S Photo Quotes

What i like about photographs is that they capture a moment that’s gone forever, impossible to reproduce.

Hey," said Jace. who was sitting on an overturned speaker, looking at his cellphone, "do you want to see a photo of Alec and Magnus in Berlin?" "Not really," said Simon. "Magnus is wearing lederhosen." "And yet, still no.

Alec keeps sending me annoying photos. Lots of captions like Wish you were here, except not really.

A photo says, you were happy, and I wanted to catch that. A photo says, you were so important to me that I put down everything else to come watch.

Look, did you ask me to come all the way uptown just so you could stare at me like I was something in a petri dish? Next time I'll send you a photo." "And I'll frame it and put it on my nightstand," said Jace.

Taking pictures is savoring life intensely, every hundredth of a second.

she is no longer the beautiful woman she was. she sends photos of herself sitting upon a rock by the ocean alone and damned. I could have had her once. I wonder if she thinks I could have saved her?

The apple tree in the background, just barely visible, was stretching a single limb out to her, as if wanting to be in the photo with her.

If God had a refrigerator, your picture would be on it. If He had a wallet, your photo would be in it. He sends you flowers every spring and a sunrise every morning... Face it, friend. He is crazy about you!

Ladies and gentlemen of the class of '97: Wear sunscreen. If I could offer you only one tip for the future, sunscreen would be it. The long-term benefits of sunscreen have been proved by scientists, whereas the rest of my advice has no basis more reliable than my own meandering experience. I will dispense this advice now. Enjoy the power and beauty of your youth. Oh, never mind. You will not understand the power and beauty of your youth until they've faded. But trust me, in 20 years, you'll look back at photos of yourself and recall in a way you can't grasp now how much possibility lay before you and how fabulous you really looked. You are not as fat as you imagine. Don't worry about the future. Or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubble gum. The real troubles in your life are apt to be things that never crossed your worried mind, the kind that blindside you at 4 p.m. on some idle Tuesday.

I remember seeing that picture and realizing that photographs weren’t real. There’s no context, just the illusion that you’re showing a snapshot of a life, but life isn’t snapshots, it’s fluid. So photos are like fictions. I loved that about them. Everyone thinks photography is truth, but it’s just a very convincing lie.

Kai neared his desk again, seeing that the fugitive's profile had been transferred to the screen. His frown deepened. Perhaps not dangerous, but young and inarguably good-looking. His prison photo showed him flippantly winking at the camera. Kai hated him immediately.

Books are the mile markers of my life. Some people have family photos or home movies to record their past. I’ve got books. Characters. For as long as I can remember, books have been my safe place.

People spot a big black lens, and they worry about what they're doing, or how their hair looks. Nobody see the person holding the camera.

Over the last couple of years, the photos of me when I was a kid... well, they've started to give me a little pang or something - not unhappiness, exactly, but some kind of quiet, deep regret... I keep wanting to apologize to the little guy: "I'm sorry, I've let you down. I was the person who was supposed to look after you, but I blew it: I made wrong decisions at bad times, and I turned you into me.

It's a very frustrated feeling you get when the only people with good photos of you work are the police department.

I can feel that photo of Anna staring at me from sixty years ago, and I can’t help myself from wanting to protect her, wanting to save her from becoming what she already is.

Photos I’m not in and memories we don’t share, haunt my lonely eyes.

Gotta bone ter pick with yeh. I've heard you've bin givin' out signed photos. How come I haven't got one?

But maybe every life looked wonderful if all you saw was the photo albums.

I took a photo of us, mid-embrace. When I am old and alone I will remember that I once held something truly beautiful.

recant, v. I want to take back at least half of the “I love you”s, because I didn’t mean them as much as the other ones. I want to take back the book of artsy photos I gave you, because you didn’t get it and said it was hipster trash. I want to take back what I said about you being an emotional zombie. I want to take back the time I called you “honey” in front of your sister and you looked like I had just shown her pictures of us having sex. I want to take back the wineglass I broke when I was mad, because it was a nice wineglass and the argument would have ended anyway. I want to take back the time we had sex in a rent-a-car, not because I feel bad about the people who got in the car after us, but because it was massively uncomfortable. I want to take back the trust I had while you were away in Austin. I want to take back the time I said you were a genius, because I was being sarcastic and I should have just said you’d hurt my feelings. I want to take back the secrets I told you so I can decide now whether to tell them to you again. I want to take back the piece of me that lies in you, to see if I truly miss it. I want to take back at least half the “I love you”s, because it feels safer that way.

I heard you were a player , okay , lets play a game. We'll flirt, play fights, talk 24/7, say goodmorning and goodnight every day, give each other nicknames, hang out, talk on the phone for hours, take cute pictures together, make promises to each other and hold each other. And whoever falls in love first, loses.

How many times have you tried to talk to someone about something that matters to you, tried to get them to see it the way you do? And how many of those times have ended with you feeling bitter, resenting them for making you feel like your pain doesn't have any substance after all? Like when you've split up with someone, and you try to communicate the way you feel, because you need to say the words, need to feel that somebody understands just how pissed off and frightened you feel. The problem is, they never do. "Plenty more fish in the sea," they'll say, or "You're better off without them," or "Do you want some of these potato chips?" They never really understand, because they haven't been there, every day, every hour. They don't know the way things have been, the way that it's made you, the way it has structured your world. They'll never realise that someone who makes you feel bad may be the person you need most in the world. They don't understand the history, the background, don't know the pillars of memory that hold you up. Ultimately, they don't know you well enough, and they never can. Everyone's alone in their world, because everybody's life is different. You can send people letters, and show them photos, but they can never come to visit where you live. Unless you love them. And then they can burn it down.

Who's the other kid in the photo?' he asked. 'The sandy-haired guy.' Annabeth's expression tightened. Touchy subject. 'That's Luke,' she said. 'He's dead now.

She knew her place in this family, always had. Knew why she was conceived. And it wasn't for a photo on the mantle.

You two. You can do a cleaning spell." One slurred, "But Nixie, I'm really pre-hung-over." Nix's eyes went wide. "Do it, or the photos go live!" The witch shook her fist to the sky, crying, "Damn you, Valkyrie! Damn you and your digital ways!

He owned an expensive camera that required thought before you pressed the shutter, and I quickly became his favorite subject, round-faced, missing teeth, my thick bangs in need of a trim. They are still the pictures of myself I like best, for they convey that confidence of youth I no longer possess, especially in front of a camera.

Because photos are testimony that someone did live. A reminder of past we may have loved or hated. A piece of our lives.

you come home, and everyone talks at once and everyone asks questions, but no one waits for the answers.Instead they talk about themselves, what they've been up to, what they're going to do next,       as if you're a photo on the wall.And then they talk to one another, forgetting you've jsut flown in, forgetting you're in the backseat, forgetting they've already said it all.

His smugness was annoying. This was the type of man who looked at a picture on the wall and instead of admiring the photo, looked at his own reflection in the glass.

My heart born naked was swaddled in lullabies. Later alone it wore poems for clothes. Like a shirt I carried on my back the poetry I had read. So I lived for half a century until wordlessly we met. From my shirt on the back of the chair I learn tonight how many years of learning by heart I waited for you.

But you're a prisoner," said Thorne. "I prefer damsel in distress," she murmured. One side of Thorne's mouth quirked up, into that perfect half smile he'd had in his graduation photo. A look that was a little bit devious, and all sorts of charming. Cress's heart stopped, but if they noticed her melting into her chair, they didn't say anything.

In the end, that was the problem with romance. It was so easy to romanticise romance because it was everywhere. It was in music and on TV and in filtered Instagram photos. It was in the air, crisp and alive with fresh possibility. It was in falling leaves, crumbling wooden doorways, scuffed cobblestones and fields of dandelions. It was in the touch of hands, scrawled letters, crumpled sheets and the golden hour. A soft yawn, early morning laugher, shoes lined up together dy the door. Eyes across a dance floor. I could see it all, all the time, all around, but when I got closer, I found nothing was there.

This phone," he says finally. "I want this phone." She laughs. "No. S'mine." Janie, I don't think you understand. I want it." Sorry." It's got photo caller ID; Internet; video, camera, and digital recorder?! Holy Hannah... It's making me warm all over." Oh yeah?" Janie says in a sexy voice. "Wanna play with my phone, baby?" Hell yes, I do.

She even touches Jimmy's face on the photos, and I see what it is to love someone like Milla loved that man. Her fingertips are made of love.

There are two people in every photograph: the photographer and the viewer

Rien n’est plus trompeur qu’une photo : on croit fixer un moment heureux pour l’éternité alors qu’on ne crée que de la nostalgie

Ladies and gentlemen of the class of '97: Wear sunscreen. If I could offer you only one tip for the future, sunscreen would be it. The long-term benefits of sunscreen have been proved by scientists, whereas the rest of my advice has no basis more reliable than my own meandering experience. I will dispense this advice now. Enjoy the power and beauty of your youth. Oh, never mind. You will not understand the power and beauty of your youth until they've faded. But trust me, in 20 years, you'll look back at photos of yourself and recall in a way you can't grasp now how much possibility lay before you and how fabulous you really looked. You are not as fat as you imagine. Don't worry about the future. Or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubble gum. The real troubles in your life are apt to be things that never crossed your worried mind, the kind that blindside you at 4 pm on some idle Tuesday. Do one thing everyday that scares you. Sing. Don't be reckless with other people's hearts. Don't put up with people who are reckless with yours. Floss. Don't waste your time on jealousy. Sometimes you're ahead, sometimes you're behind. The race is long and, in the end, it's only with yourself. Remember compliments you receive. Forget the insults. If you succeed in doing this, tell me how. Keep your old love letters. Throw away your old bank statements. Stretch. Don't feel guilty if you don't know what you want to do with your life. The most interesting people I know didn't know at 22 what they wanted to do with their lives. Some of the most interesting 40-year-olds I know still don't. Get plenty of calcium. Be kind to your knees. You'll miss them when they're gone. Maybe you'll marry, maybe you won't. Maybe you'll have children, maybe you won't. Maybe you'll divorce at 40, maybe you'll dance the funky chicken on your 75th wedding anniversary. Whatever you do, don't congratulate yourself too much, or berate yourself either. Your choices are half chance. So are everybody else's. Enjoy your body. Use it every way you can. Don't be afraid of it or of what other people think of it. It's the greatest instrument you'll ever own. Dance, even if you have nowhere to do it but your living room. Read the directions, even if you don't follow them. Do not read beauty magazines. They will only make you feel ugly. Get to know your parents. You never know when they'll be gone for good. Be nice to your siblings. They're your best link to your past and the people most likely to stick with you in the future. Understand that friends come and go, but with a precious few you should hold on. Work hard to bridge the gaps in geography and lifestyle, because the older you get, the more you need the people who knew you when you were young. Live in New York City once, but leave before it makes you hard. Live in Northern California once, but leave before it makes you soft. Travel. Accept certain inalienable truths: Prices will rise. Politicians will philander. You, too, will get old. And when you do, you'll fantasize that when you were young, prices were reasonable, politicians were noble, and children respected their elders. Respect your elders. Don't expect anyone else to support you. Maybe you have a trust fund. Maybe you'll have a wealthy spouse. But you never know when either one might run out. Don't mess too much with your hair or by the time you're 40 it will look 85. Be careful whose advice you buy, but be patient with those who supply it. Advice is a form of nostalgia. Dispensing it is a way of fishing the past from the disposal, wiping it off, painting over the ugly parts and recycling it for more than it's worth. But trust me on the sunscreen.

