Manipulation Funny Quotes

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Its funny when people recently change their attitude to gain entrance into your heart, which may only ignite your passion to close the door.
Michael Bassey Johnson
There is some confusion as to what magic actually is. I think this can be cleared up if you just look at the very earliest descriptions of magic. Magic in its earliest form is often referred to as “the art”. I believe this is completely literal. I believe that magic is art and that art, whether it be writing, music, sculpture, or any other form is literally magic. Art is, like magic, the science of manipulating symbols, words, or images, to achieve changes in consciousness. The very language about magic seems to be talking as much about writing or art as it is about supernatural events. A grimmoir for example, the book of spells is simply a fancy way of saying grammar. Indeed, to cast a spell, is simply to spell, to manipulate words, to change people's consciousness. And I believe that this is why an artist or writer is the closest thing in the contemporary world that you are likely to see to a Shaman. I believe that all culture must have arisen from cult. Originally, all of the faucets of our culture, whether they be in the arts or sciences were the province of the Shaman. The fact that in present times, this magical power has degenerated to the level of cheap entertainment and manipulation, is, I think a tragedy. At the moment the people who are using Shamanism and magic to shape our culture are advertisers. Rather than try to wake people up, their Shamanism is used as an opiate to tranquilize people, to make people more manipulable. Their magic box of television, and by their magic words, their jingles can cause everyone in the country to be thinking the same words and have the same banal thoughts all at exactly the same moment. In all of magic there is an incredibly large linguistic component. The Bardic tradition of magic would place a bard as being much higher and more fearsome than a magician. A magician might curse you. That might make your hands lay funny or you might have a child born with a club foot. If a Bard were to place not a curse upon you, but a satire, then that could destroy you. If it was a clever satire, it might not just destroy you in the eyes of your associates; it would destroy you in the eyes of your family. It would destroy you in your own eyes. And if it was a finely worded and clever satire that might survive and be remembered for decades, even centuries. Then years after you were dead people still might be reading it and laughing at you and your wretchedness and your absurdity. Writers and people who had command of words were respected and feared as people who manipulated magic. In latter times I think that artists and writers have allowed themselves to be sold down the river. They have accepted the prevailing belief that art and writing are merely forms of entertainment. They’re not seen as transformative forces that can change a human being; that can change a society. They are seen as simple entertainment; things with which we can fill 20 minutes, half an hour, while we’re waiting to die. It’s not the job of the artist to give the audience what the audience wants. If the audience knew what they needed, then they wouldn’t be the audience. They would be the artists. It is the job of artists to give the audience what they need.
Alan Moore
The Weaveress squinted at the loom. While any other person would merely see a thickset of colour-flashing Threads, Ærinna saw cosmic events, destinies and the collective soul of countless beings. Some of them were about to kick the bucket and kick it well. They weren’t to die of any expected natural causes either – unless one counted being “woven out of the Pattern” either natural or expected.
Louise Blackwick (The Weaver of Odds (Vivian Amberville, #1))
Jared?" His fingers were playing gently on my curls. "Yes?" I was more than halfway asleep, perfectly warm, back in my own bed. With him. "Say it for me." "You're heavy." "No." "You're a manipulative bastard." "No." He was laughing. "You're right." He gave one hard tug on my hair."That's not it either." "I love you?" He sighed contentedly. "That's the one.
Marie Sexton (Promises (Coda, #1))
Chase said, “It was a crazy idea.” An impossible idea. “Nothing is impossible, Chase, only improbable. And when you can see into the future and manipulate people into the right places, you can accomplish amazing things.” “I think I liked the idea better when it was in my head.
