Man Cleavage Quotes

The man didn’t have dimples. He had mouth cleavage. “Middle.

The way she sat now, leaning forward frowning, biting her pink bottom lip, her shirt dipping to reveal a hint of her cleavage... He wondered idly if he could get her to bend over a little farther... "Just what are you staring at, exactly?" Kadar snapped back to reality. "You. You've been thinking hard for the last five minutes. It's not good for you to strain your pretty little head like that. I'm waiting for the steam to shoot out of your ears to relieve the pressure on your brain." "Aha." Audrey glanced at Jack and George. "What you have here is a man who was caught gaping at my breasts, and now he's trying to cover it up with rudeness.

A woman could simply pull her shirt down, show some extra cleavage, and mesmerize every guy in the room. If a man opened his jeans and let his cock poke out, every woman in the place would be calling for the cops.

Neurosis is an inner cleavage—the state of being at war with oneself.

Every type of political power presupposes some particular form of human slavery, for the maintenance of which it is called into being. Just as outwardly, that is, in relation to other states the state has to create certain artificial antagonisms in order to justify its existence, so also internally the cleavage of society into castes, ranks and classes is an essential condition of its continuance. The development of the Bolshevist bureaucracy in Russia under the alleged dictatorship of the proletariat (which has never been anything but the dictatorship of a small clique over the proletariat and the whole Russian people) is merely a new instance of an old historical experience which has repeated itself countless times. This new ruling class, which to-day is rapidly growing into a new aristocracy, is set apart from the great masses of the Russian peasants and workers just as clearly as are the privileged castes and classes in other countries from the mass of the people. And this situation becomes still more unbearable when a despotic state denies to the lower classes the right to complain of existing conditions, so that any protest is made at the risk of their lives. But even a far greater degree of economic equality than that which exists in Russia would be no guarantee against political and social oppression. Economic equality alone is not social liberation. It is precisely this which all the schools of authoritarian Socialism have never understood. In the prison, in the cloister, or in the barracks one finds a fairly high degree of economic equality, as all the inmates are provided with the same dwelling, the same food, the same uniform, and the same tasks. The ancient Inca state in Peru and the Jesuit state in Paraguay had brought equal economic provision for every inhabitant to a fixed system, but in spite of this the vilest despotism prevailed there, and the human being was merely the automaton of a higher will on whose decisions he had not the slightest influence. It was not without reason that Proudhon saw in a "Socialism" without freedom the worst form of slavery. The urge for social justice can only develop properly and be effective when it grows out of man's sense of freedom and responsibility, and is based upon it. In other words, Socialism will be free or it will not be at all. In its recognition of this fact lies the genuine and profound justification of Anarchism.

The older Puritans had trampled down all fleshly impulses; these newer Puritans trampled no less self-righteously upon the spiritual cravings. But in the increasingly spiritistic inclination of physics itself, Behaviorism and Fundamentalism had found a meeting place. Since the ultimate stuff of the physical universe was now said to be multitudinous and arbitrary “quanta” of the activity “spirits”, how easy was it for the materialistic and the spiritistic to agree? At heart, indeed, they were never very far apart in mood, though opposed in doctrine. The real cleavage was between the truly spiritual view on the one hand, and the spiritistic and materialistic on the other. Thus the most materialistic of Christian sects and the most doctrinaire of scientific sects were not long in finding a formula to express their unity, their denial of all those finer capacities which had emerged to be the spirit of man.