Most of our childhood is stored not in photos, but in certain biscuits, lights of day, smells, textures of carpet.

And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.

If I feel the urge to burst into flames, I'll let you know," Simon was getting fed up. "Look, did you actually ask me to come all the way uptown just so you could stare at me like I'm something in a petrie dish? Next time I'll send you a photo." "And I'll frame it and put it on my nightstand," Jace said, but he didn't sound as if his heart was in the sarcasm. "Look, I asked you here for a reason, not to stare at you. Much as I hate to admit it, vampire, we have something in common." "Totally awesome hair?" Simon suggested

Everyone queue up!' Malfoy roared to the crowd. 'Harry Potter's giving out signed photos!

The best writers tend to look the roughest in photos. At least that's the excuse I use for why I look so bad in mine.

Mistakes are like the memories you hide in an attic: old love letters from relationships that tanked, photos of dead relatives, toys from a childhood you miss. Out of sight is out of mind, but somewhere deep inside you know they still exist. And you also know that you're avoiding them.

There is a shipwreck between your ribs and it took eighteen years for me to understand how to understand your kind of drowning. There are people who cannot be held quietly. There are screams that are never externalized. If I looked at the photo albums of your past twenty years, all I would find are decibel meter graphs of phone calls and the intensity of your silence as you sat smoking cigarettes in the garage. There is a shipwreck between your ribs. You are a box with fragile written on it, and so many people have not handled you with care. And for the first time, I understand that I will never know how to apologize for being one of them.

I really wanted to take her photo, so I walked up to the nearest adult and asked, 'Does she belong to you?' Suddenly the music stopped, and I heard: 'I belong to myself!

I was the girl he had chosen to kiss. He wanted, somehow to set me free. He didn't want to burn my photo or toss it away, but he didn't want to look at me anymore, either.

We are often taught to look for the beauty in all things, so in finding it, the layman asks the philosopher while the philosopher asks the photographer.

He slid the photo out and raised it. The sun washed out any distinguishable characteristics. All except her eyes. He didn’t need a picture to remember those. As turquoise as the waters near Cozumel, and just as warm.

Stefan, please, get to work.  Take a picture of this. You want a photo? Of this? War in all its ugliness.  A Pulitzer Prize awaits. You want me to document a war crime? Your war crime? Yes.  I do. You understand they can’t be untaken. Proceed.

A problem with living in the twenty-first century..... we are made to feel poor on thirty thousand pounds a year. To feel poorly travelled if we have only been to ten other countries. To feel old if we have a wrinkle. To feel ugly if we aren’t photo shopped and filtered.

If you truly love film, I think the healthiest thing to do is not read books on the subject. I prefer the glossy film magazines with their big color photos and gossip columns, or the National Enquirer. Such vulgarity is healthy and safe.

Holy fuck—would somebody please tell him why a massive photo of a penis was sitting front and center in the courtroom?

You must not look in that mirror at your doughy legs and flat feet, for today is about dreams and illusions, and unfiltered natural daylight is the enemy of dreams.

You can make up your own story when you look at a photo.

Amy adored both the new look and the new person it allowed her to be. Following the photo shoot, she wore her bruises to the dry cleaner and the grocery store. Most people nervously looked away, but on the rare occasions someone would ask what happened, my sister would smile as brightly as possible, saying, 'I'm in love. Can you believe it? I'm finally, totally in love, and I feel great.

I feel a sadness I expected and which comes only from myself. I say I’ve always been sad. That I can see the same sadness in photos of myself when I was small. That today, recognizing it as the sadness I’ve always had, I could almost call it by my own name, it’s so like me.

What's the woman doing there?" he asked. "Covering a scratch on the hood. She was cheaper than a new paint job." He flipped through a few more pages of barely dressed women and classic cars. "Nick used to have magazines like this when we were kids. But without the cars." He rotated a photo sideways. "Or the bathing suits.

Wait!” Alex yells up to the driver. “Stop! Stop the car!” Up close, it’s beautiful. Two stories tall. He can’t imagine how somebody was able to put together something like this so fast. It’s a mural of himself and Henry, facing each other, haloed by a bright yellow sun, depicted as Han and Leia. Henry in all white, starlight in his hair. Alex dressed as a scruffy smuggler, a blaster at his hip. A royal and a rebel, arms around each other. He snaps a photo on his phone, and fingers shaking, types out a tweet: Never tell me the odds.

I think, therefore I am, therefore I am photographable.

I think people fake that they're having fun a lot of the time in photos, because they want people to think they're having fun. Well, that's not life, is it?

You're nothing like your sister," he tells me. "She meant a lot to me, okay? It's true. But the things I like about you have nothing to do with her. You - you are so strong and stubborn it drives me crazy. You're the one going through all this and you still put Laney first every time, instead of throwing yourself the pity party we both know you deserve. You call me out on my shit, and I like that, because sometimes I need someone to call me out on my shit. And you get Johnny Cash, and you take these incredible photos, and everything about you makes me hurt, in a good way, and it blows my mind that someone can be so amazing and not even see it.

His frown deepened. Perhaps not dangerous, but young and inarguably good-looking. His prison photo showed him flippantly winking at the camera. Kai hated him immediately.

I wouldn’t wear tiny amounts of clothing in my real life, so I don’t think it’s necessary to wear that stuff in photo shoots.

It wasn't only that you didn't see him anymore, meet him anymore. You saw his absence and encountered it as something tangible. His not being there was like the sharply outlined emptiness of a photo with a figure cut out precisely with scissors and now the missing figure is more important, more dominant than all others.

Telephone pole wires get in the way of great photos. Communication always gets in the way of communication.

When you look like your passport photo, it's time to go home.

He remembered something about darkness, about pressure and weighted blankets and silence. Though he had no idea how he was going to get hold of any of those things up on top of a building. "Tell me," Kit said. Tell me what you need. "Put your arms around me," said Ty. His hands were pale blue blurs in the air, as if Kit were looking at a time-lapsed photo. "Hold on to me." He was still rocking. After a moment, Kit put his arms around Ty, not knowing what else to do.

I don't think anyone ever remembers what they were really like as kids. Adults think they do, but they don't. Photos and videos don't capture the real you, or bring back to life the person you used to be. You have to return to the past to do that.

She still spoke to Ravi every day. Not the real one, the one who lived in her head. She spoke to him when she was scared or unsure, asked him what he would do if he were there. He sat beside her when she was lonely, and she was always lonely, looking at old photos on her phone. He told her goodnight and kept her company in the dark while she learned how to sleep again.

We overvalue nonessentials like a nicer car or house, or even intangibles like the number of our followers on Twitter or the way we look in our Facebook photos. As a result, we neglect activities that are truly essential, like spending time with our loved ones, or nurturing our spirit, or taking care of our health.

At the top of his file was a three-dimensional holograph scanned in from his military graduation. Cress preferred it to the infamous prison photo that had become so popular, the one in which he was winking at the camera, because in the holograph he was wearing a freshly pressed uniform with shiny silver buttons and a confident, one-sided grin. Seeing that smile, Cress melted. Every. Time. "Hello again, Mr. Thorne," she whispered to the holograph.

G.I. Joe boxers!’ Apollo screamed. ‘OH—oh, I can’t even... HAHAHAHAHA!’ ‘Aphrodite,’ Athena giggled. ‘You look simply lovely.’ The gods couldn't stop laughing. Soon they were rolling on the floor, wiping tears from their eyes, taking photos with their phones to post on Tumblr.

I rolled over and picked up Us Weekly magazine off the floor. The cover had a picture of Angelina, Brad, and their little Eskimo son, Maddox. I saw staring at the photo, wondering why this little boy looks so pissed off in every picture. At first I thought he was just pissed about his Mohawk, but then I realized he’s probably furious. Maddox must have thought he hit the jackpot when some A-list celebrity rescued him from third-world Cambodia, only to discover that she was going to shuffle him back and for the to EVERY other third-world country in the universe. He’s probably like, 'When the fuck are we gonna get to Malibu, bitch?

Anna followed, keeping a sharp eye out for things he might back into or over. She wondered if Isaac did this all the time-and, if so, how he avoided getting photos in the paper with captions like "Local Alpha Trips Over Child" or "Wolf Versus Street Sign, Street Sign Wins.

Did you see him? I know the photo was grainy, but he looks like one of those death metal goth heads, or whatever they’re called. All dressed in black with long hair I took umbrage at my mother describing my boyfriend this way. John was the Lord of the Underworld. How else was he supposed to dress?

A death is traumatic. Vivid enough to mark any surface, to burn in like light on photo paper.

He wanted to live life in such a way that if a photograph were taken at random, it would be a cool photograph. Things should look right. Fun; there should be a lot of fun and no more sadness than absolutely necessary.

[E]verywhere I'm looking at kids, adults mostly don't seem to like them, not even the parents do. They call the kids gorgeous and so cute, they make the kids do the thing all over again so they can take a photo, but they don't want to actually play with them, they'd rather drink coffee talking to other adults. Sometimes there's a small kid crying and the Ma of it doesn't even hear.