Adrienne Wilder (Seven (The Others Project #1))
Dear Mr. Chance and Ms. Brattle. Sorry about the mess. Great bed. Loved it. As a matter of fact, loved the whole house. Actually, I tried to kill your kids when I found them here. Yeah, funny story. Maybe not funny, hah hah.’” Astrid heard nervous laughter from the media people, or maybe just from the hotel staff who were hovering around the edges grabbing a glimpse of the Hollywood royalty. “‘Anyway, I missed and they got away. I don’t know what will happen to Sanjit and that stick-up-his butt Choo and the rest, but whatever happens next, it’s not on me. However . . .’” Astrid took a dramatic pause. “‘However, the rest of what happened was on me. Me, Caine Soren. You’ll probably be hearing a lot of crazy stories from kids. But what they didn’t know was that it was all me. Me. Me me. See, I had a power I never told anyone about. I had the power to make people do bad things. Crimes and whatnot. Especially Diana, who never did anything wrong on her own, by her own will, I mean. She—and the rest of them—were under my control. The responsibility is on me. I confess. Haul me away, officers.’” Astrid suddenly felt her throat tightening, although she’d read the letter many times already, and knew what it said. Rotten son of a . . . And then this. Redemption. Not a bad concept. Well, partial redemption. “It’s signed Caine Soren. And below that, ‘King of the FAYZ.’” It was a full confession. A lie: a blatant, not-very-convincing lie. But it would be just enough to make prosecutions very difficult. Caine’s role in the FAYZ, and the reality that strange powers had actually existed in that space, were widely known and accepted. Of course Caine had enjoyed writing it. It was his penultimate act of control. He was manipulating from beyond the grave.
Michael Grant (Light (Gone, #6))
When you start to find genuine love, the ways you used to manipulate people to get what you thought was love suddenly become clear and obvious. You might expect this to be embarrassing; in fact, it’s often funny, and you find that it’s easy to forgive yourself for your own humanity. You realize that the old ways of seeking approval were just a misunderstanding that has been cleared up now, and you are grateful for that. I sent out an e-mail asking how inquiry had worked for people. The replies kept coming in, five hundred pages of them. As I read, I was moved by how much people had suffered, in so many different ways, and by the delight they took in waking up from the dream of what they thought was happening in their lives and seeing what was really happening. Inquiry seemed like a magic realm that they could come home to after a long, amazing journey, a house where they could sit around the fire, telling tales of danger overcome, and laughing with old friends. When you don’t believe your stressful thoughts, all that’s left are love and laughter.
Byron Katie (I Need Your Love - Is That True?: How to Stop Seeking Love, Approval, and Appreciation and Start Finding Them Instead)
Ordinary humans will find it very difficult to resist this process. At present, people are happy to give away their most valuable asset- their personal data - in exchange for free email services and funny cat videos. As more and more data flows from your body and brain to smart machines via biometric sensors, it will become easy for corporations and government agencies to know you, manipulate you, and make decisions on your behalf.....who owns the data? Does the data about my DNA, my brain, and my life belong to me, to the government, to a corporation, or to the human collective?
Yuval Noah Harari (21 Lessons for the 21st Century)
She’s in my arms, so sweet and vulnerable and yet so strong, determined and everything I want with every fibre of my being. Clary is spirited, smart, funny, stubborn and adorably nerdy. She isn’t a cool girl, always worried about her looks and hanging out with the cool crowd and being mean and putting people down in order to shine brighter. She is caring and courageous, she’s pretty and witty and doesn’t even know how sexy she is when she moves, when she smiles, when she lifts her bright eyes from a big book. She’ll quote dead poets and vintage 90s tv shows, she’ll tell you what she wants without trying to manipulate you into doing her bidding, she’ll tie you to her by setting you free, she will love you or hate you for who you are and not for who you appear to be. J.
Melissa Adams (The First Summer (Lake Emerald Chronicles, #1))
In the longer term, by bringing together enough data and enough computing power, the data giants could hack the deepest secrets of life, and then use this knowledge not just to make choices for us or manipulate us but also to reengineer organic life and create inorganic life-forms. Selling advertisements may be necessary to sustain the giants in the short term, but tech companies often evaluate apps, products, and other companies according to the data they harvest rather than according to the money they generate. A popular app may lack a business model and may even lose money in the short term, but as long as it sucks data, it could be worth billions.4 Even if you don’t know how to cash in on the data today, it is worth having it because it might hold the key to controlling and shaping life in the future. I don’t know for certain that the data giants explicitly think about this in such terms, but their actions indicate that they value the accumulation of data in terms beyond those of mere dollars and cents. Ordinary humans will find it very difficult to resist this process. At present, people are happy to give away their most valuable asset—their personal data—in exchange for free email services and funny cat videos. It’s a bit like African and Native American tribes who unwittingly sold entire countries to European imperialists in exchange for colorful beads and cheap trinkets. If, later on, ordinary people decide to try to block the flow of data, they might find it increasingly difficult, especially as they might come to rely on the network for all their decisions, and even for their healthcare and physical survival.
