Mansion Dream Quotes

There is no rest in sleep. These dreams will be the death of me.

Your dreams will come true, but do not be overly demanding. Be logical – there are not enough mansions for everyone in the world, are there?

Rooms of books. When other children dreamed of mansions with fountains and big silky beds and servants to do their bidding, this was what Belle dreamed about. The money to buy all the books she ever wanted from all over the world- and a place to keep them.

Home. I come from a place that’s as sweet as the freshest berry, as sour as curdled milk, where we dream of owning mansions and leaving the hood, where we couldn’t imagine having been raised anywhere else.

I think I'm just trying to find what's real. Dreamin' of mansions isn't a bad thing. But there's got to be more to life than just enduring or dreaming. And too often, it feels like hope is the only thing most people have. Rich, poor, sick, healthy - we're all just drowning in dreams and hoping someone else will make them come true.

The American Dream betrayed even those who achieved it, lonely in their overtime careers and their McMansions, narcotized to the ongoing ruination of nature and culture but aching because of it, endlessly consuming and accumulating to quell the insistent voice: “I wasn’t put here on Earth to sell a product.” “I wasn’t put here on Earth to increase market share.” “I wasn’t put here on Earth to make numbers grow.” We protest not only at our exclusion from the American Dream; we protest at its bleakness. If it cannot include everyone on Earth, every ecosystem and bioregion, every people and culture in its richness; if the wealth of one must be the debt of another; if it entails sweatshops and underclasses and fracking and all the rest of the ugliness our system has created, then we want none of it. No one deserves to live in a world built upon the degradation of human beings, forests, waters, and the rest of our living planet. Speaking to our brethren on Wall Street: No one deserves to spend their lives playing with numbers while the world burns.

I feel something familiar about this place. This house…” I dragged out a hand and gestured towards it with my thumb. “I dream about it. I’ve been dreaming about it for years. Being in it.” I had her attention. “With you.

... I see the green earth covered with the works of man or with the ruins of men’s work. The pyramids weigh down the earth, the tower of Babel has pierced the sky, the lovely temples and the gray castles have fallen into ruins. But of all those things which hands have built, what hasn’t fallen nor ever will fall? Dear friends, throw away the trowel and mortarboard! Throw your masons’ aprons over your heads and lie down to build dreams! What are temples of stone and clay to the soul? Learn to build eternal mansions of dreams and visions!

Since life is a dream I think I'll stop eating and drinking so much--do some ethereal daydreaming instead--go in the mansion of the mind and close all the doors, as if I was traveling in the back of a bus for 4 days & 4 nights, broke.

Memory is a mansion, and dreams are the spaces between its walls

What is a Gallagher Girl?” Liz asked. She looked nervously down at the papers in her hand even though I knew for a fact she had memorized every word. “When I was eleven I thought I knew the answer to that question. That was when the recruiters came to see me. They showed me brochures and told me they were impressed by my test scores and asked if I was ready to be challenged. And I said yes. Because that was what a Gallagher Girl was to me then, a student at the toughest school in the world.” She took a deep breath and talked on. “What is a Gallagher Girl?” Liz asked again. “When I was thirteen I thought I knew the answer to that question. That was when Dr. Fibs allowed me to start doing my own experiments in the lab. I could go anywhere—make anything. Do anything my mind could dream up. Because I was a Gallagher Girl. And, to me, that meant I was the future.” Liz took another deep breath. “What is a Gallagher Girl?” This time, when Liz asked it, her voice cracked. “When I was seventeen I stood on a dark street in Washington, D.C., and watched one Gallagher Girl literally jump in front of a bullet to save the life of another. I saw a group of women gather around a girl whom they had never met, telling the world that if any harm was to come to their sister, it had to go through them first.” Liz straightened. She no longer had to look down at her paper as she said, “What is a Gallagher Girl? I’m eighteen now, and if I’ve learned anything, it’s that I don’t really know the answer to that question. Maybe she is destined to be our first international graduate and take her rightful place among Her Majesty’s Secret Service with MI6.” I glanced to my right and, call me crazy, but I could have sworn Rebecca Baxter was crying. “Maybe she is someone who chooses to give back, to serve her life protecting others just as someone once protected her.” Macey smirked but didn’t cry. I got the feeling that Macey McHenry might never cry again. “Who knows?” Liz asked. “Maybe she’s an undercover journalist.” I glanced at Tina Walters. “An FBI agent.” Eva Alvarez beamed. “A code breaker.” Kim Lee smiled. “A queen.” I thought of little Amirah and knew somehow that she’d be okay. “Maybe she’s even a college student.” Liz looked right at me. “Or maybe she’s so much more.” Then Liz went quiet for a moment. She too looked up at the place where the mansion used to stand. “You know, there was a time when I thought that the Gallagher Academy was made of stone and wood, Grand Halls and high-tech labs. When I thought it was bulletproof, hack-proof, and…yes…fireproof. And I stand before you today happy for the reminder that none of those things are true. Yes, I really am. Because I know now that a Gallagher Girl is not someone who draws her power from that building. I know now with scientific certainty that it is the other way around.” A hushed awe descended over the already quiet crowd as she said this. Maybe it was the gravity of her words and what they meant, but for me personally, I like to think it was Gilly looking down, smiling at us all. “What is a Gallagher Girl?” Liz asked one final time. “She’s a genius, a scientist, a heroine, a spy. And now we are at the end of our time at school, and the one thing I know for certain is this: A Gallagher Girl is whatever she wants to be.” Thunderous, raucous applause filled the student section. Liz smiled and wiped her eyes. She leaned close to the microphone. “And, most of all, she is my sister.

