Manor House Quotes

I dreamed of a green place once,” he whispered. “A manor house and a little girl with red hair, and preparations for a wedding. If there are other worlds, then maybe there is one where I was a good brother and a good son.

What's burning down is a re-creation of a period revival house patterned after a copy of a copy of a copy of a mock Tudor big manor house. It's a hundred generations removed from anything original, but the truth is aren't we all?

…the painting was now all finished, she would leave the masking tape on till it dried. It was satisfying to do this. A job with a beginning, middle and end, and people to have dinner with. Don’t think about it, keep busy. Got no money anyway.

…. ‘George said he needed a break. And there was something about Jonathan taking over …’   ‘That’s exactly what I mean,’ said Maxwell, ‘It seems like there’s all kinds of goings on there now.’ ‘What did the agents say then?’ ‘Your brother … he must still have a key. I told them to check, I told them. I expect they overlooked it. Hugo’s been going in and there are some women there apparently, I mean at the Manor House, Jonathan’s up to his usual tricks taking in every Tom, Dick and Harry and giving all kinds of undesirables a home, and there’s something about them chasing Hugo and taunting him, yesterday the buyers were viewing again and measuring up for curtains and things, I said they could, and they saw something going on outside, some shouting and laughing …’   ‘Women! What women? Jonathan’s not like that …’   ‘Not like that huh! He’s flesh and blood like the rest of us.’  ‘That’s not what I meant. Please don’t be angry Max, it’s not my fault.’ ‘Jonathan this and Jonathan that. Why do people think he’s so bloody marvellous eh! What the hell does he think he’s doing. People spilling over into my garden and wrecking the peace and quiet. George was completely mad to do this …

But when his accusers rose to speak they brought none of the charges I was expecting; they merely had several points of disagreement with him about their peculiar religion and about someone called Jesus, a dead man whom Paul alleged to be alive … Jonathan read on, fascinated by the story, there were so many interesting details. But then he paused – was it the true story it said it was?

He turned to look at her and spoke in a low voice. ‘So many questions Anthea. Perhaps it’s time I asked you a few questions.’ ‘What do you mean.’ ‘Who were you thinking about? This morning?’ ‘What? You mean when we …’ ‘You know what I mean. Who was in your mind?’ ‘I don’t really think while, you know … ‘  ‘I don’t believe you.

Jeremy, I’ll say this once,’ he (Jonathan) began, ‘I’m not going to be drawn into any silly squabble you want to invent. I am not going to defend my recent behaviour in the village or anywhere else. I am not going to tell you my plans, I have had reasons for everything I’ve done and a great deal of thinking has gone into my recent very painful decisions…

Was there something … something evil …getting at Hugo? This bizarre and unwelcome thought surfaced in his mind. Were demons and evil spirits only to be found in the bible stories, or maybe this was some sort of challenge to him to deal with without help from anyone, least of all from the One who he constantly questioned and tried to understand …

Attacking a provincial lord in his manor house, surrounded by guards...Honestly, Kell, I'd nearly forgotten how foolhardy you can be. "Foolhardy?" Kelsier asked with a laugh. "that wasn't foolhardy - that was just a small diversion. You should see some of the things I'm planning to do! Dockson stood for a moment then he laughed too. "By the Lord Ruler, it's good to have you back, kell! I'm afraid I've grown rather boring during the last few years" "We'll fix that" Kelsier promised.

Idris had been green and gold and russet in the autumn, when Clary had first been there. It had a stark grandeur in the winter: the mountains rose in the distance, capped white with snow, and the trees along the side of the road that led back to Alicante from the lake were stripped bare, their leafless branches making lace-like patterns against the bright sky. Sometimes Jace would slow the horse to point out the manor houses of the richer Shadowhunter families, hidden from the road when the trees were full but revealed now. She felt his shoulders tense as they passed one that nearly melded with the forest around it: it had clearly been burned and rebuilt. Some of the stones still bore the black marks of smoke and fire. “The Blackthorn manor,” he said. “Which means that around this bend in the road is …” He paused as Wayfarer summited a small hill, and reined him in so they could look down to where the road split in two. One direction led back toward Alicante — Clary could see the demon towers in the distance — while the other curled down toward a large building of mellow golden stone, surrounded by a low wall. “ … the Herondale manor,” Jace finished. The wind picked up; icy, it ruffled Jace’s hair. Clary had her hood up, but he was bare-headed and bare-handed, having said he hated wearing gloves when horseback riding. He liked to feel the reins in his hands. “Did you want to go and look at it?” she asked. His breath came out in a white cloud. “I’m not sure.

A minor fief had risen up against their cruel and avaricious lord, with hundreds of people surrounding his Manor house, threatening to burn it to the ground. The panicked nobleman's message for help was answered by the arrival of a single Ranger. Aghast, the nobleman confronted the solitary cowled figure. 'They sent one Ranger?' he said incredulously. 'One man?' 'How many riots do you have?' the Ranger replied.

sorrow rushed into her soul, moaning softly like the winter wind in abandoned manor houses.

There is no father,’ he said eventually, ‘And I believe you’re running away from something. You’re a lovely woman trying to hold it all together but it’s too much for you. You think I’m a stupid old man who doesn’t care what he looks like and sits here day after day with nothing to do. And doesn’t notice anything. But you don’t know what’s here inside …’ he laid his arm across his chest, ‘My soul and my heart and my mind. There is so much in here it’s bursting and roving around the world like a lost soul with no home, endlessly looking and searching. I feel the mystery, I sense the mysteries – and the endless joy and the wonder and incredible beauty of the world and the pain and the cruelty. You feel all this too Sarah, but you pretend you’re a shallow woman with some sort of story, and underneath you think about … many things. Which of my books are you itching to get your hands on, huh? And you’re carrying the pain around with you, and something has just happened, and you are worried and, something has happened in the last few minutes and it’s all more than you can bear, and you need to tell me, yes me, Samuel. I am so much more than you think I am, and I can understand, and I can help.’ Ruby looked up startled and their eyes met. ‘I am so tired,’ she said, ‘Yes, you are right. I am so very tired of it all.' 

On the seventh of May, Cerise Mar, Erian Mar, and Mikita Mar traveled to the aforementioned manor house and found Lagar Sheerile, Peva Sheerile, Arig Sheerile, and several men in their employ on the premises. Cerise Mar voiced a polite and a nonviolent request that they get the hell off our land, which was refused.

Moriarty smiled his adder’s smile. And I relaxed. I knew. My destiny and his wound together. It was a sensation I’d never got before upon meeting a man. When I’d had it from women, the upshot ranged from disappointment to attempted murder. Understand me, Professor James Moriarty was a hateful man, the most hateful, hateable, creature I have ever known, not excluding Sir Augustus and Kali’s Kitten and the Abominable Bloody Snow-Bastard and the Reverend Henry James Prince. He was something man-shaped that had crawled out from under a rock and moved into the manor house. But, at that moment, I was his, and I remain his forever. If I am remembered, it will be because I knew him. From that day on, he was my father, my commanding officer, my heathen idol, my fortune and terror and rapture.

Geralt knew that bonnet and that feather, which were famed from the Buina to the Yaruga, known in manor houses, fortresses, inns, taverns and whorehouses. Particularly whorehouses.

But I awoke at three, feeling terribly sad, and feeling rebelliously that I didn't want to study sadness, madness, melancholy, and despair. I wanted to study triumphs, the rediscoveries of love, all that I know in the world to be decent, radiant, and clear. Then the word "love", the impulse to love, welled up in me somewhere above my middle. Love seemed to flow from me in all directions, abundant as water--love for Cora, love for Flora, love for all my friends and neighbors, love for Penumbra. This tremendous flow of vitality could not be contained within its spelling, and I seemed to seize a laundry marker and write "luve" on the wall. I wrote "luve" on the staircase, "luve" on the pantry, "luve" on the oven, the washing machine, and the coffeepot, and when Cora came down in the morning (I would be nowhere around) everywhere she looked she would read "luve", "luve", "luve." Then I saw a green meadow and a sparkling stream. On the ridge there were thatched-roof cottages and a square church tower, so I knew it must be England. I climbed up from the meadow to the streets of the village, looking for the cottage where Cora and Flora would be waiting for me. There seemed to have been some mistake. No one knew their names. I asked at the post office, but the answer here was the same. Then it occurred to me that they would be at the manor house. How stupid I had been! I left the village and walked up a sloping lawn to a Georgian house, where a butler let me in. The squire was entertaining. There were twenty-five or thirty people in the hall, drinking sherry. I took a glass from a tray and looked through the gathering for Flora and my wife, but they were not there. Then I thanked my host and walked down the broad lawn, back to the meadow and the sparkling brook, where I lay on the grass and fell into a sweet sleep.

The next day was, for Emma, a dismal one. Everything seemed enveloped in a black atmosphere that hovered indistinctly over the exterior of things, and sorrow rushed into her soul, moaning softly like the winter wind in abandoned manor houses. It was the sort of reverie you sink into over something that will never return again, the lassitude that overcomes you with each thing that is finished, the pain you suffer when any habitual motion is stopped, when a prolonged vibration abruptly ceases.

There are families whose greatness lies in their past, and in their legacies, Mrs. Schuyler answered. That is a quality much to be admired, for tradition is what binds us as a society. But there are some families, like some nations, whose greatness is a future development, and that quality, though harder to discern than the prestige of manor houses and coats of arms and titles of rank and office, is no less valuable, if, indeed, not more so.

Like Doctor Who’s TARDIS, or like the house in that book Anna had loaned him once, the one where a bunch of young assholes got lost while driving through a mountain range and wound up at the creepy manor home of a monster disguised as a human.

Maroc leaps down to the ring-yard, passes a pond of lilies, then the big stones around a purple willow tree and the sandy ground where only training happens. He fixes the gloves on his hands, just as the knight of Kuhawk should before dealing with an unwanted intruder of this … house? Manor? Palace? … No matter what you call it, if you knew its secrets, you’d call it something else entirely.

The whole area, manor house, Clink, all eighteen brothels and the handsome profits therefrom, belonged to and was ruled by the bishop.

