Chopper Read Quotes

I once met a man who was paranoid about dying, so i shot him

Referring to another crim he knew. "Tiger...I used to tell him he should use some of his money on plastic surgery and a face lift because he is dog ugly. He had a head like a robber's dog.

But why, why all the hurt? Because, said Mr. Halloway. You need fuel, gas, someting to run a carnival on, don't you? Women live off gossip, and what's gossip but a swap of headaches, sour spit, arthritic bones, ruptured and mended flesh, indiscretions, storms of madness, calms after the storms? If some people didn't have something juicy to chew on, their choppers would prolapse, their souls with them. Multiply their pleasure at funerals, their chuckling through breakfast obituaries, add all the cat-fight marriages where folks spend careers ripping skin off each other and patching it back upside around, add quack doctors slicing persons to read their guts like tea leaves, then sewing them tight with fingerprinted thread, square the whole dynamite factory by ten quadrillion, and you got the black candlepower of this one carnival. All the meannesses we harbor, they borrow in redoubled spades. They're a billion times itchier for pain, sorrow, and sickness than the average man. We salt our lives with other people's sins. Our flesh to us tastes sweet. But the carnival doesn't care if it stinks by moonlight instead of sun, so long as it gorges on fear and pain. That's the fuel, the vapor that spins the carousel, the raw stuffs of terror, the excruciating agony of guilt, the scream from real or imagined wounds. The carnival sucks that gas, ignites it, and chugs along its way.

I don’t know how to cure the source-itis except to tell you that I can discover a good many possible sources myself for Wise Blood but I am often embarrassed to find that I read the sources after I had written the book. I have been exposed to Wordsworth’s “Intimation” ode but that is all I can say about it. I have one of those food-chopper brains that nothing comes out of the way it went in. The Oedipus business comes nearer home. Of course Haze Motes is not an Oedipus figure but there are the obvious resemblances. At the time I was writing the last of the book, I was living in Connecticut with the Robert Fitzgeralds. Robert Fitzgerald translated the Theban cycle with Dudley Fitts, and their translation of the Oedipus Rex had just come out and I was much taken with it. Do you know that translation? I am not an authority on such things but I think it must be the best, and it is certainly very beautiful. Anyway, all I can say is, I did a lot of thinking about Oedipus.

You will notice that I have not written about the horrors of prison life, or the conditions, hardships, treatment and so forth, because men reading this book who have been to jail will be bored to tears and people who haven't been to jail can bloody well come in here and find out for themselves.

When your mama was the geek, my dreamlets,' Papa would say, 'she made the nipping off of noggins such a crystal mystery that the hens themselves yearned toward her, waltzing around her, hypnotized with longing. "Spread your lips, sweet Lil," they'd cluck, "and show us your choppers!"' This same Crystal Lil, our star-haired mama, sitting snug on the built-in sofa that was Arty's bed at night, would chuckle at the sewing in her lap and shake her head. 'Don't piffle to the children, Al. Those hens ran like whiteheads.' Nights on the road this would be, between shows and towns in some campground or pull-off, with the other vans and trucks and trailers of Binewski's Carnival Fabulon ranged up around us, safe in our portable village. After supper, sitting with full bellies in the lamp glow, we Binewskis were supposed to read and study. But if it rained the story mood would sneak up on Papa. The hiss and tick on the metal of our big living van distracted him from his papers. Rain on a show night was catastrophe. Rain on the road meant talk, which, for Papa, was pure pleasure. 'It's a shame and a pity, Lil,' he'd say, 'that these offspring of yours should only know the slumming summer geeks from Yale.' 'Princeton, dear,' Mama would correct him mildly. 'Randall will be a sophomore this fall. I believe he's our first Princeton boy.' We children would sense our story slipping away to trivia. Arty would nudge me and I'd pipe up with, 'Tell about the time when Mama was the geek!' and Arty and Elly and Iphy and Chick would all slide into line with me on the floor between Papa's chair and Mama. Mama would pretend to be fascinated by her sewing and Papa would tweak his swooping mustache and vibrate his tangled eyebrows, pretending reluctance. 'WellIll . . .' he'd begin, 'it was a long time ago . . .' 'Before we were born!' 'Before . . .' he'd proclaim, waving an arm in his grandest ringmaster style, 'before I even dreamed you, my dreamlets!' 'I was still Lillian Hinchcliff in those days,' mused Mama. 'And when your father spoke to me, which was seldom and reluctantly, he called me "Miss." ' 'Miss!' we would giggle. Papa would whisper to us loudly, as though Mama couldn't hear, 'Terrified! I was so smitten I'd stutter when I tried to talk to her. "M-M-M-Miss . . ." I'd say.' We'd giggle helplessly at the idea of Papa, the GREAT TALKER, so flummoxed. 'I, of course, addressed your father as Mister Binewski.