It’s that time of the month again… As we head into those dog days of July, Mike would like to thank those who helped him get the toys he needs to enjoy his summer. Thanks to you, he bought a new bass boat, which we don’t need; a condo in Florida, where we don’t spend any time; and a $2,000 set of golf clubs…which he had been using as an alibi to cover the fact that he has been remorselessly banging his secretary, Beebee, for the last six months. Tragically, I didn’t suspect a thing. Right up until the moment Cherry Glick inadvertently delivered a lovely floral arrangement to our house, apparently intended to celebrate the anniversary of the first time Beebee provided Mike with her special brand of administrative support. Sadly, even after this damning evidence-and seeing Mike ram his tongue down Beebee’s throat-I didn’t quite grasp the depth of his deception. It took reading the contents of his secret e-mail account before I was convinced. I learned that cheap motel rooms have been christened. Office equipment has been sullied. And you should think twice before calling Mike’s work number during his lunch hour, because there’s a good chance that Beebee will be under his desk “assisting” him. I must confess that I was disappointed by Mike’s over-wrought prose, but I now understand why he insisted that I write this newsletter every month. I would say this is a case of those who can write, do; and those who can’t do Taxes. And since seeing is believing, I could have included a Hustler-ready pictorial layout of the photos of Mike’s work wife. However, I believe distributing these photos would be a felony. The camera work isn’t half-bad, though. It’s good to see that Mike has some skill in the bedroom, even if it’s just photography. And what does Beebee have to say for herself? Not Much. In fact, attempts to interview her for this issue were met with spaced-out indifference. I’ve had a hard time not blaming the conniving, store-bought-cleavage-baring Oompa Loompa-skinned adulteress for her part in the destruction of my marriage. But considering what she’s getting, Beebee has my sympathies. I blame Mike. I blame Mike for not honoring the vows he made to me. I blame Mike for not being strong enough to pass up the temptation of readily available extramarital sex. And I blame Mike for not being enough of a man to tell me he was having an affair, instead letting me find out via a misdirected floral delivery. I hope you have enjoyed this new digital version of the Terwilliger and Associates Newsletter. Next month’s newsletter will not be written by me as I will be divorcing Mike’s cheating ass. As soon as I press send on this e-mail, I’m hiring Sammy “the Shark” Shackleton. I don’t know why they call him “the Shark” but I did hear about a case where Sammy got a woman her soon-to-be ex-husband’s house, his car, his boat and his manhood in a mayonnaise jar. And one last thing, believe me when I say I will not be letting Mike off with “irreconcilable differences” in divorce court. Mike Terwilliger will own up to being the faithless, loveless, spineless, useless, dickless wonder he is.

To oppose one class perpetually to another — young against old, manual labor against brain-worker, rich against poor, woman against man — is to split the foundations of the State; and if the cleavage runs too deep, there remains no remedy but force and dictatorship. If you wish to preserve a free democracy, you must base it — not on classes and categories, for this will land you in the totalitarian State, where no one may act or think except as the member of a category. You must base it upon the individual Tom, Dick and Harry, and the individual Jack and Jill — in fact, upon you and me.

Too bad all that beautiful cleavage had to be wasted on a man-eating floozy.

Everything that accentuates this cleavage makes the patient worse, and everything that mitigates it tends to heal the patient. What drives people to war with themselves is the intuition or the knowledge that they consist of two persons in opposition to one another. The conflict may be between the sensual and the spiritual man, or between the ego and the shadow. It is what Faust means when he says "Two souls, alas, dwell in my breast apart." A neurosis is a dissociation of personality.

As with the first Nightmare, we shot a couple of interesting scenes that didn’t make it into the final cut, most notably one featuring a female Freddy. One of the kids in the hospital has a Freddy dream in which he’s being seduced by a sexy nurse. The nightmare evolves into a kinky S&M fantasy, but becomes less M and more S when the ropes that bind the kid to the bed become Freddy tongues, and the nurse’s face morphs into Freddy’s, but her topless torso, which features a pair of perfect Playboy breasts, remains smooth and inviting… that is, for a moment. All of a sudden, the veins in her areolas come to life and turn into Freddy-like burn scars and snake up her cleavage, past her neck, and onto her face. (I’m pretty sure Kevin enjoyed the four hours it took to apply makeup to those tits.) This troubling, erotic transformation didn’t make the final cut for some reason. Occasionally I find myself signing bootleg stills from the missing sequence. Especially in Europe. Ooh la la!

I stepped off the Learjet at the private airfield just before dawn. I’d been on the plane exactly seventeen hours, twenty-six minutes and fourteen seconds, wearing the same eight-hundred-dollar dress I’d worn when I killed a man twenty-five hours earlier. One of my shoes hadn’t made it out of the desert, and I clutched what remained of the other shoe in my right hand and my nine millimeter in the left. Apparently, eight-hundred-dollar dresses didn’t come with pockets or holsters, and I didn’t have the kind of cleavage that made a viable hiding place.

Morgan actually looks like he is blushing and seems almost embarrassed for a moment. When he stresses again that he likes cleavages but that he doesn’t think they should be on display during tributes to dead colleagues, but that again he loves cleavages, Bialik gets back up. ‘Do you need to see it again?’ and once again (more briefly this time) pulls the top of her dress apart for him.8 None of this could have possibly gone down better. All of it was lapped up by audiences in the studio and at home. In 2016 exposing your breasts was a ‘feminist’ act. Exposing them to a man who had not asked to see them was an especially ‘feminist’ act. And even a woman who claimed for religious and social reasons to be ‘modest’ could willingly and easily delight a studio audience by flashing her breasts – unasked for – at a man.

