full of love. It’s a hospital where my babies can be born. It’s a schoolhouse where my children can learn. It’s a mansion where my husband and I can enjoy the riches of our life together.
Jessica McCann (All Different Kinds of Free)
I had seen buildings burn before, as part of my training and as part of my childhood. I had seen small homes and enormous mansions devoured by fire, and I had seen flames destroy factories and symphony halls and houses of worship. A school seems worse, I thought as the fire roared into the sky. Even when the school is empty, it’s a terrible thing.
Lemony Snicket (Shouldn't You Be in School? (All the Wrong Questions, #3))
I will honor all life —wherever and in whatever form it may dwell—on Earth my home, and in the mansions of the stars.
Diane Ackerman (I Praise My Destroyer: Poems)
Habitats—brush and shrubs and trees—and homes—cabins and mansions and bungalows, ranches and vineyards and farms—go up in smoke
Taylor Jenkins Reid (Malibu Rising)
My mind is like the valley—this vast barren waste. Car lots. Malls. Tract homes. I know there are other worlds beyond it—of canyons full of coyote and monarch butterflies, squirrels, bunnies, purple and yellow wildflowers, of magical boulevards lined with palatial movie theaters and movie-star haunted mansions, of parks and palms and palisades, especially, especially of the ocean, where it all ends and everything begins. I know the rest is out there but from where I sit in my head it’s like being on the bottom of a hot sunken pit—you can’t see anything else around you no matter how hard you try.
Francesca Lia Block (Wasteland)
Our living quarters were in the same compound as the Eastern District administration. Government offices were mostly housed in large mansions which had been confiscated from Kuomintang officials and wealthy landlords. All government employees, even senior officials, lived at their office. They were not allowed to cook at home, and all ate in canteens. The canteen was also where everyone got their boiled water, which was fetched in thermos flasks. Saturday was the only day married couples were allowed to spend together. Among officials, the euphemism for making love was 'spending a Saturday." Gradually, this regimented life-style relaxed a bit and married couples were able to spend more time together, but almost all still lived and spent most of their time in their office compounds. My mother's department ran a very broad field of activities, including primary education, health, entertainment, and sounding out public opinion. At the age of twenty-two, my mother was in charge of all these activities for about a quarter of a million people. She was so busy we hardly ever saw her. The government wanted to establish a monopoly (known as 'unified purchasing and marketing') over trade in the basic commodities grain, cotton, edible o'fi, and meat. The idea was to get the peasants to sell these exclusively to the government, which would then ration them out to the urban population and to parts of the country where they were in short supply.
Jung Chang (Wild Swans: Three Daughters of China)
Our house was an old Tudor mansion. My father was very particular in keeping the smallest peculiarities of his home unaltered. Thus the many peaks and gables, the numerous turrets, and the mullioned windows with their quaint lozenge panes set in lead, remained very nearly as they had been three centuries back. Over and above the quaint melancholy of our dwelling, with the deep woods of its park and the sullen waters of the mere, our neighborhood was thinly peopled and primitive, and the people round us were ignorant, and tenacious of ancient ideas and traditions. Thus it was a superstitious atmosphere that we children were reared in, and we heard, from our infancy, countless tales of horror, some mere fables doubtless, others legends of dark deeds of the olden time, exaggerated by credulity and the love of the marvelous. ("Horror: A True Tale")
John Berwick Harwood (Reign of Terror Volume 2: Great Victorian Horror Stories)
A brick could be used to show how patient you are. Somewhere between one brick and a million bricks lies a home. For me, my home is one brick, and I carry it with me wherever I go, because I’m always on the move. Maybe one day, when I’m a wealthy man, I’ll get a second brick and walk around with my mansion in my hands.

Jarod Kintz (Brick)
Living near the cross of Calvary thou mayst think of death with pleasure, and welcome it when it comes with intense delight. It is sweet to die in the Lord: it is a covenant blessing to sleep in Jesus. Death is no longer banishment, it is a return from exile, a going home to the many mansions where the loved ones already dwell.
Charles Haddon Spurgeon (Morning and Evening)
Gamache loved to see inside the homes of people involved in a case. To look at the choices they made for their most intimate space. The colors, the decorations. The aromas. Were there books? What sort? How did it feel? He'd been in shacks in the middle of nowhere, carpets worn, upholstery torn, wallpaper peeling off. But stepping in he'd also noticed the smell of fresh coffee and bread. Walls were taken up with immense smiling graduation photos and on rusty pocked TV trays stood modest chipped vases with cheery daffodils or pussy willows or some tiny wild flower picked by worn hands for eyes that would adore it. And he'd been in mansions that felt like mausoleums.