In the American South, there are hundreds of Civil War battle monuments and preserved plantation manor houses for every exhibit that in any way marks the existence of slavery. And yet the world we live in—its divisions and conflicts, its widening gap between rich and poor, its seemingly inexplicable outbursts of violence—is shaped far less by what we celebrate and mythologize than by the painful events we try to forget. Leopold’s Congo is but one of those silences of history.

Oh dear God, no, stop!" Fumblefoot gave her a reproachful look. Stop what? I have broken into an enchanted manor house and my pony has crapped on the floor. Oh God. -Bryony and Roses by T. Kingfisher

Shame on those who remain unmoved, whose pace fails to quicken, on entering one of these old habitations, a manor-house falling to wrack and ruin or a desecrated church!

Three centuries had flowed past the old Manor House, centuries of births and of homecomings, of country dances and of the meetings of fox hunters. Strange that now in its old age this dark business should have cast its shadow upon the venerable walls! And yet those strange, peaked roofs and quaint, overhung gables were a fitting covering to grim and terrible intrigue. As I looked at the deep-set windows and the long sweep of the dull-coloured, water-lapped front, I felt that no more fitting scene could be set for such a tragedy.

The creeping plants about the old manor-house were bowed with rows of heavy water drops, which had upon objects behind them the effect of minute lenses of high magnifying power.

Oh deaf Gog, no, stop!" Fumblefoot gave her a reproachful look. Stop what? "I have broken into an enchanted manor house and my pony has crapped on the floor. Oh God.

She soon decided that she disliked the south, everything except for the humongous manor house. She did adore that. And perhaps, maybe Warren, since he came with the house.

The manor house creaked with joy to have someone inside it again. It let a floorboard give way just to feel him brush against its walls.

Evie is standing halfway down the big staircase in the manor house foyer, naked inside what’s left of her wedding dress, still holding her rifle.

Up and down the land, in brothels and manor houses alike, women sat waiting for a man to rescue them. Were they aware that the cure they were hoping for could easily become their curse?

The day he had been torn from this world had been a tragedy. She had stopped every clock in this house and the country manor at the time they had taken his body away, for then her world had ended.

A canon is a guarded catalogue of that speech, music and art which houses inside us, which is irrevocably familiar to our homecomings. And this will include, if honestly arrived at and declared (even if solely to oneself), all manner of ephemera, trivial, and possibly mendacious matter…No manor woman need justify his personal anthology, his canonic welcomes. Love does not argue its necessities.

Ah," said Mr Jesmond, "but Christmas in England is a great institution and I assure you at Kings Lacey you would see it at its best. It's a wonderful old house, you know. Why, one wing of it dates from the fourteenth century." Again Poirot shivered. The thought of a fourteenth-century English manor house filled him with apprehension. He had suffered too often in the historic country houses of England. He looked round appreciatively at his comfortable modern flat with its radiators and the latest patent devices for excluding any kind of draught. "In the winter," he said firmly, "I do not leave London.

The night seemed varnished with a golden sheen. Carriages rounded the manor's drive, their horses pounding gravel as if to applaud the parade. One by one, gentry clothed in satin and velvet emerged from their boxes. They bid adieu to their drivers and flocked to the main house, glittering like jewels in the torchlight.

Haute couture and getting hauter. Fire inches down the foyer wallpaper. Me, for added set dressing I started the fire. Special effects can go a long way to heighten a mood, and it's not as if this is a real house. What's burning down is a re-creation of a period revival house patterned after a copy of a copy of a copy of a mock-Tudor big manor house. It's a hundred generations removed from anything original, but the truth is aren't we all?

Charles James Sinclair Redsey, who, like Mr Milne's Master Morrison, was commonly known as Jim, sat on the arm of one of the stout, handsome, leather-covered armchairs in the library of the Manor House at Wandles Parva, and kicked the edge of the sheepskin rug.

So much for women’s value in other days. Goods reared for purchase, then bought and sold in the market-place, or rather manor. Small wonder that, their duty done, they looked round for consolation, either by taking a lover or by playing an active part in the bargaining over their own daughters and sons.

The remainder of my estate, including twenty-two percent of Barrington Shipping, as well as the Manor House—” Mr. Siddons couldn’t resist a glance in the direction of Lady Virginia Fenwick, who was sitting on the edge of her seat—“is to be left to my beloved … daughters Emma and Grace, to dispose of as they see fit, with the exception of my Siamese cat, Cleopatra, who I leave to Lady Virginia Fenwick, because they have so much in common. They are both beautiful, well-groomed, vain, cunning, manipulative predators, who assume that everyone else was put on earth to serve them, including my besotted son, who I can only pray will break from the spell she has cast on him before it is too late.

For years, walking round London, I had been aware of the actual land, lying concealed but not entirely changed or destroyed, beneath the surface of the nineteenth- and twentieth-century city. It has been said that 'God made the country and man made the town', but that is not true: the town is simply disguised countryside. Main roads, some older than history itself, still bend to avoid long-dried marshes, or veer off at an angle where the wall of a manor house once stood. Hills and valleys still remain; rivers, even though entombed in sewer pipes, still cause trouble in the foundations of neighbouring buildings and become a local focus for winter mists. Garden walls follow the line of hedgerows; the very street-patterns have been determined by the holdings of individual farmers and landlords, parcels of land some of which can be traced back to the Norman Conquest. The situation of specific buildings - pubs, churches, institutions - often dates from long distant decisions and actions on the part of men whose names have vanished from any record.

House-elves come with big old manors and castles and places like that;

Watching your sadness is worse than dying.  Do not die while you are still alive, my love.  Do not fear to live and love again.

A library! " Of course a house this size would have one, but how could she have been here a complete day already with day finding it?

If a man in a smoking jacket in a coal-fire-heated library in his manor house in London can understand that life is solitary, poor, nasty, brutish, and short, then how can it be denied by a man pulling a sledge stacked with frozen meat and furs across an unnamed island, through the Arctic night under a sky gone mad, towards a frozen sea a thousand miles and more from any civilised hearth?

Oh yes, it was my Venice! Beautiful, With melancholy, ghostly beauty—old, And sorrowful, and weary—yet so fair, So like a queen still, with her royal robes, Full of harmonious colour, rent and worn!

He unzipped the nylon case, and inside was a discolored frame that smelled like smoke. A thin layer of soot covered the painting under the glass- a picture of an old manor house. Gothic Victorian. Wisteria climbed the wall near the entrance, the pale-lavender blossoms clinging to the gray stone. The artist had brushed flowers below the windows as well, though those colors had been muted by the smoke damage.

The Reeve collects the rents and taxes which those who dwell on the manor must pay to my uncle regularly for their housing and farms — and for other privileges such as the right to collect firewood in the forest.

Empty—it was utterly empty here. Like a tomb. “Tam?” I called. I bounded up the front steps and into the house. I rushed inside, swearing as I slid on a piece of broken porcelain—the remnants of a vase. Slowly, I turned in the front hall. It looked as if an army had marched through. Tapestries hung in shreds, the marble banister was fractured, and the chandeliers lay broken on the ground, reduced to mounds of shattered crystal. “Tamlin?” I shouted. Nothing. The windows had all been blown out. “Lucien?” No one answered. “Tam?” My voice echoed through the house, mocking me. Alone in the wreckage of the manor, I sank to my knees. He was gone.

Enough, Aunt Josephine," Jack said, cutting her off, ignoring the stubborn light in her eyes. Oh, she was a Tremont all right, and one of the "mad" Tremonts at that, but she was no longer in charge of this house. He was. And it was about time he took the reins of this manor and ran it as he saw fit. "There will be no next time," he told her. "But Jack, my dear boy--" He rose from Miranda's side. "There will be no next time. For any of you. I have had enough of seeing my friends, my family, let alone the woman I love risk life, limb, and for what?" He paced the room. "There will never be an end to this if something isn't done, so I am ending it. Here and now." "But Jack--" Miranda protested. He swung around on her. "And not a word from you. Do you think I want my wife risking her life on such an improper fashion?" "You love me?" she whispered. "Yes," he barked at her. She grinned up at him. "You want to marry me?" "Should have years ago." He paced back and forth. "I lost you once, Miranda, I shall not lose you again." He crossed his arms over his chest and glared at everyone in the room, daring them to defy him.

His two-month search for Charlotte had led him to Hampshire, a place of heather-carpeted hills, ancient hunting forests, and treacherous valley bogs. The western country was prosperous, its twenty market towns abundantly filled with wool, timber, dairy products, honey, and bacon. Among the Hampshire's renowned estates, Stony Cross Park was considered to be the finest. The manor house and private lake were situated in the fertile Itchen River valley.

There could not be a manor house. There had never been a manor house anywhere near Lostfarthing. Nobles did not come to Lostfarthing. It was not possible for a noble to disgrace themselves badly enough to be exiled this far east. The Duke of Entwood had been convicted of black magic, cannibalism, and high treason, and while he’d been burned at the stake, his heirs had only been sent as far east as Blue Lady, which was still two day’s travel west of Skypepper.

We were not married; she was not a dark and brooding man. It was hardly a crumbling ancestral manor; just a single-family home, built at the beginning of the Great Depression. No moors, just a golf course. But it was "woman plus habitation," and she was a stranger. That is probably the truest and most gothic part; not because of war or because we'd only met with chaperones before marriage; rather because I didn't know her, not really, until I did. She was a stranger because something essential was shielded, released in tiny bursts until it became a flood-a flood of what I realized I did not know. Afterward, I would mourn her as if she'd died, because something had: someone we had created together.

If there was one thing Thom had learned a long time ago, it was that prisons could look like anything. Some looked like cells with nothing but white walls to stare at; some looked like camps or cliff-side buildings with pens and arenas; some looked like fighting rings or rich manor houses or small shacks in the middle of the forest; some were of your own making, others forced you there against your will, some were inside your own mind. And still others looked like a palace.