She held up three hangers inside a vinyl garment bag and hooked them sideways on the coatrack to unzip. "Raw silk. Vintage. Sort of a purple-black." "Aubergine," he declared and cracked the opening wider. "I love a man who can make colors sound dirty." She grinned. "Cross-dyed." He wondered if Trip had helped pick this out, if he'd seen her model it and convinced her to splurge. "Great suit." "I gotta stand next to J.R. Ward. Feel me?" She fluttered her short nails at him. "Baby, I went and bought a pair of Givenchy boots I cannot even afford because the Warden is gonna be there in full effect, and you know what that means!" He didn't really, but he got the gist. "So you want nighttime for daytime." "Extra vampy, hold the trampy. Like, more Lust For Dracula than Breaking Dawn." Rina squeezed her shoulders together to amp her cleavage. "If I'm hauling the girls out, no way can I do sparkly anorexia.

Yet “the danger is great,”55 as Mephistopheles says, for these depths fascinate. When the libido leaves the bright upper world, whether from choice, or from inertia, or from fate, it sinks back into its own depths, into the source from which it originally flowed, and returns to the point of cleavage, the navel, where it first entered the body. This point of cleavage is called the mother, because from her the current of life reached us. Whenever some great work is to be accomplished, before which a man recoils, doubtful of his strength, his libido streams back to the fountainhead—and that is the dangerous moment when the issue hangs between annihilation and new life. For if the libido gets stuck in the wonderland of this inner world,56 then for the upper world man is nothing but a shadow, he is alrof the unconscious to be eady moribund or at least seriously ill. But if the libido manages to tear itself loose and force its way up again, something like a miracle happens: the journey to the underworld was a plunge into the fountain of youth, and the libido, apparently dead, wakes to renewed fruitfulness. This idea is illustrated in an Indian myth: Vishnu sank into a profound trance, and in his slumber brought forth Brahma, who, enthroned on a lotus, rose out of Vishnu’s navel, bringing with him the Vedas (pl. XLVIa), which he diligently read. (Birth of creative thought from introversion.) But through Vishnu’s ecstatic absentmindedness a mighty flood came upon the world. (Devouring and destruction of the world through introversion.) Taking advantage of the general confusion, a demon stole the Vedas and hid them in the depths. Brahma then roused Vishnu, who, changing himself into a fish (pl. XLVII), plunged into the flood, fought the demon, conquered him, and recaptured the Vedas.

The pink?" she suggested, holding the shimmering rose-colored satin in front of Sara's half-clad figure. Sara held her breath in awe. She had never worn such a sumptuous creation. Silk roses adorned the sleeves and hem of the gown. The short-waisted bodice was finished with a stomacher of silver filigree and a row of satin bows. Lily shook her head thoughtfully. "Charming, but too innocent." Sara suppressed a disappointed sigh. She couldn't imagine anything more beautiful than the pink satin. Busily Monique discarded the gown and sorted through the others. "The peach. No man will be able to keep his eyes from her in that. Here, let us try it, chérie." Raising her arms, Sara let the dressmaker and her assistant Cora pull the gauzy peach-hued gown over her head. "I think it will have to be altered a great deal," Sara commented, her voice muffled beneath the delicate layers of fabric. The gowns had been fitted for Lily's lithe, compact lines. Sara was more amply endowed, with a generous bosom and curving hips, and a tiny, scoped-in waist... a figure style that had been fashionable thirty years ago. The current high-waisted Grecian mode was not particularly flattering to her. Monique settled the gown around Sara's feet and then began to yank the back of it together. "Oui, Lady Raiford has the form that fashion loves." Energetically, she hooked the tight bodice together. "But you, chérie, have the kind that men love. Draw in your breath, s'il vous plaît." Sara winced as her breasts were pushed upward until they nearly overflowed from the low-cut bodice. The hem of the unusually full skirt was bordered with three rows of graduated tulip-leaves. Sara could hardly believe the woman in the mirror was herself. The peach gown, with its transparent layers of silk and shockingly low neckline, had been designed to attract a man's attention. It was too loose at the waist, but her breasts rose from the shallow bodice in creamy splendor pushed together to form an enticing cleavage.