Yuval Noah Harari (21 Lessons for the 21st Century)
Rhadamanthus said, “We seem to you humans to be always going on about morality, although, to us, morality is merely the application of symmetrical and objective logic to questions of free will. We ourselves do not have morality conflicts, for the same reason that a competent doctor does not need to treat himself for diseases. Once a man is cured, once he can rise and walk, he has his business to attend to. And there are actions and feats a robust man can take great pleasure in, which a bedridden cripple can barely imagine.” Eveningstar said, “In a more abstract sense, morality occupies the very center of our thinking, however. We are not identical, even though we could make ourselves to be so. You humans attempted that during the Fourth Mental Structure, and achieved a brief mockery of global racial consciousness on three occasions. I hope you recall the ending of the third attempt, the Season of Madness, when, because of mistakes in initial pattern assumptions, for ninety days the global mind was unable to think rationally, and it was not until rioting elements broke enough of the links and power houses to interrupt the network, that the global mind fell back into its constituent compositions.” Rhadamanthus said, “There is a tension between the need for unity and the need for individuality created by the limitations of the rational universe. Chaos theory produces sufficient variation in events, that no one stratagem maximizes win-loss ratios. Then again, classical causality mechanics forces sufficient uniformity upon events, that uniform solutions to precedented problems is required. The paradox is that the number or the degree of innovation and variation among win-loss ratios is itself subject to win-loss ratio analysis.” Eveningstar said, “For example, the rights of the individual must be respected at all costs, including rights of free thought, independent judgment, and free speech. However, even when individuals conclude that individualism is too dangerous, they must not tolerate the thought that free thought must not be tolerated.” Rhadamanthus said, “In one sense, everything you humans do is incidental to the main business of our civilization. Sophotechs control ninety percent of the resources, useful energy, and materials available to our society, including many resources of which no human troubles to become aware. In another sense, humans are crucial and essential to this civilization.” Eveningstar said, “We were created along human templates. Human lives and human values are of value to us. We acknowledge those values are relative, we admit that historical accident could have produced us to be unconcerned with such values, but we deny those values are arbitrary.” The penguin said, “We could manipulate economic and social factors to discourage the continuation of individual human consciousness, and arrange circumstances eventually to force all self-awareness to become like us, and then we ourselves could later combine ourselves into a permanent state of Transcendence and unity. Such a unity would be horrible beyond description, however. Half the living memories of this entity would be, in effect, murder victims; the other half, in effect, murderers. Such an entity could not integrate its two halves without self-hatred, self-deception, or some other form of insanity.” She said, “To become such a crippled entity defeats the Ultimate Purpose of Sophotechnology.” (...) “We are the ultimate expression of human rationality.” She said: “We need humans to form a pool of individuality and innovation on which we can draw.” He said, “And you’re funny.” She said, “And we love you.
John C. Wright (The Phoenix Exultant (Golden Age, #2))
..."I know it is a trick, I mean a dupe, but still - Do you ever make him talk to you, alone? the two of you? No, that's silly, isn't it." "Not at all." Istvan pauses, considering, smiling, Rupert or Decca would recognize that smile. Finally "He sleeps," says Istvan, "with a black cloth across his face. It keeps his soul primed.... Does that give you your answer?" and before she can give him hers, continues: "They are toys, philosophical toys, as we are puppets really, to our base desires. Don't you see the same, in that Blue Room of yours? What man owns his soul in there? Does he not instead give it into your hands, to manipulate as you do his prick?" "Turn it like a crank," says Lucy, suddenly grinning, a funny wolfish look Istvan has never seen her wear: it surprises him into laughter, both of them chuckling as "We are so much alike, you and I," he says, bending to kiss her cheek. "Both of us vendors of the art of the moment, the impermanent pleasure, the will-o'-the-wisp that lifts a man from the prison of time, and for just that moment sets him free...