Great diggings and foundations spread across what had been the Warders’ practice yard, tall wooden cranes and stacks of cut marble and granite. Masons and laborers swarmed over the workings like ants, and endless streams of wagons trailed through the gates onto the Tower grounds, bringing more stone. To one side stood a wooden “working model,” as the masons called it, big enough for men to enter crouching on their heels and see every detail, where every stone should go. Most of the workmen could not read, after all—neither words nor mason’s drawn plans. The “working model” was as large as some manor houses. When any king or queen had a palace, why should the Amyrlin Seat be relegated to apartments little better than those of many ordinary sisters? Her palace would match the White Tower for splendor, and have a great spire ten spans higher than the Tower itself. The blood had drained from the chief mason’s face when he heard that. The Tower had been Ogier-built, with assistance from sisters using the Power. One look at Elaida’s face, however, set Master Lerman bowing and stammering that of course all would be done as she wished. As if there had been any question. Her mouth tightened with exasperation. She had wanted Ogier masons again, but the Ogier were confining themselves to their stedding for some reason. Her summons to the nearest, Stedding Jentoine, in the Black Hills, had been met with refusal. Polite, yet still refusal, without explanation, even to the Amyrlin Seat.

By the way, if you're ever conversing with an actual vampire, do not refer to the House of Shadows as Twilight Manor. There's a reason vampires aren't known for their senses of humour. If you accidentally do so, I'd say run, but it's probably already too late.

As I learned the house, and began to read, and began to see more of the Quality, I saw that just as the fields and its workers were the engine of everything, the house itself would have been lost without those who tasked within it. My father, like all the masters, built an entire apparatus to disguise this weakness, to hide how prostrate they truly were. The tunnel, where I first entered the house, was the only entrance that the Tasked were allowed to use, and this was not only for the masters’ exaltation but to hide us, for the tunnel was but one of the many engineering marvels built into Lockless so as to make it appear powered by some imperceptible energy. There were dumbwaiters that made the sumptuous supper appear from nothing, levers that seemed to magically retrieve the right bottle of wine hidden deep in the manor’s bowels, cots in the sleeping quarters, drawn under the canopy bed, because those charged with emptying the chamber-pot must be hidden even more than the chamber-pot itself. The magic wall that slid away from me that first day and opened the gleaming world of the house hid back stairways that led down into the Warrens, the engine-room of Lockless, where no guest would ever visit. And when we did appear in the polite areas of the house, as we did during the soirées, we were made to appear in such appealing dress and grooming so that one could imagine that we were not slaves at all but mystical ornaments, a portion of the manor’s charm. But I now knew the truth—that Maynard’s folly, though more profane, was unoriginal. The masters could not bring water to boil, harness a horse, nor strap their own drawers without us. We were better than them—we had to be. Sloth was literal death for us, while for them it was the whole ambition of their lives. It occurred to me then that even my own intelligence was unexceptional, for you could not set eyes anywhere on Lockless and not see the genius in its makers—genius in the hands that carved out the columns of the portico, genius in the songs that evoked, even in the whites, the deepest of joys and sorrows, genius in the men who made the fiddle strings whine and trill at their dances, genius in the bouquet of flavors served up from the kitchen, genius in all our lost, genius in Big John. Genius in my mother.

I could not see the rats, scuttling in the shadows, or hear the crunching of termites, feasting on rafters and braces. I could not feel the ivy, ripping at stone, turning towers into sand. I knew nothing yet of the cloying sickness of relations in that house. To me, the manor was simply beautiful. I was, after all, a child.

Mr. Bingley intended it likewise, and sometimes made choice of his county; but as he was now provided with a good house and the liberty of a manor, it was doubtful to many of those who best knew the easiness of his temper, whether he might not spend the remainder of his days at Netherfield, and leave the next generation to purchase.

entire apparatus to disguise this weakness, to hide how prostrate they truly were. The tunnel, where I first entered the house, was the only entrance that the Tasked were allowed to use, and this was not only for the masters’ exaltation but to hide us, for the tunnel was but one of the many engineering marvels built into Lockless so as to make it appear powered by some imperceptible energy. There were dumbwaiters that made the sumptuous supper appear from nothing, levers that seemed to magically retrieve the right bottle of wine hidden deep in the manor’s bowels, cots in the sleeping quarters, drawn under the canopy bed, because those charged with emptying the chamber-pot must be hidden even more than the chamber-pot itself.

When I was a little girl I lived in a tiny farm worker’s cottage on the edge of a small Norfolk village where the local school was expected to send girls up to the big house whenever they were needed – seems a bloody cheek now. Just because the lady of the manor had a servant sick was that any reason to take another girl away from school? We got little enough education back then anyway.

For though I have no wish to be Queen of England—or only for a moment—I would willingly sit beside her; I would hear the Prime Minister's gossips; the countess whisper, and share her memories of halls and gardens; the massive fronts of the respectable conceal after all their secret code; or why so impermeable? And then, doffing one’s own headpiece, how strange to assume for a moment someone’s—anyone’s—to be a man of valour who has ruled the Empire; to refer while Brangaena sings to the fragments of Sophocles, or see in a flash, as the shepherd pipes his tune, bridges and aqueducts. But no—we must choose. Never was there a harsher necessity! or one which entails greater pain; more certain disaster; for wherever I seat myself, I die in exile: Whittaker in his lodging-house; Lady Charles at the manor

I pulled at the knot again and heard threads begin to pop. “Allow me, Miss Jones,” said Armand, right at my back. There was no gracious way to refuse him. Not with Mrs. Westcliffe there, too. I exhaled and dropped my arms. I stared at the lotus petals in my painting as the new small twists and tugs of Armand’s hands rocked me back and forth. Jesse’s music began to reverberate somewhat more sharply than before. “There,” Armand said, soft near my ear. “Nearly got it.” “Most kind of you, my lord.” Mrs. Westcliffe’s voice was far more carrying. “Do you not agree, Miss Jones?” Her tone said I’d better. “Most kind,” I repeated. For some reason I felt him as a solid warmth behind me, behind all of me, even though only his knuckles made a gentle bumping against my spine. How blasted long could it take to unravel a knot? “Yes,” said Chloe unexpectedly. “Lord Armand is always a perfect gentleman, no matter who or what demands his attention.” “There,” the gentleman said, and at last his hands fell away. The front of the smock sagged loose. I shrugged out of it as fast as I could, wadding it up into a ball. “Excuse me.” I ducked a curtsy and began my escape to the hamper, but Mrs. Westcliffe cut me short. “A moment, Miss Jones. We require your presence.” I turned to face them. Armand was smiling his faint, cool smile. Mrs. Westcliffe looked as if she wished to fix me in some way. I raised a hand instinctively to my hair, trying to press it properly into place. “You have the honor of being invited to tea at the manor house,” the headmistress said. “To formally meet His Grace.” “Oh,” I said. “How marvelous.” I’d rather have a tooth pulled out. “Indeed. Lord Armand came himself to deliver the invitation.” “Least I could do,” said Armand. “It wasn’t far. This Saturday, if that’s all right.” “Um…” “I am certain Miss Jones will be pleased to cancel any other plans,” said Mrs. Westcliffe. “This Saturday?” Unlike me, Chloe had not concealed an inch of ground. “Why, Mandy! That’s the day you promised we’d play lawn tennis.” He cocked a brow at her, and I knew right then that she was lying and that she knew that he knew. She sent him a melting smile. “Isn’t it, my lord?” “I must have forgotten,” he said. “Well, but we cannot disappoint the duke, can we?” “No, indeed,” interjected Mrs. Westcliffe. “So I suppose you’ll have to come along to the tea instead, Chloe.” “Very well. If you insist.” He didn’t insist. He did, however, sweep her a very deep bow and then another to the headmistress. “And you, too, Mrs. Westcliffe. Naturally. The duke always remarks upon your excellent company.” “Most kind,” she said again, and actually blushed. Armand looked dead at me. There was that challenge behind his gaze, that one I’d first glimpsed at the train station. “We find ourselves in harmony, then. I shall see you in a few days, Miss Jones.” I tightened my fingers into the wad of the smock and forced my lips into an upward curve. He smiled back at me, that cold smile that said plainly he wasn’t duped for a moment. I did not get a bow. Jesse was at the hamper when I went to toss in the smock. Before I could, he took it from me, eyes cast downward, no words. Our fingers brushed beneath the cloth. That fleeting glide of his skin against mine. The sensation of hardened calluses stroking me, tender and rough at once. The sweet, strong pleasure that spiked through me, brief as it was. That had been on purpose. I was sure of it.

I'll tell you this. I've labored all my life. I've baked and brewed. I've woven, spun, and dyed. I've kept my husband's house and raised his young. And many other things besides. So where was time for holiness? What strength was left for faith? Let monks and nuns and priests have care of that. The dead shall rise? The Lord himself will sit as justicer in manor court? It may be true for all I know. But in the meanwhile bread, beer, work, and rest at night, they're truth enough for me.

It was Spring, and yet it wasn't. It was not the land I had once roamed in centuries past, or even visited almost a year ago. The sun was mild, the day clear, distant dogwoods and lilacs still in eternal bloom. Distant- because on the estate, nothing bloomed at all. The pink roses that had once climbed the pale stone walls of the sweeping manor house were nothing but tangled webs of thorns. The fountains had gone dry, the hedges untrimmed and shapeless. The house itself had looked better the day after Amarantha's cronies had trashed it. Not for any visible signs of destruction, but for the general quiet. The lack of life. Though the great oak doors were undeniably worse for wear. Deep, long claw marks had been slashed down them. Standing on the top step of the marble staircase that led to those front doors, I surveyed the brutal gashes. My money was on Tamlin having inflicted them after Feyre had duped him and his court. But Tamlin's temper had always been his downfall. Any bad day could have produced those gouge marks. Perhaps today would produce more of them.

The drive to Livingston Manor was an hour and a half of snaking backcountry roads. It was already getting dark, the sky fading to a bruised blue. There were no street signs along Benton Hollow Road, no house numbers, no streetlights, not even any lines — just my car’s faded headlights, which didn’t so much push back the advancing dark as nervously rummage through it. To our left was a wall of solid shrubbery, barbed and impenetrable; to our right, vast black land stretched out, rumpled pastures and faded farmhouses, a lone porch light punctuating the night.