Early in the boob-emerging years, I had no boobs, and I was touchy about it. Remember in middle school algebra class, you’d type 55378008 on your calculator, turn it upside down, and hand it to the flat-chested girl across the aisle? I was that girl, you bi-yotch. I would have died twice if any of the boys had mentioned my booblets. Last year, I thought my boobs had progressed quite nicely. And I progressed from the one-piece into a tankini. But I wasn’t quite ready for any more exposure. I didn’t want the boys to treat me like a girl. Now I did. So today I’d worn a cute little bikini. Over that, I still wore Adam’s cutoff jeans. Amazingly, they looked sexy, riding low on my hips, when I traded the football T-shirt for a pink tank that ended above my belly button and hugged my figure. I even had a little cleavage. I was so proud. Sean was going to love it. Mrs. Vader stared at my chest, perplexed. Finally she said, “Oh, I get it. You’re trying to look hot.” “Thank you!” Mission accomplished. “Here’s a hint. Close your legs.” I snapped my thighs together on the stool. People always scolded me for sitting like a boy. Then I slid off the stool and stomped to the door in a huff. “Where do you want me?” She’d turned back to the computer. “You’ve got gas.” Oh, goody. I headed out the office door, toward the front dock to man the gas pumps. This meant at some point during the day, one of the boys would look around the marina office and ask, “Who has gas?” and another boy would answer, “Lori has gas.” If I were really lucky, Sean would be in on the joke. The office door squeaked open behind me. “Lori,” Mrs. Vader called. “Did you want to talk?” Noooooooo. Nothing like that. I’d only gone into her office and tried to start a conversation. Mrs. Vader had three sons. She didn’t know how to talk to a girl. My mother had died in a boating accident alone on the lake when I was four. I didn’t know how to talk to a woman. Any convo between Mrs. Vader and me was doomed from the start. “No, why?” I asked without turning around. I’d been galloping down the wooden steps, but now I stepped very carefully, looking down, as if I needed to examine every footfall so I wouldn’t trip. “Watch out around the boys,” she warned me. I raised my hand and wiggled my fingers, toodle-dee-doo, dismissing her. Those boys were harmless. Those boys had better watch out for me.

I AM GOING TO MAKE SWEET LOVE TO MY WOMAN FOR HOURS, my dick shouts. Sweet love? Huh. Then I nod, and then my face is in her cleavage and my tongue and my hands are doing things, and my dick is so happy he’s humming. Or vibrating. Whatever. Sir Fixit Dick is excited.

...the West had invented cleavage, with profound if under appreciated implications. A man gazing on semi-exposed breasts was not only engaging in simple lasciviousness, he was also meditating, even if unawares, of the visual embodiment of the verb 'to cleave,' which meant both to cut apart and to put together. A woman's cleavage perfectly illustrated this double and contradictory meaning, the breasts two separate entities with one identify. The double meaning was also present in how cleavage separated a woman from a man and yet drew him to her with the irresistible force of sliding down a slippery slope.

That is Man’s destiny – to fight and bleed and faint, and in the end to wake and bind the cleavage in the I with his own flesh and and seal it with his blood.

The way she sat now, leaning forward frowning, biting her pink bottom lip, her shirt dipping to reveal a hint of her cleavage . . . He wondered idly if he could get her to bend over a little farther . . . “Just what are you staring at, exactly?” Kaldar snapped back to reality. “You. You’ve been thinking hard for the last five minutes. It’s not good for you to strain your pretty little head like that. I’m waiting for the steam to shoot out of your ears to relieve the pressure on your brain.” “Aha.” Audrey glanced at Jack and George. “What you have here is a man who was caught gaping at my breasts, and now he’s trying to cover it up with rudeness.” Kaldar lost it and laughed.

The little boy snuggled closer into my chest, patting the cleavage visible from the neckline of my top. “Soft VeeVee.” Jenner’s amused voice said from behind us, “Watch it, buddy. Those are mine.” Ollie reared back to glare at my husband over my shoulder. “No! My VeeVee!” Peeking behind me, I saw Asher nudge Jenner with his shoulder. “Better watch out, man. I think you’ve got some real competition there. The kid’s a charmer, and it looks like he’s gunning for your girl.” “Can’t say I blame him. She’s the most beautiful woman I’ve ever laid eyes on.

You can’t seriously expect me to trust my mane to a woman?” Sexism, alive and well in Arik’s world, the fault of the females in his pride who’d raised him. No coddling for Arik. They didn’t believe in letting him play with dolls or caving to others. His mother and aunts, not to mention his numerous female cousins, had taught him to be tough. They didn’t allow softness in his world, not when they groomed him as the future leader of their pride. He was all male, all the time, and dammit, a man used a barber, not a hairdresser. Even if she was cute. “Suit yourself. I’ve got more than enough men to take care of—” Was that his cat growling? “— without adding a pompous one to the list.” “Pompous?” Even if she’d pegged him right, it didn’t stop his indignant glare. A glare she chose to ignore. She crossed her arms over her chest, plumping her cleavage— ooh, pretty, shadowy cleft. His curious nature drew his eyes to the mysterious and beckoning vee until she cleared her throat. “My eyes are up here, big guy.” Caught. Good thing he was a cat. His kind had no shame, nor did they apologize. He shot her his most engaging, boyish grin. “My name is Arik. Arik Castiglione.” She didn’t react to his smile or titles, so he elaborated, “The CEO for Castiglione Enterprises.” He stretched his lips wide enough to engage his deadly dimple. And still failed to impress. She raised a brow. “Is that supposed to mean something?” Surely she jested. Within his mind, his poor lion lay down in a traumatized heap and crossed its paws over its eyes. “We are the largest importer of meat in the world.” Her shoulders lifted in a shrug. “I don’t check the label to see who brings me my steak. I just eat it.” “What about our chain of restaurants? A Lion’s Pride Steakhouses.” “Those I’ve heard of. Decent, I hear, but overpriced. I can get a bigger plate of food at LongHorn. And according to my girlfriends, the male waiters are cuter too.