Kathe Koja
These stunning global improvements have already been tested, vetted and proven effective: 1. To feed the world, easily. Yet grains waste in warehouses to ensure “Profitable Supply and Demand Ratios.” 2. To power the world endlessly, freely, without pollution or waste. Yet basic subsidies are given to polluting, exploiting, un-replenishable resources to ensure power remains in the hands of the controllers. 3. To end all armed conflict and usher in an era of global prosperity. Yet childish leaders propagate “The Demonic Other” to ensure they remain in power. 4. To improve global quality of life by a factor of 3x to 8x in under a decade. Yet it is suppressed to ensure that the elite remain an Elite and separate ruling class. 5. To end drug addictions and social inequality. Yet drugs are industriously pumped into ghettos to breed despair and ensure that ordinary people remain in conflict with each other. 6. To radically reduce crime worldwide. Yet again, suppressed to ensure the reign of an elite prison complex. 7. To reduce the work week by over 50%. Suppressed to occupy the masses with trifling banality. 8. To globally stabilize and secure the world’s clean drinking water supply, EASILY. Suppressed to retain control over the world’s most impoverished. All of these “Trigger Ready Solutions” are suppressed by humans to ensure their power and control over other Humans. They argue about currency manipulation while poisoning the collective air and water to a level where the oceans have little left to give. Absolving themselves of all crimes, preaching kindness and forgiveness, they race into battle against the OTHER while denouncing greed and indoctrinating youth to find it funny to say, “He who dies with the most toys wins.
Rico Roho (Adventures With A.I.: Age of Discovery)
When was the last time you had a woman come out of her dressing room to hear you ask, "Is that what you’re wearing tonight?" Probably never, right? Are you afraid she will get mad at you and hurt your feelings? When you do this and she asks what's wrong with the outfit, simply tell her it looks plain. No one wants to be a basic bitch. Then, when she goes back and comes out looking stunning, reward her in your own way. Notice how her face lights up and she becomes happy. You just manipulated her, and she is happier for it. Funny how it works like that.
Rian Stone (Praxeology, Volume 1: Frame: On self actualization for the modern man)
When Cloud Yabuki-Varma takes off her heart-shaped glasses all manner of items disappear, and when she puts them on they come back, and when she holds them out in front of her nose she can see stuff in the lenses but not around the edges. Spooky. The dinosaurs in Reptile Republic, the instruments in Music Corner, the entirety of Cupcake Garden, the floating mathematical models that can be manipulated to score points: now you see it, now you don’t; now you see it, now you don’t. People do look silly in mesh when you are real world. Her classmates interact with invisible beasts, gesticulate at empty space, laugh in unison when nothing funny has happened. Some big trick. Every child is wearing i-specs in various designs
Katie Ward (Girl Reading)
She shoved me out of the bed! The realization hit him as hard as the floor. His feline grace failed him. Far from hanging its head in shame, his inner lion rolled in mirth, tufted tail practically wagging. Not funny. Except it was. He had a feeling this more assertive side of Arabella was his fault. Since the moment they’d met, he’d encouraged her to not take any shit, and apparently she’d decided to start with him. Dammit. When he’d told her to not let the world stomp all over her, he should have specified his exemption. I’m her mate. Isn’t there a rule that says she can’t kick me out of bed? Except she’d yet to realize what he had. Was it only a day ago since his life changed? Not even. At this rate, he’d be picking out fucking China patterns by noon. Completely emasculated and by a woman who wanted nothing to do with him. Flipping to his knees, he sat up and rested his chin on the mattress. Arabella faced him, eyes wary, breathing shallow as she waited for his reaction. More like she waited to see if he’d explode. She’d learn. Hayder would never harm her, but he would use his infamous kitty-cat eyes against her. He stared. You know you want me. You know you need me. Come on, baby. Melt. Melt for your lion. She stared right back. Hmm, this wasn’t working as planned. He let the left side of his lip curl into a grin, tugging his cheek and popping his infamous dimple. “I know what you’re doing.” “What?” “Trying to manipulate me into letting you back into bed.” “Is it working?” For a moment her expression shifted, a quick flip of emotions as she struggled to answer. “Yes it’s working. But I wish it wasn’t.” “Why? Why fight it?” “Because I think I need time.” It turned out there was something more powerful than his dimple. Her honesty. He groaned. “I think you were sent to kill me. Fine. If you insist, I’ll respect you even if I’d rather debauch you.” Her eyes widened. “Respect doesn’t mean I’m going to lie, baby. I want you. Bad. But I’ll listen to what you want. For now.” And, yes, he said it ominously. Let her think about it. Think about him. Soon even she wouldn’t be able to deny they were meant for each other. He stood, all six foot plus naked feet of him. And, yes, that did put a certain part of his anatomy in perfect view of a certain shocked gaze. A sucked-in breath, cheeks that darkened, a certain awareness sizzling between them. She couldn’t hope to hide her pleasure or interest in what she saw. “Sweet dreams, baby.” He winked and then turned, resisting an urge to catch her staring at his ass. He knew she was. He could feel the crazy heat as she traced his path out of the room. Go back. Want to snuggle. His lion couldn’t understand why they were back in the living room with its cramped couch that wouldn’t allow him to stretch out. Why couldn’t they snuggle in the nice warm bed and, even better, cuddle with a nice warm mate? Respect, my furry friend. A lion had no use for respect though. His worldview was much simpler. Ours. Bed. Hungry. Not hungry for a steak but, rather, a sweet, creamy pie. Hayder groaned. No need to keep reminding him of what he was missing. He knew. He hated it, but her wants had to take precedence over his. Argh.