To protect them from Hitler’s bombers, the curators secreted Wallace’s and Darwin’s bird skins in unmarked lorries to manors and mansions throughout the English countryside. Among the safe houses was a private museum in the tiny town of Tring, built by one of the richest men in history as a twenty-first-birthday present for his son. Lionel Walter Rothschild would grow up to earn many distinctions: the Right Honorable Lord, Baron de Rothschild, member of Parliament, adulterer, blackmail victim, and one of the most tragically obsessive bird collectors ever to roam the earth.

Poppy Pink is a unicorn, but not just any unicorn. She is a member of the Pinkerton Manor family of unicorns. She was indeed a vision as she stepped from her transport. Poppy Pink is pink all over, but her mane and tail are the purest white and so soft and silky. Her hooves are silver and look like dancing shoes, and they match her sparkling, silver, spiralled horn. 'Oh Poppy,' gasped Oona. 'You look beautiful.' 'I know I do Oona. I suppose you don't look too bad either… for a dragon.' Poppy Pink was a snob, and there wasn't anyone, unicorn or dragon, who was better than her. Well, she was a third generation Pinkerton Manor unicorn, and Pinkerton Manor was only the biggest Manor House in the county. How could anyone possibly be better? Poppy Pink looked down at her feet. They were very muddy. 'Ugh, look at my beautiful, shiny, hooves Oona,' whined Poppy Pink. 'We don't have mud at Pinkerton Manor, even when it rains.' Poor Oona Orange-Blackspot looked downhearted. 'So sorry Poppy. I wish it hadn't rained for your visit.' 'So do I,' sniffed Poppy Pink. 'I find this weather very tiresome. It never rains enough to cause mud at Pinkerton Manor.

The illusions of childhood had vanished, so also had the ideas he brought with him from the provinces; he had returned thither with an intelligence developed, with loftier ambitions, and saw things as they were at home in the old manor house. His father and mother, his two brothers and two sisters, with an aged aunt, whose whole fortune consisted in annuities, lived on the little estate of Rastignac. The whole property brought in about three thousand francs; and though the amount varied with the season (as must always be the case in a vine-growing district), they were obliged to spare an unvarying twelve hundred francs out of their income for him. He saw how constantly the poverty, which they had generously hidden from him, weighed upon them; he could not help comparing the sisters, who had seemed so beautiful to his boyish eyes, with women in Paris, who had realized the beauty of his dreams. The uncertain future of the whole family depended upon him. It did not escape his eyes that not a crumb was wasted in the house, nor that the wine they drank was made from the second pressing; a multitude of small things, which it is useless to speak of in detail here, made him burn to distinguish himself, and his ambition to succeed increased tenfold.

The bottom of the sea was aflame with a vast bloody glow that spread beneath the schooner; the light slid under the keel and illuminated the sails and rigging from below. It was as though we were on a boat in the Drury Lane Theatre, lighted by an invisible row of flares. ‘Phosphorescence?’ I ventured. ‘Look,’ whispered Jellewyn. The water had become as transparent as glass. At an enormous depth, we saw great dark masses with unreal shapes: there were manors with immense towers, gigantic domes, horribly straight streets lined with frenzied houses. We appeared to be flying over a furiously busy city at an incredible height. ‘There seems to be movement,’ I said. ‘Yes.’ We could see a swarming crowd of amorphous beings engaged in some sort of feverish and infernal activity. ‘Get back!’ Jellewyn shouted, pulling me violently by the belt. One of those beings was rising toward us with astounding speed. In less than a second its immense bulk had hidden the undersea city from us; it was as though a flood of ink had instantaneously spread around us. The keel received a tremendous blow. In the crimson light, we saw three enormous tentacles, three times as high as the mainmast, hideously writhing in the air. A formidable face composed of black shadows and two eyes of liquid amber rose above the port side of the ship and gave us a terrifying look.

Cooking’s a more popular hobby than fencing.” “They don’t have a Great British Fence-Off,” muttered Dante. There was a thoughtful pause. “Oh, that sounds like such a good show,” Nicholas murmured. “I like your idea for a television show as well,” Seiji told Dante. “Why do you picture it being British specifically?” Dante’s mouth opened and closed. No sound came out. “Could be because of the European history of dueling?” Nicholas suggested, and looked to Seiji. “Like in the book you let me borrow. Did you know that if you killed someone in a duel back in the old days, you could run away to France, because in France, dueling was still a totally cool and legal way to kill someone you had beef with?” Seiji nodded, pointing at Nicholas for emphasis. “I did know that, but clearly not everybody does. You’re right; the show would be educational for many people. Perhaps they could hold fencing displays in old manor houses and castles and châteaux? And, of course, in colleges such as Cambridge, Oxford, and Trinity, where the legacy of fencing students is so illustrious.” Breakfast conversation was so awesome now that Seiji had joined them! Nicholas bet nobody else had as much fun as they did. Dante had clearly given up on talking and was giving Bobby a silent, pleading look. Nicholas guessed Dante was shy. Seiji was pretty famous, so maybe Dante was overwhelmed.

His home was a part of him, an externalized expression of his will, for upon his inherited Dutch Manor house he had superimposed the Gothic magnificence which he desired. He had been attracted by the formulations of Andrew Downing, the young landscape architect who lived on the river at Newburgh and whose directions for building "romantic and picturesque villas" were changing the countryside; but it was not in Nicholas to accept another's ideas, and when five years ago he had remodeled the old Van Ryn homestead, he had used Downing simply as a guide. To the original ten rooms he had added twenty more, the gables and turrets, and the one high tower. The result, though reminiscent of a German Schloss on the Rhine, crossed with Tudor English and interwoven with pure fantasy, was nevertheless Hudson River American and not unsuited to its setting. The Dragonwyck gardens were as much as an expression of Nicholas' personality as was the mansion, for here, he had subdued Nature to a stylized ornateness. Between the untouched grove of hemlocks to the south and the slope of a rocky hill half a mile to the north he had created along the river an artificial and exotic beauty. To Miranda it was overpowering, and she felt dazed as they mounted marble steps from the landing. She was but vaguely conscious of the rose gardens and their pervasive scent, of small Greek temples set beneath weeping willows, of rock pavilions, violet-bordered fountains, and waterfalls.

I am Nikolai Wroth.” Why did that name sound so familiar? She squinted up at him. “You are a friend of my aunts?” she said, her voice sounding faint. “With one. And it seems only one.” A short laugh with no humor. “Myst is my wife.” “Myst married?” Was that where she’d been? No, no way. “That’s funny.” “The jest’s on me, I’m afraid.” As they reached the manor, he bellowed, “Annika, call off the goddamn wraiths and let me in.” Emma stared up at the sky, seeing swirling red swaths of ragged cloth circling the house. Occasionally she spied a gaunt, skeletal face, but it would change to beauty if you met its eyes. The price for their protection was hair from each of the Valkyrie within. The wraiths wove each lock into a massive braid, and when it grew long enough, they bent all living Valkyrie to their will for a time. “Myst hasn’t returned yet,” someone called from the house. “But you know that, or else you’d both be naked and fornicating on the front lawn.” “The night’s young. Give us time.” To himself, he murmured, “And it was a field a mile away.” “Don’t you have an appointment to go to, vampire?” Emma stiffened. Vampire? But his eyes weren’t red. “Did you follow me?” “No, I was awaiting Myst’s return from shopping and sensed you trace into the woods.” A vampire waiting for Myst? He’d said she was his wife. She sucked in a breath. “You’re the general, aren’t you,” she whispered. “The one Myst had to be pried from.” She thought the corners of his lips quirked. “Is that what you heard?” At her solemn nod, he said, “It was mutual, I assure you.” He glanced away down the drive, as if willing Myst to return, and said almost to himself, “How much lingerie can one female need . . . ?” Suddenly Annika was shrieking, running for her, vowing to kill him ever so slowly. Amazingly, his body was still relaxed. “If you do not cease trying to take off my head, Annika, we will have words.” “What have you done to her?” she cried. “Obviously, I clawed her, bloodied her, and burned her, and now, oddly, I offer her up to you.

On the bus, I pull out my book. It's the best book I've ever read, even if I'm only halfway through. It's called Jane Eyre by Charlotte Brontë, with two dots over the e. Jane Eyre lives in England in Queen Victoria's time. She's an orphan who's taken in by a horrid rich aunt who locks her in a haunted room to punish her for lying, even though she didn't lie. Then Jane is sent to a charity school, where all she gets to eat is burnt porridge and brown stew for many years. But she grows up to be clever, slender, and wise anyway. Then she finds work as a governess in a huge manor called Thornfield, because in England houses have names. At Thornfield, the stew is less brown and the people less simple. That's as far as I've gotten... Diving back into Jane Eyre... Because she grew up to be clever, slender and wise, no one calls Jane Eyre a liar, a thief or an ugly duckling again. She tutors a young girl, Adèle, who loves her, even though all she has to her name are three plain dresses. Adèle thinks Jane Eyre's smart and always tells her so. Even Mr. Rochester agrees. He's the master of the house, slightly older and mysterious with his feverish eyebrows. He's always asking Jane to come and talk to him in the evenings, by the fire. Because she grew up to be clever, slender, and wise, Jane Eyre isn't even all that taken aback to find out she isn't a monster after all... Jane Eyre soon realizes that she's in love with Mr. Rochester, the master of Thornfield. To stop loving him so much, she first forces herself to draw a self-portrait, then a portrait of Miss Ingram, a haughty young woman with loads of money who has set her sights on marrying Mr. Rochester. Miss Ingram's portrait is soft and pink and silky. Jane draws herself: no beauty, no money, no relatives, no future. She show no mercy. All in brown. Then, on purpose, she spends all night studying both portraits to burn the images into her brain for all time. Everyone needs a strategy, even Jane Eyre... Mr. Rochester loves Jane Eyre and asks her to marry him. Strange and serious, brown dress and all, he loves her. How wonderful, how impossible. Any boy who'd love a sailboat-patterned, swimsuited sausage who tames rabid foxes would be wonderful. And impossible. Just like in Jane Eyre, the story would end badly. Just like in Jane Eyre, she'd learn the boy already has a wife as crazy as a kite, shut up in the manor tower, and that even if he loves the swimsuited sausage, he can't marry her. Then the sausage would have to leave the manor in shame and travel to the ends of the earth, her heart in a thousand pieces... Oh right, I forgot. Jane Eyre returns to Thornfield one day and discovers the crazy-as-a-kite wife set the manor on fire and did Mr. Rochester some serious harm before dying herself. When Jane shows up at the manor, she discovers Mr. Rochester in the dark, surrounded by the ruins of his castle. He is maimed, blind, unkempt. And she still loves him. He can't believe it. Neither can I. Something like that would never happen in real life. Would it? ... You'll see, the story ends well.