The next day, I talked to two friends; obviously, I didn't use myself as an example, but I asked them if they had ever felt aroused when they caught another man staring at their wife's cleavage. They didn't really answer the question because it's such a taboo. But they both agreed that it's always nice to know that your wife is desired by another man, although they wouldn't go any further than that. Is this a secret fantasy hidden in the hearts of all men? I don't know. This last week has been a little hell for both of us simply because I didn't understand my own feelings. And because I can't understand them, I blame her for provoking in me feelings that make my world seem suddenly unsafe.

A clearing of a gravelly throat pulled him from his thoughts. He turned and looked at Thomas, the boat captain, who was seventy if he was a day. “I think that’s your party there,” the older man said, nodding toward the gravel lot at the end of the dock. If he seemed a bit uncomfortable, Cooper chalked it up to the rather taciturn older man being thrust into what, based on the bits and pieces of the conversations Cooper had overheard while eating breakfast at the café that morning, was the biggest gossip story to hit the Cove in ages. Maybe the boat captain had been secretly hoping Kerry wouldn’t show and he’d be excused from chaperoning duties. Cooper was too relieved that Kerry had come to get distracted by what the captain was thinking or feeling. He turned around, a welcoming grin on his face, then went completely, utterly still. Even his heart seemed to have stuttered to a stop. Holy jumping mother of--what in the hell was she wearing? He’d just been hoping she’d show at all and assumed he’d have to cajole her out of being annoyed with him for his high-handedness. Again. Only she sure didn’t look annoyed. She looked…like an edible tray of ripe, luscious fruit. With him being the only guest invited to the bountiful buffet. Sweet Jesus. How was he supposed to keep his hands to himself with her wearing nothing more than a glorified bandana? She drew closer, and her smile turned a shade smug. She was clearly enjoying his all but cartoon character worthy, goggling reaction. And well, hell, what did she expect? He was a red-blooded male whose bed had remained strikingly empty since her departure. Since long before then, truth be told. “Hi, Thomas,” she called to the boat captain as she closed the remaining distance between them, still smiling brightly. If she was uncomfortable in her little getup in front of the older man--a man, Cooper supposed, she had to know, given everybody knew everyone in such a small village--she didn’t show it. Instead, she said, “Did they rook you into being our captain today?” The old man’s cheeks were beet red in a way that had nothing to do with decades of harsh weather. He nodded somewhat tensely. “Did indeed, Miss Kerry. Good to, uh, good to see ya,” he managed to choke out, trying to look anywhere but at the expanse of bare leg and curvy cleavage. Cooper would have felt sorry for the man, but he was too busy trying to get his own voice back.

Westcott gets a ginger ale and a Heineken. He doesn’t want the latter. He has to make the pretense. Sitting beside Regn ("Wren") the front of her black dress opens enough. It is respectable and nothing more. He does not like a woman who flaunts her cleavage. Regn is not one of those women. Westcott cautiously looks to see the elusive hummingbird etched above her right breast. He finds himself inhaling deeply, with complete imperceptibility to anyone who might be watching—though no one is—to catch the scent of her perfume. Sharon drags him onto the dance floor. Her husband doesn’t mind. After all it is innocent. They meander across the floor to Regn who is shaking out a rhythm by herself like so many of the dancers. None of the men ask Regn to dance. Everyone more or less has a date or spouse. Regn and Sharon each take one of Westcott’s hands. The three move together. Or rather they move his limbs. He wants to step lightly, freely, to sweep across the floor. He knows he could if it was just he and Regn and no one was watching. But no, that won’t do either. He wants to dance as a gentleman—to lead and direct this woman with precision, the precision and deliberateness with which he’s pursued her, unwittingly. He wants the world to look upon them and see what he hides. He wants to be applauded and yes, even envied a bit, for his grace and certainty of step. More than anything he wants Regn to move with him. Had he the confidence, the experience, were he a true man, it could never have happened. It is the slow advance that makes her love him. In many ways he is just a boy. She wants to protect him, but sometimes that look, that expression, is so old, determined. He knows what she wants. She can’t deny the way the feeling of being loved makes her feel. It’s been so long.