Louise Penny (The Cruelest Month (Chief Inspector Armand Gamache, #3))
Why couldn't my mother and I figure out how it was done? My mother deserved a home. It didn't even need to be a mansion, just a little cottage with a rose garden and cream colored curtains and rugs that were soft and clean and kissed your bare feet as you walked across them. That would be plenty. It mad me mad that my mother didn't have nice things, madder still that I couldn't provide them for her, and furious that I couldn't say any of this aloud, because my mother was striving to be upbeat. Taking care of my mother meant saying nothing to disrupt her fragile optimism, so I would press my forehead against the window, harder until it hurt, and shift my focus from the mansions to my reflection in the glass.
J.R. Moehringer (The Tender Bar: A Memoir)
clutching whole homes in its grasp. The people of Malibu knew how to evacuate. They’d done this before. They would do it again. By the time the fire was contained—the mansion turned to a charred, wet frame, the neighbors’ homes singed and covered in ash, the sky stained gray, firefighters wiping their brows—the lady of the house was nowhere to be found. Nina Riva was midflight. She would read about the fire later in an American paper and clutch her chest, relieved no one had been hurt. She would think of the damage and the distress it must have caused. But she would understand that it was one fire, in a long line of fires in Malibu since the dawn of time. It had brought destruction. It would also bring renewal, rising from the ashes. The story of fire.
Taylor Jenkins Reid (Malibu Rising)
Don't go home with that magic man! I wanted to shake my Walkman, warn the Heart girls to run away. Don't trust him! He might be magic, but he's not very nice! He says he just wants to get high awhile, but he'll get you so high you can't come back down. He'll make you stay inside so long, it hurts your eyes to go out, so you'll spend whole years wasting away in his mansion. You'll lose your sense of time. You'll lose your appetite. When your mama cries on the phone, you won't understand a word she's saying. You'll just tell her, "Try to understand." And Mrs. Wilson isn't falling for that shit. Ann! Nance! Get the hell out of there. One smile from that magic man and you're done. You'll be so fucking magic, you won't be real anymore. He'll even set your lipgloss on fire.
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
During the first weekend Prince Charles showed Diana around Highgrove, the 353-acre Gloucestershire home he had bought in July--the same month he had started to woo her. As he took her on a guided tour of the eight-bedroomed mansion, the Prince asked her to organize the interior decoration. He liked her taste while she felt that it was a “most improper” suggestion as they were not even engaged.
Andrew Morton (Diana: Her True Story in Her Own Words)
I realized that my jaws were locked, teeth clenched, my eyes wide, and from the light-headedness, I imagined I must look frightfully pale. And I was holding my breath, resisting life so I could resist change from happening. I had so much fear in me. Fear that in this change my home would disappear. I had grown up under the memory of my brother's stories of home, and in the twelve years that had passed without him, I realized that I had been waiting, that I had never truly left Heuksan Island. The home Brother had told me about, I had dreamed of arriving there one day. A home where there was no more sorrow or tears, no more deaths or farewells. A place of togetherness. But now this place would change into a haunted mansion full of strangers and ghosts. How could I embrace them? What did family mean when family had gone away and returned, scarred to the point of being unrecognizable? How could you embrace a stranger with haunted eyes that looked right through you?
June Hur (The Silence of Bones)
Mrs. Edith Smith, the professional beauty, has been so long absent from home; two or three days usually suffice for her frequent trips to Europe. The first thing that Mr. Smith does is to connect his phonotelephote, the wires of which communicate with his Paris mansion. The telephote! Here is another of the great triumphs of science in our time. The transmission of speech is an old story; the transmission of images by means of sensitive mirrors connected by wires is a thing but of yesterday.