May you listen to your longing to be free. May the frames of your belonging be large enough for the dreams of your soul. May you arise each day with a voice of blessing whispering in your heart …something good is going to happen to you. May you find harmony between your soul and your life. May the mansion of your soul never become a haunted place. May you know the eternal longing that lies at the heart of time. May there be kindness in your gaze when you look within. May you never place walls between the light and yourself. May you be set free from the prisons of guilt, fear, disappointment and despair. May you allow the wild beauty of the invisible world to gather you, mind you, and embrace you in belonging.

Like most modern people, we no longer bothered to make the distinction between events in real life and the dramas of fictional worlds, and so the cliff-hanger that inevitably, reliably ended the hour held just as much or more importance to us as the newspaper that usually went from doorstep to garbage bin unread, and we speculated about the future lives of the characters that populated decayed mansions or desert isles as if they weren't inventions of other human minds.

It was the world-without-adults daydream. In my dream I'd never quite figured out where the adults went but we kids were free to roam, to help ourselves to anything we wanted. We'd pick up a Merc from a showroom when we wanted wheels, and when it ran out of petrol we'd get another one. We'd change cars the way I change socks. We'd sleep in different mansions every night, going to new houses instead of putting new sheets on the beds. Life would be one long party. Yes, that had been the dream.

Now as I bury the flowers, others laugh at my folly; But in that future year, who knows who will bury me?

I didn’t know that our dream mansion would come with an unfathomable thirty-million-dollar price tag.

As he attempted to wrap his mind around the truth, something collapsed within him as if he had constructed a mansion of cards-a cathedral of dreams- and with a breath, it tumbled down.

As the carriage proceeded past the main gate, the estate mansion came into view. Contrary to Pandora's expectations, it wasn't at all cold and imposing. It was a gracious, low-slung residence of two stories, inhabiting its surroundings with comfortable ease. Its classic lines were softened by an abundance of glossy green ivy that mantled the cream stucco façade, and arbors of pink roses that arched cheerfully over the courtyard entrance. Two extended wings curved around the front gardens, as if the house had decided to fill its arms with bouquets. Nearby, a slope of dark, dreaming forest rested beneath a blanket of sunlight.

The mansion stood proudly at the end of the new driveway, on the other side of the iron gates that the woman had come to know so well. A house once much loved, it had been abandoned and cursed, as a corpse buried in unholy ground.

When other children dreamed of mansions with fountains and big silky beds and servants to do their bidding, this was what Belle dreamed about. The money to buy all the books she ever wanted from all over the world—and a place to keep them.

But after living in Communist China for the past seventeen years, I knew that such a society was only a dream because those who seized power would invariably become the new ruling class. They would have the power to control the people’s lives and bend the people’s will. Because they controlled the production and distribution of goods and services in the name of the state, they would also enjoy material luxuries beyond the reach of the common people. In Communist China, details of the private lives of the leaders were guarded as state secrets. But every Chinese knew that the Party leaders lived in spacious mansions with many servants, obtained their provisions from special shops where luxury goods were made available to their household at nominal prices, and send their children in chauffeur-driven cars to exclusive schools to be taught by specially selected teachers. Even though every Chinese knew how these leaders lived, no one dared to talk about it. If we had to pass by a special shop for the military or high officials, we carefully looked the other way to avoid giving the impression we knew it was there.

Undoubtedly, the place to start with Chinese fiction is with Cao Xueqin’s eighteenth-century classic, A Dream of Red Mansions, a sweeping epic about family life and Confucian practices in feudal China, including numerous subplots, a gazillion characters, and a touching love story.