I don't know exactly what it is, but it looks like interconnected websites where people show their photos and write about everything going on in their lives, like whether they found a parking spot or what they ate for breakfast." "But why?" Josh asks.

Enjoy the power and beauty of your youth; oh nevermind; you will not understand the power and beauty of your youth until they have faded. But trust me, in 20 years you’ll look back at photos of yourself and recall in a way you can’t grasp now how much possibility lay before you and how fabulous you really looked….You’re not as fat as you imagine. Don’t worry about the future; or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubblegum. The real troubles in your life are apt to be things that never crossed your worried mind; the kind that blindside you at 4pm on some idle Tuesday. Do one thing everyday that scares you Sing Don’t be reckless with other people’s hearts, don’t put up with people who are reckless with yours. Floss Don’t waste your time on jealousy; sometimes you’re ahead, sometimes you’re behind…the race is long, and in the end, it’s only with yourself. Remember the compliments you receive, forget the insults; if you succeed in doing this, tell me how. Keep your old love letters, throw away your old bank statements. Stretch Don’t feel guilty if you don’t know what you want to do with your life…the most interesting people I know didn’t know at 22 what they wanted to do with their lives, some of the most interesting 40 year olds I know still don’t. Get plenty of calcium. Be kind to your knees, you’ll miss them when they’re gone. Maybe you’ll marry, maybe you won’t, maybe you’ll have children,maybe you won’t, maybe you’ll divorce at 40, maybe you’ll dance the funky chicken on your 75th wedding anniversary…what ever you do, don’t congratulate yourself too much or berate yourself either – your choices are half chance, so are everybody else’s. Enjoy your body, use it every way you can…don’t be afraid of it, or what other people think of it, it’s the greatest instrument you’ll ever own.. Dance…even if you have nowhere to do it but in your own living room. Read the directions, even if you don’t follow them. Do NOT read beauty magazines, they will only make you feel ugly. Get to know your parents, you never know when they’ll be gone for good. Be nice to your siblings; they are the best link to your past and the people most likely to stick with you in the future. Understand that friends come and go,but for the precious few you should hold on. Work hard to bridge the gaps in geography and lifestyle because the older you get, the more you need the people you knew when you were young.

Eli dragged his gaze away from the photo. “What are you going to do about him?” “I’m going to find him. You two can each have a cell to rot in.” “Oh, great,” said Eli dryly. “We can be neighbors.

It's not one of the posed shots- it's one he didn't even realize had been taken, one he definitely didn't think would be released. He should have given the photographer more credit. He managed to capture the moment right when Henry cracked a joke, a candid, genuine photo, completely caught up in each other, Henry's arm around him and his own hand reaching up to grasp for Henry's on his shoulder. The way Henry's looking at him in the picture is so affectionate, so openly loving, that seeing it from a third person perspective almost makes Alex want to look away, like he's staring into the sun. He called Henry the North Star once. That wasn't bright enough.

Her eyes went so wide they nearly bulged. It was probably wrong of me to find that amusing. Or to want to take a photo of Nicholas with his fangs out and wearing a black cape lined with red satin and then hang it over my pillow in a heart-shaped frame.

No more photos. Surely there are enough. No more shadows of myself thrown by light onto pieces of paper, onto squares of plastic. No more of my eyes, mouths, noses, moods, bad angles. No more yawns, teeth, wrinkles. I suffer from my own multiplicity. Two or three images would have been enough, or four, or five. That would have allowed for a firm idea: This is she. As it is, I'm watery, I ripple, from moment to moment I dissolve into my other selves. Turn the page: you, looking, are newly confused. You know me too well to know me. Or not too well: too much.

[Adam picks up the camera] "I have to get a shot of this." The reaction in the room was swift, and unanimous: every single person except me raised their hands at once to cover their faces. The accompanying utterances, though, were varied. I heard everything from "Please no" (Maggie), to "Jesus Christ" (Wallace), to "Stop it or die" (I'm assuming it's obvious).

I don't understand why people never say what they mean. It's like the immigrants who come to a country and learn the language but are completely baffled by idioms. (Seriously, how could anyone who isn't a native English speaker 'get the picture,' so to speak, and not assume it has something to do with a photo or a painting?)

If I feel the urge to burst into flames, I'll let you know. " Simon never had much patience with Jace. "Look, did you ask me to come all the way uptown just so you could stare at me like I was something in a petri dish? Next time I'll send you a photo. " "And I'll frame it and put it on my nightstand, " said Jace sarcastically.

Barrons knows virtually everything about me. I wouldn’t be surprised if somewhere he has a little file that encompasses my entire life to date, with neatly mounted, acerbically captioned photos—see Mac sunbathe, see Mac paint her nails, see Mac almost die.

Sunrise looks spectacular in the nature; sunrise looks spectacular in the photos; sunrise looks spectacular in our dreams; sunrise looks spectacular in the paintings, because it really is spectacular!

Feminists do the best Photoshop because they leave the meat on your bones. They don’t change your size or your skin color. They leave in your disgusting knuckles, but they may take out some armpit stubble. Not because they’re denying its existence, but because they understand that it’s okay to make a photo look as if you were caught on your best day in the best light.

There are two things you can run and not hide from- God and a dysfunctional family". ~R. Alan Woods [2012]

The photos stirred feelings she couldn't quite frame in words, and this, she decided, must mean they were true works of art.

At first we raced through space, like shadows and light; her rants, my raves; her dark hair, my blonde; black dresses, white. She's a purple-black African-violet-dark butterfly and I a white moth. We were two wild ponies, Dawn and Midnight, the wind electrifying our manes and our hooves quaking the city; we were photo negatives of each other, together making the perfect image of a girl.

Over time, the real remained in the photo while the hallucinations faded away. I discovered what sorts of things my mind liked to make up.

Rien n'est plus trompeur qu'une photo : On croit fixer un moment heureux pour l'éternité alors qu'on ne crée que de la nostalgie. On appuie sur le déclencheur, et hop, une seconde plus tard, l'instant à disparu.

Listen. I may not be much, but I'm all I've got. Maybe you need a magnifying glass to find my face in my high school graduation photo. Maybe I haven't got any family or friends. Yes, yes, I know all that. But, strange as it might seem, I'm not entirely dissatisfied with life... I feel pretty much at home with what I am. I don't want to go anywhere. I don't want any unicorns behind fences.

This is us. Our pose. The smush. It’s even how we are in the ultrasound photo they took of us inside Mom and how I had us in the picture Fry ripped up yesterday. Unlike most everyone else on earth, from the very first cells of us, we were together, we came here together. This is why no one hardly notices that Jude does most of the talking for both of us, why we can only play piano with all four of our hands on the keyboard and not at all alone, why we can never do Rochambeau because not once in thirteen years have we chosen differently. It’s always: two rocks, two papers, two scissors. When I don’t draw us like this, I draw us as half-people.

A framed photo on a dusty bookshelf caught his attention; he moved closer and picked it up silently. A small girl with long blond hair was standing under a tree, her face tilted up in delight as its feathery leaves brushed across her face, framing it. A willow tree. Willow.

Photographier : c'est mettre sur la même ligne de mire la tête, l'oeil et le coeur.

All photos speak a thousand words. This one contained a library.

I used to be really pretty,” I whispered, sharing the secret. “See? I used—” “There is no ‘used’ to be.” He snatched the frame out of my hand, and my mouth dropped open as he tossed it. The photo whizzed through the air, bouncing off a cushion and landing harmlessly on the couch. “You’re really fucking pretty now.

I SWEAR SOMETIMES it feels like God be flashing photos of his children, awkward, amazing, tucked in his wallet for the world to see. But the world don't wanna see no kids, and God ain't no pushy parent so he just folds and snaps us shut.

Which of my photographs is my favorite? The one I’m going to take tomorrow.

A photo essay (otherwise known as a fucking slide show)...

I got the pictures with the names, and they match the passport photos and names from Madrid. How did you get the manager to help?

God, what if TMZ got hold of the truth about me? What a liar I am, I mean? What kind of role model am I? I make Vanessa Hudgens look like Mother Freaking Teresa. Minus the whole nudity thing. Because I'm not about to take naked photos of myself and send them to my boyfriend.

I can't wait to tell him one day," she says with a giggle. "'Hey, Chaz, guess what? We knew where your precious car was all the time.' I'd like to take a photo of his face. What do you think?" "I reckon I'd smile really nicely in the photo," Santangelo says behind me, yanking me out of the way, "knowing that you'll be keeping it under your pillow for the rest of your life.

...when you look at a photo or realistic drawing of a face, you see it as the face of another . But when you enter the world of the cartoon , you see yourself.

When you see such photos, you can't help but wonder at just how sweet and sad and innocent all moments of life are rendered by the tripping of a camera's shutter, for at that point the future is still unknown and has yet to hurt us, and also for that brief moment, our poses are accepted as honest.

I want to forget everything you told me. I want to wash away how uncertain you made me. How scared I was of losing you. How I lost you anyway. I don’t want to know how your hands feel or what makes you smile. I don’t want to see you in photos, familiar like a dream I had once or a book I never finished.

And Victor, who was so good at picking things apart, at understanding how they worked, how he worked, looked at the photo, and felt … conflicted. Hate was too simple a word. He and Eli were bonded, by blood and death and science. They were alike, more so now than ever. And he had missed Eli. He wanted to see him. And he wanted to see him suffer. He wanted to see the look in Eli’s eyes when he lit them up with pain. He wanted his attention.

As a photographer you have a deep love for light, life and yourself. You know that the eyes of love aren’t blind, they are wide open. Only when your eye, heart and soul shine brighter than the sun, you realize how ordinary it is to love the beautiful, and how beautiful it is to love the ordinary.

Other people’s sex lives are a little like other people’s holidays: you’re glad that they had fun but you weren’t there and don’t necessarily want to see the photos.

Life was so simple when apples and blackberries were fruit, a tweet was the sound of nature, and facebooks were photo albums

Your most important gear is your eye, heart and soul.

I brought a few old photos of Villageport. I didn’t know you were blind. I hoped you could put some names to the pictures.” “Eyes aren’t the only way to see, young lady.

Touch her, and I’ll kill you.” Cole’s voice is downright arctic.