Jules Verne (In the Year 2889)
My great-grandmother’s estate is about two miles out of town,” Helen said. “Go down Main Street and turn right at the fork.” Ten minutes later she pointed out Twin Elms, From the road one could see little of the house. A high stone wall ran along the front of the estate and beyond it were many tall trees. Nancy turned into the driveway which twisted and wound among elms, oaks, and maples. Presently the old Colonial home came into view. Helen said it had been built in 1785 and had been given its name because of the two elm trees which stood at opposite ends of the long building. They had grown to be giants and their foliage was beautiful. The mansion was of red brick and nearly all the walls were covered with ivy. There was a ten-foot porch with tall white pillars at the huge front door. “It’s charming!” Nancy commented as she pulled up to the porch. “Wait until you see the grounds,” said Helen. “There are several old, old buildings. An ice-house, a smokehouse, a kitchen, and servants’ cottages.
Carolyn Keene (The Hidden Staircase (Nancy Drew, #2))
The house belongs to us. James and I grew up here. That mansion is our home," Mia replied with a sweet smile. "Or, well, it was. James and Lily have their own little cottage now." The Dursleys looked dumbfounded, which Mia discovered was not very difficult for them. "Grew up here?" Petunia gaped at Mia. "So, it's just you here, then? That big house all to yourself?" Mia could tell by the tone of voice that the woman was trying to be polite now that she was aware the Potters had money. "Oh no, I moved to London." She then pointed to Sirius and Remus standing beside James, pouring drinks for one another. "I live with those two handsome men." Petunia blushed furiously, looking scandalised. "You live with two men?" Mia grinned, half tempted to tell her, in detail, what she and those two men had done right here in this very orchard. The particular shade of red on Petunia's face was intriguing, to say the least, but nowhere near as amusing as the purple that Vernon was turning as he muttered, "shameful" and "scandalous" under his breath.
Shaya Lonnie (The Debt of Time)
It baffled me that so many students disliked math and struggled with it. I figured they had either a parent who didn’t like math and told them it was hard or a teacher who didn’t have the passion or the patience to make math relevant to their lives. At home I never let my girls tell me math or any other subject was difficult. From the time they were very young, I always tried to incorporate learning, whether it was math, spelling, or creative activities, such as sewing and working puzzles, into their lives. I tried to show them how what they were learning in school connected to our lives outside school. Of course, I had them counting everything—the stars in the sky, the steps from the bottom to the top of the Carson mansion, or the people in church on any given Sunday. On road trips I’d have them add the numbers on the license plates of cars traveling in front of us. Or I’d have them cover their eyes and spell the state. If they were helping in the kitchen, I might write out a recipe, give it to them, and ask them to figure out how much of each ingredient we would need if I wanted to make half of that batch of cookies or biscuits.
Katherine Johnson (My Remarkable Journey)
There is an old Chinese tale about the woman whose only son had died. In her grief, she went to the holy man and said, 'What prayers, what magical incantations do you have to bring my son back to life?' Instead of sending her away or reasoning with her, he said to her, 'Fetch me a mustard seed from a home that has never known sorrow. We will use it to drive the sorrow out of your life.' The woman set off at once in search of that magical mustard seed. She came first to a splendid mansion, knocked at the door and said, 'I am looking for a home that has never known sorrow. Is this such a place? It is very important to me.' They told her 'You've certainly come to the wrong place,' and began to describe all the tragic things that had recently befallen them. The woman said to herself, 'Who is better able to help these poor unfortunate people than I, who have had misfortune of my own?' She stayed to comfort them, then went on in her search for a home that had never known sorrow. But wherever she turned, hovels and in palaces, she found one tale after another of sadness and misfortune. Ultimately, she became so involved in ministering to other people's grief that she forgot about her quest for the magical mustard seed, never realizing that it had in fact drive the sorrow out of her life.
Harold S. Kushner (When Bad Things Happen to Good People)
be apart. Despite getting rejected by my top-choice school, I was starting to really believe in myself again based on all the positive feedback we continued to get on our videos. And besides, I knew I could always reapply to Emerson the following year and transfer. • • • College started out great, with the best part being my newly found freedom. I was finally on my own and able to make my own schedule. And not only was Amanda with me, I’d already made a new friend before the first day of classes from a Facebook page that was set up for incoming freshmen. I started chatting with a pretty girl named Chloe who mentioned that she was also going to do the film and video concentration. Fitchburg isn’t located in the greatest neighborhood, but the campus has lots of green lawns and old brick buildings that look like mansions. My dorm room was a forced triple—basically a double that the school added bunk beds to in order to squeeze one extra person in. I arrived first and got to call dibs on the bunk bed that had an empty space beneath it. I moved my desk under it and created a little home office for myself. I plastered the walls with Futurama posters and made up the bed with a new bright green comforter and matching pillows. My roommates were classic male college stereotypes—the football player and the stoner. Their idea of decorating was slapping a Bob Marley poster and a giant ad for Jack Daniels on the wall.