With this last adherent, Florence hurried away in the advancing morning, and the strengthening sunshine, to the City. The roar soon grew more loud, the passengers more numerous, the shops more busy, until she was carried onward in a stream of life setting that way, and flowing, indifferently, past marts and mansions, prisons, churches, market-places, wealth, poverty, good, and evil, like the broad river, side by side with it, awakened from its dreams of rushes, willows, and green moss, and rolling on, turbid and troubled, among the works and cares of men, to the deep sea.

My mother was a saint. I really mean it. Stunningly beautiful, an incredible singer, with a heart of gold. For years before she died, she would always tell me that we were gonna get out of Hell’s Kitchen and go straight to Hollywood. She said she was going to be the most famous woman in the world and get us a mansion on the beach. I had this fantasy of the two of us together in a house, throwing parties, drinking champagne. And then she died, and it was like waking up from a dream. Suddenly, I was in a world where none of that was ever going to happen. And I was going to be stuck in Hell’s Kitchen forever.

I suppose that is one of the purposes of all reading. It helps you live lives beyond the one you are inside. It turns our single-room mental shack into a mansion. All reading, in short, is telepathy and all reading is time travel. It connects us to everyone and everywhere and every time and every imagined dream.

Through the steel of discipline, you will forge a character rich with courage and peace. Through the virtue of will, you are destined to rise to life’s highest ideal and live within a heavenly mansion filled with all that is good, joyful and vital. Without them, you are lost like a mariner without a compass, one who eventually sinks with his ship.

Here's the plan: We do everything, all the traditions, and we do it grander than anyone ever dreamed! Here are the houselights, which will require extra generators so we don't smash the power grid, the holiday music CDs that will need waterproof outdoor concert speakers, the train set with extra boxes of tracks to connect all the rooms of the house, the toys where we forget the batteries, several gingerbread house kits we'll combine to form a mansion, DVDs of all the classic Christmas specials to run nonstop, mistletoe for all the doorways, the manger scene with a little Jesus that glows in the dark to emphasize the Holy Spirit third of the Trinity because he's the shy one who gets the least press, and all the presents we'll wrap together and give each other as Secret Santas.

Before they entered the slave market or inspected a slave, many slaveholders had well-developed ideas about what they would find there. these ideas had less to do with the real people they would meet in the market, however, than they did with the slaveholder’s themselves, about the type of people they would become by buying slaves. As they talked about and wrote about buying slaves, slaveholders mapped a world made of slavery. They dreamed of people arrayed in meaningful order by their value as property, of fields full of productive hands and a slave quarter that reproduced itself, of well ordered households and of mansions where services were swift and polished. They dreamed of beating and healing and sleeping with slaves; sometimes they even dreamed that their slaves would love them. They imagined who they could be by thinking about whom they could buy.

I realized that my jaws were locked, teeth clenched, my eyes wide, and from the light-headedness, I imagined I must look frightfully pale. And I was holding my breath, resisting life so I could resist change from happening. I had so much fear in me. Fear that in this change my home would disappear. I had grown up under the memory of my brother's stories of home, and in the twelve years that had passed without him, I realized that I had been waiting, that I had never truly left Heuksan Island. The home Brother had told me about, I had dreamed of arriving there one day. A home where there was no more sorrow or tears, no more deaths or farewells. A place of togetherness. But now this place would change into a haunted mansion full of strangers and ghosts. How could I embrace them? What did family mean when family had gone away and returned, scarred to the point of being unrecognizable? How could you embrace a stranger with haunted eyes that looked right through you?

Minutes pass, and between the minutes, June is slashing out the possibilities. She is narrowing her sister's life down to its essentials. The first to go is the vet's office where May might have worked, which is a loss, but the next to go is the mansion that May has been inside of in her dreams, a terrible, vast, cold place where the pictures are old and of other families. And so it is a relief to see it go, slashed out, burned to the ground with the hot friction of June's pencil. Then there is the loss of all possible sons, which is a tremendous relief, and then the crossing out of husbands, one by one, save one.

I arrive, by a snow-covered path, at a kind of chateau. The room I enter by is covered all over with several inches of snow - even on the furniture and the ceiling. Shining in through the window are fierce, fluorescent advertisements in blue and red. I walk through the huge rooms secretively. I once lived here. Voices come near. I feel worried, since these are important men and I have no right to be here. But their voices change, their eyes change too, and suddenly they become mental defectives. The mansion is an asylum and indeed a nurse is stretched out on a long table in the peristyle. I wake up, retaining an exact impression of having once been mad myself in this very place, in a previous life.