What Musk has developed that so many of the entrepreneurs in Silicon Valley lack is a meaningful worldview. He’s the possessed genius on the grandest quest anyone has ever concocted. He’s less a CEO chasing riches than a general marshaling troops to secure victory. Where Mark Zuckerberg wants to help you share baby photos, Musk wants to . . . well . . . save the human race from self-imposed or accidental annihilation.

I hear women are posting their phone numbers on the site for you.” Accompanied by sexy videos and photos. Judd’s eyes gleamed. “Not after Brenna hacked the site and plastered a message on their homepage pointing out that I’m very happily mated to a wolf with sharp teeth, razored claws, and a wild case of insane jealousy.” A small smile that was nonetheless, quietly satisfied. “She also uploaded several gruesome photos of feral wolf kills.

camera’s lens were Eleanor Lavelle and Rob Young. The photo itself told her they were Eleanor Lavelle and Tony Shaw.

I stopped taking photos of sunsets a long time ago. I can never capture its colours. The same goes for you.

There is something fascinatingly awkward about an author photo. I'm drawn to those glossy shots in the back of books, mostly because the subjects never look happy to be there.

If you looked round the rooms, you wouldn't think there was anything missing. But it's like one of those Spot the difference cartoons in a puzzle book. The changes are so subtle, yet glaringly obvious once you've seen them. A photo missing here, a cup there. A heart a bit more broken than it was before.

A few days after we came home from the hospital, I sent a letter to a friend, including a photo of my son and some first impressions of fatherhood. He responded, simply, 'Everything is possible again.' It was the perfect thing to write, because that was exactly how it felt. We could retell our stories and make them better, more representative or aspirational. Or we could choose to tell different stories. The world itself had another chance.

I took a Polaroid of her one night and stuck it into the frame of the mirror in the living room. Reva thought it was a loving gesture, but the photo was really meant as a reminder of how little I enjoyed her company if I felt like calling her later while I was under the influence.

You were with Margo Roth Spiegelman last night? At THREE A.M.? I nodded. Alone? I nodded. Oh my God, if you hooked up with her, you have to tell me every single thing that happened. You have to write me a term paper on the look and feel of Margo Roth Spiegelman's breasts. Thrity pages, minimum! I want you to do a photo-realistic pencil drawing. A sculpture would also be acceptable. I was wondering if it would be possible for you to write a sestina about Margo Roth Spiegelman's breasts? Your six words are: pink, round, firmness, succulent, supple, and pillowy. Personally, I think at least one of the words should be buhbuhbuhbuh.

I really like the thing called friendship. And I think the most fulfilling kind of friendship is the one that you stumble quite randomly upon. Unexpected and unknown. You can learn a lot about yourself from these kinds of friendships, and some last a long time while others last only for the duration of time that you have together! But then I wonder, is the length of a friendship measured by the time you are given to spend within each others' company? Or is it measured by how long into the future you can look back at the photos you took, look back and replay the adventures and the laughter in your head; still feeling like it was one of the "bestest" times of your life? Because if it's the latter, I have a thousand friends!

Everything,' his father said, 'comes down to time in the end--to the passing of time, to changing. Ever thought of that? Anything that makes you happy or sad, isn't it all based on minutes going by? Isn't sadness wishing time back again? Even big things--even mourning a death: aren't you really just wishing to have the time back when that person was alive? Or photos--ever notice old photographs? How wistful they make you feel? ... Isn't it just that time for once is stopped that makes you wistful? If only you could turn it back again, you think. If only you could change this or that, undo what you have done, if only you could roll the minutes the other way, for once.

Just what is a friend anyway? When do people start seeing each other as friends? When they first talk alone? When they exchange contact information? When they take a photo together? I’ll bet they know... what friends are.

Value versus Cost Economists tend to focus on cost, and, as economists, we are as guilty of that as anyone. The entire premise of our first book, Prediction Machines, was that AI advances were going to dramatically reduce the cost of prediction, leading to a scale-up of its use. However, while that book suggested that the initial uses of AI would be where prediction was already occurring, either explicitly in, say, forecasting sales or the weather, or implicitly in classifying photos and language, we were mindful that the real opportunity would be the new applications and uses that were enabled when prediction costs fell low enough.

The mix in our rooms is so touching: the clutter and the cracks in the wall belie a bleakness or brokenness in our lives; while photos and a few rare objects show our pride, our rare shining moments ... these rooms are future ruins

Though if love was an animal, Garret knew, it would probably be the Loch Ness Monster. If it didn’t exist, that didn’t matter. People made models of it, put it in the water, and took photos. The hoax of it was good enough. The idea of it. Though some people feared it, wished it would just go away, had their lives insured against being eaten alive by it.

There are no photos here, as there were in the woman’s flat. Only books. “You got any good ones, then?” she asks, scanning the shelves. “I don’t know what you think is good,” the woman answers carefully. “Do you have any Harry Potters?” “No.” “Not even one?” Elsa asks, incredulous. “No.” “You have all these books and not a single Harry Potter? And they let you fix people whose heads are broken?

Georgie took out her phone. 'I want to take a picture of you two.' She held up her phone and motioned for us to get together. Darcy and I lined up against the railing. 'No, I need you closer together to get you both in the photo,' she instructed. I had taken countless pictures on the waterfront and I knew that if you were getting the skyline in the background, you didn't need to be that close. Darcy put his arm around my shoulder and we leaned in. I slipped my arm around his waist and I noticed how easily I fit into the little nook on his side. 'Oh, hold on, I'm having problems.' Georgie played with her phone for a few moments while we just stood there in our posed embrace. 'Georgie...' She looked up at her brother and blushed. 'Um, I think it works now.

No, this, she felt, was real life and if she wasn’t as curious or passionate as she had once been, that was only to be expected. It would be inappropriate, undignified, at thirty-eight, to conduct friendships or love affairs with the ardour and intensity of a twenty-two-year-old. Falling in love like that? Writing poetry, crying at pop songs? Dragging people into photo-booths, taking a whole day to make a compilation tape, asking people if they wanted to share your bed, just for company? If you quoted Bob Dylan or T.S. Eliot or, God forbid, Brecht at someone these days they would smile politely and step quietly backwards, and who would blame them? Ridiculous, at thirty-eight, to expect a song or book or film to change your life. No, everything had evened out and settled down and life was lived against a general background hum of comfort, satisfaction and familiarity. There would be no more of these nerve-jangling highs and lows. The friends they had now would be the friends they had in five, ten, twenty years’ time. They expected to get neither dramatically richer or poorer; they expected to stay healthy for a little while yet. Caught in the middle; middle class, middle-aged; happy in that they were not overly happy. Finally, she loved someone and felt fairly confident that she was loved in return. If someone asked Emma, as they sometimes did at parties, how she and her husband had met, she told them: ‘We grew up together.

I looked where he was tapping. "Local Girl Missing, Feared Dead" Beneath it was a photo or me-my most recent school photo. "Oh no." My heart filling with dread, i took the paper from Mr. Smith's hands. "Couldn't they have found a better picture?

Like I said before, I don't know how helpful Inez will be, " she explained. "She's very eccentric and controlled by her whims. If she likes you, she might tell you something. If she doesn't, well..." Ms. Terwilliger shrugged. "Then maybe we'll have time for photo ops." "Score," said Adrian. When I shot him a look, he added quickly, "But of course she'll like you.

Nature was one of the key forces that brought me back to God, for I wanted to know the Artist responsible for beauty such as I saw on grand scale in photos from space telescopes or on minute scale such as in the intricate designs on a butterfly wing.

Why, 'inspire?' As y'all can see I love things with the word, 'inspire!' Well, let me remind you that all inspiration comes from God, and my prayer, is that He will lead me, to inspire you to find the true inspiration that He will freely give to you!

What tethers me to my parents is the unspoken dialogue we share about how much of my character is built on the connection I feel to the world they were raised in but that I've only experienced through photos, visits, food. It's not mine and yet, I get it. First-generation kids, I've always thought, are the personification of déjà vu.

I'd been making desicions for days. I picked out the dress Bailey would wear forever- a black slinky one- innapropriate- that she loved. I chose a sweater to go over it, earrings, bracelet, necklace, her most beloved strappy sandals. I collected her makeup to give to the funeral director with a recent photo- I thought it would be me that would dress her; I didn't think a strange man should see her naked touch her body shave her legs apply her lipstick but that's what happened all the same. I helped Gram pick out the casket, the plot at the cemetery. I changed a few lines in the obituary that Big composed. I wrote on a piece of paper what I thought should go on the headstone. I did all this without uttering a word. Not one word, for days, until I saw Bailey before the funeral and lost my mind. I hadn't realized that when people say so-and-so snapped that's what actually happens- I started shaking her- I thought I could wake her up and get her the hell out of that box. When she didn't wake, I screamed: Talk to me. Big swooped me up in his arms, carried me out of the room, the church, into the slamming rain, and down to the creek where we sobbed together under the black coat he held over our heads to protect us from the weather.

She smiled, pulling the photo a little closer, and I wondered if I should ask her, too, the question for my project, get her definition. But as she ran a finger slowly across the faces, identifying each one, it occurred to me that maybe this was her answer. All those names, strung together like beads on a chain. Coming together, splitting apart, but still and always, a family. (page 289) ~Ruby

The hairstyle that was chosen would impact how everyone—every filmgoing human—would envision me for the rest of my life. (And probably even beyond—it’s hard to imagine any TV obituary not using a photo of that cute little round-faced girl with goofy buns on either side of her inexperienced head.)

oh, my God," I whispered. "But how did they get my photo? Alex tapped his mouth with his thumb. "That ...book with everyone's picture in it, that you have in high school." "Yearbook," I said. Was he trying to be funny? But of course he was right; that's exactly where it was from.

I stare at the photo. It’s an image of a huge black-winged moth from one of Alison’s old albums. The shot is amazing, the way the wings are splayed on a flower between a slant of sun and shade, teetering between two worlds. Alison used to capture things most people wouldn’t notice—moments in time when opposites collide, then merge seamlessly together.

Dean took out other pictures. I realized these were all the snapshots which our children would look at someday with wonder, thinking their parents had lived smooth, well-ordered, stabilized-within-the-photo lives and got up in the morning to walk proudly on the sidewalks of life, never dreaming the raggedy madness and riot of our actual lives, or actual night, the hell of it, the senseless nightmare road. All of it inside endless and beginningless emptiness.