Joey Graceffa (In Real Life: My Journey to a Pixelated World)
The empress—the most important woman in the world—is confined to the Great Within. Women like those who live in the Garden of Fragrant Delights and the Mansion of Golden Light may be among the most elite in China, but we’re also the most constrained, having lived our entire lives in the inner chambers in first our parents’ homes, then our husbands’. Concubines and servants get glimpses of the outside world, but they are bought and sold. Common women—those married to farmers, butchers, and shopkeepers, those who labor in silk factories or sort tea leaves, and those who fall under the category of the Three Aunties and Six Grannies—may work in the outside world of men, but they can’t avoid the hardships that come as a result.
Lisa See (Lady Tan's Circle of Women)
If you have to wear a hazmat suit to raise crops, why would you ever eat them? If you’re afraid of getting that crap on your skin, how much more insane would it be to put it in your mouth! Seriously? I often wonder, and I wish someone would research it if they haven’t already, whether the CEOs of Monsanto, Dupont, etc., eat GMO products and feed them to their families, or if they send out their ‘personal shoppers’ to the local farmer’s market to bring home fresh, organic produce every week? I suspect the latter. I’m quite sure they all have reverse osmosis water systems in their mansions. Let me put it bluntly, if I haven’t been clear so far. The day the CEO of Monsanto guzzles a gallon of Roundup, is the day I’ll consider buying their products, maybe.
Steve Bivans (Be a Hobbit, Save the Earth: the Guide to Sustainable Shire Living)
The fire started inside a barn. It was tiny at first, a glowing dot, some wisps of white smoke. But then flames reached up. They grabbed hold of a pile of hay. Crackle! Pop! And then, Boom! Towers of flame shot up, higher, higher, punching through the roof, reaching for the sky. Voices screamed out. “Fire! Fire! Fire!” Alarm bells clanged. Firefighters readied their horses and raced their pumpers through the streets. But it was too late. The flames blasted a shower of fiery sparks into the windy sky. Like a swarm of flaming wasps, they flew through the air, starting fires wherever they landed. Shops and homes erupted in flames. Warehouses exploded. Mansions burned. Crowds of panicked people fled their houses and rushed through the streets and along the wooden sidewalks. They screamed and pushed and knocked one another down, desperate to get away from the choking smoke and broiling flames. But there was no escape. The winds blew harder. Flames shot hundreds of feet in the air, spreading across miles and miles. And in the middle of it all was eleven-year-old Oscar Starling. Oscar had never felt so terrified, not even two years ago, when a killer blizzard hit his family’s Minnesota farm. He was trapped inside a burning house, fighting for his life. He’d made it down the stairs, desperate to escape. And then, Crash! A ball of fire and cinders crashed through the window, and the house exploded in flames. And suddenly, Oscar was in the fire’s ferocious grip. The flames clawed at him, seared him, threw him to the ground. Smoke gushed up his nose and into his mouth. But the worst was the blistering heat, the feeling of being roasted alive. Was this the end? Oscar had never wanted to come to this city. And now he was sure he was going to die here.
Lauren Tarshis (I Survived the Great Chicago Fire, 1871)
You could see the future right away here,” Hu Renzhong, a pig and poultry producer, told me. “Food was expensive and people didn’t have enough meat to eat. They couldn’t afford it. The land was good, though, and back then it was still cheap.” Hu received me one morning at his mansion farmhouse on the outskirts of Lusaka, offering me a seat in the marble chill of his enormous living room, before taking me on a long walking tour of his acres and acres of hog-breeding pens and sprawling, temperature-controlled chicken hatcheries, all impressively modern and minutely organized. He had come to Zambia from China’s Jiangxi province in 1995 as a twenty-two-year-old simple laborer, but soon got into business for himself, raising chickens at first with another Chinese immigrant. It wasn’t long before the two had struck it rich, buying land and building ever-bigger houses. “Things had started developing really fast back home, and a lot of people tried to tell me I’d made a mistake,” he said. “But I’ve never really looked back.” I
Howard W. French (China's Second Continent: How a Million Migrants Are Building a New Empire in Africa)
The Christian is the most contented man in the world, but he is the least contented with the world. He is like a traveller in an inn, perfectly satisfied with the inn and its accommodation, considering it as an inn, but putting quite out of all consideration the idea of making it his home. He baits by the way, and is thankful, but his desires lead him ever onward towards that better country where the many mansions are prepared. The believer is like a man in a sailing vessel, well content with the good ship for what it is, and hopeful that it may bear him safely across the sea, willing to put up with all its inconveniences without complaint; but if you ask him whether he would choose to live on board in that narrow cabin, he will tell you that he longs for the time when the harbour shall be in view, and the green fields, and the happy homesteads of his native land. We, my brethren, thank God for all the appointments of providence; whether our portion be large or scant we are content because God has appointed it: yet our portion is not here, nor would we have it here if we might!