They always inhabited the same house, went out together when they did go out, always sat in their respective corners in the family pew, and in their wildest dreams after the happiness of novelty never thought of Sir Cresswell Cresswell. In some respects — with regard, for instance, to the continued duration of their joint domesticity at the family mansion of Greshamsbury — they might have been taken for a pattern couple. But yet, as far as the doctor could see, they did not seem to add much to the happiness of each other. They loved each other, doubtless, and had either of them been in real danger, that danger would have made the other miserable; but yet it might well be a question whether either would not be more comfortable without the other.

Grieve not for lost love, whether it is through death or the fickle fluctuations of human nature. Love itself is never lost, but just plays hide-and-seek with you in many hearts; that in pursuing it you might find its ever greater manifestations. It will keep hiding from you, and disappointing you, until you have quested long enough to find its abode in the One who resides in the deepest recesses of your own soul, and in the heart of everything. Then you will say: “O Lord, when I resided in the house of mortal consciousness, I thought I loved my parents and my friends; I fancied I loved birds, beasts, possessions. But now that I have moved into the mansion of Omnipresence, I know it is Thee alone I love, manifested as parents, friends, all creatures and all things. By loving Thee alone, my heart expanded to love the many. By being loyal in my love to Thee, I am loyal to all I love. And I love all beings forever.” I see life on earth as only a scenic backdrop behind which my loved ones hide at death. As I love them when they are before my eyes, so does my love follow them with my ever-watching mental gaze when they move elsewhere, behind death’s screen. Those whom I have loved I could never hate, even though they grow uninteresting through ugly behavior. In my museum of recollections, I can still behold those traits that caused me to love them. Beneath the temporary mental masks of those whose behavior I dislike, I see the perfect love of my great Beloved, even as I see it in those worthy souls that I love. To stop loving is to stem the purifying flow of love. I shall loyally love every being, every thing, until I find all races, all creatures, all animate and inanimate objects embraced by my love. I will love until every soul, every star, every forsaken creature, every atom, is lodged in my heart; for in the infinite love of God, my breast of eternity is large enough to hold everything in me. O Love, I see Thy glowing face in the gems. I behold Thy shy blush in the blossoms. I am enraptured, hearing Thee warble in the birds. And I dream in ecstasy when my heart embraces Thee in all hearts. O Love, I met Thee in all things—only a little and for a while—but in Omnipresence I clasp Thee entirely and forever, and I rejoice in Thy joy evermore.

Seconds later, Gil left the mansion, but no matter how fast he walked down the long country lane, he couldn't outdistance his conscience. His lies followed him home.

For fifty years I plodded through the vale of lust and strife, Then through my dreams there flashed a ray of the old sweet peaceful life. No scarlet-tasseled hat of state can vie with soft repose; Grand mansions do not taste the joys that the poor man’s cabin knows. I hate the threatening clash of arms when fierce retainers throng, I loathe the drunkard’s revels and the sound of fife and song; But I love to seek a quiet nook, and some old volume bring Where I can see the wildflowers bloom and hear the birds in spring.

Now that he had invited Tilly, William found himself trying to remember what she looked like. It was almost like going on a blind date, he thought, something that previously he would never have dreamed of doing but he now found rather exciting. She was certainly attractive, he was sure of that, even if he had seen her only once, and for a very brief period.

This report inflamed my mind to such a degree that I could not rest by night or day for dreaming golden dreams, and considering how to get to that rich district, unknown to civilized men.

Millions of Nepalese have swelled the armies of cheap mobile labour that drive the global economy, serving in Indian brothels, Thai and Malaysian sweatshops, the mansions of oil sheikhs in the Gulf, and, most recently, the war zones of Iraq. Many more have migrated internally, often from the hills to the subtropical Tarai region on the long border with India. The Tarai produces most of the country's food and cash crops and accommodates half of its population. On its flat alluvial land, where malaria was only recently eradicated, the Buddha was born twenty-five hundred years ago; it is also where a generation of displaced Nepalese began to dream of revolution.

Smith in his book and with his life is telling us how to live. Seek wisdom and virtue. Behave as if an impartial spectator is watching you. Use the idea of an impartial spectator to step outside yourself and see yourself as others see you. Use that vision to know yourself. Avoid the seductions of money and fame, for they will never satisfy. How to be virtuous is not so obvious, and that comes next. But I want to close this chapter with Peter Buffett, the man who ended up selling his Berkshire Hathaway stock for $90,000 and giving up the $100 million he could have had in order to pursue a career as a musician. A few years ago, Peter Buffett reflected on his decision to sell his Berkshire Hathaway stock to pursue his dreams in his memoir, Life Is What You Make It. He claims to have no regrets. But could a life as a successful musician possibly be worth giving up $100 million? Wouldn’t $100 million be even more pleasant? Then you ask yourself—what could he have with the extra millions? A nicer car? He could have a Lamborghini Veneno Roadster that retails for about $4 million. Or he could settle for the lovely Ferrari Spider, at $300,000; he could have a couple of those. He could have a mansion you and I can only imagine, anywhere in the world. Like Onassis, he could own an island or two rather than enduring the indignity of visiting an island in the Mediterranean, say, and having to share it with others while staying at a nice hotel. Could those physical pleasures possibly be worth sacrificing the life in music that he dreamed of and ultimately achieved? I think Peter Buffett got a bargain. He gave up $100 million and got something—hard as it is to imagine—that was even more precious. A good life. I think Adam Smith would agree with me.