But perhaps that's why we take snaps...to provide false evidence to underpin the false claim that we were happy. Because the thought that we weren't happy at least for some time during our lives is unbearable. Adults order children to smile in the photos, involve them in the lie, so we smile, we feign happiness.

Sometimes a scent is more evocative than a photo or an image. It is a primer for the deflagration of sensation, emotions, desires, uncontrollable atmospheres, dejavus that flood and wrap us like honey, until they make us drown in an unrepeatable moment of wellbeing... olfactory hallucinations that lead us anywhere: to the North of any South, to the East of any West...

In newsreels or news-photos, the Arab is always shown in large numbers. No individuality, no personal characteristics or experiences. Most of the pictures represent mass rage and misery, or irrational (hence hopelessly eccentric) gestures. Lurking behind all of these images is the menace of jihad. Consequence: a fear that the Muslims (or Arabs) will take over the world.

The best part about best friends is that you can maintain a relationship at any distance. In this day and age, we have Skype, FaceTime, text messages, audio messages, photo messages, and every social media site you can think of. With my friends, I send little photo updates almost daily and do a video call every week. It’s really not that difficult. We talk about anything and everything. I can confide my deepest, darkest secrets with my best friends and fear no judgment. It’s actually the best. And when we have the luxury of being in the same location, we pick things up like we were never separated. It really doesn’t matter where we go or what we do; it’s honestly just so nice to be in each other’s presence that the rest doesn’t matter.

He had first been excited by Facebook, ghosts of old friends suddenly morphing to life with wives and husbands and children, and photos trailed by comments. But he began to be appalled by the air of unreality, the careful manipulation of images to create a parallel life, pictures that people had taken with Facebook in mind, placing in the background the things of which they were proud.

Robots are important also. If I don my pure-scientist hat, I would say just send robots; I'll stay down here and get the data. But nobody's ever given a parade for a robot. Nobody's ever named a high school after a robot. So when I don my public-educator hat, I have to recognize the elements of exploration that excite people. It's not only the discoveries and the beautiful photos that come down from the heavens; it's the vicarious participation in discovery itself.

The shadow-past is shaped by everything that never happened. Invisible, it melts the present like rain through karst. A biography of longing. It steers us like magnetism, a spirit torque. This is how one becomes undone by a smell, a word, a place, the photo of a mountain of shoes. By love that closes its mouth before calling a name.

You may claim no affiliation with them, but perhaps some have crossed your path.And perhaps you'd like to help us find them." "Oh,sure.You killed my mother. You can imagine I'm dying to help you out." Thomas manages to ignore me again. He glances at the first photo projected on the wall. "Know this person?" I shake my head. "Never seen him before." Thomas clicks the remote. Another photo pops up. "How about this one?" "Nope." Another photo. "How about this?" "Nope." Yet another stranger pops up on the wall. "Seen this girl before?" "Never seen her in my life." More unfamiliar faces. Thomas goes through them without blinking an eye or questioning my responses. What a stupid puppet of the state. I watch him as we continue, wishing I weren't chained so I could beat this man to the ground.

Walking to class, Cath couldn't shake the feeling that she was pretending to be a college student in a coming-of-age movie. The setting was perfect--rolling green lawns, brick buildings, kids everywhere with backpacks. Catch shifted her bag uncomfortably on her back. Look at me--I'm a stock photo of a college student.

Books are the mile markers of my life. Some people have family photos or home movies to record their past. I’ve got books. Characters. For as long as I can remember, books have been my safe place. I read about places I can barely imagine and lose myself in journeys to foreign lands to save girls who didn’t know they were really princesses.

When he drove away I took a picture of the receding tail lights, and after his car was gone I stood there holding the photo up to the street, pretending. What is this feeling? I wondered. What is this hunger that grows worse the more I feed it? They’d come up with a name for it a long time ago. But you already know what it’s called, don’t you?

Love was there in my empty bed. It was piled up in the records Lauren bought me when we were teenagers. It was in the smudged recipe cards from my mum in between the pages of cookbooks in my kitchen cabinet. Love was in the bottle of gin tied with a ribbon that India had packed me off with; in the smeary photo-strips with curled corners that would end up stuck to my fridge. It was in the note that lay on the pillow next to me, the one I would fold up and keep in the shoebox of all the other notes she had written before. I woke up safe in my one-woman boat. I was gliding into a new horizon; floating in a sea of love. There it was. Who knew? It had been there all along.

You can’t come in without an invitation.” He leans a shoulder against Alison’s framed photo of a wheat field at harvest. “That so?” His boot heel nudges the door behind him, shutting out the storm and the scent of rain. “Last I checked, I wasn’t a vampire,” he says, his voice low. My fists clench tighter, and I step backward onto the line of carpet that borders the edge of the living room. “You sure have a lot in common with one.” “Because I suck?” “More proof. You just read my mind.

I used to be lost in us. Blurred were the lines that separated us. But now, I see our togetherness in our separateness. I see the you in me and the me in you. We are two independent beings who complement one another like photographs that are beautiful on their own but are enhanced when juxtaposed, creating an altogether new photograph.

In the world I notice persons are nearly always stressed and have no time. Even Grandma often says that, but she and Steppa don't have jobs, so I don't know how persons with jobs do the jobs and all the living as well. In Room me and Ma had time for everything. I guess the time gets spread very thin like butter over all the world, the roads and houses and playgrounds and stores, so there's only a little smear of time on each place, then everyone has to hurry on to the next bit. Also everywhere I'm looking at kids, adults mostly don't seem to like them, not even the parents do. They call the kids gorgeous and so cute, they make the kids do the thing all over again so they can take a photo, but they don't want to actually play with them, they'd rather drink coffee talking to other adults. Sometimes there's a small kid crying and the Ma of it doesn't even hear.

You stepped on my foot,” Jules snapped at Josh. “Your foot got in my way,” Josh snapped back. “Like I would intentionally put any part of my body in your way—” “I need to Lysol myself to get your—” “Stop it!” Stella slashed her hand through the air, startling everyone with her sharp tone. She was usually the most Zen in our group. “Or I’ll post the candid and very unflattering photos I have of the both of you online.” Josh and Jules gasped. “You wouldn’t,” they said at the same time before glaring at each other.

Thirty minutes later I flipped through the photos of the hospital room. Don was correct. Everything looked as tidy as could be. Even theIV needle that had been pulled from Danny's arm rested innocantly on the bed as if waiting for the next vein.No footprints,no fingerprints,no blood,no bodily fluid, not even a frigging sheet out of place. Moleculer transpotation couldn't have been neater. Maybe that was it. Maybe Danny had been beamed right the fuck out of there. It would almost be worth telling that to Don just to see the look on his face.

Dear designer of questionable intent, Please send me a photo of yourself. Please be wearing the knitted pants that you designed. It's not that I don't believe that there is anyone out there thing enough to wear horizontally stripped trousers knit from chunky wool, it's just that I would like to know whether you are deliberately cruel or whether you are the one woman these would look really great on.

You go through life thinking there's so much you need. Your favorite jeans and sweater. The jacket with the faux-fur lining to keep you warm. Your phone and your music and your favorite books. Mascara. Irish breakfast tea and cappuccinos from Trouble Coffee. You need your yearbooks, every stiffly posed school-dance photo, the notes your friends slipped into your locker. You need the camera you got for your sixteenth birthday and the flowers you dried. You need your notebooks full of the things you learned and don't want to forget. You need your bedspread, white with black diamonds. You need your pillow - it fits the way you sleep. You need magazines promising self-improvement. You need your running shoes and your sandals and your boots. Your grade report from the semester you got straight As. Your prom dress, your shiny earrings, your pendants on delicate chains. You need your underwear, your light-colored bras and your black ones. The dream catcher hanging above your bed. The dozens and dozens of shells in glass jars... You think you need all of it. Until you leave with only your phone, your wallet, and a picture of your mother.

It was Gideon who finally broke the silence, which gave me a certain satisfaction. “What’s the matter? Cat got your tongue?” The way he asked, he sounded almost embarrassed. “What?” “It’s what my mother always used to when I was little. If I was looking straight ahead and saying nothing, like you right at this moment.” “You have a mother?” Only when I’d said it did I realize what a silly question it was! Oh, for heaven’s sake! Gideon raised one eyebrow. “What did you expect?” he asked, amused. “You thought I was an android put together by Uncle Falk and Mr. George?” “Well, it’s not such an outlandish idea. Do you have photos of yourself as a baby?” Trying to imagine a baby Gideon with a round, soft plump-cheeked face and a bald head made me grin.

Picture yourself when you were five. in fact, dig out a photo of little you at that time and tape it to your mirror. How would you treat her, love her, feed her? How would you nurture her if you were the mother of little you? I bet you would protect her fiercely while giving her space to spread her itty-bitty wings. she’d get naps, healthy food, imagination time, and adventures into the wild. If playground bullies hurt her feelings, you’d hug her tears away and give her perspective. When tantrums or meltdowns turned her into a poltergeist, you’d demand a loving time-out in the naughty chair. From this day forward I want you to extend that same compassion to your adult self.

He smiles, even though he knows it will never be like that again, even though he knows the world no longer wants what he has, what he loves, what he has devoted his life to building and maintaining. He lies in bed and stares at the photo and smiles. His brain says let it go, sell it. His heart says no. His sense of reason and his brain tell him to do it. His heart says no. Whenever he allows himself to hear it, his heart says no, no, no. All day long, everyday, his heart screams no. (…) he lies in bed and stares at the photo and smiles. His brain says let it go, sell it. His heart says no. His heart says no.

Poems, even when narrative, do not resemble stories. All stories are about battles, of one kind or another, which end in victory or defeat. Everything moves towards the end, when the outcome will be known. Poems, regardless of any outcome, cross the battlefields, tending the wounded, listening to the wild monologues of the triumphant or the fearful. They bring a kind of peace. Not by anaesthesia or easy reassurance, but by recognition and the promise that what has been experienced cannot disappear as if it had never been. Yet the promise is not of a monument. (Who, still on a battlefield, wants monuments?) The promise is that language has acknowledged, has given shelter, to the experience which demanded, which cried out.