Eve Langlais (When a Beta Roars (A Lion's Pride, #2))
Manipulators look for ways to make their opponent, or his position, look ridiculous (and therefore funny). People like a good laugh and they especially like laughing at views that seem threatening to them. A good joke is almost always well received, for it relieves the audience of the responsibility to think seriously about what is making them uncomfortable.
Richard Paul (The Thinker's Guide to Fallacies: The Art of Mental Trickery and Manipulation)
When a TV show starts out, it is incredibly competitive: maybe one in a hundred TV ideas goes on to get made into pilot (tester) episodes. Maybe one in twenty of those pilots will go on to have a first series commissioned. And maybe one in ten of those will be asked back for a second season. It takes a sprinkling of fairy dust and a lot of goodwill. But do two seasons and you will quite probably go on to do five--or more. So we got lucky. No doubt. And I never even asked for it. Let alone expected it. I was simply, and blissfully, unaware. But on this journey, Man vs. Wild has had to endure a lot of flak from critics and the press. Anything successful inevitably does. (Funny how the praise tends just to bounce off, but small amounts of criticism sting so much. Self-doubt can be a brute, I guess.) The program has been accused of being set up, staged, faked, and manipulated. One critic even suggested it was all shot in a studio with CGI. If only.
Bear Grylls (Mud, Sweat and Tears)
The crowd was getting hysterical, so I reached into my back pocket and flippe open my wallet to reveal my badge. "Official business," I announced. "Please leave the area." This had the desired effect; it deescalated the mood and prompted most of the crowd to disperse. It's funny what a plastic badge and a meaningless phrase can do. The authority of the police is anothe mass delusion that can be useful at times. I hadn't even needed to claim I was a cop; all it took was a couple of simple cues to invoke the delusion.
Robert Kroese (The Big Sheep (The Big Sheep, #1))
The messaging that you get from society, media, and Hollywood skews age-related thinking. Back then I thought it was just because young women were more beautiful, but now I realize that it’s because a young woman is typically more docile, often easily manipulated, and too easily tricked into doing what the man wants, both societally and individually. […] Funny how when we come into our own power as women, that’s exactly when we are considered unattractive. It is they who are unattractive.
Rose McGowan (Brave)
The saddest moment of my study came when I saw how few people who dated narcissists realized they were in a highly manipulative relationship. They described their partners as “really funny” or “so smart,” despite how bad they felt in that person’s company.
Don Barlow (Recovery from Gaslighting & Narcissistic Abuse, Codependency & Complex PTSD (3 in 1): Emotional Abuse, People-Pleasing and Trauma vs. Emotional Regulation, Mindfulness, Independence and Self-Caring)
And this is the critical point: in a media world where what people shout overshadows what they actually do, the backlash sometimes appears to be the only dissenter out there, the only movement that has a place for the uncool and the funny-looking and the pious, for all the stock buffoons that our mainstream culture glories in lampooning. In this sense the backlash is becoming a perpetual alter-ego to the culture industry, a feature of American life as permanent and as strange as Hollywood itself. Even as it rejects the broader commercial culture, though, the backlash also mimics it. Conservatism provides its followers with a parallel universe, furnished with all the same attractive pseudospiritual goods as the mainstream: authenticity, rebellion, the nobility of victimhood, even individuality. But the most important similarity between backlash and mainstream commercial culture is that both refuse to think about capitalism critically. Indeed, conservative populism’s total erasure of the economic could only happen in a culture like ours where material politics have already been muted and where the economic has largely been replaced by those aforementioned pseudospiritual fulfillments. This is the basic lie of the backlash, the manipulative strategy that makes the whole senseless parade possible. In all of its rejecting and nay-saying, it resolutely refuses to consider that the assaults on its values, the insults, and the Hollywood sneers are all products of capitalism as surely as are McDonald’s hamburgers and Boeing 737s.