He’d fly his chopper over the Berlin lakeside beaches, for example, throwing out leaflets that read, “The handsome young man flying this helicopter is Captain Dale Le Clerc. If you would like to meet him in person, ring him at…” with, of course, his phone number and the best time to call. These things would flutter, en masse, onto the tanned bellies of the West Berlin sunbathers, and the results were mind-boggling. Once I went back to his apartment with him, only to find a line of girls waiting patiently at his door, all of them ready to live the day

All my films are about Hong Kong." Wong Kar Wai once told me, "even if they're set in Argentina." While many in the West saw Happy Together primarily as a love story, his compatriots saw it something more timely and relevant: Wong grappling with the meaning of the handover to China. They knew it wasn't coincidental that the film should open in Hong Kong one month before that historical transfer of power. Nor was it coincidental that it should begin with a shot of Hong kong passports and end with Tony Leung's Lai on a train in Taipei, not Hong Kong, heading into an indeterminate future as the soundtrack plays Danny Chung's cover of the pop song "Happy Together" --a title that could be read as predicting a successful union, or as a slash of bitter irony. Even the movie's defining image, the aerial shot of water rushing down Iguazu Falls, is layered with political intimations that cut in different directions. At once thrillingly spectacular and patently dangerous--Chris Doyle, who's terrified of heights, shot it while hanging out of a chopper--the roaring waters that combine in these falls are an expression of the inexorably rushing power of reunion that can be seen as both a symbol of great strength or the downward pull of destruction.

When the blood starts flying. I'll do business with the Devil himself. Victory at all costs is the only thing. You can discuss the moral ethics as we bury the enemy.

but before he can elaborate, that door which separates Emile’s kitchen from the rest of the world swings open. It is Andrey, as prompt as ever, with his Book in hand and a pair of spectacles resting on the top of his head. Like a brigand after a skirmish, Emile slips his chopper under the tie of his apron and then looks expectantly at the door, which a moment later swings again. With the slightest turn of the wrist the shards of glass tumble into a new arrangement. The blue cap of the bellhop is handed from one boy to the next, a dress as yellow as a canary is stowed in a trunk, a little red guidebook is updated with the new names of streets, and through Emile’s swinging door walks Count Alexander Ilyich Rostov—with the white dinner jacket of the Boyarsky draped across his arm. One minute later, sitting at the table in the little office overlooking the kitchen were Emile, Andrey, and the Count—that Triumvirate which met each day at 2:15 to decide the fate of the restaurant’s staff, its customers, its chickens and tomatoes. As was customary, Andrey convened the meeting by resting his reading glasses on the tip of his nose and opening the Book. “There are no parties in the private rooms tonight,” he began, “but every table in the dining room is reserved for two seatings.” “Ah,” said Emile with the grim smile of the commander who prefers to be outnumbered. “But you’re not going to rush them, eh?” “Absolutely not,” assured the Count. “We’ll simply see to it that their menus are delivered promptly and their orders taken directly.” Emile nodded in acknowledgment. “Are there any complications?” asked the Count of the maître d’. “Nothing out of the ordinary.” Andrey spun the Book so that his headwaiter could see for himself.

So how big were his teeth? Are we talking big bad wolf?" "Did you read The Beano when you were a kid?" "Yeah, once or twice." "Picture Dennis the Menace's dog Gnasher with an elderly human face and you've nailed Norman. I think he must have been a larger man when he had the choppers made. His face has shrunk with age, but the teeth have stayed the same.

Halyard yawned and was annoyed to think that Lynn, who had just read "order out of chaos" as "order out of koze," made three times as much money as he did. Lynn, or, as Halyard preferred to think of him, Planck, hadn't even finished high school, and Halyard had known smarter Irish setters. Yet, here the son-of-a-bitch was, elected to more than a hundred thousand bucks a year!" "You mean to say that this man governs without respect to the people's spiritual destinies?" whispered Khashdrahr. "He has no religious duties, except very general ones, token ones," said Halyard, and then he started wondering just what the hell Lynn did do. EPICAC XIV and the National Industrial, Commercial, Communications, Foodstuffs, and Resources Board did all the planning, did all the heavy thinking. And the personnel machines saw to it that all governmental jobs of any consequence were filled by top-notch civil servants. The more Halyard thought about Lynn's fat pay check, the madder he got, because all the gorgeous dummy had to do was read whatever was handed to him on state occasions: to be suitably awed and reverent, as he said, for all the ordinary, stupid people who'd elected him to office, to run wisdom from somewhere else through that resonant voicebox and between those even, pearly choppers. And Halyard suddenly realized that, just as religion and government had been split into disparate entities centuries before, now, thanks to the machines, politics and government lived side by side, but touched almost nowhere. He stared at President Jonathan Lynn and imagined with horror what the country must have been like when, as today, any damn fool little American boy might grow up to be President, but when the President had had to actually run the country!

Instead of handing him back his pen, she decided to add one more thing. She handed him the list, which he read, then gave a low, sexy chuckle. " 'Is interested in joining the mile-high club.' I've got just the chopper for that," he said as he kissed her again.