The notion of finding “a body in the library” of a country house was another trope of the genre. Christie had fun with it in The Body in the Library, where the corpse is found in Gossington Hall, owned by Miss Marple’s cronies, Colonel Arthur Bantry and his wife Dolly. But profound changes were taking place in British society as war was followed by peace-time austerity, and high taxes made it impossible for many families to cling on to old houses that were cripplingly expensive to run. Country house parties fell out of fashion, and although traditional whodunits continued to be written and enjoyed, detective novelists could not altogether ignore the reality. The scale of upheaval is apparent in another Marple story, The Mirror Crack’d from Side to Side, published twenty years after The Body in the Library. Gossington Hall has been sold off, and been run as a guest house, divided into flats, bought by a government body, and finally snapped up for use as a rich woman’s playground by a much-married film star. Her entourage provides a “closed circle” of suspects suited to the Sixties.

Our story begins on a sweltering August night, in a sterile white room where a single fateful decision is made amid the mindless ravages of grief. But our story does not end there. It has not ended yet. Would I change the course of our lives if I could? Would I have spent my years plucking out tunes on a showboat, or turning the soil as a farmer’s wife, or waiting for a riverman to come home from work and settle in beside me at a cozy little fire? Would I trade the son I bore for a different son, for more children, for a daughter to comfort me in my old age? Would I give up the husbands I loved and buried, the music, the symphonies, the lights of Hollywood, the grandchildren and great-grandchildren who live far distant but have my eyes? I ponder this as I sit on the wooden bench, Judy’s hand in mine, the two of us quietly sharing yet another Sisters’ Day. Here in the gardens at Magnolia Manor, we’re able to have Sisters’ Day anytime we like. It is as easy as leaving my room, and walking to the next hall, and telling the attendant, “I believe I’ll take my dear friend Judy out for a little stroll. Oh yes, of course, I’ll be certain she’s delivered safely back to the Memory Care Unit. You know I always do.” Sometimes, my sister and I laugh over our clever ruse. “We’re really sisters, not friends,” I remind her. “But don’t tell them. It’s our secret.” “I won’t tell.” She smiles in her sweet way. “But sisters are friends as well. Sisters are special friends.” We recall our many Sisters’ Day adventures from years past, and she begs me to share what I remember of Queenie and Briny and our life on the river. I tell her of days and seasons with Camellia, and Lark, and Fern, and Gabion, and Silas, and Old Zede. I speak of quiet backwaters and rushing currents, the midsummer ballet of dragonflies and winter ice floes that allowed men to walk over water. Together, we travel the living river. We turn our faces to the sunlight and fly time and time again home to Kingdom Arcadia. Other days, my sister knows me not at all other than as a neighbor here in this old manor house. But the love of sisters needs no words. It does not depend on memories, or mementos, or proof. It runs as deep as a heartbeat. It is as ever present as a pulse. “Aren’t they so very sweet?

Rhys kept starting at the table as he said, 'I didn't know. That you were with Tamlin. That you were staying at the Spring Court. Amarantha sent me that day after the Summer Solstice because I'd been so successful on Calanmai. I was prepared to mock him, maybe pick a fight. But then I got into that room, and the scent was familiar, but hidden... And then I saw the plate, and felt the glamour, and... There you were. Living in my second-most enemy's house. Dining with him. Reeking of his scent. Looking at him like... Like you loved him.' The whites of his knuckles showed. 'And I decided that I had to scare Tamlin. I had to scare you, and Lucien, but mostly Tamlin. Because I saw how he looked at you, too. So what I did that day...' His lips were pale, tight. 'I broke into your mind and held it enough that you felt it, that it terrified you, hurt you. I made Tamlin beg- as Amarantha had made me beg, to show him how powerless he was to save you. And I prayed my performance was enough to get him to send you away. Back to the human realm, away from Amarantha. Because she was going to find you. If you broke that curse, she was going to find you and kill you. 'But I was so selfish- I was so stupidly selfish that I couldn't walk away without knowing your name. And you were looking at me like I was a monster, so I told myself it didn't matter, anyway. But you lied when I asked. I knew you did. I had your mind in my hands, and you had the defiance and foresight to lie to my face. So I walked away from you again. I vomited my guts up as soon as I left.' My lips wobbled, and I pressed them together. 'I checked back once. To ensure you were gone. I went with them the day they sacked the manor- to make my performance complete. I told Amarantha the name of that girl, thinking you'd invented it. I had no idea... I had no idea she'd sent her cronies to retrieve Clare. But if I admitted my lie...' He swallowed hard. 'I broke into Clare's head when they brought her Under the Mountain. I took away her pain, and told her to scream when expected to. So they... they did those things to her, and I tried to make it right, but... After a week, I couldn't let them do it. Hurt her like that anymore. So while they tortured her, I slipped into her mind again and ended it. She didn't feel any pain. She felt none of what they did to her, even at the end. But... But I still see her. And my men. And the others that I killed for Amarantha.' Two tears slid down his cheeks, swift and cold. He didn't wipe them away as he said, 'I thought it was done after that. With Clare's death. Amarantha believed you were dead. So you were safe, and far away, and my people were safe, and Tamlin had lost, so... It was done. We were done. But then... I was in the back of the throne room that day the Attor brought you in. And I have never known such horror, Feyre, as I did when I watched you make that bargain. Irrational, stupid terror- I didn't know you. I didn't even know your name. But I thought of those painter's hands, the flowers I'd seen you create. And how she'd delight in breaking your fingers apart. I had to stand and watch as the Attor and its cronies beat you. I had to watch the disgust and hatred on your face as you looked at me, watched me threaten to shatter Lucien's mind. And then- then I learned your name. Hearing you say it... it was like an answer to a question I'd been asking for five hundred years.

In short, the observer is choked with observations. Only to prevent us from being submerged by chaos, nature and society between them have arranged a system of classification which is simplicity itself; stalls, boxes, amphitheatre, gallery. The moulds are filled nightly. There is no need to distinguish details. But the difficulty remains—one has to choose. For though I have no wish to be Queen of England or only for a moment—I would willingly sit beside her; I would hear the Prime Minister's gossip; the countess whisper, and share her memories of halls and gardens; the massive fronts of the respectable conceal after all their secret code; or why so impermeable? And then, doffing one's own headpiece, how strange to assume for a moment some one's—any one's—to be a man of valour who has ruled the Empire; to refer while Brangaena sings to the fragments of Sophocles, or see in a flash, as the shepherd pipes his tune, bridges and aqueducts. But no—we must choose. Never was there a harsher necessity! or one which entails greater pain, more certain disaster; for wherever I seat myself, I die in exile: Whittaker in his lodging-house; Lady Charles at the Manor.

Whispering Echoes, a contemporary fiction with Gothic undertones... Death is not the greatest loss in life. The greatest loss is what dies inside us while we still live… This is the tale of two women standing at opposite ends of the tunnel of life. Sally Donaldson is at the beginning, whilst Miss Bella Connelly , is at the end. The story opens in the winter of 1990. Sally is a young woman on the verge of a breakdown, slowly drowning in the sorrow of an unimaginable loss. When her husband sends her to Brackenleigh Manor to recover, she encounters the unconventional healing methods of Miss Bella Connelly. Sally quickly discovers that the manor itself harbor’s its own sorrow, and the secrets that lay within the old groaning house are none other than the sad Whispering Echoes of Miss Bella Connelly’s past. The Story then shifts back to 1939 – Britain on the eve of WW2 – and reveals the secrets and lies that transform Bella, and completely change the lives of all who meet Miss Bella after. The events that carved and marked Miss Bella’s journey finally draw Sally out of her own shadows and back into life. For it is within Miss Bella’s story, that Sally learns that life has a measure that no one can count… A measure that far outweighs Death…

In the course of my discussion with Ravenswood, I tried to get him to tell me how you got your scar, but he wouldn’t. He said I’d have to ask you.” Jane’s words came suddenly into his head: That’s why you haven’t shared this with your own family? That’s why you keep all of us out? Because you think it was your fault? Oh, my sweet darling, none of it was your fault. When Dom didn’t answer right away, Tristan went on, “I told Ravenswood you’d always brushed off the question with some nonsense about a fight you got into. But that isn’t true, I assume.” Dom ventured a glance at his brother and winced to see the hurt on his face. Jane had said, Every time you refuse to reveal your secrets, Dom, I assume that you find me unworthy to hear them. Apparently, that was how he’d made all of them feel. As if he were somehow too important to let them into his life. Only God could have stopped this disaster, and contrary to what you think, you aren’t God. When she’d said it, he hadn’t understood why she would accuse him of such a thing. Why she sometimes called him “Dom the Almighty.” But he understood now. By shielding his guilt from the world, he’d shut himself off from his family. From her. He’d pushed away the very people he should have embraced. Having just watched Jane retreat into fear and shut him out, he now knew precisely how painful it could feel to be on the receiving end. If he wanted to change all that, he would have to start opening his heart, letting his family--and her--see the things he was most ashamed of, most worried about. He would have to trust them to understand, to empathize, to love him in spite of everything. The only other choice was to keep closing himself up until, as she’d said at that ball last year: One day that church you’re building around yourself shall become your crypt. He didn’t want that. He took a steadying breath as he and Tristan walked up the steps to Ravenswood’s manor house. “As it happens, I did receive my scar in a fight. But it was a fight against the militia at the Peterloo Massacre.” When Tristan shot him a startled look, Dom halted at the top of the steps to face him. “If you want to hear the story, I’ll tell you all about it. Right now, if you wish.” Tristan searched his face, as if not quite sure he believed what he was hearing. “I’d like that very much.” Then he broke into a grin. “But only if we do it over a glass of Ravenswood’s brandy. That’s the best damned brandy I’ve ever tasted.” “One of the privileges of being a spymaster is that you can get your hands on the good stuff,” Dom said lightly, though his stomach churned at the thought of revealing his most humiliating secret, even to his brother. Still, as they headed inside, Tristan clapped him on the shoulder, and that reassured him. Telling Tristan about Peterloo represented a beginning of sorts, toward a closer friendship than Dom had allowed himself to have with his brother in recent years. Jane would be proud.