What the hell…” he mumbled. Shannon glanced over to see him reading a breastfeeding manual. Giggling, she told him, “You need to read that and let me know if there’s anything interesting in there. I plan on breastfeeding our child.” When she glanced at him again, it was to find him looking down the V of her shirt, to the cleavage that had grown in the past couple of months. His dark eyes glinted with fascination. “Just how big do you think those will get?” Shannon snorted. Typical man. “I’m sure they’ll go to double Ds at least.” When she glanced at him again, he stared at her hard, trying to decide if she were joking or not. “I don’t know,” she told him honestly. “I’ve already had to buy one new bra a size larger.” He turned back to the magazine and began reading in earnest.

Her feet moved into the vast space, but all she could see was Cyrus. He strode through the room the way a captain commands his ship. Was it possible his maroon bruise made him more dashing? He was a fine sight in a black broadcloth coat. Her salacious gaze dropped to a brass button lower on his waistcoat. The metal glimmered, winking at her with flirtatious intent very near the tuft of hair she remembered so well at his navel. The corner of Cyrus’s mouth crooked. If she looked ready to devour him, he read the message on her face, no words required. “Claire.” He said her name like a treasured sound. Then, her landlord bent low over her hand, kissing her knuckles and keeping her fingers in a tender hold. Her flesh sung a merry tune recalling how she’d gripped those broad shoulders of his in a fit of passion. Was that only two nights ago? Her cheeks turned hot at the memory. Cyrus rose to his full height, holding her hand. He planted a kiss on her forehead. “Mmmm…” he hummed approvingly. “You smell of almonds.” His lips lingered on her hairline, giving her another soft kiss. “And vanilla, I think. Something you cooked?” He breathed in her scent, standing close yet not intimidating in the least. His own smell was clean and starched with a hint of coffee. She reached high, touching his face like a woman with every right to partake of the feast he offered. “It’s face powder.” One finger stroked the smooth square of his jaw, her voice curving with amusement. “Today I join the ranks of ladies who meet for luncheon, and I can’t be sure if I’ve been lured here or goaded by one very challenging man put on earth to harass my senses.” She caressed his jaw, the grain of his skin smooth to the touch. He must’ve shaved in the last hour. His mouth quirked sideways, pressing the maroon bruise higher up his cheek. “Something tells me you’re the perfect woman to soothe such a man or put him in his place.” His pewter stare flicked over her exposed skin, settling on her cleavage. “As to your senses, I shall treat them with the utmost care.

I have a bra on," I said helpfully. "I noticed. Might I remove that, too?" "Gunner," I said sternly, or as sternly as a person could while she stood in a man's castle, her hands full of his ass. "You've got your hands on my boobs, and your tongue down my cleavage. At this point if I'm not yelling for the police, you can probably take it for granted that you have my consent to remove my bra." "I like to make sure," he said, pulling his head out of my breasts for a moment. "Some women have limits.

As a young cavalry officer out of St-Cyr, de Mun first became acquainted with the lives and problems of the poor through the charitable work of the Society of St-Vincent de Paul in his garrison town. During the Commune, as an aide to General Galliffet, who commanded the battalion that fired on the insurgent Communards, he saw a dying man brought in on a litter. The guard said he was an “insurgent,” whereupon the man, raising himself up, cried with his last strength, “No, it is you who are the insurgents!” and died. In the force of that cry directed at himself, his uniform, his family, his Church, de Mun had recognized the reason for civil war and vowed himself to heal the cleavage. He blamed the Commune on “the apathy of the bourgeois class and the ferocious hatred for society of the working class.” The responsible ones, he had been told by one of the St. Vincent brothers, were “you, the rich, the great, the happy ones of life who pass by the people without seeing them.” To

She managed to smile without smiling, her serious face a-shine with pleasure- real pleasure, which was something he recognized only because he'd never seen it before, not on any of the hundreds of faces which had smirked vainly or proudly or coyly at him as he played out his hero farce. It was Sheridan who looked away, feeling unexpectedly awkward. She was outlandish and yet curiously lovely in her sparrowish, humble way. It made him uncomfortable. He was partial to beautiful women; he liked prettiness as well as the next man. But this was something different. Something that touched him in obscure and half-forgotten places. In his soul, he might have said, if he'd thought he still had one to stir. Which he didn't, as he proved to himself by lowering his eyelids and enjoying the deliberate and easy kindling of more familiar sensations. Her dress, cut in a modish horizontal line across her bosom, revealed quite enough to assure him that nothing artificial amplified the swell of her breasts. The straight neckline made an inviting path, starting low on her shoulders and crossing the opulent expanse of skin at a point that on most females would have been perfectly modest, but which on Miss St Leger clearly showed the shadowy prelude to a luxurious cleavage.