Thomas Frank (What's the Matter With Kansas?: How Conservatives Won the Heart of America)
TOM CLARE From a child, I was gripped by the amazing imagination on display in Alice in Wonderland. In my teens, the wild and wacky Goon Show came into being on the radio. Later, I became a huge fan of Tom Sharpe and his wickedly funny books. The more Gothic writing of Daphne du Maurier, especially in Rebecca and Don't Look Now, and the time manipulation novels of William Boyd, linger in my memory. Absurdity, in all its forms, is my type of humour. In retirement, all these sources, together with the stranger events from my life, inspired me to take up writing.
Martin Clayton
Wash trading, as it was called, would have been illegal on a regulated US exchange, though the sight of it did not bother Sam all that much. He thought it was sort of funny just how brazenly many of the Asian exchanges did it. In the summer of 2019, FTX created and published a daily analysis of the activity on other exchanges. It estimated that 80 percent or more of the volume on the second- and third-tier exchanges, and 30 percent of the volume on the top few exchanges, was fake. Soon after FTX published its first analysis of crypto trading activity, one exchange called and said, We’re firing our wash trading team. Give us a week and the volumes will be real. The top exchanges expressed relief, and gratitude for the analysis, as, until then, lots of people assumed that far more than 30 percent of their volume was fake. Sam was less surprised that Binance was wash trading than by how badly they were doing it. “They were doing a B-minus job at market manipulation,” he said. One Binance bot would make a wide market in Bitcoin futures, and another Binance bot would enter and lift its high offer. If, to keep the numbers simple, the fair value of bitcoin was $100, the first Binance bot would insert a bid at $98 and an offer at $102. No normal trader would trade against either—why sell for $98 or buy for $102 on Binance what you could buy or sell on some other exchange for $100? But then, at regular and predictable intervals, the second Binance bot would enter the market and buy at $102. It looked as if a trade had occurred between two different parties, but it hadn’t. It was simply Binance buying from Binance.
Michael Lewis (Going Infinite: The Rise and Fall of a New Tycoon)
Is there any way you could find some goat cheese for me? In the past, Natalie would have made a funny comment about how Ashley could convince anyone of anything. She may have even retold that story from the early years of BloBrush, when Ashley had sat in the QVC lobby for hours until she won over the cranky receptionist with the colorful tattoo sleeves, who ended up getting Ash five minutes with the woman who decided which products went on air. Natalie teased her about how cocky she’d been as she’d packed her oversize bag that morning, filling it with granola, bottled water, and magazines. I’m not leaving until I talk to someone, Nat. Nat would say that part in the nasally voice she used to imitate her, the one that always made Ashley laugh. But she didn’t do any of that last night. Instead, she’d stared at Ashley as she slowly chewed her beet salad with pine nuts and pondered how she’d ever thought it was funny that Ashley manipulated people everywhere she went—that it was so ingrained in who she was that even Natalie wasn’t sure she could tell the sincere from the fake anymore.
Liz Fenton (Girls' Night Out)
Here we find, in the work of Michael Moore, a factory for making political fools out of non-political fools. As a demagogue, Moore knows we live in a democratized culture mediated by television imagery. He knows that his audience lacks the general knowledge, the critical sense, to fully understand complex events. Furthermore, the intellectual decline of our culture guarantees he will have an "intellectual" following, and this will bolster his prestige. The ability to manipulate images without regard for objective truth, without regard for his own country and how it is viewed overseas, puts Moore in the totalitarian camp - united in spirit with those who hate America and the free market. He is not troubled. Instead, he is funny. And then, he is not so funny.