But if her idiot suitors were staying at Halstead Hall with her, then by thunder, he'd be here, too. They wouldn't take advantage of her on his watch. "We're agreed that you won't do any of that foolish nonsense you mentioned, like spying on them, right?" "Of course not. That's what I have you for." Her private lackey to jump at her commands. He was already regretting this. "Surely the gentlemen will accept the invitation," she went on, blithely ignoring his disgruntlement. "It's hunting season, and the estate has some excellent coveys." "I wouldn't know." She cast him an easy smile. "Because you generally hunt men, not grouse. And apparently you do it very well." A compliment? From her "No need to flatter me, my lady," he said dryly. "I've already agreed to your scheme." Her smile vanished. "Really, Mr. Pinter, sometimes you can be so..." "Honest?" he prodded. "Irritating." She tipped up her chin. "It will be easier to work together if you're not always so prickly." He felt more than prickly, and for the most foolish reasons imaginable. Because he didn't like her trawling for suitors. Or using him to do it. And because he hated her "lady of the manor" role. It reminded him too forcibly of the difference in their stations. "I am who I am, madam," he bit out, as much a reminder for himself as for her. "You knew what you were purchasing when you set out to do this." She frowned. "Must you make it sound so sordid?" He stepped as close as he dared. "You want me to gather information you can use in playing a false role to catch s husband. I am not the one making it sordid." "Tell me, sir, will I have to endure your moralizing at every turn?" she said in a voice dripping with sugar. "Because I'd happily pay extra to have you keep your opinions to yourself." "There isn't enough money in all the world for that." Her eyes blazed up at him. Good. He much preferred her in a temper. At least then she was herself, not putting on some show. She seemed to catch herself, pasting an utterly false smile to her lips. "I see. Well then, can you manage to be civil for the house party? It does me no good to bring suitors here if you'll be skulking about, making them uncomfortable." He tamped down the urge to provoke her further. If he did she'd strike off on her own, and that would be disastrous. "I shall try to keep my 'skulking' to a minimum." "Thank you." She thrust out her hand. "Shall we shake on it?" The minute his fingers closed about hers, he wished he'd refused. Because having her soft hand in his roused everything he'd been trying to suppress during this interview. He couldn't seem to let go. For such a small-boned female, she had a surprisingly firm grip. Her hand was like her-fragility and strength all wrapped in beauty. He had a mad impulse to lift it to his lips and press a kiss to her creamy skin. But he was no Lancelot to her Guinevere. Only in legend did lowly knights dare to court queens. Releasing her hand before he could do something stupid, he sketched a bow. "Good day, my lady. I'll begin my investigation at once and report to you as soon as I learn something." He left her standing there, a goddess surrounded by the aging glories of an aristocrat's mansion. God save him-this had to be the worst mission he'd ever undertaken, one he was sure to regret.

You don’t like feeling powerless? Then change your definition of power. Do not fix unfixable problems. Do not devote yourself to things you cannot control. You cannot make this world respect you. You cannot make it dignify you. It will never bend to you. This world does not belong to door. She tied her long hair away from her face, meticulously turning on specific track lights and not others, perhaps to highlight the beauty of her Scandinavian-style furniture choices or the incomparable city view. Then she poured herself a glass of wine from a previously opened bottle, joining Reina on the sofa with an air of hospitably withheld dread. “I was born here in Tokyo,” Reina commented. “Not far from here, actually. There was a fire the day I was born. People died. My grandmother always thought it meant something that I was—” She broke off. “What I was.” “People often search for meaning where there is none,” said Aiya placidly. Perhaps in a tone of sympathy, though Reina wasn’t sure what to think anymore. “Just because you can see two points does not mean anything exists between them.” “In other words, fate is a lie we tell ourselves?” asked Reina drolly. Aiya shrugged. Despite the careful curation of her lighting, she looked tired. “We tell ourselves many stories. But I don’t think you came here just to tell me yours.” No. Reina did not know why she was there, not really. She had simply wanted to go home, and when she realized home was an English manor house, she had railed against the idea so hard it brought her here, to the place she’d once done everything in her power to escape. “I want,” Reina began slowly, “to do good. Not because I love the world, but because I hate it. And not because I can,” she added. “But because everyone else won’t.” Aiya sighed, perhaps with amusement. “The Society doesn’t promise you a better world, Reina. It doesn’t because it can’t.” “Why not? I was promised everything I could ever dream of. I was offered power, and yet I have never felt so powerless.” The words left her like a kick to the chest, a hard stomp. She hadn’t realized that was the problem until now, sitting with a woman who so clearly lived alone. Who had everything, and yet at the same time, Reina did not see anything in Aiya Sato’s museum of a life that she would covet for her own. Aiya sipped her wine quietly, in a way that made Reina feel sure that Aiya saw her as a child, a lost little lamb. She was too polite to ask her to leave, of course. That wasn’t the way of things and Reina ought to know it. Until then, Aiya would simply hold the thought in her head. “So,” Aiya said with an air of teacherly patience. “You are disappointed in the world. Why should the Society be any better? It is part of the same world.” “But I should be able to fix things. Change things.” “Why?” “Because I should.” Reina felt restless. “Because if the world cannot be fixed by me, then how can it be fixed at all?” “These sound like questions for the Forum,” Aiya said with a shrug. “If you want to spend your life banging down doors that will never open, try their tactics instead, see how it goes. See if the mob can learn to love you, Reina Mori, without consuming or destroying you first.” Another reflective sip. “The Society is no democracy. In fact, it chose you because you are selfish.” She looked demurely at Reina. “It promised you glory, not salvation. They never said you could save others. Only yourself.” “And that is power to you?” Aiya’s smile was so polite that Reina felt it like the edge of a weapon. “You don’t like feeling powerless? Then change your definition of power. Do not fix unfixable problems. Do not devote yourself to things you cannot control. You cannot make this world respect you. You cannot make it dignify you. It will never bend to you. This world does not belong to you, Reina Mori, you belong to it, and perhaps when it is ready for a revolution it will look to you for leadership.

Ryzek will be in a huge crowd of people, many of whom are his most ardent supporters and fiercest soldiers. What kind of ‘move’ do you suggest we make?” Cyra replied, “You said it yourself, didn’t you? Kill him.” “Oh, right!” Teka smacked the table, obviously annoyed. “Why didn’t I think of killing him? How simple!” Cyra rolled her eyes. “This time you won’t have to sneak into his house while he’s asleep. This time, I’ll challenge him to the arena.” Everybody got quiet again. For different reasons, Akos was sure. Cyra was a good fighter, everybody knew that, but no one knew how good Ryzek was--they hadn’t seen him in action. And then there was the matter of getting to a place where Cyra could actually challenge him. And getting him to do it instead of just arresting her. “Cyra,” Akos said. “He declared nemhalzak--he erased your status, your citizenship,” Teka said, talking over him. “He has no reason to honor your challenge.” “Of course he does.” Isae was frowning. “He could have gotten rid of her quietly when he learned she was a renegade, but he didn’t. He wanted her disgrace, and her death, to be public. That means he’s afraid of her, afraid she has power over Shotet. If she challenges hi in front of everyone, he won’t be able to back down. He’ll look like a coward.” “Cyra,” Akos said again, quiet this time. “Akos,” Cyra answered, with just a touch of the gentleness he had seen in the stairwell. “He is no match for me.” The first time Akos ever saw Cyra fight--really fight--was in the training room in Noavek manor. She had gotten frustrated with him--she wasn’t a patient teacher, after all--and she had let loose more than usual, knocking him flat. Only fifteen seasons old at the time, but she had moved like an adult. And she only got better from there. In all his time training with her, he had never bested her. Not once. “I know,” he said. “But just in case, let’s distract him.” “Distract him,” Cyra repeated. “You’ll go into the amphitheater. You’ll challenge him,” Akos said. “And I’ll go to the prison. Badha and I, I mean. We’ll rescue Orieve Benesit--we’ll take away his triumph. And you’ll take away his life.

HER HUSBAND’S ALMOST HOME. He’ll catch her this time. There isn’t a scrap of curtain, not a blade of blind, in number 212—the rust-red townhome that once housed the newlywed Motts, until recently, until they un-wed. I never met either Mott, but occasionally I check in online: his LinkedIn profile, her Facebook page. Their wedding registry lives on at Macy’s. I could still buy them flatware. As I was saying: not even a window dressing. So number 212 gazes blankly across the street, ruddy and raw, and I gaze right back, watching the mistress of the manor lead her contractor into the guest bedroom. What is it about that house? It’s where love goes to die. She’s lovely, a genuine redhead, with grass-green eyes and an archipelago of tiny moles trailing across her back. Much prettier than her husband, a Dr. John Miller, psychotherapist—yes, he offers couples counseling—and one of 436,000 John Millers online. This particular specimen works near Gramercy Park and does not accept insurance. According to the deed of sale, he paid $3.6 million for his house. Business must be good. I know both more and less about the wife. Not much of a homemaker, clearly; the Millers moved in eight weeks ago, yet still those windows are bare, tsk-tsk. She practices yoga three times a week, tripping down the steps with her magic-carpet mat rolled beneath one arm, legs shrink-wrapped in Lululemon. And she must volunteer someplace—she leaves the house a little past eleven on Mondays and Fridays, around the time I get up, and returns between five and five thirty, just as I’m settling in for my nightly film. (This evening’s selection: The Man Who Knew Too Much, for the umpteenth time. I am the woman who viewed too much.) I’ve noticed she likes a drink in the afternoon, as do I. Does she also like a drink in the morning? As do I? But her age is a mystery, although she’s certainly younger than Dr. Miller, and younger than me (nimbler, too); her name I can only guess at. I think of her as Rita, because she looks like Hayworth in Gilda. “I’m not in the least interested”—love that line. I myself am very much interested. Not in her body—the pale ridge of her spine, her shoulder blades like stunted wings, the baby-blue bra clasping her breasts: whenever these loom within my lens, any of them, I look away—but in the life she leads. The lives. Two more than I’ve got.