Erik Raymond (Chasing Contentment: Trusting God in a Discontented Age)
Ethan! What on earth are you doing?" "Excuse us,please.It is very warm in here and my wife has begun to feel a little faint." With a smile fixed on his face,giving a series of the same brief explanation,he carried her through the crush,out the front door of the mansion,along the gravel drive to where his carriage was parked. "Home,Jennings," he said to the coachman as a footman opened the door. "And don't spare the horses." Setting her swiftly on the carriage seat, he climbed in and took a place beside her. "Are you insane?" Grace stared at him with disbelief as the matched pair of grays stepped into their traces and the coach jolted forward. "We can't just leave. We're the guests of honor! What will people think?" "They will thank that I am ravenous for my wife's lovely body,and I am." "But-" "Another word,Grace, and I swear I will take you right here." Her eyes widened for an instant, then she sat back on the seat of the carriage, careful to keep facing forward, casting him only an occasional sideways glance. If his body hadn't been throbbing with such urgent need,he might have smiled.
Kat Martin (The Devil's Necklace (Necklace Trilogy, #2))
Dear Bride to Be Come to me, Dear Bride to be, And kneel before My Throne And I will share My heart with you And make your house a home. Listen well, lean closely There are secrets at My feet— The marriage you will soon begin This Bridegroom will complete. The man with whom you'll journey Is your wedding gift from me To teach you things beyond this world… A precious mystery. Bearing all these things in mind You'll never lack for wealth For through your union I will choose To teach you of Myself. Let him hold you tightly And keep you safe from harm Until I'll one day hold you In My everlasting arms. Let him wipe your tears away And trust him with your pain Until I wipe them all away And Heaven is your gain. Pray to love his tender touch And want his gentle kiss I grant you both my blessing And ask you not to miss The reason why I've chosen For two halves to become one— That you might see the Bride of Christ, Sweet Daughter and Dear Son. So make his home a refuge He's to love you as I do Until your mansion is complete... A place prepared for you. And if I should choose to leave you here When I have called him home Trust I'll be your husband near... You'll never be alone.
Beth Moore (Things Pondered: From the Heart of a Lesser Woman)
His home was a part of him, an externalized expression of his will, for upon his inherited Dutch Manor house he had superimposed the Gothic magnificence which he desired. He had been attracted by the formulations of Andrew Downing, the young landscape architect who lived on the river at Newburgh and whose directions for building "romantic and picturesque villas" were changing the countryside; but it was not in Nicholas to accept another's ideas, and when five years ago he had remodeled the old Van Ryn homestead, he had used Downing simply as a guide. To the original ten rooms he had added twenty more, the gables and turrets, and the one high tower. The result, though reminiscent of a German Schloss on the Rhine, crossed with Tudor English and interwoven with pure fantasy, was nevertheless Hudson River American and not unsuited to its setting. The Dragonwyck gardens were as much as an expression of Nicholas' personality as was the mansion, for here, he had subdued Nature to a stylized ornateness. Between the untouched grove of hemlocks to the south and the slope of a rocky hill half a mile to the north he had created along the river an artificial and exotic beauty. To Miranda it was overpowering, and she felt dazed as they mounted marble steps from the landing. She was but vaguely conscious of the rose gardens and their pervasive scent, of small Greek temples set beneath weeping willows, of rock pavilions, violet-bordered fountains, and waterfalls.