I thought about a game we loved to play called The Heavenly City. All the kids would design our mansions in Heaven, the ultimate reward we were told we'd be granted in exchange for all the deprivations and pain during our lives on Earth. Different kids had different dreams: Many wanted a house all to themselves, all the food they could imagine. And typical kid desires too: pets, toys, candy. All the things we never had. But not me. I didn't care about streets of gold or all the clothes in the world, or the real jewelry that Dorothea and the other girls fancied. I wanted books. I had a secret dream that my mansion in Heaven would be a giant library, beautiful, with tall shelves in every room, filled with every book that had ever been written. I pictured myself like the cartoon Belle, a sparkling girl with a worldly name that didn't come from anywhere in the Bible and meant beautiful, who'd been gifted the most precious thing I could imagine- the freedom to read, the ability to teach herself anything she wanted. Even though she was a prisoner in the Beast's castle, Belle had the freedom of her own mind.

Darling, may I hold your hand? Am I asking too much? Maybe it’s reckless to love, When my heart is made of glass. But if I am to fall, Oh, let it be with you, For I know you’d handle it with care.” He continued, pouring his heart out in the solitude of the sleeping mansion. “Darling, you are the sun when it’s raining, The light when I’m fading, The glimpse of a life I could live. You are the promise of change, Of a soul uncaged, And, darling, I’m dreaming Of a life with you now. Oh, darling, I’m dreaming, Of a life with you now.

And, yes, I am aware that there are also many in this room who are currently leading lives you love. You’re an epic success in the world, fully on your game and enriching your families and communities with an electricity that borders on otherworldly. Nice work. Bravo. And, yet, you too have experienced seasons where you’ve been lost in the frigid and dangerous valley of darkness. You, too, have known the collapse of your creative magnificence as well as your productive eminence into a tiny circle of comfortableness, fearfulness and numbness that betrayed the mansions of mastery and reservoirs of bravery inside of you. You, too, have been disappointed by the barren winters of a life weakly lived. You, too, have been denied many of your most inspired childhood dreams. You, too, have been hurt by people you trusted. You, too, have had your ideals destroyed. You, too, have had your innocent heart devastated, leaving your life decimated, like a ruined country after ambitious foreign invaders infiltrated it.

In my father's house there were many mansions and they were all the same, labyrinthian interiors smelling of damp plaster and varnish, the dark hallways narrow, hung with sepia prints of places no one ever visited or would ever dream of visiting - Hong Kong, Abu Simbel, Nasirabad - a seemingly endless bolt of oriental carpet streaming down the stairs and flooding the rooms, its disconcerting flotsam bobbing up in isolated squares of sunlight, all those grimacing flowers, horned faces, toothless mouths flung to the nethermost nook and cranny, lapping here against a broom closet door, pooling there around an umbrella stand, puddling at last beneath a snarl of hair and dust.

digital world you want—you don’t have to only play games that big companies make. In Roblox, you can log in and join your friends in any of thousands of different game worlds. Some games are just for fooling around, some are about trying to reach a goal, and others are all about building cities or worlds. The best thing about Roblox is that it gives you the power to make whatever game you can dream up. You could: • Craft your own island to hang out on, with a mansion full of your favorite things, and invite friends over for a virtual party

But what about my house in Heaven?" I asked, my tone soft and piteous. "Whatever would I do there? It's filled with my memories of Obadiah. We built it together with our own hands. We laid the marble and carved the statues. I sewed the curtains, the bedclothes and the tapestries. I even created the flowers and the landscaping which surrounded our grand mansion beside the sea…" I begin to sob, and Arik pulls me close. I rest my cheek against his chest and close my eyes. "Wh-When we first got to Heaven--me an' Obadiah--we were all each other had. Everyone else was still down on earth, mournin' us. Our physical bodies had been destroyed by Hana's guillotines. Timothy knew that his own death was comin', and he had specifically asked for the two of us to go and make a place for him in Heaven. When we arrived, Heaven was beautiful, but empty. I was suddenly able to see again, and the colors…my heart just danced, y'know? I began to create right away: houses, flowers, animals…it was glorious. I was never happier. It filled up my heart and pushed out the anguish an' guilt that I felt about leavin' all of you behind on earth to suffer. Obadiah and I were filled with so much joy then. I had never seen him so happy. An' the horses, Arik…the horses were his…beautiful, winged creatures, completely dedicated to him, but forever free...he would never have dreamed of restraining them. We would sit on the lanai and watch them...these beautiful creatures, who had nothing in their hearts but love…" I snuggle closer as he presses my head against his chest and weeps with me.