I leaned into Tamlin, sighing. 'It feels- feels as if some of it was a dream, or a nightmare. But... But I remembered you. And when I saw you there today, I started clawing at it, fighting, because I knew it might be my only chance, and-' 'How did you break free of his control,' Lucien said flatly from behind us. Tamlin gave him a warning growl. I'd forgotten he was there. My sister's mate. The Mother, I decided, did have a sense of humour. 'I wanted it- I don't know how. I just wanted to break free of him, so I did.' We stared each other down, but Tamlin brushed a thumb over my shoulder. 'Are- are you hurt?' I tried not to bristle. I knew what he meant. That he thought Rhysand would do anything like that to anyone- 'I- I don't know,' I stammered. 'I don't... I don't remember those things.' Lucien's metal eye narrowed, as if he could sense the lie. But I looked up at Tamlin, and brushed my hand over his mouth. My bare, empty skin. 'You're real,' I said. 'You freed me.' It was an effort not to turn my hands into claws and rip out his eyes. Traitor- liar. Murderer. 'You freed yourself,' Tamlin breathed. He gestured to the house. 'Rest- and then we'll talk. I... need to find Ianthe. And make some things very, very clear.' 'I- I want to be a part of it this time,' I said, halting when he tried to herd me back into that beautiful prison. 'No more... No more shutting me out. No more guards. Please. I have so much to tell you about them- bits and pieces, but... I can help. We can get my sisters back. Let me help.' Help lead you in the wrong direction. Help bring you and your court to your knees, and take down Jurian and those conniving, traitorous queens. And then tear Ianthe into tiny, tiny pieces and bury them in a pit no one can find. Tamlin scanned my face, and finally nodded. 'We'll start over. Do things differently. When you were gone, I realised... I'd been wrong. So wrong, Feyre. And I'm sorry.' Too late. Too damned late. But I rested my head on his arm as he slipped it around me and led me toward the house. 'It doesn't matter. I'm home now.' 'Forever,' he promised. 'Forever,' I parroted, glancing behind- to where Lucien stood in the gravel drive. His gaze on me. Face hard. As if he'd seen through every lie. As if he knew of the second tattoo beneath my glove, and the glamour I now kept on it. As if he knew that they had let a fox into a chicken coop- and he could do nothing. Not unless he never wanted to see his mate- Elain- again. I gave Lucien a sweet, sleepy smile. So our game began. We hit the sweeping marble stairs to the front doors of the manor. And so Tamlin unwittingly led the High Lady of the Night Court into the heart of his territory.

Mr Casaubon’s behaviour about settlements was highly satisfactory to Mr Brooke, and the preliminaries of marriage rolled smoothly along, shortening the weeks of courtship. The betrothed bride must see her future home, and dictate any changes that she would like to have made there. A woman dictates before marriage in order that she may have an appetite for submission afterwards. And certainly, the mistakes that we male and female mortals make when we have our own way might fairly raise some wonder that we are so fond of it. On a grey but dry November morning Dorothea drove to Lowick in company with her uncle and Celia. Mr Casaubon’s home was the manor-house. Close by, visible from some parts of the garden, was the little church, with the old parsonage opposite. In the beginning of his career, Mr Casaubon had only held the living, but the death of his brother had put him in possession of the manor also. It had a small park, with a fine old oak here and there, and an avenue of limes towards the south-west front, with a sunk fence between park and pleasure-ground, so that from the drawing-room windows the glance swept uninterruptedly along a slope of greensward till the limes ended in a level of corn and pastures, which often seemed to melt into a lake under the setting sun. This was the happy side of the house, for the south and east looked rather melancholy even under the brightest morning. The grounds here were more confined, the flower-beds showed no very careful tendance, and large clumps of trees, chiefly of sombre yews, had risen high, not ten yards from the windows. The building, of greenish stone, was in the old English style, not ugly, but small-windowed and melancholy-looking: the sort of house that must have children, many flowers, open windows, and little vistas of bright things, to make it seem a joyous home. In this latter end of autumn, with a sparse remnant of yellow leaves falling slowly athwart the dark evergreens in a stillness without sunshine, the house too had an air of autumnal decline, and Mr Casaubon, when he presented himself, had no bloom that could be thrown into relief by that background. ‘Oh dear!’ Celia said to herself, ‘I am sure Freshitt Hall would have been pleasanter than this.’ She thought of the white freestone, the pillared portico, and the terrace full of flowers, Sir James smiling above them like a prince issuing from his enchantment in a rosebush, with a handkerchief swiftly metamorphosed from the most delicately-odorous petals—Sir James, who talked so agreeably, always about things which had common-sense in them, and not about learning! Celia had those light young feminine tastes which grave and weather-worn gentlemen sometimes prefer in a wife; but happily Mr Casaubon’s bias had been different, for he would have had no chance with Celia.

Children.” Westcliff’s sardonic voice caused them both to look at him blankly. He was standing from his chair and stretching underused muscles. “I’m afraid this has gone on long enough for me. You are welcome to continue playing, but I beg to take leave.” “But who will arbitrate?” Daisy protested. “Since no one has been keeping score for at least a half hour,” the earl said dryly, “there is no further need for my judgement.” “Yes we have,” Daisy argued, and turned to Swift. “What is the score?” “I don’t know.” As their gazes held, Daisy could hardly restrain a snicker of sudden embarrassment. Amusement glittered in Swift’s eyes. “I think you won,” he said. “Oh, don’t condescend to me,” Daisy said. “You’re ahead. I can take a loss. It’s part of the game.” “I’m not being condescending. It’s been point-for-point for at least…” Swift fumbled in the pocket of his waistcoat and pulled out a watch. “…two hours.” “Which means that in all likelihood you preserved your early lead.” “But you chipped away at it after the third round—” “Oh, hell’s bells!” came Lillian’s voice from the sidelines. She sounded thoroughly aggravated, having gone into the manor for a nap and come out to find them still at the bowling green. “You’ve quarreled all afternoon like a pair of ferrets, and now you’re fighting over who won. If someone doesn’t put a stop to it, you’ll be squabbling out here ‘til midnight. Daisy, you’re covered with dust and your hair is a bird’s nest. Come inside and put yourself to rights. Now.” “There’s no need to shout,” Daisy replied mildly, following her sister’s retreating figure. She glanced over her shoulder at Matthew Swift…a friendlier glance than she had ever given him before, then turned and quickened her pace. Swift began to pick up the wooden bowls. “Leave them,” Westcliff said. “The servants will put things in order. Your time is better spent preparing yourself for supper, which will commence in approximately one hour.” Obligingly Matthew dropped the bowls and went toward the house with Westcliff. He watched Daisy’s small, sylphlike form until she disappeared from sight. Westcliff did not miss Matthew’s fascinated gaze. “You have a unique approach to courtship,” he commented. “I wouldn’t have thought beating Daisy at lawn games would catch her interest, but it seems to have done the trick.” Matthew contemplated the ground before his feet, schooling his tone into calm unconcern. “I’m not courting Miss Bowman.” “Then it seems I misinterpreted your apparent passion for bowls.” Matthew shot him a defensive glance. “I’ll admit, I find her entertaining. But that doesn’t mean I want to marry her.” “The Bowman sisters are rather dangerous that way. When one of them first attracts your interest, all you know is she’s the most provoking creature you’ve ever encountered. But then you discover that as maddening as she is, you can scarcely wait until the next time you see her. Like the progression of an incurable disease, it spreads from one organ to the next. The craving begins. All other women begin to seem colorless and dull in comparison. You want her until you think you’ll go mad from it. You can’t stop thinking—” “I have no idea what you’re talking about,” Matthew interrupted, turning pale. He was not about to succumb to an incurable disease. A man had choices in life. And no matter what Westcliff believed, this was nothing more than a physical urge. An unholy powerful, gut-wrenching, insanity-producing physical urge…but it could be conquered by sheer force of will. “If you say so,” Westcliff said, sounding unconvinced.