Anya Seton (Dragonwyck)
April 20 MORNING “That through death He might destroy him that had the power of death.” — Hebrews 2:14 O child of God, death hath lost its sting, because the devil’s power over it is destroyed. Then cease to fear dying. Ask grace from God the Holy Ghost, that by an intimate knowledge and a firm belief of thy Redeemer’s death, thou mayst be strengthened for that dread hour. Living near the cross of Calvary thou mayst think of death with pleasure, and welcome it when it comes with intense delight. It is sweet to die in the Lord: it is a covenant-blessing to sleep in Jesus. Death is no longer banishment, it is a return from exile, a going home to the many mansions where the loved ones already dwell. The distance between glorified spirits in heaven and militant saints on earth seems great; but it is not so. We are not far from home — a moment will bring us there. The sail is spread; the soul is launched upon the deep. How long will be its voyage? How many wearying winds must beat upon the sail ere it shall be reefed in the port of peace? How long shall that soul be tossed upon the waves before it comes to that sea which knows no storm? Listen to the answer, “Absent from the body, present with the Lord.” Yon ship has just departed, but it is already at its haven. It did but spread its sail and it was there. Like that ship of old, upon the Lake of Galilee, a storm had tossed it, but Jesus said, “Peace, be still,” and immediately it came to land. Think not that a long period intervenes between the instant of death and the eternity of glory. When the eyes close on earth they open in heaven. The horses of fire are not an instant on the road. Then, O child of God, what is there for thee to fear in death, seeing that through the death of thy Lord its curse and sting are destroyed? and now it is but a Jacob’s ladder whose foot is in the dark grave, but its top reaches to glory everlasting.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
Sweetheart Like You" Well the pressure's down, the boss ain't here He gone North, for a while They say that vanity got the best of him But he sure left here in style By the way, that's a cute hat And that smile's so hard to resist But what's a sweetheart like you doing in a dump like this ? You know, I once knew a woman who looked like you She wanted a whole man, not just a half She used to call me sweet daddy when I was only a child You kind of remind me of her when you laugh In order to deal in this game, got to make the queen disappear It's done with a flick of the wrist What's a sweetheart like you doing in a dump like this ? You know, a woman like you should be at home That's where you belong Taking care for somebody nice Who don't know how to do you wrong Just how much abuse will you be able to take ? Well, there's no way to tell by that first kiss What's a sweetheart like you doing in a dump like this ? You know you can make a name for yourself You can hear them tires squeal You can be known as the most beautiful woman Who ever crawled across cut glass to make a deal. You know, news of you has come down the line Even before ya came in the door They say in your father's house, there's many mansions Each one of them got a fireproof floor Snap out of it baby, people are jealous of you They smile to your face, but behind your back they hiss What's a sweetheart like you doing in a dump like this ? Got to be an important person to be in here, honey Got to have done some evil deed Got to have your own harem when you come in the door Got to play your harp until your lips bleed. They say that patriotism is the last refuge To which a scoundrel clings Steal a little and they throw you in jail Steal a lot and they make you king There's only one step down from here, baby It's called the land of permanent bliss What's a sweetheart like you doing in a dump like this ? Bob Dylan, Infidels (1983)
Bob Dylan
He moved his lips to my cheek, to my ear, back to my mouth. I had never been kissed like this in my life. Each time I thought I should protest because there were so many unsettled matters between us, Hunter kissed me harder, forcing those concerns out of my mind. The cold air heated up around us. He unsnapped the top of my jacket and slipped his hand inside. His warm palm cupped my breast beneath my shirt. Then he straightened, blinking at me, and pulled his hand away. “What is it?” I asked. “Okay,” he panted. “I’m going to kick myself for this in the morning, but I don’t want to do this while I’m drunk. And I don’t want to do it behind the stable. I want everything to be perfect between you and me.” He stroked my hair away from my face. “Are you mad?” “Mad?” I squeaked. “No. Horny? Yes. Frustrated?” “Yes.” He set his forehead against mine. “Yes,” I agreed. “Mad? No.” He watched me with serious eyes. His gaze fell to my chest. He fastened the snaps he’d unfastened a few moments before, then put his hands on my shoulders. “I’m just so thankful we’re finally together.” “Me, too,” I whispered. I felt uncomfortable saying this. I wished I had a cell phone so I could call Summer for verification that I was not making a terrible mistake. But she would yell at me and tell me to stop being stupid. I did not need her permission to fall in love. He kissed me on the forehead, then stood, holding out his hand to me. “I’ll walk you home.” I took his hand and swung it as we rounded the stable again, back the way we’d come. “I’ll walk you home,” I said. With his other hand he gestured toward the top of my grandmother’s mansion, just visible over the rise. “I’m not leaving you wandering around in the night with all these drunk people and, my God, Whitfield Farrell and his fucking bowl.” I giggled. It made me insanely happy that he was jealous of Whitfield Farrell. “You’re drunk, though. You might stumble into the road and get hit by a car.” “They will be sorry,” he said. “I will dent their car. I am strong like an ox.” I burst into laughter, and he laughed with me. He was so handsome in the gentle starlight, and he looked so happy. I couldn’t remember ever being this happy myself. I was still nearly broke and my grandmother hated me and I had a history paper due Monday that I hadn’t started writing, but I could handle all of this with Hunter laughing beside me. I squeezed his warm hand. “I’ll cross back through the pasture if it makes you feel better.” Dropping my hand, he draped his arm around me and pulled me close for another kiss on the forehead. He walked me all the way down to his house, backed me against the front door, and thoroughly kissed me good night.