The Curve There is a curve somewhere, I am in search of, Like the glimpse of a scythe in a mundane field, Or the drooping fairy in form of Chinese lantern, Sometimes it peeps through a broken door Of some dilapidated mansion, The reign of which now belongs to void, And pride went past heritage. Why on earth moses symbolizes melancholy? I can't take my eyes off from their rebellious green, As if it merges with my previous birthstones, Where I was in waiting, For the same curve, The lost one.

think I’m just trying to find what’s real. Dreamin’ of mansions isn’t a bad thing. But there’s got to be more to life than just enduring or dreaming. And too often, it feels like hope is the only thing most people have. Rich, poor, sick, healthy—we’re all just drowning in dreams and hoping someone else will make them come true.

The fact of the matter is that you hate America; hate it with all the unrepentant, unreasoning fury of a Nazi stormtrooper or a southern slaveowner or a Syrian suicide bomber; have hated it since you were a sniveling schoolgirl in a shriveled up Irish backwater in Queens, since you were a spoiled college girl spitting in soldier's faces, since you first learned the awful truth that America has no use for pitiful imposters like you. You're not an aristocrat, Marian dear. You're an Irish potato farmer in a plumed hat, fighting for a white-columned mansion you never had and never will.

Anything that is taxed by the government, like a house or car, will forever require income to keep it in your life. This means that when we dream of living in a fancy mansion with chandeliers, we’re really yearning to fill our life with additional cost and financial burden.

In the end, our evaluation of what is ‘good’ can be entirely subjective. Our brains are pushed and pulled by the powerful synergy of memory, culture and images. So our concept of the right house, car or neighbourhood might be as much a result of happy moments from our past or images that flood us in popular media as of any rational analysis of how these elements will influence the moments of our lives. Given the images that the contemporary city dweller’s hippocampi has filed away, this information storm can easily lead to unreasonable expectations. Consider a little girl’s first dream home: the dollhouse. When the toy manufacturer Mattell held a contest to create a new home for their iconic Barbie toy in 2011, the winning design was the equivalent of a 4,880-square-foot glass mansion on three acres.19 Estimated construction cost in real life: $3.5 million. As sure as that house was pink, its dimensions will be transposed onto the aspirations of a generation of girls who grow up playing with it.

(Memory is a mansion, and dreams are the spaces between its walls.)

As Emma's final days drew near, she reported a vision in which Joseph came to her. In the dream she put on her bonnet and shawl and went with him: "I did not think that it was anything unusual. I went with him into a [beautiful] mansion, and he showed me through the different apartments." One room was a nursery, and there she saw with joy an infant in the cradle. Emma continued, "I knew my babe, my Don Carlos that was taken from me." Emma sprang forward, caught the child up in her arms, held him to her exultant heart, and wept with joy. Recovered from the overwhelming emotion of once again holding her little one, she turned to Joseph and asked, "Joseph, where are the rest of my children?" He responded, "Emma, be patient and you shall have all of your children." As her vision closed, Emma saw standing by Joseph's side a personage of light, even the Lord Jesus Christ. That vision must have been a final seal of peace upon Emma's heart, writing upon it her precious sealing to Joseph on that beautiful spring day in 1843. A few days later, Emma trembled at the threshold of eternity, surrounded by her loved ones. Suddenly she raised herself up, stretched out her hand, and called, "Joseph! Joseph!" Then, sinking back into her son's arm, she clasped her hands on her chest and was gone. At last they were together once more--Joseph and Emma, hearts twined as one, never to be separated again.