They let you drive now?" he said in a wondering tone of voice calibrated to get under her skin. "I leave for a couple of years and miss kitty's first steps. Did anyone take photos for the baby album I sent you?" "It's full of pretty pictures." Holly bared her teeth at him in a caricature of a smile. "Honor is a little concerned about how I keep drawing you with your head cut off," she said in a deliberately thoughtful tone, "but an artist must follow her instincts.

I regretted what a serious teenager I'd been: There were no posters of pop stars or favorite movies, no girlish collection of photos or corsages. Instead there were paintings of sailboats, proper pastel pastorals, a portrait of Eleanor Roosevelt. The latter was particularly strange, since I'd known little about Mrs. Roosevelt, except that she was good, which at the time I suppose was enough. Given my druthers now, I'd prefer a snapshot of Warren Harding's wife, "the Duchess," who recorded the smallest offenses in a little red notebook and avenged herself accordingly. Today I like my first ladies with a little bite.

You ever watch a football game and get totally into it? Why? It's not a real battle. It's just a game somebody made up. So how can you take it seriously? Or, you ever see a movie that made your heart about jump out of your chest? Or one that made you cry? Why? It wasn't real. You ever look at a photo of food that made your mouth water? Why? You can't eat the picture. . . . . . Same thing with water towers and God. I don't have to be a believer to be serious about my religion.

She walked down the basement steps. She saw an imaginary framed photo seep into the wall - a quiet-smiled secret. No more than a few meters, it was a long walk to the drop sheets and the assortment of paint cans that shielded Max Vandenburg. She removed the sheets closest to the wall until there was a small corridor to look through. The first part of him she saw was his shoulder, and through the slender gap, she slowly, painfully, inched her hand in until it rested there. His clothing was cool. He did not wake. She could feel his breathing and his shoulder moving up and down ever so slightly. For a while, she watched him. Then she sat and leaned back. Sleepy air seemed to have followed her. The scrawled words of practice stood magnificently on the wall by the stairs, jagged and childlike and sweet. They looked on as both the hidden Jew and the girl slept, hand to shoulder. They breathed. German and Jewish lungs.

Before I lost my father, I never understood the rituals surrounding funerals: the wake, the service itself, the reception afterward,the dinners prepared by well-meaning friends and delivered in plastic containers, even the popular habit of making poster boards filled with photos of the dear departed. But now I know why we do those things. It's busywork, all of it. I had so much to take care of, so many arrangements to make, so many people to inform, I didn't have a moment to be engulfed by the ocean of grief that was lapping at my heels. Instead, I waded through the shallows, performing task after task, grateful to have duties to propel me forward.

I’m sitting here on the Kaye Gibbons Show, and all I can think is that the whole country is sick. Sick with the idea that it’s good to be known as seen by as many people as possible, to show every part of our lives to the public at large. Whether it’s Facebook photos, blogs, or reality TV, it’s like nobody is content to just live life. The worth of our existence seems to be measured in pixels and megabytes and “likes.” Those of use whose lives can be downloaded seem to have the most value – until someone outrageous comes along to claim their time in the spotlight.

Music is a complete evocation – like a smell. It can bring an entire memory and feeling back to you in a rush. Much more complete than even a photograph. You allow yourself a certain visual distance with photos – not music. It envelopes you – there’s no way to escape it. It’s a great test of sensitivity – the degree of reaction to music. I use it all the time. I call it my ‘Music Test.’ People today don’t want to hear the truth. They’re really afraid of tranquility and silence – they’re afraid they might begin to understand their own motivations too well. They keep a steady stream of noise going to protect themselves, to build a wall against the truth. Like African natives, beating on their drums, rattling their gourds, shaking the bells to scare off evil spirits. As long as there’s enough noise, there’s nothing to fear – or hear. But they will listen. Times are changing.

Love transcends time, space, distance, universes. “Love can’t be confined to pages or photos or memories—it’s forever alive and wild and free. Romance comes and goes, lust flickers and smoulders, trials appear and test, life gets in the way and educates, pain can derail happiness, joy can delete sadness, togetherness is more than just a fairy-tale...it’s a choice. “A choice to love and cherish and honour and trust and adore. “A choice to choose love, all the while knowing it has the power to break you. “A choice, dear friends, to give someone your entire heart. “But in the end, love is what life is about. “And love is the purpose of everything.

He laughed. “What’s to say? Great paintings—people flock to see them, they draw crowds, they’re reproduced endlessly on coffee mugs and mouse pads and anything-you-like. And, I count myself in the following, you can have a lifetime of perfectly sincere museum-going where you traipse around enjoying everything and then go out and have some lunch. But—” crossing back to the table to sit again “—if a painting really works down in your heart and changes the way you see, and think, and feel, you don’t think, ‘oh, I love this picture because it’s universal.’ ‘I love this painting because it speaks to all mankind.’ That’s not the reason anyone loves a piece of art. It’s a secret whisper from an alleyway. Psst, you. Hey kid. Yes you.” Fingertip gliding over the faded-out photo—the conservator’s touch, a touch-without-touching, a communion wafer’s space between the surface and his forefinger.

It hadn't occurred to me that my mother would die. Until she was dying, the thought had never entered my mind. She was monolithic and insurmountable, the keeper of my life. She would grow old and still work in the garden. This image was fixed in my mind, like one of the memories from her childhood that I made her explain so intricately that I remembered it as if it were mine. She would be old and beautiful like the black-and-white photo of Georgia O'Keeffe I'd once sent her. I held fast to this image for the first couple of weeks after we left the Mayo Clinic, and then, once she was admitted to the hospice wing of the hospital in Duluth, that image unfurled, gave way to the others, more modest and true. I imagined my mother in October; I wrote the scene in my mind. And then the one of my mother in August and another in May. Each day that passed, another month peeled away.

Just then a word floated out through the buzz saw of Zapata-speak: Nefertari. Dan tuned back in. "...the most beautiful tomb in Egypt," Ms. Zapata was saying. "You probably know the queen because there's a famous bust of her." A photo flashed on the screen. Dan raised his hand. "That's Nefertiti," he said. "Different queen." Ms. Zapata frowned. She looked at her notes. "You could be right, Dan. Uh...let's move on." Another slide flashed on-screen. "Now, this is the inner chamber of the tomb, where she was laid to rest." Dan's hand rose again. Ms. Zapata closed her eyes. "Actually? That's the side chamber." "Really." Ms. Zapata's lips pressed together. "And how do you know this, Dan?" "Because..." Dan hesitated. Because I was there. Because I was locked inside the tomb with an ex-KGB spy, so I got to know it pretty well. "Especially since the tomb is closed for conservation," Ms. Zapata said. Yeah. But we had this connection to an Egyptologist? Except he turned out to be a thief and a liar, so we captured him. I came this close to smashing him with a lamp...

In the age of Facebook and Instagram you can observe this myth-making process more clearly than ever before, because some of it has been outsourced from the mind to the computer. It is fascinating and terrifying to behold people who spend countless hours constructing and embellishing a perfect self online, becoming attached to their own creation, and mistaking it for the truth about themselves.20 That’s how a family holiday fraught with traffic jams, petty squabbles and tense silences becomes a collection of beautiful panoramas, perfect dinners and smiling faces; 99 per cent of what we experience never becomes part of the story of the self. It is particularly noteworthy that our fantasy self tends to be very visual, whereas our actual experiences are corporeal. In the fantasy, you observe a scene in your mind’s eye or on the computer screen. You see yourself standing on a tropical beach, the blue sea behind you, a big smile on your face, one hand holding a cocktail, the other arm around your lover’s waist. Paradise. What the picture does not show is the annoying fly that bites your leg, the cramped feeling in your stomach from eating that rotten fish soup, the tension in your jaw as you fake a big smile, and the ugly fight the happy couple had five minutes ago. If we could only feel what the people in the photos felt while taking them! Hence if you really want to understand yourself, you should not identify with your Facebook account or with the inner story of the self. Instead, you should observe the actual flow of body and mind. You will see thoughts, emotions and desires appear and disappear without much reason and without any command from you, just as different winds blow from this or that direction and mess up your hair. And just as you are not the winds, so also you are not the jumble of thoughts, emotions and desires you experience, and you are certainly not the sanitised story you tell about them with hindsight. You experience all of them, but you don’t control them, you don’t own them, and you are not them. People ask ‘Who am I?’ and expect to be told a story. The first thing you need to know about yourself, is that you are not a story.

Dear young woman, do not place your sense of beauty and self worth, upon the plastic pedestal called "what other people say to you", "what other people think about your photo", "how many 'likes' your pictures get", "how many guys tell you that you look sexy", "how skinny can you be?". A plastic pedestal that is but the dismal shadow of the real one. Dear young woman, place your sense of self worth and beauty upon the Roman marble pedestal that will exist even when all other people are no longer there. If you were the very last person on this planet, you should still be able to know within your heart that you are worthy, you are beautiful, you are wanted. Even if you become the very last person on Earth, you should be fully wanted. Want yourself. Know yourself. See yourself as beautiful, see yourself as worthy.

Much like books, she could tell how voiceless things had provided a brand of companionship more compatible to his nature than human friendship had ever been. These things, locked in their inanimate ways, fed him ideas, she thought. They whispered their tales to him through unmoving lips and he listened, opening himself to their world so much more than any normal passerby. That much was evident in the way he’d taken the photos, as if he’d caught each soulless thing in a candid moment of secret animation. Like they’d sensed him coming and so turned themselves his way because they knew that he held the power to translate their silence into words.

Sumire was a hopeless romantic, a bit set in her ways - innocent of the ways of the world, to put a nice spin on it. Start her talking and she'd go on nonstop, but if she was with someone she didn't get along with - most people in the world, in other words - she barely opened her mouth. She smoked too much, and you could count on her to lose her ticket every time she took the train. She'd get so engrossed in her thoughts at times she'd forget to eat, and she was as thin as one of those war orphans in an old Italian film - like a stick with eyes. I'd love to show you a photo of her but I don't have any. She hated having her photograph taken - no desire to leave behind for posterity a Portrait of the Artist as a Young (Wo)Man.