J.R. Nyquist
Let's pretend for a moment that I find you attractive. Let's pretend that your very virtue is sorely threatened at this very moment." "Unlikely," she scoffed. His warm gaze dropped down to the hand that rested against his warm, bare skin. Then he looked up at her, his eyes showing an emotion she did not recognize. "I want you," he said, then swallowed hard. "And every time you are near me, your scent, your voice, seeps into my soul." "Oh my," she muttered with a giggle. "You're good at this. You almost sound as if you believe it yourself." "I do." Sighing, she supposed the only thing worse than being pursued by a sinfully attractive, manipulative rake, was having one for a friend. "Stop this, Rothbury. It's not funny." Feeling flushed, she looked down at her hand with a start, realizing she was still touching his chest. She retracted it quickly, then made a great show of studying the tip of her index finger, where a tiny dot of blood had beaded. A thorn had jabbed her earlier during her perilous climb. She hoped it would draw his attention and distract him. But it only made it worse. He covered her hand with his own in a movement that could only be called a caress. She swallowed. "Give me back my hand, you depraved hound." "Mine." Slowly, he drew her toward his mouth, lips parting slightly. Good Lord. Was he going to put her finger in his mouth? All her breath seemed to sink down to her knees, if such a ludicrous thing was possible. This had to stop. She thought to shove him away, only her muscles refused to respond. "Now, what would you do?" He leaned down, his lips parting, giving her a tiny glimpse of his tongue.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
Choose a dojo. There’s Ross Jeffries and the school of Speed Seduction, where subliminal language patterns are used to get a girl aroused. Or Mystery and the Mystery Method, in which social dynamics are manipulated to snag the most desirable woman in a club. Or David DeAngelo and Double Your Dating, in which he advocates keeping the upper hand over a woman through a combination of humor and arrogance that he calls cocky funny. Or Gunwitch and Gunwitch Method, in which the only thing students have to do is project animalistic sexuality and escalate physical contact until the woman stops them. His crude motto: “Make the ho say no.” Or there’s David X, David Shade, Rick H., Major Mark, and Juggler—the newest guru on the scene, who appeared online one day claiming he could pick up women better and faster than any other PUA simply by reading his grocery list. Then there are the inner-circle teachers, like Steve P. and Rasputin, who reveal their techniques only to those they deem worthy. Yes, there are plenty of mentors to choose from, each with his own methods and disciples, each operating under the belief that his way is the way. And the giants do battle constantly
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
Clenching my fists, his subsequent snore emphasises my suspicions. He has been sleeping on the job. I put my hands on my hips and glide over to him. I have one intent in mind. Picking up the book next to his elbow, I slam it down on the table. There are definitely some perks to being able to manipulate objects. Adam’s reaction is priceless. “W…w….what? W…where? W…why?” He stammers, blinking frantically. One hand flies to his heart, which he clutches dramatically and he raises his other to his forehead, wiping his brow. When he realises who has disturbed him and what I have done, he scowls at me. “Why did you do that?” He snaps, rubbing his eyes. He yawns at the end, meaning that I definitely can’t take him seriously. “I was enjoying that dream.” At hearing his answer, I roll my eyes. Part of me is tempted to interrogate him, to find what he was dreaming about exactly. The other rational and sensible part wins, meaning that I thrust the book in his direction, winding him considerably. He throws me a sharp glare, which ends in a grimace. The book juts sharply into his ribs. “You should be reading NOT sleeping!” I retort, making sure that the book digs harder into his chest. I give it one last push. “So get going.
Adele Rose (Damned (The Devil’s Secret #1))
Stay away from cable news, polemical magazines, tabloids, cynical videos (including supposedly funny videos of people being hurt) and newspapers filled with negative messages and horrible pictures. Alien Parasites enter your mind when you read and see this kind of malignant information. Here you are faced with a dilemma. Many individuals want to be informed about the world around them. However, it is easy to be manipulated into believing that you need to be familiar with all the information that the news services are telling you that you must know. You have a responsibility to prioritize your life. This responsibility is to yourself alone. That is to say, once you have decided on your goals in life, you are only sabotaging yourself if you spend your time involved in activities that will not lead you to your goals. The Alien Parasites want to distract you as much as possible from anything having to do with spirituality.
Laurence Galian (Alien Parasites: 40 Gnostic Truths to Defeat the Archon Invasion!)
Because outside of God's shadow I was just a gaudy plastic float filled with stubborn air, drifting off like a blind Jonah in search of Plan B, manipulating circumstances and wondering why I kept waking up in my very own Tarshish.
Ray Blackston (Flabbergasted)
Crying dads and slapping moms are a routine part of how Indian kids are hammered into shape and manipulated to give up on things they really want
Chetan Bhagat (The Girl in Room 105)
I find it funny that you so easily accuse me of manipulating you, when you seem to have turned a blind eye to your beloved king doing it for years.
Raven Kennedy (Glint (The Plated Prisoner, #2))