Taking a deep breath, Sailor decided to lay himself at her feet. "I was imagining the future and thinking of how if everything went according to plan, I'd have a very successful business with a high turnover." He made sure his hands were locked behind Ísa's back--just in case she decided to leave him in her dust a fourth time. "And since I'd be rich, I'd be able to buy houses and other nice things for my family." Ísa frowned. "I don't think your family expects that." "They don't exactly need my largess either," Sailor muttered. "But in my future fantasy, I'm buying everyone fancy cars and houses. Go with it." Ísa's lips twitched. "Okay, big spender. What else is fantasy Sailor doing?" "He's building a ginormous mansion. Swimming pool, tennis court, the works." "Is he hiring a buff personal masseuse named Sven?" "Hell no." He glared at her. "The masseuse is a fifty-year-old forner bodybuilder named Helga. Now, can I carry on?" Pretending to zip up her lips and throw away the key, Ísa made a "go on" motion. "Future Sailor is also creating a huge walk-in closet for you and filling it with designer shoes and clothes. He's giving you everything your heart desires." A flicker of darkness in Ísa's gaze, but she didn't interrupt... though her hands went still on his shoulders. "And there's a tricked-out nursery too," he added. "Plus a private playground for our rug rats." Throat moving, Ísa said, "How many?" It was a husky question. "Seven, I think." "Very funny, mister." "I'm not done." Sailor was the one who swallowed this time. "And in this fantasy house, future Sailor walks in late for dinner again because of a board meeting, and he has a gorgeous, sexy, brilliant wife and adorable children. But his redhead doesn't look at him the same anymore. And it doesn't matter how many shoes he buys her or how many necklaces he gives her, she's never again going to look at him the way she did before he stomped on her heart. Ísa's lower lip began to quiver, but she didn't speak. "I'm so sorry, baby." Sailor cupped her face, made sure she saw the sheer terror he felt at the thought of losing her. "I've been so tied to this idea of becoming a grand success that I forgot what it was all about in the first place--being there for the people I love. Sticking through the good and the bad. Never abandoning them." Silent tears rolled own Ísa's face. "But that great plan of mine?" he said, determined not to give himself any easy outs. "It'd have mean abandoning everyone. How can I be there for anyone when all I do is work? When I shove aside all other commitments? When the people I love hesitate to ask for my time because I'm too tired and too busy?" Using his thumbs, he rubbed away her tears. More splashed onto the backs of his hands, her hurt as hot as acid. "Spitfire, please," he begged, breaking. "I'll let you punch me as many times as you want if you stop crying. With a big red glove. And you can post photos online." Ísa pressed her lips together, blinked rapidly several times. And pretended to punch him with one fist, the touch a butterfly kiss. Catching her hand, he pressed his lips to it. "That's more like my Ísa." He wrapped his arms around her again. And then he told her the most important thing. "I realized that I could become a multimillionaire, but it would mean nothing if my redhead didn't look at me the way she does now, if she expected to have to take care of everything alone like she's always done--because her man was a selfish bastard who was never there." Ísa rubbed her nose against his. "You're being very hard on future Sailor," she whispered, her voice gone throaty. "That dumbass deserves it," Sailor growled. "He was going to put his desire to be a big man above his amazing, smart, loving redhead.

Mr. Bronson,” she said a bit unsteadily, “I—I will see you at supper.” Bronson's face wore an expression of seriousness identical to her own. “Let Rose eat with us,” he said. “Don't any upper-class children have supper with their families?” Holly took a long moment to answer. “In some country homes the children are allowed to eat en famille. However, in most well-to-do households the children take separate nursery meals. Rose has become accustomed to the arrangement at the Taylor' mansion, and I should dislike to change a familiar ritual—” “But there she had other children to eat with, didn't she?” Bronson pointed out. “And here she has to take most meals by herself.” Holly glanced into her daughter's small face. Rose seemed to be holding her breath, waiting with silent excitement to see if her unexpected champion would succeed at gaining her a place at the adults' dinner table. It would be easy for Holly to insist that Rose adhere to the traditional mealtime separation between grown-ups and children. However, as Bronson and the little girl both stared at her expectantly, Holly realized with a flash of amused despair that yet another boundary was to be broken. “Very well,” she said. “If Rose behaves well, she may take meals with the family from now on.” To Holly's surprise, Rose flew to Bronson with an exclamation of happiness and threw her arms around his leg. “Oh, Mr. Bronson,” she cried, “thank you!” Grinning, Bronson disentangled her little arms and sank to his haunches. “Thank your mother, princess. I only asked. She was the one who gave permission.” Bouncing back to Holly, Rose decorated her face with kisses. “Darling,” Holly murmured, trying not to smile, “let's go upstairs and change your pinafore and wash your face before dinner. We can't have you looking like a ragamuffin.” “Yes, Mama.” Rose's small hand took hers, and she skipped eagerly as she led Holly away.

To each his fate in love, I suppose.