I got the idea from our family’s plant book. The place where we recorded things you cannot trust to memory. The page begin’s with the person’s picture. A photo if we can find it. If not, a sketch or a painting by Peeta. Then, in my most careful handwriting, come all the details it would be a crime to forget. Lady licking Prim’s cheek. My father’s laugh. Peeta’s father with the cookies. The colour of Finnick’s eyes. What Cinna would do with a length of silk. Boggs reprogramming the Holo. Rue poised on her toes, arms slightly extended, like bird about to take flight. On and on. We seal the pages with salt water and promises to live well to make their deaths count. Haymitch finally joins us, contributing twenty-three years of tributes he was forced to mentor. Additions become smaller. An old memory that surfaces. A late promise preserved between the pages. Strange bits of happiness, like the photo of Finnick and Annie’s newborn son.

ALTERNATE UNIVERSE IN WHICH I AM UNFAZED BY THE MEN WHO DO NOT LOVE ME when the businessman shoulder checks me in the airport, i do not apologize. instead, i write him an elegy on the back of a receipt and tuck it in his hand as i pass through the first class cabin. like a bee, he will die after stinging me. i am twenty-four and have never cried. once, a boy told me he doesn’t “believe in labels” so i embroidered the word chauvinist on the back of his favorite coat. a boy said he liked my hair the other way so i shaved my head instead of my pussy. while the boy isn’t calling back, i learn carpentry, build a desk, write a book at the desk. i taught myself to cum from counting ceiling tiles. the boy says he prefers blondes and i steam clean his clothes with bleach. the boy says i am not marriage material and i put gravel in his pepper grinder. the boy says period sex is disgusting and i slaughter a goat in his living room. the boy does not ask if he can choke me, so i pretend to die while he’s doing it. my mother says this is not the meaning of unfazed. when the boy says i curse too much to be pretty and i tattoo “cunt” on my inner lip, my mother calls this “being very fazed.” but left over from the other universe are hours and hours of waiting for him to kiss me and here, they are just hours. here, they are a bike ride across long island in june. here, they are a novel read in one sitting. here, they are arguments about god or a full night’s sleep. here, i hand an hour to the woman crying outside of the bar. i leave one on my best friend’s front porch, send my mother two in the mail. i do not slice his tires. i do not burn the photos. i do not write the letter. i do not beg. i do not ask for forgiveness. i do not hold my breath while he finishes. the man tells me he does not love me, and he does not love me. the man tells me who he is, and i listen. i have so much beautiful time.

On my way to the living room, where my family was gathered, I stopped to look at the photo in the foyer. As always, my eyes were drawn to my own face first, then those of my sisters, and finally my mother, looking so small between us. But I saw it differently now. When that picture was taken, we were all gathered around my mother, sheltering her. But that was just one day, one shot. In the time since, we had arranged and rearranged ourselves so many times. We’d all gathered around Whitney, even when she didn’t want us to, and Kirsten and I had gotten closer when she pushed us both away. We were still in flux, as had been clear at the table that night as I watched my mother and sisters come together again. Then, I’d been convinced I was on the outside, but really, I’d always been within arm’s reach. All I had to do was ask, and I, too, would be easily brought back, surrounded and immersed, finding myself safe, somewhere in between.

As I brush my teeth, I scroll through my phone to see if Sabrina texted when my phone was on silent last night. She didn’t. Damn. I was hoping my speech—and that amazing fucking kiss—might’ve changed her mind about going out with me, but I guess it didn’t. I do, however, find the most mind-boggling conversation in the group chat I have with my roommates. All the messages are from last night, and they’re bizarre as fuck. Garrett: The hells, D?! Dean: It’s not what you think!! Logan: It’s hard to mistake ur romantic bath with that giant pink thing! In ur ass! Dean: It wasn’t in my ass! Garrett: I’m not even going to ask where it was Dean: I had a girl over! Garrett: Suuuuuuuuure Logan: Suuuuuuuuure Dean: I hate you guys Garrett: <3 Logan: <3 I rinse my mouth out, spit, and drop the toothbrush into the little cup on the sink. Then I quickly type out a text. Me: Wait… what did I miss? Since we have practice in twenty minutes, the guys are already awake and clearly on their phones. Two photos pop up simultaneously. Garrett and Logan have both sent me pics of pink dildos. I’m even more confused now. Dean messages immediately with, Why do you guys have dildo pics handy? Logan: ALINIMB Dean: ?? Me: ?? Garrett: At Least It’s Not In My Butt. I snort to myself, because I’m starting to piece it together. Logan: Nice, G! U got that on the first try! Garrett: We spend too much time 2gether. Me: PLEASE tell me u caught D playing w/ dildos. Logan: Sure did. Dean is quick to object again. I HAD A GIRL OVER! The guys and I rag on him for a couple more minutes, but I have to stop when Fitzy stumbles into the bathroom and shoves me aside. He’s got crazy bedhead and he’s buck-naked. “Gotta piss,” he mumbles. “Mornin’, sunshine,” I say cheerfully. “Want me to make you some coffee?” “God. Yes. Please.” Chuckling, I duck out of the bathroom and walk the four or so steps into his kitchenette. When he finally emerges, I shove a cup of coffee in his hand, sip my own, and say, “Dean shoved a dildo up his ass last night.” Fitzy nods. “Makes sense.” I snicker mid-sip. Coffee spills over the rim of my cup. “It really does, huh?

Something that once had importance might be forgotten by most people but because millions of people once knew it, a force is present that can be harnessed. There might be so much significance attached to a song, for example, or a fact, that it can’t die but only lies dormant, like a vampire in his coffin, waiting to be called forth from the grave once again. There is more magic in the fact that the first mass worldwide photo of the Church of Satan was taken by Joe Rosenthal – the same man who took the most famous news photo in history – the flag-raising at Iwo Jima. There’s real occult significance to that – much more than in memorizing grimoires and witches’ alphabets. People ask me about what music to use in rituals – what is the best occult music. I’ve instructed people to go to the most uncrowded section of the music store and it’s a guarantee what you’ll find there will be occult music. That’s the power of long-lost trivia. I get irritated by people who turn up their noses and whine ‘Why would anyone want to know that?’ Because once upon a time, everyone in America knew it. Suppose there’s a repository of neglected energy, that’s been generated and forgotten. Maybe it’s like a pressure cooker all this time, just waiting for someone to trigger its release. ‘Here I am,’ it beckons, ‘I have all this energy stored up just waiting for you – all you have to do is unlock the door. Because of man’s stupidity, he’s neglected me to this state of somnambulism – dreaming the ancient dreams – even though I was once so important to him.’ Think about that. A song that was once on millions of lips now is only on your lips. Now what does that contain? Those vibrations of that particular tune, what do they evoke, call up? What do they unlock? The old gods lie dormant, waiting.

At the college where I teach, I'm surrounded by circus people. We aren't tightrope walkers or acrobats. We don't breathe fire or swallow swords. We're gypsies, moving wherever there's work to be found. Our scrapbooks and photo albums bear witness to our vagabond lives: college years, grad-school years, instructor-mill years, first-job years. In between each stage is a picture of old friends helping to fill a truck with boxes and furniture. We pitch our tents, and that place becomes home for a while. We make families from colleagues and students, lovers and neighbors. And when that place is no longer working, we don't just make do. We move on to the place that's next. No place is home. Every place is home. Home is our stuff. As much as I love the Cumberland Valley at twilight, I probably won't live there forever, and this doesn't really scare me. That's how I know I'm circus people.

to do list (after the breakup) 1. take refuge in your bed 2. cry. till the tears stop (this will take a few days). 3. don’t listen to slow songs. 4. delete their number from your phone even though it is memorized on your fingertips. 5. don’t look at old photos. 6. find the closest ice cream shop and treat yourself to two scoops of mint chocolate chip. the mint will calm your heart. you deserve the chocolate. 7. buy new bed sheets. 8. collect all the gifts, t-shirts, and everything with their smell on it and drop it off at a donation center. 9. plan a trip. 10. perfect the art of smiling and nodding when someone brings their name up in conversation. 11. start a new project. 12. whatever you do. do not call. 13. do not beg for what does not want to stay. 14. stop crying at some point. 15. allow yourself to feel foolish for believing you could’ve built the rest of your life in someone else’s stomach. 16. breathe.

Dear daughter, I won't try to call my feeling for Arty love. Call it focus. My focus on Art was an ailment, noncommunicable, and, even to me all these years later, incomprehensible. Now I despise myself. But even so I remember, in hot floods, the way he slept, still as death, with his face washed flat, stony as a carved tomb and exquisite. His weakness and his ravening bitter needs were terrible, and beautiful, and irresistible as an earthquake. He scalded or smothered anyone he needed, but his needing and the hurt that it caused me were the most life I ever had. Remember what a poor thing I have always been and forgive me. He saw no use for you and you interfered with his use of me. I sent you away to please him, to prove my dedication to him, and to prevent him from killing you... My job was to come back [from the convent] directly, with nothing leaking from beneath my dark glasses, to give Arty his rubdown and then paint him for the next show, nodding cheerfully all the while, never showing anything but attentive care for his muscular wonderfulness. Because he could have killed you. He could have cut off the money that schooled and fed you. He could have erased you so entirely that I never would have had those letters and report cards and photos, or your crayon pictures, or the chance to spy on you, and to love you secretly when everything else was gone.

Yesterday it was sun outside. The sky was blue and people were lying under blooming cherry trees in the park. It was Friday, so records were released, that people have been working on for years. Friends around me find success and level up, do fancy photo shoots and get featured on big, white, movie screens. There were parties and lovers, hand in hand, laughing perfectly loud, but I walked numbly through the park, round and round, 40 times for 4 hours just wanting to make it through the day. There's a weight that inhabits my chest some times. Like a lock in my throat, making it hard to breathe. A little less air got through and the sky was so blue I couldn’t look at it because it made me sad, swelling tears in my eyes and they dripped quietly on the floor as I got on with my day. I tried to keep my focus, ticked off the to-do list, did my chores. Packed orders, wrote emails, paid bills and rewrote stories, but the panic kept growing, exploding in my chest. Tears falling on the desk tick tick tick me not making a sound and some days I just don't know what to do. Where to go or who to see and I try to be gentle, soft and kind, but anxiety eats you up and I just want to be fine. This is not beautiful. This is not useful. You can not do anything with it and it tries to control you, throw you off your balance and lovely ways but you can not let it. I cleaned up. Took myself for a walk. Tried to keep my eyes on the sky. Stayed away from the alcohol, stayed away from the destructive tools we learn to use. the smoking and the starving, the running, the madness, thinking it will help but it only feeds the fire and I don't want to hurt myself anymore. I made it through and today I woke up, lighter and proud because I'm still here. There are flowers growing outside my window. The coffee is warm, the air is pure. In a few hours I'll be on a train on my way to sing for people who invited me to come, to sing, for them. My own songs, that I created. Me—little me. From nowhere at all. And I have people around that I like and can laugh with, and it's spring again. It will always be spring again. And there will always be a new day.