His gaze dips to my cleavage, and it arouses satisfaction in me because he’s still only a man. I paid a lot of money for these tits, so they better be the best.

It was difficult to breathe but I would die a happy man in between her cleavage.

The Chinese might have invented gunpowder and the noodle, but the West had invented cleavage, with profound if underappreciated implications. A man gazing on semi-exposed breasts was not only engaging in simple lasciviousness, he was also meditating, even if unawares, on the visual embodiment of the verb “to cleave,” which meant both to cut apart and to put together. A woman’s cleavage perfectly illustrated this double and contradictory meaning, the breasts two separate entities with one identity. The double meaning was also present in how cleavage separated a woman from a man and yet drew him to her with the irresistible force of sliding down a slippery slope. Men had no equivalent, except, perhaps, for the only kind of male cleavage most women truly cared for, the opening and closing of a well-stuffed billfold. But whereas women could look at us as much as they wanted, and we would appreciate it, we were damned if we looked and hardly less damned if we didn’t.

Natasha Kavin had been pretty. Hot, actually. That’s how a man would describe her. Thin and blonde, with big, perky boobs that had to be fake, but who cared when they looked that good. My own fairly large breasts did a better job of making me look heavy than they did of arousing anyone. I stuck the spoon back in the jar and set it to one side. Granted, Robert had seemed to enjoy them. I looked down and squeezed my elbows together, watching as my breasts plumped together nicely with a deep line of cleavage visible below the V-neck of my sweater.

You need to train him to sleep elsewhere,' said the dust-wife, disapprovingly. 'Otherwise you'll have a rooster who thinks he should dive headfirst in to your cleavage when he wants to roost.' 'It's been a while since any man wanted to dive in to my cleavage,' said Agnes. 'It might be a nice change.' 'Not when the spurs grow in.' 'Oh, well, probably not.

(...) the unmarried women strap on their weaponry (winsome smiles, robust cleavage, accommodating personalities) and go to war over him.

Agnes rummaged around in her scarf and produced Finder, who was half asleep and clearly indignant at being awoken. “You need to train him to sit somewhere else,” said the dust-wife disapprovingly. “Otherwise you’ll have a rooster who thinks he should dive headfirst into your cleavage when he wants to roost.” “It’s been a while since any man wanted to dive into my cleavage,” said Agnes. “It might be a nice change.

A man will find it a lot sexier if you wear a shirt or sweater that somewhat shows the shape of your breasts than  walking around bare-breasted. Even showing cleavage too soon is not a good idea. Show him shapes, not the actual body part.

dress apart and exposes her breasts to Morgan. The studio audience go wild with laughter and applause. Both Bialik’s host and her fellow guest clap and laugh as volubly as possible. Something is made of the fact that Morgan actually looks like he is blushing and seems almost embarrassed for a moment. When he stresses again that he likes cleavages but that he doesn’t think they should be on display during tributes to dead colleagues, but that again he loves cleavages, Bialik gets back up. ‘Do you need to see it again?’ and once again (more briefly this time) pulls the top of her dress apart for him.8 None of this could have possibly gone down better. All of it was lapped up by audiences in the studio and at home. In 2016 exposing your breasts was a ‘feminist’ act. Exposing them to a man who had not asked to see them was an especially ‘feminist’ act.