The chilling atmosphere of the secluded old mansion on the mountaintop was enough to give anyone the creeps. Given the choice, Nelie would rather live in a trailer park or a tree trunk but, alas, living in the old mansion had been her childhood dream. She had other dreams but those were about naked men and winning the lottery and finding a word that rhymed with eggshell. from Love in the Time of Rising Gas Prices

It seems to me that, whether it is recognized or not, there is a terrific frustration which increases in intensity and harmfulness as time goes on, when people are always daydreaming of the kind of place in which they would like to live, yet never making the place where they do live into anything artistically satisfying to them. Always to dream of a cottage by a brook, while never doing anything original to the stuffy boarding-house room in a city; always to dream of a rock, glass, and timber house on the cliffs above the sea, while never putting anything of yourself into the small village brick house; or to dream of what you could do with a hut in the jungle yet never to think of your inherited family mansion as anything but a place to mark time, is to waste creativity by not allowing it to grow and develop through use. Trying out all the ideas that come to you, within the limits of your present place, money, talents, materials and so forth, will not use up everything you want to save for the future, but will rather generate and develop more ideas.

Saudi Arabia and its neighbors had dreams bigger than the subcontinent, but a population of princes reluctant to do manual labor.

You don't need to have it all before you start, you don't need to know everything, you don't need to understand fully how it works and you don't need to be sure or assured of the future. Start with a strong passion, use what you have in your hands and build your dream. The builder builds a mansion by putting one block at a time. Also, the car headlights can only see 20 metres ahead but can take you to a 1000 miles journey. Meaning start small but think big.

To make something big, it is very important to have big thinking.

The great suburban mansions and modest tract homes are often silent all day, mausoleums to a dream, the streets hushed until the schoolchildren return home.

Anne’s home then was already centuries old and though beautiful as it was, I cannot say I had ever felt at ease in the great Hall. Shadows, creaks, and groans as well as whispers and growls have forever lived within its walls. Evil was part of its foundations and even then, the rambling mansion harboured many souls and secrets. This is something inevitable in a place as old as Loftus Hall.

Haunted mansions dream in the machine.

In the ghetto there is a mansion, and it is my father's house... Its expansive lawn is utterly useless, wild like it smokes its own grass and dreams of being a jungle.

Let people try to tell her she was dreaming now. Let them say that teachers couldn’t rent stunning mansions for an entire summer. She’d shown them. After two decades, Sand Dollar Point was hers. At least it was for the next

When we’re young, adults tend to dismiss our fantasies and dreams as unimportant, but if you work hard, you can turn dreams into reachable goals.

Someone who can’t bear the truth can’t bear the imagination either. Your dream cities are worth nothing to me. Your mansions and engineersgive nothing to my soul … you, your leaders and barons create these cities because you can’t bear to look at the real city, whereas I can arrive at the gardens of imagination precisely because I dare to look upon all this sadness. You can’t look at the hideous streets or the troubled people in them. You can’t look at the withered gardens with their dead flowers. Your Excellency, I don’t need your dream city, I have my own. And my own imaginary garden. I have walked the streets of this city for thirty years. This is my dream city.

You are a mansion with infinite rooms, yet you've convinced yourself you have to live in the basement.

While you sleep, you are oppressed by dark meandering dreams. They’re characterized by an oppressive feeling of endless overcast shadow. The world is encased in dim blue darkness, and white ash is drifting everywhere. You find yourself in an abandoned tennis court that has gone to seed. The birds have stopped singing, the robins have disappeared and you become one of only thousands of people left. More than half of humanity has died of disease, pestilence, and military genocide. Fat golden rats scurry here and there among severed heads lying all around the tennis court in varying stages of putrid decay. As you walk out of the exit, you see piles of dead soldiers in rotting heaps, victims of mass poisoning by rebel civilians smart enough to fool them with Kool Aid on a hot day. Men, women and children lie everywhere, their empty bodies’ ravaged, their desiccated purple tongues, stick limbs and empty eye sockets all that’s left of them. They were the fortunate ones, shot through the head, the illiterate civilians whose organs were harvested for the criminal elite. The elite live high up in the hills with their armed guards inside abandoned mansions with no electricity or running water. Harvested as replacement organs for the sick or as dinner for those who used to enjoy beef liver, the elite are the only ones with handguns and rifles and everyone else is at their mercy hiding in the abandoned buildings all through downtown and the industrial area of NW Portland.

I can no more; for now it comes again, That sense of ruin, which is worse than pain, That masterful negation and collapse Of all that makes me man; as though I bent Over the dizzy brink Of some sheer infinite descent; Or worse, as though Down, down for ever I was falling through The solid framework of created things, And needs must sink and sink Into the vast abyss. And, crueller still, A fierce and restless fright begins to fill The mansion of my soul. And, worse and worse, Some bodily form of ill Floats on the wind, with many a loathsome curse Tainting the hallow'd air, and laughs, and flaps Its hideous wings, And makes me wild with horror and dismay.