What’s the basic way to catch a ghost in Luigi’s mansion: Dark Moon? a) Throw an Ectonet over it. b) Blast it with the ShadeShocker. c)     Stun it with a Strobulb, and then vacuum it into your Poltergust 5000. d)    Trap and store it in a Specter Snare. Name something that you can’t do with Poltergust 5000 a) Roll up a throw rug b)    Run very fast as you are propelled by a jet of water c) Vacuum up spiders and their webs d) Make a ceiling fan spin. These tough-looking spirits just want to give you a hand for your hard work. What do you call them? a) Sly Fives b) Clap Claps c) Slammers d) Slap Happies. Things aren’t always as they seem inside a hunting building. What tool helps you see objects hidden by Spirit Balls? a) Specter-o-scope b) Dark-light device c) De-illusionator d) Goggles of clarity. If you see a piece of furniture or a flowerpot shaking, what should you do? a) Press the X button b) Exercise caution c) Get ready to stun a ghost with your Strobulb d) All of the above. BONUS QUESTION: What does E stand for in Professor E. Gadd? a) Elvis b) Elvin c) Elroy d) Esteban. RESULTS: 0 out of 6 – Very, very very bad! You didn’t only ruin your mission of catching ghosts, but more of them came and they ate your I-scream. 1 out of 6 – Not bad! You did well enough that all of the ghosts moved out of your house. They ate your I-scream before they left. 2 out of 6 – Not too shabby! There ghosts are outside the house, and yup they ate your I-scream. 3 out of 6 – Not bad, but not good either. Let’s say you did manage to get ghosts outside the house, but your I-scream is eaten, and new ghosts won’t see you as a big threat. Get ready. 4 out of 6 – Nice! You must spend a lot of time in Gloomy Manor’s haunted library. It looks like you manage to read besides hunting ghosts. Also, you got an over-Boo notice. 5 out of 6 – Well done! You chase away ghosts so fast that you spend more time reading and improving your knowledge about these little pests. Are you an encyclopedia about ghosts or a human? 6 out of 6 – Excellent! You are the expert in catching and destroying ghosts. You could definitely help Luigi in tackling the

I had a weird thing happen down at the library today. They don’t have any records for the house on file.” Milo made a sound like an irritated bumble bee. “Did you speak with Mrs. Poe?” “Yes.” He shook his head. “That woman. I swear she’s been working at that library longer than she’s been alive. I’m not convinced she even knows how to use a computer, let alone search a database for specific information. Is there any particular reason you wanted the property records? I could probably answer your questions for you.” My ankle had begun to ache again, and I longed for Bodhi’s cooking and the cozy interior of the Winchesters’ kitchen, even if it was under construction at the present moment. “I just wondered who owned the house before your father,” I said. Milo looked taken aback. “No one did.” “Ever?

Blane Montague at the latter’s country manor, Fountains

It had been often commented upon that Vibe offspring tended to be crazy as bedbugs. ‘Fax’s brother Cragmont had run away with a trapeze girl, then brought her back to New York to get married, the wedding being actually performed on trapezes, groom and best man, dressed in tails and silk opera hats held on with elastic, swinging upside down by their knees in perfect synchrony across the perilous Æther to meet the bride and her father, a carnival “jointee” or concessionaire, in matched excursion from their own side of the ring, bridesmaids observed at every hand up twirling by their chins in billows of spangling, forty feet above the faces of the guests, feathers dyed a deep acid green sweeping and stirring the cigar smoke rising from the crowd. Cragmont Vibe was but thirteen that circus summer he became a husband and began what would become, even for the day, an enormous family. The third brother, Fleetwood, best man at this ceremony, had also got out of the house early, fast-talking his way onto an expedition heading for Africa. He kept as clear of political games as of any real scientific inquiry, preferring to take the title of “Explorer” literally, and do nothing but explore. It did not hurt Fleetwood’s chances that a hefty Vibe trust fund was there to pick up the bills for bespoke pith helmets and meat lozenges and so forth. Kit met him one spring weekend out at the Vibe manor on Long Island. “Say, but you’ve never seen our cottage,” ‘Fax said one day after classes. “What are you doing this weekend? Unless there’s another factory girl or pizza princess or something in the works.” “Do I use that tone of voice about the Seven Sisters material you specialize in?” “I’ve nothing against the newer races,” ‘Fax protested. “But you might like to meet Cousin Dittany anyway.” “The one at Smith.” “Mount Holyoke, actually.” “Can’t wait.” They arrived under a dourly overcast sky. Even in cheerier illumination, the Vibe mansion would have registered as a place best kept clear of—four stories tall, square, unadorned, dark stone facing looking much older than the known date of construction. Despite its aspect of abandonment, an uneasy tenancy was still pursued within, perhaps by some collateral branch of Vibes . . . it was unclear. There was the matter of the second floor. Only the servants were allowed there. It “belonged,” in some way nobody was eager to specify, to previous occupants. “Someone’s living there?” “Someone’s there.” . . . from time to time, a door swinging shut on a glimpse of back stairway, a muffled footfall . . . an ambiguous movement across a distant doorframe . . . a threat of somehow being obliged to perform a daily search through the forbidden level, just at dusk, so detailed that contact with the unseen occupants, in some form, at some unannounced moment, would be inevitable . . . all dustless and tidy, shadows in permanent possession, window-drapes and upholstery in deep hues of green, claret, and indigo, servants who did not speak, who would or could not meet one’s gaze . . . and in the next room, the next instant, waiting . . . “Real nice of you to have me here, folks,” chirped Kit at breakfast. “Fellow sleeps like a top. Well, except . . .” Pause in the orderly gobbling and scarfing. Interest from all around the table. “I mean, who came in the room in the middle of the night like that?” “You’re sure,” said Scarsdale, “it wasn’t just the wind, or the place settling.” “They were walking around, like they were looking for something.” Glances were exchanged, failed to be exchanged, were sent out but not returned. “Kit, you haven’t seen the stables yet,” Cousin Dittany offered at last. “Wouldn’t you like to go riding?

From the tender pier, head left along the waterfront. Three blocks beyond, you'll come upon a reconstructed 17th century manor on the waterfront.  The ground floor houses the Museum of Nevis History. This was originally a private home and the birthplace of Alexander Hamilton.  The museum contains various artifacts (Hamilton spent the first 17 years of his life here before heading to colonial America). This is mainly a cultural museum with an interesting variety of exhibits, including some Amerindian artifacts. The Nevis Historical and Conservation Society has its headquarters here. This old stone building on Nevis is the birthplace of Alexander Hamilton.

The final, and most important, consideration concerns personal motivation. When I started the partnership I set the motor that regulated the treadmill at “ten points better than the DOW.” I was younger, poorer and probably more competitive. Even without the three previously discussed external factors making for poorer performance, I would still feel that changed personal conditions make it advisable to reduce the speed of the treadmill. I have observed many cases of habit patterns in all activities of life, particularly business, continuing (and becoming accentuated as years pass) long after they ceased making sense. Bertrand Russell has related the story of two Lithuanian girls who lived at his manor subsequent to World War I. Regularly each evening after the house was dark, they would sneak out and steal vegetables from the neighbors for hoarding in their rooms; this despite the fact that food was bountiful at the Russell table. Lord Russell explained to the girls that while such behavior may have made a great deal of sense in Lithuania during the war, it was somewhat out of place in the English countryside. He received assenting nods and continued stealing. He finally contented himself with the observation that their behavior, strange as it might seem to the neighbors, was really not so different from that of the elder Rockefeller. Elementary

From outside: “You wanna fuck over my witch? Like playing your games? Then play catch!” Something whistled overhead; the house shook—they all ducked as plaster splattered down from the ceiling. “What the bloody hell was that?” Bowe yelled. “That was Regin,” Nix answered serenely. “She threw a car over us to land on the main Lykae lodge. Lucky thing the lodge is empty. Bowen, she thought the vehicle was yours. But it’s really . . . his.” She pointed delicately at Lachlain, who scowled before flashing a meaningful look at Emma. Bowe grated, “She’s throwing bloody cars?” “See? Not overstating.” Nix rose, smoothly slipped behind the curtains, then shouted out the window, “Bad form, Regin! Wrong car.” Immediately after, the house shook again. “Oh, much better!” Nix assured them. “That was Bowen’s!” Another violent shake of the manor. Nix peaked out from the curtains, wearing them like a nun’s habit. “Who drives a seventy-eight, Chevelle-looking—” “Nix!” Emma said.

Boom! Boom! Boom! Briette lifted her head. She had fallen asleep on her crossed arms, resting over the book. What was that? Were they having a summer storm? Boom! Boom! Boom! The door. The main door of the manor. How strange! Briette looked at the guttering candle on her table. It wasn’t much shorter, she might have slept an hour. Still, it was very late for the house to have a caller. Briette waited, listened for footfalls on the stairs. It was normally Calister who answered the door. He would be asleep now, four floors above, and probably could not hear a thing. Boom! Boom! Boom! Boom! Boom! And the caller was not patient. Briette sighed and rose stiffly from the bench. She wasn’t sure if chambermaids should answer the door, but given the circumstances, she hoped Miss Gerda would forgive her. She took the staircase that led up from the kitchen to the grand dining room. Her candle sputtered and in the near-blackness, Briette jammed her small toes against the leg of a chair. She winced, grinding her teeth, and hobbled through to the entrance hall. If this was merely a messenger who could have come at daylight, she intended to give him an earful. The front door was large, heavy and stern. Briette slid back the latch and gave the iron ring a hard tug. It swung back, whining softly on its hinges. “Holy Noses, that took an age,” said a deep voice. “Where’s the steward?” Briette looked at the caller, lit by her candle. In an instant, her whole body turned to pudding. “I – I – I think he’s asleep. They all are. Um – uh – won’t you come in?” She stepped back, lowering the candle, and hoped he did not see her shaking. The man stepped inside. He was a tall man, grandly stout, with a well-shaped salt-and-pepper beard. He wore robes of blue velvet, heavy jewelry, and above his stern face, a magnificent crown. King Jarrod of Grunwold. Chapter 18 He

He found himself standing before what could only be described as a mansion. It towered above him, windows flickering with uncertain light, red bricks almost entirely hidden by great swaths of the same gray plant that hung over the gates. The stuff was everywhere, covering the high wall that ringed the perimeter of the house’s expansive gardens, and there was even a thin layer that crept over the ground. It seemed to drain the color from everything it touched. He shuddered and tried not to brush against it.

Natalie sighed. “I don’t know,” she said. “I guess I mean, sometimes something happens. Something that nobody expected, and nobody could have stopped. And everything disappears. Life does not always make sense.” Alex thought about all those blank pages in the history books. All the stories that didn’t quite end…all the strange absences of endings. He thought about them, and he thought of a house, burning. The sun slipped below the horizon, and the hills vanished with it, replaced by a blank expanse of nothing.

city

Our ancestral home is Blackwood Manor, an august if not overblown house in the grandest Greek Revival Style, replete with enormous and dizzying Corinthian columns, an immense structure on high ground.

Mohunk is a huge, stately manor in the Hudson Valley that reminded me of a cruise ship inside a mansion. As I checked in at the reservation desk, I looked around and noticed that the average age there was the day before death. It was like a place where Wilford Brimley and Bea Arthur would go to rent a paddleboat….