My life was awful. When I was a kid, I was fat, pretty ugly and had awful hair. I used to get teased every fucking day, slammed up against lockers, punched in the face - you name it. Hell, I had to go to prom with one of my female friends because I couldn’t even get a proper date. I can’t even look back at those photos because I look so bad. I transferred schools, but the teasing just got worse. After an, let’s say, ‘incident’ I had with the school play the bullying just got worse. But I made it through high school, only to find out that real life was pretty much the same. I just stayed in my dark room all day and didn’t talk to anyone. I didn’t go outside. I just stayed inside and drew. I’d draw vampires, mummies, heroes, villains. Anything to help me escape all the bad in the world. I went to art school and didn’t really belong. All I could draw was comic book characters. I tried to put my only good talent to use by drawing a cartoon and pitching it - only to have it turned down. Life to me was just pointless. I started drinking, doing drugs and just generally wasting my life drawing.
Then one day, I saw bodies falling from the sky. I witnessed people dying. And that’s when I decided to turn my life around. I called up anyone I knew who had an instrument and we formed a band. Being on tour for the first few years was bad. All we’d do is get drunk and do drugs, but I loved it. Because I was doing something I loved with people I loved. And a few years ago I met the most perfect woman ever. It’s like we share a wave-link or something. She just knows me without even knowing me, if you understand. And now, 2011, I have a beautiful baby girl, a caring wife and I get to perform for my adoring fans everyday. I am living proof that no matter how bad it gets, it gets better. I am Gerard Way, and I survived.

Jonathan Safran Foer’s 10 Rules for Writing: 1.Tragedies make great literature; unfathomable catastrophes (the Holocaust, 9/11) are even better – try to construct your books around them for added gravitas but, since those big issues are such bummers, make sure you do it in a way that still focuses on a quirky central character that’s somewhat like Jonathan Safran Foer. 2. You can also name your character Jonathan Safran Foer. 3. If you’re writing a non-fiction book you should still make sure that it has a strong, deep, wise, and relatable central character – someone like Jonathan Safran Foer. 4. If you reach a point in your book where you’re not sure what to do, or how to approach a certain scene, or what the hell you’re doing, just throw in a picture, or a photo, or scribbles, or blank pages, or some illegible text, or maybe even a flipbook. Don’t worry if these things don’t mean anything, that’s what postmodernism is all about. If you’re not sure what to put in, you can’t go wrong with a nice photograph of Jonathan Safran Foer. 5. If you come up with a pun, metaphor, or phrase that you think is really clever and original, don’t just use it once and throw it away, sprinkle it liberally throughout the text. One particularly good phrase that comes to mind is “Jonathan Safran Foer.” 6. Don’t worry if you seem to be saying the same thing over and over again, repetition makes the work stronger, repetition is good, it drives the point home. The more you repeat a phrase or an idea, the better it gets. You should not be afraid of repeating ideas or phrases. One particularly good phrase that comes to mind is “Jonathan Safran Foer.” 7. Other writers are not your enemies, they are your friends, so you should feel free to borrow some of their ideas, words, techniques, and symbols, and use them completely out of context. They won’t mind, they’re your friends, just like my good friend Paul Auster, with whom I am very good friends. Just make sure you don’t steal anything from Jonathan Safran Foer, it wouldn’t be nice, he is your friend. 8. Make sure you have exactly three plots in your novel, any more and it gets confusing, any less and it’s not postmodern. At least one of those plots should be in a different timeline. It often helps if you name these three plots, I often use “Jonathan,” “Safran,” and “Foer.” 9. Don’t be afraid to make bold statements in you writing, there should always be a strong lesson to be learned, such as “don’t eat animals,” or “the Holocaust was bad,” or “9/11 was really really sad,” or “the world would be a better place if everyone was just a little bit more like Jonathan Safran Foer.” 10. In the end, don’t worry if you’re unsuccessful as a writer, it probably wasn’t meant to be. Not all of us are chosen to become writers. Not all of us can be Jonathan Safran Foer.

Since then he had taken these photos out too many times to count, but each time he looked into the face of this woman he had felt something growing inside him. It took him a long time to realize what it was. Only recently had his wounded synapses allowed him to name it. He had been falling in love all over again. He didn't understand how two people who were married, who saw each other every day, could forget what each other looked like, but if he had had to name what had happened- this was it. And the last two photos in the roll provided the key. He had come home from work- I remember trying to keep my mother's attention as Holiday barked when he had heard the car pull into the garage. 'He'll come out,' I said. 'Stay still.' And she did. Part of what I loved about photography was the power it gave me over the people on the other side of the camera, even my own parents. Out of the corner of my eye I saw my father walk through the side door into the yard. He carried his slim briefcase, which, years before, Lindsey and I had heatedly investigated only to find very little of interest to us. As he set it down I snapped the last solitary photo of my mother. Already her eyes had begun to seem distracted and anxious, diving under and up into a mask somehow. In the next photo, the mast was almost, but not quite, in place and in the final photo, where my father was leaning slightly down to give her a kiss on the cheek- there it was. 'Did I do that to you?' he asked her image as he stared at the pictures of my mother, lined up in a row. 'How did that happen?' ~pgs 239-240; Mr. Salmon dealing with the three c's (for families of addicts)- Cause (you didn't cause it), Control (you can't control it), and Cure (you can't cure it)

The conference is geared to people who enjoy meaningful discussions and sometimes "move a conversation to a deeper level, only to find out we are the only ones there." . . . When it's my turn, I talk about how I've never been in a group environment in which I didn't feel obliged to present an unnaturally rah-rah version of myself. . . . Scientists can easily report on the behavior of extroverts, who can often be found laughing, talking, or gesticulating. But "if a person is standing in the corner of a room, you can attribute about fifteen motivations to that person. But you don't really know what's going on inside." . . . So what is the inner behavior of people whose most visible feature is that when you take them to a party they aren't very pleased about it? . . . The highly sensitive tend to be philosophical or spiritual in their orientation, rather than materialistic or hedonistic. They dislike small talk. They often describe themselves as creative or intuitive . . . . They dream vividly, and can often recall their dreams the next day. They love music, nature, art, physical beauty. They feel exceptionally strong emotions--sometimes acute bouts of joy, but also sorrow, melancholy, and fear. Highly sensitive people also process information about their environments--both physical and emotional--unusually deeply. They tend to notice subtleties that others miss--another person's shift in mood, say, or a lightbulb burning a touch too brightly. . . . [Inside fMRI machines], the sensitive people were processing the photos at a more elaborate level than their peers . . . . It may also help explain why they're so bored by small talk. "If you're thinking in more complicated ways," she told me, "then talking about the weather or where you went for the holidays is not quite as interesting as talking about values or morality." The other thing Aron found about sensitive people is that sometimes they're highly empathic. It's as if they have thinner boundaries separating them from other people's emotions and from the tragedies and cruelties of the world. They tend to have unusually strong consciences. They avoid violent movies and TV shows; they're acutely aware of the consequences of a lapse in their own behavior. In social settings they often focus on subjects like personal problems, which others consider "too heavy.

It’s that time of the month again… As we head into those dog days of July, Mike would like to thank those who helped him get the toys he needs to enjoy his summer. Thanks to you, he bought a new bass boat, which we don’t need; a condo in Florida, where we don’t spend any time; and a $2,000 set of golf clubs…which he had been using as an alibi to cover the fact that he has been remorselessly banging his secretary, Beebee, for the last six months. Tragically, I didn’t suspect a thing. Right up until the moment Cherry Glick inadvertently delivered a lovely floral arrangement to our house, apparently intended to celebrate the anniversary of the first time Beebee provided Mike with her special brand of administrative support. Sadly, even after this damning evidence-and seeing Mike ram his tongue down Beebee’s throat-I didn’t quite grasp the depth of his deception. It took reading the contents of his secret e-mail account before I was convinced. I learned that cheap motel rooms have been christened. Office equipment has been sullied. And you should think twice before calling Mike’s work number during his lunch hour, because there’s a good chance that Beebee will be under his desk “assisting” him. I must confess that I was disappointed by Mike’s over-wrought prose, but I now understand why he insisted that I write this newsletter every month. I would say this is a case of those who can write, do; and those who can’t do Taxes. And since seeing is believing, I could have included a Hustler-ready pictorial layout of the photos of Mike’s work wife. However, I believe distributing these photos would be a felony. The camera work isn’t half-bad, though. It’s good to see that Mike has some skill in the bedroom, even if it’s just photography. And what does Beebee have to say for herself? Not Much. In fact, attempts to interview her for this issue were met with spaced-out indifference. I’ve had a hard time not blaming the conniving, store-bought-cleavage-baring Oompa Loompa-skinned adulteress for her part in the destruction of my marriage. But considering what she’s getting, Beebee has my sympathies. I blame Mike. I blame Mike for not honoring the vows he made to me. I blame Mike for not being strong enough to pass up the temptation of readily available extramarital sex. And I blame Mike for not being enough of a man to tell me he was having an affair, instead letting me find out via a misdirected floral delivery. I hope you have enjoyed this new digital version of the Terwilliger and Associates Newsletter. Next month’s newsletter will not be written by me as I will be divorcing Mike’s cheating ass. As soon as I press send on this e-mail, I’m hiring Sammy “the Shark” Shackleton. I don’t know why they call him “the Shark” but I did hear about a case where Sammy got a woman her soon-to-be ex-husband’s house, his car, his boat and his manhood in a mayonnaise jar. And one last thing, believe me when I say I will not be letting Mike off with “irreconcilable differences” in divorce court. Mike Terwilliger will own up to being the faithless, loveless, spineless, useless, dickless wonder he is.