Jennifer Echols (Love Story)
I am speaking of the evenings when the sun sets early, of the fathers under the streetlamps in the back streets returning home carrying plastic bags. Of the old Bosphorus ferries moored to deserted stations in the middle of winter, where sleepy sailors scrub the decks, pail in hand and one eye on the black-and-white television in the distance; of the old booksellers who lurch from one ϧnancial crisis to the next and then wait shivering all day for a customer to appear; of the barbers who complain that men don’t shave as much after an economic crisis; of the children who play ball between the cars on cobblestoned streets; of the covered women who stand at remote bus stops clutching plastic shopping bags and speak to no one as they wait for the bus that never arrives; of the empty boathouses of the old Bosphorus villas; of the teahouses packed to the rafters with unemployed men; of the patient pimps striding up and down the city’s greatest square on summer evenings in search of one last drunken tourist; of the broken seesaws in empty parks; of ship horns booming through the fog; of the wooden buildings whose every board creaked even when they were pashas’ mansions, all the more now that they have become municipal headquarters; of the women peeking through their curtains as they wait for husbands who never manage to come home in the evening; of the old men selling thin religious treatises, prayer beads, and pilgrimage oils in the courtyards of mosques; of the tens of thousands of identical apartment house entrances, their facades discolored by dirt, rust, soot, and dust; of the crowds rushing to catch ferries on winter evenings; of the city walls, ruins since the end of the Byzantine Empire; of the markets that empty in the evenings; of the dervish lodges, the tekkes, that have crumbled; of the seagulls perched on rusty barges caked with moss and mussels, unϩinching under the pelting rain; of the tiny ribbons of smoke rising from the single chimney of a hundred-yearold mansion on the coldest day of the year; of the crowds of men ϧshing from the sides of the Galata Bridge; of the cold reading rooms of libraries; of the street photographers; of the smell of exhaled breath in the movie theaters, once glittering aϱairs with gilded ceilings, now porn cinemas frequented by shamefaced men; of the avenues where you never see a woman alone after sunset; of the crowds gathering around the doors of the state-controlled brothels on one of those hot blustery days when the wind is coming from the south; of the young girls who queue at the doors of establishments selling cut-rate meat; of the holy messages spelled out in lights between the minarets of mosques on holidays that are missing letters where the bulbs have burned out; of the walls covered with frayed and blackened posters; of the tired old dolmuşes, ϧfties Chevrolets that would be museum pieces in any western city but serve here as shared taxis, huϫng and puϫng up the city’s narrow alleys and dirty thoroughfares; of the buses packed with passengers; of the mosques whose lead plates and rain gutters are forever being stolen; of the city cemeteries, which seem like gateways to a second world, and of their cypress trees; of the dim lights that you see of an evening on the boats crossing from Kadıköy to Karaköy; of the little children in the streets who try to sell the same packet of tissues to every passerby; of the clock towers no one ever notices; of the history books in which children read about the victories of the Ottoman Empire and of the beatings these same children receive at home; of the days when everyone has to stay home so the electoral roll can be compiled or the census can be taken; of the days when a sudden curfew is announced to facilitate the search for terrorists and everyone sits at home fearfully awaiting “the oϫcials”; CONTINUED IN SECOND PART OF THE QUOTE
Orhan Pamuk (Istanbul: Memories and the City)