Well, Mr. Cranton,” she said, brows raised. “When you told me you needed my gown so as to clean the sea stains and tar from it, I had no idea that you had… uh, other uses for it.” Loud guffaws met her remark. “Really, Captain O’ Devir,” she said, turning to the grinning Irishman. “Your so-called Navy has some odd ways of amusing itself.” “Odd ways that saved all of our hides,” cried a nearby seaman. “Three cheers for our captain!” “Hip hip, huzzah! Hip hip, huzzah! Hip hip, huzzah!” Nerissa, confused, could only stare at them all. They’d surely lost their minds. “I expected there to be a sea fight, and I’m very glad there was not, but how did you manage to avoid getting blown to the ends of the earth, Captain O’ Devir?” He just shrugged, his eyes hungry and dark as he took in her long, willowy form, her legs clearly outlined in Midshipman Cranton’s skinny breeches. “Well, Lady Nerissa, ye’re the most valuable person on this ship and that countryman of yers back there knows it. He wouldn’t dare fire on us with you up here on deck.” “But I wasn’t up here on deck.” “Aye, precisely. But that piece of sh—… ehm, that blaggard back there, didn’t know that. Ye’ll stay in Cranton’s uniform so he doesn’t find out.” “What? What are you all talking about?” Lieutenant Morgan, chewing on a piece of dried ginger, was the one who clarified it for her. “Captain O’ Devir would never risk your life by having you up on deck where musket or cannonballs could be flying, so he had Cranton here pretend to be you.” The youth rubbed the back of his head. “Didn’t need to hit me quite so hard, sir,” he said good naturedly. “I nearly didn’t have to fake being knocked out cold.” “My heavens,” Nerissa said, as laughter greeted the youth’s remark, and immediately the sailor’s teasing resumed. “Still think you make a fetching young lady, Mr. Cranton!” “Can I call on you, my lady?” asked Tackett the sailing master, making an elegant leg to the blushing youth. “I’d love to run my fingers through your hair….” “Hell, I’d love to run mine through his cleavage.” “Hahaha!” “Shut yer gobs, ye rogues,” said Captain O’ Devir. “That’s an officer ye’re talkin’ to. Give him some respect.” More guffaws, because it was hard to give a man any respect when he stood before them in a lady’s gown, red-faced, fuming, and reaching into his bosom to tear out the other stocking. He flung it down. “My apologies, Lady Nerissa,” he said, looking like he was about to take a swing at the sailing master. “You should not have to listen to such talk.” She couldn’t help but be caught up in their high spirits. “I have brothers,” she said, smiling. “There’s not much that will offend me, I can assure you.

The Primary Act. As they entered the cinema, Dr Nathan confided to Captain Webster, ‘Talbert has accepted in absolute terms the logic of the sexual union. For him all junctions, whether of our own soft biologies or the hard geometries of these walls and ceilings, are equivalent to one another. What Talbert is searching for is the primary act of intercourse, the first apposition of the dimensions of time and space. In the multiplied body of the film actress - one of the few valid landscapes of our age - he finds what seems to be a neutral ground. For the most part the phenomenology of the world is a nightmarish excrescence. Our bodies, for example, are for him monstrous extensions of puffy tissue he can barely tolerate. The inventory of the young woman is in reality a death kit.’ Webster watched the images of the young woman on the screen, sections of her body intercut with pieces of modern architecture. All these buildings. What did Talbert want to do - sodomize the Festival Hall? Pressure Points. Koester ran towards the road as the helicopter roared overhead, its fans churning up a storm of pine needles and cigarette cartons. He shouted at Catherine Austin, who was squatting on the nylon blanket, steering her body stocking around her waist. Two hundred yards beyond the pines was the perimeter fence. She followed Koester along the verge, the pressure of his hands and loins still marking her body. These zones formed an inventory as sterile as the items in Talbert’s kit. With a smile she watched Koester trip clumsily over a discarded tyre. This unattractive and obsessed young man - why had she made love to him? Perhaps, like Koester, she was merely a vector in Talbert’s dreams. Central Casting. Dr Nathan edged unsteadily along the catwalk, waiting until Webster had reached the next section. He looked down at the huge geometric structure that occupied the central lot of the studio, now serving as the labyrinth in an elegant film version of The Minotaur . In a sequel to Faustus and The Shrew , the film actress and her husband would play Ariadne and Theseus. In a remarkable way the structure resembled her body, an exact formalization of each curve and cleavage. Indeed, the technicians had already christened it ‘Elizabeth’. He steadied himself on the wooden rail as the helicopter appeared above the pines and sped towards them. So the Daedalus in this neural drama had at last arrived. An Unpleasant Orifice. Shielding his eyes, Webster pushed through the camera crew. He stared up at the young woman standing on the roof of the maze, helplessly trying to hide her naked body behind her slim hands. Eyeing her pleasantly, Webster debated whether to climb on to the structure, but the chances of breaking a leg and falling into some unpleasant orifice seemed too great. He stood back as a bearded young man with a tight mouth and eyes ran forwards. Meanwhile Talbert strolled in the centre of the maze, oblivious of the crowd below, calmly waiting to see if the young woman could break the code of this immense body. All too clearly there had been a serious piece of miscasting. ‘Alternate’ Death. The helicopter was burning briskly. As the fuel tank exploded, Dr Nathan stumbled across the cables. The aircraft had fallen on to the edge of the maze, crushing one of the cameras. A cascade of foam poured over the heads of the retreating technicians, boiling on the hot concrete around the helicopter. The body of the young woman lay beside the controls like a figure in a tableau sculpture, the foam forming a white fleece around her naked shoulders.